Search results for ""Bloomsbury Publishing PLC""

Seventeen-year-old Evie Parker is devastated in the wake of her father’s sudden death. But she knows something her mother doesn’t: the day of his heart attack, her dad was planning to move out. After finding his packed bags, an impulsive Evie puts everything away to spare her mom more heartache. To make matters worse, Evie soon learns the reason her father was going to leave: he had been dating his twenty-two-year-old receptionist, Bree, who is now six months pregnant. Desperate to distract herself, Evie signs up for a summer photography class, where she meets a motley crew of students, including quirky and adorable Declan. Still, Evie can’t stop thinking about her father’s mistress. Armed with a telephoto lens, she caves in to her curiosity, and what starts as a little bit of spying on Bree quickly becomes full-blown stalking. And when an emergency forces Evie to help Bree, she learns there’s more to the story than she ever knew . . . Alex Richards crafts a riveting new story about betrayal, complicated family secrets, and getting to the heart of what matters--ultimately asking readers how far they’d be willing to go to unravel the truth.

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'Absorbing, moving, and alarmingly believable, Home is an unforgettable story about identity, family, and the terrifying dynamics of a cult' Carole Johnstone, author of Mirrorland 'Highly engrossing' Heat 'A white-hot gem of a book; brilliantly researched, so gripping and propulsive you’ll want to consume it in one go, but also glowingly, humanly real' Kirstin Innes, author of Scabby Queen Someone has broken into Zoe’s flat. A man she thought she’d never have to see again. They call him the Hand of God. He knows about her job in the cafe, her life in Dublin, her ex-girlfriend, even the knife she’s hidden under the mattress. She thought she’d left him far behind, along with the cult of the Children and their isolated compound Home – but now he’s found her, and Zoe realises she must go back with him if she's to rescue the sister who helped her escape originally. But returning to Home means going back to the enforced worship and strict gender roles Zoe has long since moved beyond. Back to the abuse and indoctrination she’s fought desperately to overcome... Going back will make her question everything she believed about her past – and risk her hard-won freedom. Can she break free a second time? 'An absolute triumph ... .I found myself holding my breath, hoping for the best for her, while expecting the worst. Highly recommended' Laura Shepperson, author of forthcoming debut The Heroines

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With its laser-focus on the verbal and visual infrastructure of narrative, The Metanarrative Hall of Mirrors is the first sustained comparative study of how image patterns are tracked in prose and cinema. In film examples ranging from Citizen Kane through Apocalypse Now to Blade Runner 2049, then on to Christopher Nolan’s 2020 Tenet, Garrett Stewart follows the shift from celluloid to digital cinema through various narrative manifestations of the image, from freeze-frames to computer-generated special effects. By bringing cinema alongside literature, Stewart discovers a common tendency in contemporary storytelling, in both prose and visual narrative, from the ongoing trend of “mind-game” films to the often puzzling narrative eccentricities of such different writers as Nicholson Baker and Richard Powers—including the latter’s eerie mirroring of reader empathy in his 2021 Bewilderment.

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How can we use digital media to understand reading, editing, and writing as literary processes? How can we design the digital medium in a way that goes beyond the printed codex? This book is an attempt to answer those fundamental questions by bringing together a new theory of literary studies with a highly dynamic digital environment. Using the digital archive of the modernist masterpiece Book of Disquiet, by the Portuguese writer Fernando Pessoa (1888-1935), as case study and site for simulation and practical experiment, Literary Simulation and the Digital Humanities demonstrates how computational approaches to texts can fully engage with the complexities of contemporary literary theory. Manuel Portela marshals a unique combination of theoretical speculation, literary analysis, and human imagination in what amounts to a significant critical intervention and a key advance in the use of digital methods to rethink the processes of reading and writing literature. The foregrounding of the foundational practices of reading, editing, and writing will be relevant for several fields, including literary studies, scholarly editing, software studies, and digital humanities.

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Animated Performance shows how a character can seemingly 'come to life' when their movements reflect the emotional or narrative context of their situation: when they start to 'perform'. The many tips, examples and exercises from a veteran of the animation industry will help readers harness the flexibility of animation to portray a limitless variety of characters and ensure that no two performances are ever alike. More than 300 color illustrations demonstrate how animal and fantasy characters can live and move without losing their non-human qualities and interviews with Disney animators Art Babbitt, Frank Thomas, Ollie Johnston and Ellen Woodbury make this a unique insight into bringing a whole world of characters to life. New to the second edition: A new chapter with introductory exercises to introduce beginner animators to the the world of animated acting; dozens of new assignments and examples focusing on designing and animating fantasy and animal characters.

