Search results for ""Thames Hudson Ltd""

From the originator of the bestselling HIP Hotels series comes a book that will once again revolutionize our approach to travel. Amazing Places Cost Nothing is a call to arms for a return to the old-fashioned adventure of authentic travel, in an age in which monolithic global brands dominate, and the world’s leading destinations are all beginning to look very much alike. Drawing on more than twenty years of experience travelling the globe, Herbert Ypma presents a handpicked selection of thirty of the most interesting undiscovered hotels, guesthouses and resorts in Europe, Asia, Australia and the Americas. These are places with real personality, free of branding, signposts and tourist hordes – places whose magic has nothing to do with money and everything to do with natural beauty, adventure and romance. Authentic travel is emotive, deeply satisfying and, out of all the things we experience in our lives, certainly one of the most memorable and enduring pursuits. Let this book inspire you to forge your own unforgettable memories in a fascinating collection of hidden paradises around the world.

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Published in the run-up to the 200th anniversary of the composer’s birth in 2013, and written by one of the most distinguished Wagner scholars in the world, this will be the Wagner book of the bicentenary. Richard Wagner (1813–1883) is one of the most influential – and also one of the most polarizing – composers in the history of music. Over the course of his long career, he produced a stream of spellbinding works that challenged musical convention through their richness and tonal experimentation, ultimately paving the way for modernism. This book presents an in-depth but easy-to-read overview of Wagner’s life, work and times. Making use of the very latest scholarship – much of it undertaken by the author himself in connection with his editorship of The Wagner Journal – Millington reassesses received notions about Wagner and his work, demolishing ill-informed opinion in favour of proper critical understanding. It is a radical – and occasionally controversial – reappraisal of this most perplexing of composers. The book considers a whole range of themes, including the composer’s original sources of inspiration; his fetish for exotic silks; his relationship with his wife, Cosima, and with his mistress, Mathilde Wesendonck; his anti-semitism; the operas’ proto-cinematic nature; and the turbulent legacy both of the Bayreuth Festival and of Wagnerism itself. The volume’s arrangement – unique among books on the composer – combines an accessible text, intriguing images and original documents in carefully co-ordinated sections, thus ensuring a consistently fresh approach.

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A title that will appeal to those interested in book culture as well as furniture and interior design, Bookshelf is the first publication to take bookshelf design as its subject. From the conceptual ‘Read-Unread Bookshelf’ (which weighs books read against those still to be started) to the multi-function ‘Trick’ (a unit that transforms from shelf-space into a table and two chairs), Bookshelf presents over 200 inventive and experimental shelving designs in more than 400 colour illustrations that are sure to covet and inspire. Individual specification details are provided for each bookcase, including materials and documentation, and the accompanying texts by Alex Johnson, author and editor of ‘The Blog on the Bookshelf’, provide a fun and informative look at the history of the bookcase, as well as reflecting on how a new generation of designers have re-imagined a classic. One might have presumed that, with the advent of the e-book, the days of the bookshelf were numbered. In fact, readers are now taking almost as much interest in the furniture that houses their libraries as the books themselves; if the titles in your collection are a reflection of your personality, then so too is the design of your bookshelf.

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This fresh global survey makes sense of a vast and increasingly diverse area of intense creativity. An essential and invaluable analysis of work from the last ten years, the book covers every aspect of contemporary ceramic practice and includes work of all scales – from a few centimetres in size to vast room-sized installations. With over 600 stunning illustrations, and an author unique in his experience as a ceramist, educator, curator and critic, this comprehensive survey will be an indispensable guide for ceramists, students and collectors alike.

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Here, in over 2,000 specially drawn illustrations, is the most comprehensive and detailed history and sourcebook of shoes ever published. John Peacock charts the development of every kind and style of footwear for both men and women from earliest times to the present day. Reproduced in meticulous detail and full colour is a host of representative examples of footwear: the simple sandals of ancient Egypt, made from natural fibres and held onto the foot with narrow thongs; the embroidered and bejewelled shoes of the Byzantine empire; the fantastic pike-toed boots newly fashionable in the fourteenth century; the hugely exaggerated platform heels of the sixteenth century; eighteenth-century silk slippers; as well as a huge range of contemporary shoes, from brogues and baseball boots, stilettos and winklepickers, to today’s fashion footwear in radical materials and experimental styles. Neatly arranged in six chronological sections, the pictures are accompanied by full descriptions, including details of all materials, heel and toe styles, decorations including embroidery and beading, and fastenings including buttons, laces and ribbons. An invaluable reference section includes an at-a-glance time chart showing the development of footwear through the ages, a concise bibliography, and biographies of the world’s leading shoe designers and companies, including Salvatore Ferragamo, Charles Jourdan,Terry de Havilland and Manolo Blahník.

