Search results for ""Author Arne"

Since the late 1980s, Jim Hodges’ poetic reconsiderations of the material world have inspired a body of multimedia work in which the manmade and artificial are invested with emotion and authenticity. Co-published by the Dallas Museum of Art and the Walker Art Center, this volume accompanies the first comprehensive, scholarly exhibition to be organized in the United States of this critically acclaimed American artist. Examining over 25 years of his artistic career, this uniquely designed catalogue weaves together the voices of many to situate the artist’s work within issues of identity, social activism, illness, beauty, generosity and death. Contributions include an in-depth overview of Hodges’ career by Jeffrey Grove, Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art; an essay and interview with the artist by Olga Viso, Executive Director of the Walker Art Center; a reflection on Hodges’ early artistic development by Bill Arning, Director of the Contemporary Arts Museum, Houston; an essay on sentimentality and the artist’s recent video work by Helen Molesworth, Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston; as well as ruminations on recurring motifs in the artist’s work by author Susan Griffin. Born in 1957 in Spokane, Washington, New York-based artist Jim Hodges has been featured in numerous solo and group exhibitions in the U.S. and in Europe, including the 2004 Whitney Biennial and a solo exhibition at the Centre Georges Pompidou, Paris. Hodges’ work is included in the collections of notable institutions, among them the Dallas Museum of Art; the Walker Art Center, Minneapolis, MN; The Art Institute of Chicago; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; Los Angeles County Museum of Art; The Museum of Modern Art, New York; the Philadelphia Museum of Art; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York.

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The human being was at the center of Danish Modernism. Traditional craftsmanship and a high degree of quality influenced both design and architecture. Besides numerous groundbreaking public buildings, the fifties and sixties saw the design of many nearly ideal single-family homes based on an aesthetic that focused on being true to the materials, honesty in construction, and the reduction of form. Built of wood and brick and with practical, informal floor plans and large glass surfaces that opened up the interior of the house to nature, the best of these homes still fulfill their tasks to this day.This is a compendium of selected buildings in detail, including icons such as Utzon House by Jørn Utzon, Arne Jacobsen’s Siesby House, or the Bøgh Andersen House by Jørgen Bo and Vilhelm Wohlert. It includes new, four-color photographs that document the buildings as well as discussions on the history of each one’s design and construction. Biographies of the architects round out the volume.

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Dieser Band ist eine Sammlung wichtiger Schriften von Arne Raeithel. Er war ein Wissenschaftler von außergewöhnlicher Vielfalt, der den Versuch unternahm, die Psychologie in Theorie und Praxis als interdisziplinär offene Kulturwissenschaft weiterzuentwickeln und die vielen disparaten Ansätze im Spannungsfeld von Neurowissenschaft, Anthropologie und Semiotik zu einem kohärenten Gedankengebäude zusammenzufügen. Das Spektrum seiner Arbeiten reicht von semiotisch-kommunikationswissenschaftlichen und kognitionswissenschaftlichen Fragestellungen über Probleme aus der Arbeitspsychologie und der klinisch-psychologischen Diagnostik bis hin zur Informatik. Die Verbindung von System- und Prozeßaspekt oder Entwicklungskonzepte fließen in seine Arbeiten ebenso ein wie die Themen Selbstorganisation, Kooperation, Zeichenvermitteltheit sowie das Tätigkeitskonzept. Darüber hinaus war er nicht nur ein exzellenter Methodenkenner, sondern auch ein Methodenentwickler, der methodische Instrumentarien entwarf, die in der Lage waren, die in der Psychologie so tiefgreifende Kluft zwischen experimenteller Grundlagenforschung und der Methodenproblematik in der angewandten Forschung zu überbrücken.

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Before Damien Hirst stuffed a shark, before Basquiat picked up a spray can, before Andy Warhol started The Factory, a pile of unwanted Jackson Pollocks changed everything. From them emerged the first major modern art dealer. It was 1947, and the art world would never be the same. From the early days on 57th Street, to the rise of SoHo in the 60s, to the emergence of Chelsea as the hotbed of art galleries, we see the meteoric rise and the devastating falls of the most renowned dealers: Larry Gagosian, David Zwirner, Arne Glimcher, and Iwan Wirth. With unparalleled access, the longtime Vanity Fairreporter tells us the story of contemporary art through the people who coddled, supported, and funded the likes of Jeff Koons, and Cy Twombly.It's a story of backstabbing, betrayals, fruitful partnerships, genius, and ever larger sums of money. The world of contemporary art is inextricable from the wild wealth and naked financial opportunism that surrounds it.

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We are living in a time of acute vulnerability. From climate change to drone warfare, terrorist attacks to mass shootings, safe spaces to trigger warnings, not to mention the COVID-19 pandemic, homo vulnerabilis is once again coming to terms with the fact that it can be wounded, or even killed.Against such finitude, sovereignty is now reasserting itself as a political power that might save us from our ontological state. The irony is, of course, that such sovereignty – for example through camps, walls, police violence, or drones – is also the underlying, historical cause of many of our most intense contemporary experiences of vulnerabilization. Interrupting the dialectic by which sovereignty manages to be both the cause of our vulnerabilization and the phantasmatic tool of its prevention, in Being Vulnerable Arne De Boever explores how today’s experiences of vulnerabilization can be translated into a collective human power that dismantles the form of sovereignty that is producing this state of affairs. Focused on theories, paradigms, and alternative formations of sovereignty, Being Vulnerable reconsiders the tradition of thinking through a political concept in order to approach it anew.

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Mark Flood: Gratest Hits is the first survey of the work of Houston-based artist Mark Flood (born 1957) dating from the 1970s to 2016. Described by The New York Times as a “painter and punk propagandist,” Flood has, despite remaining barely visible at the museum level, maintained an active and influential career for decades in painting and, increasingly, exhibition practice, producing work characterized by deep wisdom and trenchant humor. With Gratest Hits, Flood--an artist so absolute in his judgments that one 2012 painting featured the words “Whore Museums, Gutless Collectors, Blind Dealers, So-Called Artists” emblazoned on it--finally gets the monographic museum treatment in his hometown, and a career-spanning catalogue to boot. This fully illustrated, full-color volume features texts by Carlo McCormick, Alison Gingeras, El Topito, Scott Indrisek and Bill Arning, the exhibition’s curator and director of the Contemporary Arts Museum, Houston.

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Recently, U.S. Secretary of Education Arne Duncan suggested that placing Black men in the classroom as teachers is a critical need in the American educational system. Many education policymakers and researchers falsely believe that Black male teachers have a primary responsibility to foster the social development of Black male students. However, increasing the presence of Black male teachers improves the diversity of the profession and should be viewed as a benefit to the system, as they provide quality services to all students regardless of race and/or gender. This edited volume offers sound suggestions for advancing diversity in the teaching profession. It provides teacher education programs with needed training materials to accommodate Black male students, and school district administrators and leaders with information to help recruit and retain Black male teachers. Each chapter will feature policy and practice recommendations and a case example to spur action and increase opportunities for discussion.