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Matthias Smalbrugge compares modern images to plays without a script: while they appear to refer to a deeper identity or reality, it is ultimately the image itself that truly matters. He argues that our modern society of images is the product of a destructive tendency in the Christian notion of the image in general, and Augustine of Hippo's in particular. This insight enables him to decode our current ‘scripts’ of image. As we live in an increasingly visual culture, we are constantly confronted with images that seem to exist without a deeper identity or reality – but did this referential character really get lost over time? Smalbrugge first explores the roots of the modern image by analysing imagery, what it represents, and its moral state within the framework of Platonic philosophy. He then moves to the Augustinian heritage, in particular the Soliloquies, the Confessions and the Trinity, where he finds valuable insights into images and memory. He explores within the trinitarian framework the crossroads of a theology of grace and a theology based on Neoplatonic views. Smalbrugge ultimately answers two questions: what happened to the referential character of the image, and can it be recovered?

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The new photo-illustrated magazines of the 1920s traded in images of an ideal modernity, promising motorised leisure, scientific progress, and social and sexual emancipation. Modernist Magazines and the Social Ideal is a pioneering history of these periodicals, focusing on two of the leading European titles: the German monthly UHU, and the French news weekly VU, taken as representative of the broad class of popular titles launched in the 1920s. The book is the first major study of UHU, and the first scholarly work on VU in English. Modernist Magazines explores, in particular, the striking use of regularity and repetition in photographs of modernity, reading these repetitious images as symbolic of modernist ideals of social order in the aftermath of the First World War. Introducing a novel methodology, pattern theory, the book argues for a critical return to the Gestalt tradition in visual studies. Alongside the UHU and VU case studies, Modernist Magazines offers an essential primer to interwar magazine culture in Europe. Accounts of rival titles are woven into the book’s thematic chapters, which trace the evolution of the two magazines’ photography and graphic design in the tumultuous years up to 1933.

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Research into higher education has blossomed internationally during the last few decades, as participation in higher education has expanded and concern over delivering it effectively has increased. Higher Education Research offers an overview of what we have learnt through researching different aspects of higher education. Leading academic in the field Malcolm Tight codifies and classifies all research on higher education, offering an accessible but comprehensive guide to the field and its scope. Topics covered include: Teaching and learning Course and design Student experience Quality System policy Institutional management Academic work Knowledge and research Tight discusses the work of key researchers, and explores the varied use of methodologies, theoretical frameworks and research designs. He also identifies topics and areas where further research is needed.

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How do you develop the craft and skills of stage management for today’s theatre industry? And how can these same skills be applied in a variety of entertainment settings to help you develop a rewarding and successful career? Drawing on his diverse experience working with companies from across the performing arts spectrum in venues from the Hollywood Bowl to the Barbican Centre in London, Michael Vitale offers a practical resource on the art of stage management for new and established stage managers. Besides providing detailed coverage of the role within theatre, the book uniquely explores the field of stage management in numerous branches of the entertainment industry. From theatre, opera, and theme parks, to cruise ships, special events, and dance, stage managers are an integral part of keeping productions running, and this book offers guidance on each distinct area to equip you for a varied and successful career. Written with candour and filled with real-world examples, the book examines the nuts and bolts of the job at each stage of the production process: from preproduction, room rehearsal, technical rehearsal, through to running the show. Vitale considers the skills needed to work with a myriad of different people, explores the traits of a successful stage manager, and helps you to hone and evaluate your own practice. Whether you are exploring the field for the first time or are a veteran looking to diversify your resumé, Introduction to the Art of Stage Management will provide insight, practical information, and useful tips to help along the way. An accompanying Companion Website features a range of time-saving templates and forms, such as schedule templates and scene samples. https://www.bloomsbury.com/uk/introduction-to-the-art-of-stage-management-9781474257190/

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The first American armoured cars began to emerge around the turn of the century, seeing their first military use in 1916 during the Punitive Expedition against Pancho Villa. When the United States entered World War I, the American Expeditionary Forces used some armoured cars in France, and American armoured cars were used by the French Army. The inter-war years saw considerable innovation and experimentation in armoured car design. Of the 1930s scout car designs, the M3A1 scout car was good enough to be produced in very large numbers in World War II, and was widely exported to many other armies via Lend-Lease. It also served as the basis for the late M2 and M3 armoured half-tracks. In this study, using detailed full colour plates and rigorous analysis, US armour expert Steven J. Zaloga chronicles the development of the US armoured car in the years leading up to World War II.

