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Distinguished by their sharp insights, eloquence, even humor, the writings of Martin Trow on the development of higher education have helped define the field. Collected here are his most influential essays, tracing the arc and evolution of his prolific scholarly career over more than four decades. Trow is well known for his pioneering work on the transition from elite to mass to universal higher education, and scholars worldwide continue to use his conceptual framework for analyzing and comparing institutions. As both a sociologist and a public policy analyst, Trow hoped his analyses of higher education would help influence public policy. He believed that understanding how higher education had developed-its peculiarities in a particular society and the direction of change within it-would lead to wiser policy choices. Martin Trow began compiling this collection before his death in 2007. Editor Michael Burrage, along with Trow's friends and colleagues, worked to carry out Trow's wishes, writing introductions to the essays which situate them in their context and which continue each contributor's conversations with Trow during his lifetime. Those seriously interested in the emergence of mass higher education, and the debates surrounding it, will appreciate finding many of Trow's groundbreaking works-including three articles never before published-in a single volume.

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Following the arc of Bellini’s career, from his early devotional paintings to his later, occasionally secular works, this book offers an in-depth appreciation of the Venetian master who dominated the Early Renaissance. Featuring nearly every extant Bellini work, as well as those of his contemporaries, this book brims with gorgeous Renaissance art. Author Johannes Grave focuses on some of the artist’s greatest works including Allegoria Sacra, the Brera Pietà, and the altarpiece of San Giobbe—to explore how Bellini excelled in tempera before mastering oil painting. Grave discusses how Bellini’s precise lines, his delicate facial expressions, and the subtle effects of light and shadow were used in his religious paintings as well as his portraiture and late mythological depictions. This book examines Bellini’s life, including his complex relationships with his father Jacopo, his brother Gentile, and his brother-in-law Andrea Mantegna. It considers the original contexts of Bellini’s works, and elucidates the ways in which these paintings were meant to be perceived. The book also links Bellini’s devotional paintings with the poetic creations of his pupil Giorgione. An important contribution to the scholarship of Renaissance art, this masterful book reaffirms Bellini’s status as one of Venice’s greatest painters.

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In Romantic Interactions, Susan J. Wolfson examines how interaction with other authors-whether on the bookshelf, in the embodied company of someone else writing, or in relation to literary celebrity-shaped the work of some of the best-known (and less well-known) writers in the English language. Working across the arc of Long Romanticism, from the 1780s to the 1840s, this lively study involves writing by women and men, in poetry and prose. Combining careful readings with sophisticated literary, historical, and cultural criticism, Wolfson reveals how various writers came to define themselves as "author." The story unfolds not only in deft textual analyses but also by provocatively placing writers in dialogue with what they were reading, with one another, and with the community of readers (and writers) their writings helped bring into being: Mary Wollstonecraft and Charlotte Smith in the Revolution-roiled 1790s; William Wordsworth and Dorothy Wordsworth in the society of the Lake District; Lord Byron, a magnet for writers everywhere, inspired, troubled, but always arrested by what he (and his scandal-ridden celebrity) represented. This fresh, informative account of key writers, important texts, and complex cultural currents promises keen interest for students and scholars, literary critics, and cultural historians.

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There's so much to love about New York, and so much to see. The city is full of art, and architecture, and history -- and not just in museums. Hidden in plain sight, in office building lobbies, on street corners, and tucked into Soho lofts, there's a treasure trove of art waiting to be discovered, and you don't need an art history degree to fall in love with it.Art Hiding in New York is a beautiful, giftable book that explores all of these locations, traversing Manhattan to bring 100 treasures to art lovers and intrepid New York adventurers. Curator and urban explorer Lori Zimmer brings readers along to sites covering the biggest names of the 20th century -- like Jean-Michel Basquiat's studio, iconic Keith Haring murals, the controversial site of Richard Serra's Tilted Arc, Roy Lichtenstein's subway station commission, and many more. Each entry is accompanied by a beautiful watercolor depiction of the work by artist Maria Krasinski, as well as location information for those itching to see for themselves. With stunning details, perfect for displaying on any art lover's shelf, and curated itineraries for planning your next urban exploration, this inspirational book is a must-read for those who love art, New York, and, of course, both.

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Saints are ordinary men and women who touch the world in extraordinary and inspiring ways. Sometimes they prevail, sometimes they come to a tragic end-but always they change the world they live in for the better. In this freshly told and boldly illustrated book, children will find the stories of the best-known and best-loved saints, from Augustine to Mother Teresa (officially canonized as St. Teresa of Calcutta). Meet Joan of Arc, whose faith inspired her to lead an army when the king's courage failed. Francis of Assisi, whose gentleness tamed a man-eating wolf. Christopher, whose medal is often worn by travelers. Valentine, a bishop in the time of ancient Rome who spoke so often of Christ's love that his saint's day, February 14, has been associated with courtly love since the Middle Ages. St. Thomas Aquinas, the great teacher. Peter Claver, who cared for hundreds of thousands of people on slave ships after their voyage as captives. Bernadette, whose vision of Mary instructed her to dig the spring that became the healing waters of Lourdes. Each tale is more vivid than the last; also included in each entry are the saint's dates, location, emblems, and patronage. Taken together, they create a rich and entertaining history of faith and courage.

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In recent years serious attempts have been made to systematize and develop the moral and political themes of great philosophers of the past. Kant, Locke, Marx, and the classical utilitarians all have their current defenders and arc taken seriously as expositors of sound moral and political views. It is the aim of this book to introduce Hobbes into this select group by presenting a plausible moral and political theory inspired by Leviathan. Using the techniques of analytic philosophy and elementary game theory, the author develops a Hobbesian argument that justifies the liberal State and reconciles the rights and interests of rational individuals with their obligations. Hobbes's case against anarchy, based on his notorious claim that life outside the political State would be a "war of all against all," is analyzed in detail, while his endorsement of the absolutist State is traced to certain false hypotheses about political sociology. With these eliminated, Hobbes's principles support a liberal redistributive (or "satisfactory") State and a limited right of revolution. Turning to normative issues, the book explains Hobbes's account of morality based on enlightened self-interest and shows how the Hobbesian version of social contract theory justifies the political obligations of citizens of satisfactory States.

