Search results for ""Author Art, Culture"

In Precarious Lives, Shahram Khosravi attempts to reconcile the paradoxes of Iranians' everyday life in the first decade of the twenty-first century. On the one hand, multiple circumstances of precarity give rise to a sense of hopelessness, shared visions of a futureless tomorrow, widespread home(land)lessness, intense individualism, and a growth of incivilities. On the other, daydreaming and hope, as well as civility and solidarity in political protests, street carnivals, and social movements, continue to persist. Young Iranians describe themselves as being stuck in purposelessness and forced to endure endless waiting, and they are also aware that they are perceived as unproductive and a burden on their society. Despite the aspirations and inspiration they possess, they find themselves forced into petrifying social and spatial immobility. Uncertainty in the present, a seemingly futureless tomorrow: these are the circumstances that Khosravi explores in Precarious Lives. Creating an intricate and moving portrait of contemporary Iranian life, Khosravi weaves together individual stories, government reports, statistics, and cultural analysis of art and literature to depict how Iranians react to the experience of precarity and the possibility of hope. Drawing on extensive ethnographic engagement with youth in Tehran and Isfahan as well as with migrant workers in rural areas, Khosravi examines the complexities and contradictions of everyday life in Iran. Precarious Lives is a vital work of contemporary anthropology that serves as a testament to the shared hardship and hope of the Iranian people.

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In Precarious Lives, Shahram Khosravi attempts to reconcile the paradoxes of Iranians' everyday life in the first decade of the twenty-first century. On the one hand, multiple circumstances of precarity give rise to a sense of hopelessness, shared visions of a futureless tomorrow, widespread home(land)lessness, intense individualism, and a growth of incivilities. On the other, daydreaming and hope, as well as civility and solidarity in political protests, street carnivals, and social movements, continue to persist. Young Iranians describe themselves as being stuck in purposelessness and forced to endure endless waiting, and they are also aware that they are perceived as unproductive and a burden on their society. Despite the aspirations and inspiration they possess, they find themselves forced into petrifying social and spatial immobility. Uncertainty in the present, a seemingly futureless tomorrow: these are the circumstances that Khosravi explores in Precarious Lives. Creating an intricate and moving portrait of contemporary Iranian life, Khosravi weaves together individual stories, government reports, statistics, and cultural analysis of art and literature to depict how Iranians react to the experience of precarity and the possibility of hope. Drawing on extensive ethnographic engagement with youth in Tehran and Isfahan as well as with migrant workers in rural areas, Khosravi examines the complexities and contradictions of everyday life in Iran. Precarious Lives is a vital work of contemporary anthropology that serves as a testament to the shared hardship and hope of the Iranian people.

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Contemporary feminist critics have often described Surrealism as a misogynist movement. In Automatic Woman, Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, Conley develops a complex view of Surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male Surrealists as André Breton, Francis Picabia, and Paul Eluard. She labels that image “Automatic Woman”—a term that comprises views of Woman as provocative and revolutionary but also as a depersonalized object largely devoid of individuality and volition. This analysis largely confirms feminist critiques of Surrealism. The heart of the book, however, examines the writings of Leonora Carrington and Unica Zürn, two women in the Surrealist movement whose works, Conley argues, anticipate much contemporary feminist art and theory. In concluding, Conley shows how Breton’s own views on women evolved in the course of his long career, arriving at last at a position far more congenial to contemporary feminists.Automatic Woman is distinguished by Katharine Conley’s judicious understanding of how women—and the image of Woman—figured in Surrealism. The book is an important contemporary account of a cultural movement that continues to fascinate, influence, and provoke us.

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Tigers of a Different Stripe takes readers inside the unique world of merengue tipico, a traditional music of the Dominican Republic. While in most genres of Caribbean music women usually participate as dancers or vocalists, in merengue tipico they are more often instrumentalists and even bandleaders something nearly unheard of in the macho Caribbean music scene. Examining this cultural phenomenon, Sydney Hutchinson offers an unexpected and fascinating account of gender in Dominican art and life. Drawing on over a decade of fieldwork in the Dominican Republic and New York among musicians, fans, and patrons of merengue tipico not to mention her own experiences as a female instrumentalist Hutchinson details a complex nexus of class, race, and artistic tradition that unsettles the typical binary between the masculine and feminine. She sketches the portrait of the classic male figure of the tiguere, a dandified but sexually aggressive and street-smart "tiger," and she shows how female musicians have developed a feminine counterpart: the tiguera, an assertive, sensual, and respected female figure who looks like a woman but often plays and even sings like a man. Through these musical figures and studies of both straight and queer performers, she unveils rich ambiguities in gender construction in the Dominican Republic and the long history of a unique form of Caribbean feminism.

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This Volume II of the Proceedings of the Worldwide Music Conference 2021 continues the line of publications of the first volume in a highly interdisciplinary mode. This time, we offer eight chapters that provide the in-depth study of music in four large sub-fields: mathematics, language and theory of narrative, evolution and perception, and, finally, sociology. The first chapter, by Roman Ruditsa, is devoted to the study of structural pitch organization. This is based upon a formal logical interpretation of the idea of pitch. The chapter contains formal definitions of such objects as tones, intervals, and interval systems and a demonstration of the logical relationships that exist between them. The second chapter, in the same mathematical venue, by Celina Richter and Stefan E. Schmidt, revisits the millennial question of the essence of an interval, using highly advanced mathematical language, the categories of monoid and the algebraic theory of measurement. The next block is dedicated to language and narrative; the first chapter is by Vincent Meelberg. Here, the reader will find fascinating developments in the ongoing deliberations on this elusive category. The name of Trevor Rawbone, perhaps, does not need an introduction to those involved with cognitive studies of music. This time, his chapter deals with the idea of the language of musical thought, which shifts the traditional discussion of language into a very new dimension. Carlos Almada begins a new section in the book, the one dedicated to evolution and perception. He begins with Darwin and takes us through the exciting path of development of the science of evolution, which he masterfully connects to his model of derivative analysis of music. The question of psycho-physiological foundation of the ethnic hearing, raised in the chapter by Аlla V. Toropova and Irina N. Simakova, is a difficult one. The idea of ethnic character of music had been a part of traditional musicology and usually was expressed in specific language of humanities. The chapter by Daniil Shutko on the theoretical ideas of the legendary professor of St. Petersburg conservatory, Dr. Tatiana Bershadskaya, was difficult to put into any category. Her concept of music was truly universal and interdisciplinary. At the same time, the concept and Shutko’s description are as closely focused on music theory in a narrow and precise sense as possible. The art and culture of consumption of wine in correlation with the choice of music for listening is a theme for a true connoisseur. It becomes even more intriguing when the authors, Diego Pérez-Fuertes, Emma Juaneda-Ayensa and Cristina Olarte-Pascual, add to the discussion the special circumstance of the pandemic and the way human spirit meets this challenge in the most graceful way.

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Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time.

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'A raw and raging celebration of music . . . astounding.' Megan Bradbury'Funny, filthy, erudite, and rude.' Carl Shuker'A magnificent novel.' Alan McMonagleDuring their 1985 tour, two events of hatred and stupidity forever change the lives of a band’s four members. Neues Bauen, a post-hardcore Illinois group homing in on their own small fame, head on with frontman Conrad Wells sexually assaulted and guitarist Tone Seburg wounded by gunshot. The band staggers forth into the American landscape, traversing time and investigating each of their relationships with history, memory, authenticity, violence and revelling in transcendence through the act of art.With decades passed and compelled by his wife’s failing health to track down Tone, Conrad flies to North Africa where her brother is rumoured to be hiding with a renowned artist from their past. There he instead meets various characters including his former drummer, Spence. Amongst the sprawl and shout of Morocco, the men attempt to recall what happened to them during their lost years of mental disintegration and emotional poverty.Dance Prone is a novel of music, ritual and love. It is live, tense and corporeal. Full of closely observed details of indie-rock, of punk infused performance, the road and the players’ relationship to violence, hate and peace. Set during both the post-punk period and the present day, Dance Prone was born out of a love of the underground and indie rock scenes of the 1980s, a fascination for their role in the cultural apparatus of memory, social decay and its reconstruction.

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In Public Privates, a book about looking and being looked at, about speculums, spectacles, and spectators, about display, illumination, and reflection, Terri Kapsalis makes visible the practices and representations of gynecology. The quintessential examination of women, gynecology is not simply the study of women’s bodies, but also serves to define and constitute them. Any critical analysis of gynecology is therefore, as Kapsalis affirms, an investigation of what it means to be female. In this respect she considers the public exposure of female "privates" in the performance of the pelvic exam. From J. Marion Sims’s surgical experiments on unanesthetized slave women in the mid-nineteenth century, to the use of cadavers and prostitutes to teach medical students gynecological techniques, Kapsalis focuses on the ways in which women and their bodies have been treated by the medical establishment. Removing gynecology from its private cover within clinic walls and medical textbook pages, she decodes the gynecological exam, seizing on its performative dimension. She considers traditional medical practices and the dynamics of "proper" patient performance; non-traditional practices such as cervical self-exam; and incarnations of the pelvic examination outside the bounds of medicine, including its appearance in David Cronenberg’s film Dead Ringers and Annie Sprinkle’s performance piece "Public Cervix Announcement." Confounding the boundaries that separate medicine, art, and pornography, revealing the potent cultural attitudes and anxieties about women, female bodies, and female sexuality that permeate the practice of gynecology, Public Privates concludes by locating a venue from which challenging, alternative performances may be staged.

