Search results for ""Author Murray""

In Cinema, If You Please, Murray Pomerance explores our ways of watching film in light of socially organized forms of pleasure that date back to the seventeenth and eighteenth centuries.

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The first collection of essays devoted to Hollywood director William CastleOften described as 'the Master of Gimmicks', William Castle is best known for the outrageous publicity stunts that characterised his genre films in the 1950s and '60s, including offers for an insurance policy against death by fright, vibrating seats, a skeleton that flew over the audience, and a 'punishment poll' to determine a film's conclusion. But far from being 'the world's craziest filmmaker', Castle was also a dependable studio director who made more than 50 films between 1944 and 1974, and who produced films for Orson Welles and Roman Polanski. 'ReFocus: The Films of William Castle' assembles fourteen essays on the full sweep of Castle's career, including his horror films, westerns, film noirs and more. With an influence felt on directors like Joe Dante, Robert Zemeckis and John Waters, this volume reappraises Castle's legacy as an innovator as much as a showman.ContributorsHugh S. Manon (Clark University)Zachary Rearick (Georgia State University)Anthony Thomas McKenna (Shanghai Jiao Tong University)Murray Leeder (University of Calgary)Beth Kattelman (Ohio State University)Eliot Bessette (University of California, Berkeley)Alexandra Heller-Nicholas (University of Melbourne) Steffen Hantke (Sogang University)Michael Brodski (University of Mainz) Caroline Langhorst (University of Mainz)Michael Petitti (University of Southern California)Peter Marra (Wayne State University)Kate J. Russell (University of Toronto)

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Originally published in 1976. Representing years of critical reflection, The Theory of Criticism attempts to construct a poetics of "presence." Within a wide range of critical terminology, Murray Krieger has sought to create a new vision. In language that is passionate and often dramatic, he looks at the multidimensionality of the poetic world through the lens of Western poetics. His work clearly addresses itself to post–New Critical questions: how to preserve the literary object as a thing to be perceived, valued, and enjoyed and yet to account for its presence in, and interaction with, our culture as a whole, always in danger of being dissolved into man's language-making and -forming activity in general. Our awareness of the poem as object must be modified by our awareness that it is an "intentional" object. Krieger develops his balanced vision in three parts. Part 1 defines the problem and defends the very activity of theorizing both in its own terms and in terms of the critic's function throughout the history of Western criticism. By asking at the outset whether criticism is vain or valuable, Krieger already confronts the basic tension between system and world and the need to account for both. By creating a heuristic system that examines the possibility of form, the critic serves also the world of history and thought as a whole. Part 2 pursues that history from the classical encounter with mimesis in Greek thought to the Romantic and post-Romantic elevation of consciousness as a main criterion of poetic art. Defining a "humanistic aesthetic" as it has been viewed since Aristotle, the author shows how, during and after the eighteenth century, form was opened up under the impact of a Kantian and post-Kantian view, epitomized finally by Coleridge's imagination and its consequences for recent theorists. Part 3 deals with the image of the world struggling against its enclosure within a poetic context. It expands our view of metaphor as a reflection of the dual nature of poetic language, simultaneously locked into the poem and referring to history and nature outside. Our reading of the poem, Krieger concludes, must be double: we must see the poem as a linear and chronological sequence reflecting real life, and we must read it as a circular, imitative, mutually implicative mode.

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Originally published in 1973. Literary critics who have studied tragedy and the tragic vision failed, in Murray Krieger's estimation, to define exactly what they saw as the tragic vision in general terms. An aim of his book is to create a tentative definition of tragic and to flesh out what the author sees as the definition most illuminating of modern literature and the modern mind. In order to do this, Krieger distinguishes between what he sees as the "tragic vision" and "tragedy"—tragedy, from his perspective, is an object's literary form, whereas tragic vision refers to a subject's psychology, the subject's view and version of reality. In light of the shriveling of the tragic concept in the modern world and the reduction of a total view to the psychology of the protagonist, Krieger contends that the protagonist in a tragedy is now more appropriately designated a "tragic visionary" than a "tragic hero."

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This is a study of "karayuki-san", impoverished Japanese women sent abroad to work as prostitutes from the 1860s to the 1920s. It follows the life of one prostitute, Osaki, who is persuaded as a child of ten to accept cleaning work in Borneo and then forced to work as a prostitute in a brothel.

