Search results for ""Edinburgh University Press""

Nearly fifty years since the European Community's Foreign Ministers issued their first declaration on the conflict between Israel and her neighbours in 1971, the EU continues to have close political and economic ties with the region. Based exclusively on primary sources, this book offers an up-to-date overview of the EU's involvement in the Israeli Arab conflict since 1967. It utilises an innovative methodology to analyse keyword frequency in a sample of more than 2,500 declarations and statements published in the Bulletin of the European Communities/European Union (1967 2009), as well as council reports and press interviews (2009 19), to uncover broad patterns for qualitative analysis. The outcomes suggest that the Israeli Arab conflict is more important to the EU than any other conflict, having been central to shaping the EU's foreign policy overall.

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Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity.

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Saitya Brata Das argues that in Kierkegaard's work we find a radical eschatological critique of the liberal-humanist pathos of modernity that seeks to legitimise the sovereign power of the state by an appeal to a divine or theological foundation.Relating Kierkegaard's notion of 'Christianity without Christendom' to the Schellingian eschatological critique of sovereignty, he shows how Schelling's insistence on the eschatological difference between religion and politics is transformed and further intensified in Kierkegaard's critique of historical Reason. Das argues that such an exception without sovereignty is the crucial task of our age.

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Examines Diana Dors' film career, acting method, star image and enduring celebrity Traces the development of Dors' film acting across five decades and a range of genres Emphasises the international nature of Dors' stardom and film work Celebrates Dors' achievements as a film actor with close textual analysis of her performances rather than dwelling on her personal life, publicity stunts and tabloid news coverage Diana Dors became one of Britain's most successful sex symbols in the 1950s and remained a major celebrity until her death in 1984. This book examines both her acting method and her celebrity. It provides a detailed analysis of Dors' performance in a number of her films from across different periods of her career, investigating her versatility by paying close attention to her voice, facial expressions and looks, body poses and gestures in specific moments from her movies. It also discusses the performance of gender and age, as well as considering her later role as a gay icon.

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Analyses the expansion of head and body masking from nineteenth-century Paris to its international maturity in contemporary culture Looks at the presence and development of masquerade in the modernist era - via performance history - with parallel references to theatricality and performativity in visual arts and visual culture Comments upon masquerade's foundation in popular performance throughout the 19th and 20th centuries, frequently alluding to significant images from the history of photography Theorises masquerade within the context of European theatre and drama scholarship, as well as British and European conservatory arts and performance training Employs critical thinking influenced by phenomenological and semiotic analyses of performance This book highlights that masquerade can be regarded as a distinct genre of performance activity that employs elements of the carnivalesque, circus, dance, gestural theatre and theatre of objects. Popenhagen traces artistic disguising from fin de si cle Pierrots in Paris, Marseille and Vienna to early twentieth-century masquerading in Moscow and Z rich. He explores identity play and display through the complementary lenses of image studies, cultural history and performance theory.

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Riccardo Caporali makes a close and circular connection between metaphysics, ethics and politics in Spinoza's thought. He offers an examination of all of Spinoza's works while addressing the challenges imposed by the historical circumstances at the time. As a result, Spinoza's work and its author, the philosopher and the man, go hand in hand.Focusing on Spinoza's constant preoccupation with the relationship between metaphysics and politics, Caporali shows that it takes different forms in his various major works. He highlights specific moments of this discontinuity, particularly in the transition between the Tractatus Theologico-Politicus and the Tractatus Politicus.Caporali's reconstruction of Spinoza's political philosophy, alongside the historical context and events, is interwoven with comparisons and references to Machiavelli, Descartes, Hobbes, Locke, Vico and Hegel, as well as to many contemporary interpretations of Spinoza's thought.

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Arguing that existing modernization theories have been unnecessarily one-sided, Hedwig Fraunhofer offers a rewriting of modernity that cuts across binary methodologies nature and culture, mind and matter, epistemology and ontology, critique and affirmative writing, dramatic and postdramatic theatre. She specifically reworks the biopolitical exclusions that mark modern western epistemology, leading up to modernity's totalitarian crisis point.Fraunhofer reveals the performativity of theatre in its double sense as theatrical production and as the intra-activity of a dynamic system of multiple relations between human and more-than-human actors, energies and affects. In modern theatre, public and private, human and more-than-human, materiality and meaning collapse in a common life.

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Hostile relations between Iran and Saudi Arabia are partially responsible for the political instability plaguing the Middle East. This book argues that rapprochement between Tehran and Riyadh is possible and it sets out a realistic agenda for managing their intractable conflict. Ibrahim Fraihat interviewed over sixty scholars, policy makers, think-tank experts and activists to gain an clear, all-round view of Iran-Saudi relations since the invasion of Iraq by US troops in 2003. His research shows that effective peacebuilding would be achievable if the participating countries integrated their diplomatic efforts on three levels: government, Track Two and grassroots. The result is a fresh perspective on a dangerous and unpredictable rift that affects not only its primary parties - Iran and Saudi Arabia - but also the future of the wider Middle East.

