Search results for ""Europa Editions (UK) Ltd""

From her home in Paris, Lina recalls the story of three women whose lives unfold in the conservative city of Barranquilla in Colombia. Amongst parties at the Country Club and strolls along the promenade in Puerto Colombia, unfurls a story of sensuality supressed by violence; a narrative of oppression in which Dora, Catalina and Beatriz are victims of a patriarchal system living in and among the fragile threads of the fabric of society. In Lina’s obsessive recounting of the past, this masterful novel transforms anecdotes of a life into an absolute view of the world, a profound panorama of Colombian society towards the end of the 50s. Written from personal memories and historical research, this is a novel that is both precise and poetic, a novel that immortalises—from the distant perspective of its narrator—the events that took place in a small seaside town. Distancing herself from her contemporaries of the Latin-American literary boom with a boldly feminist narrative, Marvel Moreno has created a world that both mirrors the close-up, private lives of the people of Barranquilla and the human condition itself. *WHAT NETGALLEY READERS ARE SAYING* "Just delightful." "Full of a fierce fightback against generations of misogyny and toxic masculinity. This book is powerful." "A wonderfully written and sensually feminist novel." "I'd read Moreno again like a shot." "There's something deliciously unexpected, even subversive about Moreno's prose."

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NETFLIX SERIES TO BE RELEASED OCTOBER 2022 WINNER OF THE 2020 YOUTH STREGA PRIZE “Mencarelli writes with the grace and power of a poet. His words illuminate truth like a flash of lightning.”—Il Sole 24 Ore “Moving and engaging. This novel will stay with you.”—Goffredo Fofi, Internazionale “Extraordinary for its intensity and empathy.”—Radio Tre June 1994. Twenty-year-old Daniele wakes up in a hospital room surrounded by strangers. Slowly, memories of the previous night return to him: a spiral of anxiety and anger, an explosion of violence so intense that it almost inflicted irreparable damage to him and his family. To his horror, he learns that he’s been sentenced to a week of mandatory treatment in a psychiatric ward. Writing with lucid realism and stunning emotional force and drawing from the author's own personal experience of mental illness, Mencarelli chronicles seven days in the hospital as he struggles to find a way out of the darkness. Daniele finds unexpected companions in his fellow patients—men who, like him, have felt the full brunt of life’s pain. Together they will realise the hidden strength and value of their common fragility and the boundless empathy they feel towards others. By focusing on some of the most marginalized people in our society, Mencarelli has written a heart-breaking and unforgettable novel that challenges our notion of normality and celebrates the salvific power of solidarity and vulnerability.

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“There is something prescient about this collection of essays…… Evocative, beautifully written."- Irish Times The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Catherine Dunne, Colum McCann, Mark O’Connell, and Sara Baume, among other Irish writers tell of a country striving to stay a step ahead of time. On the centenary of the partition that split the island in two, The Passenger sets off to discover a land full of charm and conflict; a country that in just a few decades has gone from being a poor, semi-theocratic society to a thriving economy free from the influence of the Catholic Church; from a deeply patriarchal, conservative society to one that gives space to diversity, becoming the only country in the world to enshrine gay marriage in law through a referendum. The Passenger explores Ireland’s ramifications in politics, society, culture, and sport. Memory and identity intertwine with the transformations – from globalisation to climate change – that are remodelling the Irish landscape.

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The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Marco D’Eramo, Nicola Lagioia, Matteo Nucci, and Francesco Piccolo among other Italian writers tell of a city which, despite appearances, slips further down the ranking of the world’s most liveable cities. To the problems faced by all large capitals, Rome has added a list of calamities of its own: widespread corruption, the resurgence of fascist movements, rampant crime. A seemingly hopeless situation perfectly symbolised by the fact that Rome currently leads the world in the number of self-combusting public buses. However, if we look closer, this narrative is contradicted by just as many signs that point in the opposite direction. The majority of Romans wouldn’t consider “betraying” their hometown, and the many newcomers are often indistinguishable from the natives in the profound love that binds them to the city, leading to a lack of the mass emigration. Rome is a place of contradictions, yet to understand Rome and “fix” its problems, we should consider it a normal city, “not unlike Chicago or Manchester.” Only, incomparably more beautiful.

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***A CRIME READS BEST BOOK OF THE YEAR*** An addictive and nuanced narrative about conflict-rife Colombia. A boy witnesses a violent confrontation in a remote part of town in the state of Cauca, Colombia. Minutes later, someone arrives at the scene to clear up all trace of the incident. No one in town claims to have heard or seen anything, and yet an anonymous accusation launches a dangerous investigation that unfolds within the corrupt world of the Christian churches of Latin America. A story that urgently reveals inequality and violence that govern an entire country, The Night Will Be Long is a devastatingly humorous thriller that will appeal to fans of Roberto Bolaño and Fernanda Melchor’s Hurricane Season. Santiago Gamboa’s fascinating characters introduce an addictive and nuanced narrative about conflict-rife Colombia.