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The Myth of the Jacobite Clans was first published in 1995: a revolutionary book, it argued that British history had long sought to caricature Jacobitism rather than to understand it, and that the Jacobite Risings drew on extensive Lowland support and had a national quality within Scotland. The Times Higher Education Supplement hailed its author's 'formidable talents' and the book and its ideas fuelled discussions in The Economist and Scotland on Sunday, on Radio Scotland and elsewhere. The argument of the book has been widely accepted, although it is still ignored by media and heritage representations which seek to depoliticise the Rising of 1745. Now entirely rewritten with extensive new primary research, this new expanded second edition addresses the questions of the first in more detail, examining the systematic misrepresentation of Jacobitism, the impressive size of the Jacobite armies, their training and organization and the Jacobite goal of dissolving the Union, and bringing to life the ordinary Scots who formed the core of Jacobite support in the ill-fated Rising of 1745. Now, more than ever, The Myth of the Jacobite Clans sounds the call for an end to the dismissive sneers and pointless romanticisation which have dogged the history of the subject in Scotland for 200 years.

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Three Scottish weavers, James Wilson, Andrew Hardie and John Baird, were hanged and beheaded for high treason in the summer of 1820. Nineteen more men were transported to the penal colony of Botany Bay. Their crime? To have taken up arms against a corrupt and nepotistic parliament, and the aristocratic government that refused to reform it. This 'Radical War' was the culmination of five years of unsuccessful mass petitioning of Westminster by working people in Scotland and England. The contempt and intransigence of the Tory government forced an escalation in tactics, and on Easter Monday of 1820, the call for a general strike was answered throughout the western counties of Scotland. Their demands were threefold: the vote for all men, annual parliaments and equal constituencies. Coupled with an armed rebellion, the strike was met by the full military might of the British state; hundreds were arrested and imprisoned without trial, while hundreds more fled the country. This Scottish general strike and insurrection is a little-known chapter of British history and yet remains an immensely important one in the long fight for democracy. In The Fight for Scottish Democracy, Murray Armstrong brings these events dramatically to life.

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In this book, Murray Edelman continues his quest to understand the influence of perception on the political process by turning to the role of art. He argues that political ideas, language, and actions cannot help but be based upon the images and narratives we take from literature, paintings, film, television, and other genres. Edelman believes art provides us with models, scenarios, narratives, and images we draw upon in order to make sense of political events, and he explores the different ways art can shape political perceptions and actions to both promote and inhibit diversity and democracy.

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Men commit crimes. Men are violent. Men start wars. Men have power.In Paying for Masculinity, Murray Knuttila argues that male dominance is best understood in the context of the particular mode of gender practice - hegemonic masculinity - that typifies patriarchal gender orders. This mode of masculinity permeates our society, media and culture. It persists because of "the patriarchal dividend" - men directly benefit from their dominance in society. But these benefits exact a price, first and foremost from women and girls. But, as boys and men are under pressure to "man up," they too pay the costs: they die younger, go to prison, restrict their emotions and blunt their humanity. Simply put, men need to understand that the costs of practising this mode of masculinity far outweigh the benefits.Knuttila's conceptual framework allows him to trace the history of the patriarchal dividend through various aspects of patriarchal capitalism, demonstrating how ingrained it is in our society, and to illustrate ways of encouraging non-hegemonic forms of masculinity, which are ultimately to the benefit of everyone.

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By turns humorous, striking, mysterious and surprising, these photographic pairings by MOSS design shop founder Murray Moss reveal unanticipated elements of the objects' personalities. "Some are duets, or fugues," Moss writes. "Some dance a pas de deux. Many are six degrees incarnate. And others are conversations between strangers who share a bench in the park and discover common ground." Reproduced at the actual size of the original photos, with both the front and the often annotated back presented with equal importance, these artifacts, "retired now from their labors, are akin to those exceptional functional objects that have served their time and have later come to be appreciated, even coveted and exalted, for the extraordinary qualities that lie outside of their original function."

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Murray Pomerance is Professor of Sociology at Toronto Metropolitan University, Canada. He is the editor of numerous series, and author of many books, including The Eyes Have It: Cinema and the Reality Effect and Alfred Hitchcock's America.