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Independent Catholics are not formally connected to the pope in Rome. They practice apostolic succession, seven sacraments, and devotion to the saints. But without a pope, they can change quickly and experiment freely, with some affirming communion for the divorced, women's ordination, clerical marriage, and same-sex marriage. From their early modern origins in the Netherlands to their contemporary proliferation in the United States, these "other Catholics" represent an unusually liberal, mobile, and creative version of America's largest religion. In The Other Catholics, Julie Byrne shares the remarkable history and current activity of independent Catholics, who number at least two hundred communities and a million members across the United States. She focuses in particular on the Church of Antioch, one of the first Catholic groups to ordain women in modern times. Through archival documents and interviews, Byrne tells the story of the unforgettable leaders and surprising influence of these understudied churches, which, when included in Catholic history, change the narrative arc and total shape of modern Catholicism. As Pope Francis fights to soften Roman doctrines with a pastoral touch and his fellow Roman bishops push back with equal passion, independent Catholics continue to leap ahead of Roman reform, keeping key Catholic traditions but adding a progressive difference.

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Psychologists, psychiatrists, social workers, psychiatric nurses, theoreticians, practitioners, and other allied professionals who together represent the entire arc of the mental health field must be versed in psychopathology, the study of mental and emotional phenomena, abnormal psychology, and specific symptoms and behaviors. Building a reference that speaks to all of these professions and subjects, Henry Kellerman assembles the first dictionary to focus exclusively on psychopathology, featuring more than two thousand entries (over fifteen hundred primary and more than five hundred subentries) on specific symptoms and disorders, general syndromes, facets of personality structure, and diagnosis. He also includes a sampling of benchmark contributions by theoreticians and researchers that cover the history of psychopathology. These contributions reflect those of a psychodynamic nature as well as cognitive and behavioral approaches, and represent the relatively new field of neuropsychoanalysis as well. This branch of neuroscience is concerned with the relation between the brain and the mind, specifically with reference to brain architecture and function. Monitored by a distinguished editorial board, the Dictionary of Psychopathology mostly adheres to the latest DSM nomenclature while also retaining useful residual diagnoses of previous DSM formulations, as well as diagnostic formulations outside of traditional nosologies. The aim of the Dictionary is to broadly contribute to the synthesis of psychopathology.

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The second volume is dedicated to the eastern valleys, and describes 116 ascents picked from 24 mountain groups to the east of the Adige valley: Breonie di Levante, Aurine Alps, Monti di Predoi, Monti di Fundres, Vedrette di Ries, Monti di Casies, Odle-Puez Group, Fanes-Senes-Braies Group, Sesto Dolomites, Catinaccio Group, Sella and Sassolungo Group, Latemar Group, Marmolada Group, Cima Bocche Chain, Lagorai Chain, Cima d?Asta Group, Pale di San Martino, Feltrine Alps, Schiara Group, Cima Dodici Chain, Piccole Dolomiti, Grappa Massif, Col Nudo-Cavallo Group, Lessini Mountains. All the itineraries described have been selected for their beautiful views and for their difficulty. Few itineraries offer mountaineering difficulties higher than II grade, but not all the ascents are just hikes: some require a good knowledge of progressing on glaciers, the use of a ferrata set as well as being able to scramble on rocks. Finally, there are opportunities for almost all seasons: in both volumes we find itineraries which run along the Alpine Arc with high altitude and ice, to be tackled during summer time, as well as itineraries which lie in mountain groups closer to the Po Valley, therefore possible to visit late autumn or even during dry winters.

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Children's book author and illustrator extraordinaire Dario Cestaro (born 1971) presents the beauty of Paris through the spectacular paper architecture of a pop-up book. Cestaro takes young and young at heart readers through a fascinating journey through Paris's most famous buildings: the Eiffel Tower, the Bourse de Commerce, the Louvre, the cathedral of Notre-Dame, the Centre Pompidou and the Arc de Triomphe. This lively tour through Cestaro's colorful pages is enlivened by short texts and sweet anecdotes that tell a history of the city through its most iconic buildings. Readers will learn about the construction of the Eiffel Tower for the 1889 World's Fair, designed by the well-known architect of iron after whom it is named; the pre- and post-Revolutionary histories of the Louvre and the Jardin des Tuileries, given first to princes and then to the people; Tadao Ando's painstaking restoration of the 18th-century Bourse de Commerce to turn it into a contemporary art gallery, and much more. Cestaro's tour through Paris follows the publication of similar volumes on other great European cities: Venice, Florence, Milan and Rome. Cestaro's captivating drawings will help even the youngest readers to recognize the main features of the city, and offers a special glimpse of the city's landscape and its history.

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The first and fullest account of the suppressed history and continuing presence of Native Americans in Washington, DC Washington, DC, is Indian land, but Indigenous peoples are often left out of the national narrative of the United States and erased in the capital city. To redress this myth of invisibility, Indigenous DC shines a light upon the oft-overlooked contributions of tribal leaders and politicians, artists and activists to the rich history of the District of Columbia, and their imprint—at times memorialized in physical representations, and at other times living on only through oral history—upon this place. Inspired by author Elizabeth Rule’s award-winning public history mobile app and decolonial mapping project Guide to Indigenous DC, this book brings together the original inhabitants who call the District their traditional territory, the diverse Indigenous diaspora who has made community here, and the land itself in a narrative arc that makes clear that all land is Native land. The acknowledgment that DC is an Indigenous space inserts the Indigenous perspective into the national narrative and opens the door for future possibilities of Indigenous empowerment and sovereignty. This important book is a valuable and informational resource on both Washington, DC, regional history and Native American history.

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Dangerous is Michael Jackson's coming of age album. Granted, that’s a bold claim to make given that many think his best work lay behind him by the time this record was made. It offers Jackson on a threshold, at long last embracing adulthood—politically questioning, sexually charged—yet unable to convince a skeptical public who had, by this time, been wholly indoctrinated by a vicious media. Even though the record sold well, few understood or were willing to accept the depth and breadth of Jackson’s vision; and then before it could be fully grasped, it was eclipsed by a shifting pop music landscape and personal scandal—the latter perhaps linked to his assertive new politics. This book tries to cut through the din of dominant narratives about Jackson, taking up the mature, nuanced artistic statement he offered on Dangerous in all its complexity. It is read here as a concept album, one that offers a compelling narrative arc of postmodern angst, love, lust, seduction, betrayal, damnation, and above all else racial politics, in ways heretofore unseen in his music. This record offered a Michael Jackson that was mystifying for a world that had accepted him as a child and as childlike and, hence, as safe; this Michael Jackson was, indeed, dangerous.

