Search results for ""transcript Verlag""

Game culture and material culture have always been closely linked. Analog forms of rule-based play (ludus) would hardly be conceivable without dice, cards, and game boards. In the act of free play (paidia), children as well as adults transform simple objects into multifaceted toys in an almost magical way. Even digital play is suffused with material culture: Games are not only mediated by technical interfaces, which we access via hardware and tangible peripherals. They are also subject to material hybridization, paratextual framing, and processes of de-, and re-materialization.

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Rivers, landscapes, whole territories: these are the latest entities environmental activists have fought hard to include in the relentless expansion of rights in our world. But what does it mean for a landscape to have rights? Why would anyone want to create such rights, and to what end? Is it a good idea, and does it come with risks? This book presents the logic behind giving nature rights and discusses the most important cases in which this has happened, ranging from constitutional rights of nature in Ecuador to rights for rivers in New Zealand, Colombia, and India. Mihnea Tanasescu offers clear answers to the thorny questions that the intrusion of nature into law is sure to raise.

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In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz.

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During recent years, literary texts in electronic and networked media have been a focal point of literary scholarship, using varying terminology. In this book, the contributions of internationally renowned scholars and authors from Germany, USA, France, Finland, Spain and Switzerland review the ruptures and upheavals of literary communication within this context. The articles in the book focus on questions such as: In which literary projects can we discover a new quality of literariness? What are the terminological and methodological means to examine these literatures? How can we productively link the logics of the play of literary texts and their reception in the reading process? What is the relationship of literary writing and programming?With contributions by Jean-Pierre Balpe, Susanne Berkenheger, Friedrich W. Block, Philippe Bootz, Laura Borrás Castanyer, Markku Eskelinen, Frank Furtwängler, Peter Gendolla, Loss Pequeño Glazier, Fotis Jannidis, Thomas Kamphusmann, Mela Kocher, Marie-Laure Ryan, Jörgen Schäfer, Roberto Simanowski and Noah Wardrip-Fruin.

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In the late 1960s, the feminist scholar Kate Millet broadly defined "politics" as arrangements of power which enable individuals collectively to assert authority over others. Taking this definition, case studies by scholars from Europe, Israel and the United States explore the gendered professional in the 20th century as she navigated arrangements of power including organised religion, emancipation movements, cultural norms and shifting forms of government to practice architecture. Additional contributions reflect upon power structures in contemporary architectural education, practice and history to propose other means of architectural knowledge, representation and professional activity.

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In remote areas of Europe, local history museums struggle to connect with the rapidly changing and increasingly diverse communities around them. Insa Müller asks how these museums can recast themselves to strengthen the links to their communities. Combining theoretical deliberations, empirical investigations of the case of two Norwegian islands and a museum experiment, she offers starting points for rethinking the local history museum, while at the same time providing suggestions for locally adapted museum practice.

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This pioneering volume explores the Arctic as an important and highly endangered archive of knowledge about natural as well as human history of the anthropocene.Focusing on the Arctic as an archive means to investigate it not only as a place of human history and memory - of Arctic exploring, "conquering" and colonizing -, but to take into account also the specific environmental conditions of the circumpolar region: ice and permafrost. These have allowed a huge natural archive to emerge, offering rich sources for natural scientists and historians alike.Examining the debate on the notion of ("natural") archive, the cultural semantics and historicity of the meaning of concepts like "warm", "cold", "freezing" and "melting" as well as various works of literature, art and science on Arctic topics, this volume brings together literary scholars, historians of knowledge and philosophy, art historians, media theorists and archivologists.

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Fractals suggest recursivity, infinity and the repetition of a principle of order. They are digital pictures of the universe's continuous movement ignored by mankind during millennia. This book investigates the relationship existing between geometries and technology, and how it guided cognitive processes and thus the organization of narrative spaces. The author proposes a new approach for the study of media remarking that from Bacon's camera obscura to von Neumann's computers both geometries and technology strongly influenced the organization of narrative spaces, which acquired a fractal character.