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How did Danny die? On a summer’s day in 1955, the drowned body of young Danny Masters is discovered by three of his teenage friends: Alexander, heir to the country estate that neighbours the village, and siblings Lennie and Tom, whose father is land agent to the Richmond family. Lennie is in love with volatile Alexander, but is he also in love or merely playing with her? Alexander’s mother has been a widow for less than a year, yet her husband’s brother seems always to be by her side. In the weeks that follow the tragic drowning, the river begins to give up its secrets. As the circumstances surrounding Danny’s death emerge, relationships and bonds develop, and other stories gradually come to the surface, threatening to destroy an entire way of life.

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As a young woman, Else made two promises to herself: to live life to the fullest and to have a child with every man she loves. You Are Not Like Other Mothers tells the stories of the men in her life—husbands, companions, lovers and emissaries of a world in which men repeatedly prove themselves inadequate. It also tells the stories of Peter, Bettina, and Angelika, Else’s three children. Set during World War I and then the roaring twenties and the advent of Nazism and, for Else, exile in Bulgaria. But these dark years are also a time of experimentation, during which Else and the people in her life explore alternative modes of interpersonal relationships. All these stories and their characters are held together by the forceful figure of a woman who is larger than life. But the indomitable Else will make a most human mistake when she tries to hide the real extent of the Nazi tragedy from her children and, instead of protecting them, she brings disaster down upon her family.

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Does it still make sense to talk about progress? The word “progress” conjures up a positivistic view of the world, a late Victorian boundless trust in humanity’s talents for discovery and invention, and of advancement in any field, whether cultural or otherwise. But what happened after that? Did two World Wars splinter those certainties, causing progress to become separate from the idea of advancement? And can we still, nowadays, after and during an all-encompassing technological revolution, talk about progress? According to Schiavone, the financial crisis of 2008 proved a turning point, the moment when governments and people found themselves forced to act just to defend and keep what had already been achieved. The only possible solution to the ensuing political and cultural deficit is a global response that transcends the particular interest of this or that country. This is being amply demonstrated now, in the midst of the new global emergency that is coronavirus. Completed just before the start of the crisis, and with the addition of a chapter dedicated to it, these pages interrogate the progressive function of technology, not as an alien power but as an integral part of what makes us human.

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A great, ancient art form, brought right up to date by one of Japan’s foremost writersNoh is a form of classical Japanese dance-drama that has been performed since the 14th century. Based on tales from traditional literature, and structured according to strict rules, at the heart of Noh often lies an accidental encounter through which the workings of Fate are revealed. Often one of the persons is not what he or she seems to be: perhaps a ghost, or a character who has suffered a dramatic reversal of fortune. These five pieces, written between 1950 and 1955 and presented as modern plays at the time, are as suited to being performed on any stage in the world, as they are to being read in Donald Keene’s pitch-perfect translation. In them, Yukio Mishima preserves the weird and haunting mood of classical Noh, whilst lending his characters and situations the directness and hardness of an encounter on a modern city street.

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PICKED BY THE GUARDIAN AS ‘FICTION TO LOOK OUT FOR IN 2021' A dream-like, emotionally charged narrative by a bold new voice in Japanese fiction A mesmerizing combination of two tales about memory, loss and love, both told with stylistic inventiveness and breath-taking sensitivity. Taichi was forced to stop working almost a decade ago and since then he and his wife Natsuko have been getting by on her part-time wages. But Natsuko is a woman accustomed to hardship. When her own family's fortune dried up years during her childhood, she, her brother, and her mother lived a surreal hand-to-mouth existence shaped by her mother's refusal to accept their new station in life. One day, Natsuko sees an ad for a spa and recognizes the place as the former luxury hotel that Natsuko's grandfather had taken her mother to when she was little. She decides to take her damaged husband to the spa, despite the cost, but their time there triggers hard but ultimately redemptive memories relating to the complicated history of her family. The overnight trip becomes a voyage into the netherworld - a journey to the doors of death and back to life. Modelled on a classic story by Junichiro Tanizaki, Ninety-Nine Kisses is the second story in this book and it portrays in touching and lyrical fashion the lives of the four unmarried sisters in a historical, close-knit neighbourhood of contemporary Tokyo. “Kashimada is a writer who brings something truly rich." - Nikkei “The tense disquiet that hangs over the work has a unique charm. This is a world that only Kashimada could have depicted.” - Yoko Ogawa

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The tragic history of mid-century Europe told through the lives of ordinary people 1938. Thirty-two countries convene to decide how to deal with the influx of Jews fleeing Nazi Germany and Austria. Good intentions abound, but no government is willing to accept the refugees. At the same time, Fascist Italy is introducing its infamous racial laws. In this new, stirring novel Lia Levi portrays Italy’s tragic past through the story of a Jewish family, plagued by doubts, passions, weaknesses, impulses, and betrayals. Set in Genoa in the years of the racial laws, the novel follows a would-be genius son, a disappointed, regretful mother, a wise but irresolute father, an eccentric grandfather, nosy uncles, cousins who are always coming and going. How do individuals face the darkest periods of history? Will anyone rebel against the spread of violence and discrimination? Will anyone welcome them if this family flees certain persecution? A harrowing story that resonates with special urgency in our time.