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ÊPearl Jam FAQÊ is what the British refer to as a spanner covering the entire arc of the band's career from their pre-Pearl Jam days to the present. Each chapter explores a different aspect of Pearl Jam's fascinating history.ÞYou will read about the members' successes failures and tragedies in earlier bands. You will learn the band's origin story and the unusual manner in which they came up with a name. We will go inside the studio and analyze each of their albums in turn. We will hit the road with the band as Pearl Jam sets out to conquer Seattle the West Coast of the United States and then the entire world.ÞWe will watch as Pearl Jam adapts to an ever-changing media landscape where MTV not radio is the major power broker. You will revel in their battles with Ticketmaster and learn about the roots of their socio-political activism. In short you will experience Pearl Jam in every imaginable context: on CD on vinyl on the radio on television on film in videos onstage backstage on the road in the air and at home. Written by Pearl Jam enthusiasts ÊPearl Jam FAQÊ presents a must-have text for band devotees to devour.

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When Hitler marched into Austria in March 1938, he was given a rapturous reception. Millions lined the streets and filled the squares of Vienna. Tobias Portschy, a self-appointed regional Nazi chief, considered what to give the Fuhrer for his birthday, and devised a particular gift from the Austrian people: the elimination of Jewish life in the Burgenland, picturesque farming country about 70 km south-east of Vienna. Eichmann took note of the brutal methodology. The Holocaust had begun. Burgenland is an astonishing survey of Jewish history in Central Europe, an account of the opening salvo of what turned into the systematic industrial-scale genocide of European Jewry, a stern examination of British policy and the world’s wholly inadequate response. It is also a deeply personal memoir and family history. Impeccably researched and hugely ambitious in scope, it narrates the full arc of the Jewish experience in Central Europe over 300 years, following the lives of one family who played a significant part in events described, from the struggle for civil liberties to the resistance to fascism and the rise of Zionism. David Joseph has dissected an uncomfortable history, and the results demand a substantial reassessment of the orthodox narrative around the Holocaust both in Britain and in Austria.

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The inspiring story of one man's record-breaking cycle around the world.On Monday 18th September 2017, Mark Beaumont pedalled through the Arc de Triomphe in Paris. 78 days, 14 hours and 40 minutes earlier he set off from the same point, beginning his attempt to circumnavigate the world in record time. Covering more than 18,000 miles and cycling through some of the harshest conditions one man and his bicycle can endure, Mark made history. He smashed two Guinness World Records and beat the previous record by an astonishing 45 days. Around the World in 80 Days is the story of Mark's amazing achievement - one which redefines the limits of human endurance. It is also an insight into the mind of an elite athlete and the physical limits of the human body, as well as a kaleidoscopic tour of the world from a very unique perspective; inspired by Jules Verne's classic adventure novel, Mark begins his journey in Paris and cycles through Europe, Russia, Mongolia and China. He then crosses Australia, rides up through New Zealand and across North America before the final 'sprint finish' thorough Portugal, Spain and France, all at over 200 miles a day. This is the story of a quite remarkable adventure, by a quite remarkable man.

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Text in German. The work of Baruch de Spinoza (1632−1677) experienced a changeable and complex reception. Ostracized as a heretic during his lifetime, the Dutch philosopher was finally rediscovered as a radical early enlightener and pioneer of modern secularism. Since the emancipation period, Spinoza, who after his banishment from the Amsterdam community broke away from Judaism without accepting the Christian faith, represented a figure of identification for Jewish scholars and intellectuals. In his essay on the appropriation of Spinoza in Zionist and Israeli memory, Jan Eike Dunkhase illuminates an aspect of its history that has hardly been taken into account. In doing so, he draws an arc from Amsterdam to Tel Aviv, from the 17th century to the present day. Thinkers like Moses Hess and historians like Heinrich Graetz are taken into account as well as Zionists from Eastern Europe: Joseph Klausner, Nachum Sokolow and David Ben-Gurion. Special attention is paid to the Hebrew work translations - the basis for creative engagement with the early modern philosopher in modern Israeli culture. The genealogy of the memorial figure Spinoza the Hebrews opens up a perspective on the history of ideas on the tension between Jewish affiliation and the secular self-image in Israel.

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When the State Bauhaus opened in Weimar in 1918, the Swiss artist and art theorist Johannes Itten (1888 – 1967) was one of the first teachers to be appointed by Walter Gropius. With his preliminary course, Itten had a considerable effect on the creative training in the Bauhaus; to this day his insights into the theory of colours set standards in art education and in the field of design. Enquiring mind and lecturer, painter and art teacher – Johannes Itten was a very thoughtful artist personality which was reflected in numerous theoretical texts and artworks covering a wide range of styles. Constantly in dialogue with students and colleagues as well as in a study of other cultures and artistic ideas, Itten created works in which he examined colours, their aura, contrasts and forms. Inspired by Adolf Hölzel, his teacher at the Stuttgart Academy, Itten developed, amongst other things, the famous doctrine of colour types whose significance extends far beyond the realms of art into everyday culture. The acknowledged Itten expert Christoph Wagner introduces the artist with his complex and symbolic work and traces an arc from the revolutionary Bauhaus teacher and founder of various art schools to the art theorist of the theory of colours.

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Craftsmanship provides an insight into an inherently human dimension of work resulting from our immersion in an occupation or profession. The present book illustrates and defines the vital, social, aesthetic, and ethical dimensions involved in craftsmanship, which rejects a dissociation between handwork and wit, or between action and thought. This also contrasts with the neglect contemporary psychology has shown toward craftsmanship and its reduction to mere ‘human factors.’ Drawing on artistry as an emblem, the present account conveys that skilful action can only be renewed in a cycle involving both the personal and the transgenerational. There is little doubt in psychological and anthropological literature that the current global crises cannot be separated from social predicaments; namely, from the commodification of craftsmanship. In this book, the development of skilful action attests to a fundamental involvement required to sustainably perpetuate human endeavours. The role of expressivity in reappropriating technical activity is key in showing the continuous revaluation of our ethics and aesthetics of work, practice, and creation. The overall arc of the volume shows a movement from responsivity to responsibility. In short, if we are to reformulate our relationship to work and craft, we need to see through our responsibility in technique. The particularities of craftsmanship described here aim to contribute to such reformulation.