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Now that the vibrant colours and bold shapes of mid-century design are more popular than ever, Retro Revival offers a privileged glimpse into fabulous retro-inspired homes around the world. Our passion for retro style shows no signs of fading. From the cerebral elegance of mid-century modern and the spare simplicity of Scandinavian retro design to the flamboyant opulence of the 1970s, retro interiors still exert enormous appeal. In this glorious book, Andrew Weaving visits 17 inspiring and varied homes around the globe that showcase the Retro Revival style. Furniture by Charles and Ray Eames, Arne Jacobsen and Le Corbusier mingles with textiles by Lucienne Day, lighting by Isamu Noguchi and ceramics by Russel Wright and Constance Spry. Take a tour of a minimalist loft in London and enjoy the colourful, playful chic of Palm Beach in the 1960s as you explore the many facets of a look that ranges from sophisticated glamour to pared-down elegance.

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We are living in a time of acute vulnerability. From climate change to drone warfare, terrorist attacks to mass shootings, safe spaces to trigger warnings, not to mention the COVID-19 pandemic, homo vulnerabilis is once again coming to terms with the fact that it can be wounded, or even killed.Against such finitude, sovereignty is now reasserting itself as a political power that might save us from our ontological state. The irony is, of course, that such sovereignty – for example through camps, walls, police violence, or drones – is also the underlying, historical cause of many of our most intense contemporary experiences of vulnerabilization. Interrupting the dialectic by which sovereignty manages to be both the cause of our vulnerabilization and the phantasmatic tool of its prevention, in Being Vulnerable Arne De Boever explores how today’s experiences of vulnerabilization can be translated into a collective human power that dismantles the form of sovereignty that is producing this state of affairs. Focused on theories, paradigms, and alternative formations of sovereignty, Being Vulnerable reconsiders the tradition of thinking through a political concept in order to approach it anew.

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Teacher supervision and evaluation that emphasizes fairness, excellence, and achievement In this thoroughly revised and updated edition of his bestselling book, education expert Kim Marshall shows how to break away from the typical and often ineffective evaluation approaches in which principals use infrequent classroom visits or rely on standardized test scores to assess a teacher's performance. Marshall proposes a broader framework for supervision and evaluation that enlists teachers in improving the performance of all students. Revised edition of the classic book on teacher supervision and evaluation Includes thoughts on iPad and iPhone aps for classroom observation Offers new chart on how principals can manage ten mini-observations per teacher per year Contains new thoughts on merit pay, a different approach to the test-score argument from Arne Duncan This vital resource also includes extensive tools and advice for managing time as well as ideas for using supervision and evaluation practices to foster teacher professional development.

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Latin America and the Global Cold War analyzes more than a dozen of Latin America's forgotten encounters with Africa, Asia, and the Communist world, and by placing the region in meaningful dialogue with the wider Global South, this volume produces the first truly global history of contemporary Latin America. It uncovers a multitude of overlapping and sometimes conflicting iterations of Third Worldist movements in Latin America, and offers insights for better understanding the region's past, as well as its possible futures, challenging us to consider how the Global Cold War continues to inform Latin America's ongoing political struggles. Contributors: Miguel Serra Coelho, Thomas C. Field Jr., Sarah Foss, Michelle Getchell, Eric Gettig, Alan McPherson, Stella Krepp, Eline van Ommen, Eugenia Palieraki, Vanni Pettina, Tobias Rupprecht, David M. K. Sheinin, Christy Thornton, Miriam Elizabeth Villanueva, and Odd Arne Westad.

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In the rank of great Danish designers, Finn Juhl (1912–1989) is mentioned in the same breath with Hans J. Wegner and Arne Jacobsen. He became particularly well known for his sculptural, seemingly organic tables, chairs, and sofas. However, the complex interior designs he developed in the forties and fifties were also enormously successful. These include the Danish Embassy in Washington, D. C., or the conference room of the United Nations Trusteeship Council in New York. Only the most adept would be aware of the fact that Finn Juhl was also a talented watercolor painter. For the first time, this publication allows readers to take a unique look at the designer’s working method. More than 125 subtle works on paper communicate the ingenuity of their creator: Finn Juhl’s furniture classics, living concepts, and interior designs can finally be experienced in all their complexity, as one can trace their development from the beginning onwards.

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From the publishers of the market leading at a Glance series, and in collaboration with the Association of Respiratory Nurses (ARNS), comes this easy-to-read, highly visual guide bringing together key principles of Respiratory Nursing. Highly visual, each topic is covered in a two-page spread, making it easy to quickly read up on key information and grasp the essentials of respiratory care, as well as a focus on preventative measures to prevent, minimise and control respiratory disease. Covers a wide range of topics, including assessment and diagnosis, respiratory health, medication, communication, models and management of care, acute and chronic care, and common respiratory diseases Takes a unique, holistic approach to care across the life course – from childhood to end of life care. Provides need-to-know information in a highly visual, evidence-based, quick-reference format. Respiratory Nursing at a Glance is ideal for nurses and health care students and practitioners at all levels involved in respiratory care.

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In our age of fast-paced biotechnological progress and humans' increasing impact on the environment the autonomy of 'nature' has come into question. We can now engineer living things, blur the biological distinctions between humans and animals, and influence parts of our world that we cannot see - such as DNA and genes. These discoveries and far-reaching developments have created fertile ground for artistic expression. This book reveals the ways in which the work of bio artists offers new meanings for our lives in the wake of scientific discovery, as well as new frameworks for describing them. Four thematic chapters cover the key areas in which biotechnology has had an impact on today's world, including ecology, biomedicine, designer genomes and evolutionary theory, profiling the work of 60 artists, collectives and organizations from countries including France, Germany, the US, the Netherlands, Mexico and Japan. Interviews with eight bio artists and technologists, including Arne Hendriks, Mark Dion, Boo Chapple, Heather Dewey-Hagborg and Raphael Kim, provide a deeper insight into the ideas and methods of this new breed of creative practitioner.

