Search results for ""Broadview Press Ltd""

Oscar Wilde wrote of this novel, “Its directness, its uncompromising truths, its depth of feeling, and above all, its absence of any single superfluous word, make Reuben Sachs, in some sort, a classic.” Reuben Sachs, the story of an extended Anglo-Jewish family in London, focuses on the relationship between two cousins, Reuben Sachs and Judith Quixano, and the tensions between their Jewish identities and English society. The novel’s complex and sometimes satirical portrait of Anglo-Jewish life, which was in part a reaction to George Eliot’s romanticized view of Victorian Jews in Daniel Deronda, caused controversy on its first publication. This Broadview edition prints for the first time since its initial publication in The Jewish Chronicle Levy's essay "The Jew in Fiction." Other appendices include George Eliot's essay on anti-Jewish sentiment in Victorian England and a chapter from Israel Zangwill's novel The Children of the Ghetto. Also included is a map of Levy's London with landmarks from her biography and from the "Jewish geography" of Reuben Sachs.

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Juliet Appleton is an officer’s daughter who is forced to make her own way in the world after her father’s death. Having been trained in typewriting and shorthand, she obtains employment at a law office, only to find that she cannot bear to work with her unpleasant colleagues and employer.Juliet possesses some of the characteristics of the infamous "New Woman": she has attended Girton College, she smokes cigarettes, and she travels the countryside on her bicycle. After various adventures, Juliet finds a new opportunity as a type-writer girl for a publishing company. She falls in love with her employer, and he with her, but complications inevitably ensue.At the end of the nineteenth century, the Canadian-born Grant Allen was a prolific professional author of popular science texts on evolution as well as a fiction writer. The Type-Writer Girl (1897) is one of only two novels he wrote under a female pseudonym, possibly to lend credibility to his first-person female narrator. The Type-Writer Girl invokes tensions typical of the fin de siècle concerning evolution, technology, and the role of women.This Broadview edition provides a reliable text at a very reasonable price. It contains textual notes but no appendices.

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Harrington (1817) is the personal narrative of a recovering anti-Semite, a young man whose phobia of Jews is instilled in early childhood and who must unlearn his irrational prejudice when he falls in love with the daughter of a Spanish Jew. In this novel, Edgeworth attempts to challenge prejudice and to show how literary representations affect public policy, while at the same time interrogating contemporary understandings of freedom in English society.This Broadview edition includes a critical introduction and a judicious selection of appendices, including correspondence between Edgeworth and Rachel Mordecai Lazarus, excerpts from John Toland’s Letters to Serena and Reasons for Naturalizing the Jews, an excerpt from Isaac D’Israeli’s article on Moses Mendelssohn, and contemporary reviews of the novel.

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This concise Broadview anthology of primary source materials is unique in its focus on Romantic literature and the ways in which the period itself was characterized by wide-ranging, self-conscious debates about the meaning of literature. It includes materials that are not available in other Romantic literature anthologies.The anthology is organized into thirteen sections that highlight the intensity and sophistication with which a variety of related literary issues were debated in the Romantic period. These debates posed fundamental questions about the very nature of literature as a cultural phenomenon, the extent and role of the reading public, literature’s relation to the sciences and the aesthetic, the influence of contemporary commercial pressures, and the impact of perceived excesses in consumer fashions. The anthology foregrounds the ways that these literary debates converged with broader social and political controversies such as the French Revolution, the struggle for women’s rights, colonialism, and the anti-slave trade campaign.This anthology includes an impressive range of writings from the period (including literary criticism and philosophical, political, scientific, and travel writing) which embodies the collection’s broad approach to Romantic literature. Both lesser-known and more canonical writings are included, and the selections are organized by topic in such a way as to dramatize the debates and exchanges which characterize the Romantic period.

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The plot of Charlotte Smith's autobiographical first novel Emmeline (1788) includes the usual thrills of the eighteenth-century courtship novel: abduction, duels, and a "fairy tale princess." At the same time, the novel satirically reworks such literary conventions by focusing on the dangers of early engagement and marriage, and challenges a social and legal system in which woment are inherently illegitimate subjects.The Broadview edition includes primary source material relating to the novel's reception; women, marriage and work; and landscape in eighteenth-century fiction. Mary Hays's biographical writing on Smith is also included, as is selected correspondence.