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The first in an exciting and inspirational new V&A sketchbook series that explores the sketching processes and techniques of artists from the 16th century to the present day. Artists have been using sketchbooks for many hundreds of years, particularly as part of the preparatory process that leads to the creation of great works. Selected by curators from the extensive sketchbook collection of the Victoria and Albert Museum, and organized chronologically by artist, The Artist's Sketchbook introduces around eighty profiles from different eras and movements, including John Constable, Beatrix Potter, Paul Nash, and Julie Verhoeven. Each profile includes a short text on the artist and their use of the sketchbook. The book brims with exquisite examples of drawings from life and the imagination, material experimentation and the planning of greater works. With rich, detailed photography, the sketchbooks are shown to be very much works of art in themselves, with open-book shots and selected

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A beautifully designed gift book devoted to the work of the renowned ceramics firm Wedgwood. Looking back at key moments in Wedgwood’s design history, this book celebrates the visual power and great design encapsulated by Wedgwood from its founding in 1759 to the present day. The name ‘Wedgwood’ has come to stand for something far beyond its illustrious and energetic founder: uniting art and industry; introducing design and artistic collaborations; the iconic blue and white of Wedgwood jasper. This book tells that story through the lens of design, reflecting the continuing role that Wedgwood and its designers, artists and employees played in setting trends, responding to the market and producing high-quality, desirable ceramics for a broad range of consumers, yet tied to the traditions established by Josiah Wedgwood in the eighteenth century. It presents highlights from the V&A Wedgwood Collection, reflecting the unique proposition of Wedgwood’s business: by operating in both the ‘ornamental’ and ‘useful’ markets, Wedgwood was able to bring innovative ceramic design to large areas of a captive market. These ceramics and their stories demonstrate the artistic heritage, craft and innovation that have become synonymous with the Wedgwood name.

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Manga is a visual form of narrative storytelling. Its roots are international, but the form as we know it today developed in Japan between the late 19th and early 20th centuries and has recently achieved global reach. Originally confined to comics, prints and graphic novels, manga has expanded to influence animation, fashion, gaming, street art and new media. It is a multi-billion pound industry, popular with people of all ages in Japan and increasingly all over the world, encompassing hundreds of genres, from sports, love, horror and ageing to global threats and sexual identity. There is a manga for everyone. For manga fans, this book celebrates the excitement of manga’s cross-cultural appeal and its long history of breaking barriers. For those new to manga, it offers the chance to become literate in what is fast becoming a universal visual grammar of our globalized age. Arranged into six thematic chapters, with essays by leading scholars, this volume showcases the work of Japan’s most influential manga-ka (manga creators) past and present, with printed manga extracts, original drawings, manga magazines, theatre, film, digital technologies and exclusive interviews with artists, editors and publishers. The first chapter focuses on understanding how manga is read, drawn and produced. The second explores its power of storytelling, and presentation of reality; the third, the power of manga to depict many different worlds, both seen and unseen. The fourth shifts the attention from the art form to its role in society, including fan groups, grassroots manga, Comiket events and the importance of cosplay. The penultimate chapter discusses the roots of modern manga in the work of 19th-century artists such as Hokusai and Kyosai, while the final chapter examines manga’s expansion into the avant-garde, its crossover into other media and its growing international reach and influence. Published in conjunction with a landmark, cutting-edge exhibition at the British Museum, this is manga as Western audiences have never before seen it: diverse yet universally familiar, traditional yet intensely modern, rooted in the 2D printed page but effortlessly leaping out of it.

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The V&A Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A’s photography collection, the oldest held by a public museum and one of the largest and finest in the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A’s new Photography Centre in autumn 2018, Making It Up: Photographic Fictions shows how, throughout its history, photography has been used to depict fiction as well as fact. With over 130 photographs supported by extended commentaries and an introduction, Making It Up: Photographic Fictions illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions puts paid to the fallacy that ‘the camera never lies’, proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called ‘post-truth’ age.

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Art Deco designs encompass a huge range of styles, techniques and media. Spanning the boom of the roaring 1920s and bust of the 1930s, Art Deco simultaneously drew on traditional designs and techniques and embraced the modern, mechanized world. The Age of Glamour showcases the breadth of Art Deco design, from abstract Modernist designs to intricate patterns and fashion plates. An introduction to Art Deco and its characteristic features is followed by full-colour reproductions of the original designs interpersed among line drawings for colouring in. Thumbnails at the end of the book identify all the designs. Art Deco remains enduringly popular for its eclecticism, vibrant colours and bold use of line and shape. The designs are a rich source of inspiration and have influenced countless artists and designers. The Age of Glamour encourages you to experiment with the designs and complete them in the colours that inspire you.