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Though primarily fought in the field, the American Revolution saw fortifications play an important part in some of the key campaigns of the war. Field fortifications were developed around major towns including Boston, New York and Savannah, while the frontier forts at Stanwix, Niagara and Cumberland were to all be touched by the war. This book details all the types of fortification used throughout the conflict, the engineers on all sides who constructed and maintained them, and the actions fought around and over them.

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The Decades of Modern American Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: David Mamet: Edmond (1982), Glengarry Glen Ross (1984), Speed-the-Plow (1988) and Oleanna (1992); David Henry Hwang: Family Devotions (1981), The Sound of a Voice (1983) and M. Butterfly (1988); Maria Irene Fornès: The Danube (1982), Mud (1983) and The Conduct of Life (1985); August Wilson: Ma Rainey’s Black Bottom (1984), Joe Turner’s Come and Gone (1984) and Fences (1987).

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A fast-paced whirlwind of fantasy and mockery confined to a single room, The Alchemist offers a witty culmination of Jonson's experiments with city comedy. The play has been widely recognized as one of the most impressive achievements of the period's theatre; Coleridge famously described it as one of the three most perfect plots in literature. Yet it is a notoriously difficult play: its alchemical language has aged into obscurity, and its insiderly humour can seem impenetrable to students approaching it for the first time. This comprehensively annotated edition translates and illuminates the play's many pleasures and shows how Jonson's cynical, street-wise wit resonates with our contemporary sensibilities. Pollard highlights the play's witty ingenuity, while offering the information and guidance to enable students to understand and enjoy The Alchemist fully.

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The Case of the Gilded Fly is Edmund Crispin’s debut novel and also the first Gervase Fen mystery. It is October 1940 and, at Oxford University, the term has just begun. Robert Warner, an up-and-coming playwright known for his experimental approach, has chosen an Oxford repertory theatre for the premiere of his latest play, Metromania. Together with his cast he comes to Oxford to rehearse a week before the opening, but Warner’s troupe is a motley crew of actors among whom is the beautiful but promiscuously dangerous Yseut Haskell. She causes quite a stir with her plots, intrigues and love triangles. When she is found shot dead everyone is puzzled and worried – most of the actors have had a reason to get rid of the femme fatale and few have alibis. The police are at a loss for answers and are ready to proclaim the incident as suicide, but Gervase Fen, an Oxford don who thrives on solving mysteries, is ready to delve further.

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Scandals about cheating and corruption have dogged amateur and professional sports in the United States since the nation's earliest days. This work examines the most infamous and consequential of these controversies and scandals both on and off the field. Authoritative Individual essays tackle notorious events in popular American sports ranging from the 1919 Black Sox scandal to revelations of sign stealing by the Houston Astros throughout their 2020 championship season, with stops in between to survey horrific sex abuse scandals at Penn State, Baylor, and Michigan State; steroid and drug scandals that brought down once-admired athletes like Mark McGwire and Lance Armstrong; and cheating/betting controversies that tainted individual players (Pete Rose), teams (Boston College, New England Patriots), and entire leagues (including the Little League World Series in 2001). But this work does more than just recount these events; it will also examine the cultural and economic pressures and forces that contributed to these events, as well as the lessons learned and steps taken (if any) to enact reform and help the sport recover.

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Thoroughly updated throughout, this classic, practical text on how to write and publish a scientific paper takes its own advice to be "as clear and simple as possible." "The purpose of scientific writing," according to Barbara Gastel and Robert A. Day, "is to communicate new scientific findings. Science is simply too important to be communicated in anything other than words of certain meaning." This clear, beautifully written, and often funny text is a must-have for anyone who needs to communicate scientific information, whether they're writing for a professor, other scientists, or the general public. The thoughtfully revised 9th edition retains the most important material—including preparing text and graphics, publishing papers and other types of writing, and plenty of information on writing style—while adding up-to-date advice on copyright, presenting online, identifying authors, creating visual abstracts, and writing in English as a non-native language. A set of valuable appendixes provide ready reference, including words and expressions to avoid, SI prefixes, a list of helpful websites, and a glossary. Students and working scientists will want to keep How to Write and Publish a Scientific Paper at their desks and refer to it at every stage of writing and publication.