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Alexander’s A History of Old English Literature is an outstanding introduction to a difficult period of literary history. It provides a simple historical and cultural context for the study of the Anglo-Saxons, and offers a history, illustrated by many passages in translation, of the whole of the literature that survives. While it contains solid, insightful and sensible criticism of individual literary works, its overall historical organization suggests that Old English literature was created in a cultural context that changed from one century to another. Although its intentions are scholarly, this history of Old English literature is also an introduction, assuming little knowledge of this period or its surviving products, and none of its language. This edition has been revised and rewritten throughout, and offers a new preface as well as an updated bibliography.

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This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period's "laughing comedy" (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy.The core canonical plays from the era—from Dryden's All for Love and Behn's The Rover to Congreve's The Way of the World and Sheridan's School for Scandal—are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.

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Mary Robinson’s A Letter to the Women of England (1799) is a radical response to the rampant anti-feminist sentiment of the late 1790s. In this work, Robinson encourages her female contemporaries to throw off the “glittering shackles” of custom and to claim their rightful places as the social and intellectual equals of men.Separately published in the same year, Robinson’s novel The Natural Daughter follows the story of Martha Morley, who defies her husband’s authority, adopts a found infant, is barred from her husband’s estate and is driven to seek work as an actress and author. The novel implicitly links and critiques domestic tyrants in England and Jacobin tyrants in France.This edition also includes: other writings by Mary Robinson (tributes, and an excerpt from The Progress of Liberty); writings by contemporaries on women, society, and revolution; and contemporary reviews of both works.

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Secresy was Eliza Fenwick’s only work for adults—a fact that may help to explain why this extraordinary novel has been so thoroughly overlooked. On one level this is a book that presents fascinating challenges to traditional structures of class and gender. Whereas Mr. Valmont, the villain of the piece, rejects merely the surface forms of fashionable society, the story of his niece Sibella and her friend Caroline implicitly rejects the substance as well as the trappings of a system that rested on class privilege and on female dependence. Secresy is also, though, a remarkable novel of human relationships: of sexuality (Sibella’s pregnancy is the occasion for the secrecy that gives the book its title), and of romantic love, but also the female friendship between Sibella and Caroline that is very much at the heart of the book. The relationships—and the grand themes—are expressed through an epistolary technique through which Fenwick (in the editor’s words) shows "a breadth of sympathy which can find comedic pleasure even in what is disapproved.”

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Aurora Floyd is one of the leading novels in the genre known as ‘sensation fiction’—a tradition in which the key texts include Wilkie Collins’s The Woman in White, Ellen Wood’s East Lynne, and Dickens’s Great Expectations. When Aurora Floyd was first published in serial form in 1862-63, Fraser’s magazine asserted that “a book without a murder, a divorce, a seduction, or a bigamy, is not apparently considered either worth writing or reading; and a mystery and a secret are the chief qualifications of the modern novel.”The novel depicts a heroine trapped in an abusive and adulterous marriage, and effectively dramatizes the extra-legal pressures which kept many such unhappy marriages out of the courts: fear of personal scandal, and of betraying one’s family through the publicity and expense of the process. Aurora’s bigamous marriage dramatizes the need for expeditious divorce without the enormous social cost, but the overt sexuality of the heroine shocked contemporary critics. “What is held up to us as the story of the feminine soul as it really exists underneath its conventional coverings, is a very fleshy and unlovely record,” wrote Margaret Oliphant.Braddon’s text is studded with references to contemporary events (the Crimean War, the Divorce Act of 1857) and the text has been carefully annotated for modern readers in this edition, which also includes a range of documents designed to help set the text in context.

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The late Alice Kane was born in Ireland in 1908. Moving with her parents to Canada in 1921, she was educated in New Brunswick and at McGill University in Montreal before beginning a career with the Toronto Public Library, where she had a major interest in fairy tales. After her retirement in 1973, she taught Children’s Literature at the University of New Brunswick, then began a second career as a professional storyteller in association with the Storytellers School of Toronto. She was a featured performer at many storytelling events, including the American Storytelling Festival at Jonesborough, Tennessee. Her rich oral heritage is remembered in Songs and Sayings of and Ulster Childhood, edited by Edith Fowke (1983).

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In 1750 at the age of twenty-seven Sarah Scott published her first novel, a conventional romance. A year later she left her husband after only a few months of marriage and devoted herself thereafter to writing and to promoting such causes as the creation of secular and separatist female communities. This revolutionary concept was given flesh in Millenium Hall, first published in 1762 and generally thought to be the finest of her six novels.The text may be seen as the manifesto of the 'bluestocking' movement—the protean feminism that arose under eighteenth-century gentry capitalism (originating in 1750, largely under the impetus of Scott's sister Elizabeth Montagu), and that rejected a world which early feminists saw symbolized in the black silk stockings demanded by formal society. It is a comment on Western society as well as on the strengths of Scott's novel that the message of Millenium Hall continues to resonate strongly more than two centuries later.

