Search results for ""Kapon Editions""

The history of Salonica and particularly the life of the Jewish Community are captured in picture postcards of the period 1897-1917. The illustrative material and accompanying texts are divided into eight sections: The People and their Costumes; Street Trades; Industry and Commerce; Homes and Neighbourhoods; Community Buildings and Institutions; Donme (Jews converted to Islam); Events and Prominent Figures; The Cemetery. English and Greek bilingual text. 217 colour illustrations.

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This brief guide to the collections of the National Archaeological Museum of Athens provides general information about all the collections, with an emphasis on the way they are presented in the Museum galleries. It illustrates representative works from each collection, demonstrating the artistic quality and value of the exhibits. The National Archaeological Museum of Athens is the largest archaeological museum in Greece and one of the most important museums in the world devoted to ancient Greek art. Large format paperback, lavishly illustrated in colour throughout

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Mycenae, in the north-eastern corner of the plain of Argos in Greece, built atop a natural stronghold, became the preeminent centre of the advanced culture that dominated mainland Greece from the C16th BC to the C12th BC. That advanced culture was named after this location—the Mycenaean civilization. This new book, lavishly illustrated in full colour throughout, offers a full picture of the archaeological site of Mycenae and its local museum, and describes the basic cultural expressions of the Mycenaean world. Concise texts, colour pictures and original photographic compositions highlight the imposing walls and buildings of the acropolis, the tombs of the Mycenaean rulers, and the museum exhibits, all of which represent various aspects of life and death in the Mycenaean world. Items described and illustrated range from wall-paintings, vases and idols to weapons and precious works of art in gold and ivory. In addition, the book offers an overview of Mycenae through the centuries, beyond Prehistory, until modern times and the excavations at the site. The presentation of the exhibits in the book follows the arrangement of the museum at Mycenae. At the same time, the reader will have the opportunity of an overall view of the achievements of the Mycenaean era, not only of those housed in the Mycenae Museum, but also of all those that vividly reflect the wealth and splendour of this culture. Colour illustrations throughout English language edition

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Photographs frame the narrative of a painful journey from Thessaloniki to Auschwitz: the loss of Renée Revah's family in the concentration camp. She promises her grandfather, the sole family member to avoid this fate, that Tehom' (biblical Hebrew for abyss') will bring him to the scene of the crime, which he had not found the strength to visit.

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Ioannina constitutes a world intertwined with its legends and the elements of nature. A city in which the lake plays a leading role, acting as a scenic artist, but also a narrator. Simultaneously, it is a city which, like the mountains surrounding it, is firmly set on the ground and, at the same time, immersed in the charm of its age-old history. Heroes, religions, myths and memories, all of which are possessions and spoils of this unique Siren, who for thousands of years now has been enticing us into listening to the song of this land.This book attempts to set out on a journey through space and time. With intermediate “stops” at the ages before and after the invention of script, the Byzantine and post-Byzantine times, the city’s conquest by the Ottomans, the reign of Ali Pasha and the Reform period to his demise and the Liberation. With “stops” at the caves of Perama and Kastritsa, Dodona —the Oracle of earth and sky, with the “high-crested” oak tree and the will of Zeus—, the Nissi (Island) —with the significant monastic state and the figures of the ancient Greek philosophers depicted on its wall paintings—, the Castle, the city of the past and the present.Man has always been at the centre of this swirl of events through space and time. It seems that his anxieties, as these were expressed in Dodona’s oracular tablets when he desperately sought prophecies, or when he silently visited a church, a mosque or a synagogue to pray, have barely changed. To him, time is no different than Plato’s perception of it: a moving image of eternity.

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The Basilica B’ in the archaeological site of Philippi dates back to the middle, approximately, of the sixth century AD and is an enigma in the history of architecture of the Justinian period of the Greek area. The present study attempts to clarify key issues of conflicting opinions that burden the relevant literature so far and to improve our knowledge on a number of unclear elements. In this context, the fact that the Basilica B’ was never completed as a building and did not function as a temple is documented, converging with the opinion of the excavator Paul Lemerle, while, at the same time, an attempt is made to determine the architect’s intentions regarding the design of the Basilica. Finally, the timeline of its construction phases is clarified and an attempt is made to determine the identity of the architect who undertook its design and construction.