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In the next wave of conduct regulation in financial markets, from 2021 conduct regulators in the UK and elsewhere expect firms to produce evidence on how they are improving behaviour and culture. Facing this, many practitioners are anxious that their current reporting and management information (MI) are irrelevant to meeting as-yet unclear regulatory expectations. This book provides the insights and tools firms need to report on culture, securing both enhanced business value and the regulator's approval. Culture is now seen as a key contributor to good governance, feeding into existing discourse on environmental, social and governance (ESG) factors and the emerging dialogue on 'non-financial (mis)conduct', but conventional measures of business quality are unfit for the new reporting agenda. Culture Audit in Financial Services follows the arc of 'behavioural regulation' to examine what the regulator really wants, before offering guidance on how culture audit differs from conventional auditing, how to put the latest pure-research findings to work, and the key features of well-designed conduct and culture reports. Written by an impartial author and a variety of contributors with extensive experience working with practitioners, regulators, and many of the world's finest academic initiatives, this book is filled with practical, grounded advice on how best to approach this new challenge and avoid infractions.

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In the next wave of conduct regulation in financial markets, from 2021 conduct regulators in the UK and elsewhere expect firms to produce evidence on how they are improving behaviour and culture. Facing this, many practitioners are anxious that their current reporting and management information (MI) are irrelevant to meeting as-yet unclear regulatory expectations. This book provides the insights and tools firms need to report on culture, securing both enhanced business value and the regulator's approval. Culture is now seen as a key contributor to good governance, feeding into existing discourse on environmental, social and governance (ESG) factors and the emerging dialogue on 'non-financial (mis)conduct', but conventional measures of business quality are unfit for the new reporting agenda. Culture Audit in Financial Services follows the arc of 'behavioural regulation' to examine what the regulator really wants, before offering guidance on how culture audit differs from conventional auditing, how to put the latest pure-research findings to work, and the key features of well-designed conduct and culture reports. Written by an impartial author and a variety of contributors with extensive experience working with practitioners, regulators, and many of the world's finest academic initiatives, this book is filled with practical, grounded advice on how best to approach this new challenge and avoid infractions.

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The extraordinary life of the man who founded Islam, and the world he inhabited - and remade.Muhammad's was a life of almost unparalleled historical importance; yet for all the iconic power of his name, the intensely dramatic story of the prophet of Islam is not well known. In The First Muslim, Lesley Hazleton brings him vibrantly to life. Drawing on early eyewitness sources and on history, politics, religion, and psychology, she renders him as a man in full, in all his complexity and vitality.Hazleton's account follows the arc of Muhammad's rise from powerlessness to power, from anonymity to renown, from insignificance to lasting significance. How did a child shunted to the margins end up revolutionizing his world? How did a merchant come to challenge the established order with a new vision of social justice? How did the pariah hounded out of Mecca turn exile into a new and victorious beginning? How did the outsider become the ultimate insider?Impeccably researched and thrillingly readable, Hazleton's narrative creates vivid insight into a man navigating between idealism and pragmatism, faith and politics, non-violence and violence, rejection and acclaim. The First Muslim illuminates not only an immensely significant figure but his lastingly relevant legacy.

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How can thinkers grapple with the question of the human when they have been dehumanized? How can black thinkers confront and make sense of a world structured by antiblackness, a world that militates against the very existence of blacks? These are the questions that guide Tendayi Sithole’s brilliant analyses of the work of Sylvia Wynter, Aimé Césaire, Steve Biko, Assata Shakur, George Jackson, Mabogo P. More, and a critique of Giorgio Agamben. Through his careful interrogation of their writings Sithole shows how the black register represents a uniquely critical perspective from which to confront worlds that are systematically structured to dehumanize. The black register is the ways of thinking, knowing and doing that emerge from existential struggles against antiblackness and that dwell in the lived experience of being black in an antiblack world. The black register is the force of critique that comes from thinkers who are dehumanized, and who in turn question, define, and analyze the reality that they are in, in order to reframe it and unmask the forces that inform subjection. This book redefines the arc of critical black thought over the last seventy-five years and it will be an indispensable text for anyone concerned with the deep and enduring ways in which race structures our world and our thought.

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The first Texas-based writer to gain national attention, J. Frank Dobie proved that authentic writing springs easily from the native soil of Texas and the Southwest. In best-selling books such as Tales of Old-Time Texas, Coronado's Children, and The Longhorns, Dobie captured the Southwest's folk history, which was quickly disappearing as the United States became ever more urbanized and industrial. Renowned as "Mr. Texas," Dobie paradoxically has almost disappeared from view—a casualty of changing tastes in literature and shifts in social and political attitudes since the 1960s.In this lively biography, Steven L. Davis takes a fresh look at a J. Frank Dobie whose "liberated mind" set him on an intellectual journey that culminated in Dobie becoming a political liberal who fought for labor, free speech, and civil rights well before these causes became acceptable to most Anglo Texans. Tracing the full arc of Dobie's life (1888–1964), Davis shows how Dobie's insistence on "free-range thinking" led him to such radical actions as calling for the complete integration of the University of Texas during the 1940s, as well as taking on governors, senators, and the FBI (which secretly investigated him) as Texas's leading dissenter during the McCarthy era.

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The Sister Chapel (1974-78) was an important collaborative installation that materialized at the height of the women’s art movement. Conceived as a nonhierarchical, secular commemoration of female role models, The Sister Chapel consisted of an eighteen-foot abstract ceiling that hung above a circular arrangement of eleven monumental canvases, each depicting the standing figure of a heroic woman. The choice of subject was left entirely to the creator of each work. As a result, the paintings formed a visually cohesive group without compromising the individuality of the artists. Contemporary and historical women, deities, and conceptual figures were portrayed by distinguished New York painters-Alice Neel, May Stevens, and Sylvia Sleigh-as well as their accomplished but less prominent colleagues. Among the role models depicted were Artemisia Gentileschi, Frida Kahlo, Betty Friedan, Joan of Arc, and a female incarnation of God. Although last exhibited in 1980, The Sister Chapel has lingered in the minds of art historians who continue to note its significance as an exemplar of feminist collaboration. Based on previously-unpublished archival materials and featuring dozens of rarely-seen works of art, this comprehensive study details the fascinating history of The Sister Chapel, its constituent paintings, and its ambitious creators.