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More than two million people are currently imprisoned in the United States, and the nation’s incarceration rate is now the highest in the world. The dramatic rise and consolidation of America’s prison system has devastated lives and communities. But it has also transformed prisons into primary sites of radical political discourse and resistance as they have become home to a growing number of writers, activists, poets, educators, and other intellectuals who offer radical critiques of American society both within and beyond the prison walls. In Forced Passages, Dylan Rodríguez argues that the cultural production of such imprisoned intellectuals as Mumia Abu-Jamal, Angela Davis, Leonard Peltier, George Jackson, José Solis Jordan, Ramsey Muniz, Viet Mike Ngo, and Marilyn Buck should be understood as a social and intellectual movement in and of itself, unique in context and substance. Rodríguez engages with a wide range of texts, including correspondence, memoirs, essays, poetry, communiqués, visual art, and legal writing, drawing on published works by widely recognized figures and by individuals outside the public’s field of political vision or concern. Throughout, Rodríguez focuses on the conditions under which imprisoned intellectuals live and work, and he explores how incarceration shapes the ways in which insurgent knowledge is created, disseminated, and received. More than a series of close readings of prison literature, Forced Passages identifies and traces the discrete lineage of radical prison thought since the 1970s, one formed by the logic of state violence and by the endemic racism of the criminal justice system. Dylan Rodríguez is assistant professor of ethnic studies at the University of California, Riverside.

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An argument that humanists have the tools—and the responsibility—to mobilize political power to tackle climate changeAs climate catastrophes intensify, why do literary and cultural studies scholars so often remain committed to the separation of aesthetic study from the nitty-gritty of political change? In this thought-provoking book, Caroline Levine makes the case for an alternative view, arguing that humanists have the tools to mobilize political power—and the responsibility to use those tools to avert the worst impacts of global warming. Building on the theory developed in her award-winning book, Forms, Levine shows how formalist methods can be used in the fight for climate justice.Countering scholars in the environmental humanities who embrace only “modest gestures of care”—and who seem to have moved directly to “mourning” our inevitable environmental losses—Levine argues that large-scale, practical environmental activism should be integral to humanists’ work. She identifies three major infrastructural forms crucial to sustaining collective life: routines, pathways, and enclosures. Crisscrossing between art works and public works—from urban transportation to television series and from food security programs to rhyming couplets—she considers which forms might support stability and predictability in the face of growing precarity. Finally, bridging the gap between academic and practical work, Levine offers a series of questions and exercises intended to guide readers into political action. The Activist Humanist provides an essential handbook for prospective activist-scholars.

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Kendel Hippolyte’s poetry moves easily, boldly between the worlds of public engagement and the intimacies of domesticity. What unites this movement are the distinctive sounds and rhythms of his voice, and whilst some poems have a named recipient, and some are addressed to himself, all engage the reader in an implicit dialogue. His is an art of sound, of the rhythms of the long, supple line, of form that sometimes disguises itself as no form, of the beauty of the crooked basket. He wants the poem to draw us in rather than hold us outside in admiration at its skill – and skill and craft are what his poems display in spades. His is a vision that extends outwards in illimitable ways in space and time, but where the scale is always the human body, the human mind.The challenge comes in the way his poems address the dread reality of a Caribbean world of disappointed dreams, of sovereignty swamped by the new economic and cultural imperialism that masquerades under the mask of globalisation, of waking “one morning and the Caribbean was gone”, of continuing environmental degradation. The questioning comes from looking inwards to wonder why this has happened, what failures of vision, what empty sloganizing, what dishonesties, arrogance and failures of mutual respect led to the defeats so that “the rivers of Babylon clog into vomit…” The comfort comes from both the small loving kindnesses of the domestic – the rituals of coffee-brewing, of bed-making – but also the refusal to retreat, to look to the moment when flint and iron can “flare into the hot bright moment of a spark”.

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Singer. Dancer. Movie star. Activist. Queer icon. Afrofuturist. Working class heroine. Time traveler. Prophet. Feminist. Android. Dirty Computer. Janelle Monáe is all these things and more, making her one of the most fascinating artists to emerge in the twenty-first century. This provocative new study explores how Monáe’s work has connected different media platforms to strengthen and enhance new movements in art, theory, and politics. It considers not only Monáe’s groundbreaking albums The ArchAndroid, The Electric Lady, and Dirty Computer, but also Monáe’s work as an actress in such films as Hidden Figures and Antebellum, as well as her soundtrack appearances in socially-engaged projects ranging from I May Destroy You to Us. Examining Monáe as a cultural icon whose work is profoundly intersectional, this book maps how she is actively reshaping discourses around race, gender, sexuality, and capitalism. Tracing Monáe’s performances of joy, desire, pain, and hope across a wide range of media forms, it shows how she imagines Afrofuturist, posthumanist, and postcapitalist utopias, while remaining grounded in the realities of being a Black woman in a white-dominated industry. This is an exciting introduction to an audacious innovator whose work offers us fresh ways to talk about identity, desire, and power.

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From its inception in Greek antiquity, the science of optics was aimed primarily at explaining sight and accounting for why things look as they do. By the end of the seventeenth century, however, the analytic focus of optics had shifted to light: its fundamental properties and such physical behaviors as reflection, refraction, and diffraction. This dramatic shift which A. Mark Smith characterizes as the Keplerian turn" lies at the heart of this fascinating and pioneering study. Breaking from previous scholarship that sees Johannes Kepler as the culmination of a long-evolving optical tradition that traced back to Greek antiquity via the Muslim Middle Ages, Smith presents Kepler instead as marking a rupture with this tradition, arguing that his theory of retinal imaging, which was published in 1604, was instrumental in prompting the turn from sight to light. Kepler's new theory of sight, Smith reveals, thus takes on true historical significance: by treating the eye as a mere light-focusing device rather than an image-producing instrument as traditionally understood Kepler's account of retinal imaging helped spur the shift in analytic focus that eventually led to modern optics. A sweeping survey, From Sight to Light is poised to become the standard reference for historians of optics as well as those interested more broadly in the history of science, the history of art, and cultural and intellectual history."

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Hue, the ancient, royal capital of Vietnam, is a city remarkable in its strive for greatness and to achieve breathtaking beauty. Despite its many dramatic historic events, from conflicts between ancient Vietnam and the now extinct kingdoms of Champa to the 19th and 20th century French occupation and becoming the victim of the Tet offensive in 1968, much of Hue's classical architecture survives. The exquisite royal lifestyle is still visible in the Imperial Citadel, still reflected in the Hue Museum of Fine Arts and vividly reproduced in Nguyen mausoleums in the Valley of the Tombs. Royal Hue traces the development of this magnificent imperial capital from its humble beginnings in the 14th century until its position as a UNESCO world heritage site since 1993. The book also documents the 143 years of Nguyen rule when under 13 emperors Hue was built and rebuilt, each time grander and more opulent than the last, until in 1945 the last emperor Boa Dai handed over his Royal Seal and Sword of Mandate to representatives of the new President Ho Chi Minh. With an authoritative and lively text by Vietnamese-British historian Dr Vu Hong Lien and evocative photographs by Paisarn Piemmettawat, Royal Hue is the perfect guide for the discerning cultural explorer to this world heritage site.

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Capital de España, es también el primer destino turístico en la península. Y razones no faltan, ya que Madrid sabe conjugar su completa oferta cultural con una animación como es difícil encontrar en ninguna otra capital del mundo. Se podría empezar por su famoso triángulo del arte, con el Museo del Prado, una de las pinacotecas más importantes que existan, como estrella principal, y con los museos Reina Sofía y Thyssen en sus otros dos vértices, para terminar en el Madrid popular y dicharachero del Rastro, donde todo se compra y se vende. Y entre tanto un paseo por su centenaria Gran Vía, llena de monumentos modernistas y de vida, su Puerta del Sol, lugar de paso obligatorio cuando se viene o, incluso se vive, en Madrid, su Plaza Mayor recuerdo de los Austrias que fijaron aquí su corte, su moderna Castellana con las llamativas Cuatro Torres Business Área, el nuevo faro que advierte de la presencia de una capital moderna y que sabe evolucionar al ritmo de los tiempos

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Caroline Bancroft History Prize 2021, Denver Public Library Armitage-Jameson Prize 2021, Coalition of Western Women's History David J. Weber Prize 2021, Western History Association W. Turrentine Jackson Prize 2021, Western History AssociationTiny You tells the story of one of the most successful political movements of the twentieth century: the grassroots campaign against legalized abortion. While Americans have rapidly changed their minds about sex education, pornography, arts funding, gay teachers, and ultimately gay marriage, opposition to legalized abortion has only grown. As other socially conservative movements have lost young activists, the pro-life movement has successfully recruited more young people to its cause. Jennifer L. Holland explores why abortion dominates conservative politics like no other cultural issue. Looking at anti-abortion movements in four western states since the 1960s—turning to the fetal pins passed around church services, the graphic images exchanged between friends, and the fetus dolls given to children in school—she argues that activists made fetal life feel personal to many Americans. Pro-life activists persuaded people to see themselves in the pins, images, and dolls they held in their hands and made the fight against abortion the primary bread-and-butter issue for social conservatives. Holland ultimately demonstrates that the success of the pro-life movement lies in the borrowed logic and emotional power of leftist activism.