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The ebook edition of this title is Open Access and freely available to read online. As digital technologies have become ever more ingrained in society, Media Use in Digital Everyday Life asks how our relationship with media has changed. After the proliferation of smartphones, social media and ubiquitous connectivity, what has happened to the ways we navigate across social domains and structure our daily routines? Filling a gap between classic discussions on everyday media use and recent studies of emergent technologies, this book untangles how media become meaningful to us in the everyday, connecting us to communities and publics. With analyses of media use in an ordinary day, as part of life transitions and in times of disruption, Ytre-Arne provides a comprehensive framework for studies of everyday media use, considering dilemmas of technological transformations and recent crises such as the COVID-19 pandemic. Media Use in Digital Everyday Life offers empirical, methodological and theoretical insight, building on extensive qualitative research and taking a cross-media perspective. Through the conceptual approaches of media repertoires and public connection, the book situates communication and changing media use in everyday contexts, showing how our more digital everyday lives intensify communicative dilemmas. Written in an accessible tone, Media Use in Digital Everyday Life will appeal to readers interested in digital media, and to students and scholars of audiences, datafication, journalism and digital platforms.

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Inspirational stories of engaging, real-life educational experiences Everyone has a personal learning story, a time when they became actively engaged in their own education. Maybe it was an especially challenging teacher, or a uniquely supportive environment, or a collaborative classroom. In Faces of Learning, both well-known public figures, such as Arne Duncan and Al Franken, and ordinary Americans recall the moments when they truly learned something. Includes stories from people of all different backgrounds and from all over the country The stories are grouped into categories by theme like "relevant" and "experiential" to help reveal the common characteristics of what works in education Each chapter ends with five things you can do to improve your own learning, that of your students, and of all Americans Readers can visit the companion website www.facesoflearning.net to share their own stories of educational success and find out what else they can do.

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The 20th century was a rich and influential period of beautiful, innovative design and many classics from that era have influenced and inspired modern designers. Collectables: 20th-Century Classics features more than 90 of the most desirable and iconic pieces from the last century. Beautifully illustrated and organized by category (furniture, household, lighting, glass and ceramics) each entry has: a double-page spread, featuring a short essay on the classic under discussion with an accompanying photograph of that object; top tips on what to look out; a price guide; and, key websites to direct the reader on where best to make a purchase or pick up a bargain. Clear and concise, this book provides all the information you need to make an informed decision when investing in a piece of classic design, whether it be an Arne Jacobsen Egg chair, a Clarice Cliff tea cup or a Poul Henningsen PH lamp. This gorgeous book is a must for anyone interested in style, design or interiors.

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Before Damien Hirst stuffed a shark, before Basquiat picked up a spray can, before Andy Warhol started The Factory, a pile of unwanted Jackson Pollocks changed everything. From them emerged the first major modern art dealer. It was 1947, and the art world would never be the same. From the early days on 57th Street, to the rise of SoHo in the 60s, to the emergence of Chelsea as the hotbed of art galleries, we see the meteoric rise and the devastating falls of the most renowned dealers: Larry Gagosian, David Zwirner, Arne Glimcher, and Iwan Wirth. With unparalleled access, the longtime Vanity Fairreporter tells us the story of contemporary art through the people who coddled, supported, and funded the likes of Jeff Koons, and Cy Twombly.It's a story of backstabbing, betrayals, fruitful partnerships, genius, and ever larger sums of money. The world of contemporary art is inextricable from the wild wealth and naked financial opportunism that surrounds it.

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The inclusion of qualitative social data into global environmental and economic input-output (IO) models remained illusive for many years. It was not until around 2013 that researchers found ways to include data, for example, on poverty, inequality, and worker safety, into IO models capable of tracing global supply chains. The sustainable development goals have now propelled this work onto the world stage with some urgency. They have shone a spotlight onto social conditions around the world and brought global trade into the frame for its ability to influence social conditions for good or ill.This book provides a compilation of groundbreaking work on social indicators from the most prominent IO research groups from a wide range of academic backgrounds and from around the world. In addition, it frames this work in the real world of politics, human rights, and business, bringing together a multidisciplinary team to demonstrate the power of IO to illuminate some of the world’s most pressing problems. Edited by well-known researchers in the area, Joy Murray, Arunima Malik, and Arne Geschke, the book is designed to appeal to a broad academic and business audience. While many chapters include technical details and references for follow-up reading, it is possible to omit those sections and yet gain a deep appreciation of the power of IO to address seemingly intractable problems.

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Explore the real future of work in this expert tech implementation guide that goes beyond automation In Augmented Lean: A Human-Centric Framework for Managing Frontline Operations, serial startup founder Dr. Natan Linder and futurist podcaster Dr. Trond Arne Undheim deliver an urgent and incisive exploration of how to facilitate agile processes amongst a millennial workforce that already lives by many of its tenets. The book demonstrates how to abandon legacy industrial technology that is failing modern operations and hindering operational excellence and digital progress. As an executive and leader, you cannot fall prey to hyped-up notions of industry 4.0's factory of the future automation, artificial intelligence, internet of things, sensors, digital twins, and augmented reality fixing every problem. Instead, to truly reduce cognitive load, complexity, and frustrations in the workplace, we must build cyber-physical technologies so that humans remain at the center. Leaders must ensure that the technology they deploy at an industrial scale has fluid interfaces that demonstrably simplifies work and makes operations more flexible without introducing fear, uncertainty, or doubt. The authors provide: A step-by-step walkthrough of the Augmented Lean framework that shows readers when, how, and why to augment your workforce through cyber-physical principles that go beyond both Lean and Agile management practices Concrete strategies on how to scale these operational augmentation methods throughout your organization based on real-world case studies of operators in the trenches of manufacturing whose impact far outweighs their seniority in the corporate hierarchy Insightful advice for how to use the augmentation framework in small- and medium-sized enterprises where license and training costs are prohibitive when only using off-the-shelf industry 4.0 approaches A thoroughly practical playbook for augmenting your workforce with the latest cyber-physical adaptations to digital technologies, Augmented Lean provides you with the organizational-, process-, and management-level techniques you need to get the most out of your employees. In turn, as an operator, engineer, or industrial worker reading this book, you will become empowered to be a change agent through no-code interfaces instead of remaining a recipient of endless training demands and ever-increasing technological complexity. Augmented Lean will orient you towards the future with the most effective tools to cut through hype so you can instantly apply your learnings and be productive wherever you currently operate.

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From the white plastic bed for the Prisunic catalogue (1966) to the Culbuto armchair issued by Knoll, and from the Lip watch to the private apartments of the Elysee Palace, Paris, (1983), the furniture and objects conceived by Marc Held have been emblematic of the renewal of French design, following the line of Scandinavians such as Alvar Aalto and Arne Jacobsen...With his gallery L'Echoppe on the rue de Seine, Paris, and then with his agency, the designer and architect Marc Held also took part in major projects for IBM and Renault. This book traces fifty years of design, whose success with the public at large has contributed to a great liberation in our style of life. The generosity of his vision has remained faithful to the humanist values that guided his childhood in Bagnolet, where he was born in 1932. Having settled in Greece, on the island of Skopelos, over twenty years ago, Marc Held still continues to build houses and furnish them with his creations, working closely with Greek craftsmen.

