Search results for ""Author Ming"

Explore the spruce-studded mountains, classic shoreline villages, and rugged character of the Pine Tree State with Moon Maine. Inside you'll find: Strategic itineraries ranging from an eleven-day road trip through the whole state to a week on the coast, with ideas for every season Must-see highlights and unique experiences: Sample wild blueberries, farmstead cheeses, and preserves from roadside farmers' markets or find the best beachfront lobster shack. Trace picturesque lighthouses down the coast, stop to smell the roses at the botanical gardens, and taste some of Maine's best wines, craft beer, and mead. Watch the boats sway in a quiet harbor, mingle with locals over a 'chowdah suppah,' and unwind on a sandy pocket beach Outdoor adventures: Hike through majestic timberland forests or summit the peak of Katahdin on the final stretch of the Appalachian Trail. Take a moose safari, experience the rush

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''Halle Butler is a first-rate satirist of the horror show being sold to us as Modern Femininity. She is Thomas Bernhard in a bad mood, wearing ill-fitting tights, scrutinizing old take-out leftovers'' CATHERINE LACEY''Her sense of humour should be studied and celebrated'' DAVID SEDARISMargaret Anne (''Moddie'') Yance has just returned to her hometown, to mingle with the friends of her youth, to get back in touch with her roots, and to recover from a stressful decade of living in the city in a small apartment with a man she now believed to be a megalomaniac or perhaps a covert narcissist.Back home, Moddie throws herself at the mercy of her old friends, all suddenly tipping toward middle age. She joins them as they go to parties, size each other up, obsess over past slights, dream of wild triumphs, and indulge in elaborate revenge fantasies.But when a mysterious artist arrives in town to take up a residency at the local university, Moddie

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Saratoga Springs, New York, is a town famous for its mineral springs, history, high society, and sports. Journey back in time to Saratoga Springs' glory days from the 1900s to the 1950s when this was America's premier resort. Vintage postcards, most of them beautifully hand tinted showcase sites that made the city famous. These images take you on a stroll along Broadway, where high society mingled at the Grand Union Hotel. Take a tour through the gardens at the artists' community at Yaddo. See the famous Island Spouter and Hathorn Springs and wander through the bathouses at Saratoga Spa. Attend a concert at Congress Park and cheer a favorite horse from the grandstands at Saratoga Race Course. Spend a day out on Saratoga Lake or tour through the Saratoga Battlefield, to learn about the Revolutionary battle that changed the course of United States history.

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In The Insomnia Poems Grace Nichols explores those nocturnal hours when Sleep (the thief who nightly steals your brain) is hard to come by, and the politics of the day hard to shut out, never mind the lavender-scented pillow. Here memories of her own Guyana childhood mingle with the sleeping spectres of dreams and folk legends such as Sleeping Beauty. A lyrical interweaving of tones and textures invites the reader into the zones between sleep and no-sleep, between the solitude of the dark and the awakening of the light. The Insomnia Poems was Grace Nichols's first new collection since Picasso, I Want My Face Back (2009). Neither that collection nor this one is included in her Bloodaxe retrospective, I Have Crossed an Ocean (2010).

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Seattle, the Pacific Northwest's largest city, has something sinister nestled just beneath its magnificent borders. The city is haunted; ghosts adding to the population in the streets, buildings, and market places! Join an eerie tour of Seattle’s dark and spider-infested underground, historic sites, and crowded public markets where ghost stories and folklore mingle. The chilling presence of deceased Congressman Marion Zioncheck at the Artic Club, the protective specter of women's rights at the Harvard Exit Theatre, and the swing dancer whose ghostly pressence leaves the ladies breathless are all present. Learn about Bill Speidel's Underground, the Pike Place Market, the Starlite Lounge, and many more haunted locations. Seattle will haunt you. (Includes ghostly glossary!)

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The story of Wilmington, North Carolina, is a story of rivers, sounds, and sea, and of a city that grew near the places where those waters mingled. It is the story of a port that became the “Lifeline of the Confederacy” as well as the lifeline of a state. And in this case, it is the story of more than a hundred years of history, beginning in the 1860s, told through more than 125 photographs—the captured essences of people and events now lost. With a selection of fine historic images from his best-selling book Historic Photos of Wilmington, Wade G. Dudley provides a valuable and revealing historical retrospective on the growth and development of Wilmington. Remembering Wilmington captures many of the city’s well-known places, people, and events, along with lesser known but also important moments of time that helped shape this great American city.

