Search results for ""author art, culture"

From the candy bar to the cigarette, records to roller coasters, a technological revolution during the last quarter of the nineteenth century precipitated a colossal shift in human consumption and sensual experience. Food, drink, and many other consumer goods came to be mass-produced, bottled, canned, condensed, and distilled, unleashing new and intensified surges of pleasure, delight, thrill - and addictions. In Packaged Pleasures, Gary S. Cross and Robert N. Proctor delve into an unchartered chapter of American history, shedding new light on the origins of modern consumer culture and how technologies have transformed human sensory experience. In the space of only a few decades, junk foods, cigarettes, movies, recorded sound, and thrill rides brought about a revolution in what it means to taste, smell, see, hear, and touch. New techniques of boxing, labeling, and tubing gave consumers virtually unlimited access to pleasures they could simply unwrap and enjoy. Manufacturers generated a seemingly endless stream of sugar-filled, high-fat foods that were delicious but detrimental to health. Mechanically rolled cigarettes entered the market and quickly addicted millions. And many other packaged pleasures dulled or displaced natural and social delights. Yet many of these same new technologies also offered convenient and effective medicines, unprecedented opportunities to enjoy music and the visual arts, and more hygienic, varied, and nutritious food and drink. For better or for worse, sensation became mechanized, commercialized, and, to a large extent, democratized by being made cheap and accessible. Cross and Proctor have delivered an ingeniously constructed history of consumerism and consumer technology that will make us all rethink some of our favorite things.

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When the first edition of this book was published in 1957, the art of making a tipi was almost lost, even among American Indians. Since that time a tremendous resurgence of interest in the Indian way of life has occurred, resurgence due in part, at least, to the Laubins' life-long efforts at preservation and interpretation of Indian culture.As The Indian Tipi makes obvious, the American Indian is both a practical person and a natural artist. Indian inventions are commonly both serviceable and beautiful. Other tents are hard to pitch, hot in summer, cold in winter, poorly lighted, unventilated, easily blown down, and ugly to boot. The conical tipi of the Plains Indian has none of these faults. It can be pitched by one person. It is roomy, well ventilated at all times, cool in summer, well lighted, proof against high winds and heavy downpours, and, with its cheerful fire inside, snug in the severest winter weather. Moreover, its tilted cone, trim smoke flaps, and crown of poles, presenting a different silhouette from every angle, form a shapely, stately dwelling even without decoration.In this new edition the Laubins have retained all the invaluable aspects of the first edition, and have added a tremendous amount of new material on day-to-day living in the tipi: the section on Indian cooking has been expanded to include a large number and range of Indian foods and recipes, as well as methods of cooking over an open fire, with a reflector oven, and with a ground oven; there are new sections on making buckskin, making moccasins, and making cradle boards; there is a whole new section on child care and general household hints. Shoshoni, Cree, and Assiniboine designs have been added to the long list of tribal tipi types discussed.This new edition is richly illustrated with color and black and white photographs, and drawings to aid in constructing and living in the tipi. It is written primarily for the interested amateur, and will appeal to anyone who likes camping, the out-of-doors, and American Indian lore.

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Overcoming obstacles of prejudice, ignorance, and stereotyping, this group has given the world some of its most beloved stars and told some of its most indelible stories. Viva Hollywood examines the stars in front of the screen as well as the people behind-the-scenes who have created a rich legacy across more than 100 years.The role of Latin women on screen is explored through the professional lives of Dolores Del Rio, Rita Hayworth, Raquel Welch, Salma Hayek, Penélope Cruz, and many more. The book covers the films and careers of actors ranging from silent screen idol Antonio Moreno, to international Oscar-winning star Anthony Quinn, to Andy Garcia and Antonio Banderas. A spotlight is also given to craftspeople who elevated the medium with their artistry-visionaries like cinematographer John Alonzo, Citizen Kane scenic artist Mario Larrinaga, and Oscar-winning makeup artist Beatrice de Alba.The stories of these and many others begins through a lens of stereotyped on-screen personas of Latin Lovers, sexy spitfires, banditos, and gangsters. World War II saw an embrace of Latin culture as the "Good Neighbor Policy" made it both fashionable and patriotic to feature stories set south of the border. Social problem films of the 1950s and '60s brought fresh looks at the community, with performances like Katy Jurado in High Noon, the cast of West Side Story, and racial inequality depicted in George Stevens's Giant. Civil Rights, the Chicano Movement, and the work of activist actors such as Ricardo Montalban and Edward James Olmos influenced further change in Hollywood in subsequent decades and paved the way for modern times and stars the likes of Jennifer Lopez and Lin-Manuel Miranda.Illustrated by more than 200 full-color and black-and-white images, Viva Hollywood is both a sweeping history and a celebration of the legacy of some of the greatest art and artists ever captured on screen.

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Taking us from the beginning of our story to the present day, A Cold Spell examines how ice has shaped our thoughts, actions and societies – and what it means for us that it is rapidly disappearing from our planet 'A warm-hearted tale of the bizarre, something to cuddle up with in the bleak midwinter . . . Astonishing' THE TIMES 'Bracingly original . . . As the earth warms threateningly, there could hardly be a more pertinent time for a story like this’ MICHAEL PALIN 'A book of limitless fascinations' OLIVIA LAING 'Brightly written, nimbly researched and really quite delightful' LITERARY REVIEW Ice has confounded, delighted and fascinated us since the first sparks of art and culture in Europe and it now underpins the modern world. Without ice, we would not feed ourselves or heal our sick as we do, and our towns and cities, countryside and oceans would look very different. Science would not have progressed along the avenues it did and our galleries and libraries would be missing many masterpieces. A Cold Spell uses this vital link to understanding our past to tell a surprising story of obsession, invention and adventure – how we have lived and dreamed, celebrated and traded, innovated, loved and fought over thousands of years. It brings together a sacrificial Incan mummy, Winston Churchill’s secret plans for unusual aircraft carriers, strange bones that shook Victorian beliefs about the world and a macabre journey into the depths of the human body. It is an original and unique way of looking at something that is literally all around us, whose loss confronts us daily in the news, but whose impact on our lives has never been fully explored. [An] extraordinary, complete and utter history of the human experience of the cold stuff' JOHN LEWIS-STEMPEL, COUNTRY LIFE ‘A thought-provoking chronicle of humanity . . . Leonard consistently frames ice in surprising and insightful ways, and in doing so lends it a magical quality’ GEOGRAPHICAL

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WINNER OF THE BRITISH ACADEMY BOOK PRIZE A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century. ‘A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story’ - William Dalrymple, Financial Times ‘A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour’ - Spectator ‘Beautifully written and masterfully researched, this has the makings of a classic’ - Peter Frankopan SHORTLISTED FOR THE POL ROGER DUFF COOPER PRIZE LONGLISTED FOR THE CUNDILL HISTORY PRIZE SHORTLISTED FOR THE HWA CROWN AWARDS When Thomas Roe arrived in India in 1616 as James I’s first ambassador to the Mughal Empire, the English barely had a toehold in the subcontinent. Their understanding of South Asian trade and India was sketchy at best, and, to the Mughals, they were minor players on a very large stage. Roe was representing a kingdom that was beset by financial woes and deeply conflicted about its identity as a unified ‘Great Britain’ under the Stuart monarchy. Meanwhile, the court he entered in India was wealthy and cultured, its dominion widely considered to be one of the greatest and richest empires of the world. In Nandini Das's fascinating history of Roe's four years in India, she offers an insider's view of a Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue and scandal, lotteries and wagers that unfolds as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia. A major debut that explores the art, literature, sights and sounds of Jacobean London and Imperial India, Courting India reveals Thomas Roe's time in the Mughal Empire to be a turning point in history – and offers a rich and radical challenge to our understanding of Britain and its early empire.

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Gold Medal Winner for Poetry and Special Honours Award for Best of Anthology at the 2020 Nautilus Book Awards. One language is falling silent every two weeks. Half of the 7,000 languages spoken in the world today will be lost by the end of this century. With the loss of these languages, we also lose the unique poetic traditions of their speakers and writers.Poems from the Edge of Extinction gathers together 50 poems in languages from around the world that have been identified as endangered; it is a celebration of our linguistic diversity and a reminder of our commonalities and the fundamental role verbal art plays in human life around the world. With poems by influential, award-winning poets such as US poet laureate Joy Harjo, Hawad, Valzhyna Mort, and Jackie Kay, this anthology offers a unique insight into both languages and poetry, taking the reader on an emotional, life-affirming journey into the culture of these beautiful languages.Each poem appears in its original form, alongside an English translation, and is accompanied by a commentary about the language, the poet and the poem - in a vibrant celebration of life, diversity, language, and the enduring power of poetry.This timely collection is passionately edited by widely published poet and UK National Poetry Librarian, Chris McCabe, who is also the founder of the Endangered Poetry Project, a major project launched by London's Southbank Centre to collect poetry in the world's disappearing languages, and introduced by Dr Mandana Seyfeddinipur, Director of the Endangered Languages Documentation Programme and the Endangered Languages Archive at SOAS University of London, and Dr Martin Orwin, Senior Lecturer in Somali and Amharic, SOAS University of London.Languages included in the book: Assyrian; Belarusian; Chimiini; Irish Gaelic; Maori; Navajo; Patua; Rotuman; Saami; Scottish Gaelic; Welsh; Yiddish; Zoque.Poets included in the book: Joy Harjo; Hawad; Jackie Kay; Aurélia Lassaque; Nineb Lamassu; Gearóid Mac Lochlainn; Valzhyna Mort; Laura Tohe; Taniel Varoujan; Avrom Sutzkever.

