Search results for ""Kerber Verlag""

About a decade ago, Deutsche Bank initiated the Artist of the Year program. On the occasion of its 10th anniversary it is now for the first time awarding three artists at the same time: Maxwell Alexandre, Conny Maier, and Zhang Xu Zhan. What all three have in common is that they came to contemporary art via unusual paths and bring very specific life experiences and cultural influences with them. Maxwell Alexandre was born in Rocinha, Rio de Janeiro’s largest favela, where he still lives today. The paintings and installations of the artist of African descent revolve around community and violence, hip-hop and spirituality. Conny Maier lives and works in Berlin and Portugal and is one of the most important discoveries in the current German painting scene. Maier’s art reflects a world shaped by representation and materialism, in which people seem to lose control. Zhang Xu Zhan was born in 1988 into a family that has been making and trading in traditional paper figurines for over a century. His stop-motion films, staged in immersive installations, take us into the realm of nature spirits and demons. With translations of the text about the work of Maxwell Alexandre in Brazilian Portuguese, with translation of the text about the work of Conny Maier in German and with a translation of the text about the work of Zhang Xu Zhan in Chinese. Text in English, Portuguese, Chinese and German.

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The Dutch sculptor Eja Siepman van den Berg (*1943) developed her distinctive visual program in the early 1970s. Her representations of the human body in bronze and stone bear witness to her interest in a harmonious figuration and the principles of abstraction. Siepman van den Berg strives for a clarity of form that omits the merely decorative and superfluous. This also explains her broad interest in early Greek kouroi and in twentieth-century sculptors such as Constantin Brâncuși and Donald Judd. This richly illustrated publication with the allure of a catalogue raisonné opens up the extensive body of work of one of the Netherlands’ major sculptors.

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From endless spaces to interiors, from ultramarine to cobalt blue: this book traces the development of Patrick Kaufmann’s (*1971) art over several cycles of paintings, all of which revolve around the theme of space. This comprehensive monograph also reflects his study of materials and their qualities, which leads ever closer to the essence in which spirit and material meet. More than any other, blue proves to be the colour that demands the presence of the artist, meaning a deep immersion in the self. It is the colour of transformation, which turns the process of painting into a simultaneous exploration of consciousness. Text in English and German.

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Color Archaeology is the first major monographic cross-section of the versatile and engaging work of Mexican artist Beatriz Morales (* 1981). The selection of work represented in this special volume is complemented with texts by Lebanese cognitive scientist Yasmina Jraissati, renowned curator Michel Blancsubé and award winning author Luisa Reyes Retana. A portrait of an unusual, autodidactic artist who integrates Latin America, Central Europe and the Middle East in her work, this book also takes a broad, in-depth look at the very nature of colour per se. Morales’s multilayered oeuvre—encompassing painting, installation, and video—and Jraissati’s scientific, philosophical view of the interplay between colour and cultural influence open up to the reader an expanded perspective of colour and materiality in art, unfolding between the poles of the traditional and the contemporary, the individuals and the universal. Curator Michel Blancsubé, a renowned specialist on contemporary Mexican art, provides analytical commentary on Morales‘ oeuvre, while award winning novelist Luisa Reyes Retana engages poetically with the artist‘s biography between Mexico City, Beirut and Berlin. Text in English and German.

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What can an abstract image be? Starting with this question, Clara Brörmann (*1982) develops paintings in different formats - canvas as landscape, as symbol, as figure. Her works are not two-dimensional, but have a body and can be viewed from various perspectives. The catalogue Kopfbilder begins with her relatively recent series of head paintings. Brörmann’s painting is characterised by her processual work method and a vivid materiality. Text in English and German.

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Mirjana Vrbaški: odd time, the artist's first monograph, cuts to the core of Vrbaški’s practice: A ritualistic search for states of quiet tension. Accompanied by Koen Potgieter’s insightful contemplation, odd time juxtaposes Vrbaški’s austere portraits of women against cryptic forest scenes from the Dalmatian coast. Modelling the book after the asymmetrical musical rhythm known as “odd time meter” and native to Southern European musical traditions, Vrbaški composes a visual sequence that celebrates the hidden over the obvious. In an era insistent on knowing and controlling, odd time opens space for a dissonant experience of the world.