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“Young readers are sure to find inspiration as they read about unique children from all over the world who were able to change the world around them and be encouraged to follow their dreams and fight for what is right.” —BooklistAnyone—no matter how young—can make a difference! Meet 50 incredible kids who had a positive impact in their communities . . . and the world. From Picasso, who changed the art world forever, to Malala Yousafzai, the brave teen who was shot for advocating education for girls, the 50 kids profiled in Never Too Young! will inspire and empower young readers. Some, like Anne Frank, Ruby Bridges, and Stevie Wonder, are prominent figures, while others are lesser known though their achievements are just as compelling. They come from a variety of historical periods and backgrounds, and have made an impact in politics, sports, the arts, science, and more. Includes: Louis Armstrong, Louis Braille, Ruby Bridges, Thandiwe Chama, Michael Chang, Nadia Comaneci, Kelvin Doe, Bobby Fisher, Anne Frank, Tavi Gevinson, Om Prakash Gurjar, S.E. Hinton, Askrit Jawal, Joan of Arc, Helen Keller, Wolfgang Amadeus Mozart, Pelé, Pablo Picasso, Pocahontas, Sacagawea, Shirley Temple, Venus and Serena Williams. Stevie Wonder, Malala Yousafzai, and more!

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One highly visible example of French influence on the city of Philadelphia is the Benjamin Franklin Parkway, modeled on the Champs-Élysées. In Salut!, Lynn Miller and Therese Dolan trace the fruitful, three-centuries-long relationship between the City of Brotherly Love and France. This detailed volume illustrates the effect of Huguenots settling in Philadelphia and 18-year-old William Penn visiting Paris, all the way up through more recent cultural offerings that have helped make the city the distinctive urban center it is today. Salut! provides a magnifique history of Philadelphia seen through a particular cultural lens. The authors chronicle the French influence during colonial and revolutionary times. They highlight the contributions of nineteenth-century French philanthropists, such as Stephen Girard and the Dupont family. And they showcase the city’s vibrant visual arts community featuring works from the Philadelphia Museum of Art, the Rodin Museum, the Barnes Foundation, and the Joan of Arc sculpture, as well as studies of artists Thomas Eakins, Mary Cassatt, and Henry Ossawa Tanner. There is also a profile of renowned Le Bec-Fin chef Georges Perrier, who made Philadelphia a renowned culinary destination in the twentieth century.With lavish illustrations and enthusiastic text, Salut!celebrates a potpourri of all things French in the Philadelphia region.

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The public beheading of Louis XVI was a unique and troubling event that scarred French collective memory for two centuries. To Jacobins, the king's decapitation was the people's coronation. To royalists, it was deicide. Nineteenth-century historians considered it an alarming miscalculation, a symbol of the Terror and the moral bankruptcy of the Revolution. By the twentieth century, Camus judged that the killing stood at the "crux of our contemporary history." In this book, Susan Dunn investigates the regicide's pivotal role in French intellectual history and political mythology. She examines how thinkers on the right and left repudiated regicide and terror, while articulating a compassionate, humanitarian vision, which became the moral basis for the modern French nation. Their credo of fraternity and unity, however, strangely depoliticized this supremely political act of regicide. Using theoretical insights from Tocqueville, Arendt, Rawls, Walzer, and others, Dunn explores the transformation of violent regicidal politics into an apolitical cult of ethical purity and an antidemocratic nationalist religion. Her book focuses on the fluidity of political myths. The figure of Louis XVI was transmuted into a Joan of Arc and a deified nation, and the notion of his sacrifice contributed to the disquieting myth of a mystical community of self- sacrificing citizens.

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Praised as “utterly remarkable” and “deeply resonant” by Pulitzer Prize-winning authors Viet Thanh Nguyen and Robert Olen Butler, a bold and brilliant debut collection, in the vein of The Refugees, which dramatizes the Chinese diaspora across the globe over the past hundred years.Set on five continents and spanning decades, We Two Alone traces the arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life, pretending to be a girl to play organized hockey in Canada in the 1920s. A Canadian couple is caught when Shanghai succumbs to violence during the Second Sino-Japanese War. A family sttempts to buy a home in South Africa in the early years of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.From the vulnerable and disenfranchised to the educated and privileged, the characters in this extraordinary collection embody the diversity of the Chinese diaspora past and present. In these deeply affecting stories, Jack Wang subverts expectations as he captures the hope, pain, and sacrifices of the millions who journey into the unknown to create better lives, and explores the shifting boundaries of morality, the intimacies and failings of love, and the choices circumstances force us to make.

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The fifth book in a new arc in the New York Times–bestselling Amelia Bedelia chapter book series featuring young Amelia Bedelia and her friends! This chapter book about Amelia Bedelia minding her manners and making a new friend is an excellent choice to share with readers who are ready to read independently. Amelia Bedelia + Good Friends = Superfun Stories to Read and Share Amelia Bedelia and her friends are at a school event when they accidentally hurt the feelings of Candy, the new girl in their class. To save their annual ice cream party, Amelia Bedelia and her friends must learn (and practice!) a thing or two about manners, kindness, being polite and being a good friend. But with Amelia Bedelia involved, there are guaranteed to be a few funny mix-ups and wordplay! A funny chapter book series about friendship perfect for fans of Ivy + Bean, Clementine, and Junie B. Jones. The Amelia Bedelia books have sold more than 35 million copies since we first met the iconic character in 1963! All the chapter books include “Two Ways to Say It,” Amelia Bedelia’s guide to the idioms used in the story. Illustrated in black-and-white throughout. Come join the fun!