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In recent years, environmental and human rights advocates have suggested that we have entered the first new geological epoch since the end of the ice age: the Anthropocene. In this new epoch, humans have come to reshape unwittingly both the climate and natural world; humankind has caused mass extinctions of plant and animal species, polluted the oceans, and irreversibly altered the atmosphere. Ironically, our efforts to make the planet more hospitable to ourselves seem to be driving us toward our inevitable extinction. A force of nature, humanity is now decentered as the agent of history. As Jennifer Fay argues, this new situation is to geological science what cinema has always been to human culture. Film, like the Anthropocene, is a product of the industrial revolution, but arises out of a desire to preserve life and master time and space. It also calls for the creation of artificial worlds, unnatural weather, and deadly environments for entertainment, scientific study, and devising military strategy. Filmmaking stages, quite literally, the process by which worlds and weather come into being and meaning, and it mimics the forces that are driving this new planetary inhospitality. Cinema, in other words, provides an image of "nature" in the age of its mechanical reproducability. Fay argues that cinema exemplifies the philosophical, political, and perhaps even logistical processes by which we can adapt to these forces and also imagine a world without humans in it. Whereas standard ecological criticism attends to the environmental crisis as an unraveling of our natural state, this book looks to film (from Buster Keaton, to Jia Zhangke, to films of atomic testing and early polar exploration) to consider how it reflects upon the creation and destruction of human environments. What are the implications of ecological inhospitality? What role might cinema and media theory play in challenging our presumed right to occupy and populate the world? As an art form, film enjoys a unique relationship to the material, elemental world it captures and produces. Through it, we may appreciate the ambitions to design an unhomely planet that may no longer accommodate us.

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New from the Winner of the Writers' Trust of Canada Marian Engel Award and the Governor General's Award for English Fiction Once touted as compendiums of human knowledge, the encyclopedias and handbooks of bygone eras now read quaintly, if not comically--yet within their musty pages are often found phrases of uncanny evocative power. Scrupulously stitching such fragments together, in a sequel to the Governor General's Award-winning Forms of Devotion, By The Book is a collection of verbal and visual collages whose alchemies transform long-dead texts into tales of enduring vitality. With her visually witty full-colour artwork and stories like "What Is A Hat? Where Is Constantinople? Who Was Sir Walter Raleigh? And Many Other Common Questions, Some With Answers, Some Without," and "Consumptives Should Not Kiss Other People: A Handy Guide to the Care and Maintenance of Your Family's Good Health," Schoemperlen's irreverent and ironic brand of nostalgia combines vintage kitsch with comic, creepy, unexpectedly moving yarns. Praise for By The Book "Diane Schoemperlen's By The Book is a bravura performance. Fragments, collage, assemblage, found poetry - none of the conventional words cover it for they miss the fantastic wit, the energy of humour, the divine ability to find comedic ore in the print detritus of our culture. She doesn't rescue texts; with her wicked sense of irony, she actually puts thought where there was none. She infects the banal with the virus of her own brain and makes it into art. Then she makes a picture of it--oh, dwell upon the details; there are whole novels lurking in the details."--Douglas Glover Praise for Diane Schoemperlen "Schoemperlen's inventive language and narrative structures encourage readers to be free 'from the prison of everyday thinking."--New York Times Book Review "Lovely, clever [and] imaginative."--Wall Street Journal "Cuttingly witty ...Schoemperlen could almost form a school of piquant and inventive fiction with Julie Hecht, Janet Kauffman, and Lydia Davis."--Booklist "There is no mistaking a Schoemperlen story--devoted to form, faithful to the mysteries of the everyday."--The Globe & Mail

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Discover Prague - an enchanting city brimming with history and culture. Whether you want to bask in the medieval splendour of the Old Town Square, trundle past Prague castle by tram or explore the Franz Kafka museum, your DK Eyewitness travel guide makes sure you experience all that Prague has to offer.One of Europe's most engaging cities, Prague is bursting with culture. Rich classical music spills out onto cobbled streets, where Gothic and Art Nouveau masterpieces await around every corner. Some of the world's best beer is enjoyed in characterful old pubs, while wooded hills and serene gardens promise an escape from the hustle and bustle.Our newly updated guide brings Prague to life, transporting you there like no other travel guide does with expert-led insights, trusted travel advice, detailed breakdowns of all the must-see sights, photographs on practically every page, and our hand-drawn illustrations which place you inside the city's iconic buildings and neighbourhoods. We've also worked hard to make sure our information is as up-to-date as possible following the COVID-19 outbreak. DK Eyewitness Prague is your ticket to the trip of a lifetime. Inside DK Eyewitness Prague you will find: - A fully-illustrated top experiences guide: our expert pick of Prague's must-sees and hidden gems- Accessible itineraries to make the most out of each and every day- Expert advice: honest recommendations for getting around safely, when to visit each sight, what to do before you visit, and how to save time and money- Colour-coded chapters to every part of Prague, from Prague castle to Malá Strana, Staré Mesto to Nové Mesto- Practical tips: the best places to eat, drink, shop and stay- Detailed maps and walks to help you navigate the state easily and confidently - Covers: Staré Mesto, Josefov and Northern Staré, Mesto, Prague Castle and HradcanyMalá Strana, Nové MestoWant the best of Prague in your pocket? Try our DK Eyewitness Top 10 Prague.About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. DK Eyewitness travel guides have been helping travelers to make the most of their breaks since 1993.Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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‘A dazzling anthology uniting the written word with the visual’ STEPHEN FRYINCLUDES NEW STORIES BY RUSSELL TOVEY AND BOOKER PRIZE NOMINEE SOPHIE WARD, AND ARTWORK BY TRACEY EMIN, EXCLUSIVE TO THIS EDITION This vibrant collection brings together twenty original short stories by giants of the form alongside exciting new voices, including two new stories by Russell Tovey and Sophie Ward. Simon Oldfield, curator and editor, combines the best in contemporary short fiction with remarkable illustrations by Tracey Emin and other artists from the Royal Academy of Arts. Illuminating, beautiful, haunting and always interesting, A Short Affair brings you the very best in short story writing.Writers include: Russell Tovey, Elizabeth Day, Bethan Roberts, Nikesh Shukla, Claire Fuller, Ben Okri, Anne O'Brien, A. L. Kennedy, Anna Stewart, Craig Burnett, Douglas W. Milliken, Will Self, Jarred McGinnis, Barney Walsh, Rebecca F. John, Joanna Campbell, Emily Bullock, Cherise Saywell, Lionel Shriver and Sophie WardArtists include: Tracey Emin, Kay Harwood, Gabriella Boyd, Jonathan Trayte, Luey Graves, Marco Palmieri, John Robertson, Coco Crampton, Fani Parali, Murray O'Grady, Pio Abad, Eddie Peake, Declan Jenkins, Mary Ramsden, Carla Busuttil, Jessy Jetpacks, Nick Goss, Tim Ellis, Adam Shield and Humphrey Ocean 'Pin Drop is a wonderful and rare conception. It provides us with a special opportunity to celebrate the short story on its own unique terms. The perfect antidote to the soundbite culture' WILLIAM BOYD

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Negotiating Boundaries: Identities, Sexualities, Diversities is a collection of essays by contributors from—and/or on—societies across the world: Boznia-Herzogovinia, Croatia, France, Iran, The Netherlands, New Zealand, Poland, South and West Africa, the UK and the USA. They are from a range of academic disciples—English Literature, Islamic and Middle Eastern Studies, Literary and Cultural Studies, Modern Languages, Religious Studies, Social Anthropology, Social Policy, Sociology and Theology. This level of diversity has resulted in the most wide-ranging volume ever published in the social sciences and humanities around the concept of "Boundaries". The book is at the cutting edge of intellectual thinking on personal and social "boundaries" applied to such areas as: Art, Genocidal Rape, Identities, God/Godde, Lesbianism, Literature, Men in "Women's Professions", Muslim women in Muslim and non-Muslim countries, Nationalism and Symbolism, Poetry, Religion, Sexual Harassment, Sexuality, Women in Science, Transgenderism, Virginity Testing and War.This range of contributors, locations and topics could have resulted in an incoherent volume with appeal to only a somewhat esoteric readership. However, the skilful use of the concept of "Boundaries" not only gives this book structured coherence, but makes it important reading for a wide range of academics, theorists and researchers in a diversity of disciplines."This is a lively, engaged, nuanced portrayal of the struggles around identity, inequality and domination. Ambitious in its scope – international, interdisciplinary and multi-dimensional in its social focus, Identities, Sexualities, Diversities offers a powerful picture of struggle and the pursuit of change, through the conceptual lens of boundaries. This collection explores the diverse ways boundaries operate, bringing new insights and questions to an established debate. It also, importantly, explores how boundaries can provide bridges. Thus, through its interweaving of theory and empirical analysis, and through its stories of bodies, texts, work, sexual expression, self-presentation, and changing values, Identities, Sexualities, Diversities offers a text that is reflexive, analytically thoughtful, and, significantly, hopeful.”—Davina Cooper, Professor of Law and Political Theory, Director of AHRC Research Centre for Law, Gender and Sexuality, Kent Law School, University of Kent“This is a fascinating collection of papers that provides new and important insights into the variety and natures of boundaries around ethnicity, identity and sexuality. Using the complex concept of boundaries the writers explore identities, sexualities and diversities through boundary crossings, contested boundaries, oppressive boundaries and creative, resistant boundaries. This provides a wonderful, coherent engagement with some of the key struggles at the present time over contested territory at personal and global levels. The range of articles ensures that these debates are contextualised in particular societies and cultures providing a rich source of theoretical material that helps our understandings of these complex and crucial issues. The theoretical rigour and fascinating insights presented in this edited book deserves a wide readership from those involved in the social sciences, women’s studies, the humanities and all those interested in transgressing conventional boundaries of scholarship”.—Sheila Scraton, Pro-Vice Chancellor, Director of University Research, Professor of Leisure and Feminist Studies, Leeds Metropolitan University.