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Green Sky, Blue Grass - this title is perhaps irritating: isn’t the sky blue and the grass green? In ancient Japanese poetry the sky is sometimes described as green, and the grass as blue. Even though all people see the same way, physiologically speaking, colours are perceived differently, and in various cultures they are ordered according to different criteria. In addition, many diverse social and cosmological ideas are linked to colours. This publication sheds light on the phenomenon of “colour” from interdisciplinary perspectives. Anthropological case studies enter into a dialogue with essays from the fields of philosophy, linguistics, and physics.

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In 2019 Manfred Zapatka ended his more than 50-year-long career in the theatre at the Residenz Theatre in Munich. An outstanding actor, he represents a generation of German-language ensemble theatre-makers that has recently been retiring. The photographer Fabian Zapatka (*1978) decided to accompany his father as he bade his farewell. His photographic piece Vater (Father) starts in the world of the Munich theatre. The end of their journey is marked by his father’s retreat to his parents’ home in Cloppenburg, Lower Saxony, where he spent his childhood. The old house in the old hometown, which stood empty for nearly 30 years, will become his new home. Text in English and German.

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Becoming Photography looks back at the more than 30-year-long career of the Canadian artist Chuck Samuels (*1956). Samuels often photographs or films himself to explore the themes of memory, photography, and cinema. This catalogue contains analytical essays by Mona Hakim and Joan Fontcuberta. Hakim, a close colleague of Samuels, observes all of the artist’s serial work, while Fontcuberta analyses the presence of truth and falsehood in his oeuvre. Text in French.

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Field Test is a photographic examination of the conflicting field between external forces and hyperconnectivity. Jackie Nickerson (*1960) questions the living conditions of the people of this world and chronicles the consciousness of her generation. Nickerson‘s impressive photo sculptures dismantle and reconstruct, protect and destroy the individual human being. The topics that we encounter in her photographs are omnipresent: globalisation, technology and medicine, commercialisation, mass production, environmental pollution, migration, digitisation, fake news and, last but not least, COVID-19. The materials are primarily composed of plastic and packaging materials in which people literally seem to be "caught". Nickerson's work is disturbingly unsettling. They almost seem like images of an inevitable future that is already impacting us today.

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Is there something like artistic exile? What share do planning and calculation, coincidence and impermanence have in the creation of artworks and exhibitions? Valérie Favre (*1959), an internationally renowned painter, dedicates herself to these questions with an unusual exhibition at the Berliner Galerie Pankow. It opens up a continuously developing conversation with her own works and with invited artists, poets, philosophers, and sociologists. In all of this, the mysterious figure “La Poulinière” plays an important role. Text in English and German.

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Dana Meyer's (*1982) sculptures possess a timeless sovereignty. Her practice is sophisticated and bold, because without preparations or models she forges her sculptures freehandedly from steel. Her sculptural works are full of tension, powerful, and dynamic. Meyer exclusively depicts animals and humans, individually, in groups, sometimes fragmented, yet always strong in their statement, both realist and expressive. Between human and animal figures, Meyer recognises a partly metaphorical, partly portrait-like “corporeal kinship” which is able to dissolve the clearly drawn boundaries between the two spheres. Text in English and German.

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With over 100 works from 20 years of interventions in urban space, the Museum für Kunst und Kulturgeschichte in Dortmund has dedicated a large overview exhibition to René Schoemakers (*1972). From the very beginning, he has rejected any appropriation of the individual. As a direct reflex, examining the extremisms of the present has become central to his work, whether Christian or Islamic, left-wing autonomist or right-wing radical: the latter, however, in particular, since one of the attempted murders by the Nationalist Socialist Underground (NSU) in Dortmund was committed with the backing of a very active right-wing scene. Text in English and German.

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In the digital age, reality itself faces profound revolutions. The everyday, cohabitation, labour, our perception, and our senses radically shift into virtuality. In images and displays, installations, performances, and films, Anna K.E. (*1986) and Florian Meisenberg (*1980) explore the complex effects and repercussions of the latest technologies on the analogous world and the human body. For the Kunstpalais Erlangen, they have devised their collaborative exhibition as an associative circuit, which, both textually and visually multiplied, will continue within this intricately designed artist book. Text in English and German.

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Paris Buenos Aires. Two cities, two stories. Seen through the eyes of photographer Eric Mistler. On every double page, the book shows two photographs, one of each city and their people, telling stories of similarities or contrasts, and stimulating the reader's imagination and curiosity. Paris Buenos Aires is a personal story of a double identity between two cultures, as Eric Mistler was born in Buenos Aires and soon after relocated to Paris, only to return to his native city in 2018, more than fifty years after leaving it. Paris Buenos Aires is a love letter to the two cities that made him. Text in English, French and Spanish.