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The exhibits on display in the Archaeological Museum of Thessaloniki are presented and illustrated in the pages of this Short Guide. The illustrations are accompanied by a brief explanatory text. This handy format short guide is designed to accompany visitors during their tour of the Museum, and afterwards serves as a keepsake, preserving the memory of the items displayed. The Archaeological Museum of Thessaloniki is one of the largest museums in Greece; its permanent exhibitions include unique masterpieces of ancient Greek art dating from prehistoric times to late antiquity. It holds and interprets artefacts from the Archaic, Classical, Hellenistic and Roman periods, mostly from the city of Thessaloniki but also from the region of Macedonia in general. Greek language text. 189 colour illustrations.

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The Archaeological Museum of Thessaloniki, one of the most important in Greece, houses masterpieces of Greek art associated with the history of Ancient Macedonia, from the 2nd millennium BC to the 4th century BC and the reigns of Philip II and Alexander the Great. The Guide to the Museum presents the rich, varied finds from Vergina, Sindos and Derveni and many other important Macedonian sites. Detailed illustrations accompany the descriptions of the objects on display. The introduction to Ancient Macedonia and the informative texts prefacing the descriptions of individual sections are designed to set the objects on display in their historical context, to help visitors to the Museum to enjoy the beauty of ancient art and follow the history of Macedonia.

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The North Pole, the magical kingdom of silence, has always given the impression that it would remain unchanged forever amidst its boundless tracts of ice. But the ice is beginning to melt, the icebergs of Greenland are breaking up and this legendary landscape, threatened by global warming, is gradually being destroyed. As early as the spring of 1987, Francis Latreille began to take photographs of the frozen waste of the Arctic, providing moving testimony to this alien, yet at the same time enchanting, world, and also to his admiration for those who dwell in these inhospitable regions, and their demanding way of life. Through this beautifully illustrated book, first published on the eve of the fourth International Polar Year (2007-2008), he pays tribute to the white paradise and its magical light, and to all those who live in or study the Arctic. 236 colour photograps.

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Takis Tloupas was born in Thessaly, grandson of a coppersmith and son of a carpenter, and lived and worked there, in Larisa. He followed the profession of his father, and woodcarving brought him a comfortable living; until a trip to Palaios Pandeleimonas with the Mountaineering Club introduced Takis to photography. The club president was a keen amateur photographer who showed Takis his camera and how it worked. When Takis returned to Larisa he bought his first camera, and took his first photographs—of his sister, Avyi. During a trip to Paris in 1952, Takis made the decision to change his profession and on his return to Greece, he bought a Vespa scooter and began his journeys around Greece. He undertook commissions from the Forestry Inspectorate, the Mechanical Agriculture Department and the Red Cross. In 1960 the Vespa was replaced by a Deux Chevaux, and he continued to travel the whole of Greece, taking over 30,000 photographs of what he saw on his travels, of people and their lives. But it was Larisa that he photographed most as time went by, the city in which he was born and lived. This book is much more than an album of fine photographs. It demonstrates how Takis viewed nature and men through his cameras lens and provides us with the images of a world that the rest of us have not learned to see. 574 black and white photographs.

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The Cypriot Collection of the National Archaeological Museum comprises about 850 artefacts, of which several were donated by various collectors in the late 19th and early 20th century, while others, formerly illegally owned, are the product of recent confiscations. The Collection has a wealth of sculptures, pottery and terracottas, covering virtually the entire spectrum of Cypriot archaeology from the early bronze age (ca 2500 B.C.) to Roman times (4th century A.D.). The chapter on the history of the Collection was contributed by the Director of the National Archaeological Museum, Dr. Nikolaos Kaltsas. colour illustrations throughout

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English language. 6 b&w illustrations, 7 tables. Set of 3 books. ‘Linear B, a New Outlook’, by Nicholas A. Massouridis, is the product of thirty years’ study of the phonetic values of the signs of the Linear B script. Proof that Massouridis's method is correct is demonstrated by the fact that the values have been applied by his son, Pandelis Massouridis, for over ten years. They have also been applied for the first time to the reading of dedications and Linear A tablets from Ayia Triada. Readers will be enchanted by the wonderful world and descriptive wealth of the composite words of the Greek language found in the tablets, as this language evolved towards the Homeric dialect.