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It began as poisonous rotgut in Medieval Russia—Ivan the Terrible liked it, Peter the Great loved it—but this grain alcohol "without distinctive character, aroma, taste, or color" has become our uncontested king of spirits. Over a thousand brands fight for market share, shelved in glass skulls, Tommy guns, bulletproof bottles; flavored with pears, currants, chipotle; or quintuple distilled by Donald Trump. But it wasn't always thus. For 200 years, America drank the brown stuff, which gave us Colonial rumrunners, the Whiskey Rebellion, and Bourbon County, Kentucky. So how did Russia's "little water," originally a medieval rotgut medicine, unseat America's favorite hooch? Vic Matus takes us on an incredible visual journey from vodka's humble American origins in a Depression-era Connecticut factory—using the family recipe from a poor Russian exile in France named Vladimir Smirnov—through its rise to glamour and fame at the hands of James Bond and the 1990s boom enshrined in Sex and the City's Grey Goose Cosmos to today's craft distillery movement, which approaches the drink as an art form. You'll see in clear, intoxicating detail how hippie culture, women's lib, and an absolutely ingenious Swedish company all played their part, transforming the booze into a status symbol. By 1975, the war had ended: Vodka officially became our favorite spirit. Today, a third of all cocktails ordered contain it. Last year $20 billion in sales poured in from more than 140 million gallons of the stuff. Here is the crisply distilled, bracing story of how risk-taking entrepreneurs defied the odds and turned medieval medicine into a multibillion-dollar industry.

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"No one makes me laugh harder than Judy Gold. If I had to pick one comedian to write a book about free speech, it would be Judy." – Amy SchumerFrom award-winning comedian Judy Gold, an equal parts thoughtful and hilarious polemic on the current efforts to censor comedians, arguing that they undermine the art—and purpose—of comedy itself. “You can say anything that comes to mind as long as it is funny.” — Richard Pryor The fallout after Michelle Wolf’s roast at the 2018 White House Correspondent’s Dinner, Samantha Bee’s forced apology after calling Ivanka Trump a “feckless c*nt,” Kathy Griffin’s being “blacklisted” from Hollywood after posting a photo with what looked like the president’s severed head, all represent a dangerous and growing trend—to censor comedians. In Yes I Can Say That, comedy veteran Judy Gold argues that "no one has the right to tell comics what they can or cannot joke about…. Laughter is a unifier. It's the best medicine. It's also the most palatable way to bring up seditious, subversive topics.” For Gold, nothing is more insidious than enforcing silence and repressing jokes—the job of a comedian is to expose society's demons, and confront them head-on, no prisoners allowed. In ten impassioned polemics, she frames comedy as a tool of empowerment, a way to reclaim hateful rhetoric and battle the democracy-crushing plight of censorship. Uninhibited and bold, Gold is as skilled at making readers laugh as she is at exposing uncomfortable truths about our culture and society. In this era of partisan politics and gaping inequalities, Yes I Can Say That is the refreshingly candid, wickedly funny and deliciously blunt manifesto we need.

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The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.A striking counter-narrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture.

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NOW A NETFLIX FILM STARRING VIOLA DAVIS AND CHADWICK BOSEMAN *Two stunning, intensely powerful modern classics about race in 20th century America from the legendary Pulitzer Prize and Tony Award-winning playwright August Wilson*In Ma Rainey's Black Bottom, the great blues diva Ma Rainey is due to arrive at a run-down Chicago recording studio with her entourage to cut new sides of old favourites. Waiting for her are the black musicians in her band - and the white owners of the record company. A tense, searing account of racism in jazz-era America that the New Yorker called 'a genuine work of art'.Fences centres on Troy Maxson, a garbage collector, an embittered former baseball player and a proud, dominating father, in 1950s Pittsburgh. When college athletic recruiters scout his teenage son, Troy struggles against his young son's ambition, his wife, who he understands less and less, and his own frustrated dreams. 'A prolific and successful playwright who confines his themes to African American culture... The level of his achievement is high. This comes powerfully into view when the play is read, an activity for me that is equal to, and in some ways more fruitful than, seeing its stage production.' Toni Morrison'In his work, August Wilson depicted the struggles of Black Americans with uncommon lyrical richness, theatrical density and emotional heft, in plays that give vivid voices to people on the frayed margins of life' New York Times 'August Wilson has established himself as the richest theatrical voice to emerge in the U.S. since Tennessee Williams and Arthur Miller' Time

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The updated Green Guide Portugal, Madeira and The Azores opens the door to discovering the delights of this sunny country, from remote fortress villages and beautiful sandy beaches crouched below ochre cliffs, to fascinating UNESCO cities and busy island resorts. Rely on Michelin’s renowned star-ratings system when deciding on where to go and what to see and do. Color photos, detailed maps and recommendations for hotels and restaurants complete the picture for a memorable visit. · 8th edition, updated, with plenty of detail travelers look for. · Attractions reviewed and rated, using Michelin’s celebrated star-rating system, from the churches, palaces and museums of the 3-star town of Evora, a fine example of Portugal’s 16C golden age , to the one-star town of Beja, once a thriving Roman colony which later came under Muslim control. · Walk-throughs of major museums, galleries, churches and attractions; includes floor plans to zoom in on highlights. · Discover the mountainous Serra da Estrela area through one of several drives, or take in the sights of Porto while meandering through the city center, stopping to sample a traditional octopus stew or barbecued fish. Michelin walking and driving tours offer a more in-depth, personal experience of an area. · Comprehensive illustrated sections on modern-day Portugal, Madeira, and the Azores: their history, politics, art and culture—all written by experts in their fields. · Sidebars throughout the guide cover various topics from the 70 mile Fresco Route in the Portalegre region to the exuberant Burning of the Ribbons festival in Coimbra celebrating student graduation. · Detailed visitor information given for every attraction, opening hours, entry fees, tour times, phone and website. Michelin area and city maps. · Includes recommendations for great places to eat and stay for every budget. Audience: · Travelers to Portugal looking for detailed travel information. · Discerning travelers seeking unique, enriching travel experiences

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What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe’s aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today.

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Emphasizing how profoundly the American research university has been shaped by business and the humanities alike, Ivy and Industry is a vital contribution to debates about the corporatization of higher education in the United States. Christopher Newfield traces major trends in the intellectual and institutional history of the research university from 1880 to 1980. He pays particular attention to the connections between the changing forms and demands of American business and the cultivation of a university-trained middle class. He contends that by imbuing its staff and students with seemingly opposed ideas—of self-development on the one hand and of an economic system existing prior to and inviolate of their own activity on the other—the university has created a deeply conflicted middle class.Newfield views management as neither inherently good nor bad, but rather as a challenge to and tool for negotiating modern life. In Ivy and Industry he integrates business and managerial philosophies from Taylorism through Tom Peters’s “culture of excellence” with the speeches and writings of leading university administrators and federal and state education and science policies. He discusses the financial dependence on industry and government that was established in the university’s early years and the equal influence of liberal arts traditions on faculty and administrators. He describes the arrival of a managerial ethos on campus well before World War II, showing how managerial strategies shaped even fields seemingly isolated from commerce, like literary studies. Demonstrating that business and the humanities have each had a far stronger impact on higher education in the United States than is commonly thought, Ivy and Industry is the dramatic story of how universities have approached their dual mission of expanding the mind of the individual while stimulating economic growth.

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Greece’s ancient art and culture form the cradle of Western civilization—numerous monuments and museums tell to this day of the country’s rich history. Greece is unique also by virtue of its breathtaking landscapes, the hospitality of its inhabitants, and its fabulous hotels, making it the dream destination of many travelers. The fresh and healthy cuisine, the crystal clear sea, and the canvas-worthy sunsets do the rest—a trip to Greece is pure delight. Angelika Taschen travels from the mountains of Macedonia in the north to the Peloponnese with its mythical places like Corinth, Sparta, and Olympia, and to the larger and smaller groups of islands in the south. She opens the doors to some of the country’s most extraordinary hotels, including Imaret in Kavala, located in a former Ottoman complex; Tainaron Blue Retreat in a secluded former defense tower in the Mani; and The Windmill, a converted windmill on the island of Kimolos in the Cyclades. She invites readers to discover legendary luxury hotels, like Eagles Palace in Halkidiki or Poseidonion Grand Hotel on Spetses, and takes them to enchanting B&Bs like Guesthouse Mazaraki in Mystras or Mèlisses on Andros, run by food blogger Allegra Pomilio. Along her itinerary, she visits hotels on well-known picturesque islands—such as the Mystique on Santorini and the Soho Roc House on Mykonos—but also accommodations in remote places like the Mediterraneo on the island of Kastelorizo, which lies in the very southeast of Greece off the Turkish coast. In addition she shows interesting architectural and design concepts, such as The Rou Estate hotel village, a historic, carefully restored hamlet on Corfu; the minimalist Olea All Suite Hotel on Zakynthos; and Ammos on Crete, where no two pieces of furniture are alike and new eccentric pieces are added every year.