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The end of Roman Britain and the arrival of the invading Saxons forms part of the most disruptive period in Britain's history. Centuries of relative stability as a Roman province gave way to an age of conquest and destruction. It is a period which is difficult to comprehend, coming at the end of the Roman era and in the pre-dawn of the Medieval. It is a Dark Age, both in terms of our apparent lack of source material and in our understanding of events. As a result, several legendary figures appear it is the age of Arthur, Merlin and others; figures steeped in mystery, mysticism and magic, allowed to thrive in the paucity of the source material.In this new analysis, Murray Dahm explores the military history of Roman Britain's slow decline, going back to the roots of the province's final rupture from Rome in the fifth century and the subsequent invasions. Using a wide array of sources, the author illuminates this dark world and examines what we know (or what we think we know) of the Angl

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Murray reveals a true story of divine love. Beautiful. - Ricky Ross, Deacon Blue Absolutely brilliant! Shows us how to live life to the full. - Fiona Castle, President, Activate Your Life Experience the power of the most beautiful song in the world. ‘If your heart is open to love,’ writes Murray, ‘then this song is for you. If you have no interest in religion, but consider yourself spiritual, this song is for you. If you’re in deep trouble, this song is for you. If your life is happy and fulfilled, this song is for you. Why wouldn’t you want to discover a peace and happiness beyond your wildest dreams?’ This book will prompt you to explore aspects of yourself, and of your relationship with the universe, of which you were barely aware. ‘Don’t be afraid of a new way of being,’ says Murray. ‘Everybody has the capacity to develop their spiritual life.’ Murray Watts is an author, playwright and screenwriter, living in the north of Scotland.

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'A masterpiece. A novel of high seriousness and higher playfulness' Michael Hulse, Spectator On a property in New South Wales, a man named Holland lives with his daughter, Ellen. As years pass and Ellen grows into a beautiful young woman, her father announces his decision: she will marry the first man who can name all the eucalypts, down to the last tree. As suitors clamber to meet Holland's challenge, Ellen encounters a strange young man among her father's trees - a storyteller, with enchanting tales of faraway lands. 'Murray Bail is the warmest and quick-witted of storytellers. You will never forget what is at the heart of this book: one of the great and most surprising courtships in literature' Michael Ondaatje

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This new 7th edition of Bradt's Cape Verde (Cabo Verde) has been fully revised and updated and remains the most comprehensive English-language guidebook available to the islands of this alluring Atlantic archipelago, described by some as 'Africa light'. The guide includes well-researched history and cultural sections, with a particularly strong section on music, and brings an honest approach to reporting the fragile balance between tourist development and protecting the environment. This new edition reflects the many changes since the previous one, including the introduction of charter flights from the UK to Sal and the first casino-hotel on Sal, as well as providing full information on how to make the most of the less developed islands away from the main tourist hotspots. Stable and peaceful, quietly isolated by its mid-Atlantic location, Cape Verde continues to grow economically and to develop its tourist infrastructure at a leisurely pace. With few natural resources, the islands are heavily dependent on imports, foreign remittances and still to some extent on foreign aid. The reduction in the latter has heightened the focus on the importance of tourism as an economic driver and visitor numbers continue to rise. Year-round sunshine makes Cape Verde a particularly appealing destination. The archipelago is diverse, particularly in terms of its tourist infrastructure. Sal and Boavista, the oldest of these volcanic islands are flat with white-sand beaches that rival anything in the world. Consequently, they attract 95% of Cape Verde's visitors, leaving the other seven inhabited islands undeveloped. Hikers and those curious to discover something authentic are drawn to them, spending their time walking amongst the jaw-dropping mountainous landscapes of Fogo or Santo Antão, taking some true time-out in tiny Brava or mellow Maio or enjoying the cultural fusion of African, Portuguese and Brazilian influences in the cities of Praia and Mindelo. The adventurous will find adrenalin rushing as they profit from windsurfing and kitesurfing opportunities, fuelled by strong breezes and Atlantic waves, while for culture, Mindelo is the attraction with a constant backdrop of seductive music, the thread which ties together the islands scattered across the mid-Atlantic.

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Murray N. Rothbard was the leading voice of the Austrian School of Economics during its post-war American revival. His research in economic theory, history, method and policy, was the major impetus for today's burgeoning interest in the Austrian School and the broader realm of free-market thought.The Logic of ActionTwo is a careful selection of Rothbard's most important scholarly articles. Some have appeared in mainstream journals, others have been long out of circulation, and still others are published here for the first time. It was Rothbard's major ambition to shore up the scientific status of the Austrian School and, at the same time, demonstrate the theory's radical, free-market implications for government policy.The book confirms Rothbard as an intellectual giant, and presents his many contributions to the Austrian School, a systematic alternative to mainstream thought that reaches radical, free-market policy conclusions.