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OVER 14M OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE “Nothing quite like this has ever been published before.”—The Guardian “This is high stakes, subversive literature.”—The Daily Telegraph “With the publication of her Neapolitan Novels, (Ferrante) has established herself as the foremost writer in Italy—and the world.”—The Sunday Times “An unconditional masterpiece . . . I was totally enthralled.”—Jhumpa Lahiri “An extraordinary epic.”—Michiko Kakutani, The New York Times “To the uninitiated, Elena Ferrante is best described as Balzac meets The Sopranos and rewrites feminist theory.”—The Times “Ferrante’s writing seems to say something that hasn’t been said before, in a way so compelling its readers forget where they are, abandon friends and disdain sleep.”—London Review of Books “Stunning. An intense, forensic exploration of friendship.”—The Times Literary Supplement Set in the late 1960s and the 1970s, Those Who Leave and Those Who Stay continues the story of the feisty and rebellious Lila and her lifelong friend, the brilliant and bookish Elena. Lila, after separating from her husband, is living with her young son in a new neighbourhood of Naples and working at a local factory. Elena has left Naples, earned a degree from an elite college, and published a novel, all of which has opened the doors to a world of learned and fascinating interlocutors. The era, with its dramatic changes in sexual politics and social costumes, with its seemingly limitless number of new possibilities, is rendered with breathtaking vigour. This third Neapolitan Novel is not only a moving story of friendship but also a searing portrait of a rapidly changing world.

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Winner of the 2018 Fénéon Literary Prize A subtle, captivating, and insightful exploration of the mysterious connections between love, submission, and creation. Helen and Franck, both born into high-ranking diplomatic families, meet in Rome as high-school students and immediately detect in each other the wounded child hidden beneath their gilded social status. Their relationship becomes a dangerous, explosive mix of love and friendship. Immediately after Helen's graduation, they leave their past and family behind to move in together in her apartment in Amsterdam. While Helen immerses herself in her studies and embarks on a promising academic career, Frank, after a few difficult years, makes a spectacular debut on the Dutch Art scene with his first paintings. Helen remains faithfully by his side during his rise to fame, overseeing the domestic details of his life in apparent total self-abnegation. Are introverted Helen and flamboyant Franck who they really appear to be? Are they victims or monsters? Kerninon’s English language debut, full of masterfully orchestrated twists and turns, leaves simple distinctions behind and progresses on to far more intriguing terrain.

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This new instalment in Maurizio de Giovanni’s bestselling “Bastards of Pizzofalcone” series unfolds during the crisp beginning of April in contemporary Naples. A baby is left abandoned beside a dumpster. A young Ukrainian maid fights torrents of greed and frustration with the world around her. Small animals begin to disappear off the streets. The task of solving these mysteries is entrusted to a team of policemen in which few believe: the Bastards of Pizzofalcone. De Giovanni is one of Europe’s most renowned and versatile mystery writers. His award-winning and bestselling novels, all of which take place in Naples, engage readers in gripping tales of Europe’s most fabled, atmospheric, dangerous, and lustful city.

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The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Jon Lee Anderson, Alberto Riva, and Eliane Brum among other Brazilian writers explore a multi-faceted country the world wouldn’t really associate with ‘order and progress.’ In the second half of the 20th century Brazil made extraordinary contributions to music, sport, architecture. From “bossa nova,” to acrobatic soccer, to the daring architecture of Oscar Niemeyer and Lúcio Costa, the country seemed to embody a new, original vision of modernity, at once “fluid, agile, and complex.” Seen from abroad, the victory of the far right in the 2018 elections was a rude awakening that suddenly turned the Brazilian dream into a nightmare. For locals, however, illusions had started fading long ago, amid paralyzing corruption, environmental degradation, racial discrimination, and escalating violence. Luckily, Brazilians are still willing to fight to build a better future. Today the challenge of telling the story of this extraordinary country consists in finding its enduring vitality amid the apparent melancholy.

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“Crime writing this good just has to be read.” — NB Magazine International secret police operations, drug trafficking, prostitution, and identity theft set the stage for the eternal struggle between Good and Evil “A masterpiece.”— Mystery Tribune “An engrossing fable in which families and societies unravel and are refashioned.” — ForeWord Reviews Acclaimed as one of today’s best noir writers, Massimo Carlotto reaches new heights in the most complex Alligator novel to date, rich with biting humour, humanity, and psychological insight. Marco Buratti, a.k.a. the Alligator, and his partners have fallen into a trap laid by their worst enemy: Giorgio Pellegrini, a wanted man who has no intention of living as a fugitive and turns police informer. But something goes wrong: with Pellegrini’s wife and lover in the sights of a team of ruthless sicarios, the Alligator and co. are blackmailed and forced to investigate. But they've been framed. Even if they discover who's behind the crime, they'll rot in prison. To survive, some rules will have to be bent, and others broken. “Carlotto makes even minor characters three-dimensional, such as a woman whose face shows that “she’d expected more from life and couldn’t figure out why that hadn’t come to pass,” in this grim tale of violence and corruption. James Ellroy fans will be satisfied.” - Publishers Weekly