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Visual Translation breaks new ground in the study of French manuscripts, contributing to the fields of French humanism, textual translation, and the reception of the classical tradition in the first half of the fifteenth century. While the prominence and quality of illustrations in French manuscripts have attracted attention, their images have rarely been studied systematically as components of humanist translation. Anne D. Hedeman fills this gap by studying the humanist book production closely supervised by Laurent de Premierfait and Jean Lebègue for courtly Parisian audiences in the first half of the fifteenth century. Hedeman explores how visual translation works in a series of unusually densely illuminated manuscripts associated with Laurent and Lebègue circa 1404–54. These manuscripts cover both Latin texts, such as Statius’s Thebiad and Achilleid, Terence’s Comedies, and Sallust’s Conspiracy of Cataline and Jurguthine War, and French translations of Cicero’s De senectute, Boccaccio’s De casibus virorum illustrium and Decameron, and Bruni’s De bello Punico primo. Illuminations constitute a significant part of these manuscripts’ textual apparatus, which helped shape access to and interpretation of the texts for a French audience. Hedeman considers them as a group and reveals Laurent’s and Lebègue’s growing understanding of visual rhetoric and its ability to visually translate texts originating in a culture removed in time or geography for medieval readers who sought to understand them. The book discusses what happens when the visual cycles so carefully devised in collaboration with libraries and artists by Laurent and Lebègue escaped their control in a process of normalization. With over 180 color images, this major reference book will appeal to students and scholars of French, comparative literature, art history, history of the book, and translation studies.

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How to solve critical business challenges by generating more and better ideas Every organization needs a steady supply of fresh, relevant ideas, but managers can?t just lock teams in a room with a mandate to brainstorm and hope for the best. Ideation is both a science and an art, and when group ideation processes are well-designed and well-facilitated, anyone can generate an abundance of creative, implementable options?not to mention true breakthroughs?for any business need. Drawing on his work leading high-stakes ideation sessions at over 300 organizations, Mattimore explains the how, what, and why of successful ideation and provides a framework for when and how to apply various techniques. Identifies Mattimore?s top ideation and innovation techniques (including ?brainwalking,? finding inspiration in worst ideas, the unexpected effectiveness of wishing, and more) and lays the groundwork for you to invent successful processes of your own Tells real stories of ideation at work in Mattimore?s consulting business, including how Ben & Jerry?s named a new strawberry fudge flavor, how Thomas? invented a new, healthier English muffin that now accounts for over 30% of its sales, how IBM transformed the culture of one of its divisions to make it more innovative, and many more Mattimore is a world-class expert on applied creativity and an innovation process consultant to over one-third of the Fortune 100 companies; he and his team have helped create and launch products and services worth over $3 billion in annual US retail sales With a diverse range of tested methods, Idea Stormers is the indispensable guide for developing original, practical solutions to even the most intractable-seeming creative challenges.

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Escorting the Monarch is as close to an official history of the Metropolitan Police's 'Special Escort Group' (SEG) as one could hope for. You may have seen the team at work; as the combination of motorcycles and cars pass you by, they glide elegantly and seemingly effortlessly through busy traffic. Developing a dedicated and diligent team culture, they are masters of their trade. They hold a well-earned reputation for excellence amongst their peers; delivering their passengers (and cargo) on time, safely, in a great deal of style, and without fuss or mishap. Professional and precise in the execution of their operations, they are neither shaken nor stirred. Although the work of the SEG demands exquisitely high levels of presentation there is little room for gloss or glitter. The individuals and property they are charged to protect are assessed by government to need the highest possible levels of protection. From queens, kings, presidents and emperors, to priceless works of art, terrorists and high risk prisoners, the group escort them all. Written by the son of a retired SEG officer who himself served in the British Government's security and intelligence community, Escorting the Monarch is told, in part, through first hand stories and anecdotes gleaned from former officers of the group. The insights offered are unique, privileged and first of their kind. Chris Jagger unfolds a collection of fascinating and never before told stories built on high profile events, such as the funeral of Sir Winston Churchill, and the visit of Nelson Mandela. Now the SEG have honed their skills for over 6 decades. Through a carefully constructed description of a changing security and political environment across the decades, and an insightful analysis of the ingenuity of those who have served with the SEG, Escorting the Monarch explains the events that made the group who they are today.

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A sparkling new take on an age-old publication: The Other Almanac brings together a stellar group of young writers, artists and activists to pick up themes of environmentalism, gardening, recipes, folklore, seasonal savvy, and off- the-beaten-track amusement, all presented in brilliant color and eye-popping design. Out with the Old, in with the Other!The original Almanac is the oldest continuously printed publication in the US . It comprises a popular mix of ancient wisdom, garden advice, poems, jokes, how-to's, recipes, and calendars. It is, however, still tailored to its traditional audience: largely rural, white and conservative. It eschews stances on anything overtly progressive, be it political, ecological, or social. The Other Almanac puts right these omissions. Whilst retaining the quirkiness and liveliness of the original, it aims to bridge the urban/rural divide in America, delving into issues of politics and culture that unite us all. Its pages are filled with buoyant contributions from climate organizers, indigenous activists, migrant farmworkers, historians, scientists, medicine makers, incarcerated painters, astrologers, lawyers, borderland midwives and more. Original, full color art surrounds their writing, creating an inviting, accessible yearbook that will entertain and educate a wide new readership for an age-old chronicle. Contributors: 10th Floor Studio, adrienne maree brown, Alexis Pauline Gumbs, Alfredo Jaar, Amaryllis R. Flowers, Andrea Aliseda, Bill McKibben, Bread and Puppet Press, Carla J. Simmons, Chloë Boxer, Chris Lloyd, Dyani White Hawk, Dylan Smith, Daniel Barreto, Esther Elia, Food With Fam, Francesca DiMattio, Hangama Amiri, Hannah Beerman, Jennifer Givhan, Jessie Kindig, Jumana Manna, Kirk Gordon, Keegan Dakkar Lomanto, Lily Consuelo Saporta Tagiuri, Philip Poon, Sophia Giovannitti, Tania Willard, Tyrrell Tapaha, Veladya Chapman, Who Tattoo, Yaku Perez Guartambel.

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Locating the roots of toxic masculinity and finding its displacement in unruly culture Masculinity in Transition analyzes shifting relationships to masculinity in canonical works of twentieth-century literature and film, as well as in twenty-first-century media, performance, and transgender poetics. Focusing on “toxic masculinity,” which has assumed new valence since 2016, K. Allison Hammer traces its roots to a complex set of ideologies embedded in the histories of settler colonialism, racial capitalism, and political fraternity, and finds that while toxic strains of masculinity are mainly associated with straight, white men, trans and queer masculinities can be implicated in these systems of power. Hammer argues, however, that these malignant forms of masculinity are not fixed and can be displaced by “unruly alliances”—texts and relationships that reject the nationalisms and gender politics of white male hegemony and perform an urgently needed reimagining of what it means to be masculine. Locating these unruly alliances in the writings, performances, and films of butch lesbians, gay men, cisgender femmes, and trans and nonbinary individuals, Masculinity in Transition works through an archive of works of performance art, trans poetics, Western films and streaming media, global creative responses to HIV/AIDS, and working-class and “white trash” fictions about labor and unionization. Masculinity in Transition moves the study of masculinity away from an overriding preoccupation with cisnormativity, whiteness, and heteronormativity, and toward a wider and more generative range of embodiments, identifications, and ideologies. Hammer’s bold rethinking of masculinity and its potentially toxic effects lays bare the underlying fragility of normative masculinity. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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The Rise and Fall of Modern Japanese Literature tells the story of Japanese literature from its start in the 1870s against the backdrop of a rapidly coalescing modern nation to the present. John Whittier Treat takes up both canonical and forgotten works, the non-literary as well as the literary, and pays special attention to the Japanese state’s hand in shaping literature throughout the country’s nineteenth-century industrialization, a half-century of empire and war, its post-1945 reconstruction, and the challenges of the twenty-first century to modern nationhood. Beginning with journalistic accounts of female criminals in the aftermath of the Meiji civil war, Treat moves on to explore how woman novelist Higuchi Ichiyō’s stories engaged with modern liberal economics, sex work, and marriage; credits Natsume Sōseki’s satire I Am a Cat with the triumph of print over orality in the early twentieth century; and links narcissism in the visual arts with that of the Japanese I-novel on the eve of the country’s turn to militarism in the 1930s. From imperialism to Americanization and the new media of television and manga, from boogie-woogie music to Yoshimoto Banana and Murakami Haruki, Treat traces the stories Japanese audiences expected literature to tell and those they did not. The book concludes with a classic of Japanese science fiction a description of present-day crises writers face in a Japan hobbled by a changing economy and unprecedented natural and manmade catastrophes. The Rise and Fall of Japanese Literature reinterprets the “end of literature”—a phrase heard often in Japan—as a clarion call to understand how literary culture worldwide now teeters on a historic precipice, one at which Japan’s writers may have arrived just a moment before the rest of us.