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This wide-ranging resource will help readers understand the history and current state of marriage and divorce in the United States, including their many cultural, economic, political, legal, and religious facets. Coverage includes information and insights on broad trends in relationships that are changing the landscape of American society, such as childcare, delayed marriages, blended families, and prevalence of marriage and divorce among various socioeconomic groups. In addition, the encyclopedia features in-depth entries covering high-interest issues that are shaping the character of marriage, divorce, relationships, and family life in the 21st century, including economic/legal topics (child support, prenups, divisions of assets in divorce, the wedding industry, no-fault divorce, legal representation in divorce, and economic independence as a factor in separations/divorce); other divorce factors (infidelity, parenthood, illness, domestic abuse, and child abuse); and a host of other legal/cultural issues, factors, and phenomena, both current and historical.

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A celebratory and beautiful mixture of memoir, social history and cultural observation, Paul Morley's The North is a unique portrait of Northern England and almost everything within it 'Breathtaking tour de force' Mail on Sunday 'Packed with raw emotions and ambivalent passions … Morley writes with care and precision, though, and his rhythm is such that his book is a lively, breezy read' Sunday Times Paul Morley grew up in Reddish, less than five miles from Manchester and even closer to Stockport. Ever since the age of seven Morley has always thought of himself as a northerner. What that meant, he wasn't entirely sure. It was for him, as it is for millions of others in England, an absolute, indisputable truth. Forty years after walking down grey pavements on his way to school, Paul explores what it means to be northern and why those who consider themselves to be believe it so strongly. Like industrial towns dotted across great green landscapes of hills and valleys, Morley breaks up his own history with fragments of his region's own social and cultural background. Stories of his Dad spreading margarine on Weetabix stand alongside those about northern England's first fish and chip shop in Mossley, near Oldham. Ambitiously sweeping and beautifully impressionistic, without ever losing touch with the minute details of life above the M25, The North is an extraordinary mixture of memoir and history, a unique insight into how we, as a nation, classify the unclassifiable.

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'A wonderful, compelling read' Vassos Alexander, radio presenter and ultrarunner Welcome to the Barkley Marathons, a fever dream of an ultra running event, inspired by a prison break, heralded by a conch blast and paid for in cigarettes and socks. Since the race began in 1986, just 15 people have successfully crossed the finish line having completed the full 100 miles. This is a race in which competitors haul themselves up mountains, through extreme weather conditions, beyond pain and exhaustion, mile after mile. Completed 60 miles? That’s just the fun run. Journalist and ultrarunner Michiel Panhuysen is a multiple-time Barkley entrant, having fallen under the spell of this most enigmatic of races – and its presiding philosopher-genius organizer 'Lazarus Lake' – in the early 2010s. On each occasion, the Barkley won. The Barkley nearly always wins. In the Spell of the Barkley is a story of sporting obsession, exploring what drives individuals to challenge themselves at the limits of what is possible – and what it takes to succeed.

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The third edition of this highly-regarded core textbook offers an accessible and impressively comprehensive account of Western Political Thought over the last two millennia. Structured in four main parts, the chapters are organised around a wide range of key themes, covering everything from Absolute Government and Revolutionary Political Thought to Politics and Freedom and Theories of Civil Disobedience. This new edition concludes with an Epilogue that considers the challenges posed to the history of Western political thought by the perspectives of post-colonialism and post-modernism. The use of boxes throughout the book to explain key thinkers in more detail, as well as the author’s ability to express complex ideas in clear and jargon-free language, makes this the perfect text for helping students to understand the key debates, issues and continuities in the long history of political ideas. For undergraduate and postgraduate students studying courses on the history of political thought and theory, this is an indispensable guide. New to this Edition: - Expanded material on the history of international relations thinking, race consciousness, diversity and gender politics - A completely new Epilogue which focuses on a discussion of post-colonialism and post-modernism in relation to political theory - Additional ‘Thinker’ boxes, alongside revised and updated suggestions for further reading

