Search results for ""Author Leonard"

Es frecuente agrupar bajo la denominación de impersonalidad fenómenos muy heterogéneos sintáctica y semánticamente. Además, son muchos los casos de impersonalidad sintáctica que no recogen los manuales. La intención de esta obra es poner orden en el campo de la impersonalidad y diferenciar diversos tipos. El tratamiento del tema es en parte descriptivo y en parte normativo, pues con ciertos aspectos de impersonalidad se incurre con alguna frecuencia en algunas incorrecciones y/o agramaticalidades. En este trabajo, pues, el autor trata de aunar sintaxis y norma.

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Este trabajo trata de presentar y explicar una clasificación de los muy variados usos de /SE/ en la sintaxis española, aunque la línea que separa sus valores no siempre es nítida. Asimismo, aborda aspectos normativos de /SE/ a lo largo del trabajo, de manera especial en la parte última. En realidad, son sólo tres los valores generales sintácticos de SE, aunque hay que hablar de usos como variantes de cada uno de ellos. En efecto, existe un SE pronombre personal, un SE reflexivo (con sus variantes) con carácter pronominal y un SE no pronominal (con sus variantes de impersonalidad y pasiva refleja entre otros).

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Publicado como primera sección del libro titulado Faux pas (1943), De la angustia al lenguaje reúne a su vez una serie de pequeños ensayos centrados en torno a la literatura y la lengua ?y sus aporías? a partir del diálogo, crítico y creativo, que Maurice Blanchot, de una forma singular y con su inconfundible estilo, establece con autores tan diferentes como son su gran amigo Bataille y el Maestro Eckhart, Racine y Blake, Kierkegaard y Proust, Paulhan y Giraudoux, sin olvidar tampoco a Leonardo da Vinci o el pensamiento hindú.Esta recopilación de textos, precedidos por una larga reflexión sobre la angustia del escritor y las paradojas que esta no deja de entrañar, constituye una muestra inmejorable de lo que ha sido la trayectoria, en el ámbito de la crítica literaria, de ese gran novelista y pensador que es Maurice Blanchot.

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Whether it's Leonardo da Vinci's mysterious Mona Lisa, Vermeer's vibrant depictions of light, Van Gogh's mesmerizing brush strokes, or Matisse's playful cutouts, the art featured here is introduced in a format and style that will appeal to children. The book proceeds chronologically, accompanied by a timeline to offer helpful historical context. Each artist's entry includes a concise biography, beautiful reproductions of major works, and lively texts that speak directly to young readers. Games, quizzes and other activities help readers learn about the significant contributions of each artist in a way that is both fun and inspiring. Additional information about museums, suggestions for further reading, and online resources will satisfy the most curious minds.

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ABRIDGED EDITIONIf I die, the truth will be lost for ever . . . I must pass on the secret. History professor Robert Langdon receives an urgent late-night phone call while on business in France: the curator of the Louvre in Paris has been brutally murdered inside the museum. Alongside the body, police have found a series of baffling codes and need Langdon's help to decipher them. When Langdon and a French cryptologist, Sophie Neveu, begin to sort through the bizarre riddles, they find a trail that leads to the works of the famous artist and inventor Leonardo Da Vinci. As the clues unfold, Langdon and Neveu must decipher the code and quickly assemble the pieces of the puzzle before a stunning historical truth is lost forever . . .

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From Galileo, who used the hollow stalks of grass to demonstrate the idea that peripherally located construction materials provide most of the resistance to bending forces, to Leonardo da Vinci, whose illustrations of the parachute are alleged to be based on his study of the dandelion's pappus and the maple tree's samara, many of our greatest physicists, mathematicians, and engineers have learned much from studying plants. A symbiotic relationship between botany and the fields of physics, mathematics, engineering, and chemistry continues today, as is revealed in Plant Physics. The result of a long-term collaboration between plant evolutionary biologist Karl J. Niklas and physicist Hanns-Christof Spatz, Plant Physics presents a detailed account of the principles of classical physics, evolutionary theory, and plant biology in order to explain the complex interrelationships among plant form, function, environment, and evolutionary history. Covering a wide range of topics - from the development and evolution of the basic plant body and the ecology of aquatic unicellular plants to mathematical treatments of light attenuation through tree canopies and the movement of water through plants' roots, stems, and leaves - Plant Physics is destined to inspire students and professionals alike to traverse disciplinary membranes.