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For anyone interested in the natural world and the extraordinary diversity and wonder of plants, this beautifully illustrated and presented range of stationery will be a delight. Products in the range are illustrated with exquisite and exotic images taken from the book Remarkable Plants That Shape Our World and all are attractively packaged.

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The perfect primer on American photographer, photojournalist and filmmaker Ruth Orkin. Ruth Orkin (1921–85) always dreamed of becoming a filmmaker, and although that ambition was thwarted until later in her career, she quickly found other ways of engaging with the world of images. She was given her first camera at the age of ten and by the age of seventeen, she was cycling across America from Los Angeles to New York, documenting her trip in albums of annotated photographs. In the early 1940s she settled in New York, joining the Photo League and making her name with photo stories for major magazines such as Life, Look and This Week. In images that range from celebrity portraits to bird’s-eye views from her apartment window, from children at play to the experiences of a lone American tourist in Italy, Orkin’s photography always retains a cinematic sense of the passage of time and allows the humanity and charisma of her subjects to shine through.

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Brooklyn-born photographer Helen Levitt (1913–2009) was an assistant to Walker Evans and a friend of Henri Cartier-Bresson, but forged her own path with fierce independence and endless curiosity about the world around her. She is best known for her street photography, capturing children at play on the streets of Depression-era New York and chalk drawings on walls, but she also cast her eye upon the adult world, seeking out moments of movement, transience and theatricality. Following her first solo exhibition at MoMA in 1943, she devoted more than a decade to filmmaking, but returned to photography in the late 1950s and began to work in colour as well as black and white. Lyrical and witty, her images reveal the streets of New York as flowing with life and unexpected poetry.With 68 illustrations

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A member of Magnum, Marc Riboud has travelled the world, from Europe to the Middle East and from Vietnam to the United States. Repelled by violence, indifferent to the pursuit of ‘events’, yet irresistibly drawn by the desire to see, he is a reporter under the spell of life itself. Whether covering the Cultural Revolution or the Soviet Union before perestroika, he waits for the inner truth to ‘rise to the surface of things’. These photographs reveal his intense awareness of the innate power of each image.

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Anders Petersen (b. 1944) lives and works in Stockholm, Sweden. He is noted for his intimate and personal documentary-style black-and-white photographs. In 1967, he started to photograph the late-night regulars (prostitutes, transvestites, drunks, lovers, drug addicts) in a bar in Hamburg, Germany, named Café Lehmitz, and continued that project for three years. His photobook of the same name was published eight years later, in 1978, and has since become regarded as a seminal book in the history of European photography. In 1970, he co-founded SAFTRA, the Stockholm group of photographers, with Kenneth Gustavsson, and simultaneously taught at Christer In 2007, he was one of four finalists for the £30,000 Deutsche Börse Photography Prize.

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American photographer Berenice Abbott first took up the art while working as an assistant to Man Ray, but soon left to set up her own studio, where she photographed the leading lights of Pariss literary and artistic circles, including James Joyce and Jean Cocteau. This book contains a selection of the photographer's important images.

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The definitive overview of and ultimate resource on the iconic architect-designed houses built in Japan from 1945 to the present. Imagine a terraced house whose courtyard separates the kitchen from the bedroom. Or a tiny, triangular tower of rooms stacked one above another. Quirky, experimental and utterly fascinating, the houses produced in Japan since the end of the Second World War are among the most exceptional in the world. The Japanese House Since 1945 is a cohesive chronology of the most compelling architect-designed Japanese homes, showing developments in form, material, architectural expression and family living over almost eight decades. Unparallelled in their conceptual purity, many Japanese houses have become icons at home as well as abroad. Presented with clear prose and accompanied by compelling photographs and drawings, this book features 97 houses, divided among nine chapters and organized by decade. In addition to acquainting the reader with individual homes, the book illuminates the social, technological, geographic and historical factors behind these era-defining houses. Developments over the period are underscored by the visual presentation, as it evolves from monochrome to colour and from hand-drawn to digital. Decade lead-ins set the historical context for each chapter, while ‘Spotlight’ segments draw attention to the separate components of the Japanese house. ‘At Home’ sections, most written by architects and their family members, bring to life the experience of living in these unique houses.