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Through the 1940s and 1950s, PAGON (Progressive Architects Group Oslo Norway) was an alliance of young CIAM-affiliated Norwegian architects known for their innovative joint projects. As a group, PAGON went on to become largely overlooked in the history of modern architecture, even though its individual members – which included Sverre Fehn, Jørn Utzon, Arne Korsmo, and Christian Norberg-Schulz – became defining figures in Scandinavian and international modernism. This book tells the story of PAGON for the first time, offering an impressive account of the group’s projects, buildings, and approach, and demonstrating why PAGON’s projects are ripe for reappraisal in the international history of modern architecture. It shows how PAGON’s architecture constitutes a unique continuity between the Scandinavian functionalism of the late 1930s and the modern movement in the US, and an important transitional stage before the emergence of the better-known neo-avant-garde groups within CIAM and Team 10. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book fills a gap in our understanding of mid-century modern architecture and highlights the internationally diverse nature of the modern movement.

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As one of the world's foremost interior designers, Tricia Guild has a passionate belief that the way we choose to live has a significant impact on our well-being and happiness. The homes that we live in, the things that we surround ourselves with, and the everyday choices we make, can profoundly affect our outlook and positivity. It is no surprise, then, that Tricia practises what she preaches: she finds it impossible to separate her work as a designer from other aspects of her life, and she believes that, in seeking creative inspiration in each experience, especially in enjoying the things that bring pleasure to our lives, we can perfect the art of living. For Tricia, Italy is a particularly enduring passion: the culture, landscape, architecture, food and music all strike a creative chord. She has had a house there for many years. The last home was a rustic farmhouse, but when Tricia and her family began the search for a new property, she knew it would be decidedly different. In this new Italian home, Tricia found the perfect opportunity to create a contemporary interior reflecting a love of modernity and simplicity that has evolved over the years. In Tricia's view, modernity does not mean a lack of colour, pattern or texture; a contemporary interior can be both decorative and minimal - in fact, a confident use of colour and pattern can be the very thing that makes it even more wonderful. Here, working with the architect Stephen Marshall and the garden designer Arne Maynard, Tricia has created a special home - a contemporary interpretation of the local vernacular - that represents her kind of modern. In In My View, Tricia charts the creation of her stunning Italian home set amid verdant oil groves. We are taken on an extensive tour of the breathtaking property, right from the entrance steps and the rooms/spaces in the main house to the outdoor dining areas, studio, guest accommodation, kitchen garden and pool house. Stephen and Arne offer insight into their collaboration with Tricia, describing, among other things, the selection of materials - local stone, concrete, glass and galvanized metal - for the house, and the planting on the terraces and around the rolling lawns of the garden. Local artisans and craftspeople also played a crucial role in bringing this truly magnificent yet relaxing and comfortable home to life. Tricia also presents her new London home - a Victorian townhouse in a corner plot, where, with the same team of Stephen and Arne - she set about creating an urban retreat comprising three distinct areas to accommodate living, dining and resting. While life in Italy for Tricia is about seasonality and nature, her life in London is centred on her work at Designers Guild, the company she founded in 1970. Her London home therefore is, she says, `sharply experimental', her version of a lab, where she tests designs and assesses how colours work together. In this section of the book, Tricia provides a glimpse of working life and the design process at the company headquarters in west London. Throughout the book, Tricia shares the moodboards that helped her to realize her dream homes in Italy and London. For Tricia, moodboards are vital in the early stages of any project, large or small, because they help to stimulate the creative process, even define how one wishes to live, by establishing the language, rhythm and style of each space. The choices that one makes here, the process of selection and careful editing, lie at the heart of finding one's own style. In My View reveals the personal choices have shaped the way Tricia lives now, and will inspire the reader to develop their individual style and thus create their own special view.

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The interplay between activity and passivity in religious practices in general and religious beliefs and emotions in particular is a central and controversial issue in philosophical, theological and psychological thought past and present. This conference volume is organized around Schleiermacher's central idea of the 'feeling of ultimate dependence' and Kierkegaard's existential analysis of the fundamental passivity of passion. Three studies elucidate important strands in the theological and philosophical background of these insights in Paul the Apostle, Luther, Melanchthon, Hobbes and Spinoza. Three further studies look at concrete examples of affects, emotions, or passions in religious life such as anxiety, fear of God, wonder, and pathos of faith that move the debate in distinct ways beyond Schleiermacher and Kierkegaard. All contributions do not restrict what they say to historical analyses but aim at making a contribution to contemporary debates.Contributors:Ingolf U. Dalferth, C.J. Dickson, M. Jamie Ferreira, Arne Grøn, Teri Merrick, Michael Moxter, Cornelia Richter, Robert C. Roberts, Michael Rodgers, Amy M. Schmitter, Philipp Stoellger, Thandeka

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Elliott Green's radiant landscapes depict a world in unceasing motion The autodidact painter Elliott Green (born 1960) came to New York City at age 21 to learn how to paint from scratch. Eight years later, an unsolicited envelope of 35mm slides he sent to an Upper East Side gallery resulted in a show, and his paintings were hanging alongside Warhols and de Koonings. In 2011, while in Italy as a recipient of the Rome Prize, he painted the first of the 112 landscapes featured in this volume. His work developed a new sense of space and landscape, characterized by panoramic, far-reaching vistas and geophysical features such as mountains, reservoirs and skies that seem to melt impossibly into pure gesture. Green's panoramas reveal worlds within worlds and convey emotion-in-nature with ferocity and frailty. Six commentaries by John Yau, David Ebony, Jana Prikryl, Arne Svenson, Gary Lucidon and Michael Rubiner reflect on the artist's work with illuminating perspectives. The book features French folds and four foldout posters.

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In Perception, Empathy, and Judgment Arne Johan Vetlesen focuses on the indispensable role of emotion, especially the faculty of empathy, in morality. He contends that moral conduct is severely threatened once empathy is prevented from taking part in an interplay with cognitive faculties (such as abstraction or imagination) in acts of moral perception and judgment. Drawing on developmental psychology, especially British "object relations" theory, to illuminate the nature and functioning of empathy, Vetlesen shows how moral performance is constituted by a sequence involving perception, judgment, and action, with an interplay between the agent's emotional (empathic) and cognitive faculties occurring at each stage. In the powerful tradition from Kant to present-day theorists such as Kohlberg, Rawls, and Habermas, reason is privileged over feeling and judgment over perception, in such a way that basic philosophical questions remain unasked. Vetlesen focuses our attention on these questions and challenges the long-standing assertion that emotions are damaging to moral response. In the final chapter he relates his argument to recent feminist critiques that have also castigated moral theorists in the Kantian tradition for their refusal to recognize a role for emotion in morality. While the book's argument is philosophical, its method and scope are interdisciplinary. In addition to critiques of such philosophers as Arendt, MacIntyre, and Habermas, it contains discussions of specific historical, ideological, and sociological factors that may cause "numbing"—selective or broad-ranging, pathological insensitivity—in humans. The Nazis' mass killing of Jews is studied to illuminate these and other relevant empirical aspects of large-scale immoral action.