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Home to serene temples, peaceful zen gardens, first-class museums and futuristic skyscrapers, Tokyo blends seamlessly the best of ancient and contemporary Japan.Make the most of your trip to Japan's dynamic capital with DK Eyewitness Top 10. Planning is a breeze with our simple lists of ten, covering the very best that Tokyo has to offer and ensuring that you don't miss a thing. Best of all, the pocket-friendly format is light and easily portable; the perfect companion while out and about.Inside DK Eyewitness Top 10 Tokyo you will find: - Up-to-date information with insider tips and advice for staying safe.- Top 10 lists of Tokyo's must-sees, including Imperial Palace Grounds, Edo-Tokyo Museum, Meiji Shrine and Ueno Park.- Tokyo's most interesting areas, with the best places for sightseeing, food and drink, and shopping.- Themed lists, including the museums, art galleries, gardens and parks and much more.- Easy-to-follow itineraries, perfect for a day trip, a weekend, or a week.- A laminated pull-out map of Tokyo plus seven full-colour area maps.Looking for more on Tokyo's culture, history and attractions? Try our DK Eyewitness Tokyo.About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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On April 4, 1866, just as Alexander II stepped out of Saint Petersburg's Summer Garden and onto the boulevard, a young man named Dmitry Karakozov pulled out a pistol and shot at the tsar. He missed, but his "unheard-of act" changed the course of Russian history—and gave birth to the revolutionary political violence known as terrorism. Based on clues pulled out of the pockets of Karakozov's peasant disguise, investigators concluded that there had been a conspiracy so extensive as to have sprawled across the entirety of the Russian empire and the European continent. Karakozov was said to have been a member of "The Organization," a socialist network at the center of which sat a secret cell of suicide-assassins: "Hell." It is still unclear how much of this "conspiracy" theory was actually true, but of the thirty-six defendants who stood accused during what was Russia's first modern political trial, all but a few were exiled to Siberia, and Karakozov himself was publicly hanged on September 3, 1866. Because Karakozov was decidedly strange, sick, and suicidal, his failed act of political violence has long been relegated to a footnote of Russian history. In The Odd Man Karakozov, however, Claudia Verhoeven argues that it is precisely this neglected, exceptional case that sheds a new light on the origins of terrorism. The book not only demonstrates how the idea of terrorism first emerged from the reception of Karakozov's attack, but also, importantly, what was really at stake in this novel form of political violence, namely, the birth of a new, modern political subject. Along the way, in characterizing Karakozov's as an essentially modernist crime, Verhoeven traces how his act profoundly impacted Russian culture, including such touchstones as Repin's art and Dostoevsky's literature. By looking at the history that produced Karakozov and, in turn, the history that Karakozov produced, Verhoeven shows terrorism as a phenomenon inextricably linked to the foundations of the modern world: capitalism, enlightened law and scientific reason, ideology, technology, new media, and above all, people's participation in politics and in the making of history.

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This accessible textbook describes Christianity, the world's largest religion, in all of its historical and contemporary diversity. No other publication includes so much information or presents it so clearly and winsomely. This volume employs a "religious studies" approach that is neutral in tone yet accommodates the lived experiences of Christians in different traditions and from all regions of the globe. The World's Christians is a perfect textbook for either public university classrooms or liberal arts campuses. Divided into three parts, the text first describes the world's four largest Christian traditions (Eastern Orthodox, Roman Catholic, Protestant, and Pentecostal) which together account for roughly 98 percent of all Christians worldwide. A second section focuses on Christian history, explaining the movement's developing ideas and practices and examining Christianity's engagement with people and cultures around the world. The third and longest portion of the text details the distinctive experiences, contemporary challenges, and demographics of Christians in nine geographic regions, including the Middle East, Sub-Saharan Africa, Latin America, Eastern and Western Europe, South Asia, North America, East Asia, and Oceania. The second edition of this popular text has been thoroughly rewritten to take recent developments into account, and each chapter now includes two primary source readings, highlighting the diversity of voices that exist within the world Christian movement. Like the first edition, the revised text is enhanced with easily understandable maps, charts, tables and illustrative photographs. In summary, this new and improved second edition of The World's Christians is: written in a clear style that readers will find engaging enriched by the addition of thought-provoking primary source readings thoroughly revised to bring the story of Christianity up to the 2020s more geographically comprehensive than any competing text more theologically/ecclesiastically comprehensive than any competing text amply illustrated with maps, charts, tables, and photographs perfect for use in the classroom or for general readers who want to understand the full diversity of Christianity as it currently exists around the world

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'This is where I begin. This blank page draws me nearer to you, the day sweltering, my courage quickens, the curtains billowing and the punkah swaying, the punkah rattling as I sit at my writing bureau ... it is a soothing sound.'Mina, a writer, is navigating her place in the world, balancing creativity, academia, her sexuality and the expectation that a wife and mother abandons herself for others. For her, like so many women of mixed ancestry, it is too easy to be erased. But her fire and intellect refuse to bow. She discovers 'the dark, adorable' Eurasian woman Daisy Simmons, whom Peter Walsh plans to marry in Virginia Woolf's Mrs Dalloway. Daisy disappeared from Woolf's pages, her story unfinished - never given a voice in the novel, nor a footnote in any of the admiring Woolf scholarship that followed.While dealing with the remains of another life, Mina decides to write Daisy's story. Travelling from Australia to England, India and China, freelancing and researching, she has to navigate cultural and race barriers, trying hard not to look back or flinch at the personal cost. Like Woolf, her writing both sustains and overwhelms her. But in releasing Daisy from her fictional destiny, Mina finds the stubbornness and strength to also break free.'An elegant meditation on race, class and privilege ... Daisy and Woolf not only brings us stories of brave, clever women in an eloquent way, it also leaves questions for us readers to think of our own trajectory of reading and influences' ArtsHub'Cahill writes beautifully ... Daisy and Woolf is a novel about reclamation. Highlighting the inadvertent racism inherent in much of the classical literary canon, it reinforces the the importance of Own Voices writing, and shines a light on the lives of people of colour that cannot be understood or expressed without their input' The Age'an impressive, ambitious postmodern novel that raises questions around race, class, feminism, Empire, the post-colonial voice and so much more ... a fascinating work, it's rare to see something of its kind in the Australian literary landscape' ReadingsPRAISE FOR MICHELLE CAHILL:'Her deftness and linguistic grace masks her purpose, till she reveals a shocking glimpse of the price that art can exact' - HILARY MANTEL'Traverses centuries, cultures and continents to deftly explore how race, gender and class have the power to shape a narrative' - MAXINE BENEBA CLARKE'A dauntless novel of empire, and its ever-replicating costs. There are echoes of Michael Ondaatje in this novel's lush and observant prose-craft. This is fiction at its most human and humane' - BEEJAY SILCOX'In luminous prose, she has brought an old world back to life. Her background as a poet is clear in her evocative and detailed descriptions of colonial India. Daisy's voice is perfectly tuned and her story is compelling' - MELANIE CHENG'At once critically acute and narratively rich, Daisy and Woolf shows us that there are always new ways to read the past in order to understand the present' - PATRICK FLANERY'Michelle Cahill deploys poetry and history in the most powerful manner possible to write back to Virginia Woolf, and expose the colonial gaze that did not (does not) acknowledge the full humanity of others. This novel will be to Mrs Dalloway what Wide Sargasso Sea was to Jane Eyre' - MEENA KANDASAMY

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This textbook evolves from the intersection between ‘Research’, ‘Educational Information Technologies’ and recent ‘Best Practices’. It offers diplomacy and erudite rhetoric in order to harvest from innovation projects and see how new professional needs for teachers are emerging day by day. The volume launches the compact background for the 21st century education that every teacher faces after being in charge for 3 or 6 years after pre-service training. ‘Sources for a better education’ refers to the deep understanding and to the incentives for encouraging teachers to leave the comfort zone and experiment the next steps into a further sophisticated professionalism, without the threat of feeling in a ‘Dilemma’.The first candidate for extending one’s teaching effectiveness is to tailor one’s teaching to the test to be expected. ‘Teaching to the Test’ is an understandable tactic, however it endangers the students’ full understanding of underlying concepts and analogies. The second candidate for professionalism is the deeper layer of knowledge on how curricular domains are related. In simpler terms: better teachers know how to ‘bridge’ topics and subjects so that students develop a deeper understanding on the patterns and structure in knowledge. The 21st century education prioritizes higher degrees of flexible-, divergent and abstract thinking, so that creative problem solving comes into reach. ICT tools for making prior knowledge explicit is a major example on how learners harvest upon prior knowledge, thinking and intuition. The third source for a better education is the courage to envisage one’s meta knowledge in order to see patterns in learning and understanding. The more conscious prior knowledge gets decompiled into genetic metaphors; the better future learning can be anticipated. The fourth asset for meta-cognitive skills is the wide spectrum of tools that the web offers for building knowledge infra-structures so that knowledge becomes transformed into problem solving skills; the availability of knowledge is no longer sufficient for finding creative and authentic solutions in future situations. This is the case for both students and teachers. By tradition, the bottom-up strategy from reproductive factual learning up to the levels of problem solving and creative thinking has been favoured. The ‘one-click away’ access to information on the web asks a more strategic attitude from learners and practitioners to cope with the periphery between known and unknown, so that a more effective meta-cognition develops. The fifth stimulus for more effective learning is the expanding impact of social media. Social media tend to intimidate learners with incomplete understanding to jump on biases as delivered through political and conspiracy agendas. This books aims at the challenge to build upon learners’ existential needs and developing interest for a longer-term learning perspective.“Renaissance man and philosopher Piet Kommers presents us with an interesting question: What makes education exciting? His book covers a range of lessons learnt through research and practice, covering philosophies and paradoxes, ranging from learning to learn to machine learning for learning. In 35 chapters he takes us on an exciting, comprehensive journey of just about every conceivable aspect of technology and education. This is a must-have for every 21st Century bookshelf!” By: Johannes Cronjé, professor of Digital Teaching and Learning in the Department of Information Technology at the Cape Peninsula University of Technology, South Africa.“Piet Kommers has in 400 pages provided an overview of teaching based on practical experience. It is not a summary of pedagogic models, but a guide to important factors in how to motivate students and thus improve their learning. New technologies changes teaching, and we need to understand how application of such technologies can improve the learning. This book provides such knowledge and I wish I had it when I started teaching at university many years ago.” By: Jan Frick, Professor Business School, University of Stavanger, Norway."Piet Kommers delivers a very thorough book with a holistic perspective on Learning Technologies. This book is a result of many years of experience that the author has in Higher Education. It comprises lessons learned from the author´s professional career, including inputs from European Union research projects, as well as diversified interactions with a wide range of Peoples and Cultures. The result is a unique perspective that is a must-read for anyone interested in Learning Technologies, past, present, and future!" By: Pedro Isaias, associate professor at the Information Systems & Technology Management School of The University of New South Wales (UNSW – Sydney), Australia. “Distinguished Professor and Thinker Dr. Piet Kommers presents the academic community with a new horizon on education that reflects the current and future technology trends in the e-Learning and Fast Internet ubiquity. The Book discusses the current and most recent advances in research and application of most effective learning methods in conjunction with the future directions in machine learning in support of learning. The Book's 35 chapters present cutting-edge technologies and state-of-the-art learning methods in support of best educational practices and the student's best learning experience. The Book is most valuable asset to educator's community pursuing the mission of excellence in the Third Millennium!” By: Eduard Babulak, Professor, Computational Sciences, Liberty University, Lynchburg, USA."Well-known scientist, (e-)learning expert and philosopher Piet Kommers presents us with an interesting question: What makes education exciting? His book covers a range of lessons learnt through research and practice, covering philosophies and paradoxes, ranging from ‘learning to learn’ to ‘machine learning for learning’. In 35 chapters he takes us on an exciting, comprehensive journey of just about every conceivable aspect of technology and education. This is an interesting and useful publication for all educators as well as learners and must-have for every 21st Century bookshelf!" By: Eugenia Smyrnova-Trybulska, Dr. hab., associate professor, Institute of Pedagogy, Faculty of Art and Sciences of Education, University of Silesia in Katowice, Poland.“The book presents a mosaic of assets reflecting the vast international experience in research and realization of learning technologies of the author, honourable professor of the UNESCO Chair in New information technologies in education for all, Piet Kommers. Describing various aspects of learning strategies, approaches, techniques and technologies in a concise way, he engages the readers into the mental construction of a "big picture" and makes them reconsider routine processes of teaching and learning. Exciting and thought-provoking reading for educators, researchers, and devoted learners.” By: professor Volodymyr Gritsenko, Director of the International Research and Training Centre for Information Technologies and Systems, National Academy of Sciences and Ministry of Education and Science of Ukraine, Head of the UNESCO Chair.