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A guide for reading and understanding difficult New Testament verses. While the core message of the New Testament is clear, there are often puzzling, alarming, or confusing things we encounter when we get into the details of the text. Murray J. Harris, veteran scholar and translator, is an ideal guide through these complicated passages. In Navigating Tough Texts, he clearly and concisely provides exegetical insights to over one hundred tricky New Testament verses that have implications for theology, apologetics, mission, and the Christian life. Navigating Tough Texts is an indispensable resource for pastors, students, and curious Christians who want to be better readers of the many important--and often confusing--New Testament passages.

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Providing a Marxian analysis of the origins, implications, and scope of the current economic downturn, this critique of global capitalism argues that the ongoing crisis is not merely a result of overProduction and problems with credit and finance, but rather a deep-seated systemic failure of capitalism itself. The discussion clearly roots the present economic slump in the history of capitalism and contends that, in order to find a more permanent solution, the crisis needs to be understood structurally, as the result of a failed theory, rather than as an aberration.

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This book is about how the wonderful diversity of the universe can arise out of a set of fairly simple basic laws. It is written by an expert in both the fundamental laws and the complex structures that they can produce.'' Stephen Hawking''s acclaim of Murray Gell-Mann''s literary debut is typical of the reception the book received on first publication in 1994.From one of the twentieth century''s greatest scientists comes this unique, highly personal vision of the connections between the basic laws of physics and the complexity and diversity of the natural world. THE QUARK AND THE JAGUAR - the simple and the complex - is an irresistibly engaging and rewarding introduction to the life''s work of physicist, polymath and Nobel Laureate Murray Gell-Mann.

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As our understanding of the mechanisms of the brain and nervous system that underlie the conscious experience of pain has increased over the past 60 years, so too has the field of pain management. What began as almost exclusively the domain of anaesthetists has become multidisciplinary, and now comprises many other specialisms including neurology, psychology, nursing, occupational therapy and physiotherapy. This spate of activity has been paralleled by a similar growth in research: in neurophysiology, psychology and pharmacology as well as clinical medicine. Simultaneously, the pharmaceutical industry has spent billions of pounds and dollars in the search for better drugs for relieving pain. This ground-breaking book is compiled by former contributors to The Special Interest Group for Philosophy and Ethics of the British Pain Society. The issues discussed include satisfactory relief of chronic pain, the inadequacy of scientific biomedicine in offering answers, and ethical problems arising in pain medicine. 'Suffering cannot be found in a laboratory test or imaging study; it is only observable by communicating with the sufferer. The eleven chapters in this book approach this conundrum from vastly different perspectives, some highly personal and others broadly social. Issues such as the interface between the physician and the pharmaceutical industry are also presented. Each chapter describes a facet of the problems of suffering and some of the available paths to recovery.' John D Loeser in the Foreword

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Read and write your way to excellence on the GED RLA Test Does the thought of taking the GED RLA Test make you red in the face? Fear not! With the help of GED RLA Test For Dummies, you'll get up to speed on the new structure and computer-based format of the GED and gain the confidence and know-how to pass the RLA Test like a pro. Packed with helpful guidance and instruction, this hands-on test-prep guide covers the concepts covered onthe GED RLA Test and gives you ample practice opportunities to assess your understanding of the Language Arts, Writing, and Language Arts Reading sections of the exam. Designed to test your understanding of reading, writing, and editing skills, the GED RLA Test can be tough for the uninitiated. Luckily, this fun and accessible guide breaks down each section of the exam into easily digestible parts, making everything you'll encounter on exam day feel like a breeze! Inside, you'll find methods to sharpen your reading and language arts test skills, tips on how to approach GED RLA question types and formats, practice questions and study exercises, and a full-length practice test to help you pinpoint where you need more study help. Presents reviews of the GED RLA test question types and basic computer skills Offers passages and questions that assess reading comprehension, language conventions, and usage Includes one full-length GED RLA practice test Provides scoring guidelines and detailed answer explanations Even if reading, writing, and editing have never been your strong suit, GED RLA Test For Dummies makes it easy to pass this crucial exam and obtain your hard-earned graduate equivalency diploma.