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Transporting Visions follows pictures as they traveled through and over the swamps, forests, towns, oceans, and rivers of British America and the United States between 1760 and 1860. Taking seriously the complications involved in moving pictures through the physical world--the sheer bulk and weight of canvases, the delays inherent in long-distance reception, the perpetual threat to the stability and mnemonic capacity of images, the uneasy mingling of artworks with other kinds of things in transit--Jennifer L. Roberts forges a model for a material history of visual communication in early America. Focusing on paintings and prints by John Singleton Copley, John James Audubon, and Asher B. Durand--which were designed with mobility in mind--Roberts shows how an analysis of such imagery opens new perspectives on the most fundamental problems of early American commodity circulation, geographic expansion, and social cohesion.

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All they wanted was land: land for crofting and land on which to build a house. In 1908, ten desperate men from the islands of Barra and Mingulay in the Western Isles were imprisoned in Edinburgh for refusing to leave the island of Vatersay, where they had built huts and planted potatoes without permission. The case caused an outcry throughout Scotland, and led eventually to the purchase of the island by the government for crofting. This book, the first about Vatersay, tells the remarkable story of the raiders and their struggle to escape from the poverty which the policies of an absentee landowner forced them to endure. The Vatersay Raiders documents not only these events, which had enormous significance in the history of crofting, but also the fascinating earlier history of Vatersay and its now-deserted neighbour Sandray. An outline of more recent developments brings the account up to date.

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To save her family from financial ruin, Miss Poppy Garrison accepts an unusual proposition to participate in the New York social season in exchange for her grandmother settling a family loan that has unexpectedly come due. Ill-equipped to handle the intricacies of mingling within the New York Four Hundred, Poppy becomes embroiled in one hilarious fiasco after another, doomed to suffer a grand societal failure instead of being deemed the diamond of the first water her grandmother longs for her to become. Reginald Blackburn, second son of a duke, has been forced to travel to America to help his cousin, Charles Wynn, Earl of Lonsdale, find an American heiress to wed in order to shore up his family estate that is in desperate need of funds. Reginald himself has no interest in finding an heiress to marry, but when Poppy's grandmother asks him to give etiquette lessons to Poppy, he swiftly discovers he may be in for much more than he bargained for.

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Explore a mysterious, enchanted world in this beautifully illustrated colour-by-numbers collection. Have you ever dreamed of stepping into another realm? This book will take you on a tour of an enchanted land, where human and animals mingle at magnificent banquets and magical fireworks illuminate the skies. Georgie Fearns''s charming art style blends warmth and wit with exquisite detail. The line drawings inside have been designed to reveal their mysteries only when colour is added to the page. Perfect for children aged 8+.Features:• A colour-key on each page for easy reference• Thick, high-quality paper to avoid bleed-through• Previews of the finished designs in full-colour to aid design selection.ABOUT THE SERIES: The beautifully illustrated Arcturus Creative Colour by Numbers series includes expressive, modern and uplifting artworks to fill with colour, with a colour-key on each page for easy

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An authoritative volume representing the vast oeuvre of one of the twentieth century’s most brilliant and visionary poets.Widely regarded as some of the most important and innovative poetry from postwar Europe, Tomaž Šalamun’s work offers a singularly thrilling reading experience. Sharp and subtle, Šalamun’s rhythms intertwine with an incantatory force; his prescient, liberatory politics and poetics pulse like a heartbeat. In Kiss the Eyes of Peace, the histories of Slovenia, the former Yugoslavia, and Europe are broken into kaleidoscopic harmonies of terror and joy: friends and family talk to each other under the sun as snow, apples, and deer mingle with blood and bones, with salt and cabbage, with gold, silk, and wine, and with God and heaven in the sand and grass.“Love tore apart all my theories,” writes Šalamun. His oracular poems, suffused with mystic pr