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Humanists, scientists, and artists collaborate to address the disjunctive temporalities of ecological crisis In 2016, Antarctica’s Totten Glacier, formed some 34 million years ago, detached from its bedrock, melted from the bottom by warming ocean waters. For the editors of Timescales, this event captures the disjunctive temporalities of our era’s—the Anthropocene’s—ecological crises: the rapid and accelerating degradation of our planet’s life-supporting environment established slowly over millennia. They contend that, to represent and respond to these crises (i.e., climate change, rising sea levels, ocean acidification, species extinction, and biodiversity loss) requires reframing time itself, making more visible the relationship between past, present, and future, and between a human life span and the planet’s. Timescales’ collection of lively and thought-provoking essays puts oceanographers, geophysicists, geologists, and anthropologists into conversation with literary scholars, art historians, and archaeologists. Together forging new intellectual spaces, they explore the relationship between geological deep time and historical particularity, between ecological crises and cultural expression, between environmental policy and social constructions, between restoration ecology and future imaginaries, and between constructive pessimism and radical (and actionable) hope. Interspersed among these essays are three complementary “etudes,” in which artists describe experimental works that explore the various timescales of ecological crisis. Contributors: Jason Bell, Harvard Law School; Iemanjá Brown, College of Wooster; Beatriz Cortez, California State U, Northridge; Wai Chee Dimock, Yale U; Jane E. Dmochowski, U of Pennsylvania; David A. D. Evans, Yale U; Kate Farquhar; Marcia Ferguson, U of Pennsylvania; Ömür Harmanşah, U of Illinois at Chicago; Troy Herion; Mimi Lien; Mary Mattingly; Paul Mitchell, U of Pennsylvania; Frank Pavia, California Institute of Technology; Dan Rothenberg; Jennifer E. Telesca, Pratt Institute; Charles M. Tung, Seattle U.

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Confronting trauma behind the transnational adoption system—now back in printMany adoptees are required to become people that they were never meant to be. While transracial adoption tends to be considered benevolent, it often exacts a heavy emotional, cultural, and economic toll on those who directly experience it. Outsiders Within is a landmark publication that carefully explores this most intimate aspect of globalization through essays, fiction, poetry, and art. Moving beyond personal narrative, transracially adopted writers from around the world tackle difficult questions about how to survive the racist and ethnocentric worlds they inhabit, what connects the countries relinquishing their children to the countries importing them, why poor families of color have their children removed rather than supported—about who, ultimately, they are. In their inquiry, the contributors unseat conventional understandings of adoption politics, reframing the controversy as a debate that encompasses human rights, peace, and reproductive justice. Contributors: Heidi Lynn Adelsman; Ellen M. Barry; Laura Briggs, U of Massachusetts, Amherst; Catherine Ceniza Choy, U of California, Berkeley; Gregory Paul Choy, U of California, Berkeley; Rachel Quy Collier; J. A. Dare; Kim Diehl; Kimberly R. Fardy; Laura Gannarelli; Shannon Gibney; Mark Hagland; Perlita Harris; Tobias Hübinette, Stockholm U; Jae Ran Kim; Anh Đào Kolbe; Mihee-Nathalie Lemoine; Beth Kyong Lo; Ron M.; Patrick McDermott, Salem State College, Massachusetts; Tracey Moffatt; Ami Inja Nafzger (aka Jin Inja); Kim Park Nelson; John Raible; Dorothy Roberts, Northwestern U; Raquel Evita Saraswati; Kirsten Hoo-Mi Sloth; Soo Na; Shandra Spears; Heidi Kiiwetinepinesiik Stark; Kekek Jason Todd Stark; Sunny Jo; Sandra White Hawk; Indigo Williams Willing; Bryan Thao Worra; Jeni C. Wright.

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For the first time in 3,300 years, The Egyptian Book of the Dead: The Book of Going Forth by Day: The Papyrus of Ani is showcased in its entirety in seventy four magnificent, large-format, color pages. Maybe the most stunning presentation of this book in 3300 years: Upon death, it was the practice for some Egyptians to produce a papyrus manuscript called the Book of Going Forth by Day or the Book of the Dead. A Book of the Dead included declarations and spells to help the deceased in the afterlife. The Papyrus of Ani is the manuscript compiled for Ani, the royal scribe of Thebes. Written and illustrated almost 3,300 years ago, The Papyrus of Ani is a papyrus manuscript with cursive hieroglyphs and color illustrations. It is the most beautiful, best-preserved, and complete example of ancient Egyptian philosophical and religious thought known to exist. The Egyptian Book of the Dead is an integral part of the world's spiritual heritage. It is an artistic rendering of the mysteries of life and death. For the first time since its creation, this ancient papyrus is now available in full color with an integrated English translation directly below each image. This twentieth-anniversary edition of The Egyptian Book of the Dead has been revised and expanded to include: • Significant improvements to the display of the images of the Papyrus. • A survey of the continuing importance of ancient Egypt in modern culture. • A detailed history of Egyptian translation and philology since the discovery of the Rosetta Stone in 1799. • And, a state-of-the-art Annotated Bibliography and Study Guide for Ancient Egyptian studies. As the third revised edition, the entire corpus of this critical work is given its most accessible and lavish presentation ever. • Includes a detailed history of Egyptian scholarship, an annotated bibliography and study guide, and several improvements to the color plates. • Makes an excellent gift for people interested in world history and ancient religions.

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The value of inventories in charting how houses were arranged, furnished and used is now widely appreciated. Typically, the listings and valuations were occasioned by the death of an owner and the consequent need to deal with testamentary dispositions. That was not always so. The inventory for Castlecomer House, Co. Kilkenny, for example, was drawn up to make a claim following the house's devastation in the 1798 uprising. Mostly hitherto unpublished, the inventories chosen give new-found insights into the lifestyle and taste of some of the foremost families of the day. Above stairs, the inventories show the evolving collecting habits and tastes of eighteenth-century patrons across Ireland and how the interiors of great town and country houses were arranged or responded to new materials and new ideas. The meticulous recording of the contents of the kitchen and scullery likewise sheds light on life below stairs. Itemized equipment required for the brewhouse, dairy, stables, garden and farmyard reflects the at times significant scale of the communities the houses supported and the remarkable degree of self-sufficiency at some of the demesnes. A comprehensive index facilitates access to the myriad items forming the inventories, while the books listed at three of the houses are tentatively identified in separate appendices. A foreword together with short preambles to the inventories set the households in their historical context. Illustrated with contemporary engravings of the houses and with portraits of the owners of the time, the inventories will appeal to country-house visitors, historians of interiors, patronage, collecting and material culture as well as to scholars, curators, collectors, creative designers, film directors, bibliographers, lexicographers and novelists. The eighteenth century is the period onto which the Knight of Glin directed his penetrating gaze as art historian. The book is dedicated to his memory.