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Globalization, it seems, has propelled the world's uber-wealthy to new heights of power and money, with tremendous repercussions for the other 99.9 percent of us. At a time when neoliberalism has propelled the world into a new Gilded Age, with rising inequality everywhere, an aggressive class war being waged by the wealthy, and billionaires inserting themselves bluntly into the political arena, understanding the behavior and spatiality of the super-rich has acquired a pressing urgency. This volume offers a richly textured suite of essays concerning how the super-rich have restructured local places, transforming landscapes as varied as London and Kentucky, Ireland and St. Barts, as well as domains as varied as art, thoroughbred horses, and housing.'- Barney Warf, University of Kansas, US'The world's super-rich, made up of just 11 million people, have access to about US$42.0 trillion of wealth. These are people who each have a spare million of 'liquid' wealth. Their wealth is roughly equal to two thirds of global GDP. They own most of everything. As the editor of this books states '. . . library shelves and the pages of journals remain largely devoid of geographical work on the super-rich a startling lacuna this volume sets out to fill'. The super-rich now own most of the planet. During the last year their share fell slightly. Times may be changing. Now is the time to begin to study the super-rich in detail, especially if you are worried about where all the wealth has gone.'- Danny Dorling, University of Sheffield, UKThis timely and path-breaking book brings together a group of distinguished and emerging international scholars to critically consider the geographical implications of the world's super-rich, a privileged yet remarkably overlooked group.Emerging from this unique collection is an enlightening picture of the influence of the super-rich over a diverse range of affairs, extending from the shape of urban and rural landscapes to the future of art history. By concentrating on those at the apex of the economic pyramid, this book provides valuable insights to the institutions, practices and cultural values of our society, as well as allowing us a more comprehensive view of the consequences of global capitalism. Presenting case studies from across the globe from Singapore to St Barts, London to Lexington - the spatial and cultural span of the book is wide-ranging and diverse.This truly unique book will prove a fascinating read for academics, researchers and students in the fields of geography, regional and urban studies, sociology, political science and development studies.Contributors: J.V. Beaverstock, S. Chauvin, B. Cousin, M. Fasche, S.J.E. Hall, I. Hay, P. McGuirk, P. McManus, L. Murphy, C. Paris, C.-P. Pow, S.M. Roberts, R.H. Schein, J.R. Short, T. Wainwright, K. Wilkins, M. Woods

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Combines empirical data and original analysis in a uniquely detailed account of Christianity in North Africa and West AsiaThis comprehensive reference volume covers every country in North Africa and West Asia, offering reliable demographic information and original interpretative essays by indigenous scholars and practitioners. It maps patterns of growth and decline, assesses major traditions and movements, analyses key themes and examines current trends.Key FeaturesProfiles of Christianity in every country in North Africa and West Asia including clearly presented statistical and demographic informationAnalyses of leading features and current trends written by indigenous scholarsEssays examining each of the major Christian traditions (Anglicans, Independents, Orthodox, Protestants, Roman Catholics, Evangelicals, Pentecostals/Charismatics)Essays explore key themes such as faith and culture, worship and spirituality, theology, social and political engagement, mission and evangelism, religious freedom, gender, inter-faith relations, monastic movements and spirituality, displaced populations and ecclesiologyContributorsEd Alden, Independent Scholar Sara Afshari, University of Edinburgh Najib George Awad, Hartford SeminaryKatia Boissevain, Centre National de la Recherche Scientifique (CNRS)Charles Chartouni, Lebanese University and St Joseph University John Eibner, Christian Solidarity International (CSI)Kristian Girling, Boston College's School of Theology and MinistryAkram Habib, Independent ScholarGabriel Hachem, Holy Spirit University of Kaslik (USEK)Hrayr Jebejian, General Secretary of the Bible Society in the GulfTodd M. Johnson, Gordon-Conwell Theological Seminary Paolo Maggiolini, Catholic University of MilanDuane Miller, Saint Mary's University in San AntonioElizabeth Monier, University of CambridgeRima Nasrallah, Near East School of Theology, BeirutDavid Neuhaus SJ, Latin Patriarchal VicarEric N. Newberg, Oral Roberts University in TulsaEwelina Ochab, ADF InternationalAnthony O'Mahony, Heythrop College at the University of LondonAnna Poujeau, National Centre for Scientific Research (CNRS) in FranceMitri Raheb, Dar al-Kalima University College of Arts and Culture in BethlehemDonna M. Rizk, King's College LondonBernard Sabella, al-Quds University George F. Sabra, Near East School of Theology in BeirutYazid Said, Liverpool Hope UniversitySilvia Serrano, Universite d'Auvergne Heather J. Sharkey, University of PennsylvaniaRazek Siriani, lay deacon in the Syriac Orthodox Church of AntiochGeorges Tamer, Friedrich-Alexander University Erlangen-NurembergMariz Tadros, University of SussexSamuel Tadros, Hoover Institution and Johns Hopkins UniversityHratch Tchilingirian, University of OxfordHerman G.B. Teule, Radboud University Nijmegen and University of LouvainIyad Twal, Bethlehem UniversityWafik Wahba, Tyndale University and Seminary in TorontoJack Wald, pastor of Rabat International Church Anastasia Yiangou, Independent ScholarGina A. Zurlo, Gordon-Conwell Theological Seminary

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Discover the uses and symbolic meanings of flowers over the centuries and across the globe.Flowers have been depicted as objects of beauty and wonder in countless paintings and poems, exchanged as tokens of love and affection, and displayed as symbols of both celebration and remembrance – “saying it with flowers” is truly part of the human experience. But how does the significance of flowers vary across cultures and at different points in history? And what makes certain flowers special?The Secret Language of Flowers explores the meaning of more than 85 flowers, tracing their history as symbols and charting their role in folklore and mythology around the world. This fascinating book on flowers can help you to:- Unlock the meaning of flowers throughout history – from early peoples to the 19th century.- Discover the Victorian language of flowers popular in the US, UK, and Europe.- Gain insight into folklore and mythology in relation to different flowers.- Uncover what flowers mean in various cultures around the world. - Uncover traditional medicinal uses of plants, such as aloe, which is used to treat burns.Uncover the rich and fascinating histories of individual flowers – the sunflower, for example, which was regarded by the Aztecs as a symbol of war, but became a symbol of devotion in 19th-century painting due to the fact that it “turns its head” to follow the sun. Learn about the function of flowers in society, from the practical to the playful – flowers have been used as remedies and tonics – tea tree and coneflower (or echinacea), for example – as well as as a means of sending cryptic messages to lovers and friends.The Secret Language of Flowers is an entertaining guide to the rich stories that lie beyond the seductive aromas and dazzling beauty of flowers of all kinds. Each flower featured throughout the book is arranged by season, from the first snowdrops and primroses of spring, the glorious roses of summer, the stunning fuchsias and dahlias of autumn to the holly and poinsettia of the winter months, there’s a flower for everyone to fall in love with. At DK, we believe in the power of discovery: So why stop there? If you like The Secret Language of Flowers, then why not try Great Loves which celebrates some of the most famous romances in history, or Lost Masterpieces to discover extraordinary stories behind the world's missing works of art.

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Casts new and valuable light on English musical history and on Enlightenment culture more generally. This is a book guaranteed to make waves. It skilfully weaves the story of one key musical figure into the story of one key institution, which it then weaves into the general story of music in eighteenth-century England. Anyone reading it will come away with fresh knowledge and perceptions - plus a great urge to hear Cooke's music.' Michael Talbot, Emeritus Professor of Music at the University of Liverpool and Fellow of the British Academy. Amidst the cosmopolitan, fashion obsessed concert life of later eighteenth century London there existed a discrete musical counterculture centred round a club known as the Academy of Ancient Music. Now largely forgotten, this enlightened school of musical thinkers sought to further music by proffering an alternative vision based on a high minded intellectual curiosity. Perceiving only ear-tickling ostentation in the showy styles that delighted London audiences, they aspired to raise the status of music as an art of profound expression, informed by its past and founded on universal harmonic principles. Central to this group of musical thinkers was the modest yet highly accomplished musician-scholar Benjamin Cooke, who both embodied and reflected this counterculture. As organist of Westminster Abbey and conductor of the Academy of Ancient Music for much of the second half of the eighteenth century, Cooke enjoyed prominence in his day as a composer, organist, teacher, and theorist. This book shows how, through his creativity, historicism and theorising, Cooke was instrumental in proffering an Enlightenment-inspired reassessment of musical composition and thinking at the Academy. The picture portrayed counters the current tendency to dismiss eighteenth-century English musicians as conservative and provincial. Casting new and valuable light on English musical history and on Enlightenment culture more generally, this book reveals how the agenda for musical advancement shared by Cooke and his Academy associates foreshadowed key developments that would mould European music of the nineteenth century and after. It includes an extensive bibliography, a detailed overview of the Cooke Collection at the Royal College of Music and a complete list of Cooke's works. TIM EGGINGTON is College Librarian at Queens'College, Cambridge.

