Search results for ""EVERYTHING""

A psychiatrist grapples with his own sanity as murder evidence mounts against him. Police investigator Susan Adler is ready to close the book on a deadly car accident, but after the medical examiner discovers evidence of foul play, she knows she has a murder on her hands. The victim was the wealthy wife of Randall Brock, a renowned psychiatrist who treats patients with disturbing, brutal fantasies. And just like that, Susan’s got a suspect. Randall has a violent past but knows he didn’t kill his wife. In the midst of his crushing grief, Randall receives a visit from a stranger with information to share about his wife’s death. But there’s a catch: in exchange for the stranger’s information, Randall must reveal dark secrets he’s kept hidden for years. As this shady figure applies more pressure and Susan closes in, Randall begins to doubt himself, clinging desperately to the pieces of his sanity. Revelations and suspicious coincidences send shock waves through the investigation, and circumstances spin out of control. Susan must race to put it all together before it’s too late—before the next murder strikes too close to home.

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Dorian Lynskey writes about music, film, books and politics for publications including The Guardian, The Observer, the New Statesman, GQ, Billboard, Empire, and Mojo. His first book was 33 Revolutions Per Minute: A History of Protest Songs. A study of thirty-three pivotal songs with a political message, it was NME's Book of the Year and a 'Music Book of the Year' in The Daily Telegraph. His second book, The Ministry of Truth: A Biography of George Orwell's 1984, was longlisted for both the Baillie Gifford Prize and the Orwell Prize. He hosts the podcasts 'Origin Story' and 'Oh God, What Now?'.

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Dana Mattioli has been a reporter for The Wall Street Journal since 2006. She has written investigative pieces and Front Page stories about Amazon since 2019 and was a finalist for the Pulitzer Prize in Investigative Journalism for her work on Amazon. Her Amazon coverage also received the 2021 Gerald Loeb Award for Beat Reporting. In 2021, she received the WERT Prize, an award from the Women's Economic Round Table that honors excellence in comprehensively reported business journalism for her Amazon investigations, and received a Front Page Award for her Amazon coverage.Prior to covering Amazon, Dana held one of the WSJ's highest profile beats covering mergers & acquisitions. During her 16-year career at WSJ she has produced a string of investigations and Page One stories on CEOs, boards of directors, technology companies and retailers.Dana is the recipient of a second Gerald Loeb award for breaking news, the SABEW breaking news award, two New York Press Club awards an

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Make your way through hundreds of fascinating facts and images about everything you could ever want to know

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New York Times Bestseller“Just because everything appears to be a mess doesn’t mean you have to be one. Mark Manson’s book is a call to arms for a better life and better world and could not be more needed right now.” — Ryan Holiday, bestselling author of The Obstacle is the Way and Ego is the EnemyFrom the author of the international mega-bestseller The Subtle Art of Not Giving A F*ck comes a counterintuitive guide to the problems of hope. We live in an interesting time. Materially, everything is the best it’s ever been—we are freer, healthier and wealthier than any people in human history. Yet, somehow everything seems to be irreparably and horribly f*cked—the planet is warming, governments are failing, economies are collapsing, and everyone is perpetually offended on Twitter. At this moment in history, when

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'Glorious, hilarious and life affirming . . . I absolutely loved it' - EMMA HUGHES, author of No Such Thing As Perfect Would you entrust your life choices to someone hell-bent on avoiding theirs? Natasha has everything under control, at least that's what her clients think. As a therapist, she has all the answers but when it comes to her personal life, she seriously needs to start taking her own advice.Still living with her ex-girlfriend, Natasha's messy love life is made up of dates and one-night stands. After all, why would you commit to one person, when there is an endless stream of people waiting for you to swipe right? Besides, people always leave.But when Margot arrives on the scene, everything changes. Flailing between mending long broken relationships and starting new ones, Natasha's walking the line between self-actualisation and self-destruction... With denial no longer an option, it is time for Natasha to take control of her own happiness.~*~ PRAISE FOR TELL ME EVERYTHING ~*~'A captivating read from a truly exciting talent' JUSTIN MYERS, author of The Fake-Up'Truly joyful and uplifting . . . this is a big-hearted story about what really matters in life: friends, family and love' LUCY DIAMOND, author of Anything Could Happen'Tell Me Everything is a book that reads like a crush, all summer and exuberance with a tight, intelligent kernel of anxiety at its core' MIKAELLA CLEMENTS & ONJULI DATTA, authors of The View Was Exhausting'Hilarious, tender and romantic . . . with characters you'll wish were real and an ending that will leave you fully uplifted' CRESSIDA MCLAUGHLIN, author of The Staycation'It's sweet, sexy, funny and full of adorable characters . . . The kind of book that makes you feel like everything's going to be alright!' MATT CAIN, author of The Secret Life of Albert Entwistle'Laura Kay's writing is so warm and open-hearted, but also has a dry wit that makes you snort with delighted recognition' LILY LINDON, author of Double Booked