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Recent debates over immigration have given rise to a complex spectrum of opinions, attitudes, and emotions. In fact, these debates have been a hallmark of the American nation since its earliest days. In United States Immigration, 1800-1965 James Pula provides a selection of primary documents that illuminate immigration as one of the defining features of the American social, cultural, and political landscape. A wide array of primary sources is included: documents written by immigrants that describe their own experiences; examples of pro- and anti-immigration arguments; and government documents, including immigration laws and federal court rulings on issues related to immigration and immigrant rights. In all, 71 documents (including 20 images) help to tell the story of United States immigration from roughly 1800 through to the Hart-Celler Act of 1965.

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This book introduces students to the principal issues in the philosophy of mind by tracing the history of the subject from Plato and Aristotle through to the present day. Over forty primary source readings are included. Extensive commentaries from the editors are provided to guide student readers through the arguments and jargon and to offer necessary historical context for the readings. The new third edition examines some of the most exciting recent developments in the field, including advances in theories about the mind's relation to action and agency. Previous editions of this book, published under the title A Historical Introduction to the Philosophy of Mind, have been praised and widely taught for more than two decades.

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Medicine and Healing in the Pre-Modern West traces the history of medicine and medical practice from Ancient Egypt through to the end of the Middle Ages. Featuring nearly one hundred primary documents and images, this book introduces students and scholars to the words and ideas of prominent physicians and humble healers, men and women, from across Europe and the Mediterranean Sea. Each of the ten chronological and thematic chapters is given a significant historical introduction, in which each primary source is described in its original context. Many of the included source texts are newly translated by the editor, some of them appearing in English for the first time.Key Features The first history of medicine reader to cover both Antiquity and the Middle Ages in a single volume. Nearly one hundred primary sources, including several images. Each topic and reading is accompanied by an introduction from the editor, and explanatory annotations are included throughout to clarify unfamiliar concepts. Significant coverage of Christian, Jewish, and Muslim cultures in the Middle Ages. Many of the primary sources are newly translated, some of them available in English for the first time.

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Heart of Darkness is based upon Joseph Conrad’s own experience in the Congo; “it is,” as he remarks in his 1916 author’s note to Youth: A Narrative and Two Other Stories, “experience pushed a little (and only very little) beyond the actual facts.” Unlike many other editions, this new edition of Conrad’s most famous tale focuses on the time in which Conrad was himself in the Congo, while also exploring the differences between his reported experiences and their reshaping in fiction.This edition includes an extensive selection of Conrad’s correspondence and autobiographical writing, as well as contemporary accounts of the Congo from other writers. Contemporary reviews situate Heart of Darkness in its literary contexts.

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Produced between 1850 and 1862, London Labour and the London Poor is one of the most significant examples of nineteenth century oral history. The collection teems with the minute particulars of the everyday—bits and pieces of London lives assembled into a precarious whole by the author, editor, and principal investigator, Henry Mayhew. Mayhew was interested in the social fabric of people’s lives, their labour and earnings, but also their families, education, leisure time, and religious beliefs. What gives his “case studies” such immediacy is that they seem to flow unprompted and uninterrupted from the mouths of his subjects: street sellers, dock labourers, musicians, rat catchers, vagrants, chimney sweeps, thieves, and prostitutes.All are captured in this newly annotated and abridged edition of Mayhew’s four-volume work. Historical appendices include a contemporary map of London, reviews of London Labour, and other slum journalism from the period.Key featuresThe only edition with appendices

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In lively and readable prose, Arthur presents a new approach to the study of logic, one that seeks to integrate methods of argument analysis developed in modern “informal logic” with natural deduction techniques. The dry bones of logic are given flesh by unusual attention to the history of the subject, from Pythagoras, the Stoics, and Indian Buddhist logic, through Lewis Carroll, Venn, and Boole, to Russell, Frege, and Monty Python.A previous edition of this book appeared under the title Natural Deduction. This new edition adds clarifications of the notions of explanation, validity and formal validity, a more detailed discussion of derivation strategies, and another rule of inference, Reiteration.