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In a culture that prizes keeping one’s options open, making commitments offers something more valuable. The consumerism and instant gratification of “liquid modernity” feed a general reluctance to make commitments, a refusal to be pinned down for the long term. Consider the decline of three forms of commitment that involve giving up options: marriage, military service, and monastic life. Yet increasing numbers of people question whether unprecedented freedom might be leading to less flourishing, not more. They are dissatisfied with an atomized way of life that offers endless choices of goods, services, and experiences but undermines ties of solidarity and mutuality. They yearn for more heroic virtues, more sacrificial commitments, more comprehensive visions of the individual and common good. It turns out that the American Founders were right: the Creator did endow us with an unalienable right of liberty. But he has endowed us with something else as well, a gift that is equally unalienable: desire for unreserved commitment of all we have and are. Our liberty is given us so that we in turn can freely dedicate ourselves to something greater. Ultimately, to take a leap of commitment, even without knowing where one will land, is the way to a happiness worth everything. On this theme: - Lydia S. Dugdale asks what happened to the Hippocratic Oath in modern medicine. - Caitrin Keiper looks at competing vows in Victor Hugo’s Les Misérables. - Kelsey Osgood, an Orthodox Jew, asks why lifestyle discipline is admired in sports but not religion. - Wendell Berry says being on the side of love does not allow one to have enemies. - Phil Christman spoofs the New York Times Vows column. - Andreas Knapp tells why he chose poverty. - Norann Voll recounts the places a vow of obedience took her. - Carino Hodder says chastity is for everyone, not just nuns. - Dori Moody revisits her grandparents’ broken but faithful marriage. - Randall Gauger, a Bruderhof pastor, finds that lifelong vows make faithfulness possible. - King-Ho Leung looks at vows, oaths, promises, and covenants in the Bible. Also in the issue: - A young Black pastor reads Clarence Jordan today. - Activists discuss the pro-life movement after Roe and Dobbs. - Children learn from King Arthur, Robin Hood, and the occasional cowboy. - Original poetry by Ned Balbo - Reviews of Montgomery and Biklé’s What Your Food Ate, Mohsin Hamid’s The Last White Man, and Bonnie Kristian’s Untrustworthy - A profile of Sadhu Sundar Singh Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

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Journey to the dusty plains of Central Australia in The Pearl Sister, the fourth book in the number one bestselling Seven Sisters series by Lucinda Riley. A spellbinding story of love and loss, inspired by the mythology of the famous star constellation.CeCe D’Aplièse, in her mid-twenties, has never felt she fitted in anywhere. Following the death of her father, the elusive billionaire Pa Salt – so-called by the six daughters he adopted from around the globe – she finds herself at breaking point. Dropping out of art college, CeCe watches as Star, her beloved sister, distances herself to follow her new love, leaving her completely alone.In desperation, CeCe decides to flee England and discover her past; the only clues she has are a black-and-white photograph and the name of a woman pioneer who lived in Australia over one hundred years ago. En-route to Sydney, CeCe heads to the one place she has ever felt close to being herself: the stunning beaches of Krabi, Thailand. There amongst the backpackers, she meets the mysterious Ace, a man as lonely as she is and whom she realizes has a secret to hide . . .A hundred years earlier Kitty McBride, daughter of an Edinburgh clergyman, is given the opportunity to travel to Australia as the companion of the wealthy Mrs McCrombie. In Adelaide, her fate becomes entwined with Mrs McCrombie’s family, including the identical, yet very different, twin brothers: impetuous Drummond, and ambitious Andrew, the heir to a pearling fortune.When CeCe finally reaches the searing heat of the Red Centre of Australia, she begins the search for her past. As something deep within her responds to the energy of the area and the ancient culture of the Aboriginal people, her creativity reawakens once more. With help from those she meets on her journey, CeCe begins to believe that this wild, vast continent could offer her something she never thought possible: a sense of belonging, and a home . . .The epic, multi-million selling series continues with The Moon Sister.'Delicious reading' - Daily MailPraise for the Seven Sisters:'A masterclass in beautiful writing' – The Sun'Heart-wrenching, uplifting and utterly enthralling' – Lucy Foley, author of The Hunting Party'A breathtaking adventure' – Lancashire Evening PostFive-Star Reader Reviews:'Absolutely incredible''Totally addictive''Ideal for when you need to escape'

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This new, expanded and thoroughly updated third edition of Suffolk (Slow Travel), part of Bradt's award-winning series of Slow travel guides to UK regions, remains the only full-blown standalone guide to this gentle but beguiling county. Expert local author Laurence Mitchell helps visitors discover what makes Suffolk tick, combining personal insights, enjoyable anecdotes and up-to-date information on the best places to visit, stay and eat. Covering both popular sights and places beyond the usual tourist trail, he caters for walkers, cyclists, families, foodies, culture vultures and wildlife lovers alike. Helped by its proximity to London and Cambridge, Suffolk is a popular holiday destination. Events such as the Latitude festival and the Aldeburgh Music Festival at Britten's Snape Maltings keep the county's profile buoyant. Despite being comparatively low-lying, Suffolk boasts varied landscapes, from undulating farmland and sandy heaths to extensive forests, important nature reserves (including Minsmere, for three years the base of BBC Springwatch) and soft, dreamy coastal landscapes comprising river estuaries, remote marshes, reed-beds, shingle beaches (notably Shingle Street, with its myth of World War II invasions) and dunes. Suffolk's coastal towns and villages - Southwold with its old-fashioned pier and colourful beach huts, but also Aldeburgh, Orford, Walberswick and Dunwich - are steeped in art heritage, with links to artists including Maggi Hambling, John Piper, Philip Wilson Steer and Charles Rennie Mackintosh. Venturing inland, you can make for Constable Country and the Stour valley, Bury St Edmunds, Framlingham, Bungay, Beccles or Halesworth. Alternatively, you can visit some of Suffolk's wealth of medieval churches, learn of Rendlesham's UFOs or revere Suffolk's Anglo-Saxon heritage, notably the medieval ceremonial burial site at Sutton Hoo (whose discovery stars in the 2021 film The Dig) and the reconstructed Anglo-Saxon village at West Stow. This guide makes a virtue of being selective, pointing readers to the cream of the area. It is organised into locales to encourage 'stay put' tourism and thorough exploration. It suggests options for car-free travel: walking, cycling, river boats, buses and trains. Written in an entertaining yet authoritative style, Bradt's Suffolk (Slow Travel) is the ideal companion with which to discover this county.

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A wide-ranging, interconnected anthology presents a diversity of feminist contributions to digital humanitiesIn recent years, the digital humanities has been shaken by important debates about inclusivity and scope—but what change will these conversations ultimately bring about? Can the digital humanities complicate the basic assumptions of tech culture, or will this body of scholarship and practices simply reinforce preexisting biases? Bodies of Information addresses this crucial question by assembling a varied group of leading voices, showcasing feminist contributions to a panoply of topics, including ubiquitous computing, game studies, new materialisms, and cultural phenomena like hashtag activism, hacktivism, and campaigns against online misogyny.Taking intersectional feminism as the starting point for doing digital humanities, Bodies of Information is diverse in discipline, identity, location, and method. Helpfully organized around keywords of materiality, values, embodiment, affect, labor, and situatedness, this comprehensive volume is ideal for classrooms. And with its multiplicity of viewpoints and arguments, it’s also an important addition to the evolving conversations around one of the fastest growing fields in the academy.Contributors: Babalola Titilola Aiyegbusi, U of Lethbridge; Moya Bailey, Northeastern U; Bridget Blodgett, U of Baltimore; Barbara Bordalejo, KU Leuven; Jason Boyd, Ryerson U; Christina Boyles, Trinity College; Susan Brown, U of Guelph; Lisa Brundage, CUNY; micha cárdenas, U of Washington Bothell; Marcia Chatelain, Georgetown U; Danielle Cole; Beth Coleman, U of Waterloo; T. L. Cowan, U of Toronto; Constance Crompton, U of Ottawa; Amy E. Earhart, Texas A&M; Nickoal Eichmann-Kalwara, U of Colorado Boulder; Julia Flanders, Northeastern U Library; Sandra Gabriele, Concordia U; Brian Getnick; Karen Gregory, U of Edinburgh; Alison Hedley, Ryerson U; Kathryn Holland, MacEwan U; James Howe, Rutgers U; Jeana Jorgensen, Indiana U; Alexandra Juhasz, Brooklyn College, CUNY; Dorothy Kim, Vassar College; Kimberly Knight, U of Texas, Dallas; Lorraine Janzen Kooistra, Ryerson U; Sharon M. Leon, Michigan State; Izetta Autumn Mobley, U of Maryland; Padmini Ray Murray, Srishti Institute of Art, Design, and Technology; Veronica Paredes, U of Illinois; Roopika Risam, Salem State; Bonnie Ruberg, U of California, Irvine; Laila Shereen Sakr (VJ Um Amel), U of California, Santa Barbara; Anastasia Salter, U of Central Florida; Michelle Schwartz, Ryerson U; Emily Sherwood, U of Rochester; Deb Verhoeven, U of Technology, Sydney; Scott B. Weingart, Carnegie Mellon U.