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'Masterly ... a book of resounding importance for appraising our global future as well as understanding our past' Richard Davenport-Hines, The Times Literary Supplement, Books of the Year'A masterful survey that will set the standard for Cold War scholarship for years to come' Jonathan Steele, London Review of BooksAs Germany and then Japan surrendered in 1945 there was a tremendous hope that a new and much better world could be created from the moral and physical ruins of the conflict. Instead, the combination of the huge power of the USA and USSR and the near-total collapse of most of their rivals created a unique, grim new environment: the Cold War.For over forty years the demands of the Cold War shaped the life of almost all of us. There was no part of the world where East and West did not, ultimately, demand a blind and absolute allegiance, and nowhere into which the West and East did not reach. Countries as remote from each other as Korea, Angola and Cuba were defined by their allegiances. Almost all civil wars became proxy conflicts for the superpowers. Europe was seemingly split in two indefinitely.Arne Westad's remarkable new book is the first to have the distance from these events and the ambition to create a convincing, powerful narrative of the Cold War. The book is genuinely global in its reach and captures the dramas and agonies of a period always overshadowed by the horror of nuclear war and which, for millions of people, was not 'cold' at all: a time of relentless violence, squandered opportunities and moral failure.

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Louise Nevelson (1899–1988) was, with Calder, Noguchi and David Smith, one of the great American sculptors of the 20th century. She created extraordinary work, from room-size installations composed of boxes to gnarled and majestic steel structures. Her life story is no less interesting. She was born in czarist Russia, but her family emigrated to the States and she grew up in Maine. Nevelson endured a repressive marriage to a New York millionaire, whom she escaped to pursue the life of an artist. She gained recognition as an abstract sculptor at the age of 59, and spent the next 30 years taking the art world by storm, becoming a colourful New York personality and minor celebrity. Laurie Wilson, who knew Nevelson personally, draws extensively on her own research in this crisp new biography. She conducted interviews not just with Nevelson but with her siblings, son, and gallery owner Arne Glimcher. Wilson has also had complete access to Glimcher’s archives, Nevelson’s personal assistant, Diana Mackown, and Lippincott studios, where much of Nevelson’s work was cast, among others

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Zadok Rules - Hallelujah! is a witty and whistle-stop tribute to kings and queens, royal music through the ages and the works of G. F. Handel. The result of a commission by period instrument orchestra The Hanover Band, this entertaining new community choral piece launched in Arundel Cathedral in 2013, marking the 60th Anniversary of the Coronation of Queen Elizabeth II, and is an 8-minute celebration of our rich cultural heritage. Based on the music of Handel, Arne (and Henry VIII!), it sets a rhyming text that cleverly traces all of the English monarchs from William the Conqueror to the present day. Lyrics include: Start with the Normans, Willy, Willy, Henry, Stee, Henry Two was a Plantagenet, Dick, John, Henry Three. Zadok Rules can be performed by children's choir and/or SATB chorus, with either chamber orchestra or piano accompaniment. In addition to the printed vocal score, there is a digital bundle available via fabermusicstore.com, incorporating single-line children's part, children's part plus piano accompaniment and free audio learning tracks. Vocal scores can also be hired, along with the full score and set of band parts (hire@fabermusic.com).

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A stylish and informative guide to the best of Midcentury Modern chair design. These are the top 100 most interesting, most controversial, or simply most beautiful chairs from the period spanning 1930–1970, according to expert curator and chair addict Lucy Ryder Richardson. Get to know the designers of the Modern era, and find out about the controversies, drama, gossip and intrigue that accompanied these fascinating figures. Featuring a range of top international names, including Robin Day, Charles and Ray Eames, Ernest Race, Arne Jacobsen, Pierre Paulin, Finn Juhl, Harry Bertoia, Ero Saarinen and Norman Cherner. There is also an exploration into materials and manufacturing processes, plus lots of information about the manufacturers that brought chair designs to the masses, such as Knoll, Herman Miller, Fritz Hansen and Asko. Packed full of design details, historical facts, quotes and anecdotes – you can even find out the position in which the designers intended you to sit in their chairs! With a ‘chair timeline’, showcasing the very best of European, Scandinavian, Japanese and American design, this is the perfect book for collectors, enthusiasts and design junkies alike. Word count: 50,000

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Novelistas, guionistas de cine y televisión, fans de los juegos de rol... Un sencillo manual de lingüística para adentrarse con paso firme en el fascinante mundo de la construcción de lenguas. Tolkien, el creador de El Señor de los Anillos, nos metió el gusanillo en el cuerpo. El mundo que proyectó en sus obras cobra vida en nuestra imaginación gracias en parte a sus magníficas descripciones, pero sobre todo porque cada personaje, cada lugar y objeto tienen nombres en lenguas que suenan extrañas y a la vez sugerentes en nuestros oídos. Evidentemente, no es lo mismo caminar por la Tierra de la Luna junto a Pedro con un arnés de hierro, que hacerlo por Ithilien en compañía de Gandalf y luciendo una armadura de mithril. Con solo pronunciar estas palabras, como por arte de magia volamos a mundos nuevos y fascinantes. Desde entonces, crear una lengua se ha convertido en una tarea casi obligada para todos aquellos que desean recrear mundos imaginarios para sus novelas, juegos de rol, videoju

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La nanomedicina, entendida como la aplicación de la nanotecnología a problemas biomédicos, es un campo de investigación relativamente nuevo que presenta múltiples aplicaciones, desde el diagnóstico hasta el tratamiento de patologías como el cáncer, enfermedades cardiovasculares e incluso infecciosas. Su estudio cubre disciplinas como la química para preparar los nuevos nanomateriales, la física para caracterizar sus propiedades y la biomedicina para la aplicación final, sin olvidar aspectos de ingeniería o bioética; en este sentido, la nanomedicina se extiende desde la investigación básica hasta la aplicación en clínica. Una de sus aplicaciones más espectaculares y recientes es la vacuna frente a la COVID-19, basadas en nanopartículas lipídicas que transporta el ARN mensajero. Este libro trata desde las bases fisicoquímicas que hacen diferente a la nanomedicina hasta las principales aplicaciones en diagnóstico y terapia. El uso futuro de los nanomateriales en biomedicina ofrece un mund