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Dinah Mulock Craik’s The Half-Caste concerns the coming-of-age of its title character, the mixed-race Zillah Le Poer, daughter of an English merchant and an Indian princess. Sent back to England as a young girl, Zillah has no knowledge that she is an heiress. She lives with her uncle Le Poer, his wife, and two daughters, and is treated as little more than a servant in the household. Zillah’s situation is gradually improved when Cassandra Pryor is employed as a governess to the Le Poer daughters and takes an interest in the mysterious “cousin.” Craik explores issues of gender, race, and empire in the Victorian period in this compact and gripping novella.Along with a newly-annotated text, this Broadview edition includes a critical introduction that discusses Craik’s involvement with contemporary racial and imperialist attitudes, her place within the broader genre of Anglo-Indian fiction, and the importance of Zillah Le Poer as a positive symbol of empire. The edition is also enriched with relevant contemporary contextual material, including Dinah Mulock Craik’s writing on gender and female employment, British views on the biracial Eurasian community in India, and writings on the Victorian governess.

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The Life of Mr Richard Savage was the first important book by a then-unknown Grub Street hack, Samuel Johnson. Richard Savage (1697—1743) was a poet, playwright, and satirist who claimed to be the illegitimate son of a late earl and to have been denied his inheritance and viciously persecuted by his mother. He was urbane, charming, a brilliant conversationalist, but also irresponsible and impulsive. His role in a tavern brawl almost led him to the gallows, though his life was saved by an eleventh-hour pardon by the King. Over time he attracted many supporters, practically all of whom he managed to alienate by the time of his death in a debtors’ prison in Bristol. Johnson, who had been friends with Savage for a little over a year, drew on published documents and his own memories of Savage to produce one of the first great English biographies.The edition is supplemented by other writings by Johnson, a selection of Savage’s prose and verse, contemporary and posthumous responses to Savage and to Johnson’s biography, and selections by Johnson’s first two major biographers, Sir John Hawkins and James Boswell.

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This comprehensive volume contains much of the important work in political and social philosophy from ancient times until the end of the nineteenth century. The anthology offers both depth and breadth in its selection of material by central figures, while also representing other currents of political thought. Thucydides, Seneca, and Cicero are included along with Plato and Aristotle; Al-Farabi, Marsilius of Padua, and de Pizan take their place alongside Augustine and Aquinas; Astell and Constant are presented in the company of Locke, Rousseau, and Wollstonecraft. The editors have made every effort to include translations that are both readable and reliable. Every selection has been painstakingly annotated, and each figure is given a substantial introduction highlighting his or her major contribution within the tradition. In order to ensure the highest standards of accuracy and accessibility, the editors have consulted dozens of leading academics during the course of the anthology's development (a number of whom have contributed introductory material as well as advice). The result is an anthology with unparalleled pedagogical benefits, and one that truly breaks new ground.

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The Broadview Anthology of Restoration and Early Eighteenth-Century Drama, Concise Edition, with twenty-one plays, is half the length of the full anthology without compromising its breadth. Concentrating on plays from the heyday of 1660-1737, it focuses on Restoration drama proper and Revolution drama, with a selection from the early Georgian period and the later Georgian period’s “laughing comedy.” Seven of the nine sub-genres (personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy) of the full anthology are represented, with the preponderance of exposure given to the jewel of this theatre, its comedy.Each play is fully annotated and prefaced with an historical introduction. Also included are a general introduction, a statement of procedures, and a glossary.

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The publication of The Broadview Anthology of Seventeenth-Century Verse and Prose is a literary event; this comprehensive volume is the first anthology of the period to reflect the breadth of seventeenth-century studies in recent decades. Over one hundred writers are included, from John Chamberlain at the beginning of the century to Elisabeth Singer Rowe at its end. There are generous selections from the work of all major writers, and a representation of the work of virtually every writer of significance. The work of women writers figures prominently, with extensive selections not only from canonical writers such as Behn and Bradstreet, but also from other writers (such as Katherine Philips and Margaret Cavendish) who have been receiving considerable scholarly attention in recent years.The anthology is broadly inclusive, with writing from America as well as from the British Isles. Memoirs, letters, political texts, travel writing, prophetic literature, street ballads, and pamphlet literature are all here, as is a full representation of the literary poetry and prose of the period, including the poetry of Jonson; the prose of Bacon; the metaphysical poetry of Donne, Herbert, Marvell, and others; the lyric verse of Herrick; and substantial selections from the poetry and prose of Milton and Dryden. (While Samson Agonistes is included in its entirety, Milton’s epic poems have been excluded, in order to allow space for other works not so readily accessible elsewhere.)The editors have included complete works wherever possible. A headnote by the editors introduces each author, and each selection has been newly annotated.