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Norway-based Canadian architect Todd Saunders’ unique approach, set in some of the most remote locations on earth, splices modern sculptural forms with a deeply rooted respect for nature, most famously in his Fogo Island Hotel and artists’ studios in Newfoundland. Rather than imposing themselves upon the countryside and coast, Saunders’ residential buildings seek a sensitive accommodation with the topography and the flora, fauna and treescapes of the landscapes they inhabit. This is the first book to focus on Saunders’ houses and features eleven of his most recent and iconic projects across Scandinavia and Canada, many of which are in are stunning landscapes. Featuring a wealth of inspiring exterior and Nordic-style interior shots, each house is illustrated with photography specially commissioned for the book and are accompanied by texts written by Dominic Bradbury in close collaboration with the architect. Sections on process and ways of working, as well as Saunders’ inspirations and design philosophy are interwoven in separate sections, which include drawings, plans and photography.With 280 illustrations, 147 in colour

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For almost 10,000 years man has built in unbaked earth, not only simple dwellings but also palaces, temples and fortresses of the utmost grandeur and durability. This encyclopedic work shows the extreme diversity of this type of architecture from a technical, cultural and historical point of view. After presenting the various types of raw earth constructions (adobe and rammed earth, walls and roofs, columns, etc.), Jean Dethier reveals some of the raw earth masterpieces scattered across five continents, most of which are listed as UNESCO world heritage sites. From the creations of antiquity to those of today, as well as vernacular heritage and modernist works, the book surveys a multitude of building types: monumental structures – the temples and palaces of Mesopotamia, the Great Wall of China, the Great Mosque of Djenné in Mali, Capitagreen in Singapore; large urban developments – the city of Tenochtitlan in Mexico, the medinas of Morocco; housing in Marrakech, Bogota and various European cities; the castle-houses of the Somba people in Togo; Martin Rauch’s villas in Austria; and public amenities – sa high school in Bangladesh, a museum in Australia, a market in Koudougou, Burkina-Faso, and many more... The culmination of fifty years of work, this definitive book is illustrated with 600 photographs and about one hundred drawings and architectural plans.

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The quintessential Japanese architect of today, Kengo Kuma has forged a modern design language that artfully combines the country’s traditional building crafts with sophisticated technologies and materials. From his iconic Glass House (1995) to Dundee’s V&A (2018), this is the complete record of Kuma’s built work, comprising thirty projects to date. Kenneth Frampton’s revised and updated essay frames Kuma’s work in the context of post-war Japan’s flourishing architecture scene and influential figures, and recounts the international acclaim that Kuma’s ideas and buildings have received. The heart of the book consists of projects presented in detail, accompanied by descriptive text and detailed drawings, and organized by the material themes that have come to define the architect’s output. This new edition includes five new projects: Komatsu Seiren Fabric Laboratory fa-bo, Under One Roof project for the EPFL ArtLab, Japan House São Paulo, China Academy of Art’s Folk Art Museum, and the V&A Dundee.

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From ancient palaces and glorious cathedrals, to futuristic homes and striking skyscrapers, architecture continues to play an important role in the development of history and culture. Architecture Inside + Out examines fifty of the world’s most impressive buildings and uncovers their structural secrets through detailed illustrations, while clear and accessible text places each building in its context. By researching original plans, notes and drawings, this book reveals the expertise and original intentions behind these magnificent creations, simulating the experience of spending time with the architects themselves. However, a building truly comes alive once it is inhabited, and Architecture Inside + Out also looks beyond the bricks and mortar to explore the principal spaces within. Photographs of striking interiors enable readers to scrutinize the most awe-inspiring aspects of these structures. The reader will discover how ancient wonders, such as the Parthenon and Colosseum, were constructed; learn the colour-coding behind the exposed skeleton of the Centre Pompidou in Paris; understand the vision behind the Brutalist housing complex, Habitat 67, in Canada; and take a tour through the Capitol Building in Washington, the seat of the United States Congress.

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Over the course of a career spanning more than fifty years, Seattle-based architect Jim Olson, of Olson Kundig, has made his name designing a broad range of buildings that sensitively respond to their environment. Initially drawing from his close connection to the nature and culture of the Pacific Northwest, he has attracted an international reputation for designing houses for art collectors around the world. Considered together, his buildings reveal an exceptional interplay between art, light, nature, craft and architecture, which can be experienced in a range of projects that span the globe, from Mexico to South-East Asia. This complete overview of many decades of carefully considered buildings begins with an extended essay by Aaron Betsky, who considers the intimate relationship between Olson’s natural surroundings and love of art and his design process over the course of his career. This is followed by a selection of twenty-eight of Olson’s recent projects, interspersed with private sketches and his reflections on architecture and the creative process. The final reference section includes an extensive illustrated chronology of the architect’s entire corpus.