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An essential guide to navigating the journey to recovery from critical illnessMillions of patients are admitted to intensive care units (ICUs) each year, one third of whom need a ventilator machine to help them breathe. These critically ill patients may develop health problems related to their illness, injury, ventilator or other treatments. Such problems can continue after the patient leaves the hospital. LANGE: After the ICU: Multidisciplinary Perspectives on Supporting Critical Illness Survivors fills a gap in the existing literature on the subject. Arranged in three sections, the book addresses the ways in which care in the ICU can impact life afterwards and provides a framework for the recovery process. The early chapters feature personal stories from patients describing their life-threatening illness, journey to recovery, and the clinicians who helped them along the way. In the following chapters, clinicians, physicians, nurses, and patients' family members share their unique perspectives on the recovery process. Each chapter includes a specific section dedicated to tips for clinicians. • Includes key concepts of care across the arc of the ICU patient encounter • Evidence-based interventions are presented and summarized in a practical stepwise approach• Features accounts from patients, clinicians, physicians, nurses, and others involved in the care and recovery process

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How can thinkers grapple with the question of the human when they have been dehumanized? How can black thinkers confront and make sense of a world structured by antiblackness, a world that militates against the very existence of blacks? These are the questions that guide Tendayi Sithole’s brilliant analyses of the work of Sylvia Wynter, Aimé Césaire, Steve Biko, Assata Shakur, George Jackson, Mabogo P. More, and a critique of Giorgio Agamben. Through his careful interrogation of their writings Sithole shows how the black register represents a uniquely critical perspective from which to confront worlds that are systematically structured to dehumanize. The black register is the ways of thinking, knowing and doing that emerge from existential struggles against antiblackness and that dwell in the lived experience of being black in an antiblack world. The black register is the force of critique that comes from thinkers who are dehumanized, and who in turn question, define, and analyze the reality that they are in, in order to reframe it and unmask the forces that inform subjection. This book redefines the arc of critical black thought over the last seventy-five years and it will be an indispensable text for anyone concerned with the deep and enduring ways in which race structures our world and our thought.

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Rediscover Joyce Mansour, the most significant Surrealist poet to emerge from 1950s Paris.“You know very well, Joyce, that you are for me—and very objectively too—the greatest poet of our time. Surrealist poetry, that’s you.”—André Breton Joyce Mansour, a Syrian Jewish exile from Egypt, was 25 years old when she published her first book in Paris in 1953. Her fierce, macabre, erotically charged works caught the eye of André Breton, who welcomed her into his Surrealist group and became her lifelong friend and ally. Despite her success in surrealist circles, her books received scant attention from the literary establishment, which is hardly surprising since Mansour's favorite topics happened to be two of society's greatest fears: death and unfettered female desire.Now, over half a century later, Mansour's time has come. Emerald Wounds collects her most important work, spanning the entire arc of her career, from the gothic, minimalist fragments of her first published work to the serpentine power of her poems of the 1980s. In fresh new translations, Mansour's voice surges forth uncensored and raw, communicating the frustrations, anger, and sadness of an intelligent, worldly woman who defies the constraints and oppression of a male-dominated society. Mansour is a poet the world needs today.

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The impact of global capital and foreign investment on local communities is being felt in major cities across the world. Since the 2012 Olympics was awarded to the British capital, East London has been at the heart of the largest and most all-encompassing top-down urban regeneration strategy in civic history. At the centre of this has been the local government, Newham Council, and their daring proposal: an "Arc of Opportunity" for developers to transform 1,412 hectares of Newham. This proposal was outlined in a short film, London's Regeneration Supernova, and shown to foreign developers and businesses at the 2010 Shanghai World Expo. While the sweeping changes to East London have been keenly felt by locals, the symbolism and practicalities of these changes - for the local area, and the world alike - are overdue serious investigation. Regeneration Songs is about how places are turned into simple stories for packaged investment opportunities, how people living in those places relate to those stories, and how music and art can render those stories in many different ways. The book will also include a download code to obtain the related musical project, Music for Masterplanning - in which musicians from East London soundtracked London's Regeneration Supernova - and a 32-page glossy insert detailing the artists involved.

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What’s a comic book writer’s life without a real-life archnemesis? MG Martin thought she’d turned the last page on the dangerous Golden Arrow case. The bad guys are behind bars, and the rest is up to her detective boyfriend, Matteo Kildaire. But when Golden Arrow impersonators start popping up all over Los Angeles, the writer in MG can’t help but be intrigued. Are they impostors, or has the original Golden Arrow returned for another story arc? A reemergence of drug crime has left the LAPD baffled, and golden arrows are once again being left at crime scenes. Matteo asks MG if she’ll resume consulting on all things geek, and she jumps at the opportunity. No need to mention that she may also do some sleuthing, with her friends’ help, right? It’s rumored that the Golden Arrow will make a guest appearance at an exclusive queen party, and MG, Lawrence, and Ryan go undercover to sniff out the truth. But the sting goes sideways in a deadly way, and it’s up to their little crew to prove that the Golden Arrow might actually be the supervillain they’re chasing. Because looks can be deceiving, and every good writer knows the sequel is where the real plot twist happens…

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Napoleon Bonaparte was one of the most influential rulers in European history. Renowned as a military commander, he was also a great statesman, administrator, lawmaker and builder - and his civic achievements outlived and arguably eclipsed his victories on the battlefield. Yet while there are a host of biographies and studies of his military and political career, few books have been written about his connections with Paris, the capital of his empire, where many remarkable buildings and monuments date from his time in power. That is why David Buttery's highly illustrated guidebook to Napoleon's Paris is such a timely and valuable addition to the literature designed for visitors to the city. Many of the most famous sites in the city were built or enhanced on Napoleon's instructions or are closely associated with him and with the period of the First French Empire - the Arc de Triomphe, the Louvre, the H tel des Invalides, Mus e de l'Arm e, Notre Dame Cathedral, P re-Lachaise Cemetery among them. David Buttery's guide covers them all in evocative detail. His work is essential reading for every visitor to Paris who is keen to gain an insight into the influence of Napoleon on the city and the tumultuous period in French history in which he was the dominant figure.