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Spiky, clever, funny' Emma StonexA true page-turner' The IndependentFabulous' Daily MailIt's peak 90s London. Scandal dominates the headlines, men dominate the board rooms and Becky Sharp will stop at nothing to reach the top at the Mercury newspaper.Mingling with tabloid millionaires and trading favours with royalty, Becky lands scoop after scoop, ruthlessly carving a place for herself in a world determined to ignore her. These are the biggest stories of the decade, and Becky has something to do with every one of them.But Becky may have more in common with the people she writes about than she thinks what takes a lifetime to build takes only a moment to destroy . . .A darkly entertaining and delicious read, Sarah May's Becky charts the rise and fall of an unforgettable heroine.A Vanity Fair for the mass-media age' - The Guardian

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The former Poet Laureate of the United States, Nemerov gives us a lucid and precise twist on the commonplaces of everyday life. "Howard Nemerov is a witty, urbane, thoughtful poet, grounded in the classics, a master of the craft. It is refreshing to read his work..."--Minneapolis Tribune "The world causes in Nemerov a mingled revulsion and love, and a hopeless hope is the most attractive quality in his poems, which slowly turn obverse to reverse, seeing the permanence of change, the vices of virtue, the evanescence of solidities and the errors of truth."--Helen Vendler, New York Times Book Review

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In the topsy-turvy years between the dawn of the twentieth century and the dark days of 1939, the Moskat family battled on. But like many Jewish families in Poland they can no longer turn a blind eye to the dwindling of their fortunes. In Warsaw, where saints mingle with swindlers, tough Zionists argue with mystic philosophers, and medieval rabbis rub shoulders with ultra-modern painters, life is inexorably changing. Secularism and war inch nearer and the family Moskat clings on.

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In Rome, to walk in places rich in history, savor the majestic atmosphere of St. Peter, and mingle with the crowd in the streets and squares, a good guide is needed. The city is built on a complex structure, with street names changing from one block to another and roads that curve, rise, and fall through the legendary seven hills on which the capital of the Roman Empire was founded. The Tiber contains much of the historic center on its left bank, while Trastevere and the Vatican are on the right. This comprehensive and beautifully illustrated guidebook offers 16 carefully planned itineraries, created by a National Geographic expert travel writer, that highlight the best attractions the city has to offer. Plus, you will find practical tips on what to see, eat, and do to experience the authentic culture of Rome beyond the Colosseum and ancient ruins. Useful information throughout ensures a rewarding, authentic, and memorable urban experience. Choose to walk or drive a

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The most celebrated English biography is a group portrait in which extraordinary man paints the picture of a dozen moreAt the centre of a brilliant circle which included Burke, Reynolds, Garrick, Fanny Burney and even George III, Boswell captures the powerful, troubled and witty figure of Samuel Johnson, who towers above them all. Yet this is also an intimate picture of domestic life, which mingles the greatest talkers of a talkative age with the hero's humbler friends in a picture which is, before all things, humane.As a young man about London, James Boswell was obsessed by literature, and, on a fateful day in 1763, he attached himself with unswerving tenacity to the dominant literary figure of his age—the splendidly rotund, articulate, and humane Dr Samuel Johnson. What followed was the most famous of friendships between writers and the bais for the remarkable documentation contained in Boswell's Life of Samuel Johnson, the greatest and most com

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Braising uses a moist heat technique, in which food and a small amount of liquid are placed in a closed container and cooked over a long period of time. A successful braise mingles the flavors of the food and the liquid, and results in rich, aromatic flavors. In "Braise", superstar chef Daniel Boulud has collected the world's best braised dishes. With inspiring recipes for all kinds of braises - from meat to fish to vegetables - from around the globe, including Thailand, Italy, Mexico, Turkey, Lebanon, France, Russia, China and many other places, Bouland brings the world of braising home with welcome simplicity and intense flavor. Whether its whipping up the familiar (Pot Roast) for a family dinner to preparing the exotic (Quiabebe from Brazil) for entertaining, Boulud's expert guidance and easy-to-follow recipes offer dishes full of variety and unparalled flavor. Braise will please cooks of every skill level and satisfy even the most discriminating palate.