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200 colour illustrations, 2 b&w. Fashion and opera are natural arenas for collaboration. The most theatrical of arts has inspired the most visionary fashion designers. Top designers such as Zandra Rhodes, Carl Lagerfeld, Georgio Armani, Marc Bohan, Gianni Versace, Viktor & Rolf, Miuccia Prada, Emanuel Ungaro and Christian Lacroix have made successful sorties as costumiers for operas all over the world. This sumptuous book profiles leading figures in the world of fashion, together with their dazzling costume designs. Interviews illuminate the journey that led each to the opera and the challenges of working in a new medium. The book includes designs for Don Giovanni, Carmen, Aida, Così fan tutte, The Magic Flute and many other operas staged at such opera houses as the Royal Opera House in Covent Garden, La Scala, the Metropolitan Opera, the Arènes de Nîmes and more. Includes over 200 illustrations, including designers' sketches and photographs of the costumes on stage. Greek language text.

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The thirteen-centuries-old church of Hagia Sophia, dedicated to the Holy Wisdom of God, has been the focus of scholarly interest and debate since the nineteenth century, generating a remarkably rich bibliography both Greek and foreign. However, until now there was no publication aimed at the visitors to this monument. This book fills the need for an informative guidebook, examining all aspects of the subject of the history of the church, its decoration, and its reception throughout history.

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For many centuries, chests were the only items of storage furniture to be found in the Greek home. Highly valued as a functional item, their connection with a wide range of everyday events and the most important stations in a person’s life (birth, marriage and death) gave the chest, from a very early date, a profound, symbolic meaning in the imagination of the Greek people. The important functional role of the chest is apparent in its decoration, which generally reflects beliefs and faith. These beliefs differ from place to place, and this can be seen in the different manner of decoration, which may also depend on general historic and social circumstances and events, as well as the artistic tradition of the region. Drawing on rich seams of Greek folklore and the fruits of many years of field research in every corner of Greece, the book offers an in-depth interpretation of the wealth of decoration found on chests. Preface by Angelos Delivorrias, Director of the Benaki Museum; Foreword by Ioanna Papantoniou, President of the Peloponnesian Folklore Foundation. Over 500 colour illustrations.

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Many visitors to the former royal estate at Tatoi know nothing about the identity of the buildings and the history of the estate that was the setting for crucial episodes of the recent national past. This tour in time and space, divided into brief sections each one dealing with a different aspect of Tatoi, provides an easy and pleasant introduction to Tatoi. Part I presents the historical dimension, while Part II guides the visitor around the estate and describes each one of the historical buildings. The work is lavishly illustrated with maps, photographs and architectural plans, as well as the author’s own drawings. 120 b&w illustrations. Text in Greek

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This brief guide to the collections of the National Archaeological Museum of Athens provides general information about all the collections, with an emphasis on the way they are presented in the Museum galleries. It illustrates representative works from each collection, demonstrating the artistic quality and value of the exhibits. The National Archaeological Museum of Athens is the largest archaeological museum in Greece and one of the most important museums in the world devoted to ancient Greek art. Large format paperback, lavishly illustrated in colour throughout

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This brief guide to the collections of the National Archaeological Museum of Athens provides general information about all the collections, with an emphasis on the way they are presented in the Museum galleries. It illustrates representative works from each collection, demonstrating the artistic quality and value of the exhibits. The National Archaeological Museum of Athens is the largest archaeological museum in Greece and one of the most important museums in the world devoted to ancient Greek art. Large format paperback, lavishly illustrated in colour throughout

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358 colour illustrations and 38 b&w drawings. Distributed by University of Exeter Press. This volume fills a major gap: there are no modern publications describing the mosaics of the major Byzantine monuments of Thessaloniki aimed at the contemporary reader, both specialist and layman.