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The acclaimed overview of Black abstract art, now in an expanded edition with nearly 100 additional color plates The Joyner/Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by artists of the African diaspora and from the continent of Africa itself. Four Generations: The Joyner/Giuffrida Collection of Abstract Art draws upon the collection's unparalleled holdings to explore the critical contributions made by Black artists to the evolution of visual art in the 20th and 21st centuries. This revised and expanded edition updates Four Generations with several new texts and nearly 100 images of works that have been added to the collection since the initial publication of this influential and widely praised book. Lavishly illustrated and featuring important contributions by leading art historians, critics, and curators, Four Generations gives an essential overview of some of the most notable Black artists and movements of the past century, and their approaches to abstraction in its various forms. Filled with countless insights and visual treasures, Four Generations is a journey through the momentous legacy of postwar art of the African diaspora. Artists include: Firelei Báez, Romare Bearden, Kevin Beasley, Zander Blom, Mark Bradford, Leonardo Drew, Sam Gilliam, David Hammons, Isaac Julien, Jacob Lawrence, Norman Lewis, Glenn Ligon, Julie Mehretu, Oscar Murillo, Christina Quarles, Robin Rhode, Lorna Simpson, Shinique Smith, Alma Thomas, Kara Walker, Jack Whitten, Lynette Yiadom-Boakye and many others. Rarely is a monograph on a private collection as revelatory as this—what an extraordinary, rich body of work is packed into these pages. The achievements of the artists, as well as their conceptual and formal daring, leave no doubt that a new page on American art is about to be opened." –Okwui Enwezor

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This is the first collection in English of the extraordinary letters of one of the great writers of the twentieth century. Italy's most important postwar novelist, Italo Calvino (1923-1985) achieved worldwide fame with such books as Cosmicomics, Invisible Cities, and If on a Winter's Night a Traveler. But he was also an influential literary critic, an important literary editor, and a masterful letter writer whose correspondents included Umberto Eco, Primo Levi, Gore Vidal, Leonardo Sciascia, Natalia Ginzburg, Michelangelo Antonioni, Pier Paolo Pasolini, and Luciano Berio. This book includes a generous selection of about 650 letters, written between World War II and the end of Calvino's life. Selected and introduced by Michael Wood, the letters are expertly rendered into English and annotated by well-known Calvino translator Martin McLaughlin. The letters are filled with insights about Calvino's writing and that of others; about Italian, American, English, and French literature; about literary criticism and literature in general; and about culture and politics. The book also provides a kind of autobiography, documenting Calvino's Communism and his resignation from the party in 1957, his eye-opening trip to the United States in 1959-60, his move to Paris (where he lived from 1967 to 1980), and his trip to his birthplace in Cuba (where he met Che Guevara). Some lengthy letters amount almost to critical essays, while one is an appropriately brief defense of brevity, and there is an even shorter, reassuring note to his parents written on a scrap of paper while he and his brother were in hiding during the antifascist Resistance. This is a book that will fascinate and delight Calvino fans and anyone else interested in a remarkable portrait of a great writer at work.

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Moral Essays on the High Renaissance consist of critical essays on the art and thought of major figures of sixteenth-century Italian Renaissance art. Looking at these artists from an ethical point of view, these provocative essays set out to discover and describe the moral basis of High Renaissance art. Important areas of focus include the paintings and sculpture of Michelangelo, the artistic style and sense of the life of Raphael, and the ethical approach of the Cinquecento biographer Giorgio Vasari. Consideration is given also to the worldly, graceful art of Leonardo da Vinci and the painterly hedonism of the Venetians. The volume concludes with a semi-autobiographical essay that restates the underlying moral principles behind the earlier chapters. The book is well illustrated with numerous black-and-white reproductions of important works of High Renaissance art and architecture.

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A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who’s famed lectures and classes at New York City’s Art Student League captivated artists and art educators from around the world.Faithfully producing and methodically analyzing 100 master drawings—including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others—Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.