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This edited collection draws on the conference, Attending to Movement: Somatic Perspectives on Living in this World, run at C-DaRE, the Centre for Dance Research, Coventry University, 12 - 14 July, 2013. Somatic practitioners, dance artists and scholars from a wide range of subject domains cross discipline borders and investigate the approaches that embodied thinking and action can offer to philosophical and socio-cultural inquiry. The book celebrates and builds upon the work of visionary dance artist, teacher and scholar Gill Clarke (1954 -2011), who championed the value of somatic approaches within and beyond dance education and creative practice. This collection of papers covers the themes of: Somatics in the wider social context Pedagogy/Education Intercultural Dialogues Lived lineages Interplay of practice and writing Partial Contents As my attention is wandering: A score for somatic enquiry - Carolyn Roy Not Without My Body: The Struggle of Dancers and Choreographers in the Middle East - Nadra Assaf Disorganising Principles: Corporeal Fragmentation and the Possibilities for Repair - Jennifer Roche Attending to ethics and aesthetics in dance - Fiona Bannon & Duncan Holt At dusk, the collaborative spills and cycles of L219 - Cath Cullinane, Natalie Garrett Brown, Christian Kipp & Amy Voris The Art of Making Choices: The Feldenkrais Method as a soma-critique - Thomas Kampe Motion Capture and The Dancer: Visuality, Temporality and the Dancing Image - Sarah Whatley The fool's journey and poisonous mushrooms - Adam Benjamin 'The daily round the common task': Embodied Practice and the Dance of the Everyday - Hilary Kneale Re-sourcing the body: embodied presence and self-care in working with others - Penny Collinson Thinking, Reflecting and Contemplating With the Body - Lalitaraja (Joachim Chandler) Mythbusting: Using the Alexander Technique to free yourself from detrimental misconceptions in the performing arts - Jennifer Mackerras & Jane Toms A Moving and Touching Career in Dance and Chiropractic - Duncan Holt Attending to movement: the need to make dance that was different to that which went before - Sara Reed Towards a constructive interaction between somatic education and introspective verbalization - Nicole Harbonnier-Topin & Helen Simard Choreographic Mobilities: Embodied Migratory Acts Across the US-Mexico Border - Juan Manuel Aldape Munoz Readership Designed as a guide and stimulus for: teachers, students and practitioners of dance and somatic practices researchers and academics in these fields.

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At first glance, modernism and opera may seem like strange bedfellows-the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner's Parsifal through the twenty-first-century modernism of Kaija Saariaho's L'amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another. In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera. This innovative volume includes essays from some of the most notable scholars in their fields and covers works as diverse as Debussy's Pelleas et Melisande, Bartok's Bluebeard's Castle, Berg's Wozzeck, Janacek's Makropulos Case, Thomson's Four Saints in Three Acts, Strauss's Arabella, Schoenberg's Moses und Aron, Stravinsky's The Rake's Progress, Britten's Gloriana, and Messiaen's Saint Francois d'Assise. A collaborative study of the ultimate collaborative art form, Modernism and Opera reveals how modernism and opera illuminate each other and, more generally, the culture of the twentieth century. It also addresses a number of issues crucial for understanding the relation between modernism and opera, focusing in particular on intermediality (how modernism integrates music, literature, and drama into opera) and anti-theatricality (how opera responds to modernism's apparent antipathy to theatricality). This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere.

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Insiders and Outsiders: Dilemmas of East European Jewry examines problems of Jewish cultural and political orientations, associations, and self-identification within a broad framework. The contributors approach the predicament of east European Jews in various settings: some focus primarily on the Jews' inner development and outlook, while others discuss how elements of the majority society viewed their presence. Scholars of history, art history, and literature display originality and insight in illuminating the nuances and intricacies of the Jewish ‘outsider’. Following an overview by the distinguished intellectual historian of German Jewry Steven Aschheim, who offers some comprehensive thoughts on the insider/outsider dilemma in modern times and its relevance to eastern Europe, the discussion evolves around three major themes: the cultural conundrum; modes of acculturation, assimilation, and identity; and the minority’s inclusion in or exclusion from the political agendas of certain east European societies. It concludes with a focus on two remarkable cities―Czernowitz and Vilnius―where the Jewish minority has often been conceived as being no less ‘inside’ than other groups. Contributors to the ‘cultural conundrum’ section deal with artists and writers from Romania and Poland who have gained wide public and critical attention over the years, including Reuven Rubin, Itzik Manger, Avot Yeshurun, and Mihail Sebastian. Other essays discuss the work of a group of writers from Poland, including Henryk Grynberg, Wilhelm Dichter, Joanna Olczak-Ronikier, Krzysztof Teodor Toeplitz, and Michal Glowinski, who reflected intensively on their experiences as Jews in the Second World War and tried to integrate these experiences into their often fractured identities. The complex personal evolution of these figures shows the multi-layered influences on their creativity and imagination, while underscoring the dilemmas they faced to find points of meeting between their Jewish background and their national identity. The section on modes of acculturation, assimilation, and identity offers detailed analyses of the ways in which multi-ethnic and multi-national situations demand that the ‘outsider’, consciously or unconsciously, develop inner strategies to fashion a specific identity. Surveying such vibrant areas as Czechoslovakia and Poland between the two world wars and the city of Lwów in the late nineteenth century, three essays present some of the choices Jews made in order to deal with the changing political and cultural context. Their meditations on belonging and not-belonging―on the constitution of identity and its fluidity, and on the formation, breakdown, and reconfiguration of physical, mental, social, and geographical borders―acquire a special relevance and urgency in these settings. How did Jews as ‘outsiders’ configure their political allegiance in eastern Europe? How prominent were they in the radical elements of the communist movement in Russia? What tactics did they employ to safeguard their future in such societies and what means did they employ to galvanize the ‘Jewish street’? These are some of the questions raised in the section on society and politics, which delves into such problematic terrain as ‘Jewish informers’, the ‘non-Jewish Jew’, and ‘Jewish politics’. The concluding essays examine the tensions, paradoxes, and ironies of the phenomenon of the Jewish outsider in Czernowitz and Vilnius, two cities where, indeed, Jews were often construed to be the true ‘insiders’.CONTRIBUTORS: Steven E. Aschheim, Karen Auerbach, Richard I. Cohen, Jonathan Frankel, Stefani Hoffman, Zvi Jagendorf, Hillel J. Kieval, Rachel Manekin, Amitai Mendelsohn, Joanna B. Michlic, Antony Polonsky, David Rechter, Scott Ury, Leon Volovici, Ruth R. Wisse, Mordechai Zalkin