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This book reappraises Dickens's Memoirs of Joseph Grimaldi and his imaginative engagement with its principal protagonist.

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Explores Beckett's engagement with various technologies throughout his artistic career Approaches the topic of technology from multiple perspectives previously unexplored in Beckett criticism Intervenes in current debates within Beckett Studies and related fields of literary and cultural criticism by exploring matters of technicity, intermediality, post-humanism, and the digital age Considers previously unpublished material and employs digital manuscript tools to trace the significance of technology for Beckett This collection of essays is the first comprehensive discussion of the role technology plays in shaping Beckett's trademark aesthetics. Samuel Beckett and Technology assembles an innovative and diverse range of scholarly approaches to the topic, which collectively renegotiate our understanding of his work in prose, theatre, film, radio and television. What emerges from these discussions is the centrality of technology for Beckett's creative imagination, a factor that is equally enabling as it is limiting. At the same time, the book reveals how theories of technology can yield new readings of the way Beckett responds to the conditions of technological modernity. As such, Beckett's work is examined in its relation to historical and contemporary technologies, discourses of technicity and techn?, post-humanism, and the digital age.

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For the first time, Vernon W. Cisney brings you a scholarly analysis of Jacques Derrida and Gilles Deleuze's contrasting concepts of difference. He distinguishes their responses to Hegel and Nietzsche. He finds that Deleuze formulates an affirmative conception of difference, while Derrida's differance amounts to an irresolvable negativity.

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Explores early Ottoman popular piety through the lens of the Yaz?c?o?lu brothers The first book-length study in English on the Yaz?c?o?lu brothers, among the most popular vernacular religious writers and thinkers of the early Ottoman period Reconstructs the Yaz?c?o?lus' biographies, assesses the heritage of their language and ideas and analyses the ways these were adapted to their distinct setting Argues that Ottoman popular orthodoxy emerged as a synthesis of a cosmopolitan Islamic canon to address the needs of Turcophone Muslims of the Ottoman lands Contributes to the study of non-elite intellectual life of Ottoman Muslims at the dawn of an imperial age This study follows the lives and ideas of the Yaz?c?o?lu brothers Mehmed Yaz?c?o?lu and Ahmed Bican, Sufis of the frontier city of Gelibolu and authors of the most popular religious writings in Ottoman Turkish. Carlos Grenier places the Yaz?c?o?lus' durable religious vision within their dynamic historical moment on the contested Ottoman borderlands. Examining how these non-elite writers deployed their own intellectual resources, he considers how they approached the religious sciences of the wider Islamic world. And he looks at how they created a religious synthesis appropriate for their own community, the growing Turcophone Muslim population of the Balkans and Anatolia.

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Paul Schrader’s unique relationship to the role of the author (as screenwriter, director and critic) has long informed his cinema, and raises complicated questions about the definition of the auteur. This volume of essays – one of the first collections to assess Schrader’s contributions to directing, screenwriting and criticism – includes the first original appraisals of his much-lauded masterpiece First Reformed (2017), as well as a chapter-length interview with Schrader himself, conducted by the editors. Providing a comprehensive exploration of his groundbreaking achievements in cinema, the book considers Schrader’s more overlooked films and provides new insights to their connection with his celebrated work in direction and screenwriting such as Taxi Driver (1976), Cat People (1982) and The Comfort of Strangers (1990).

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Offers the first scholarly study of the Oscars red carpet as a media phenomenon Unravels the political actions of institutions and individuals that put Hollywood Designers and stars under the limelight during the interwar years Establishes the business models proposed by Hollywood as precursors of the contemporary branding, licensing, and endorsement strategies used by fashion conglomerates Traces the historical transformation of the Academy Awards ceremony from a private banquet into one of the most popular events in global media culture Follows the changes in the fashion and film industries that impacted the dynamics of fashion at the Oscars Describes the public relations strategies that set fashion to the forefront in Oscars' history Critically addresses the contemporary impact of celebrity culture The Academy Awards' red-carpet is the most prominent fashion show in media culture. Fashion on the Red Carpet investigates the historical liaison between Hollywood and fashion institutions, to describe how public relations campaigns and the media articulate fashion discourses around the Oscars. The power-shift towards television, the emergence of celebrity culture, the post-war reactivation of transatlantic trade, the growth of fashion journalism, and the increasing circulation of designer names in the media, are converging factors leading to the institutionalisation of the red-carpet as a fashion event in its own right. Departing from archival sources, and tracing discourses of fashion, stardom, and celebrity surrounding Hollywood and the Oscars, this fascinating book explains how the red-carpet became a marquee for the endorsement of high-end fashion brands.