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WINNER2019 Albertine Prize2019 Lambda Literary AwardPrix du StylePrix de la Porte Dorée 2016 Lire Best Debut Novel Le Prix du Roman NewsNow in B-format PaperbackKimiâ Sadr fled Iran at the age of ten in the company of her mother and sisters to join her father in France. Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this bestselling and beloved novel."In her remarkable novel, Negar Djavadi beautifully captures the “disorientation” of exile and the attempt to reconstruct a self through family stories." - The New York Times“The novel pulsates with life but does not shirk from violence. The gorgeous prose…takes the edge off the relentless turmoil described throughout.” - The Financial Times“A momentous saga of modern Iran.” - Publishers Weekly

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WINNER OF THE POLARI FIRST BOOK PRIZE 2017 “A remarkable debut.” - The Huffington Post “Freewheeling and incendiary.” - London Review of Books “…vibrant, wrenching début novel...sensuous and caustic, full of smoke and blood.” - The New Yorker A Middle-Eastern capital caught in the revolutionary wave of the Arab Spring. A day in the life of a young man disillusioned with both East and West and struggling to find a place for himself in a society ruled by hypocrisy and contradictions. Rasa works as an interpreter for Western journalists by day and divides his nights between the Guapa, an underground nightclub where the city’s clandestine LGBT community congregates, and his secret lover Taymour. Every night Taymour sneaks into the house Rasa shares with his overbearing grandmother, the woman who raised him. When she finds them in bed together on the eve of Taymour’s wedding day, all hell breaks loose. That same day Rasa learns his best friend, the famous drag queen Majid, has been arrested by the police. Unable to go home, afraid for Majid’s fate, and heartbroken by Taymour’s determination to keep living a double life, Rasa’s fragile balance collapses, while all around him the brief, intense season of public protest is cut short by the regime’s repression and the rapid rise of the hard-line Islamist movement. “This immensely readable novel is fluent, passionate and emotionally honest. Equally astute in its analysis of Arab and American mores, the book’s characters are nuanced and dynamic; it gives fresh life to the maxim 'the personal is political'.” - The Guardian “Guapa offers an intimate, complex portrait of gay life in the Arab world, a subject rarely explored in fiction.” - Gay Times

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“[It] will move you across the globe and back in time.” - Library Journal Europa Compass series – new format and covers For the readers of Mary Beard and Bethany Hughes (Re)discover the timeless beauty of ancient literature The classics “never exhaust what they have to say”. Informed by this belief, linguistic expert Piero Boitani invites the reader to explore the wisdom of the works of literature underpinning Western culture, and highlights their profound and sometimes surprising connection to the present. The themes explored in this book are as wide-ranging as they are enduringly relevant. They include the Iliad’s depiction of power and war, as well as its invocation of compassion as one of the necessary foundations of society; the Odyssey as the world’s first novel; Lucretius and the way he transformed Greek scientific thought into sublime poetry; Virgil’s celebration of the history of Rome, from small village to world capital, as well as Tacitus’ denunciation of the imperialistic nature of Roman power; and Ovid’s Metamorphoses—a poem about incessant change the first postmodern classic.

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WINNER2019 Albertine Prize2019 Lambda Literary AwardPrix du StylePrix de la Porte Dorée 2016 Lire Best Debut Novel Le Prix du Roman NewsNow in B-format PaperbackKimiâ Sadr fled Iran at the age of ten in the company of her mother and sisters to join her father in France. Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is

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OVER 5 MILLION COPIES SOLD IN ENGLISH WORLDWIDE OVER 14 MILLION COPIES OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE GUARDIAN 100 BEST BOOKS OF THE 21st CENTURY From one of Italy’s most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but vibrant neighbourhood on the outskirts of Naples. Growing up on these tough streets the two girls learn to rely on each other ahead of anyone or anything else, as their friendship, beautifully and meticulously rendered, becomes a not always perfect shelter from hardship. Ferrante has created a memorable portrait of two women, but My Brilliant Friend is also the story of a nation. Through the lives of Elena and Lila, Ferrante gives her readers the story of a city and a country undergoing momentous change. “Nothing quite like it has ever been published.”—Guardian “Elena Ferrante has established herself as the foremost writer in Italy—and the world.”—The Sunday Times “This is high stakes, subversive literature.”—The Telegraph

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AN EMOTIONAL AND UPLIFTING NOVEL FROM THE FRENCH MARIAN KEYES FOR FANS OF RUTH HOGAN, VERONICA HENRY AND SARAH MORGANEmma and Agathe are sisters. They grew up together yet are very different. Agathe, the youngest, messy, and ardent, has always taken up all the space in the bath, in the bedroom, and in Emma''s heart.After five years of unexplained silence, Emma arranges to meet Agathe in the family's holiday home. After their beloved grandmother passed away, the place must be emptied, and the memories revisited.The two sisters have a week to tell each other everything and make up for the time they spent apart. Will they be able to fix the past in the beauty of the summer in the Basque Country, where their childhood is knocking at the door?READER REVIEWSWonderful. Sat in bed reading ''til two o''clock last night or rather this morning!!! ?Jane (Books on the Hill)Grab this book for your next summer read! ?Dame Twich (Amazon)