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MacKay-Lyons Sweetapple Architects, the influential and award-winning firm based in Halifax, Nova Scotia, have an international reputation. Producing a wide range of projects both in Canada and further afield, they work in a sophisticated modern vernacular idiom, drawing inspiration from a rich local heritage of building types and reinterpreting them according to the best practices of 21st-century architecture. It is above all for their dignified and beautiful houses perched on the wild, rocky coasts of Nova Scotia that the firm is recognized. Overlooking the Atlantic Ocean, this remarkable body of work is based around a number of plan types that answer to the particular local climate: open to the sun but sheltered from the winds, and built using traditional materials that are allowed to weather, these dwellings embody the architects’ engagement with their unique surroundings and material culture. This new monograph covers MacKay-Lyons Sweetapple Architects’ complete work. Introductions by renowned architectural writers set the scene, while individual projects are illustrated through evocative photographs and detailed plans and drawings. What emerges is a celebration of an architecture that is both practical and deeply poetic.

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The African continent contains some of the world’s most vibrant culture and creativity, and yet its buildings – vernacular, colonial or contemporary – have rarely engaged the interest of Western architects. David Adjaye, the first black architect to establish a truly global reputation in his field, has found endless sources of inspiration for his designs in the rich – and chequered – heritage of Africa’s teeming metropolises. His life dream was to return to the continent as an architect to document Africa’s built environment. Over a long decade, he tirelessly documented these dynamic, colourful cities, photographing thousands of buildings, sites and places, and letting each building speak for itself in telling contrast to a design world obsessed with photorealistic slickness. The result was a stunning seven-volume work that has become an essential resource for all those interested in the burgeoning continent. This compact edition will make the fruits of this once-in-a-generation record available to a much wider audience. The result is one of the most original, ambitious and important architectural publications of our time, now available to everyone wishing to gain an understanding of a unique architectural heritage overlooked for too long.

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Unspoken Spaces is a richly illustrated journey through spheres, tunnels, towers, walkways and archways, as well as pavilions and larger buildings realized by artist Olafur Eliasson and his studio since the late 1990s. Binding the spiralling dynamic of these works are essays by renowned writers across a variety of fields, from geologists and historians of art and science to architects, artists, and philosophers. The works range from art installations to striking buildings, such as the Serpentine Gallery Pavilion 2007 in London (with Kjetil Thorsen) and Your rainbow panorama in Aarhus, Denmark, and the crystalline facade for Harpa Concert Hall and Conference Centre in Reykjavik, each presented through in-depth project descriptions alongside Eliasson’s own thoughts.

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Drawing on the success of XS series, Nano House presents 43 examples the most innovative, most ingenious and most responsible designs for small-scale (less than 75m2) houses set in a variety of contexts. Each house, shown in texts, photographs and plans, is an object lesson in domestic design. Using digital tools, sustainable materials and new prefabrication technologies, all these projects offer exciting and realistic solutions for houses where space is at a premium, nature must be preserved or accommodation created for those who need it most.

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Joseph Gandy (1771–1843) is a classic case of unrecognized genius. His dreams of being a great architect were frustrated, and his fame today rests on the imaginative power of his unrealized projects, on his superbly imagined reconstruction of Greek and Roman buildings and on the drawings in which he brought Sir John Soane’s most extravagant ideas to vivid life. Professor Lukacher’s book, the first biography of this remarkable man, draws together the threads of his life and art, forcing us to re-assess one of the most original minds between Neoclassicism and Romanticism.

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'Exquisitely written and lavishly illustrated, this delightful book brings five centuries of Ottoman culture to life. Diana Darke constantly amazes the reader with fascinating facts and points of relevance between the Ottoman past and the present day' - Eugene Rogan, author of The Fall of the Ottomans At its height, the Ottoman Empire spread from Yemen to the gates of Vienna. Western perceptions of the Ottomans have often been distorted by Orientalism, characterizing their rule as oppressive and destructive, while seeing their culture as exotic and incomprehensible. Based on a lifetime's experience of living and working across its former provinces, Diana Darke offers a unique overview of the Ottoman Empire's cultural legacy one century after its dissolution. She uncovers a vibrant, sophisticated civilization that embraced both arts and sciences, whilst welcoming refugees from all ethnicities and religions, notably Christians and Jews. Darke celebrates the culture of the Ottoman E

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The first book to consider Kiefer's photography and use of photographs in his wider artistic practice. Known for his monumental painting and installations, the internationally celebrated artist Anselm Kiefer's works are marked by a constant questioning of history and collective memory. Born in Germany two months before the Nazi capitulation in 1945, Kiefer's reflections on post-war identity, loss, and shared experience, nourished by myths and literature, create an unparalleled breadth of imagery. The use of photography as both practice and source material is a little-known aspect of Kiefer's art that has played a central role throughout his career. This book presents over 130 works charting the artist's relationship with photography, and his investigations into what images reveal.