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What are the best ways to support political struggles that aren't your own? What are the fundamental principles of a utopia during war?Can we transcend the societal values we inherit? Dry Your Tears to Perfect Your Aim is a remarkably original, literary page turner that explores such pressing questions of our time.A depressed writer visits a war zone. He knows it's a bad idea, but his curiosity, and obsession that his tax dollars help to pay for foreign wars, draw him there. Amidst the fighting, he stumbles into a small strip of land that's being reimagined as a grassroots, feminist, egalitarian utopia. As he learns about the principles of the collective, he moves between a fragile sense of self and the ethical considerations of writing about what he experiences but cannot truly fathom. Meanwhile, women in his life-from this reimagined society and elsewhere-underscore truths hidden in plain sight. In these pages, real world politics mingle with profoundly inventive fabulations. This is

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This seasonal anthology of festive fare will delight Oxfordshire readers - and those further afield - during the season of goodwill, from Advent to Twelfth Night. Here are reminiscences of Christmases past at Blenheim Palace and Broughton Castle, and, contrastingly, the simpler pleasures enjoyed at Flora Thompson's rural Lark Rise. Cecil Day Lewis describes 'The Christmas Tree' in verse, and Henley's first peace-time celebrations after the end of the First World War are poignantly recounted. Pam Ayres and Mollie Harris mingle in this anthology with distinguished Oxford scholars, J.R.R. Tolkein, Robert Southey, John Donne and Joseph Addison, and share with us their experiences of yuletide. This book also includes ghost stories, local carols and traditions and folklore, including the ancient ceremony of bringing in the boar's head at Queen's College and the Boxing Day wren hunt. An Oxfordshire Christmas makes an ideal gift for all who know and love the county.

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Colonial America stretched from Quebec to Buenos Aires and from the Atlantic littoral to the Pacific coast. Although European settlers laid claim to territories they called New Spain, New England, and New France, the reality of living in those spaces had little to do with European kingdoms. Instead, the New World's holdings took their form and shape from the Indian territories they inhabited. These contested spaces throughout the western hemisphere were not unclaimed lands waiting to be conquered and populated but a single vast space, occupied by native communities and defined by the meeting, mingling, and clashing of peoples, creating societies unlike any that the world had seen before. Contested Spaces of Early America brings together some of the most distinguished historians in the field to view colonial America on the largest possible scale. Lavishly illustrated with maps, Native art, and color plates, the twelve chapters span the southern reaches of New Spain through Mexico and Navajo Country to the Dakotas and Upper Canada, and the early Indian civilizations to the ruins of the nineteenth-century West. At the heart of this volume is a search for a human geography of colonial relations: Contested Spaces of Early America aims to rid the historical landscape of imperial cores, frontier peripheries, and modern national borders to redefine the way scholars imagine colonial America. Contributors: Matthew Babcock, Ned Blackhawk, Chantal Cramaussel, Brian DeLay, Elizabeth Fenn, Allan Greer, Pekka Hämäläinen, Raúl José Mandrini, Cynthia Radding, Birgit Brander Rasmussen, Alan Taylor, and Samuel Truett.

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SHORTLISTED FOR THE JHALAK PRIZE 2024Shortlisted for the Wainwright Prize 2023 for Nature Writing''Exquisite, luminous and quietly radical . . . utterly unique and refreshing'' Lucy JonesWhere nothing grows, moss is the spark that triggers new life. Embarking on a journey though landscape, memory and recovery, Elizabeth-Jane Burnett explores this mysterious, ancient marvel of the plant world, meditating on and renaming her favourite mosses from Glowflake to Little Loss and drawing inspiration from place, people and language itself. ''Fascinating, subtle and risk-taking . . . Poetry, descriptive-evocative prose, memory, memoir, natural history and more all drift and mingle in strikingly new ways'' Robert Macfarlane

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Alexandra and Michael Misczynski, the wife-and-husband team behind the Los Angeles-based AD100 design firm Atelier AM, are standard-bearers for the concepts of quality and connoisseurship. In an image-driven culture, where novelty and extravagance so often masquerade as virtues, the Misczynskis remain steadfast in their belief that true style can emerge only from substance. Architectural Digest Atelier AM has been the go-to designers for true connoisseurs since they opened their office in 2002. Taking on very few projects each year, each Atelier AM home is a complete masterwork where design and art are fully integrated into the architecture and landscape for a rich and immersive experience. Eight new homes are featured in this new volume, and each features Atelier AM s signature reverence for patina mixed with the new: reclaimed wood beams and well-loved vintage modern furniture pieces mingles comfortably with century-old artefacts and antiques. The projects in this volume show a deep understanding of design history from Spanish Colonial and English Classicism to contemporary. The mix of modern and ancient acknowledges and celebrates both the past and the future of design. With photography by their long-term collaborator Francois Halard, and insightful texts by Mayer Rus, Houses: Atelier AM promises to be as rich and satisfying as an Atelier AM home itself.