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“Supremely well-crafted” - Kirkus Reviews (Starred Review)“A lively story of how children are affected by their parents, emphasised by a third narrative strand where Larry and a daughter of Escobar’s strike up a friendship on a plane trip, neither aware of their darker connection." - The Irish TimesLarry returns to Colombia twelve years after the disappearance of his father, an old associate of Pablo Escobar. His remains have finally been unearthed in a mass grave, and Larry is returning to give them a proper burial . . . but not before a reunion with his childhood friend Pedro. Pedro takes him straight from the airport to the Alborada celebration, during which fireworks explode all over Medellín, and the entire city loses its inhibitions.His homecoming quickly becomes a rude awakening. The years of luxury living in bodyguard-surrounded mansions are now firmly in the past, as Larry watches his family—including his ex-beauty queen mother and troubled brother—fall deeper into depression, drug addiction, and the traps of the family business.Faced by an uncertain reality, Larry is forced to confront his family’s turbulent history and reclaim himself from the dark remnants of a city trying to rediscover itself. Unflinching and remarkably controlled, Jorge Franco creates a stunning portrait of a generation wounded by their parents’ mistakes.What the readers are saying:"This is an amazingly good book for how it captures the various emotions Larry and the other characters go through and for the Cold emptiness it finds at the heart of it all.""It makes for a fascinating moral quandary and Franco handles the subject matter well.""Highly recommended for anyone interested in realistic Latin American fiction."

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“I greatly admire the work of Tiziana de Rogatis. She is a reader of deep refinement. Often I think that she knows my books better than I. So, I read her with admiration and remain silent.” —Elena Ferrante, in the magazine, San Lian Sheng HuoZhou KanFerrante’s four-volume novel cycle known in English as the Neapolitan quartet has become a global success, with over ten million readers in close to fifty countries. Her readers recount feeling “addicted” to the novels; they describe a pleasure in reading that is as rare as it is irresistible, a compulsion that leads them either to devour the books or to ration them so as to prolong the pleasure.De Rogatis here addresses that same transnational, diverse, transversal audience. Keywords is conceived as a lighted path made of luminous key words that synthesise the multiform aspects of Ferrante’s writing and guide us through the labyrinth of her global success.

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***SHORTLISTED FOR THE EDWARD STANFORD TRAVEL WRITING AWARD (2022), ILLUSTRATED TRAVEL BOOK OF THE YEAR*** The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Arundhati Roy, Prem Shankar Jha, Tishani Doshi explore the contradictory, terrible and joyful chaos that lies at the heart of India. From its very first contact with the West, India has been subject to great mystification as the survival of ancient rituals, and its variety of languages and cultures, continues to fascinate the world. This narrative is intertwined with a newer one that sees the frenetic change of a society at the forefront of innovation. Success stories coexist alongside stories of daily struggle. A large slice of the population still does not have access to drinking water, and agriculture (still the main source of livelihood for most of the 1.3 billion people who live there) is threatened by climate change. India is a country that does not know how to eradicate one of the most infamous forms of classism/racism: the caste system. From the resistance of the Kashmiri people to that of atheists – hated by all religious communities – from the dances of the ‘hijra’ in Koovagam to the success of the female wrestler Vinesh Phogat, learn about the contradictory, terrible and joyful chaos that lies at the heart of India.

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The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Since gaining independence from the UK, Nigeria has been in a state of permanent crisis. Dependence on oil is the glue that has kept together a country deeply divided but obsessed with an ideal of “national unity”. But this dependence has eroded institutions, compromised socio-economic development, caused corruption, coup d'états, and environmental disasters. The arrival of democracy in the 90s failed to bring much improvement. It’s estimated that over 100 million Nigerians live under the poverty threshold. Violence is widespread: from the Boko Haram terrorists to the armed secessionist movements and the growing scourge of kidnappings. How to live in a country where the state is absent? In these circumstances, Nigerians bring out all their dynamism, entrepreneurial skills, and their inventiveness. As the generation of generals who governed the country for 60 years dies out, and younger citizens refuse to ignore injustice and violence, the hope is born that a new, vibrant generation will take the country’s future into their hands. And, as they are accustomed to doing, fix it.

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*A NUMBER 1 INTERNATIONAL BESTSELLER* *Jane Garvey and Fi Glover's book club pick* Violette Toussaint is the caretaker at a cemetery in a small town in Bourgogne. Her daily life is lived to the rhythms of the hilarious and touching confidences of random visitors and her colleagues—three gravediggers, three groundskeepers, and a priest. Violette’s routine is disrupted one day by the arrival of police chief Julien Seul, wishing to deposit his mother’s ashes on the gravesite of a complete stranger. Julien is not the only one to guard a painful secret: his mother’s story of clandestine love breaks through Violette’s carefully constructed defences to reveal the tragic loss of her daughter, and her steely determination to find out who is responsible. The funny, moving, intimately told story of a woman who believes obstinately in happiness, Fresh Water for Flowers brings out the exceptional and the poetic in the ordinary. A delightful, atmospheric, absorbing tale. “An appealing indulgence in nature, food and drink, and, above all, friendships.”—The Guardian What readers are saying: “I'd read this book over and over again” “One of those books that you don’t want to end” “Absolutely amazing story” “This is one of the BEST BOOKS EVER WRITTEN!” “A really moving story of hope love and determination” “this is one of the most life-affirming books I have read”