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Rattan evokes the glamour and exoticism of the Riviera, grand yachts, and tropical verandas. It appeared in Impressionist paintings, and dazzling celebrities like Marilyn Monroe and Gina Lollobrigida were photographed lounging on it. Now, rattan is regaining its allure and becoming increasingly fashionable in interior design and fashion spreads a reflection of beauty, craftsmanship, and sustainability. Heywood-Wakefield furniture from the nineteenth century is highly collectible, as are pieces created by giants of modern design such as Josef Hoffmann for Thonet, Josef Frank for Svenskt Tenn, Jean-Michel Frank for Ecart, Renzo Mongiardino for Bonacina, and Arne Jacobsen for Sika. Paul Frankl and Donald Deskey designed sleek Art Deco rattan furniture. Rattan pieces have become iconic and highly prized, including Hiroomi Tahara s Wrap Sofa, Franca Helg s Primavera Chair, and the many iterations of the Peacock Chair. The glamour of rattan shines through in seductive and beautiful interiors Madeleine Castaing s house in Chartres, Michael Taylor s California beach houses, the Titanic s Cafe Parisien. The book also showcases tastemakers who have embraced rattan, from Marella Agnelli and Cecil Beaton to design leaders of today, including Jeffrey Bilhuber, Veere Grenney, Axel Vervoordt, and Bunny Williams.

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This collection of essays by leading international philosophers considers central themes in the ethics of Danish philosopher Knud Ejler Løgstrup (1905–1981). Løgstrup was a Lutheran theologian much influenced by phenomenology and by strong currents in Danish culture, to which he himself made important contributions. The essays in What Is Ethically Demanded? K. E. Løgstrup's Philosophy of Moral Life are divided into four sections. The first section deals predominantly with Løgstrup's relation to Kant and, through Kant, the system of morality in general. The second section focuses on how Løgstrup stands in connection with Kierkegaard, Heidegger, and Levinas. The third section considers issues in the development of Løgstrup's ethics and how it relates to other aspects of his thought. The final section covers certain central themes in Løgstrup's position, particularly his claims about trust and the unfulfillability of the ethical demand. The volume includes a previously untranslated early essay by Løgstrup, "The Anthropology of Kant’s Ethics," which defines some of his basic ethical ideas in opposition to Kant’s. The book will appeal to philosophers and theologians with an interest in ethics and the history of philosophy. Contributors: K. E. Løgstrup, Svend Andersen, David Bugge, Svein Aage Christoffersen, Stephen Darwall, Peter Dews, Paul Faulkner, Hans Fink, Arne Grøn, Alasdair MacIntyre, Wayne Martin, Kees van Kooten Niekerk, George Pattison, Robert Stern, and Patrick Stokes.

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New essays on the evolution of cultural memory of the former German Democratic Republic since 1989-90 and its importance for Germany's continuing unification process. Twenty years on from the dramatic events that led to the opening of the Berlin Wall and the collapse of the GDR, the subjective dimension of German unification is still far from complete. The nature of the East German state remains a matter of cultural as well as political debate. This volume of new research focuses on competing memories of the GDR and the ways they have evolved in the mass media, literature, and film since 1989-90. Taking as its point ofdeparture the impact of iconic visual images of the fall of the Wall on our understanding of the historical GDR, the volume first considers the decade of cultural conflict that followed unification and then the emergence of a morecomplex and diverse "textual memory" of the GDR since the Berlin Republic was established in 1999. It highlights competing generational perspectives on the GDR era and the unexpected "afterlife" of the GDR in recent publications.The volume as a whole shows the vitality of eastern German culture two decades after the demise of the GDR and the centrality of these memory debates to the success of Germany's unification process. Contributors: Daniel Argelès, Stephen Brockmann, Arne De Winde, Wolfgang Emmerich, Andrea Geier, Hilde Hoffmann, Astrid Köhler, Karen Leeder, Andrew Plowman, Gillian Pye, Benjamin Robinson, Catherine Smale, Rosemary Stott, Dennis Tate, Frederik VanDam, Nadezda Zemaníková. Renate Rechtien is Lecturer in German Studies, and Dennis Tate is Emeritus Professor of German Studies, both at the University of Bath, UK.

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Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.

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Following the 1960s, that decade's focus on consciousness-raising transformed into an array of intellectual projects far afield of movement politics. The mind's powers came to preoccupy a range of thinkers and writers: ethicists pursuing contractual theories of justice, radical ecologists interested in the paleolithic brain, seventies cultists, and the devout of both evangelical and New Age persuasions. In Ideal Minds, Michael Trask presents a boldly revisionist argument about the revival of subjectivity in postmodern American culture, connecting familiar figures within the seventies intellectual landscape who share a commitment to what he calls "neo-idealism" as a weapon in the struggle against discredited materialist and behaviorist worldviews. In a heterodox intellectual and literary history of the 1970s, Ideal Minds mixes ideas from cognitive science, philosophy of mind, moral philosophy, deep ecology, political theory, science fiction, neoclassical economics, and the sociology of religion. Trask also delves into the decade's more esoteric branches of learning, including Scientology, anarchist theory, rapture prophesies, psychic channeling, and neo-Malthusianism. Through this investigation, Trask argues that a dramatic inflation in the value of consciousness and autonomy beginning in the 1970s accompanied a growing argument about the state's inability to safeguard such values. Ultimately, the thinkers Trask analyzes—John Rawls, Arne Naess, L. Ron Hubbard, Hal Lindsey, Philip Dick, Ursula Le Guin, Edward Abbey, William Burroughs, John Irving, and James Merrill—found alternatives to statism in conditions that would lend intellectual support to the consolidation of these concepts in the radical free market ideologies of the 1980s.

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Der 100. Jahrestag der Gründung der Fakultät für Rechtswissenschaft der Universität Hamburg bietet eine willkommene Gelegenheit zu einer Standortbestimmung mit historischer Perspektive. Mit ihren mehr als 40 Beiträgen eröffnet die Festschrift ein bisher unerreichtes Panorama der Rechtswissenschaft in Hamburg. Biographische Einzelstudien und institutionelle Überblicke verschaffen dem Leser eine lebendige Anschauung von einer Fakultät, die sich als Neuling im Kreis der juristischen Fakultäten sehr rasch einen Namen als Einrichtung gemacht hat, die ihre Schwerpunkte stets in den Grundlagenfächern und den internationalen Fragen des Rechts gesehen hat. Ebenso bemerkenswert ist die kontinuierliche Offenheit der Hamburger Fakultät für Innovationen in der Lehre. Wiederholt war die Fakultät hierbei auch Vorreiterin in der Bundesrepublik. Mit Beiträgen von:Ivo Appel, Klaus Bartels, Jürgen Basedow, Alexander Baur, Jörg Berkemann, Wolfgang Berlit, Reinhard Bork, Hans Peter Bull, Jochen Bung, Wilhelm Degener, Dagmar Felix, Gerrit Frotscher, Julia Geneuss, Armin Hatje, Rolf Herber, Heribert Hirte, Wolfgang Hoffmann-Riem, Florian Jeßberger, Hinrich Julius, Rainer Keller, Robert Koch, Markus Kotzur, Maximiliane Kriechbaum, Milan Kuhli, Otto Luchterhandt, Ulrich Magnus, Peter Mankowski, Jean Mohamed, Stefan Oeter, Marian Paschke, Arne Pilniok, Tilman Repgen, Wolf-Georg Ringe, Bernd-Rüdeger Sonnen, Mareike Schmidt, Hans-Heinrich Trute, Stefan Voigt, Moritz Vormbaum, Albrecht Zeuner