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Month after month over the course of 11 years, artist Judith Allen-Efstathiou has been drawing the wildflowers that grow along an ancient stone-paved footpath near her home on the Greek island of Kea. The drawings document the path and its plants, both endangered by the encroachment of a road. The result of her work, Mapping the Walk, is a gorgeous, lavishly illustrated book that takes the reader on a journey along this path. With the artist as guide, we pass the ancient stone Lion of Kea, enter an intimate world of delicate beauty, and experience the extraordinary wealth of the wildflowers of Greece. Illustrated with 53 full-colour botanical drawings, along with details from the artist’s sketchbook, photographs, and artwork inspired by the drawings, Mapping the Walk is both a testament to the artist’s passionate devotion to this landscape and a celebration of the beauty and resilience of nature. The larger hope for the book is that it may be a spur to the preservation not only of this ancient footpath, but of other marked hiking trails on Kea — living, national treasures, precious, priceless, and irreplaceable.

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Τhe Katholikon of the Lavra is an iconic building in the history of Mount Athos. It represents the first of the big Katholikons erected on the peninsula, in effect initiating the building history of the monasteries of Mount Athos in the form we know today. In addition, it is a building firmly dated to 963 (exact dating is scarce for Middle Byzantine buildings, even for the most important). This is the first monograph to describe in detail the Katholikon's construction, its history, its influences, and its successive phases, complete with detailed drawings and many photographs, some in colour. Using detailed computer-designed drawings and new photographs, this monograph offers a detailed and methodical study of the history and architecture of the Katholikon. Four appendices are included: first, the ceramic decoration of the nave with Iznik tiles; the second a corpus of the churches with column-supported narthexes-litae; the third, written by Dr. Vasiliki Sythiakakis-Kritsimallis, deals with the subject of the marble decoration of the church; and the fourth is a synopsis of the churches with domes on cylindrical drums. The main text of the book is in Greek. Extensive English (24 pages) and Russian (23 pages) summaries are included.

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Why did the allies of the Triple Entente (Russia, France, and the United Kingdom) victimise this small country and persecute its king with false accusations, why the many depredations, the seizing of Greek warships and war material, the bombing of Athens, the endless fake news produced in Greece but reproduced and amplified in Paris, why the enormities of hundreds of German submarines refuelling in Greece, thousands of German Uhlans descending on Larissa, why the starving of the Greek people? What was the aim of the Entente in doing all these things? A simplistic, but politically useful, explanation was imposed at the time and has been repeated decade after decade ever since: King Constantine was working for the Germans. This book debunks this simplistic explanation and sets out all the facts proving that there was some other reason behind the dealings of the Entente Powers; they did not act in concert and - most probably- the explanation of this enigma is to be sought in France and in Greece. Greek language text

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The first holistic account of the institution of the monarchy in modern Greece, this book looks at the political behaviour of the Greek people and their relationship with authority in every form, to explore why this specific type of constitution was chosen in 1832 at the end of the Greek ‘Struggle for Independence’. The development of the monarchy is explored in parallel with the quest for popular legitimization and the constitutional dimension, taking into account the state of affairs in Europe, the need to put an end to the vicious circle of civil conflicts, and the views on the nature of the state derived from the Greco-Roman tradition. It also considers the contradictions in the constitutional legislation and the fragility of a democratic constitutional monarchy. In a second section, three individual members of the Dynasty are discussed in detail. In the cases of Constantine I and Frederika, an attempt is made to separate myth from historical reality. Finally, in a third section, the philanthropic attitude of members of the two dynasties is discussed together with the socio-political dimension of the monarchy. In an Epilogue, the author examines the causes of the unravelling of the strong, but uneasy bond between people and monarchy. 107 black and white photographs, English language text.

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The Middle Ages arguably constitute the golden age of the prominent fortress town of Methone, an ancient settlement sited on the west coast of the Messenian peninsula of the Peloponnese. Its medieval magnificence is reflected in the strong fortification walls, built by the Venetians, who expelled the Frankish garrison of Geoffrey of Villehardouin in 1206, and took over the town three years later, following the signing of the Treaty of Sapientza in 1209. When the Venetians conquered Crete, Methone functioned as a bulwark of their colony in their competition with the Genoese. The fortress turned into a station on the way to the coasts of Asia and the Holy Land. Chroniclers of the West describe the Peloponnese as “L’Île de Modon” (Island of Methone). The significance of the fortress becomes evident in the note verbale of Doge A. Barbarigo in 1500 (after its capture by the Ottomans) to the Pope, the king of Spain and other princes: “we have lost the marvellous base for all ships sailing towards the East”. In the wake of the Naval Battle of Navarino, the liberating French troops of the commander-in-chief Maison, built a new town outside the walls. What survive today within the fortress are the ruins of Ottoman baths (hammam) and a minaret, underground cisterns, a gunpowder magazine and the church of the Transfiguration of the Saviour.

