Search results for ""Author Mark"

After laughing their way through his classic and beloved depictions of nineteenth-century American life, few readers would suspect that Mark Twain's last years were anything but happy and joyful. They would be wrong. As Hamlin Hill reveals in "Mark Twain: God's Fool", contrary to the myth perpetrated by his literary executors, Twain ended his life as a frustrated writer plagued by paranoia. He suffered personal tragedies, got involved in questionable business ventures, and was a demanding and controlling father and husband. As Hill's book demonstrates, the difficult circumstances of Twain's personal life make his humorous output all the more surprising and admirable.

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Jean-Pierre Dupuy, prophet of what he calls "enlightened doomsaying," has long warned that modern society is on a path to self-destruction. In this book, he pleads for a subversion of this crisis from within, arguing that it is our lopsided view of religion and reason that has set us on this course. In denial of our sacred origins and hubristically convinced of the powers of human reason, we cease to know our own limits: our disenchanted world leaves us defenseless against a headlong rush into the abyss of global warming, nuclear holocaust, and the other catastrophes that loom on our horizon. Reviving the religious anthropology of Max Weber, Emile Durkheim, and Marcel Mauss and in dialogue with the work of René Girard, Dupuy shows that we must remember the world's sacredness in order to keep human violence in check. A metaphysical and theological detective, he tracks the sacred in the very fields where human reason considers itself most free from everything it judges irrational: science, technology, economics, political and strategic thought. In making such claims, The Mark of the Sacred takes on religion bashers, secularists, and fundamentalists at once. Written by one of the deepest and most versatile thinkers of our time, it militates for a world where reason is no longer an enemy of faith.

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In this classic, groundbreaking exploration of early American literature, Susan Howe reads our intellectual inheritance as a series of civil wars, where each text is a wilderness in which a strange lawless author confronts interpreters and editors eager for settlement. Howe approaches Anne Hutchinson, Mary Rowlandson, Cotton Mather, Hawthorne, Emerson, Melville and Emily Dickinson as a fellow writer—her insights, fierce and original, are rooted in her seminal textural scholarship in examination of their editorial histories of landmark works. In the process, Howe uproots settled institutionalized roles of men and women as well as of poetry and prose—and of poetry and prose. The Birth-mark, first published in 1993, now joins the New Directions canon of a dozen Susan Howe titles.

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In this study, Francesco Filannino focuses on the introductory section of Mark's Gospel (Mark 1:1-15), which scholars believe to be the key to understanding the whole narrative of Mark. In it, one can recognise an incipit (Mark 1:1) and a proper introduction (Mark 1:2-15). The author studies the text of Mark 1:1, 2-15 through a detailed exegesis which attempts to combine diachronic and synchronic approaches. Exegetical analysis highlights the theological contents of this section, which can be classified within the most important poles of Marcan theology: Christology, eschatology, soteriology, and discipleship. The purpose of the study is to show that the incipit and the introduction of the Second Gospel represent a programmatic anticipation of the contents of each of these theological poles and end up by constituting a "miniature" of the theology of the Second Gospel.

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There is an increasing hunger among Catholics to study the Bible in depth and in a way that integrates Scripture with Catholic doctrine, worship, and daily life. In October 2008, a meeting of the world Synod of Bishops scheduled by Pope Benedict XVI will focus on "The Word of God in the Life and Mission of the Church." Coinciding with that meeting is the launch of the Catholic Commentary on Sacred Scripture (CCSS), a series that responds to the desire of Catholics to access the living Word of God. The Gospel of Mark is the first of seventeen volumes, which will cover the entire New Testament. Written by trusted Catholic biblical scholars, these commentaries interpret Scripture in the light of Catholic tradition. Accessibly written yet substantive, the CCSS fills a gap in the available literature by offering commentaries that cover more than brief study guides but are less daunting than scholarly commentaries.

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Get ready for a great game of footy. Theres plenty of ac on and masses of mud. Who will kick the first goal? Who will take the best mark? And will the yellow team win? A zippy, colourful, wet and muddy childrens weekend footy game that relates to all budding AFL champions and their families.