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Spinoza's theoretical philosophy is one of the most radical attempts to construct a pure ontology, with a single infinite substance, and all beings as the modes of being his substance. This book, which presents Spinoza's main ideas in dictionary form, has as its subject the opposition between ethics and morality, and the link between ethical and ontological propositions. His ethics is an ethology, rather than a moral science. Attention has been drawn to Spinoza by deep ecologists such as Arne Naess, the Norwegian philosopher; and this reading of Spinoza by Deleuze lends itself to a radical ecological ethic. As Robert Hurley says in his introduction, "Deleuze opens us to the idea that the elements of the different individuals we compose may be nonhuman within us. One wonders, finally, whether Man might be defined as a territory, a set of boundaries, a limit on existence." Gilles Deleuze, known for his inquiries into desire, language, politics, and power, finds a kinship between Spinoza and Nietzsche. He writes, "Spinoza did not believe in hope or even in courage; he believed only in joy and in vision ...he more than any other gave me the feeling of a gust of air from behind each time I read him, of a witch's broom that he makes one mount. " Gilles Deleuze (1925-1995) was a French philosopher whose writings influenced many philosophical disciplines such as literary theory, post-structuralism, and postmodernism. He also taught philosophy at the University of Paris at Vicennes. Robert Hurley was a translator for many French philosophers including Michael Foucault (History of Sexuality), Gilles Deleuze, and George Bataille (Theory of Religion).

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In Uncertain Times considers how policymakers react to dramatic developments on the world stage. Few expected the Berlin Wall to come down in November 1989; no one anticipated the devastating attacks on the World Trade Center and the Pentagon in September 2001. American foreign policy had to adjust quickly to an international arena that was completely transformed. Melvyn P. Leffler and Jeffrey W. Legro have assembled an illustrious roster of officials from the George H. W. Bush, Clinton, and George W. Bush administrations—Robert B. Zoellick, Paul Wolfowitz, Eric S. Edelman, Walter B. Slocombe, and Philip Zelikow. These policymakers describe how they went about making strategy for a world fraught with possibility and peril. They offer provocative reinterpretations of the economic strategy advanced by the George H. W. Bush administration, the bureaucratic clashes over policy toward the breakup of the USSR, the creation of the Defense Policy Guidance of 1992, the expansion of NATO, the writing of the National Security Strategy Statement of 2002, and the invasion of Iraq in 2003. A group of eminent scholars address these same topics. Bruce Cumings, John Mueller, Mary Elise Sarotte, Odd Arne Westad, and William C. Wohlforth probe the unstated assumptions, the cultural values, and the psychological makeup of the policymakers. They examine whether opportunities were seized and whether threats were magnified and distorted. They assess whether academicians and independent experts would have done a better job than the policymakers did. Together, policymakers and scholars impel us to rethink how our world has changed and how policy can be improved in the future.

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Following the 1960s, that decade's focus on consciousness-raising transformed into an array of intellectual projects far afield of movement politics. The mind's powers came to preoccupy a range of thinkers and writers: ethicists pursuing contractual theories of justice, radical ecologists interested in the paleolithic brain, seventies cultists, and the devout of both evangelical and New Age persuasions. In Ideal Minds, Michael Trask presents a boldly revisionist argument about the revival of subjectivity in postmodern American culture, connecting familiar figures within the seventies intellectual landscape who share a commitment to what he calls "neo-idealism" as a weapon in the struggle against discredited materialist and behaviorist worldviews. In a heterodox intellectual and literary history of the 1970s, Ideal Minds mixes ideas from cognitive science, philosophy of mind, moral philosophy, deep ecology, political theory, science fiction, neoclassical economics, and the sociology of religion. Trask also delves into the decade's more esoteric branches of learning, including Scientology, anarchist theory, rapture prophesies, psychic channeling, and neo-Malthusianism. Through this investigation, Trask argues that a dramatic inflation in the value of consciousness and autonomy beginning in the 1970s accompanied a growing argument about the state's inability to safeguard such values. Ultimately, the thinkers Trask analyzes—John Rawls, Arne Naess, L. Ron Hubbard, Hal Lindsey, Philip Dick, Ursula Le Guin, Edward Abbey, William Burroughs, John Irving, and James Merrill—found alternatives to statism in conditions that would lend intellectual support to the consolidation of these concepts in the radical free market ideologies of the 1980s.

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Training a high-quality flushing dog has little to do with intuition and everything to do with well-practiced know-how. The authors share their collective wisdom on training retrievers and spaniels, aiming to end the adage that nonprofessionals can't train dogs.

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The first book to comprehensively explore the cognitive foundations of human spatial navigationHumans possess a range of navigation and orientation abilities, from the ordinary to the extraordinary. All of us must move from one location to the next, following habitual routes and avoiding getting lost. While there is more to learn about how the brain underlies our ability to navigate, neuroscience and psychology have begun to converge on some important answers. In Human Spatial Navigation, four leading experts tackle fundamental and unique issues to produce the first book-length investigation into this subject.Opening with the vivid story of Puluwat sailors who navigate in the open ocean with no mechanical aids, the authors begin by dissecting the behavioral basis of human spatial navigation. They then focus on its neural basis, describing neural recordings, brain imaging experiments, and patient studies. Recent advances give unprecedented insights into what is known about the cognitive map and the neural systems that facilitate navigation. The authors discuss how aging and diseases can impede navigation, and they introduce cutting-edge network models that show how the brain can act as a highly integrated system underlying spatial navigation. Throughout, the authors touch on fascinating examples of able navigators, from the Inuit of northern Canada to London taxi drivers, and they provide a critical lens into previous navigation research, which has primarily focused on other species, such as rodents.An ideal book for students and researchers seeking an accessible introduction to this important topic, Human Spatial Navigation offers a rich look into spatial memory and the neuroscientific foundations for how we make our way in the world.