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Without warning or a word of explanation, an unnamed 13-year-old girl is sent away from the family she has always thought of as hers to live with her birth family: a large, chaotic assortment of individuals whom she has never met and who seem anything but welcoming. Thus begins a new life, one of struggle, conflict, especially between the young girl and her mother, and deprivation. But in her relationship with Adriana and Vincenzo, two of her newly acquired siblings, she will find the strength to start again and to build a new and enduring sense of self. Told with an immediacy and a rare expressive intensity that has earned it countless adoring readers and one of Italy’s most prestigious literary prizes, A Girl Returned is a powerful novel rendered with sensitivity and verve by Ann Goldstein, translator of the works of Elena Ferrante. Set against the stark, beautiful landscape of Abruzzo in central Italy, this is a compelling story about mothers and daughters, about responsibility, siblings, and caregiving, pitch-perfect in Ann Goldstein’s English translation.

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The modest apartment in Via Gemito smells of paint and white spirit. The living room furniture is pushed up against the wall to create a make-shift studio, and drying canvases must be moved off the beds each night. Federí, the father, a railway clerk, is convinced of possessing great artistic talent. If he didn’t have a family to feed, he’d be a world-famous painter. Ambitious and frustrated, genuinely talented but full of arrogance and resentment, his life is marked by bitter disappointment. His long-suffering wife and their four sons bear the brunt. It's his first-born who, years later, will sift the lies from the truth to tell the story of a man he spent his whole life trying not to resemble. Narrated against the background of a Naples still marked by WWII and steeped in the city’s language and imagery, The House on Via Gemito – first published 20 years ago - is a masterpiece of contemporary Italian literature.

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“[Francis] is just so good at the transcription and transformation of everyday ordinary life, all seen from sideways on, so that everything becomes so strange and so funny.”–Tessa Hadley An elderly academic is accosted by a homeless woman on his way home from the cinema. She tells him her name is Laura. So begins a nightmarish journey for Gerald, who is forced to confront the mystery of his own past and to ask himself if he has lived a good life – or even a decent one. In the course of this very funny, sometimes disturbing and often moving novel, suppressed memories return to haunt him, including the question of the role he played in a family tragedy. Above all he has to assess the harm he may have done in a long-forgotten love affair. Those close to him suddenly appear unfathomable as he begins to question if he truly knows those closest to him and even himself. The problem with exploring the past, Gerald begins to see, is that there are an infinite number of ways to travel through it.

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"A woman falls for a K-pop star at a distance in this thoughtful romance for the online age." THE GUARDIAN It’s as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on live streams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boy band, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic—in which you, the reader, insert [Your/Name] and play out an intimate relationship with the unattainable star. Then Moon suddenly retires, vanishing from the public eye. As Y/N flies from Berlin to Seoul to be with Moon, our narrator, too, journeys to Korea in search of the object of her love. There, an escalating series of mistranslations and misidentifications land her at the headquarters of the Kafkaesque entertainment company that manages the boyband until, at a secret location, together with Moon at last, art and real life approach their final convergence. From a conspicuous new talent comes Y/N, a provocative literary debut about the universal longing for transcendence and the tragic struggle to assert one’s singular story amidst the amnesiac effects of globalization. Crackling with the intellectual sensitivity of Elif Batuman and the sinewy absurdism of Thomas Pynchon, Esther Yi’s prose unsettles the boundary between high and mass art, exploding our expectations of a novel about “identity” and offering in its place a sui generis picture of the loneliness that afflicts modern life.

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The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Peter Schneider, Cees Nooteboom, Vincenzo Latronico among other German writers tell of a youthful city that doesn’t cling to its “poor but sexy” past. “Berlin is too big for Berlin” is the curious title of a book by the flaneur Hanns Zischler, who joked about the low population density of a city so spread-out and polycentric—one of the reasons why it still inspires feelings of freedom and space. But the phrase also carries a symbolic, broader meaning: how can a single city encompass and sustain such a weighty mythology as that of contemporary Berlin, “the capital of cool”? In order to find out, it is necessary to go back to the origins of today’s Berlin, when time seemed to have stopped. The scars of a century of war were still visible everywhere: coal stoves, crumbling buildings, desolate minimarts, not a working buzzer or elevator. To visit the city then was a hallucinatory experience, a simultaneous journey into the past and into the future. The city’s youth seemed to have appropriated—and turned into a positive—the famous phrase pronounced by Karl Scheffler at the beginning of the 20th century: “Berlin is a place doomed to always become, never be.”

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Grief is universal and eternal, yet how we deal with itâor how it deals with usâdepends on who is grieving, when, and with whom.