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As a world religion Islam is based on a highly abstract and absolute notion of the transcendent, which its followers establish and celebrate - in a seemingly contradictory fashion - at very specific sites: Mecca, Medina, Jerusalem, and the vast and complex landscapes of mosques and Muslim saints' shrines around the world. Sacred locality has thus become a paradigm for the relationship between the human and the transcendent, a model for urban planning, regional networks, imaginary spaces, and spiritual hierarchies alike. This importance of saintly places has, however, become increasingly complicated and troubled by reformist currents within Islam, on the one hand, and the emergence of modern archeology and anthropology, on the other. While they have often tended to posit "the local" in opposition to "the universal", in this volume islamologists, anthropologists, and sociologists offer new ways of thinking about the local, the place, and the conceptual landscapes and spaces of saints. In this, its eighth volume, the Yearbook for the Sociology of Islam looks at different sites and regions around the Muslim world (notably Burkina Faso, Egypt, Ethiopia, and Southeast Asia) not as "localized" versions of a universal Islam, but as constitutive of one particular outlook of the universalizing order of a world religion.

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Istanbul is one of the largest and most dynamic metropolises on the European continent. In the context of processes of globalization and local urban planning projects urban space is continously contested. In this anthology forms, meanings and images of these urban spaces are discussed by architects, historians, and social scientists. Through interdisciplinary approaches of theory and case studies the book delivers a deep insight into the construction and constitution of public spaces and spheres in contemporary Istanbul.

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This book provides the production history and a contextual interpretation of The Beatles' movies (A Hard Day's Night, Help!, Yellow Submarine, Let It Be) and describes their ability to project the group's image at different stages in their career. It also includes a discussion of all of The Beatles' promotional films and videos, as well as their television cartoon series and the self-produced television special Magical Mystery Tour. Along with The Beatles' feature movies and promos, this analysis also contains documentaries, such as The Compleat Beatles and Anthology, as well as dramatizations of the band's history, such as Backbeat, The Hours and Times, and Two of Us.

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From media art archeology to contemporary interaction design - the term interface culture is based on a vivid and ongoing discourse in the fields of interactive art, interaction design, game design, tangible interfaces, auditory interfaces, fashionable technologies, wearable devices, intelligent ambiences, sensor technologies, telecommunication and new experimental forms of human-machine, human-human and machine-machine interactions and the cultural discourse surrounding them. This book's aim is to give an overview of the current state of interactive art and interface technology as well as an outlook on new forms of hybridization in art, media, scientific research and every-day media applications.

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In contemporary global capitalist culture, time-consciousness becomes more important than self-consciousness. In the realm of lived time, the identity of the self opens up to an encounter with otherness. Insights into the ways in which this dynamic unfolds enable one to affirm human temporalities in their potential difference to the temporalities of global capitalism. The book offers an empirical exploration of lived temporalities on markets, in buses and in traditional subsistence in Guatemala, and a theoretical exploration of these through the philosophy of Gilles Deleuze and inter-relational approaches within psychoanalysis.

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This book takes into view a large variety of Muslim actors who, in recent years, made their entry into the European public sphere. Without excluding the phenomenon of terrorists, it maps the whole field of Muslim visibility. The nine contributions present unpublished ethnographic materials that have been collected between 2003 and 2005. They track down the available space that is open to Muslims in EU member states claiming a visibility of their own. The volume collects male and female, secular and religious, radical and pietistic voices of sometimes very young people. They all speak about "being a Muslim in Europe" and the meaning of "real Islam".

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This book is about the making and unmaking of socio-cultural differences, seen from anthropological, sociological and philosophical perspectives. Some contributions are of a theoretical nature, such as when the "problem of translation", "the enigma of alienity" or "queer theory" are addressed; other contributors throw light on contemporary issues like the integration of Muslims in Norway, identity-forming processes in "Creole" societies or "neo-traditionalist movements" and "identity" in Africa. Moreover, the book deals with "strangers" looked at from an "anthropology of the night". Special emphasis is placed on how globalization and the rapid spread of ever new technologies of information have generated ever new patterns of inclusion and exclusion, and how these can be theorized.