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When you step into the headquarters of Fritz Hansen in Allerød, northwest of Copenhagen, you breathe in the spirit of a company that has made design history. The showroom, a mecca for students of design and architecture, displays pieces that have become icons, including the Series 7 chair, the Swan lounge chair, and the Lissoni sofa. A recurring theme in the history of the Danish furniture maker is its collaborations with big-name visionary designers like Arne Jacobsen, Poul Kjærholm, and Piero Lissoni. With these influxes of fresh energy and an unwavering commitment to Fritz Hansen’s core values of creativity, the finest craftsmanship, and the utmost attention to even the smallest details, the company has succeeded in placing its products in the collective consciousness of humanity as well as in the offices of the President of the UN General Assembly, the Crown Plaza Hotel in Bangkok, the Banquet Hall of Oxford’s venerable St. Catherine’s College, New York’s Museum of Modern Art, and private homes all over the world. With over 150 breathtaking photos, this thoughtfully designed coffee table book recounts the history of an exclusive brand, the marvellous pieces of furniture that has made it so revered, and provides examples of how a single piece of furniture can beautify an entire room or building, and fire the imagination of those who live there. Whether you’re leaving the world of Fritz Hansen in Allerød or closing this book, it will be with a wealth of new creative ideas and the knowledge that before sustainability became a trendy buzzword, Fritz Hansen was already practicing it in its purest sense, true to its motto of “Crafting Timeless Design".

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When you step into the headquarters of the Republic of Fritz Hansen in Allerød, northwest of Copenhagen, you are breathing in the spirit of a company that has made design history. The showroom, which is a mecca for design and architecture students, displays pieces that have become icons: the Series 7 chair, the Swan lounge chair, the Lissoni sofa. Again and again, the Danish furniture maker has teamed up with big-name visionary designers including Arne Jacobsen, Poul Kjærholm and Piero Lissoni. With these influxes of fresh energy and an unwavering commitment to the core values of Fritz Hansen-creativity, the finest craftsmanship, and careful attention to even the smallest details-the company has succeeded in placing its product into humanity's collective consciousness as well as the offices of the President of the UN General Assembly, the Crown Plaza Hotel in Bangkok, the Banquet Hall of Oxford's venerable St. Catherine's College, New York's Museum of Modern Art, and in private homes all over the world. With over 150 breathtaking photos, this thoughtfully-designed coffee table book tells you about the history of an exclusive brand, the marvellous pieces of furniture that has made it so revered, and provides examples of how a single piece of furniture can beautify an entire room or building and spur the imagination of the people who live there. After closing this book, you'll have a wealthy of new creative ideas and realise that before sustainability became a trendy buzzword, Fritz Hansen was already practicing it in its purest sense, true to its motto: "Crafting Timeless Design."

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From acclaimed author Mindee Arnett comes the thrilling conclusion of the stunningly epic, action-packed fantasy adventure that’s been called “a page-turning blend of monsters, magic, and romance” by Susan Dennard, the New York Times bestselling author of Truthwitch.They call her the Wilder Queen. It’s a title given to Kate Brighton for her role in the war between the wilder rebellion and the Rimish empire. It’s a title that was hard earned: Kate may have saved her people, but many were lost in the conflict, immortalized in the tattoos of fire that grace her arms.And it’s a title that Kate never wanted. The rebellion may have made a home for themselves in a country that wants to cast them out, but the peace will never be safe while Edwin, the illegitimate king of Rime, sits upon its throne. And for that, the Wilder Queen must keep hers.Now war is brewing once again. Kate and her allies receive word of a threat to their ambassador in the Rimish capital; meanwhile, across the channel in Seva, an army is being assembled to conquer Rime—and a prisoner slave named Clash may hold the key to ending the conflict once and for all.As enemies close in on Kate and Clash from all sides, they must choose where their loyalties lie—with their people, with their loved ones, or with themselves.The epic story that began with Onyx & Ivory comes to a stunning conclusion as acclaimed author Mindee Arnett throws readers into a beautiful, terrifying world poised on a razor’s edge in its struggle for survival.

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The most ambitious project of Henry Avray Tipping, the influential architectural editor of Country Life, Mounton was a new country house and garden, designed without limitations of expense to be the perfect expression of his immense knowledge of history, architecture and horticulture. All was designed to impress a distinguished social circle. However, within weeks of its completion, the Great War started. The world of English country-house living changed irrevocably, so Tipping never saw his hopes for the house come to fruition. Featuring a wealth of previously unseen material including correspondence, articles and illustrations, this book insightfully details the design and building of the home H. Avray Tipping created for himself with the help of the young Chepstow architect Eric Carwardine Francis. It also gives a rich and evocative portrait of Tipping and his friends, with visits from Lloyd George and from Tipping’s gardening colleagues, including Harold Peto, Gertrude Jekyll and William Robinson. The grand layout of the Mounton gardens on the plateau above a limestone gorge included a 24-pillar pergola, terraces overlooking the Severn estuary, a two-storey tea house, a rock garden and remarkable and innovative water gardens. Over time, the house was neglected and the magnificent gardens became overgrown. Mounton could so easily have been demolished and yet, a hundred years after Tipping completed it, a loving work of restoration of house and gardens was launched. The final two chapters reveal the careful adaptation of the interiors of Mounton House and the spectacular remaking of the gardens by the renowned garden designer Arne Maynard, all fully illustrated with plans and striking new photography. This is the story of the creation, destruction and regeneration of a singular vision.

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Human rights are increasingly described as being in crisis. But are human rights really on the verge of disappearing? Human Rights Transformation in Practice argues that it is certainly the case that human rights organizations in many parts of the world are under threat, but that the ideals of justice, fairness, and equality inherent in human rights remain appealing globally—and that recognizing the continuing importance and strength of human rights requires looking for them in different places. These places are not simply the Human Rights Council or regular meetings of monitoring committees but also the offices of small NGOs and the streets of poor cities. In Human Rights Transformation in Practice, editors Tine Destrooper and Sally Engle Merry collect various approaches to the questions of how human rights travel and how they are transformed, offering a corrective to those perspectives locating human rights only in formal institutions and laws. Contributors to the volume empirically examine several hypotheses about the factors that impact the vernacularization and localization of human rights: how human rights ideals become formalized in local legal systems, sometimes become customary norms, and, at other times, fail to take hold. Case studies explore the ways in which local struggles may inspire the further development of human rights norms at the transnational level. Through these analyses, the essays in Human Rights Transformation in Practice consider how the vernacularization and localization processes may be shaped by different causes of human rights violations, the perceived nature of violations, and the existence of networks and formal avenues for information-sharing. Contributors: Sara L. M. Davis, Ellen Desmet, Tine Destrooper, Mark Goodale, Ken MacLean, Samuel Martínez, Sally Engle Merry, Charmain Mohamed, Vasuki Nesiah, Arne Vandenbogaerde, Wouter Vandenhole, Johannes M. Waldmüller.

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