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The county town of Warwick is famous for its castle, St Mary's Collegiate Church, with its links to Joan of Arc, and the Lord Leycester Hospital, but much more of its history has been too often overlooked. In this book local author Graham Sutherland delves deeply into Warwick's long-forgotten and hidden histories, recounting some remarkable stories. In Secret Warwick we encounter the Tudor benefactor whose legacy still provides funding today, the setting for Mark Twain's novel A Connecticut Yankee at King Arthur's Court, rowdy election rioting in the town, and local government corruption. Grim reminders of the past include the old leper hospital, prisons and public execution sites. A reformed slaver and a vicar who was banned from his own church are among several turbulent priests. A secret garden welcomes visitors by the river. Warwick housed two prisoner of war camps in the Second World War – for Italians and Germans. St Mary's Church contains Montgomery of Alamein's banner, and a memorial to soldiers who were murdered by the SS in 1940. With tales of remarkable characters and tucked-away or disappeared buildings and locations, this book will appeal to all who have an interest in Warwickshire`s county town.

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"So this is the little woman who wrote the book that made this big war!" Abraham Lincoln is reputed to have said when he met the author of Uncle Tom's Cabin on the eve of the Emancipation Proclamation. Harriet Beecher Stowe's groundbreaking novel forced an ambivalent North to confront the atrocities of slavery, yet it was just one of many accomplishments of the Beechers, the most eminent American family of the nineteenth century. Historian Philip McFarland follows the Beecher clan to the boomtown of Cincinnati, where Harriet's glimpses of slavery across the Kentucky border moved her to pen Uncle Tom's Cabin. We meet Harriet's loves: her father Lyman, her husband Calvin, and her brother Henry, the most famous preacher of his time. As McFarland leads us through Harriet's ever-changing world, he traces the arc of her literary career from her hard-scrabble beginnings to her ascendancy as the most renowned author of her day. Through the portrait of a defining American family, Loves of Harriet Beecher Stowe opens into an unforgettable rendering of mid-nineteenth century America in the midst of unprecedented social and demographic explosions. To this day, Uncle Tom's Cabin reverberates as a crucial document in Western culture.

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Internal conflict continues to be the most common form of organized violence, most often occurring in a so-called "arc of instability" comprised of Africa, the Middle East, Central Asia, and Southeast Asia. The misery and death caused by these conflicts, with helpless civilians often victims, has resulted in states and coalitions of states intervening militarily to stop the bloodshed, giving rise to many difficult issues. When should states perform military intervention? How should it be conducted? Is intervention a tactic that can be executed exclusive of other considerations or must it be part of a wider strategy? What makes it a success? And when can occupying troops return home? Military Intervention: Cases in Context for the Twenty-First Century strives to answer these and other questions by comparing and contrasting both the theory and practice of military intervention. It thoroughly reviews the literature and derives a set of guidelines for initiating, conducting, and terminating this complex undertaking. It then evaluates the validity of these guidelines by analyzing the recent cases of Somalia, Bosnia, Rwanda, Haiti, Cambodia, East Timor, and Sierra Leone. The volume concludes with lessons on the why, when, and how of conducting a military intervention and offers recommendations for Afghanistan and Iraq.

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William Gilbert, poet, theosophist and astrologer, published The Hurricane: A Theosophical and Western Eclogue in Bristol in 1796, while he was on intimate terms with key members of Bristol literary culture: Coleridge published an extract from The Hurricane in his radical periodical The Watchman; Robert Southey wrote of the poem’s ‘passages of exquisite Beauty’; and William Wordsworth praised and quoted a long passage from Gilbert’s poem in The Excursion. The Hurricane is a copiously annotated 450 line blank verse visionary poem set on the island of Antigua where, in 1763, Gilbert was born into a slave-owning Methodist family. The poem can be grouped with other apocalyptic poems of the 1790s—Blake’s Continental Prophecies, Coleridge's Religious Musings, Southey's Joan of Arc—all of which gave a spiritual interpretation to the dramatic political upheavals of their time. William Gilbert and Esoteric Romanticism presents the untold story of Gilbert’s progress from the radical occultist circles of 1790s London to his engagement with the first generation Romantics in Bristol. At the heart of the book is the first modern edition of The Hurricane, fully annotated to reveal the esoteric metaphysics at its core, followed by close interpretative analysis of this strange elusive poem.

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The Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.

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Distinguished by their sharp insights, eloquence, even humor, the writings of Martin Trow on the development of higher education have helped define the field. Collected here are his most influential essays, tracing the arc and evolution of his prolific scholarly career over more than four decades. Trow is well known for his pioneering work on the transition from elite to mass to universal higher education, and scholars worldwide continue to use his conceptual framework for analyzing and comparing institutions. As both a sociologist and a public policy analyst, Trow hoped his analyses of higher education would help influence public policy. He believed that understanding how higher education had developed-its peculiarities in a particular society and the direction of change within it-would lead to wiser policy choices. Martin Trow began compiling this collection before his death in 2007. Editor Michael Burrage, along with Trow's friends and colleagues, worked to carry out Trow's wishes, writing introductions to the essays which situate them in their context and which continue each contributor's conversations with Trow during his lifetime. Those seriously interested in the emergence of mass higher education, and the debates surrounding it, will appreciate finding many of Trow's groundbreaking works-including three articles never before published-in a single volume.

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Ann Morris has become a priestess of sorts, investing her mind and spirit into an ambitious oeuvre of figurative bronzes that speak with a singular and meditative voice. In a comprehensive and insightful essay, Ted Lindberg traces the arc of Morris's artistic development from her beginnings as a mother, philosophy student, and Pasadena printmaker, to her reclusion on the wind-swept bluffs of Lummi Island in north Puget Sound. There Morris has created an extraordinary bronze park that she calls Sculpture Woods, a 15-acre sanctuary of stately forest and highbank waterfront that is home to her studio and to a winding path populated by 16 sculptural tableaus seen through a Jungian lens. Monumental figures emerge from the forest, as if stepping through a rift in time from the mists of classical and Celtic antiquities, to tell their archetypal tales. In a second essay, Jake Seniuk muses on how Morris moved from such overtly mythological themes to a kind of talismanic naturalism when she turned to an ongoing series of more intimately scaled bronzes that trace an ongoing Bone Journey. Unfolding her own creation myth through her work, Morris remains true to the marriage of the Platonic and the aboriginal, where a clear-eyed awareness of mortality is liberating and transcendent.