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Rei Kawakubo of Comme des Garçons is undoubtedly one of the world's major fashion designers. In 2017 she was the second living designer ever to be given a retrospective at the renowned Costume Institute of the Metropolitan Museum of Art in New York. Her work has exerted an extraordinary influence over succeeding generations of designers and is a major point of reference for all those wishing to explore the place of fashion in contemporary culture. The 14 essays in this collection, written by eminent fashion theorists from around the world, explore the relationship of Kawakubo's work to art, philosophy and architecture, and reveal how Kawakubo''s creative output allows us to understand the very notion of fashion itself.

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Surveying print and digital graphic life narratives about people who become ‘othered’ within Western contexts, this book investigates how comics and graphic novels witness human rights transgressions in contemporary Anglophone culture and how they can promote social justice. With thought given to how the graphic form can offer a powerful counterpoint to the legal, humanitarian and media discourses that dehumanise the most violated and dispossessed, but also how these works may unconsciously reproduce Western neo-colonial presentations of the ‘other,’ Olga Michael focuses on gender, death, space, and border violence within graphic life narratives depicting suffering across different geo- and biopolitical locations. Combining the familiar with the lesser-known, this book covers works by artists such as Joe Sacco, Thi Bui, Mia Kirshner, Phoebe Gloeckner, Kamel Khélif, Francesca Sanna, Gabi Froden, Benjamin Dix and Lindsay Pollock, as well as Safdar Ahmed and Ali Dorani/Eaten Fish. Interdisciplinary in its consideration of life writing, comics and human rights studies, and comparative in approach, this book explores such topics as the aesthetics of visualised suffering; spatial articulations of human rights violations; the occurrence of violations whilst crossing borders; the gendered dimensions of visually captured violence; and how human rights discourses intersect with graphic depictions of the dead. In so doing, Michael establishes how to read human rights and social justice comics in relation to an escalating global crisis and deftly complicates negotiations of ‘otherness.’ A vitally important work to the humanities sector, this book underscores the significance of postcolonial decolonized reading acts as forms of secondary witness.

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Queer premises provide vital social and cultural infrastructure – a queer infrastructure – connecting different generations and locations, facilitating the movement of resources, across and beyond the city. Queer Premises offers evidence for how London’s diverse LGBTQ+ populations have embedded themselves into urban space, systems and resources. It sets out to understand how, across their different material dimensions, bars, cafés, nightclubs, pubs, community centres, and hybrids of these typologies, have been imagined, created and sustained. From the 1980s to the present, Campkin asks how, where, and why these venues have been established, how they operate and the purposes they serve, what challenges they face and why they close down.

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The plays of María Martínez Sierra were popular in Spain, South America and in translation on Broadway and London's West End in the first half of the 20th century but they were thought to be written by her husband, the celebrated director and playwright Gregorio Martínez Sierra. After his death, the authorship of his work was revealed to be that of María, making her one of the most important playwrights of her time. This edited collection features three plays by María Martínez Sierra, translated by Helen and Harley Granville-Barker, along with an introduction by Patricia O’Connor, University of Cincinnati, US, which examines María's extraordinary life and work, and the battle for her authorship to be recognized in both the Spanish-speaking and anglophone world. This volume focuses on plays centred on strong women; and each is translated by the eminent man of theatre Harley Granville-Barker and his wife, Helen, whose own story holds stark parallels to Maria's in terms of authorship. The collection is edited by playwright Richard Nelson and Professor Colin Chambers, who contribute an essay on the translation work of the Granville-Barkers. The plays are: The Kingdom of God (1928); The Romantic Young Lady (1920) and Take Two From One (1931). María Martínez Sierra: A Great Playwright Hidden in Plain Sight recognizes María de la O Lejárraga García, to use her birth name, as one of the most important female playwrights, not just in Spain, but globally, in the first half of the 20th century.