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On the 500th anniversary of the Reformation, this issue of Plough Quarterly explores the reformation the church needs today. This year’s five-hundredth anniversary of the Reformation comes just as Christianity is undergoing what may prove to be its biggest recalibration since the fourth century. Christendom, the system in which Christianity shaped Western laws and society as the majority religion, has been shaky since the Enlightenment. Now it’s in its death throes, felled by secularization, consumerism, and the sexual revolution. For better or worse, Christians must learn to be a minority. There’s no better time than now to recall Karl Barth’s dictum: the church must always be reformed. What is the re-formed church we need now? In this issue, George Weigel and Eberhard Arnold call the church to turn back to its sources and to seek renewal in the example of the first Christians, for whom Christianity was not just a Sunday religion or a private affair. It meant belonging to the fellowship of disciples, whose way of life was countercultural to that of the surrounding pagan society, as Rowan Williams points out. Today, Christians of all traditions are realizing that we are again called, in the words of Rabbi Lord Jonathan Sacks, to form a creative minority. Pastors Jin Kim and Claudio Oliver explore how to practice communal Christianity in different contexts, and Andreas Knapp and Cécile Massie document the vibrancy of the persecuted church in Syria and Turkey. Editor Peter Mommsen explores the legacy and triumph of the Radical Reformation. Also in this issue: Reviews of Ben Sasse’s The Vanishing American Adult, Alan Kreider’s The Patient Ferment of the Early Church, Tobias Jones’s A Place of Refuge, and Andrzej Franaszek’s Miłosz Poetry by Mary M. Brown Insights from early church leaders Ignatius, Hermas, and Polycarp An excerpt from Renegade, Plough’s graphic novel on Martin Luther’s life Art and photography by Daniel Bonnell, Jason Landsel, Randall M. Hasson, Rachel Wright, Arthur Brouthers, Andrea Grosso Ciponte, Olivia Clifton-Bligh, Malcolm Coils, Cécile Massie, Jader Gneiting, and Dean Mitchell Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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An original graphic novel based on rock music legend Pete Townshend's 1970 screenplay of the same name, which inspired The Who’s 1971 globally bestselling and universally beloved album, Who’s Next. Set in a Dystopian future where music has been outlawed, Life House follows a small band of rebels who stage an underground concert in an effort to undermine a tyrannical leader... and free Britain and all of humanity. This graphic novelization is co-written by Doom Patrol's James Harvey and Spider-Man Noir's David Hine with art by both Harvey and Australian visual artist Max Prentis, lettering by Michah Myers, and inks by Eisner Award winning artist Mick Gray. It is edited by the former Editor-in-Chief of Bleeding Cool, Hannah Means-Shannon, and features a massive Vinyl LP format (12.25" x 12.25"). This is a must-have for any serious music collectors, rock fans, and pop culture aficionados! Originally envisioned as a sci-fi rock epic to follow-up The Who's chart-topping song, “Tommy,” and put aside 50 years ago—in favor of Who’s Next songs like “Baba O’Riley,” “Won’t Get Fooled Again,” and “Behind Blue Eyes”—Life House will finally take center stage. Features a Vegan Leather-bound Slipcase

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The northern lights shine, women gather to eat raw caribou meat and everyone could be family in this ode to small-town life in Nunavut, written in English and Inuktitut. Sisters Angnakuluk Friesen and Ippiksaut Friesen collaborate on this story about what it’s like to grow up in an Inuit community in Nunavut. Every line about the hometown in this book will have readers thinking about what makes their own hometowns unique. With strong social studies curriculum connections, Kisimi Taimaippaktut Angirrarijarani / Only in My Hometown introduces young readers to life in the Canadian North, as well as the Inuit language and culture. Angnakuluk’s simple text, translated into Inuktitut and written out in syllabics and transliterated roman characters, is complemented by Ippiksaut’s warm paintings of their shared hometown. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.4 Ask and answer questions about unknown words in a text. CCSS.ELA-LITERACY.RL.1.1 Ask and answer questions about key details in a text. CCSS.ELA-LITERACY.RL.2.1 Ask and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text. CCSS.ELA-LITERACY.RL.2.4 Describe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.

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Even though the canonical Jesus' infancy stories have always provoked great interest in popular culture and in the arts, they have been neglected in research during the last decades due to the relatively late date of their redaction. Since the monograph by Raymond Brown, The Birth of the Messiah, the researchers working on this topic have not attempted to consider its historical impact. In this volume, an international team of scholars proposes firstly a reconsideration of the historical background of these stories in terms of early Jewish and Christian identity quests. Secondly, they deal with early Christian questions on Jesus' infancy and childhood through canonical and apocryphal Gospels including information from Patristic and documentary literature. On the theological level, this volume illustrates the impact that these apocryphal texts, recognized as "useful for the soul" (a phrase coined by François Bovon), have had on the Christian faith.Contributors: Philip Alexander, Frédéric Amsler, Daniel Barbu, Simon Butticaz, Valentina Calzolari, Claire Clivaz, José Costa, Elian Cuvillier, Adriana Destro, Luc Devillers, Jörg Frey, Daniel Gerber, Christian Grappe, Christophe Guignard, Jean-Daniel Kaestli, Ursula Ulrike Kaiser, Moisés Mayordomo, Simon Claude Mimouni, Enrico Norelli, David Pastorelli, Mauro Pesce, Francesca Prescendi, François Rosset, Anders Runesson, Andrea Taschl-Erber, Geert van Oyen, Joseph Verheyden, Benedict Viviano, Sever J. Voicu, Lily Vuong

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In Vogue is a fascinating look at the history of the world's most influential magazine. The complete compendium is illustrated with hundreds of covers and archival interiors of past Vogue editions, featuring the work of some of the twentieth century's most respected artists, cover illustrators, and photographers—from Edward Steichen, Toni Frissell, and Erwin Blumenfeld to Irving Penn, Richard Avedon, David Bailey, Helmut Newton, Annie Leibovitz, Mario Testino, Steven Klein, Bruce Webber, and Herb Ritts. In 1909, an entrepreneurial New Yorker named Condé Nast took charge of a struggling society journal and transformed it into the most glamorous fashion magazine of the twentieth century. In Vogue traces the history, development and influence of this media colossus—from its beginning as a social gazette in the late nineteenth century, to the exploration of modern fashion photography and new visuals in the mid-twentieth century, to its status as the top style magazine today. The book explains the makings of the magazine—from runways, to editorial meetings, to the pages of Vogue.The thoroughly researched story incorporates first-person accounts, interviews with editors and photographers, and excerpts from stories written in the magazine by many world-renowned writers, including Truman Capote, Aldous Huxley, Richard Burton, Federico Fellini, and Marcello Mastroianni. Unparalleled in its scope and exceptionally illustrated, In Vogue is sure to be among the most important publications on the subjects of culture, art, fashion, photography, and media.

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The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel's transformative and timeless influence on an entire genre of fantasy.A Penguin Classics Marvel Collection EditionIt is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.The Black Panther is not just a super hero; as King T'Challa, he is also the monarch of the hidden African nation of Wakanda. Combining the strength and stealth of his namesake with a creative scientific intelligence, the Black Panther is an icon of Afro-futurist fantasy. This new anthology includes the Black Panther's 1966 origin tale and the entirety of the critically acclaimed "Panther's Rage" storyline from his 1970s solo series.A foreword by Nnedi Okorafor, a scholarly introduction and apparatus by Qiana J. Whitted, and a general series introduction by Ben Saunders offer further insight into the enduring significance of Black Panther and classic Marvel comics.The Deluxe Hardcover edition features gold foil stamping, gold top stain edges, special endpapers with artwork spotlighting series villains, and full-colour art throughout.

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Historically researchers of neuroscience and psychology have believed that the cerebral cortex produces the unique mental capacities of human beings. However, a prevalence of brain-imaging evidence now shows that the cerebral cortex, while the seat of our everyday experience (notably in working memory), is not predominant in actually formulating our amazing capabilities. Rather, the achievements that mark humans as “Homo sapiens” originate in the cerebellum which increased three- to fourfold in size and acquired massive cognitive and social optimization capabilities over the last million years. Thus, through its optimization of experience and skill of the cerebral cortex, it was the cerebellum that was and is predominant in producing culture, language, mathematics, creativity, and extreme levels of skill in all areas from sports to computer science and art. These optimizing functions of the cerebellum are shown in the cases of Albert Einstein, Wolfgang Amadeus Mozart, Maryam Mirzakhani, and the predictive powers of Stonehenge. This book fills a critical role in bringing courses up-to-date with the profound, basic changes this newly understood predominant role of the cerebellum provides for understanding the mechanisms related to all topics in psychology and neuroscience. It is critical that this “new revolution in psychology and the neurosciences” be introduced and reviewed in courses that are part of both undergraduate and graduate studies in psychology and neuroscience. This text might also be of use to courses in anthropology and cross-disciplinary studies as the cerebellum was critically involved in the evolution of cognitive and social behaviour.

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The role of cultural memory in American identity Terrorism in American Memory argues that the terrorist attacks of 9/11 and all that followed in its wake were the primary force shaping United States politics and culture in the post-9/11 era. Marita Sturken maintains that during the past two decades, when the country was subjected to terrorist attacks and promulgated ongoing wars of aggression, we have veered into increasingly polarized factions and been extraordinarily preoccupied with memorialization and the politics of memory. The post-9/11 era began with a hunger for memorialization and it ended with massive protests over police brutality that demanded the destruction of historical monuments honoring racist historical figures. Sturken argues that memory is both the battleground and the site for negotiations of national identity because it is a field through which the past is experienced in the present. The paradox of these last two decades is that it gave rise to an era of intensely nationalistic politics in response to global terrorism at the same time that it released the containment of the ghosts of terrorism embedded within US history. And within that disruption, new stories emerged, new memories were unearthed, and the story of the nation is being rewritten. For these reasons, this book argues that the post-9/11 era has come to an end, and we are now in a new still undefined era with new priorities and national demands. An era preoccupied with memory thus begins with the memorial projects of 9/11 and ends with the radical intervention of the National Memorial for Peace and Justice, informally known as the Lynching Memorial, in Montgomery, Alabama, a project that, unlike the nationalistic 9/11 Memorial and Museum in New York, dramatically rewrites the national script of American history. Woven within analyses of memorialization, memorials, memory museums, art projects on memory, and architectural projects is a discussion about design and architecture, the increased creation of memorials as experiences, and the role of architecture as national symbolism and renewal. Terrorism in American Memory sheds light on the struggles over who is memorialized, who is forgotten, and what that politics of memory reveals about the United States as an imaginary and a nation.