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A collaborative homage to the visual language of magazine freebies, ads and special offers Taking inspiration from vintage catalogs and classified ads, Everything Must Go! acts as a playful memento mori that compiles writing, photography and illustration in a variety of formats and genres, to celebrate and parody the graphic design and language of freebies, special offers and advertisements. “Are you tired of being burdened by images?” reads one caption. “Cut out this picture and dip it in honey,” proposes another. Dovetailing word and image in a superbly designed mock-magazine layout, this artist’s book originated as a collaboration between photographer and bookmaker Jason Fulford and nine artists at the acclaimed experimental Image Text Ithaca MFA Program. Featuring a letterpress-printed cover in day-glo orange ink, the publication invites viewers to interact with works by Karine Baptiste, Caiti Borruso, Eleanor Eichenbaum, Cable Hoover, Marissa Iamartino, Will Matsuda, Erika Morillo, Michael Popp and Irit Reinheimer. Take what you wish, but Everything Must Go!

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What is the link between Alfred Hitchcock and Charles and Ray Eames, or famed illustrator Mary Blair and actor Steve McQueen? Did you know that Dennis Hopper was a photographer? Or that Walt Disney thought Psycho was disgusting? Eventually Everything Connects makes all the creative connections you don't have to. Accompanying the illustrated book is a stunning oversize poster that explains all of the links between the various creative forces so that you can finally speak with some authority on the subject of California Modernism.

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'A triumph ... A wholly original and creative mind' NEW YORK TIMES ‘A multi-genre phenomena, it’s a triumph of a creative mind’ GLAMOUR ‘Frightens and astonishes ... Combines Maya Angelou’s passion and Sylvia Plath’s devastating self-inquisition' GUARDIAN ‘Emezi is a dream of a writer’ BOLU BABALOLA ________________________ A fiercely contemporary collection which renegotiates the contract between poet and reader in the light of this moment in human history, from the bestselling author of The Death of Vivek Oji Content Warning: Everything concerns itself with the fugitive nature of being in the world especially, but not exclusively, within blackness. The poems reshape possibilities for poetry by paying close attention to the author's rhythm of thought, making a series of durable anthems from the noise of the contemporary moment. In this bold debut poetry collection, Akwaeke Emezi – award-winning author of Freshwater, PET, The Death of Vivek Oji and Dear Senthuran – imagines a new depth of belonging. Crafted of both divine and earthly materials, these poems travel from home to homesickness, tracing desire to surrender and abuse to survival, while mapping out a chosen family that includes the son of god, mary auntie, and magdalene with the chestnut eyes. Written from a spiritfirst perspective and celebrating the essence of self that is impossible to drown, kill, or reduce, Content Warning: Everything distills the radiant power and epic grief of a mischievous and wanting young deity, embodied.

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'A triumph ... A wholly original and creative mind' NEW YORK TIMES ‘A multi-genre phenomena, it’s a triumph of a creative mind’ GLAMOUR ‘Frightens and astonishes ... Combines Maya Angelou’s passion and Sylvia Plath’s devastating self-inquisition' GUARDIAN ‘Emezi is a dream of a writer’ BOLU BABALOLA ________________________ A fiercely contemporary collection which renegotiates the contract between poet and reader in the light of this moment in human history, from the bestselling author of The Death of Vivek Oji Content Warning: Everything concerns itself with the fugitive nature of being in the world especially, but not exclusively, within blackness. The poems reshape possibilities for poetry by paying close attention to the author's rhythm of thought, making a series of durable anthems from the noise of the contemporary moment. In this bold debut poetry collection, Akwaeke Emezi – award-winning author of Freshwater, PET, The Death of Vivek Oji and Dear Senthuran – imagines a new depth of belonging. Crafted of both divine and earthly materials, these poems travel from home to homesickness, tracing desire to surrender and abuse to survival, while mapping out a chosen family that includes the son of god, mary auntie, and magdalene with the chestnut eyes. Written from a spiritfirst perspective and celebrating the essence of self that is impossible to drown, kill, or reduce, Content Warning: Everything distills the radiant power and epic grief of a mischievous and wanting young deity, embodied.