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The painter Nguyen Xuan Huy (*1976) is an enlightener. Born in Vietnam, he came to Europe at the age of 17, first studying in Bordeaux, and then in Halle. As a result of his own life story, he considers the precise and above all logical analysis of reality to be much more than just ideology. It is specifically this special viewpoint that makes him a noteworthy protagonist of current painting. His technically brilliant paintings therefore often appear to be allegories charged with mythology or philosophy for the intellectual condition of our apparently totally unfettered present. Text in English and German.

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Imi Knoebel is one of the most important European representatives of non-representational art, and he has devoted a lifetime to developing it. Around 1966, his first work was influenced by Kasimir Malewitsch's paintings and by Joseph Beuys, who taught him. Layering, sequencing, and stacking became his trademark techniques once he discovered masonite and its potential for creating large three-dimensional work. However, Knoebel also adopted a constrasting approach by producing extremely pared-down images which have no material form, to represent the immaterial. The catalogue of the exhibition provides a concentrated review of his early years; a newly-created complex of his works provides an insight into the essence of his multi-form work. Text in English and German. SELLING POINTS: . Imi Knoebel is one of the most important European representatives of non-representational art . This catalogue provides a concentrated review of his early years

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The magazine for classic and contemporary nude photography returns with a vibrant compilation of the most beautiful works from the field of the most intimate form of portrait photography. In selecting the works, it was important to the editor Matthias Straub to curate a bridge between the traditional approach to the human body and new, unusual perspectives. In the current edition, there are therefore both abstract works and also very classical nude studies. The familiar structuring of the magazine into the five acts of the opera, according to Gustav Freytag, guides viewers through the photos selected as a content-related leitmotiv.

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Working together as a husband-wife team for the past three decades, Ilya and Emilia Kabakov have defined and pushed Eastern European conceptualism to epic levels. Their large-scale installations and paintings seamlessly merge both reality and myth to create hyper-theatrical environments. By integrating the visual culture of the former Soviet Union from the 1950s to '70s into the traditional lexicon of art history, their work addresses universal ideas of utopia, fantasy and hope, as well as fear and oppression. The exhibition Paintings about Paintings at Dallas Contemporary and the accompanying catalogue focus on the most recent body of work, some of which never-before seen. Text in English and Spanish.

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Leiko Ikemura’s (*1951) exhibition project In Praise of Light at St. Matthew’s Church in Berlin was created at the start of the COVID-19 pandemic. A space of light and colour, specific to the time and yet timeless, began a dialogue with the church: paintings on glass and canvas, sculptures, and a light installation that filled the apse of the church transformed the church, designed by Friedrich Stüler, into an open, interior space of protection and light, creating a vivid locale for debate and conversation, ad hoc concerts, worship services, and performances. The conversations published in the book reflect the dialogic creation of the exhibition and document the artistic resonance of the show, which was curated by Hannes Langbein and Alexander Ochs. Text in English and German.

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Bogdan Rața is a sculptor. His sculptures are simple, hand-made, and most of all they are flat. A fact, not only defying the traditional perception of sculpture as something three-dimensional, voluminous, and figurative but also leading to radically new ways of aesthetic experience. Rața‘s forms are abstract and evanescent. They articulate a departure from the kind of sculpture one used to be accustomed to or familiar with. Rața urges us to reconsider today’s need for independent and critical thinking. The book accompanies his solo exhibition at the National Museum of Contemporary Art Bucharest. Text in English and Romanian.

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Young people around the world have been following the example of Greta Thunberg and demonstrating for climate protection as part of 'Fridays for Future'. Week after week since 2018, they have called emphatically for political ramifications in order to finally stop the dangerous effects of global climate change. The photographer Andrea Baumgartl (*1965) has accompanied these demonstrations from the very beginning. At close proximity and with great empathy, she shows the determination with which young people are fighting self-confidently for their future. Her new book is a highly topical, moving, and rousing contemporary document. Text in English and German.

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The exhibition catalogue Three Hundred Mountains comprises a select one hundred paintings by the Chinese artist Haiying Xu (b. 1975). In her work, Xu, who came to Germany more than two decades ago, continues to explore issues of personal identity at the tense interface between heritage, homeland, and migration. Haiying Xu's memories of the traditional cultures of southeastern China give rise to a reinterpretation of childhood fascination, imagination, and the experience of nature, though her paintings are also very specifically inspired by the colourful costumes of the Peking opera, classical Chinese literature, and the spatial concepts of shadow theatre. Despite its retrospective character, the main focus of this catalogue is her most recent work, which will be on display in 2024 as part of a solo exhibition at Galerie Andreas Binder in Munich.Text in English and German.