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As Scheherazade proved long ago, good stories make the best bedtime entertainment. The tales collected here represent the essence of the storyteller's art, with its ancient roots in fantastical legends and tales told around a fire. From the surreal night visions of Nathaniel Hawthorne's 'Young Goodman Brown' to the unspeakable horror that haunts two little girls in A. S. Byatt's 'The Thing in the Forest', from Washington Irving's comical 'The Legend of Sleepy Hollow' to Ursula K. LeGuin's sly perspective on Sleeping Beauty in 'The Poacher', these spellbinding stories transform the stuff of fables and fairy tales into high art. Robert Louis Stevenson, H. G. Wells, Isak Dinesen, Vladimir Nabokov, Angela Carter, Haruki Murakami and many more mingle their voices in this one-volume gateway to dreams - the perfect bedside companion for fiction lovers everywhere

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Shortlisted for the Costa 2019 Poetry Award. . Winner of the 2020 Hawthornden Prize. Surreal, joyful, political and queer, Reckless Paper Birds is a collection to treasure by Polari Prize-winning poet John McCullough. These exuberant poems welcome you into a psychedelic, parallel world of 'vomit and blossom' where Kate Bush mingles with a weeping Lady Gaga, a 'fractal coast' full of see-through things: water, mirrors, glass pebbles. With a magpie's eye for hidden charms, McCullough ranges across birdlife, Grindr and My Little Pony while also addressing social issues from homelessness to homophobia.

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Refiguring in Black is a meditation on black life, and a meditation on the questions and concerns with which black life is confronted. It takes the form of a critical engagement with the thought of Frederick Douglass, Toni Morrison, Hortense Spillers, and Charles Mingus – key figures in the black radical tradition. Sithole does not reduce these thinkers to biographical subjects but examines them as figures of black thought in ways that are creative and generative. Erudite and passionate, this book is a statement of and testimony to refiguring as a form of critical practice by those who are engaged in a radical refusal, and thus part of the long arc of the black radical tradition. As a way of understanding the contemporary moment and unmasking antiblackness in all its forms and guises, Sithole’s work brings the annals of black thought into being in order to think differently and necessitate rupture, refusing to concede to the order of things and refusing to be complicit in the dehumanization that has marked the black condition.

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Now filmed as Obsession on Netflix - starring Richard Armitage and Charlie MurphyThe New York Times bestselling masterpiece - a daring look at the dangers of obsession and the depth of its shattering consequences'Damaged people are dangerous. They know they can survive.'Damage is the gripping story of a man's desperate obsession and scandalous love affair. He is a man who appears to have everything: wealth, a beautiful wife and children, and a prestigious political career in Parliament. But his life lacks passion, and his aching emptiness drives him to an all-consuming and ultimately catastrophic relationship with his son's fiancée.'A taut, sinister tale of erotic obsession' Vanity Fair'The effect is powerful: here is naked obsession, sulfurous, total, scarcely possible to live with' Financial Times'The reader looks on with mingled shock and fascination. A tour de force' New York Times'Unputdownable is here, for once, not hyperbolic' Ruth Rendell 'Damage is a masterpiece' Washington Post'Passionate, elegant, ruthless' Iris Murdoch

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One of the most prolific and influential artists of the 20th century, Jean Dubuffet has featured in a multitude of exhibitions and catalogues. Yet his work remains some of the most misunderstood—and least interrogated—post-war French art. In Jean Dubuffet, Bricoleur: Portraits, Pastiche, Performativity, Stephanie Chadwick re-examines his portraits (a veritable who’s who of the Parisian art and intellectual scene) through the lens of his writings and in tandem with the art and literature of his Surrealist sitters. Dubuffet, while posing as an outsider himself, mingled with many great artists and theorists. He also celebrated Art Brut (the art of ostensible outsiders), developing an elaborate and nuanced stream of conceptual resources to reconfigure painting and reframe post-war anticultural discourses. This book investigates Dubuffet’s painting as bricolage, uncovering his reliance on a culture of anticulture and the appropriation of motifs from Surrealism to the South Pacific, to explore themes of multivalence, performativity, and multifaceted identity in his portraits.