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The emergence of global knowledge societies is recently questioning the meaning and relevance of local knowledge in the context of Southern countries. Women have proved to be the central actors in the multiple channels of local-global networking, using these new social ties for the negotiation of old and new elements of knowledge, scientific knowledge and development discourses. The inherent politicisation of knowledge and the direct objective of transforming societal institutions are not only signs of resistance against global hegemony, but serve for a new definition and for a defence of local culture and of local knowledge.

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Since its invention in the late nineteenth century, the penetrating gaze of the X-ray has changed our vision of the inside of the human body. After we started to see inside ourselves, the relationship between ourselves and our bodies changed forever. As a progression in medical science, X-ray technology was fashioned to maintain and save life. However, as the contributors to this volume show, it has been a device of ruination as well. They visualise the traces and the pattern of violence, practised by the states, racial capitalism, colonial racism and sexism. By juxtaposing different cases across time and space, this collection demonstrates a set of relations between civilization and ruination.

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The richness of social and cultural theory in the humanities offers countless opportunities for using theory-informed concepts in data-based analysis workflows. The contributors to this volume thus encourage further research utilizing out-of-the-box models and approaches to space and place in the field of Digital Humanities. The collection follows the two complementary goals of providing promising conceptualisations of space and place for a broad audience from Digital Humanities, and of presenting current work in Digital Humanities using different conceptualisations of space and place or offering innovative methods for their analysis.

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Increasing irrigation efficiency has been high on the political agenda in Spain for many years. However, the overarching aim to reduce agricultural water consumption has not been met so far. Nora Schütze investigates processes of coordination between the water and agricultural sector in three Spanish river basins in the context of the EU Water Framework Directive implementation. From the perspective of polycentric governance, she identifies multiple mechanisms which illustrate how and why actors interact in certain ways, and thus shows why environmental aims of the Water Framework Directive remain unachieved.

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Inspired by Hannah Arendt's analysis of crisis-ridden modernity, Wolfgang Heuer addresses exemplary aspects of depoliticization and the loss of politics - and thus of freedom - in 20 essays. He argues that politics can recover, if it is based on personal responsibility in the political realm, in civil society, and even under dictatorial conditions; if the pictorial and emotional conditions of successful judgement are understood; if human plurality is given its specific political organisational form; and, finally, if sustainability is understood as a principle of action, not only towards nature but also towards politics and society.

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In September 2021 a very special academic conference took place: T2051MCC - The 2051 Munich Climate Conference. Researchers from across the academic spectrum assembled to discuss climate change. What made it special was that everyone held their lecture as if it took place in an imagined year 2051. The theatre collective Büro Grandezza had released an open call for contributions to a conference in Munich. Almost 50 researchers wrote papers on climate narratives, geoengineering, coastal adaptation and other topics. This particular framework allowed them to break out of the constraints of the current discourse without neglecting methodology or thematic sharpness.

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What does "creativity" mean in the context of IT and what happens when IT acts in its name? Jan Sebastian Zipp examines the concept of creativity in large IT companies in times of digital change, including new ways of working or potential artificial creativity with no human interaction. Drawing on constitutive elements like Silicon Valley or its connection to counterculture, his analysis of the representation and organisation of creativity as a social practice provides insights into the inherent logic of the creativity narrative of IT. This study contributes vital foundations for a critical engagement with today's prevailing understanding of the concept of creativity.

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"Fact" is one of the most crucial inventions of modern times. Susanne Knaller discusses the functions of this powerful notion in the arts and the sciences, its impact on aesthetic models and systems of knowledge. The practice of writing provides an effective procedure to realize and to understand facts. This concerns preparatory procedures, formal choices, models of argumentation and narrative patterns. By considering "writing facts" and "writing facts", the volume shows why and how "facts" are a result of knowledge, rules, and norms as well as of description, argumentation, and narration. This approach allows new perspectives on "fact" and its impact on modernity.