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Contemporary And (C&) is a dynamic platform for reflecting and connecting ideas and discourses on contemporary art from Africa and its global diaspora. C& Magazine publishes weekly features, columns, reviews, and interviews in English and French. C& América Latina Magazine (C& AL) focuses on the connections between Latin America, the Caribbean, and Africa. 2023 marks a special year for C& as the platform has turned ten! All that it holds. Tout ce qu'elle renferme. Tudo o que ela abarca. Todo lo que ella alberga brings together a selection of texts from the two online magazines' living archives and gives insight into pivotal discussions and issues related to contemporary art in an African context.Authors: Sandra Benites, Adriana Bustos, Dagara Dakin, Gürsoy Dogtas, Keyna Eleison, Fairygawdzad, N''Goné Fall, Sheila Feruzi, Will Furtado, Thuli Gamedze, Camila Gonzatto, Mia Harrison, Russel Hlongwane, Mwangi Hutter, Ruth Ige, Kapwani Ki

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The photobook No Fat Poetry is a democratic marriage of image and text, without any subordination or superordination of either. Nowadays, new media communicates a hitherto unimagined quantity of images. This means that, today, images are far more dependent on their context, and it is within these contexts that they generate an importance that may change, depending on where the image appears or who or what the image is juxtaposed with — in this case, text and typography. The origins of the texts are democratic too, and almost all of them are recycled (samplings). They are quotes by artists and photographers; they come from the street or from photo — graphic theory or aesthetics. Ultimately, the involvement of the photographers is also democratic, including newcomers and established photographers alike (e.g., Thomas Demand, Alex Prager, Jörg Sasse, Alec Soth, Josef Sudek, Jürgen Teller, Jeff Wall). Text in English and German.

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Conversation with My Other Me is a photo art book by the Berlin-based Danish photographer René Riis (b. 1967) featuring a series of multi-photograph portraits. A unique cabinet of mirrors created specifically for this purpose captures one-of-a-kind portraits of various individuals: a mixture of prominent public figures, among them dancers, politicians, actors, and sports personalities, as well as unknowns with a charismatic presence. What makes these multi-photographs so extraordinary is that the person is portrayed from five different angles. In addition, in front of the mirrors, the subjects develop a personal and unique dynamic with themselves. It is, after all, a highly unusual experience to see oneself from so many different perspectives simultaneously.

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Christian Hellmich (b. 1977) creates works characterised by gestural abstraction and the asymmetrical arrangement of planes of colour, which are used to develop a kind of geometric grid pattern that dissects the pictorial space. This avoids any uniform perspective so that spaces penetrate into one another, and various image planes appear simultaneously. The fragments of motifs that Hellmich assembles are taken from his extensive image archive of photographs, magazine cuttings, Internet sources, postcards, and more. His approach is shaped by society’s handling of images in today’s mediatised age. References to architectural structures and comic-like shapes trigger associations without being clearly categorisable, thus rousing interest in their assumed decryption. Text in English and German.

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The artist book Marcel van Eeden – 1898 is being published to coincide with the Hans Thoma Prize 2023. The prizewinner, Marcel van Eeden (b. 1965), explores Thoma’s little-known travels to the Netherlands in 1898. He reflects on Thoma’s analysis of Rembrandt van Rijn or Paulus Potter, under the problematic influence of the cultural theorist Julius Langbehn. Present-day gum bichromate images of the places Thoma visited alongside historical quotes by Thoma and Langbehn result in a multifaceted, critical consideration of nationalistic views on culture. Text in English and German.

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Light, colour, materiality. These are perhaps the most significant components of Wolfgang Kessler’s (b. 1962) paintings. An additional characteristic is the tranquillity and introversion of the figures, who are usually depicted individually before a black background. In contemporary painting, this practice is unusual. At the same time, it touches upon recollected images and a notion of beauty that are buried in our cultural memory. When the question arises as to whether painting is or may be beautiful, one likes to look far back to art-historical frames of reference. One might arrive, for instance, at Delacroix’s works, which started to engage with subjects that extended beyond the common notion of beauty. Terribly Beautiful - Wolfgang Kessler is a painter of quiet yet aggressive, power. The comprehensive publication offers a detailed insight into Wolfgang Kessler's complete paintings from 2013-2022. Text in English and German.