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What do you need to know in order to provide the best possible care for sick children of different faiths? What, in the context of the young person's faith, might it be helpful to know to support the child and the family, improve care, communicate sensitively and avoid causing offence? Drawing on extensive, evidence-based research and practice, this practical resource addresses the multi-faith needs of sick and dying children and young people in hospitals and the wider community. Covering Islam, Christianity, Hinduism, Sikhism, Judaism and Buddhism, it provides the key information needed to help multi-disciplinary healthcare staff offer the best, culturally-appropriate care to sick children and their families. The book discusses daily, palliative, end of life and bereavement care in a range of settings, including hospitals, hospices, schools and home. The information provided covers those aspects of the religions discussed that are essential for healthcare staff to understand, including modesty and hygiene, taboos, food and prohibited products, age-related issues, sacred objects, visitors, and the expectations of the family. It includes important information on the issues of disability and mental health in each faith as well as addressing the significance within different faith traditions of the transitions from childhood to adolescence to adulthood. A comprehensive resource that uniquely focuses on the care needs of sick children from different faiths, this book will be of immeasurable value to multi-disciplinary healthcare professionals including doctors, nurses, bereavement support and palliative care workers, carers, counsellors, chaplains and arts therapists.

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While sexually explicit writing and art have been around for millennia, pornography—as an aesthetic, moral, and juridical category—is a modern invention. The contributors to Porn Archives explore how the production and proliferation of pornography has been intertwined with the emergence of the archive as a conceptual and physical site for preserving, cataloguing, and transmitting documents and artifacts. By segregating and regulating access to sexually explicit material, archives have helped constitute pornography as a distinct genre. As a result, porn has become a site for the production of knowledge, as well as the production of pleasure.The essays in this collection address the historically and culturally varied interactions between porn and the archive. Topics range from library policies governing access to sexually explicit material to the growing digital archive of "war porn," or eroticized combat imagery; and from same-sex amputee porn to gay black comic book superhero porn. Together the pieces trace pornography as it crosses borders, transforms technologies, consolidates sexual identities, and challenges notions of what counts as legitimate forms of knowledge. The collection concludes with a valuable resource for scholars: a list of pornography archives held by institutions around the world.Contributors. Jennifer Burns Bright, Eugenie Brinkema, Joseph Bristow, Robert Caserio, Ronan Crowley, Tim Dean, Robert Dewhurst, Lisa Downing, Frances Ferguson, Loren Glass, Harri Kahla, Marcia Klotz, Prabha Manuratne, Mireille Miller-Young, Nguyen Tan Hoang, John Paul Ricco, Steven Ruszczycky, Melissa Schindler, Darieck Scott, Caitlin Shanley, Ramon Soto-Crespo, David Squires, Linda Williams

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“All that I do is go out and look at films and choose the ones I want to play—films that stimulate, and give some insight into our lives. I hope that people will come, but if they don’t, that’s okay too.”Daniel Talbot changed the way the Upper West Side—and art-house audiences around the world—went to the movies. In Love with Movies is his memoir of a rich life as the impresario of the legendary Manhattan theaters he owned and operated and as a highly influential film distributor.Talbot and his wife, Toby, opened the New Yorker Theater in 1960, cultivating a loyal audience of film buffs and cinephiles. He went on to run several theaters including Lincoln Plaza Cinemas as well as the distribution company New Yorker Films, shaping the sensibilities of generations of moviegoers. The Talbots introduced American audiences to cutting-edge foreign and independent filmmaking, including the French New Wave and New German Cinema.In this lively, personal history of a bygone age of film exhibition, Talbot relates how he discovered and selected films including future classics such as Before the Revolution, Shoah, My Dinner with Andre, and The Marriage of Maria Braun. He reminisces about leading world directors such as Sembène, Godard, Fassbinder, Wenders, Varda, and Kiarostami as well as industry colleagues with whom he made deals on a slip of paper or a handshake.In Love with Movies is an intimate portrait of a tastemaker who was willing to take risks. It not only lays out the nuts and bolts of running a theater but also tells the story of a young cinephile who turned his passion into a vibrant cultural community.

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This exciting new translation of the Chinese classic is designed to delight modern readers.The Three Kingdoms is an epic Chinese novel written over six centuries ago. It recounts in vivid historical detail the turbulent years at the close of the Han Dynasty when China broke into three competing kingdoms and over half the population was killed or driven from their homes. readers will experience the loyalty and treachery, the brotherhood and rivalry of China's legendary heroes and villains during the most tumultuous period in Chinese history.Part myth, part reality, The Three Kingdoms is considered the most significant work in classic Chinese literature. Many Chinese people view it not only as a work of art but also as a moral guide to success in life and business. Foreigners often read it to gain insights into Chinese society and culture. From the saga of The Three Kingdoms, readers will learn how great warriors motivated their troops and enhanced their influence while disguising their weaknesses and turning the strengths of others against them. Complete with footnotes and a detailed character list, this readable new edition is sure to thrill today's readers from all over the world.As the first volume in a trilogy, The Three Kingdoms: The Sacred Oath introduces Liu Bei and his brothers-in-arms Zhang Fei and Guan Yu, whose allegiance is sorely tested in a society in which each group is fighting for its own survival.

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A Davis’s Notes TitlePerfect wherever you are…in class, in clinical, and in any practice setting! This handy guide delivers quick access to the essential clinical information you need to care for obstetric, gynecological, newborn, and pediatric patients in any setting. The 4th Edition of this popular pocket guide has been thoroughly revised and updated to reflect nursing practice today. New, Updated & Revised! Thoroughly updated and revised throughout to reflect the art and science of nursing today, including the latest guidelines, warning signs, and patient care for common procedures during pregnancy, labor, and delivery.New! Coverage of families dealing with newborn anomaly, birth injury, or fetal demise, the high-risk or ill newborn, and nursing care of children and families dealing with end-of-life issues.New! Content on assessment and nursing care of the opioid-addicted mother/newborn and nursing care of the child with cerebral palsy.New! Content on pediatric blood pressure assessment and charts.Updated & Revised! The most current guidelines, including ACOG Pap Smear, CDC Immunization in Pregnancy, ACOG and ACS Mammography, and ACOG and ACS Breast Self-Exam and Breast Self-Awareness.Updated & Revised! Information on birth control and emergency contraception choices, pain control in labor, breastfeeding, safety teaching tips, and cultural competence guidance.Updated! AWHONN practice guidelines for postpartum hemorrhage and ACOG guidelines for vaginal birth after cesarean section guide.Updated & Revised! Terminology and definitions.

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The Oxford Handbook of Russian Religious Thought is an authoritative new reference and interpretive volume detailing the origins, development, and influence of one of the richest aspects of Russian cultural and intellectual life - its religious ideas. After setting the historical background and context, the Handbook follows the leading figures and movements in modern Russian religious thought through a period of immense historical upheavals, including seventy years of officially atheist communist rule and the growth of an exiled diaspora with, e.g., its journal The Way. Therefore the shape of Russian religious thought cannot be separated from long-running debates with nihilism and atheism. Important thinkers such as Losev and Bakhtin had to guard their words in an environment of religious persecution, whilst some views were shaped by prison experiences. Before the Soviet period, Russian national identity was closely linked with religion - linkages which again are being forged in the new Russia. Relevant in this connection are complex relationships with Judaism. In addition to religious thinkers such as Philaret, Chaadaev, Khomiakov, Kireevsky, Soloviev, Florensky, Bulgakov, Berdyaev, Shestov, Frank, Karsavin, and Alexander Men, the Handbook also looks at the role of religion in aesthetics, music, poetry, art, film, and the novelists Dostoevsky and Tolstoy. Ideas, institutions, and movements discussed include the Church academies, Slavophilism and Westernism, theosis, the name-glorifying (imiaslavie) controversy, the God-seekers and God-builders, Russian religious idealism and liberalism, and the Neopatristic school. Occultism is considered, as is the role of tradition and the influence of Russian religious thought in the West.

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Four young artists set off on a year-long journey (Sept 02 - Sept 03) across the Middle East, working through Turkey, Iran, Kurdish Iraq, UAE, Oman, Yemen, Saudi Arabia, Jordan, Syria, Iraq and Israel. Their aim was to show - through art - their collective experience of the people and places they encountered, to leave behind popular misconceptions and, through an exchange of ideas, to enhance understanding. The result is Off Screen. Welcomed everywhere as artists, they got to places that journalists, tourists and writers don't get to. They made portraits of Iraqi artists in Baghdad three months after Bush declared hostilities over and hours later recorded the 4Ysuperscript th¨ of July celebrations in one of Saddam's former palaces; they recorded the invasion of Iraq from a village in Jordan, student protests in Iran, weddings, prayers, poems, wallscapes, MacDonald's workers in Oman, short stories about female identity and much, much more. This book presents the atmosphere and feel of the streets, mosques, homes and deserts they visited. Spontaneous images using tactile forms, colour and layered collages of typography and iconography are interwoven with diary extracts and ephemera to communicate a visually rich, deliberately subjective and very accessible record of this extraordinary journey. But more than that, this is a highly original portrait of cultural identity in the 21Ysuperscript st¨ century.