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Teheran-ro in Seoul and Mediaspree area in Berlin are pristine examples for public spaces with a history of rapid change in the context of broader political and economic transitions. Dahae Lee shows that in such a transitional context, the public sector alone is incapable to provide and manage public space. Hence, it engages private sector entities in the form of privately owned public space/s (POPS). By analysing the planning instruments used for POPS in both cases, their uniqueness as well as strengths and weaknesses are revealed. Based on the results this study offers a number of policy recommendations for cities that encounter similar problems.

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Religious studies have long discussed the comparative notion of "holy" beyond religious, cultural, and linguistic boundaries. In this book, Thomas Jurczyk conducts a diachronic comparison of the meaning and application of two notions and their related word fields that are commonly associated with a broader comparative notion of holy, namely the Ancient Armenian term "surb" and its related words and the English word field associated with "holy". To compare these two semantic fields, his methodological approach operates on the principle of distributional semantics and applies, among others, tools and methods from the field of corpus linguistics.

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Dualistic thinking has been questioned by some writers associated with the material, ontological, and affective turns. Yet, these and other writers linked to the "turns" have themselves reproduced dualistic theorising. Caroline Braunmühl also shows that there are dualistic patterns in significant contributions to queer theory as well as Foucauldian diagnoses of the present. From a perspective sympathetic to the critical efforts made by poststructuralist and related theorists, she analyses works by Sara Ahmed, Karen Barad, Michael Hardt, Antonio Negri, Michel Foucault, and others. The book suggests specific alternatives to dualistic as well as identitarian ways of framing conceptual pairs such as matter/mind, affect/discourse and negativity/affirmation.

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andererseits provides a forum for research, commentary, and creative work on topics related to the German-speaking world and the field of German Studies. Works presented in the publication come from a wide variety of genres including book reviews, poetry, essays, editorials, forum discussions, academic notes, lectures, and traditional peer-reviewed academic articles. In addition, we welcome contributions by journalists, librarians, archivists, and other commentators interested in German Studies broadly conceived. By publishing such a diverse array of material, we hope to demonstrate the extraordinary value of the humanities in general, and German Studies in particular, on a variety of intellectual and cultural levels. This issue features contributions by Leo A. Lensing, Norman M. Klein, Jens M. Gurr, and Julia Faisst.

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This comparative ethnography of a Muslim and a Christian Palestinian refugee camp in Lebanon focuses on contrasting social belonging processes through a ritualization approach. Leonardo Schiocchet argues that contrasts emerge out of the intersectionality of religiosity, nationhood, refugeeness and politics, and synthesizes academic research on piety and moral self-cultivation and on the everyday life of religious communities. He contributes to the literature on refugees at large, and Palestinian refugees in particular, with the unique dense socio-historical portrait of two refugee camps for which there is almost no recorded literature.

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Feminist organizing and theorizing from the Americas have provided some of the most innovative, visible, and all-encompassing spaces of resistance against sexism and sexualised violence, misogyny, racism, homo- and transphobia, coloniality, extractivism, climate change, and neoliberal capitalist exploitation. Current feminist movements address different axes of oppression and thereby represent, practice, and theorize a truly "intersectional" politics. The contributors bring together a wide variety of perspectives, ranging from Black and decolonial feminist voices, LGBTQI/queer perspectives to ecofeminist approaches and indigenous women's mobilizations to inspire future feminist practices and inform social and cohabitation projects.

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Amnesty International's (AI) focus on civil and political rights has marked their work with a gender bias from the outset. In the first comprehensive look at AI's work on women's rights, Miriam Ganzfried illustrates the development of their activities regarding women's rights issues over twenty years. Through interviews with staff members and activists and unprecedented access to archive material from the Swiss and the German AI sections, she shows how women activists strategized to make AI increase its work on women's rights. Additionally, the book demonstrates that, despite the leadership's commitment to the Stop Violence Against Women campaign, internal resistance hampered the integration of women's rights into the organization's overall work.

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