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From Internet-dating profiles to Native American folktales to the photo trickery of Hollywood gossip magazines, this volume explores deception and offers insights from leading figures in disparate fields, drawing out surprising commonalities. For the first time, one broadly accessible volume pulls together classic philosophical debates on deception with examinations of contemporary issues, including stock market fraud and terrorism. Deception offers a unique perspective on the state of the art: readers will find scholars from biology and physics in conversation with experts in mass media and culture, and archaeologists engaged with ideas from military strategists. As the essays make clear, deception touches virtually every aspect of our lives; in fact, recent psychological research suggests that we each tell at least two to three lies per day. Throughout the animal kingdom, survival and reproduction depend upon successful deceptions. But while deception has captured the interest of philosophers, scientists, warriors, and artists over thousands of years, our knowledge of the subject is limited. At the same time, new technologies have made deception more commonplace, more dangerous, and more difficult to detect than ever. Deception is a particularly timely and insightful work. Its scope and subject make it compelling reading for a broad readership.

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Director Michael Curtiz was the mastermind behind some of the most iconic films of classical Hollywood—Casablanca, Yankee Doodle Dandy, The Sea Hawk, White Christmas, and Mildred Pierce, to name only a few. The most prolific and consistently successful Hollywood generalist with an all-embracing interest in different forms of narrative and spectacle, Curtiz made around a hundred films in an astonishing range of genres: action, biopics, melodramas/film noir, musicals, and westerns. But his important contributions to the history of American film have been overlooked because his broadly varied oeuvre does not present the unified vision of filmmaking that canonical criticism demands for the category of “auteur.”Exploring his films and artistic practice from a variety of angles, including politics, gender, and genre, The Many Cinemas of Michael Curtiz sheds new light on this underappreciated cinematic genius. Leading film studies scholars offer fresh appraisals of many of Curtiz’s most popular films, while also paying attention to neglected releases of substantial historical interest, such as Noah’s Ark , Night and Day, Virginia City, Black Fury, Mystery of the Wax Museum, and Female. Because Curtiz worked for so long and in so many genres, this analysis of his work becomes more than an author study of a notable director. Instead, The Many Cinemas of Michael Curtiz effectively adds a major chapter to the history of Hollywood’s studio era, including its internationalism and the significant contributions of European émigrés.

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This book, a collection of fifteen original essays on the film performances and stardom of John Barrymore, redresses the lack of scholarship on Barrymore by offering a range of varied perspectives on the actor's work.

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This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This volume focuses on American cinema, including case studies of key performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg, Cary Grant, Oscar Isaac, Jack Nicholson and Al Pacino.

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Analyses what makes an acting performance excellent, through a range of examples from world cinemaWhat actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Gael Garcia Bernal, Nikolai Cherkassov, Alec Guinness, Setsuko Hara, Isabelle Huppert, Peter Lorre, Madhubala, Anna Magnani, Toshiro Mifune, and Choi Min Sik, amongst many others.ContributorsUlka Anjaria, Brandeis UniversityJanet Bergstrom, UCLAHye Seung Chung, Colorado State UniversityCorey K. Creekmur, University of IowaAdrian Danks, RMIT University, MelbourneNick Davis, Northwestern UniversityDavid Desser, University of IllinoisDavid Scott Diffrient, Colorado State UniversityVictoria Duckett, Deakin University, MelbourneJason Jacobs, University of QueenslandAlexia Kannas, RMIT University, MelbourneMarcia Landy, University of PittsburghGina Marchetti, Independent Scholar Douglas McFarland, Flagler College, Saint AugustineAdrienne L. McLean, University of Texas at DallasJerry Mosher, California State University, Long BeachKarla Oeler, Stanford UniversityR. Barton Palmer, Clemson UniversityHomer B. Pettey, University of ArizonaMurray Pomerance, Ryerson University Sergio Rigoletto, University of OregonKyle Stevens, Appalachian State UniversityAaron Taylor, University of LethbridgeAlison Taylor, Bond University, QueenslandDolores Tierney, University of SussexNoah Tsika, Queens College, City University of New YorkTimotheus Vermeulen, University of Oslo

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Murray Watts is one of the UK's foremost retellers of the Bible. He combines expert Bible knowledge with skilful storytelling to create a compelling text that speaks to children of today. The Lion Bible for Children: - comprehensive coverage of key Bible themes and stories - reliable text which is faithful to the spirit of the original - imaginative style which reflects the variety of the Bible itself (e.g. reportage, poetry, history, letters) - beautiful illustrations that complement and add meaning to the stories - all the design qualities of a modern classic.