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This book by the artist Benno Blome (*1979) is a composition of rhythm, eloquence, and silence. It is based on a series of abstract drawings derived from incidents and objects in the real world. Even though the drawings conceal their meaning behind the clear, reduced line management, the concreteness of these models remains present in the works. In the book, the individual drawings are combined into a sort of text — a story from the unknown. Even if we are not proficient in the writing and language of this text, it is possible to recognise one pattern or another in it. This also gives rise to curiosity to fathom the other, the unknown in these drawings. Text in English and German.

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Maria Lassnig (1919–2014) is one of the most important women artists in art after 1960. Over her decades-long career, she produced an extensive and singular oeuvre in the fields of painting, drawing, and graphic reproductions, with intermittent excursions into (animation) film and sculpture. At the centre of her work are visualisations of physical perceptions, or so-called body-awareness pictures. Her painstaking self-analyses are also expressed in numerous self-portraits. Helmut Klewan accompanied Maria Lassnig as a gallerist for over three decades. This led to the development of a rich inventory of oil paintings and works on paper as well as one sculpture. Forty works from various creative phases were selected for the exhibition in Berlin. Text in English and German.

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Felix Dobbert has been devoting himself to flowers in his photographs since 2014. The publication presents four very different series. The medium of photography itself is interrogated again and again when, for instance, the active participation of algorithms in designing the pictures is addressed or when three-dimensional effects are produced directly by apps. The range extends from pictures of the past to minimalist still lifes that link the artificiality of our consumer world with the artificial aesthetics of hydrangea: “Natural, but extremely artificial, more leaf than bloom, and documented with no superficial symbolism.” Text in English and German.

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Martina Sauter’s (*1974) photographic work portrays interiors with complex planes of space and time that simultaneously explore their construction through the media. Her work focuses on how humans design the spaces in which they live and how internal spaces are created through personal experience and by what is conveyed by the media. Martina Sauter combines photographs that she herself has taken with stills from films and screenshots of newspaper images to create visual spaces with unfamiliar perspectives within which fragmented figures or text appear. This encourages the viewer to explore ostensible representations of reality while challenging them to attempt to solve the spatial pictorial puzzles they depict. One group of works is dedicated to unusual species of animals, which are positioned in new habitats through the use of collages. These works are unique visual events encompassing partial areas that glow in the dark, providing an opening into further additional worlds. The publication ONE/TWO is a book and an object in one and features works created between 2008 and 2022. Text in English and German.

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Theresa Möller (*1988) explores the tragic entanglement and indissoluble interdependency of natural evolution and cultural development. Her work is inspired by the deep vulnerability and the sensual opulence of colours and forms of nature. The shades she uses are sweet mauves, powdery blues, fruity oranges, and sea greens. Architectures reappear occasionally through horizon lines and geometrical forms created by nature. The artistic approach is phantasmagorical and reflects a tormented inner space, which also outlines major current contemporary concerns. Theresa Möller’s book Dis-Nature is an invitation to discover her own nature and her vision of contemporary painting. Text in English, German and French.

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The book Envoi of the Swedish photographer and filmmaker Stefan Bladh (*1967) consists of photographs that were created on numerous trips between 2002 und 2018. In his work, in which he lets himself be driven by intuition and instinct, Bladh explores the conditio humana. Recurring topics are the consciousness and the impermanence of our existence. “These pictures pose questions for me and make me think about our longings, our needs, and our nature; our notion of a separate self, even though we are so closely interwoven with one another—in every atom, since the beginning of time.” Stefan Bladh

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The fact that artist agencies in New York are familiar with Neumarkt in Bavaria is thanks to the chamber music hall located there. Its exceptional acoustics were what prompted the local businessman Ernst-Herbert Pfleiderer to establish the Neumarkter Konzertfreunde. For over 40 years, this association has been organising a series of concerts that are popular with both musicians and audiences. In order to trace the personal connections between artists and friends of concerts, the OSTKREUZ photographer Frank Schinski was commissioned to capture moments of closeness: in the artists’ dressing rooms, on trips, and at musicians’ homes. This resulted in this unique behind the scenes look at this very famous series of concerts: with pictures that offer all the protagonists of a very special stage. Text in German.