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The ebook edition of this title is Open Access and freely available to read online. Over past decades, scholars and practitioners around the world observed an emergence of professionals, research managers and administrators (RMAs) who play an essential role in the advancement of academic research. RMAs have extensive knowledge of the research ecosystem, including funding opportunities, proposals, budgeting and pricing, ethics, open research, project management, finance, negotiation, strategy, systems, and assessment. Until now, limited efforts have been made to investigate RMAs in a cross-regional, comparative manner, or to understand the recent surge of the profession in a larger policy context. Addressing this gap, an international group of experts share diverse perspectives to provide a comprehensive account of RMA as a profession, offer an analytical framework to understand their role in higher education and academic science. Covering countries in Africa, Australasia, East Asia and India, Western Europe, Central and Eastern Europe, the Middle East, North America, and South America, the work provides trans-cultural coverage of the profession. Drawing on theories from related fields, it also provides insights and understanding of RMAs as a social phenomenon. The Emerald Handbook of Research Management and Administration Around the World is the most comprehensive book about practitioners working in research management and administration. The book provides basic knowledge for students and professionals considering a career in this field, and serves as reference material for policymakers as well as academic researchers. By presenting evidence-based observations from around the world and discussing global trends, this text promotes social awareness of RMAs, shares state-of-the-art knowledge on the profession, and offers insights into the future of academic research.

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Experience the passion and drama of the world’s greatest operas with this sumptuously illustrated visual guide.Immerse yourself in more than 400 years of the world’s most celebrated operas and discover the fascinating stories behind them. Explore the lives of singers such as Maria Callas, Luciano Pavarotti, and Jonas Kaufmann. Meet composers like Mozart, Wagner, and Britten, and the librettists with whom they collaborated to create the magical blend of words and music that make up opera.From its origins in the 17th-century courts of Italy to live screenings in public spaces today, Opera: The Definitive Illustrated Story follows the history of opera from Monteverdi’s L'Orfeo in 1607, to Cosi fan Tutte, La Bohème, and modern operas such as Brokeback Mountain. It explains musical terminology, traces historical developments, and sets everything in a cultural context.This awe-inspiring opera book further features:-Includes all of the most important operas from the Renaissance to the 21st century-Profiles the key composers, librettists, performers, and companies, with details of their lives, works, and influence-Arranged in chronological order to show the evolution of the genre-Clear, informative explanation of musical terminology and different types of operaThis book revels in the sets and costumes that make up the grand spectacle of opera. It also explores the great opera houses of the world, such as La Scala, Milan, the Met in New York, and the Sydney Opera House. Opera: The Definitive Illustrated Story is the essential book for anyone who wants to understand and enjoy the constantly evolving world of this beloved art form.Did you know that there are more than 25,000 opera performances per year worldwide? Opera: The Definitive Illustrated Story can be regarded as the most lavishly illustrated history of opera currently available, covering all of the most important operas from the Renaissance to the 21st century, and is completely global in scope. A must-have volume for opera buffs, whether as a gift or self-purchase, if you’re a music lover looking for an accessible introduction to opera, then this is the book for you!

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Words of wisdom from great samurai leaders: A collection of inspiring essays and aphorisms from Japan's leading warriorsSamurai warrior leaders had to deal with grim conditions of life, death and survival. But such men were not simply rough uneducated fighters: they often personified the Far Eastern ideal of balancing cultural awareness and artistic expertise with high martial abilities. Their sayings, precepts and the anecdotes about them are informed by a broad spectrum of interests, many of which are still of great value today.This book provides English translations of the essential thoughts and teachings of 55 great Samurai leaders—from Takeda Shingen and Oda Nobunaga to Shogun Tokugawa Ieyasu—the men who unified Japan and established a system of government that survived for generationsAdvice in this book includes: You should not envy the swords and clothing of others. It goes without saying that you should arrange your hair early in the morning if you are going out to your work, but this should be done even if you are thinking of staying at home. When you think too much, it is difficult to achieve your objectives. If you are too clever and look too far ahead, you will accomplish nothing. If you have some pressing or urgent affair, write it down with a calm state of mind. Your regular meals should be light, and you should not take a trivial liking for elegant cuisine. If someone promotes only those things the lord finds acceptable, and never remonstrates with him at all, you should watch that man carefully. No matter how wise a person may be, you should never depend fully on him but rather, understand that you are always on your own. Covering universal themes ranging from the courage and ambition to face daily affairs, the insights and strategies necessary to deal with allies and opponents, the value of art and literature, and even why and how to save money— this is a book whose ancient wisdom is still highly relevant and of great value to readers today.

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Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry. Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an "anti-modernist." Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today; how to reconcile scientific and artistic discourses and modes of vision; how to connect present-day experience to myths perceived as lying at the origins of human culture; how to renew the poetic language and how (or whether) to present art's claim to moral, spiritual, or epistemological seriousness within representations of modern phenomena. For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems—the current Selected Poetry, first published in 1938, contains no work from the last three volumes published during Jeffers' lifetime or from his posthumous volume. Now, for the first time, all of Jeffers' completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition. The first three volumes of this four-volume work, will present chronologically all of Jeffers' published work from 1920 to 1963. The present volume consists of poems written between 1928 and 1938—the narratives Dear Judes, Thurso's Landing, Give Your Heart to the Hawks, Solstice, and Such Counsels You Gave to Me, as well as shorter verse dramas and lyric poems.

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This Handbook provides an overview and assessment of the state-of-the-art research methods, approaches and applications central to economic geography.Understanding spatial economic outcomes and the forces and mechanisms that influence the geography of economic growth is of utmost importance and demands substantial theoretical and empirical research in economic geography, spatial economics and regional science. Such research is critically dependent upon good and reliable empirical data, and it is here that this Handbook contributes, providing a broad overview of up-to-date research methods and approaches. The chapters are written by distinguished researchers from a variety of scholarly traditions and with a background in different academic disciplines including economics, economic human and cultural geography, and economic history.Researchers and academics in economics and economic geography will find this a fundamental reference point and will benefit from the comprehensive assessment of research methods and approaches in the field. Practitioners and policy-makers will also find the practical applications to be of utmost value.Contributors: M. Andersson, G. Arbia, B. Asheim, R. Basile, M. Birkin, R. Boschma, S. Brakman, J. Bröcker, L. Broersma, H-H. Chang, G. Clarke, M. Clarke, L. Coenen, J. Corcoran, S. Dall'erba, G. Espa, A.M. Esteves, A. Faggian, M.M. Fischer, K. Frenken, M. Fritsch, D. Giuliani, K.E. Haynes, G.J.D. Hewings, M. Horváth, G. Ivanova, N. Kapitsinis, C. Karlsson, H. Khawaldah, M. Kilkenny, J. Klaesson, S. Koster, J.P. Larsson, J. Lesage, Y. Li, I. Llamosas-Rosas, P.A. Longley, T. Mitze, J. Moodysson, I. Noback, T. Norman, J. Oosterhaven, J. Parajuli, M. Partridge, D. Psaltopoulos, M. Schramm, D. Skuras, A. Stephan, P. Thulin, S. Usai, J. van Dijk, C. van Marrewijk, F. van Oort, F. Vanclay, A. Varga, H. Westlund

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Today we are facing a global crisis when it comes to families. Marriages are under more pressure than ever. Many children are growing up without experiencing the security of their parents' love and commitment to each other—and consequently are finding it harder to receive God's unconditional love. There is an urgent need to invest in marriage and family life, for strong societies are built on strong families, and strong families are built on strong marriages.The Marriage Course, developed by Nicky and Sila Lee of Alpha, has been revised and updated to provide practical tools to help couples at every stage of their relationship. This update includes talks from experts including Dr. Gray Chapman, Dr. Henry Cloud, and Dr. Sue Johnson on topics such as money, sex, love languages, healthy boundaries, and building connections. The course will also cover how couples can: Better understand each other's needs Communicate more effectively Grow closer by learning methods to resolve conflicts Recover from the way they may have hurt each other Recognize how their upbringing has affected their relationship Improve relationships with parents and in-laws The Marriage Course is based on a Christian understanding of love and serves to strengthen marriages within the church while being accessible for all couples from any cultural background, with or without a background in the Christian faith. This leader’s guide is included with The Alpha Marriage Course and is also sold separately.SESSIONS Building Strong Foundations The Art of Communication Resolving Conflict The Power of Forgiveness The Impact of Family—Past and Present Good Sex Love in Action Extra Session: Coping with Times of Separation

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Miguel González-Gerth, an esteemed translator, poet, editor, and professor emeritus at the University of Texas at Austin, has been publishing his original English and Spanish poetry since 1946. Born in Mexico City in 1926, González-Gerth moved to the United States in 1940 and made it his permanent home. He received his B.A. from the University of Texas in 1950 and a PhD from Princeton in 1973, and taught at UT for over thirty years.Editor David Colón has compiled a selection of González-Gerth’s poems that demonstrate the range of interests, themes, and styles that span more than a century of a life dedicated to Hispanic literature studies. The poems in this collection are arranged chronologically, exhibiting “the different phases of a poet’s life as well as different historical moments and literary traditions.”Many of the poems appear with side-by-side translation, demonstrating not only the creativity born of a unique cultural perspective, but the profound understanding and commitment to the process of translation, taking a poem through its original written language, rethinking the words, allusions, connotations, and presenting it in a different language and tradition. “He has two guiding principles as a translator of poetry: to keep the languages distinct, and to approach the act of reproduction as an art form itself. In the end, the translation must work on the terms of its own language. It is more important for it to be a successful poem than a faithful copy,” writes Colón in the introduction. Between Day and Night provides a record of González-Gerth’s achievement as a poet and translator, a writer who stays true to the languages and poetic styles of Latin America and Anglo-America, and “work[s] with essentially two minds.”