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For fans of FIFTY SHADES OF GREY and BARED TO YOU comes the emotionally charged final instalment in the erotic and addictive DESIRES UNLOCKED trilogy.Valentina Rosselli is heartbroken - she has lost Theo, her true love, seemingly forever. Yet, with the help of good friend Leonardo, Valentina gradually rediscovers her liberated sexual self, unlocking her deepest erotic desires and reaching a level of passion she'd never thought possible. And then a shock from the past sends her reeling...In Berlin in 1984, Tina Rosselli risks everything for a steamy, highly charged romance with a charismatic young cellist. Their brief but explosive affair will affect Tina for the rest of her life. As the stories of the two women converge in the trilogy's thrilling and intensely passionate conclusion, both must surrender themselves: to desire, and to love.

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Esta novela narra la historia de una gran familia ganadera venida a menos. La inminente muerte de la matriarca sirve como excusa para hilvanar las voces, interesadas y contradictorias, que darán cuenta de los conflictos, las desilusiones y las fisuras que han desencadenado su ruina. El padre es un ludópata que ha dilapidado su patrimonio, Francisco se afana por conservar los restos de su herencia cuando muera la madre, João deshonra a la familia al desvelar su homosexualidad, Beatriz está marcada por el fracaso de dos matrimonios, Ana es adicta a las drogas y visitante habitual de los bajos fondos, Rita falleció prematuramente y, finalmente, Mercília, la vieja sirvienta que los ha criado a todos y conoce cada uno de sus secretos.Como cualquier texto que se precie de poseer ese je ne sais quoi que lo eleva a la categoría de literario, esta novela llega en oleadas.Ana Cristina Leonardo, Expresso

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Considered a great classic by all who seek for a meeting ground between science and the humanities, Art and Illusion examines the history and psychology of pictorial representation in light of present-day theories of visual perception information and learning. Searching for a rational explanation of the changing styles of art, Gombrich reexamines many ideas on the imitation of nature and the function of tradition. In testing his arguments he ranges over the history of art, noticing particularly the accomplishments of the ancient Greeks, and the visual discoveries of such masters as Leonardo da Vinci and Rembrandt, as well as the impressionists and the cubists. Gombrich's triumph in Art and Illusion arises from the fact that his main concern is less with the artists than with ourselves, the beholders.

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'A classic example of detective-book murder . . . Leon whips up a brilliant narrative storm' Sunday TimesWhen Commissario Brunetti receives a visit from one of his wife's students with a strange and vague interest in investigating the possibility of a pardon for a crime committed by her grandfather many years ago, he thinks little of it, despite being intrigued by the girl's intelligence and moral conscience. But when the girl is found stabbed to death, Claudia Leonardo is no longer Paola's student, but instead becomes Brunetti's case.Claudia seems to have no discernible living family, but lived with an elderly Austrian woman. When she in turn is found dead, the case begins to unlock long buried secrets of collaboration during the war, secrets few in Italy are happy to explore . . .'Wholly engrossing' Evening Standard

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For some time in the distant past, hand-lettering used to be a highly-regarded skill to master and was ubiquitous via publications and public signages. Although society relies heavily on keyboards and screens for communication today, a growing number of creative practitioners have been busy reviving the seemingly-lost art in recent years, in a bid to return the sincerity and warmth of the human touch to our predominantly digital lives. Brimming with character, hand-lettering serves as the bridge between old-school calligraphy and modern typography to bring nuance back into an age of uniformity. Rereleased in conjunction with Victionary’s 20th anniversary, the 2021 boxset edition of ‘Handstyle Lettering’ comes with a beginner-friendly calligraphy pen-and-nib set crafted by renowned British companies Manuscript and D. Leonardt & Co. which––coupled with new projects, interviews, and an expanded step-by-step guide––serves to help aspiring creatives kickstart their hand-lettering journey.