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A beautifully illustrated exploration of the artistic and personal connections between Matthew Wong (19842019) and Vincent van Gogh. Shortly before his early death, the Chinese-Canadian artist Matthew Wong (19842019) emerged as a phenomenon. He started drawing and painting in 2011, at the age of 27, and within the space of just a few years had developed a highly personal style, using intense colours to paint imaginative landscapes. Wong's expressively lyrical works were inspired by both traditional Chinese painting and Western art. He was especially influenced by Vincent van Gogh (18531890), not only in terms of his painting style and choice of motifs, but also in some aspects of his life. Both artists were self-taught, acquiring their drawing and painting skills without tuition, and both faced mental health issues. Wong saw his own life reflected in that of Van Gogh, and once said: I see myself in him. The impossibility of belonging in this world.' Published to accompany the ex

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A global history of intoxication, exploring the international spectrum of drug use in cultures across the world, from prehistory to the present day. Every society is a high society. Every day, people drink coffee on European terraces, chew betel nut in Indonesian markets, take coca leaf on Andean mountainsides and smoke tobacco in every nation on earth. Mike Jay's global history of intoxication looks at the earliest archaeological evidence of drug use, the botanicals of the classical world, the mind-bending self-experiments of early scientists and today's war on drugs'. In High Society Jay paints vivid portraits of the roles that drugs play as medicines, religious sacraments, status symbols and trade goods. He traces the understanding of intoxicants from prehistory to the present, and reveals how the international trade in substances such as tobacco, tea and opium shaped the modern world. First published to accompany the highly successful exhibition at the Wellcome Collection,

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Brings together a wealth of research and an expansive selection of photographs to create an enduring account of America's first known trans network, Casa Susanna. In the 1950s and 60s, an underground network of transgender women and cross-dressing men found refuge at a modest house in the Catskills region of New York. Known as Casa Susanna, the house provided a safe place to express their true selves and live for a few days as they had always dreamed - dressed as and living as women without fear of being incarcerated or institutionalized for their self-expression. This book opens up that now-lost world. The photographs - mostly discovered by chance in a New York flea market in 2004 - chronicle the experiences of men who dressed as women, gender nonconforming people, and transwomen in states of relaxation, experimentation, connection and joy. All of this was made possible by Susanna Valenti who - on her own journey toward womanhood - created Casa Susanna, a protected space where others could crossdress and live freely as women. Supplementing the images are excerpts from Transvestia, a magazine that allowed those who had been cast out by a rigidly binary society to connect in a different medium. The people who came to Casa Susanna found a spot where they could explore and celebrate their own and each other’s femininity, as they could not do elsewhere. Their creations are also a reminder that there were, and still are, many ways to explore the boundaries of gender.

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A charming, lively and often amusing tour of 36 forgotten episodes and overlooked people and places of Scottish history. Scotland’s history is full of famous kings, queens, saints and warriors. But what about its lesser-known places, people and events? In this collection of half-forgotten tales, Alistair Moffat brings their stories out of the shadows, from the clashes of proud Picts and ‘pirate kings’ in the early medieval period to the invention of tartan, whisky, Aberdeen Angus and Peter Pan. Each surprising or scandalous twist sheds a new light on the history of Scotland.

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An updated edition of this classic title on the origins of 20th-century ideas in architecture and the applied arts. The turn of the nineteenth century saw an extraordinary flowering of invention in architecture and design, leading to the emergence of two contrasting styles: Art Nouveau and the International Style. Professor Nikolaus Pevsner brings clarity to this period of dynamic change by tracing the origins of twentieth-century ideas in architecture and the applied arts. Featuring a new foreword by the distinguished architectural historian Kenneth Frampton, this classic title has now been updated with colour illustrations throughout.

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Forty articles expertly curated by biographer Andrew Robinson provide an unrivalled account of the lives and personalities behind the greatest scientific breakthroughs of all time. Who made us see the atom, our minds, our planet and the universe afresh? How did we uncover the mysteries of life on earth? What next? The theories, discoveries and inventions of scientists have revolutionized our consciousness. Think of gravity, evolution, relativity, radioactivity and the Big Bang; electric motors, vaccines, nuclear power and computers. Behind these breakthroughs lie the personal stories of men and women with vision and determination: singular thinkers who defied adversity in their quest for answers. This book tells the remarkable lives of the pioneers – from Galileo, Faraday and Darwin, through Pasteur and Marie Curie, to Einstein, Freud and Turing. Written by an international team of distinguished scientists, historians and science writers, it will intrigue budding scientists; those fascinated by the lives of great individuals; and anyone curious to know how we came to understand the exterior world and the pulse of life within.