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In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed’s term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes’s collaboration with Charles Mingus, Amiri Baraka’s work with the New York Art Quartet, Jayne Cortez’s albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes.

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Not days of anger but days of mild congestion, infants of inconstant sorrow, days of foam in gutters, blossoms and snow mingling where they fall, a spring of cold profusion. If a rolling stone gathers no moss, the poems in Devin Johnston's Mosses and Lichens attend to what accretes over time, as well as to what erodes. They often take place in the middle of life's journey, at the edge of the woods, at the boundary of human community and wild spaces. Following Ovid, they are poems of subtle transformation and transfer. They draw on early blues and rivers, on ironies and uncertainties, guided by enigmatic signals: "an orange blaze that marks no trail." From image to image, they render fleeting experiences with etched precision. As Ange Mlinko has observed, "Each poem holds in balance a lapidary concision and utter lushness of vowel-work," forming a distinctive music.

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Labor and Love in Guatemala re-envisions the histories of labor and ethnic formation in Spanish America. Taking cues from gender studies and the "new" cultural history, the book transforms perspectives on the major social trends that emerged across Spain's American colonies: populations from three continents mingled; native people and Africans became increasingly hispanized; slavery and other forms of labor coercion receded. Komisaruk's analysis shows how these developments were rooted in gendered structures of work, migration, family, and reproduction. The engrossing narrative reconstructs Afro-Guatemalan family histories through slavery and freedom, and tells stories of native working women and men based on their own words. The book takes us into the heart of sweeping historical processes as it depicts the migrations that linked countryside to city, the sweat and filth of domestic labor, the rise of female-headed households, and love as it was actually practiced—amidst remarkable permissiveness by both individuals and the state.

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Here is the story of arguably America''s finest hour; of the time when the twentieth century dawned, Queen Victoria died, and America, basking deliciously in excess wealth, rather thought it might snap up an empire of its own. Yet while politicians muse over the potential of China or the Philippines - even Russia - empires are being built at home; railway empires; industrial empires; newspaper empires. Into this arena float the delectable Caroline Sanford, putative heiress and definite catch. Caroline is an oddity; she has been raised in France where they teach rich girls to talk and think. American society women, required only to think of themselves as the most interesting beings on earth, are rather alarmed. American men are amused - until Caroline shirks from marriage, sues her brother, buys a newspaper, and becomes that even greater oddity - a powerful woman. Mingling with the movers and shakers of the day - with President McKinley, Theodore Roosevelt, William Randolf Hearst,

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Refiguring in Black is a meditation on black life, and a meditation on the questions and concerns with which black life is confronted. It takes the form of a critical engagement with the thought of Frederick Douglass, Toni Morrison, Hortense Spillers, and Charles Mingus – key figures in the black radical tradition. Sithole does not reduce these thinkers to biographical subjects but examines them as figures of black thought in ways that are creative and generative. Erudite and passionate, this book is a statement of and testimony to refiguring as a form of critical practice by those who are engaged in a radical refusal, and thus part of the long arc of the black radical tradition. As a way of understanding the contemporary moment and unmasking antiblackness in all its forms and guises, Sithole’s work brings the annals of black thought into being in order to think differently and necessitate rupture, refusing to concede to the order of things and refusing to be complicit in the dehumanization that has marked the black condition.

Read more less

After Reconstruction, African Americans found themselves free, yet largely excluded from politics, higher education, and the professions. Drawing on his professional research into political leadership and intellectual development in African American society, as well as his personal roots in the social-gospel teachings of black churches and at Lincoln University (PA), the political scientist Martin Kilson explores how a modern African American intelligentsia developed in the face of institutionalized racism. In this survey of the origins, evolution, and future prospects of the African American elite, Kilson makes a passionate argument for the ongoing necessity of black leaders in the tradition of W. E. B. Du Bois, who summoned the “Talented Tenth” to champion black progress.Among the many dynamics that have shaped African American advancement, Kilson focuses on the damage—and eventual decline—of color elitism among the black professional class, the contrasting approaches of Du Bois and Booker T. Washington, and the consolidation of an ethos of self-conscious racial leadership. Black leaders who assumed this obligation helped usher in the civil rights movement. But mingled among the fruits of victory are the persistent challenges of poverty and inequality. As the black intellectual and professional class has grown larger and more influential than ever, counting the President of the United States in its ranks, new divides of class and ideology have opened in African American communities. Kilson asserts that a revival of commitment to communitarian leadership is essential for the continued pursuit of justice at home and around the world.