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Thomas Bayes was an eighteenth-century Presbyterian minister and amateur mathematician whose obscure life belied the profound impact of his work. Like most research into probability at the time, his theorem was mainly seen as relevant to games of chance, like dice and cards. But its implications soon became clear. Bayes'' theorem helps explain why highly accurate screening tests can lead to false positives, causing unnecessary anxiety for patients. A failure to account for it in court has put innocent people in jail. But its influence goes far beyond practical applications. A cornerstone of rational thought, Bayesian principles are used in modelling and forecasting. ''Superforecasters'', a group of expert predictors who outperform CIA analysts, use a Bayesian approach. And many argue that Bayes'' theorem is not just a useful tool, but a description of almost everything - that it is the underlying architecture of rationality, and of the human brain. Fusing biography,

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The Lelarge family quietly runs its little seafood empire from Quebec's North Shore. But when an elegant visitor is dispatched by a mysterious Japanese conglomerate to their isolated fishing village, things will never be the same again. Because Mori Ishikawa has a secret invention: Ori. And it's destined to change the course of human history.

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From Sam Winston, the co-creator of the Bologna Ragazzi award-winning A Child of Books, comes a thought-provoking celebration of the power of stories and written languages, and the imperative to preserve them.Once there were many stories in the world. Some had beautiful sunsets, some lived at the bottom of the sea, and some were simply about dogs. Until one story decided that it was going to be the most important story ever. It called itself the One and started to consume every other story in existence. Soon it seemed that the One was all that was left ... or was it?Inspired by the Endangered Alphabets project, aimed at preserving cultures by sharing their unique scripts, author-illustrator Sam Winston uses writing systems such as cuneiform, Canadian aboriginal, Egyptian hieroglyphs and ogham to illustrate this book in his signature typography-based style, using symbols and letters that have relayed the world’s stories over the centuries.

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11th Street: it wasn’t pretty, but it was home. Naomi spends her afternoons scooting down the streets and drawing with chalk on the pavement with her best friend Ada, getting a slice of pizza and visiting her neighbour Mr Ray at his car shop and dreaming of fantastic worlds within her own. But her beloved neighbourhood is changing. Trees are chopped down, flashy new buildings spring up and one by one Naomi’s neighbours are forced to move away. Faced with the rapid transformation of her once-familiar city, Naomi turns to painting murals to preserve her favourite 11th Street memories. When something we love goes away we paint it on the wall so it’s always with us, Mr Ray tells her and Naomi discovers that no matter how her world changes, as long as she has places and people to love, she will always have a home.

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When Nomi Rabinovich is dumped by her girlfriend - for a man, she plots revenge and swears off love forever. But when her mother announces re-marriage, Nomi travels to see her family. Not only Jewish family traditions but also gay (male) politics enlarge the plot before love breaks out again.

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How institutional and interpersonal policing have been central to worldmaking Policing is constitutive of colonial modernity: normalizing, internalizing, and legalizing anti-Black violence as the ongoing condition for white life and freedom. The result, Tia Trafford argues here, is a situation where we cannot practically experience or even imagine worlds free from policing. From the plantation to the prison, global apartheid, and pandemic control, this book examines why and how policing has become the most ingrained, commonsense—and insidious—way of managing our world.

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How would any of us feel if we could meet our teenage selves, a ghost on the road? Everything Passes, Everything Remains is a confluence of journeys, made by Chris Dolan, his friends, and writers before him. It’s a bit about cycling, a bit about walking, and a bit about buses. It’s a kind of travelogue, over time, and through some lesser-known parts of Spain. It’s an obsession with Spain’s writers and its history, from the Inquisition to the Civil War to the questions it faces as a country today. What makes a nation, or a family for that matter, or a group of friends? In many ways it’s as much about Dolan’s native Scotland as Spain. But mostly, it’s about the highs and lows of growing up and growing older – how the past plays merry hell with the present. About friendship, loss, music, memory, and the demons that follow us as we try to make sense of our history and our place in the world.

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