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A New York Times Book Review New & Noteworthy Selection "The Marble Bed is a vision; it is an ode to life."—Rowan Ricardo Phillips "Each poem in The Marble Bed journeys far, wandering the territory of love's psyche."—Yusef Komunyakaa "One of the permanent poets of her generation."—Harold Bloom Grace Schulman rises to new heights in these poems of lament and praise. In The Marble Bed, a couple dances on a shore that is at once a shining turf and a graveyard of sea toss, of cracked shells, a skull-like carapace, and emerald weed. Here things sparkle with newness: an orchid come alive when rescued from a trash bin; the new year hidden in an egret's wing; Coltrane's ecstatic flight; a seductive, come-hither angel; a meteor's arc; a rainbow's painted ribbons; a glacial rock that glowers in moonlight. Even the tomb sculptures in an Italian cemetery sparkle with vitality. Schulman, grieving for her late husband, believes passionately in the power of art to redeem human transience. Her faith in art enables her to move from mourning to joyful wonder of existence as she meditates on an injured world and concludes: "Because I cannot lose the injured world / without losing the world, / I'll have to praise it."

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The #1 Irish Times bestseller WINNER of the An Post Irish Book Awards 'A clear-eyed, myth-dispelling masterpiece' Marian Keyes 'Sweeping, authoritative and profoundly intelligent' Colm Tóibín, Guardian 'With the pace and twists of an enthralling novel' Irish Times 'Evocative, moving, funny and furious' Dominic Sandbrook, Sunday Times 'An enthralling, panoramic book' Patrick Radden Keefe 'A book that will remain important for a very long time' An Post Irish Book Award We Don't Know Ourselves is a very personal vision of recent Irish history from the year of O'Toole's birth, 1958, down to the present. Ireland has changed almost out of recognition during those decades, and Fintan O'Toole's life coincides with that arc of transformation. The book is a brilliant interweaving of memories (though this is emphatically not a memoir) and engrossing social and historical narrative. This was the era of Eamon de Valera, Jack Lynch, Charles Haughey and John Charles McQuaid, of sectarian civil war in the North and the Pope's triumphant visit in 1979, but also of those who began to speak out against the ruling consensus – feminists, advocates for the rights of children, gay men and women coming out of the shadows. We Don't Know Ourselves is an essential book for anyone who wishes to understand modern Ireland.

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A Post-Apocalyptic Fable Told In Three Parts For Fans of Saga!In this decades spanning post-apocalyptic tale, Maceo and Mezzy have never met anyone like each other, and they’ll need all the help they can get to survive a planet ravaged by environmental catastrophe. “Love in the Wasteland” kicks off the first arc of this epic trilogy that spans a lifetime as the dark mysteries of a ruined world and their own stark differences tear at the threads holding Mezzy and Maceo together. As they endure the horrors of plastic tornadoes and frozen sludge, Maceo proves to be more than just a burden, and they make an unlikely connection. But to their peril… they might not be as alone as they thought… New York Times bestselling, Eisner and Harvey Award-winning writer Jason Aaron (Thor, The Avengers, Southern Bastards) launches his most ambitious original series to date with three distinct artistic partners – Eisner Award-winning artist Alexandre Tefenkgi (The Good Asian), acclaimed artists Leila del Duca (Wonder Woman: Tempest Tossed, Sleepless), and Nick Dragotta (East of West, Ghost Cage) – to take on a vision of the end of the world that’s brutal and nostalgic, whimsical and grounded… and ultimately, timeless. Collects Once Upon A Time At The End Of The World #1-5.

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Hebrew culture experienced a renewal in medieval Spain that produced what is arguably the most powerful body of Jewish poetry written since the Bible. Fusing elements of East and West, Arabic and Hebrew, and the particular and the universal, this verse embodies an extraordinary sensuality and intense faith that transcend the limits of language, place, and time. Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including a panoramic historical introduction, short biographies of each poet, and extensive notes. (The original Hebrew texts are available on the Princeton University Press Web site.) By far the most potent and comprehensive gathering of medieval Hebrew poems ever assembled in English, Cole's anthology builds on what poet and translator Richard Howard has described as "the finest labor of poetic translation that I have seen in many years" and "an entire revelation: a body of lyric and didactic verse so intense, so intelligent, and so vivid that it appears to identify a whole dimension of historical consciousness previously unavailable to us." The Dream of the Poem is, Howard says, "a crowning achievement."

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Doctor and social activist Paul Farmer shares a collection of charismatic short speeches that aims to inspire the next generation. One of the most passionate and influential voices for global health equity and social justice, Farmer encourages young people to tackle the greatest challenges of our times. Engaging, often humorous, and always inspiring, these speeches bring to light the brilliance and force of Farmer’s vision in a single, accessible volume. A must-read for graduates, students, and everyone seeking to help bend the arc of history toward justice, To Repair the World: challenges readers to counter failures of imagination that keep billions of people without access to health care, safe drinking water, decent schools, and other basic human rights champions the power of partnership against global poverty, climate change, and other pressing problems today overturns common assumptions about health disparities around the globe by considering the large-scale social forces that determine who gets sick and who has access to health care discusses how hope, solidarity, faith, and hardbitten analysis have animated Farmer’s service to the poor in Haiti, Peru, Rwanda, Russia, and elsewhere leaves the reader with an uplifting vision: that with creativity, passion, teamwork, and determination, the next generations can make the world a safer and more humane place.

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THINGS YOU DIDN'T KNOW ABOUT FRANCE: You burnt Joan of Arc! ? Smuggling live chickens into rugby matches is patriotic ? How many times to kiss on the cheek ? Where not to cross the road ? French guns don't go 'bang' ? What do you call a party? ? bon appetit is vulgar ? A six-pack is a bar of chocolate ? The dangers of being called Peter or Penny ? Your smallest finger is your 'ear' finger ? The importance of Wednesdays ? How to tip ? and when to celebrate Christmas? Forget the French you learnt at school. Based on twenty years of hard-won knowledge, Pardon My French takes you through all the words you need to survive, shows how and why they work, and steers you past all the pitfalls and potential embarrassments of speaking French in France. From sugar-cube etiquette to why the Marseillaise is all about slaughtering Austrians and Prussians as bloodily as possible, Charles Timoney lays bare the Gallic mindset alongside their bizarre language. Covering all areas of everyday life from eating and drinking to travel, work and, crucially, swearing and sounding like a teenager, this is not just the most entertaining, but also the most useful book on France and the French you'll ever read.

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