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This book highlights the significant role that production artists played when Russian cinema was still in its infancy. It uncovers Russian cinema’s connections with other art forms, examining how production artists drew on both aesthetic traditions and modernist experiments in architecture, painting and theatre as they explored the new medium of cinema and its potential to engender new models of perception and forms of audience engagement. Drawing on set design sketches, archival documents and film-makers’ memoirs, Eleanor Rees reveals how less-canonical films such as Behind the Screen (Kulisy ekrana, 1919) and Palace and Fortress (Dvorets i krepost´, 1923), were remarkable from a design perspective, and also provides new readings of well-known films, such as Children of the Age (Deti veka, 1915) and Strike (Stachka, 1925). Rees brings to light information on significant but understudied figures such as Vladimir Egorov and Sergei Kozlovskii, and highlights the involvement of well-known figures such as Lev Kuleshov and Aleksandr Rodchenko. Unlike the majority of late Imperial directors and camera operators, many early-Russian production artists continued to work in cinema in the Soviet era and to draw on practices forged before the 1917 Revolution. In spanning the entire silent era, this book highlights the often overlooked continuities between the late-Imperial and early-Soviet periods of cinema, thus questioning traditional historical periodisations.

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Fashion is a subject that has long been marginalized in art history and in museums. And yet, one of the most well-known artists in the twentieth century - Marcel Duchamp - created works that challenge the notion that fashion does not belong in the museum. As well, there is material evidence of his engagement with clothing as part of his oeuvre. This book reveals that clothing and dressing are significant themes that recur in Duchamp's life and his work – including his drawings, his fashioning of his body, his readymades, and in his curatorial gestures. In examining the items of clothing worn by Duchamp and the related traces of his wardrobe management, Duchamp is unmasked as a dandy. His waistcoat readymade series 'Made to Measure' (1957-1961) is in fact a remarkable and deliberate effort to recalibrate the definition of the readymade to include clothing. With this little-studied readymade series, Duchamp established a precedent for sartorial art as a valid form of artistic expression. In considering the material traces of Duchamp's fashioning of his body and identity in his work and life, this book makes a highly original contribution to the understanding of Duchamp's work as well as the significance of the clothed body in the vanguard of Modernism. Ultimately, this book explains the relevance of fashion in the museum to modern audiences today.

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Beginning with Alexander McQueen’s infamous attempt to live stream his 2009 Plato’s Atlantis collection on SHOWStudio, this book traces how digital and social media have disrupted social structures within the field of fashion, and transformed the way it is communicated and consumed. Analysing key case studies, from Chanel, Givenchy, Yeezy and Opening Cermony to interactive social media and ‘see now buy now’ campaigns from Burberry, Topshop and Tommy Hilfiger, The Fashion Show Goes Live analyses the mode and impact of fashion shows’ transmission. Through the rise of experimental film, fashion shows tailored for media transmission and the use of live streaming and social media to render shows ‘immediate’ to consumers, fashion weeks – and fashion shows – have become not just trend barometers but material sites that demonstrate media’s effects. Rebecca Halliday evaluates the performativity of consumer relations to such live streams and other mediatized content. In linking these relations back to fashion show footage, she demonstrates that although intended to communicate fashion to mass audiences, these practices also promote it as exclusive and aspirational. Despite democratized, international access to content, the shows themselves remain elite events; kindling new forms of consumer attention, interaction, immaterial labour and desire. Through the microcosm of the fashion show, The Fashion Show Goes Live asks broader socio-political questions about the effects of the fashion industry's mediatization, challenging the notion that new technology has fostered inclusivity.

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In the years before, during, and after the First World War, hundreds of young Jews flocked to Paris, artistic capital of the world and center of modernist experimentation. Some arrived with prior training from art academies in Kraków, Vilna, and Vitebsk; others came armed only with hope and a few memorized phrases in French. They had little Jewish tradition in painting and sculpture to draw on, yet despite these obstacles, these young Jews produced the greatest efflorescence of art in the long history of the Jewish people. The paintings of Marc Chagall, Amedeo Modigliani, Chaim Soutine, Sonia Delaunay-Terk, and Emmanuel Mané-Katz, the sculptures of Jacques Lipchitz, Ossip Zadkine, Chana Orloff, and works by many other artists now grace the world’s museums. As the École de Paris was the most cosmopolitan artistic movement the world had seen, the left-bank neighborhood of Montparnasse became a meeting place for diverse cultures. How did the tolerant, bohemian atmosphere of Montparnasse encourage an international style of art in an era of bellicose nationalism, not to mention racism and antisemitism? How did immigrants not only absorb but profoundly influence a culture? This book examines how the clash of cultures produced genius.

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