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In her photo and video project Mountain Pieces. Reflecting History Sissa Micheli (*1975) deals with the theme of war and peace and confronts spectators, with the wartime past of the South Tyrolean mountains. The settings for her artistic exploration are selected war zones in the massifs of Alta Pusteria. The focus is on interventions to commemorate the fallen of the First World War on the Alpine front and peace performances. Sometimes the artist herself takes on the role of protagonist in her photo and videoworks. The videos were created in collaboration with the artist Thomas Riess. Text in English, German and Italian.

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Remains: Zsolt Berszán provides in-depth insights into the works that the Romanian artist (*1974) created between 2014 and 2021. Roughly 100 artworks — paintings, sculptures, and mix-media objects — shaped by the idea of dissolution and decay are presented in three chapters. The artist again and again insinuates the human body, which becomes visible in a macabre play of distortions, contortions, and torn fragments. Zsolt Berszán is not interested in the individual itself, but in human remains, which themselves become the topic. Text in English and German.

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Yafeng Duan (*1973) was born in Hebei in northern China, in the shadow of the Great Wall. For the artist - now based in Berlin - nature is the mirror of the soul, and the source from which she draws is a spiritual one. Artistic creativity is a vehicle for approaching and exploring reality and transferring it through painting into non-spaces. Her pictures testify to her notion of a breath of energy, which spreads out into a great void and, thanks to the constitutive factors of yin and yang, solidifies into all manifestations of existence, only to pass away again. Text in English, Chinese and German.

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Ilya Kabakov (*1933) is one of the former Soviet Union’s most important and influential international artists today. After the two-volume catalogue raisonné of paintings (2008) and 2017’s catalogue raisonné of installations, we are now publishing a complete overview of Kabakov’s recent paintings. Different ideas, phases, and styles unfold across the 350 works of art, but the artist’s inimitable signature can always be recognised. Visual themes include, for example, the colour white, the relationship between complete and incomplete, and the combination of either various styles or of painting and photography. Still, all of the pieces have one thing in common: they all pursue a conceptual approach and make references to art history.

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Ulrich Wüst (*1949) trained as an urban planner and began photographing East German cities in the late 1970s. Today, his early work is widely recognised as a subtly formulated critique of social conditions in the GDR and one of the most important photographic records of the socialist state. Since the 1990s, he has expanded his practice to focus on the memory landscape of reunified Germany and the transformations of both city and countryside, particularly the villages and farming culture of Uckermark and other rural regions. In this first monograph on Wüst, Van Zante provides a context for his work in American and German urban photography and photography of place. Over 200 photographs are published here, many for the first time, including a selection of Wüst’s distinctive leporellos of titled series. An interview with the photographer and an exhibition and publishing history are included. Gary Van Zante is curator of the photography, design and architecture collections at the MIT Museum, Massachusetts Institute of Technology, Cambridge, MA, USA

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Contemporary media artist Claudia Schmitz (b. 1975) explores the limits and paradigms of media translation, both as a solo artist and through collaborative projects. Her work focuses on identity in virtual, expanded and real spaces, reactivity and interactivity, intermediality and transmediality, machine learning and artificial intelligence. She also examines issues of sustainability and synaesthetic experience and questions socio-urban structures and hegemonial perceptions. Tracing these boundaries, she develops spaces for transmedial experiences; pneumatic sculptures; multidimensional drawings. She also creates gustatory sculptures that develop their meaning on the viewer’s tongue. Invisyllables is the first volume in her monograph, which is based on the concept of an open archive. The three volumes in the archive, entitled Moving Space, Moving Air, Moving Line each convey alternative phenomenological depictions while reciprocally integrating the others. Invisyllables is dedicated to Moving Space and shows current series of work and collaborations of this internationally acclaimed artist. With texts by: Ana María Romano G., Bruno Besana, Chris Chafe, Dong Yeon Koh 고동연, EfeCeEle, Felipe Cesar Lodoño, Geroco, Ingo Reulecke, Jorge Barco, Kim Alpert, Kisso Kim 김기수, Laetitia Sonami, Lee YOO 유리, Liana Zanfrisco, Maria Colusi, Mariela Yeregui, Mikyung Song 송미경, Mimi Jeong, Nicola L. Hein, Rebekkah Palov, Sabine Ercklentz, Sarah Weaver, Seth Cluett, Silke Lisek, Susanna Schoenberg, Stefanie Stallschus, Sue-C, Tatiana Durán Text in English, German and Spanish.

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