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Send your best wishes with the beautifully reproduced artwork on these full-colour full size Mark Rothko Notecard Boxes, packaged in a large format 2 piece glossy reusable box. Mark Rothko Notecard Box includes reproductions of 5 bold paintings. Our museum quality Notecard Boxes are perfect to keep on hand for any occasion notes and greetings to friends and family. Our on-trend designs and high print quality make our cards the best value out there. 20 notecards and envelopes 4 each of 5 images Packaged in a large format Glossy 2-piece box Cards printed on coated paper stock to bring out their full colour Cards and envelopes bundled together with a paper belly band inside each box Box measures 190 x 139 x 38 mm

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Mark Flood: Gratest Hits is the first survey of the work of Houston-based artist Mark Flood (born 1957) dating from the 1970s to 2016. Described by The New York Times as a “painter and punk propagandist,” Flood has, despite remaining barely visible at the museum level, maintained an active and influential career for decades in painting and, increasingly, exhibition practice, producing work characterized by deep wisdom and trenchant humor. With Gratest Hits, Flood--an artist so absolute in his judgments that one 2012 painting featured the words “Whore Museums, Gutless Collectors, Blind Dealers, So-Called Artists” emblazoned on it--finally gets the monographic museum treatment in his hometown, and a career-spanning catalogue to boot. This fully illustrated, full-color volume features texts by Carlo McCormick, Alison Gingeras, El Topito, Scott Indrisek and Bill Arning, the exhibition’s curator and director of the Contemporary Arts Museum, Houston.

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Get ready for a great game of footy. Theres plenty of ac on and masses of mud. Who will kick the first goal? Who will take the best mark? And will the yellow team win? A zippy, colourful, wet and muddy childrens weekend footy game that relates to all budding AFL champions and their families.

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As Time Passes and Details Fade, Photographs Turn into Memories “As time passes and details fade, the photographs that we choose to hold onto become our memories. As a result when an image is made, explicitly or subconsciously, decisions are being made about how things will be remembered.” These images are Australian photographer’s Mark Forbes Collected Memories. His debut monograph presents a cohesive blend of carefully composed scenes, from faded interiors and common, relatable spaces, to the romance of our environment being reclaimed by nature. Turning the pages there is a stirring sense of both subtle ordinary beauty and inherent personality sprinkled across each of the large plates. Forbes’ photographic preference, using medium format film, is slow and methodical–and this approach can be felt throughout the quiet pages.

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Accompanying the first exhibition of outstanding British artist Mark Wallinger's paintings in Switzerland, this catalogue focuses on his large-scale Action Paintings, complemented by a series of new, polychrome small-scale paintings. Despite their many differences from the works of French Impressionism the collection of the Museum Langmatt is centered around, light and movement remain the central elements here as there. A homage to the term coined by Harold Rosenberg who claimed that for action painters the canvas was not a representation but an extension of the mind itself, these performative works move from image to action. Created by sweeping paint-laden hands across the canvas in active freeform gestures, they make intense reference to the body, intensified by the use of plasticine which creates soft, relief-like effects.

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When everything crumbles, her chance for a new beginning hangs in the balance. Ruth Anniston survived an injury that left her physically scarred, broken, and angry at God. Now, she finds herself working behind the scenes as a kitchen and dining room supervisor at the El Tovar Hotel, hidden away from curious eyes and with little hope of finding love. When money begins to disappear from the hotel, Ruth's entire livelihood is put at risk when she lands on the list of suspects. Frank Henderson has at last succeeded in obtaining his dream job as head chef at the El Tovar. But competition in the kitchen is fierce, and one mistake could cost him his future. As the thefts at the hotel continue, and his affection for Ruth grows, Frank's career--and his heart--are in jeopardy. As tensions run high, Ruth and Frank must work together to save the El Tovar. They find themselves growing closer . . . but can their combined ingenuity overcome the odds against them?