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Caribbean art as a diasporic, fugitive phenomenon: a groundbreaking global survey The 1990s were a period of profound political transformation, from the dissolution of the Eastern Bloc to the rise of trade agreements that continue to influence the world we live in today. Emerging from this pivotal decade—which also shaped the production, circulation and framing of art in the Caribbean—Forecast Form traces a path into the present, highlighting forms, materials and processes that reveal new modes of thinking about identity and place. This volume features scholarly essays alongside richly illustrated plate sections and texts focused on an intergenerational group of 37 artists working across the Americas and Europe. A radical rethinking of contemporary art in the Caribbean, Forecast Form reveals the region as a place where the past, the present and the future meet—where continuous exchanges forecast what is to come while remaining grounded in the histories that shape the present. Artists include: Candida Alvarez, Firelei Báez, Álvaro Barrios, Frank Bowling, Sandra Brewster, María Magdalena Campos-Pons, Donna Conlon and Jonathan Harker, Christopher Cozier, Julien Creuzet, Maksaens Denis, Peter Doig, Jeannette Ehlers, Tomm El-Saieh, Alia Farid, Teresita Fernández, Rafael Ferrer, Denzil Forrester, Joscelyn Gardner, Felix Gonzalez-Torres, Deborah Jack, Engel Leonardo, Daniel Lind-Ramos, Suchitra Mattai, David Medalla, Ana Mendieta, Lorraine O'Grady, Ebony G. Patterson, Keith Piper, Marton Robinson, Donald Rodney, Freddy Rodríguez, Tavares Strachan, Zilia Sánchez, Rubem Valentim, Adán Vallecillo, Cosmo Whyte and Didier William.

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Cumbia is a musical form that originated in northern Colombia and then spread throughout Latin America and wherever Latin Americans travel and settle. It has become one of the most popular musical genre in the Americas. Its popularity is largely due to its stylistic flexibility. Cumbia absorbs and mixes with the local musical styles it encounters. Known for its appeal to workers, the music takes on different styles and meanings from place to place, and even, as the contributors to this collection show, from person to person. Cumbia is a different music among the working classes of northern Mexico, Latin American immigrants in New York City, Andean migrants to Lima, and upper-class Colombians, who now see the music that they once disdained as a source of national prestige. The contributors to this collection look at particular manifestations of cumbia through their disciplinary lenses of musicology, sociology, history, anthropology, linguistics, and literary criticism. Taken together, their essays highlight how intersecting forms of identity—such as nation, region, class, race, ethnicity, and gender—are negotiated through interaction with the music.Contributors. Cristian Alarcón, Jorge Arévalo Mateus, Leonardo D'Amico, Héctor Fernández L'Hoeste, Alejandro L. Madrid, Kathryn Metz, José Juan Olvera Gudiño, Cathy Ragland, Pablo Semán, Joshua Tucker, Matthew J. Van Hoose, Pablo Vila

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In the 1990s, American civil society got upended and reordered as many social, cultural, political, and economic institutions were changed forever. Pretty People examines a wide range of Hollywood icons who reflect how stardom in that decade was transformed as the nation itself was signaling significant changes to familiar ideas about gender, race, ethnicity, age, class, sexuality, and nationality.Such actors as Denzel Washington, Andy Garcia, Halle Berry, Angela Bassett, Will Smith, Jennifer Lopez, and Antonio Banderas became bona fide movie stars who carried major films to amazing box-office success. Five of the decade’s top ten films were opened by three women—Julia Roberts, Jodie Foster, and Whoopi Goldberg. “Chick flick” entered the lexicon as Leonardo DiCaprio became the “King of the World,” ushering in the cult of the mega celebrity. Tom Hanks and Tom Cruise defined screen masculinity as stark contrasts between “the regular guy” and “the intense guy” while the roles of Michael Douglas exemplified the endangered “Average White Male.” A fascinating composite portrait of 1990s Hollywood and its stars, this collection marks the changes to stardom and society at century’s end.

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Would you risk the future to change the past?Luna, Konstantin and Aidan are time-travelling thieves working for The Butterfly Club.When they are asked to steal a little-known painting called the Mona Lisa, Aidan can only think of one man who can make things disappear – the magician, Harry Houdini. And as luck would have it, Houdini cannot resist a challenge.The three children and Houdini travel to 1911 Paris where they face an impossible task – stealing a painting right off the wall of the fortress-like Louvre Museum.As Houdini prepares for the theft, a heist which will require him to pull off his greatest ever trick, the time-thieves realise that the Mona Lisa is smiling because she holds a secret. Her creator, Leonardo Da Vinci, hid mysterious codes within the painting.The race is on to solve the puzzle in time...