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“As I drew near and nearer to the light, the chasm became wider, and at last I saw, to my unspeakable amaze, a broad level road at the bottom of the abyss, illumined as far as the eye could reach by what seemed artificial gas lamps placed at regular intervals, as in the thoroughfare of a great city; and I heard confusedly at a distance a hum as of human voices.…”Edward Bulwer-Lytton’s The Coming Race was one of the most remarkable and most influential books published in the 1870s. The protagonist, a wealthy American wanderer, accompanies an engineer into the recesses of a mine, and discovers the vast caverns of a well-lit, civilized land in which dwell the Vril-ya. Placid vegetarians and mystics, the Vril-ya are privy to the powerful force of Vril—a mysterious source of energy that may be used to illuminate, or to destroy. The Vril-ya have built a world without fame and without envy, without poverty and without many of the other extremes that characterize human society. The women are taller and grander than the men, and control everything related to the reproduction of the race. There is little need to work—and much of what does need to be done is for a novel reason consigned to children.As the Vril-ya have evolved a society of calm and of contentment, so they have evolved physically. But as it turns out, they are destined one day to emerge from the earth and to destroy human civilization.Bulwer-Lytton’s novel is fascinating for the ideas it expresses about evolution, about gender, and about the ambitions of human society. But it is also an extraordinarily entertaining science fiction novel. Sir Edward Bulwer-Lytton, one of the great figures of late Victorian literature, may have been overvalued in his time—but his extraordinarily engaging and readable work is certainly greatly undervalued today. As Brian Aldiss notes in his introduction to this new edition, this utopian science fiction novel first published in 1871 still retains tremendous interest.

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The London theatres arguably were the central cultural institutions in England during the Romantic period, and certainly were arenas in which key issues of the time were contested. While existing anthologies of Romantic drama have focused almost exclusively on "closet dramas" rarely performed on stage, The Broadview Anthology of Romantic Drama instead provides a broad sampling of works representative of the full range of the drama of the period. It includes the dramatic work of canonical Romantic poets (Samuel Coleridge's Remorse, Percy Shelley's The Cenci, and Lord Byron's Sardanapalus) and important plays by women dramatists (Hannah Cowley's A Bold Stroke for a Husband, Elizabeth Inchbald's Every One Has His Fault, and Joanna Baillie's Orra). It also provides a selection of popular theatrical genres—from melodrama and pantomime to hippodrama and parody—most popular in the period, featuring plays by George Colman the Younger, Thomas John Dibdin, and Matthew Gregory Lewis. In short, this is the most wide-ranging and comprehensive anthology of Romantic drama ever published. The introduction by the editors provides an informative overview of the drama and stage practices of the Romantic Period. The anthology also provides copious supplementary materials, including an Appendix of reviews and contemporary essays on the theater, a Glossary of Actors and Actresses, and a guide to further reading. Each of the ten plays has been fully edited and annotated.

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Walsingham is both a lively story and a commentary by Mary Robinson on her society’s constraints upon women. The novel follows the lives of two main characters, Walsingham Ainsforth and his cousin, Sir Sidney Aubrey, a girl who is passed off as a son by her mother so that she will become the family heir. Sidney, educated in France, returns to England as an adult and persistently sabotages Walsingham’s love interests (having secretly fallen in love with him herself). Eventually, Sidney reveals her identity, and she and Walsingham declare their mutual love, wed, and share the family’s estate.This Broadview edition includes a rich selection of primary sources material including contemporary reviews; historical and literary accounts of eighteenth-century female cross-dressers; and selections from contemporary works that focus on the figure of the "fallen" woman.

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The Broadview Anthology of Sixteenth-Century Poetry and Prose makes available not only extensive selections from the works of canonical writers, but also substantial extracts from writers who have either been neglected in earlier anthologies or only relatively recently come to the attention of twentieth- and twenty-first-century scholars and teachers. Popular fiction and prose nonfiction are especially well represented, including selections from popular romances, merchant fiction, sensation pamphlets, sermons, and ballads.The texts are extensively annotated, with notes both explaining unfamiliar words and providing cultural and historical contexts.

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The Woman of Colour is a unique literary account of a black heiress' life immediately after the abolition of the British slave trade. Olivia Fairfield, the biracial heroine and orphaned daughter of a slaveholder, must travel from Jamaica to England, and as a condition of her father's will either marry her Caucasian first cousin or become dependent on his mercenary elder brother and sister-in-law. As Olivia decides between these two conflicting possibilities, her letters recount her impressions of Britain and its inhabitants as only a black woman could record them. She gives scathing descriptions of London, Bristol, and the British, as well as progressive critiques of race, racism, and slavery. The narrative follows her life from the heights of her arranged marriage to its swift descent into annulment and destitution, only to culminate in her resurrection as a self-proclaimed "widow" who flouts the conventional marriage plot.The appendices, which include contemporary reviews of the novel, historical documents on race and inheritance in Jamaica, and examples of other women of colour in early British prose fiction, will further inspire readers to rethink issues of race, gender, class, and empire from an African woman's perspective.