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Welcome to HAY's universe of irresistible, affordable, everyday design. 'HAY is destined to be an important part of the modern design canon - not as the result of design theory or design thinking, but as a result of design doing.' - John Hoke III, Chief Design Officer, Nike In 2002, husband and wife Rolf and Mette Hay founded their namesake company and forever changed how the world perceives Scandinavian design. Born from the duo's desire to make outstanding design available to all, HAY reimagines functional objects, turning couches, cutting boards, towels, and toothbrushes into vibrant items that bring joy to one's daily life. Simple, stylish, and affordable, HAY's furniture and accessories are a seamless blend of quality and economy. The brand's deep connections within the art, food, fashion, and broader cultural communities, as well as its exuberant use of colour - icy pastels, Memphis primary colours, rich jewel tones, and vivid near-neons - ensure HAY's best-selling products including the Mags Sofa, Matin Lamp, About A Chair, Palissade Collection, and Sowden Accessories Collection remain one step ahead of the zeitgeist. Published to coincide with the brand's 20th anniversary, this inspiring visual monograph explores HAY's origins and astronomical trajectory, including its close partnership with Herman Miller; its collaborations with an ever-growing stable of brilliant designers, along with design companies such as COS, IKEA, and SONOS; and the aesthetic alchemy that makes HAY's products and retail environments so distinct. The book features exclusive interviews with five pairs of designers: Ronan and Erwan Bouroullec; Nipa Doshi and Jonathan Levien; Shane Schneck and Clara von Zweigbergk (who also designed the book); Fien Muller and Hannes Van Severen; and Stine Gam and Enrico Fratesi. Beautifully illustrated with 600 colour images, HAY also includes an introduction by Kelsey Keith, the editorial director at Herman Miller, and contributions from Lucy Bourton, Duncan Riches, Emily Nathan and Tom Morris.

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The field of mythography has grown substantially in the past thirty years, an acknowledgment of the importance of how ancient writers "wrote down the myths" as they systematized, organized and interpreted the vast and contested mythical storyworld. With the understanding that mythography remains a contested category, that its borders are not always clear, and that it shifted with changes in the socio-cultural and political landscapes, The Oxford Handbook of Greek and Roman Mythography offers a range of scholarly voices that attempt to establish how and to what extent ancient writers followed the "mythographical mindset" that prompted works ranging from Apollodorus' Library to the rationalizing and allegorical approaches of Cornutus and Palaephatus. Editors R. Scott Smith and Stephen M. Trzaskoma provide the first comprehensive survey of mythography from the earliest attempts to organize and comment on myths in the archaic period (in poetry and prose) to late antiquity. The essays also provide an overview of those writers we call mythographers and other major sources of mythographic material (e.g., papyri and scholia), followed by a series of essays that seek to explore the ways in which mythographical impulses were interconnected with other intellectual activities (e.g., geography and history, catasteristic writings, politics). In addition, another section of essays presents the first sustained analysis between mythography and the visual arts, while a final section takes mythography from late antiquity up into the Renaissance. While also taking stock of recent advances and providing bibliographical guidance, this Handbook offers new approaches to texts that were once seen only as derivative sources of mythical data and presents innovative ideas for further research. The Oxford Handbook of Greek and Roman Mythography is an essential resource for teachers, scholars, and students alike.

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An expansive volume presenting crip approaches to writing, research, and publishing. Crip Authorship: Disability as Method is an expansive volume presenting the multidisciplinary methods brought into being by disability studies and activism. Mara Mills and Rebecca Sanchez have convened leading scholars, artists, and activists to explore the ways disability shapes authorship, transforming cultural production, aesthetics, and media. Starting from the premise that disability is plural and authorship spans composition, affect, and publishing, this collection of thirty-five compact essays asks how knowledge about disability is produced and shared in disability studies. Disability alters, generates, and dismantles method. Crip authorship takes place within and beyond the commodity version of authorship, in books, on social media, and in creative works that will never be published. The chapters draw on the expertise of international researchers and activists in the humanities, social sciences, education, arts, and design. Across five sections—Writing, Research, Genre/Form, Publishing, Media—contributors consider disability as method for creative work: practices of writing and other forms of composition; research methods and collaboration; crip aesthetics; media formats and hacks; and the capital, access, legal standing, and care networks required to publish. Designed to be accessible and engaging for students, Crip Authorship also provides theoretically sophisticated arguments in a condensed form that will make the text a key resource for disability studies scholars. Essays include Mel Y Chen on the temporality of writing with chronic illness; Remi Yergeau on perseveration; La Marr Jurelle Bruce on mad Black writing; Alison Kafer on the reliance of the manifesto genre on disability; Jaipreet Virdi on public scholarship for disability justice; Ellen Samuels on the importance of disability and illness to autotheory; Xuan Thuy Nguyen on decolonial research methods for disability studies; Emily Lim Rogers on virtual ethnography; Cameron Awkward-Rich on depression and trans reading methods; Robert McRuer on crip theory in translation; Kelsie Acton on plain language writing; and Georgina Kleege on description as an access and aesthetic technique.

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Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments.Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd

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An expansive volume presenting crip approaches to writing, research, and publishing. Crip Authorship: Disability as Method is an expansive volume presenting the multidisciplinary methods brought into being by disability studies and activism. Mara Mills and Rebecca Sanchez have convened leading scholars, artists, and activists to explore the ways disability shapes authorship, transforming cultural production, aesthetics, and media. Starting from the premise that disability is plural and authorship spans composition, affect, and publishing, this collection of thirty-five compact essays asks how knowledge about disability is produced and shared in disability studies. Disability alters, generates, and dismantles method. Crip authorship takes place within and beyond the commodity version of authorship, in books, on social media, and in creative works that will never be published. The chapters draw on the expertise of international researchers and activists in the humanities, social sciences, education, arts, and design. Across five sections—Writing, Research, Genre/Form, Publishing, Media—contributors consider disability as method for creative work: practices of writing and other forms of composition; research methods and collaboration; crip aesthetics; media formats and hacks; and the capital, access, legal standing, and care networks required to publish. Designed to be accessible and engaging for students, Crip Authorship also provides theoretically sophisticated arguments in a condensed form that will make the text a key resource for disability studies scholars. Essays include Mel Y Chen on the temporality of writing with chronic illness; Remi Yergeau on perseveration; La Marr Jurelle Bruce on mad Black writing; Alison Kafer on the reliance of the manifesto genre on disability; Jaipreet Virdi on public scholarship for disability justice; Ellen Samuels on the importance of disability and illness to autotheory; Xuan Thuy Nguyen on decolonial research methods for disability studies; Emily Lim Rogers on virtual ethnography; Cameron Awkward-Rich on depression and trans reading methods; Robert McRuer on crip theory in translation; Kelsie Acton on plain language writing; and Georgina Kleege on description as an access and aesthetic technique.

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The highly anticipated next book in Tuttle's Stories for Language Learners series is here!This book presents 22 classic Chinese proverbs and the traditional tales behind them. The stories are bilingual, with the Chinese and English versions presented on facing pages. Each includes an explanation of how the proverb is used today, cultural notes, vocabulary and discussion questions. Audio recordings of the tales read by native speakers are included—giving students a chance to improve their pronunciation and comprehension.Some of the proverbs featured in this collection include: "Painting the Eyes on the Dragon"Based on the story of a famous court painter in 6th century China who painted dragons, this proverb refers to the finishing touches needed to bring a work of art or literature to life. In a discussion, it refers to the final statements used to clinch the argument. "Waiting for Rabbits by a Tree Stump"Based on an ancient folktale about a foolish farmer who sees a rabbit kill itself in front of him by running into a tree stump, then gives up tilling his field to wait for more rabbits by the stump. This saying is applied to people who wait passively for luck to strike again. It also refers to impractical people who stick to one way of doing things only because it has worked for them once in the past. "Pure Water Has No Fish; Perfect People Have No Friends"Many versions of this historical tale exist. The one told here is about a 2nd century AD official sent to govern a far-flung outpost on the Silk Road who is fastidious in applying strict rules and thereby causes the local people to rebel against him. In the professional world, it is used to refer to people who do not like to work with an overly strict supervisor or colleague. Whether being used in a classroom or for self-study, Chinese Stories for Language Learners provides an educational and entertaining way for intermediate Mandarin learners to expand their vocabulary and understanding of the language.

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A milestone in literary scholarship, the publication of the Johns Hopkins edition of The Complete Poetry of Percy Bysshe Shelley makes available for the first time critically edited clear texts of all poems and translations that Shelley published or circulated among friends, as well as diplomatic texts of his significant incomplete poetic drafts and fragments. Edited upon historical principles by Donald H. Reiman and Neil Fraistat, the multi volume edition will offer more poems and fragments than any previous collective edition, arranged in the order of their first circulation. These texts are followed by the most extensive collations hitherto available and detailed commentaries that describe their contextual origins and subsequent reception. Rejected passages of released poems appear as supplements to those poems, while other poetic drafts that Shelley rejected or left incomplete at his death will be grouped according to either their publication histories or the notebooks in which they survive. Volume One includes Shelley's first four works containing poetry (all prepared for publication before his expulsion from Oxford), as well as "The Devil's Walk" (circulated in August 1812), and a series of short poems that he sent to friends between 1809 and 1814, including a bawdy satire on his parents and "Oh wretched mortal," a poem never before published. An appendix discusses poems lost or erroneously attributed to the young Shelley. "These early poems are important not only biographically but also aesthetically, for they provide detailed evidence of how Shelley went about learning his craft as a poet, and the differences between their tone and that of his mature short poetry index a radical change in his self-image...The poems in Volume I, then, demonstrate Shelley's capacity to write verse in a range of stylistic registers. This early verse, even in its most abandoned forays into Sensibility, the Gothic, political satire, and vulgarity-perhaps especially in these most apparently idiosyncratic gestures-provides telling access to its own cultural moment, as well as to Shelley's art and thought in general."-from the Editorial Overview

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