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A stunning art gallery in a book, art, annotated spans more than 3,000 years of paintings, sculptures, and prints.Combining reproductions of each work of art with precise annotations and visual analysis, it is an expertly curated selection of the finest art ever created.Immerse yourself in this book and learn all about art - how Michelangelo painted nudes, what cubism is, and where abstraction came from. Discover ancient Egyptian frescoes, read the visual clues to Leonardo da Vinci''s Last Supper, and find out what inspired Louise Bourgeois and Banksy. In this art book, you will find: Art from all over the world exploring key elements such as composition, colour, technique, and symbolism. Profiles the work of more than 450 artists from across the world and many different cultures, covering every period and major art movement. Art set in its historical context, which makes art, annotated a complete overview of ar

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Giovanni Marrasio (d. 1452), a humanist poet from Noto in Sicily, spent the major part of his poetic career in Siena and Ferrara before returning to Palermo in the role of a medical doctor serving the University of Palermo. In Siena, Naples, and Palermo he hovered on the edge of the courts of the Este and of Alfonso “the Magnanimous” of Aragon without ever winning the title of court poet he coveted.Marrasio was esteemed in the Renaissance as the first to revive the ancient Latin elegy, and his Angelinetum, or “Angelina’s Garden,” as well as his later poems (Carmina Varia) explore that genre in all its variety, from love poetry, to a description of a court masque, to political panegyric, to poetic exchanges with famous humanists of the day such as Leonardo Bruni, Maffeo Vegio, Antonio Panormita, and Enea Silvio Piccolomini. This volume contains the first translation of Marrasio’s works into any modern language.

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En 1945, tras la Liberación, los soldados soviéticos que entonces controlaban el campo de prisioneros en Katowice, Polonia, pidieron a Primo Levi y su compañero en el campo, Leonardo De Benedetti, que escribieran un informe detallado sobre las condiciones sanitarias del campo de concentración. El resultado fue el Informe Auschwitz, un texto extraordinario, de los primeros que se escribieron acerca de los campos de exterminio. Publicado en 1946 en la revista especializada Minerva Medica, es el punto de partida de todo lo que escribiría Primo Levi como testigo, analista y escritor. Durante las cuatro décadas siguientes, Levi nunca dejaría de explicar su experiencia en Auschwitz en escritos de distinto tipo, muchos de los cuales nunca se publicaron en forma libro. Así fue Auschwitz es un mosaico de recuerdos de inestimable valor humano e histórico: desde su testimonio en el caso Eichmann hasta sus declaraciones en el caso Bosshammer; desde la carta que le escribió a la hija de un fascista

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Las imágenes distan de ser transparentes, están plagadas de sobreentendidos y códigos, tienen etimologías, dialectos y jergas. La visión no es solo un fenómeno óptico, implica también pactos y procesos sociales. La adopción de hormas mentales derivadas de la perspectiva renacentista o el empleo de artefactos como la cámara oscura o la linterna mágica estuvieron cargados de consecuencias. Y la enunciación de la mirada contemporánea supone suscribir, consciente o inconscientemente, un complejo aluvión de atavismos asentados en nuestro ADN cultural, desde Altamira hasta la Capilla Sixtina o las actuales pinturas callejeras.Este libro, profusamente ilustrado, muestra algunos de esos itinerarios. Por sus páginas desfilan Leonardo, Brueghel, El Bosco, El Greco, Rembrandt y Arcimboldo; Cervantes y Borges; Goya y Solana; Einstein, Escher y Moebius; Eisenstein, Orson Welles, Hitchcock, Pasolini, Godard, Buñuel y Dalí. Pero también otros eslabones menos conocidos, que han configurado nuestra