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This book attempts a concise yet systematic presentation of the history and cultural identity of the Vlachs, using rare photographs that capture a variety of manifestations of the life of these non-Greek speaking communities at the beginning of the 20th century. The work enriches the bibliography on ethnography and makes an important contribution to the interpretation and understanding of the modern identity of the Vlachs of Greece.The book was published in collaboration with the Egnatia Epirus Foundation. An album of rare photographs highlighting the multiple dimensions of the Vlach populations living in both Greek and Ottoman lands in the Balkans in 1900. Text in Greek.

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'Rafts' by George Douatzis. Seventy-one poems, seventy-one recordings of life, which touch every reader. The deposition of a well-known poetic voice that heightens sensitivity, awakens, provokes. Greek language.

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English language text. 189 mainly colour illustrations. The exhibits on display in the Archaeological Museum of Thessaloniki are presented and illustrated in the pages of this Short Guide. The illustrations are accompanied by a brief explanatory text. This handy format short guide is designed to accompany visitors during their tour of the Museum, and afterwards serves as a keepsake, preserving the memory of the items displayed. The Archaeological Museum of Thessaloniki is one of the largest museums in Greece; its permanent exhibitions include unique masterpieces of ancient Greek art dating from prehistoric times to late antiquity.

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This is not simply a guidebook to the Acropolis Museum: by presenting the works of art exhibited in the museum, it endeavours to resynthesize the history of the Sacred Rock as part of the cultural and the wider historical process of Athens. Following the sequence of the visitor’s tour of the museum, it is lavishly illustrated with photographs, as well as with numerous plans and reconstruction drawings, which enable the reader to understand each of the fragmentarily preserved works in its context. It also answers many of the questions raised in the discerning reader’s mind: what was the size and the population of ancient Athens? what is the meaning of the beasts represented on the large Archaic pediments? what do the Korai statues represent? why did the Erechtheion become so complex and what was the role of the Karyatids? why was the temple of Athena Nike built in the Ionic order? what led Pericles and his advisers to opt for the specific building programme and how were the major public works financed? why was it decided to place an Ionic frieze on the Doric Parthenon? what political messages were transmitted to Sparta through the sculptural decoration of the Parthenon?

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This large format, lavishly illustrated book is silk-bound and slip cased. The book examines man’s relations with gold through myth, art, religion, the economy and everyday life. The Gold of the World traces the course followed throughout the world and through the centuries in man’s quest for gold. It begins with the first acquaintance with the precious metal and continues with the search to locate it and the techniques and methods by which it was worked. From the author’s Prologue: ‘This book attempts to trace the course taken by gold in the company of man. An endeavour of this kind does not try to exhaust the evidence, it simply touches on matters, describes them with a few words and leaves the reader to dream of the Conquistadors of Columbus, the gold-diggers of California, the moneychangers of Istanbul in Kapali Çarşi, of Peshawar in Sarapha Bazaar, to dream of the brokers of Wall Street the day of the great crash in 1929, and the miners of the Transvaal the day they found the huge nugget of gold weighing 70 kilos.' Almost 500 colour illustrations cover the place of gold in our lives in every period of human history, from prehistory to the major ancient civilizations and from the America of Conquistadores to the Europe of the great artists.

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This book is devoted to a category of manuscripts known as proskynetaria, dating mainly from the 17th and 18th centuries. Proskynetaria is the name given to manuscripts containing descriptions of the monuments of Palestine, especially the Christian ones. The manuscripts have many similarities with modern travel books, or with tourist guides to archaeological sites. The miniatures illustrating the manuscripts depict towns and sacred places, churches and monasteries, caves, mountains and lakes, as well as events from the Holy Scriptures and ecclesiastical history and tradition. The proskynetaria are brilliant examples of folk art that form a basic source for Palestine during one period of its history. Greek language text. Over 100 colour illustrations.