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These KIDZ are foul mouthed, raising hell and doing battle with the living dead! It’s been three months since a terrible epidemic turned the population into zombies hungry for fresh meat. Only after devouring almost all of humanity, the undead themselves begin to wither and fall from famine... Somewhere in a suburban town, Ben, 10 years old and still traumatized by the death of his parents, forms with his friends the last bastion of humanity. And between hunting zombie survivors, expeditions to amass food, toys and comics--all filmed by the aptly named Spielberg--life flows rather peacefully in their world. Until something worse than a nuclear disaster or the 4 flashing red rings of death on an Xbox 360 hits their small community: two girls! Accustomed to chilling by the pool, eating chocolate bars and playing video games... how will the boys react to Polly’s bizarre new customs and little sister Sue? Aurélien Ducoudray and Jocelyn Joret bring you the zombie apocalypse from a kid’s point-of-view in this pop culture mash up brimming with an 80’s vibe. KIDZ is Stranger Things meets Welcome to Zombieland on a Gorillaz soundtrack! The collected edition of KidZ will include a bonus section with cover art and sketchbook section along other behind-the-scenes info and material!

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The ideal travel companion, full of insider advice on what to see and do, plus detailed itineraries and comprehensive maps for exploring this fascinating region.Wander around Old Phuket Town, laze on the palm-fringed beaches of Ko Samui or discover the lively nightlife of Pattaya: everything you need to know is clearly laid out within colour-coded chapters. Discover the best of Thailand's beaches and islands with this indispensable travel guide.Inside DK Eyewitness Travel Guide Thailand's Beaches and Islands:- Over 20 colour maps help you navigate with ease- Simple layout makes it easy to find the information you need- Comprehensive tours and itineraries of Thailand's Beaches and Islands, designed for every interest and budget- Illustrations and floorplans show in detail the Grand Palace and Wat Phra Kaeo, Wat Pho, Dusit Park, Jim Thompson House and Wat Phra Mahathat Woramahawihan - Colour photographs of stunning beaches, paradise islands, spectacular landscapes, bustling cities, charming towns, dazzling temples, historic buildings and more- Detailed chapters, with area maps, cover Bangkok, Eastern Seaboard, Upper Western Gulf Coast, Lower Western Gulf Coast, Upper Andaman Coast, Lower Andaman Coast and the Deep South- Historical and cultural context gives you a richer travel experience: learn about Thailand's history, way of life, culture, wildlife, ecosystems, religion, art, architecture, beaches and more- Essential travel tips: our expert choices of where to stay, eat, shop and sightsee, plus useful phrases, and transport, visa and health information DK Eyewitness Travel Guide Thailand's Beaches and Islands is a detailed, easy-to-use guide designed to help you get the most from your visit to Thailand's Beaches and Islands.DK Eyewitness: winner of the Top Guidebook Series in the Wanderlust Reader Travel Awards 2017. "No other guide whets your appetite quite like this one" - The IndependentPlanning a longer trip around Thailand? Try our DK Eyewitness Travel Guide Thailand.About DK Eyewitness Travel: DK's highly visual Eyewitness guides show you what others only tell you, with easy-to-read maps, tips, and tours to inform and enrich your holiday. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.

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John Malkovich is an award-winng actor who has appeared in over 70 motion pictures and is instantly recognisable; Sandro Miller is an award-winning photographer with a wide folllowing. Over the course of 17 years, award-winning photographer Sandro Miller and inimitable actor John Malkovich combined their larger-than-life personas and talents to produce a series of portraits and films, most notably those that reconstruct the most iconic images in photographic history, in their Homage series. Others in the collection here capture the genius and range of Malkovich's acting ability in distinctive portraits as well as in film works. For lovers of the arts, photography, and John Malkovich, this book is indispensable. The first section of the book, Portraits, includes Malkovich in a variety of costumes and characters, ranging from playful to serious; while the second section, Homage, is devoted to recreating some of the most iconic portraits of all time. Here are representations of the likes of Annie Leibowitz's image of Yoko Ono and John Lennon; Bert Stern's photographs of Marilyn Monroe, and Dorothea Lange's "Migrant Mother." At first glance, it is difficult to tell that the subject in the photograph is in fact Malkovich, emphasising the unique nature of Malkovich's formidable acting ability and Sandro's talent for perfectly creating the lighting, environment and demeanour of the original photographs. Finally, the third section of the book, Motion, contains photographs from experimental films created by the artists in tandem. As one of pop culture's most cultish personalities, Malkovich's fluid ability as an actor perfectly complements Sandro's talents as a photographer and director. Rarely is an art book published that exhibits so gorgeously and extravagantly the talents of two extraordinary individuals working in collaboration over such a long period of time, one that also provides so much delight to those who are not cognoscenti, but merely aficionados of great and distinctive work. The book is complete with essays by Sandro Miller and Jon Siskel that describe all the details of the photographs including behind-the-scenes details.

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Following the lifework (1960s to 2010) of visionary Singaporean architect William S. W. Lim, The Impossibility of Mapping (Urban Asia) is a compelling compilation of case studies and historical projects. This multifaceted publication takes Lim's ideas to a future Asia: a region defined by an irreducibly complex urban topography under constant flux. Looking from Singapore to Southeast Asia, and from this region to Asia more expansively (and beyond), it presents a diverse range of activities which may be productively framed through the notion of critical spatial practice.The book has three interconnected points of departure: Lim's lifework; the interdisciplinary exhibition 'Incomplete Urbanism: Attempts at Critical Spatial Practice' at NTU Centre for Contemporary Art Singapore, and the related conference, 'The Impossibility of Mapping (Urban Asia)'; and the cross-cultural and urban festival 'CITIES FOR PEOPLE, NTU CCA Ideas Fest 2016/17', held at venues around Gillman Barracks, Singapore. The multiple links are emphasised in three key ways: through editorial texts, through design concepts, and through selected projects inserted as 'intermissions' between each of the book's sections.Artists, planners, activists, architects, scholars get together in this volume to respond to Lim's critical spatial practice. Research essays, artworks, visual and textual documentation, spatio-temporal maps grapple with the diversity of Southeast Asia, offering unexpected responses to planning, building, and living cities and urban spaces, but also put forward the question, 'Who owns the city?'. This key collection offers a path into spatial questions in Asia and beyond, and serves as a teaching and research tool.

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A new and updated definitive resource for survey questionnaire testing and evaluation Building on the success of the first Questionnaire Development, Evaluation, and Testing (QDET) conference in 2002, this book brings together leading papers from the Second International Conference on Questionnaire Design, Development, Evaluation, and Testing (QDET2) held in 2016. The volume assesses the current state of the art and science of QDET; examines the importance of methodological attention to the questionnaire in the present world of information collection; and ponders how the QDET field can anticipate new trends and directions as information needs and data collection methods continue to evolve. Featuring contributions from international experts in survey methodology, Advances in Questionnaire Design, Development, Evaluation and Testing includes latest insights on question characteristics, usability testing, web probing, and other pretesting approaches, as well as: Recent developments in the design and evaluation of digital and self-administered surveys Strategies for comparing and combining questionnaire evaluation methods Approaches for cross-cultural and cross-national questionnaire development New data sources and methodological innovations during the last 15 years Case studies and practical applications Advances in Questionnaire Design, Development, Evaluation and Testing serves as a forum to prepare researchers to meet the next generation of challenges, making it an excellent resource for researchers and practitioners in government, academia, and the private sector.

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Creating African Fashion Histories examines the stark disjuncture between African self-fashioning and museum practices. Conventionally, African clothing, textiles, and body adornments were classified by museums as examples of trade goods, art, and ethnographic materials—never as "fashion." Counterposing the dynamism of African fashion with museums' historic holdings thus provides a unique way of confronting ways in which coloniality persists in knowledge and institutions today. This volume brings together an interdisciplinary group of scholars and curators to debate sources and approaches for constructing African fashion histories and to examine their potential for decolonizing museums, fashion studies, and global cultural history.The editors of this volume seek to answer questions such as: How can researchers use museum collections to reveal traces of past self-fashioning that are obscured by racialized forms of knowledge and institutional practice? How can archival, visual, oral, ethnographic, and online sources be deployed to capture the diversity of African sartorial pasts? How can scholars and curators decolonize the Eurocentric frames of thinking encapsulated in historic collections and current curricula? Can new collections of African fashion decolonize museum practice?From Moroccan fashion bloggers to upmarket Lagos designers, the voices in this ground-breaking collection reveal fascinating histories and geographies of circulation within and beyond the continent and its diasporic communities.

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