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He's been called "America's greatest living tailor" and "the most interesting man in the world." Now, for the first time, Holocaust survivor Martin Greenfield tells his incredible life story. Taken from his Czechoslovakian home at age fifteen and transported to the Nazi concentration camp at Auschwitz with his family, Greenfield came face to face with "Angel of Death" Dr. Joseph Mengele and was divided forever from his parents, sisters, and baby brother. In haunting, powerful prose, Greenfield remembers his desperation and fear as a teenager alone in the death camp—and how an SS soldier's shirt dramatically altered the course of his life. He learned how to sew; and when he began wearing the shirt under his prisoner uniform, he learned that clothes possess great power and could even help save his life. Measure of a Man is the story of a man who suffered unimaginable horror and emerged with a dream of success. From sweeping floors at a New York clothing factory to founding America’s premier custom suit company, Greenfield built a fashion empire. Now 86 years old and working with his sons, Greenfield has dressed the famous and powerful of D.C. and Hollywood, including Presidents Dwight Eisenhower, Bill Clinton, and Barack Obama, celebrities Paul Newman, Leonardo DiCaprio, and Jimmy Fallon, and the stars of Martin Scorsese's films. Written with soul-baring honesty and, at times, a wry sense of humor, Measure of a Man is a memoir unlike any other—one that will inspire hope and renew faith in the resilience of man.

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The Renaissance was not just a rebirth of the mind. It was also a new dawn for the machine.When we celebrate the achievements of the Renaissance, we instinctively refer, above all, to its artistic and literary masterpieces. During the fifteenth and sixteenth centuries, however, the Italian peninsula was the stage of a no-less-impressive revival of technical knowledge and practice. In this rich and lavishly illustrated volume, Paolo Galluzzi guides readers through a singularly inventive period, capturing the fusion of artistry and engineering that spurred some of the Renaissance’s greatest technological breakthroughs.Galluzzi traces the emergence of a new and important historical figure: the artist-engineer. In the medieval world, innovators remained anonymous. By the height of the fifteenth century, artist-engineers like Leonardo da Vinci were sought after by powerful patrons, generously remunerated, and exhibited in royal and noble courts. In an age that witnessed continuous wars, the robust expansion of trade and industry, and intense urbanization, these practitioners—with their multiple skills refined in the laboratory that was the Renaissance workshop—became catalysts for change. Renaissance masters were not only astoundingly creative but also championed a new concept of learning, characterized by observation, technical know-how, growing mathematical competence, and prowess at the draftsman’s table.The Italian Renaissance of Machines enriches our appreciation for Taccola, Giovanni Fontana, and other masters of the quattrocento and reveals how da Vinci’s ambitious achievements paved the way for Galileo’s revolutionary mathematical science of mechanics.

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History and science collide in the fascinating history of anatomy, from artistic explorations by Leonardo da Vinci and the full-body papier-mâché model produced by Louis Auzoux to the crimes of William Burke and William Hare in 19th-century Edinburgh. This history of how anatomy was studied focuses on Edinburgh and the West Port murders in 1828 and acknowledges the science’s reliance on dead bodies taken without consent. Edinburgh was an important centre for medical teaching at this time but the sixteen murders exposed the darker side of the practice and study of medicine – the bodies were sold by Burke and Hare to the Edinburgh University anatomist Dr Robert Knox. The book accompanies a major exhibition at the National Museum of Scotland beginning 2 July 2022 which charts five hundred years of medical exploration.

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La trascendencia es tal vez el desafío más secreto y escondido del ser humano, que se niega a aceptar la realidad en la que está sumido, porque se siente mayor que todo cuanto le rodea. Con su pensamiento, habita las estrellas y rompe todos los espacios. Esta capacidad es lo que llamamos trascendencia, porque trasciende, rompe, va más allá de lo que es dado, llevándonos a descubrir dimensiones capaces de promover nuestra realización y, de ese modo, conquistar la paz y la felicidad que buscamos.

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This is a history of the European city from the early Middle Ages to the present. Tracing the city from the survival of urban life after the collapse of the Roman Empire to the effects of modern industrialization and transportation, Professor Benevolo's book also provides a fascinating account of the relationship between urban life and cultural and intellectual life.

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Secret deals, powerful men and murder - One Way or Another is a chillingly prophetic work. The Knight and Death features a nameless (and apparently terminally ill) detective investigating the murder of a lawyer believed to have been killed by a mysterious revolutionary group. The detective thinks otherwise and sets out to prove that powerful business interests were involved, with the revolutionary group invented to cover up the real reasons behind the murder.

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