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The artist Mark Hearld finds his inspiration in the flora and fauna of the British countryside: a blue-eyed jay perched on an oak branch; two hares enjoying the spoils of an allotment; a mute swan standing at the frozen water's edge; and a sleek red fox prowling the fields. Hearld admires such twentieth-century artists as Edward Bawden, John Piper, Eric Ravilious and Enid Marx, and, like them, he chooses to work in a range of media - paint, print, collage, textiles and ceramics. Work Book is the first collection of Hearld's beguiling art. The works are grouped into nature-related themes introduced by Hearld, who narrates the story behind some of his creations and discusses his influences. He explains his particular love of collage, which he favours for its graphic quality and potential for strong composition. Art historian Simon Martin contributes an essay on Hearld's place in the English popular-art tradition, and also meets Hearld in his museum-like home to explore the artist's passion for collecting objects, his working methods and his startling ability to view the wonders of the natural world as if through a child's eyes.

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This broad-ranging companion brings together respected American and European critics and a number of up-and-coming scholars to provide an overview of Twain, his background, his writings, and his place in American literary history. One of the most broad-ranging volumes to appear on Mark Twain in recent years Brings together respected Twain critics and a number of younger scholars in the field to provide an overview of this central figure in American literature Places special emphasis on the ways in which Twain's works remain both relevant and important for a twenty-first century audience A concluding essay evaluates the changing landscape of Twain criticism

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Treason, heresy and revolt in Queen Elizabeth's England . . . The year is 1600. With a dying queen on the throne, war raging on the high seas and famine on the rise, England is on the brink of chaos. And in London's dark alleyways, a conspiracy is brewing. In the court's desperate bid to silence it, an innocent man is found guilty - the father of Nicholas Shelby, physician and spy. As Nicholas races against time to save his father, he and his wife Bianca are drawn into the centre of a treacherous plot against the queen.When one of Shakespeare's boy actors goes missing, and Bianca discovers a disturbing painting that could be a clue, she embarks on her own investigation. Meanwhile, as Nicholas comes closer to unveiling the real conspirator, the men who wish to silence him are multiplying. When he stumbles on a plan to overthrow the state and replace it with a terrifying new order, he may be forced to make a decision between his country and his heart . . .

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A fresh look at the message and meaning of Marks Gospel by one of the worlds greatest living theologians. Rowan Williams explores the essential meaning and purpose of St Marks Gospel for complete beginners as well as for those who've read the Gospel many times before and want to see it in a fresh light. Written at a highly accessible level and packed with illuminating spiritual insights, this book would make a perfect gift for anyone thinking about confirmation, while also appealing to people who may simply be curious about Jesus and the Gospels and want to learn more about his significance.

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Everyone thinks Mark is the bravest boy in the whole school. But secretly Mark is afraid of the dark! One night, when he thinks his gran is in trouble, Mark is the only one who can help. But can Mark be brave enough to help his gran in the pitch black night-time...?

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“I made these pictures exactly as if I was taking pictures in Wilkes-Barre, my hometown. I was led only by what I could see on the street. Of course, the extreme newness of this giant country, Mexico, was shocking to me. There really is surrealism in the air.”—Mark CohenBetween 1981 and 2003, Mark Cohen travelled to Mexico eight times. Seduced by the “surrealist” qualities he found there, Cohen took his camera to the streets of Mexico City, Oaxaca City, and Mérida, as well as other parts of the Yucatán. Following his split-second impulses, Cohen took his signature “grab shots,” often flooding the subjects with the artificial light of the flash. His black-and-white photographs, taken at arm’s length with minimal focus, capture the textures and rhythms of gritty city streets and city life. Reminiscent of Cohen’s iconic photographs of working-class Pennsylvania towns, yet imbued with a perceptible sense of foreignness, these Mexican images convey the restless energy and strangeness of daily life.

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Mark's Gospel tells the complete story of the life, death and resurrection of Jesus Christ.Accurate and readable, the NIV (New International Version) is the world's most popular modern English Bible translation.