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240 colour illustrations. Greek language text. The Archaeological Museum of Thessaloniki, one of the most important in Greece, houses masterpieces of Greek art associated with the history of Ancient Macedonia, from the 2nd millennium BC to the 4th century BC and the reigns of Philip II and Alexander the Great. The Guide to the Museum presents the rich, varied finds from Vergina, Sindos and Derveni and many other important Macedonian sites. Detailed illustrations accompany the descriptions of the objects on display. The introduction to Ancient Macedonia and the informative texts prefacing the descriptions of individual sections are designed to set the objects on display in their historical context, to help visitors to the Museum to enjoy the beauty of ancient art and follow the history of Macedonia.

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The art of George Kastriotis moves against a background of a Greek-inspired symbolism. It is dominated by the female form in its various manifestations, serving as an allegory for natural phenomena, though busts and other subjects are also found. Inheriting the Archaising tradition from his master, Bourdelle, Kastriotis went on to create a personal version of Academic realism, which he combined with his invention of a new material, his special plaster, a cement of his own devising that he used to perfect his compositions. His sculptures are now to be found in several Museums, Galleries and Collections, as well as in public areas in Greece and Cyprus. Greek and English text. 121 black and white illustrations.

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Archaeological writing is faced with an impasse: it has become repetitive and remote from the reading public. No large-scale excavations are taking place because of the large sums of money required. Archaeological theories are rapidly overturned and archaeological methods are trapped in the technocracy of Archaeometry. The Excavation Manual has emerged from a crisis of this kind. Its texts, written in simple, everyday language, attempt to hint at this situation. Sometimes they are merely descriptive and sometimes condemnatory or satirical. Above all, however, they envisage the renewal of archaeology in action. Text in Greek.

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The thirteen-centuries-old church of Hagia Sophia, dedicated to the Holy Wisdom of God, has been the focus of scholarly interest and debate since the nineteenth century, generating a remarkably rich bibliography both Greek and foreign. However, until now there was no publication aimed at the visitors to this monument. This book fills the need for an informative guidebook, examining all aspects of the subject of the history of the church, its decoration, and its reception throughout history. Russian language edition

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Designed to be a useful travel companion, this book’s descriptions and interpretative analyses help show the monuments in a new way, through an understanding of the historical, artistic and political events that contributed to their creation. Through the text and the illustrations we get to know the gods and heroes who were worshipped on the Acropolis, the leaders who envisaged the major projects, the artists who brought them to fruition, as well as the innovative ideas they applied, and the Athenian citizens who admired and enjoyed these achievements. 95 colour illustrations.

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The scholarly interest in the Battle of Marathon remains undiminished. This book presents all the ancient sources and all the scientific theories concerning the battle of Marathon. It provides a full bibliography (from the 17th century to the present day), richly illustrated with old maps. It proposes exciting and original solutions to all the historical issues surrounding this battle of cosmic importance, fought in 490 BC. Historian Christos Dionysopoulos goes head-to-head with 669 authors and 913 articles and books, emerging triumphant with a detailed study which casts light on the events, discovers unseen aspects and proposes interesting and original solutions to the questions surrounding this historic battle. The Academy of Athens awarded a prize for this study, judging it ‘to constitute the fullest, most comprehensive and most scholarly approach to the Battle of Marathon’, and that the author, with his talent for analysis and synthesis, has ‘contributed an archaeological and historical monograph of great significance for the subject of the battle which will underpin scholarship for many years to come.’ Greek language text. 120 colour illustrations.

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95 colour illustrations. The Athens Acropolis and its Museum constitute an integrated architectural and artistic unity, one of the most important in the history of global civilization. This informative and attractive guidebook is designed to be a useful travel companion; its descriptions and interpretative analyses help show the monuments in a new way, through an understanding of the historical, artistic and political events that contributed to their creation. Through the text and the illustrations we get to know the gods and heroes who were worshipped on the Acropolis, the leaders who envisaged the major projects, the artists who brought them to fruition, as well as the innovative ideas they applied, and the Athenian citizens who admired and enjoyed these achievements.

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