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Daniel queer is a journalist living in London. His relationships appear to be sexually fulfilling but sentimentally meagre. He has no relationships outside of sexual ones, and can seem at once callow and, at times, cold to the point of cruel with his lovers. Emotionally distant from his elderly father, Daniel returns to South Africa to care for him during his final months. Following his father's death, Daniel learns of an unusual clause in the old man's will: he will only inherit his half of his father's estate once he has spent time with Theon, a cousin whom he hasn't seen since they were boys, who lives on the old family farm in the Free State. Once there, Daniel discovers that the young son of the woman Theon lives with is seriously ill. With the conditions bearing on Daniel's inheritance shifting in real time, Theon and Daniel travel to Japan for an experimental cure and a voyage that will change their lives forever.S J Naudé's masterful novel is many things at once: a li

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Luci LaBang is a star: for decades this flamboyant drag artist has cast a spell over screen and stage. Now she's the leading lady in a smash hit pantomime.When Luci's co-star meets with a mysterious accident, a new ingenue shimmers onto the scene, and Luci is immediately smitten with the fantastically beautiful Luda and her sinister charm.Luda begs Luci to share the secrets of her stardom and to reveal the hidden tricks of her trade. For Luci LaBang is a mistress of the Glamour, an arcane discipline that draws on sex, drugs, and the occult for its trancelike, transformative effects.But as Luci tutors her young protégée, their fellow actors and crew members begin meeting with untimely ends. Now Luci wonders if Luda has mastered the Glamour all too well.What follows is an intoxicating descent into the demimonde of Gasglow, a fantastical city of dreams, and into the nightmarish heart of Luda herself: a femme fatale, a phenomenon, a monster, and, perhaps, the

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One day in late spring, Andrea Marcolongo walks into an outdoor store in Paris to buy a camp bed, a sleeping bag, and a flashlight. Her destination, not a forest or mountain peak, but the deserted halls of one of the most famous museums in the world, the Acropolis of Athens.But it's hard to be truly alone when you're surrounded by the scarred beauty of the Parthenon, lit only by the moon and summoning shadows from the past.Amog them, Lord Elgin, the English diplomat who in the early 19th century orchestrated the controversial transportation of the Parthenon marbles from Ottoman Greece to London, where they remain today.As the night goes by, the empty space left by the missing statues starts evoking other, more personal absences. Marcolongo reflects on the ever-changing relationship between present and past, and on the choices that make us who we are.A powerful book that crosses time and space to remind us we cannot live in isolation but are continuously connecte

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A must-read for Murakami fans.HotlistMatsui is the driver of a taxi the colour of the night sky. Every night between the hours of 1 am and 4.30 am, Matsui guides his taxi around the streets of Tokyo, collecting passengers and their stories.Seen through the eyes of a cast of colourful characters, Goodnight Tokyo takes the reader on an intimate journey around Tokyo after dark, when Tokyo's eccentrics and insomniacs emerge, and a small grain of madness begins to germinate in the city's night air. Confessions of intimacy and loneliness merge with the surreal: the funeral of an old telephone, the flea-market in which objects are bartered for that don't actually exist.Told over a number of nights and punctuated by Matsui's dawn arrival at his favourite canteen for a plate of their famous ham and eggs Yoshida weaves a web of stories that prove to be intimately cand compellingly connected.

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Luci LaBang is a star: for decades this flamboyant drag artist has cast a spell over screen and stage. Now she’s the leading lady in a smash hit pantomime. When Luci’s co-star meets with a mysterious accident, a new ingenue shimmers onto the scene, and Luci is immediately smitten with the fantastically beautiful Luda and her sinister charm. Luda begs Luci to share the secrets of her stardom and to reveal the hidden tricks of her trade. For Luci LaBang is a mistress of the Glamour, an arcane discipline that draws on sex, drugs, and the occult for its trancelike, transformative effects. But as Luci tutors her young protégée, their fellow actors and crew members begin meeting with untimely ends. Now Luci wonders if Luda has mastered the Glamour all too well. What follows is an intoxicating descent into the demimonde of Gasglow, a fantastical city of dreams, and into the nightmarish heart of Luda herself: a femme fatale, a phenomenon, a monster, and, perhaps, the brightest star of them all.

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DOG is a novel full of deft humour and escalating tenderness a tale about misfits, human and canine, and the currents of hope and courage that bring them together. Ross Raisin, author of God''s Own CountryWhen 18-year-old Benjamin Glass goes to look at a dead whale that has washed up on the beach, he meets an unfamiliar dog who follows him home to his caravan. Benjamin isn't equipped to take care of a dog he has a chronic fear of germs, and is currently living alone while his grandmother is in hospital.But when a delivery driver recognises the dog as The Mighty Gary, the fastest greyhound in the country, and tells Benjamin about his unsavoury owners, Benjamin is forced to trust the stranger on his doorstep and devise a plan to keep Gary safe. As Benjamin becomes more attached to the dog, it becomes clear that his trust in the delivery driver may well have been misplaced. He will have to leave his comfort zone, take some unhygienic r

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Noam is a young man when the Flood wreaks havoc on the world, destroying the peaceful lakeside village he called home, and turning his whole life upside down. Destined to live forever as an immortal, Noam travels through the centuries in search of the meaning of life, and the events which shaped who we have become today.Paradises Lost is the first installment of Eric-Emmanuel Schmitt's monumental project of recounting the history of humanity, the fruits of more than thirty years of research. The first in a series, and in the form of a stylistic novel much like Yuval Noah Harari crossed with Alexandre Dumas. Schmitt combines his scientific, religious and philosophical research to propel readers from one world to another, and from pre-history to today.