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A revised and expanded edition of the book described by Books Monthly as an absolute gem. A bible, in fact'. If the future is going to be creative, then Hegarty on Advertising points you in the right direction. Written by one of the world's legendary advertising men, this best-selling book contains five decades' worth of wisdom from the man behind hugely influential campaigns for brands such as Levi's, Audi, Boddingtons and Lynx. In this new and improved edition John Hegarty reveals what lies behind a great idea and effective advertising, the ingredients of a successful brand, the right way and the wrong way to run and launch an advertising agency, why you should always question the brief, the art of pitching to a potential client, the central role of storytelling in advertising, the impact of new technology in a rapidly evolving industry, and the importance of dealing with succession. And if that isn't enough, read the final chapters on winemaking and The Garage Soho, a startu

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Comprehensive, practical and easy to follow the ideal introduction to the art of drawing for students, amateurs and beginners of all kinds. A comprehensive practice-based guide to the art of drawing, this book provides a chapter-by-chapter overview of key elements of drawing (such as line, shape, tone and value) before addressing the different genres (such as still life and portraiture). Written in an accessible and encouraging manner, Drawing: A Complete Guide seeks to build the learner's confidence in artistic exploration as well as developing his or her practical abilities. Stephen Gardner opens the book by making the case that anyone can draw. He then goes on to discuss and analyse more than 500 inspirational examples, ranging from the Renaissance to contemporary art, while step-by-step demonstrations of key techniques provide further guidance for realizing successful drawings. Prompts and projects throughout the book also encourage readers to make sketching a daily routin

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A rich, vibrantly illustrated account of the history and sources of manga As contemporary as this graphic art form may appear to readers outside of Japan, manga has, in fact, deep roots in Japanese culture, drawing on centuries-old artistic traditions: traces can be found in seventh century temple paintings, folding screens decorated with comic characters, and painted medieval Emakimono scrolls. The more familiar manga comics of today echo similar themes, both light and serious, and draw on narrative forms present in the sagas and skits from Japan’s rich cultural heritage. This book spans the history of manga in all its splendour and diversity: from Hokusai’s seminal Manga in 1814 to the onset of the gekiga in the 1950s; from the landmark Astro Boy of Tezuka Ozamu to Lady Oscar, Riyoko Ikedan’s shôjo manga aimed at young girls; from samurai sagas to the more alternative productions of the review Garo; and from the demons that populate the works of Mizuki Shigeru to the latest creations from Jirô Taniguchi, each period is covered in detail. One Thousand Years of Manga is both a rich documentary account and a visual delight with over 400 illustrations, many never before seen outside of Japan. A thorough exploration of the sources of manga, this book makes it possible to understand how this mass-produced cultural artifact – aimed at adults as much as at children – has developed into an essential facet of Japanese culture that is now enjoyed across the globe.

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‘A fascinating and deeply rewarding book’ Adam Zamoyski, Daily Telegraph Napoleon’s Plunder chronicles one of the most spectacular art appropriation campaigns in history and, in doing so, sheds new light on the complex origins of what was once called the Musée Napoléon, now known as the Louvre. It centres on the story of Napoleon’s theft of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that in 1797 the French army tore from a wall of the monastery of San Giorgio Maggiore in Venice. Feast was just one of Napoleon’s spoils of war, which he claimed for the French nation and displayed in a public museum – the Louvre. He filled the former palace of the French kings with his acquisitions, and Europe flocked to Paris and hailed the Louvre as the greatest museum in the world. Did he take it for himself? Or for France? Or for the world at large? Saltzman interweaves the stories of Napoleon’s military campaigns, uncovering the treaties through which he obtained his loot, with the histories of the plundered works themselves, exploring how these masterpieces came into being. As much as a story of military might, this is an account of one of the most ambitious cultural projects ever conducted.

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A thought-provoking reflection on pilgrimage past and present, and a compelling exploration of its relevance today. The enormous rise in popularity in recent decades of the Camino, the ancient pilgrim path that stretches from France, across northern Spain to Santiago de Compostela, is part of a wider phenomenon being witnessed on other time-honoured pilgrim routes around the globe and across the faiths. But this is happening in a world that in many places is self-avowedly ever more sceptical, secular and scientific, with formal religious affiliation in steep decline. Why? Some argue that tourism is the new religion, and that those who today walk in the footsteps of countless past generations of believers do so to enjoy the holiday experience, the escape from their everyday world, the health benefits of so much exercise, and the companionship, without seeking any sort of spiritual enlightenment. Yet by looking at a diverse range of pilgrimage sites that includes Rome, Jerusalem, Lalibela in Ethiopia, the Buddha Trail in northern India, Shikoku in Japan and the self-styled ‘power place’ of Machu Picchu in Peru, Peter Stanford draws on his own experience as a pilgrim to argue that something more complex and challenging is going on. Financial crises, increasing inequality, climate change and worldwide pandemics are causing people to question the very foundations on which their post religion, twenty-first-century lives are built. This book considers how pilgrimage, with its long history, essential intertwining of arduous journey and openness to personal transformation, is providing the modern age with a means to take a longer, slower and hence more profound look at life, stretching all the way back to when the first pilgrim put one foot in front of another.