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This new title from Bradt is the only English-language guide to focus on Pays de la Loire: The Vendée and surrounding area including Pornic, La Rochelle, Île de Ré and Nantes, an increasingly popular part of France. Written by award-winning travel writer Murray Stewart and Angela Bird, who for almost 50 years has owned a home in the region, it offers comprehensive coverage of this beguiling area, with details on everything from family holidays to walks, cycling, local cuisine and history. Thanks to the authors' long history with the area, the guide also reveals the quirks and themes which give the Vendée its own distinct character, as well as straying just beyond the area's boundaries to incorporate La Rochelle and Nantes, both entry points for those arriving by air and both offering urban distractions for the occasional rainy day. The Vendée offers all the benefits of a well-established destination, both with French and British visitors, with easy access times from the UK by ferry adding to its appeal. Popular with campers and self-caterers, its sunny climate and 140km of sandy beaches, combined with tree-lined canals and open marshland, make for a diverse outdoor playground. Bradt's The Vendée and surrounding area includes information on suggested walks and cycleways and also summarises the best places for bird-watching. The region has no true cities, or even large towns, but the guide includes details of the many local museums which provide easily accessible insight into the bloody history of an area which has, at times, been central to the evolution of modern-day France.

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If you are looking for a quick nuts-and-bolts overview, turn to Schaum's Easy Outlines!Schaum's Easy Outline of Mathematical Handbook of Formulas and Tables is a pared-down, simplified, and tightly focused review of the topic. With an emphasis on clarity and brevity, it features a streamlined and updated format and the absolute essence of the subject, presented in a concise and readily understandable form. Graphic elements such as sidebars, reader-alert icons, and boxed highlights stress selected points from the text, illuminate keys to learning, and give you quick pointers to the essentials. Expert tips for mastering math formulas Last-minute essentials to pass the course Complete index to all topics Appropriate for the following courses: College Mathematics, Numerical Analysis, Calculus, Calculus II, Calculus III, Differential Equations, Probability and Statistics Clear and concise explanations of all procedures Formulas and tables for elementary to advanced topics Complete index to all topics

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This is a study of Enlightenment in Edinburgh like no other. Using data and models provided by urban studies theory, it pinpoints the distinctive features that made Enlightenment in the Scottish capital possible.

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The New Apologists for Poetry was first published in 1956. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.The author's purpose is to clear the ground for a systematic aesthetics of poetry consistent with the insights of our most influential contemporary literary critics. The book is concerned with those of the so-called "new critics" who are trying to answer the need, forced on them by historical and cultural pressures, to justify poetry by securing for it a unique function for which modern "scientism" cannot find a substitute.This volume provides intensive analyses of work by critics of several persuasions: T. E. Hulme, T. S. Eliot, I. A. Richards, John Crowe Ransom, Yvor Winters, Allen Tate, and Cleanth Brooks, and, for purposes of contrast, D. G. James, R. S. Crane, Elder Olson, and Max Eastman. Allen Tate, the poet and critic, writes: "Mr. Krieger's book is the most searching in scholarship and the most profound in critical analysis of the existing books in this field." Robert B. Heilman, critic and teacher, comments: "The author's knowledge of a complex field and his mastery of the analytical techniques which he is applying to a chosen set of critical positions are very impressive. He not only clarifies the positions of various contemporary critics by examining them in the light of the same set of general principles, but also provides some helpful, at times brilliant, insights into the works of various critics from the Greeks up to the present. He traces the history of concepts and thus establishes relationships among individual critics and critical schools."

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The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences—including The Wizard of Oz, Arizona Dream, and Signs—Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of "reality" is put in context, challenged, and willfully engaged.Four meditations deal with “reality effects” from different philosophical and technical angles. “Vivid Rivals” assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. “The Two of Us” considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. “Being There” discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm’s Way, and other films. “Fairy Land” explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting.

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Thanks to the ready availability of political news today, informed citizens can protect and promote their own interests and the public interest more effectively. Or can they? Murray Edelman argues against this conventional interpretation of politics, one that takes for granted that we live in a world of facts and that people react rationally to the facts they know. In doing so, he explores in detail the ways in which the conspicuous aspects of the political scene are interpretations that systematically buttress established inequalities and interpretations already dominant political ideologies.

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