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The Invisible Man stands out as possessing one of the most complicated heroes, or perhaps anti-heroes, in literature. A thoroughly unlikeable character, the Invisible Man is defined by his arrogance, impulsiveness, rudeness, and, at times, violence. He is, however, a man of great genius; but, his genius is selfish—no one profits from his experiments, not even himself. The Invisible Man is not only a commentary on imagination and the great spirit of invention that elevated the nineteenth century but also a warning against the eugenic and self-interested policies that threatened the twentieth.This edition includes a valuable collection of the nineteenth-century narratives of invisibility that inspired Wells’s novel, as well as excerpts of Wells’s nonfiction writings on education and class. Additional appendices situate the novel in its late-Victorian scientific and technological contexts, including material on radio waves and x-rays.

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In 1716, Lady Mary Wortley Montagu's husband Edward Montagu was appointed British ambassador to the Sublime Porte of the Ottoman Empire. Despite discouragement from friends that feared for her safety, she accompanied her husband to Turkey and wrote an extraordinary series of letters that recorded her experiences as a traveller and her impressions of Ottoman culture and society. These letters, addressed primarily to her sister and to Alexander Pope, became the basis for a highly crafted text that was not published until 1763. Like many women who rebelled against gender conventions, Montagu was the target of vicious attacks from her contemporaries. But her status as a woman traveller is crucial to her distinctive perspective, and one can argue that her letters offer a feminist alternative to much of the orientalist writing of both the eighteenth and nineteenth centuries. This edition includes a broad selection of related historical documents on Turkey, women in the Arab world, Islam, and "Oriental" tales written in Europe.

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Inspired by Nathaniel Hawthorne’s own experience as a member of the famous Brook Farm Community, which the author describes in his preface as the “most romantic episode” in his life, The Blithedale Romance is one of the most engaging and complex of Hawthorne’s novels. Recounting the hopeful formation and slow fragmentation of a reform-minded socialist community in antebellum Massachusetts, the novel has increasingly preoccupied commentators on American literature and culture over the last few decades.The editors’ new introduction helps the reader to negotiate Blithedale’s literary difficulties by offering a detailed reflection on the main problems confronted by past and present interpreters of the novel. Appendices expand on the central historical theme of reform, highlighting the novel’s references to women’s emancipation, antislavery, and Utopian socialism.

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The fourteenth-century poem Sir Gawain and the Green Knight is one of the greatest classics of English literature, but one of the least accessible to most twentieth-century readers. Written in an obscure dialect, it is far more difficult to digest in the original than are most other late medieval English works. Yet any translation is bound to lose much of the flavour of the original.This edition of the poem offers the original text together with a facing-page translation. With the alliterative Middle English before the reader, James Winny provides a non-alliterative and sensitively literal rendering in modern English. This edition also provides an introduction, explanatory and textual notes, a further note on some words that present particular difficulties, and, in the appendices, two contemporary stories, The Feast of Bricriu and The Knight of the Sword, which provide insight on the poem.

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When Melville completed Moby-Dick, he wrote to Nathaniel Hawthorne that “I have written a wicked book, and feel spotless as a lamb.” While it took the world some time to appreciate the magnitude of Melville’s achievement, Moby-Dick is now widely considered one of the greatest works of American literature. It is, however, long, and students in semester-long courses will often not have a chance to read the novel in its entirety. The Broadview Moby-Dick: A Selection offers a robust sampling of chapters, chosen to give students a thorough initiation into the novel’s plot, as well as into the full range of its themes and stylistic experimentation. This edition also includes substantial, clear, and helpful annotations to help students successfully navigate Melville’s language and range of references.This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature; like the others, it is designed to make a range of material from the anthology available in a format convenient for use in a wide variety of contexts.

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The Applied Ethics Primer offers a concise introduction to both basic argumentation and normative ethical theory. The concepts discussed reflect the ethical theories that currently ground most professional ethics codes and debates in applied ethics. More inclusive than many similar resources, this primer offers students a taste of the truly global history of ethics, while remaining squarely focused on providing practical tools for ethical decision-making.

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In her final play, Aphra Behn looks across the Atlantic and reimagines Bacon’s Rebellion, the notorious revolt whose participants took up arms against the government of colonial Virginia with the aim of driving the Indigenous population from the region. Heavily fictionalized and featuring a memorable cast of both heroic and comic characters, Behn’s long-neglected tragicomedy is an important and entertaining contribution to the catalogue of transatlantic and Restoration literature. This edition supplements the play with an informative introduction and a robust selection of historical documents that situate it in the context of the historical rebellion and of late-seventeenth-century discourses around empire and colonization.