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Mei is a forty-two year-old editor living in Barcelona. After years of unsuccessfully trying to become pregnant, and having grown apart from her husband, she decides to escape her crude reality when she’s made redundant from her job at a publishing house. When she moves to the cottage where she grew up, hidden in a remote forest of Catalunya, she believes this to be the perfect opportunity to finish the novel she’s been obsessing over. But as she begins writing, or trying to, tragedy hits her and solitude possesses her, forcing her to face her past, an unsolicited present and a future that is adrift. As Mei’s chance encounters and new relationships with figures from her childhood seem to keep her grounded, the forest and its inhabitants take over her as she fights to finish her novel and attempt to escape solitude unscathed.

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The humorous and heart-wrenching story of a woman’s re-entry into life on the outside after twenty years in incarceration, told over one whirlwind Fourth of July weekend. “There’s no one quite like Carlotta Mercedes, the transgender Black Colombian heroine – no, star – of the second novel by Hannaham.” —THE OBSERVER When Carlotta Mercedes was pulled into a robbery gone wrong, she still went by the name she was born with. But not long after her conviction, she began to live as a woman, an embrace of selfhood that prison authorities rejected, keeping Carlotta trapped in an all-male cell block, abused by both inmates and guards. Over twenty years later, Carlotta is granted conditional freedom and returns to a much-changed Brooklyn, where she struggles to reconcile with a family reluctant to accept her identity, and to avoid any minor parole infraction that might get her consigned back to lockup. Didn’t Nobody Give a Shit What Happened to Carlotta sweeps the reader through seemingly every street of Brooklyn, much as Joyce’s Ulysses does through Dublin. Hannaham introduces a cast of unforgettable characters even as it challenges us to confront the glaring injustices of a society and prison system that continues to punish people long after their time has been served.

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A man’s quest to bring new life to a desolate world “In this radiantly beautiful book, Sandrine Collette achieves a perfect balance between horror and beauty, finding poetry even in the dust.”—ELLE Nobody wanted Corentin. His father left him, his mother dreams of getting rid of him. Dragged from home to home, his childhood is an aimless pilgrimage, until the day his mother leaves him with old Augustine. Life begins anew for him. Deep into the remote, verdant Valley of the Forests, Corentin finds the care and love he’s been missing. When he grows up and moves to the city, Corentin immerses himself in the dazzling pleasures and distractions of urban life. But all around him, the world is on fire. Temperatures rise, rivers dry up, trees shed their leaves in June: a catastrophe is brewing. The night the worst happens, Corentin survives, hidden in the depths of the city’s catacombs. When he emerges, he finds a devastated landscape devoid of life. Human, tree, or beast: nothing is left. But Corentin, armed only with hope, sets off on a journey to find Augustine.

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An impassioned novel on the consequences of sexual exploitation and the dead ends of forgiveness 13-year-old Cléo lives a drab existence with her parents in a suburb of Paris. Her life changes when she is offered the chance to obtain a scholarship – issued by a mysterious Foundation - to realise her dream and become a modern jazz dancer. But there is more to the Foundation and their suave representative than meets the eye. Soon Cléo finds a trap has closed in on her, and she’s fallen prey to a sinister system in which she’ll eventually become complicit. Over 30 years later, a cache of images surfaces on the internet and exposes the Foundation’s exploitative, hidden purposes. The police put out a call for witnesses, and Cléo, now with a successful career as a dancer behind her, comes to realise the past has come back to haunt her. As her sense of self diffracts into multiple, contrasting images, there’s no way out but to confront her double burden as victim and predator.

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FROM THE INTERNATIONALLY ACCLAIMED AUTHOR OF A GIRL RETURNED, COMES A MOVING NEW NOVEL ABOUT SISTERHOOD, THE PAST AND ITS INDELIBLE MARKS * NATALIE PORTMAN'S BOOK CLUB PICK FOR JULY 2022* *A Strega Prize 2021 finalist * It’s the darkest time of night. Adriana, a baby in her arms, hammers on her sister's door. Who is she running from? What uncomfortable truth will she deliver? Like a whirlwind, Adriana breaks into her sister’s life bringing chaos and cataclysmic revelations. Years later, the narrator gets an unexpected, urgent summons back to Pescara. She embarks on a long journey through the night, and through the folds and twists of her memory, from her and her sister’s youth, their loves and losses, their secrets and regrets. Back in Borgo Sud, the town’s fishermen’s quarter, in that impenetrable yet welcoming microcosm, she will discover what really happened, and perhaps make peace with the past. Donatella Di Pietrantonio, expert chronicler of the bonds between mothers and daughters, revisits the places and characters of A Girl Returned with a novel focussed on the ambivalent, ambiguous, wavering but steadfast relationship between sisters.

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