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Studies the dynamic industrial and cultural transformations that have produced a regional Asian cinema in the last three decades Includes case studies that illustrate collaborative models of film production, distribution, exhibition and reception that have shaped a regional Asian cinema in the last three decades Offers a new framework that synthesises Euro-American film studies approaches and inter-Asia cultural studies methodologies Contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies Asia's film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas. This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia's film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies.

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Writing Black Scotland examines race and racism in devolutionary Scottish literature, with a focus on the critical significance of blackness. The book reads blackness in Scottish writing from the 1970s to the early 2000s, a period of history defined by post-imperial adjustment. Critiquing a unifying Britishness at work in black British criticism, Jackson argues for the importance of black politics in Scottish writing, and for a literary registration of race and racism which signals a necessary negotiation for national Scotland both before and after 1997.

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Ryan Harvey and Aaron Ridley put Wagner centre-stage to show why he mattered so much to Nietzsche. Looking at both The Case of Wagner and Nietzsche Contra Wagner, they identify and define the trajectory of a number of overarching themes modernity, decadence and Wagner as the sign of decline within Nietzsche's work as a whole and then demonstrate how they crystallise into Nietzsche's final and most substantial discussion of Wagner in The Case of Wagner.Assuming no prior knowledge of Nietzsche or the texts, they offer a chapter-by-chapter interpretation of The Case of Wagner addressing especially why Wagner is a 'case' for Nietzsche.

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This book offers a fresh perspective on religious culture in the medieval Middle East. It investigates the ways Muslims thought about and practiced at sacred spaces and in sacred times through two detailed case studies: the shrines in honour of the head of al-Husayn (the martyred grandson of the Prophet), and the holy month of Rajab.

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Considers the ideals and realities of generalship across the Greek, Roman and Byzantine worlds Addresses a neglected aspect in the study of ancient warfare Analyses views generated in different ancient cultures about the theory and practice of generalship Brings together the latest research on generalship from a wide spectrum of academic experts Contains discussion of the theory and practice of generalship in other contemporary cultures including Persia, Arabia and China This volume is unique in addressing a key aspect of ancient warfare across a broad chronological and cultural span, focusing on generalship from Archaic Greece to the Byzantine Empire in the twelfth century AD. Across this broad span, it explores a range of ideas on how to be a successful general, showing how the art of generalship a profession that has been occupied variously by the political elite, the mercenary soldier and the eunuch evolved and adapted to shifting notions of how a good military leader should act. Highlighting developments and continuities in this age-old profession across the Graeco-Roman world, this volume brings together the latest research on generalship from both established and new voices. The chapters examine both ideals of generalship and specific examples of generals, considering the principles underpinning the roles they played and the qualities desired in them. They discuss in particular the intersection between military and political roles, the addresses delivered by generals to their troops, the virtue of courage and the commemoration of victory as well as defeat. In addition, contributors consider cross-cultural comparisons of generalship, with specific chapters devoted to Persian, Arab and Chinese views.

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This book examines the significance of Whitehead's first year of lectures at Harvard, recently published in the first volume of The Edinburgh Critical Edition of the Complete Works of Alfred North Whitehead.In these newly commissioned essays, leading Whitehead scholars ask a range of important questions: Do these lectures challenge or confirm previous understandings of Whitehead's published works? What is revealed about the development of Whitehead's thought in the crucial period after London but before the publication of Science and the Modern World? What should we make of concepts and terms that were introduced in these lectures but were never incorporated into subsequent publications? The lectures published in The Harvard Lectures of Alfred North Whitehead, 1924-1925: Philosophical Presuppositions of Science represent Whitehead's first American lectures in philosophy after a long career in England as a mathematician and throw new light on the development of his philosophy.Also included in this volume is the text of Whitehead's first lecture at Harvard, recently gifted to the Critical Edition of Whitehead, allowing for a clearer understanding of Whitehead's plans and goals for his first course of lectures in philosophy than has previously been possible. Brian G. Henning, Founding Executive Editor of the Critical Edition of Whitehead, is Professor of Philosophy and Environmental Studies at Gonzaga University in Spokane, Washington.

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This book gathers a suite of newly commissioned, original essays on the work of E. L. Doctorow. It reframes our understanding of his oeuvre by engaging it in entirety, including the significant accomplishments of the late period. The book features chapters by prominent fiction writers and friends of Doctorow, such as Don DeLillo, Victor Navasky and Jennifer Egan, and explores Doctorow's novels and his diverse preoccupations: corporate and religious power, cognitive science and media culture.