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Environmental Philosophy in Desperate Times examines environmental philosophy in the context of climate denial, inaction, and thoughtlessness. It introduces readers to the varied theories and movements of environmental philosophy. But more than that, it seeks to unsettle our received understanding of the world and our role in it, especially through consideration of Indigenous, feminist, and radical voices.KEY FEATURES An impassioned introduction to environmental philosophy. Many perspectives are examined, including traditional western views, as well as Indigenous, feminist, and radical approaches. Examines the epistemic and political obstacles that have slowed our response to climate change, and the methods by which those obstacles can be overcome. Questions for discussion and further reading suggestions are included.

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Deeply engaged in women's rights debates and discussions of the 'third sex,' Are They Women? is about the lively communities of lesbians across turn-of-the-century Central Europe. It is one of the first lesbian novels written in German-indeed, in any language. It is also one of the very few pre-Second Wave feminist texts to provide a positive, non-pathologizing, and romantic portrait of lesbians. As such, it complicates the dominant critical narrative of pre-liberation lesbian literature, whereby heroines conventionally face loneliness, imprisonment, madness, death, and heterosexual conversion. A work of popular literature with cultural significance, Are They Women? is both highly readable and remarkably progressive for its time. This is the first complete English translation of the novel, and the only edition in print in any language. The historical appendices provide contemporary materials on homosexuality, as well as compelling images from German feminist periodicals of the time.

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Queen Eleanor and Fair Rosamond—among the most compelling and thought-provoking of Margaret Oliphant’s works of short fiction—tells the story of Mr. and Mrs. Lycett-Landon, “two middle-aged people in the fullness of life and prosperity,” and of what becomes of their marriage when Mr. Lycett-Landon becomes uncommunicative while on an extended business trip.In addition to an illuminating introduction, this edition includes a variety of background materials that help to set this extraordinary work in its literary and historical context.

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Writing Wrongs is a concise and thoughtful guide to common errors in English. It covers frequently confused and misused words along with problems of grammar, punctuation, and style, and offers a brief and up-to-date guide to major citation styles. Though it provides guidelines and recommendations for usage, Writing Wrongs acknowledges the evolution of language over time and the fact that different contexts have different rules—it is not narrowly prescriptive. A friendly, flexible, and easy-to-read reference, Writing Wrongs will be useful to students and general readers alike.

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Moral Philosophy: A Contemporary Introduction is a compact yet comprehensive book offering an explication and critique of the major theories that have shaped philosophical ethics. Engaging with both historical and contemporary figures, this book explores the scope, limits, and requirements of morality. DeNicola traces our various attempts to ground morality: in nature, in religion, in culture, in social contracts, and in aspects of the human person such as reason, emotions, caring, and intuition.

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The Travels of Hildebrand Bowman is an eponymous novel purportedly written by a midshipman left behind in New Zealand’s Queen Charlotte Sound after escaping the infamous Grass Cove massacre. The protagonist is a midshipman on HMS Adventure, the ship that accompanied Cook’s Resolution on his second voyage around the world. The two ships become separated off New Zealand, leading to a group of seamen being sent from the Adventure to gather wild greens at Grass Cove, where they are killed by Maori. The fictional Hildebrand escapes because he has gone off hunting. The remainder of the novel traces his travels through six fictional islands in the South Pacific; echoing eighteenth-century stadial theory, these societies represent human culture gradually ascending from brutish insensibility to the primitive savagery to idealized pastoral economy. The novel is a unique hybrid of historical events and the cultural satire of such works as Gulliver’s Travels. Historical appendices provide an exceptionally broad range of materials on the Grass Cove massacre, the eighteenth-century stadial theory of historical development, cannibalism, and contemporary depictions of the South Pacific and its indigenous peoples.

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First published in 1666›››, Margaret Cavendish, Duchess of Newcastle’s Description of a New World, Called the Blazing World is the first fictional portrayal of women and the new science. In Blazing World, Cavendish depicts her heroine, theEmpress, in multiple roles. The Empress is leader of a dreamlike utopian world reachable through the North Pole, filled with talking animals and intelligent hybrid creatures. She establishes a royal society of scientists, initiates learned conferences, interrogates existing knowledge, and spends her days speculating on natural philosophy. She also forms a lively intellectual collaboration with the “Duchess of Newcastle,” a female character summoned from Earth. A companion volume to Cavendish’s important Observations upon Experimental Philosophy, Blazing World is the first known science fiction novel to have been written and published by a woman, and represents a pioneering female scientific utopia.This Broadview Edition includes related historical materials on the new science and Cavendish’s role in the intellectual world of her time.