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Originally published in 1967. Mark Twain's literary criticism is a significant branch of his writing that is relatively less explored and appreciated than his other writing. Sydney Krause analyzes the full range of Twain's criticism, much of which has lain neglected in notebooks, letters, marginalia, and autobiographical dictations. This body of work demonstrates that, in addition to being an acute critic given to close reading, Twain thought enough of his criticism to present much of it in an enveloping literary form. In his early criticism Twain used the mask of an ignorant fool (or Muggins), while in his later criticism he used the mask of a world-weary malcontent (or Grumbler). The resulting cross fire from extremes of innocence and experience proved effective against a wide range of literary targets. The Muggins dealt mainly with theater, journalism, oratory, and popular poetry; the grumbler with such writers as Goldsmith, Cooper, Scott, and Hare. Much of this criticism was an outgrowth of Twain's romanticism and therefore has importance for the history of American realism. Mark Twain's criticism was not wholly depreciatory, however. He liked Macaulay, Howells, Howe, Zola, and Wilbrandt, for example, because he found in some of their works the realization of history as an immediate presence. The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have.

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This book introduces Mark Twain through close readings of his seven major works, including Tom Sawyer, Huckleberry Finn, Connecticut Yankee and Pudd’nhead Wilson. Introduces Mark Twain through close readings of his seven major works, including Tom Sawyer, Huckleberry Finn, Connecticut Yankee and Pudd’nhead Wilson. Investigates the tension between the real-life person, Samuel Clemens, and the fictional person, Mark Twain. Provides an original reading of Twain’s obsession with performance and popularity. Analyses the significance of Twain’s books for American culture and identity. Illustrated with images from first editions of Twain’s works. A short appendix directs readers to the author’s award-winning website on ‘Mark Twain in his Times’.

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This book gathers for the first time an extensive selection of American artist—or “builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured “merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. “The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; “If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same image over and over—war, violence, explosions, things being blown apart. As a citizen, you have to participate in that every day. You have to walk by until it's changed.” Eagerly anticipated, this is the first large-scale publication by a major publisher about the work of this important and increasingly influential artist. Artist and writer Malik Gaines considers Bradford's play with signs in relation to literary and performative theories of African-American forms; writer and cultural critic Ernest Hardy addresses social issues, in Los Angeles and more broadly, raised by Bradford's source material; Heidi Zuckerman Jacobson examines the language in the work as it relates to Concrete poetry; and Dia Art Foundation Director Philippe Vergne looks at the surface of the work and Bradford's processes of mining and excavation.

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In his third book, Christer Löfgren expands the scholarship on imperial Chinese porcelain with a radical, new interpretation of the term “Mark and Period”. From identifying only marks on imperial porcelain, to looking at objects associated with those marks, his analysis will change imperial porcelain's image and significantly contribute to the knowledge base of Chinese porcelain experts and collectors. For the first time, it is now possible to group all imperial items in all these periods, from Ming to the end of the Qing period. Based on a database of over 5000 items and marks, this survey provides statistics which make it possible to go deeper into identifying which items and marks are “Mark and Period”, copies, or counterfeits. Also available: Chinese Imperial Reign Marks ISBN 9789198465181

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Chapter One: Introduction.- Part One.- Chapter Two: The Puzzles of Mark Twain's Joan of Arc.- Chapter Three: Twain's Interest in Religion & the Divine Right of Kings.- Chapter Four: From the Question of Divine Right to the Character of Sieur Louis de Conte.- Part Two.- Chapter Five: Joan's Noble Political Career.- Chapter Six: The Maiden Head of Modernity: Joan's Revolutionary Project.- Chapter Seven: The Human Roots of Religious Belief.- Part Three.- Chapter Eight: Speech in Personal Recollections: History, Tragedy, and Comedy.- Chapter Nine: Judging Joan.- Chapter Ten: The Queering of Joan's Being.- Chapter Eleven: Conclusion.

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