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Focusing on the writing of Wyndham Lewis, D. H. Lawrence, H.D. and Samuel Beckett, this book uncovers a shared fascination with the aesthetic possibilities of the insect body its adaptive powers, distinct stages of growth and swarming formations. Through a series of close readings, it proposes that the figure of the exoskeleton, which functions both as a protective outer layer and as a site of encounter, can enhance our understanding of modernism's engagement with nonhuman life, as well as its questioning of the boundaries of the human.

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Presents the first extended collection of new William Morris essays in several decade The first collection of new Morris essays in several decades, gathered from manuscripts, newspapers and long out-of-print contemporary sources Follows Morris's development from a youthful art reformer and anti-imperialist through his years as a skilled political theorist and widely influential pan-socialist presence Adds to our understanding of Morris's views on competition, war, violence, social justice and the need to protect our natural environment William Morris's socialist essays remain uncannily relevant for our time, as he addresses issues of inequality, precarity, and the need for pleasure and creative fulfilment in work and life. This scholarly edition traces Morris's opinions from his early insistence that all must have access to art in its broadest sense, through his years as a leader and theorist of the nascent British socialist movement. Finally, as Morris became the elder statesman of the socialist/labour cause, these writings demonstrate his efforts to reconcile competing factions in the service of common aims.

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Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975

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This book brings together a range of new models for modern living that emerged in response to social and economic changes in nineteenth-century London, and the literature that gave expression to their novelty.

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The second edition of Arabic Sociolinguistics offers an extended commentary on the important findings of new critical approaches to language and society in Arab-speaking countries. Following a recent wave of political upheavals in the Middle East, the book engages with latest academic works that relate language to power and conflict in the Arab world. In addition to thoroughly updated accounts of diglossia, code-switching, gender, language policy and language variation in the region, Reem Bassiouney discusses the most important recent development in the field - critical sociolinguistics - in a new dedicated chapter that challenges the tendency of applying Western linguistic methods and terms to superdiverse communities. By covering the key developments of linguistic theories and contexts with up-to-date examples to help explain the phenomena under discussion, this is the most comprehensive book on Arabic sociolinguistics today.

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Galt's tragi-comic novel of conflicted desires presented in historical, legal, and local contexts.

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Immateriality and Early Modern English Literature explores how early modern writers responded to rapidly shifting ideas about the interrelation of their natural and spiritual worlds. It provides six case studies of works by Shakespeare, Donne and Herbert, offering new readings of important literary texts of the English Renaissance alongside detailed chapters outlining attitudes towards immateriality in works of natural philosophy, medicine and theology. Building on the importance of addressing material culture in order to understand early modern literature, Knapp demonstrates how the literary imagination was shaped by changing attitudes toward the immaterial realm.

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Examines representations of Robert Burns and his work in a wide range of performance modes Examination of representation of Robert Burns and his work in a wide range of performance modes Analysis of 'Robert Burns' as a cultural performance rising from different representations of his work by different editors, composers, writers, performers and film-makers Fresh detailed studies of Burns as a performed and performative construct, exploring ways in which he is encountered as a living author Contributions by leading experts in music, drama, film and history as well as literature Perspectives on Burns songs offered by musical experts and leading performers This book opens up fresh aspects of performance and performativity and their impact on our perception of Robert Burns and his work. Bringing together leading experts on music, song, drama, public ceremonial and literature, it studies Burns as a performed and performative construct. It explores ways in which he is encountered as a living author, setting the popularity of his poetry and songs in the context of his representation in popular culture. A key part of this volume's attraction lies in the way it opens up fresh issues and aspects of performance and performativity and their impact on our perception of Robert Burns and his work.

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Offers a novel, body-centric approach to Burton's films that provides a distinctive way to consider his filmmaking Explores unique technical personnel perspectives into creative processes of Corpse Bride that enhances knowledge about Burton as a filmmaker, and provides previously undocumented facts about the film Includes a range of theoretical approaches, drawn from psychoanalysis, philosophy, animal studies, aesthetics, feminism and representation Provides a multidisciplinary approach with inclusion of animal studies' expertise that illuminates different strategies for analysing characters/bodies Examines works including The Jar that are little explored and which will extend knowledge of Burton's canon Provides up-to-date research including Burton's most recent film Dumbo (2019) Tim Burton is an internationally celebrated director, critically acclaimed for his fantasy horror films and the macabre ghosts, animated corpses and grotesques that inhabit them. This innovative study centres on the body as a centripetal force in Burton's work and considers the array of anomalous, extraordinary and transgressive beings that pervade his canon. It broadens the focus of living forms to include animated, creaturely, corporeal and Gothic bodies, exploring the way that Burton celebrates the body - whether human, animal, animated or anthropomorphised. In prioritising the somatic aspects of characters, Tim Burton's Bodies spotlights actual physical attributes and behaviour, and considers what meanings these may impart in terms of race, class, gender, sexuality, humanimality and disability.

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