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Mary Shelley’s Mathilda, the story of one woman’s existential struggle after learning of her father’s desire for her, has been identified as Shelley’s most important work after Frankenstein. The two texts share many characteristics, besides authorship and contemporaneity: both concern parental abandonment; both contribute to the Gothic form through themes of incest, insanity, suicidality, monstrosity, and isolation; and both are epistolary. However, Mathilda was not published until 1959, 140 years after Shelley wrote it—in part because Shelley’s father, William Godwin, suppressed it. This new edition encourages a critical reconsideration of a novella that has been critically stereotyped as biographical and explores its importance to the Romantic debate about suicide.Historical appendices trace the connections between Mathilda and other works by Shelley and by her mother, Mary Wollstonecraft, while also providing biographical documents, contemporary works on the theme of incest, and documents on suicide in the Romantic era.For Michelle Faubert’s transcription of Mathilda for the Shelley-Godwin Archive, click here.

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Upon opening their expensive new book in 1623, buyers of the folio collection of William Shakespeare’s plays were promised The Life of Henry the Fift. What they went on to read, however, was not a full “life” in the modern biographical sense. The battle of Agincourt is the play’s main event; every scene leads up to or follows directly from the climax of one of England’s most one-sided and famous victories. The play’s ambiguous portrayal of war has spurred critical debate for centuries, and its performances have reflected shifting political and cultural views.James D. Mardock’s Introduction provides an extensive discussion of Henry V’s critical and stage histories and explores the play’s complex relationship with other history plays (and with history itself). The appendices provide materials on the play’s historical background and sources, as well as documents on contemporary warfare. Additional materials, including an annotated text of the 1600 quarto (Q1) edition, are available on the Internet Shakespeare Editions website.A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.

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Jeff McLaughlin's How to Think Critically begins with the premise that we are all, every day, engaged in critical thinking. But as we may develop bad habits in daily life if we don't scrutinize our practices, so we are apt to develop bad habits in critical thinking if we are careless in our reasoning. This book exists to instill good thinking habits: attentiveness to word choice, avoidance of fallacies, and effective construction and assessment of arguments. With relatable and often amusing examples included throughout, the book adopts a degree of technical sophistication that is rigorous and yet still easily applied to ordinary situations. Venn diagrams, truth tables, and McLaughlin's 'S-Test'—a step-by-step method for argument analysis—are presented to the reader not as concepts for academic study but as tools for better thinking and living.

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Beginning with the simple two-word sentence and working up to multi-clause possibilities, Templates shows students how to manipulate syntactic patterns for maximum rhetorical effect. Although it teaches grammar, it does not do so with the goal of correcting mistakes. Rather, it encourages writers to make full use of the complexity and flexibility of English sentence structure. Combining an emphasis on the writing process with both an awareness of audience and a raised consciousness about English grammar, Templates takes a unique approach to sentence-level writing and revision.Exercises throughout the book help students to move from simpler sentence structures to more complex multi-clause constructions.Key features: - Emphasizes the rhetorical possibilities of sentence structure - Grammatical analysis is demonstrated in terms of syntactic “templates” - Shows how the writer can play to audience awareness of these templates - Promotes sentence-level editing as the fine-tuning stage of the writing process - Usage issues are presented as choices based on level of formality, rather than as prescriptive rules - Includes a glossary of grammatical terms

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The Age of Reason is one of the most influential defences of Deism (the idea that God can be known without organized religion) ever written. This edition presents Part 1, Paine’s controversial philosophical argument against revealed religion, with representative excerpts of his biblical analysis from Parts 2 and 3.Appendices include numerous selections from Paine’s other religious writing, his Deist influences, and his contemporary opposition.

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Neither comedy nor tragedy, The Winter’s Tale contains elements of each genre, and defies easy classification. It experiments, like many of Shakespeare’s late plays, with different styles and tones, and draws on a wide range of sources and inspirations. Full of mysteries and miracles, grief and dark humour, this strange play has fascinated critics and theatregoers for centuries.Theatrical and cinematic productions have tried to capture the range of interpretations and staging possibilities presented by The Winter’s Tale, and the introduction to this edition explores the play’s long histories in performance and in criticism. Illustrations and extended notes interleaved throughout the text discuss the echoes of religious, scientific, and mythological texts found in the play.

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