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A substantial retrospective on one of the world’s most remarkable and critically acclaimed art photographers. Separated into four parts, Ballenesque takes readers on a visual, chronological journey through Roger Ballen’s entire oeuvre, including both iconic images and previously unpublished photographs. Part I explores his formative artistic influences and his later rediscovery of boyhood through photography, culminating in his first published monograph, Boyhood, in 1979. Part II then charts the period between 1980 and 2000, during which time his deeper search for the elemental self found its way into the ‘Dorps’, or small towns, of South Africa and concluding with the release of his seminal monograph Outland. Part III covers the years 2000–2013, when Ballen achieved global recogition with Shadow Chamber and Boarding House and his work began to veer away from portraiture altogether. Finally, in Part IV, Ballen reflects upon his career in its entirety. With over 300 photographs and an introduction by eminent academic Robert J. C. Young, this book provides both an entirely new way of seeing Ballen’s work for those who already follow his career and a comprehensive introduction for those encountering his photographs for the first time.

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An award-winning study of England’s unique and peculiarly insular variant of modernism. While the battles for modern art and society were being fought in France and Spain, it has seemed a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea-shops. In this multi-award-winning book, Alexandra Harris tells a different story. In the 1930s and 1940s, artists and writers explored what it meant to be alive in England. Eclectically, passionately, wittily, they showed that ‘the modern’ need not be at war with the past. Constructivists and conservatives could work together, and even the Bauhaus émigré, László Moholy-Nagy, was beguiled into taking photographs for Betjeman’s nostalgic Oxford University Chest. This modern English renaissance was shared by writers, painters, gardeners, architects, critics, tourists and composers. John Piper, Virginia Woolf, Florence White, Christopher Tunnard, Evelyn Waugh, E. M. Forster and the Sitwells are part of the story, along with Bill Brandt, Graham Sutherland, Eric Ravilious and Cecil Beaton.

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Written by an expert whose fashion knowledge extends around the globe, The Fashion Design Directory presents an enticing panorama of around 150 of the most influential players in the world of fashion from the beginning of the 20th century to the present day – the people and companies who have shaped contemporary fashion and defined the modern perception of style. Engaging, informative text sets the scene for each designer – their origins, their ethos and their pathway to success – while striking runway images showcase statement looks and pieces from each designer’s career. Together, they give a compelling overview of their defining collections and labels.

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The Big Idea shortlisted for series design in the British Design and Production AwardsThe effects of global warming are being felt around the world through climate change, and images of our rivers and oceans choking with plastic have provoked an instinctive horrified reaction. In response, governments, corporations and individuals are beginning to change their policies and behaviour – but is it too little, too late? Is it possible to reverse the damage we have done to the planet, or have we reached the point where we are only able to manage the problems and devastation caused? This engaging and incisive volume offers insightful analysis of a range of key issues including deforestation, global warming and single use plastics, while evaluating whether – and how – it may just be possible to mend our planet.

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Cinema: The Whole Story takes a close look at the key time periods, genres and key works in world cinema. It places the burgeoning world of cinema in the context of social and cultural developments that have taken place since its beginnings. Organized chronologically, the book traces the evolution of cinematic development, from the earliest days of film projection to the multiscreen cinemas and super-technology of today. Illustrated, in-depth text charts every genre of cinema, from the first silent films to epic blockbusters, CGI graphics and groundbreaking effects of the 21st century. Cinema: The Whole Story is an indispensable book for all those who love watching and reading about films and who want to understand more about the world of cinema.

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In this clear and evocative account, John Gaskin unfolds the thinking about nature, life, death and other worlds that informed the culture and society of the Classical world, drawing out its interest for modern readers. Witty sketches and diagrams enliven the story, which runs from Homeric Greece to the banning of pagan religions in ad 391. The book concludes with a gazetteer describing notable sites and the people and ideas connected with them, making it an ideal companion for visitors to Classical ruins and for all armchair travellers curious to explore life’s big questions.

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