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Traditional medicine enjoys widespread appeal in today’s Russia, an appeal that has often been framed either as a holdover from pre-Soviet times or as the symptom of capitalist growing pains and vanishing Soviet modes of life. Mixing Medicines seeks to reconsider these logics of emptiness and replenishment. Set in Buryatia, a semi-autonomous indigenous republic in Southeastern Siberia, the book offers an ethnography of the institutionalization of Tibetan medicine, a botanically-based therapeutic practice framed as at once foreign, international, and local to Russia’s Buddhist regions. By highlighting the cosmopolitan nature of Tibetan medicine and the culturally specific origins of biomedicine, the book shows how people in Buryatia trouble entrenched center-periphery models, complicating narratives about isolation and political marginality. Chudakova argues that a therapeutic life mediated through the practices of traditional medicines is not a last-resort response to sociopolitical abandonment but depends on a densely collective mingling of human and non-human worlds that produces new senses of rootedness, while reshaping regional and national conversations about care, history, and belonging.

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Carlo Zinelli is one of the leading figures in Art Brut. Contains previously unpublished archive material. Lavishly illustrated and published to accompany an exhibition at Art Brut Collection, Lausanne, 7 June - 2 December 2019. Carlo Zinelli, called Carlo (1916-1974), is one of the leading figures in Art Brut, along with Aloïse Corbaz and Adolf Wölfli. The book devoted to him by Collection de l'Art Brut, in Lausanne - the public institution that possesses the largest body of work by the Italian artist - gathers together a series of articles on Zinelli by experts in different disciplines. This makes it possible to give due weight to relatively neglected aspects of a rich and diverse opus, such as Carlo's writings, which mingle with his graphic compositions, well known for their characteristic accumulation of motifs, especially stylised human beings and animals, as well as vehicles. This bilingual book is lavishly illustrated throughout with reproductions of Zinelli's paintings and many photographs, several of which are by John Phillips, as well as previously unpublished archive material. Text in English and French.

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BY CROM! Robert E. Howard's famous Cimmerian UNCENSORED! Discover the true Conan, unrestrained, violent, and sexual. Read the story as he intended! The Cimmerian Vol 2 includes two complete stories, The People of The Black Circle, and The Frost-Giant's Daughter, plus bonus material, including the original prose stories, in one hardcover collection! In The People of the Black Circle, the king has just died in the kingdom of Vendhya, struck down by the spells of the black prophets of Yimsha. The king’s sister, Yasmina, decides to avenge him…and contacts Conan, then chief of the Afghuli tribe. But several of Conan’s warriors have just been killed by the men of the kingdom of Vendhya, further complicating the matter. The princess thought she could use the Cimmerian, but rather it is she who will serve his interests... Sylvain Runberg and prodigious designer/illustrator Jae Kwang Park adapt one of the most ambitious and complex Conan stories of Robert E. Howard. An adventure where epic battles, witchcraft and plots mingle in a mystical and scary Orient. Where revenge is an art… In The Frost-Giant's Daughter, Conan, the only survivor of a ferocious battle, sits in the midst of a bloodstained snow field. When the fight is over, the Cimmerian suddenly finds himself overcome with deep weariness and disgust. Until the moment he meets a redheaded woman of supernatural beauty, blinding like the glow of the sun on the snow. Moved by a burning desire, Conan decides to follow her but finds himself caught in a trap, attacked by two titans. In his ardor, he was not suspicious…he did not imagine for a second that his bride was none other than Ymir's own daughter: the frost-giant! A mythical tale both in both form and substance, The Frost-Giant’s Daughter is masterfully adapted by Robin Recht, who manages to capture the essence of this whirlwind tale of violent desire…a true love trap in which the force of will of the Cimmerian is put to the test.

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“I’ve just read Marcel Schwob’s The Children’s Crusade twice over, with deep admiration and reverence. I am profoundly moved: what a work! And to think I’d never heard the name of Marcel Schwob. Who is he?”—Rainer Maria Rilke Marcel Schwob’s 1896 novella The Children’s Crusade retells the medieval legend of the exodus of some 30,000 children from all countries to the Holy Land, who traveled to the shores of the sea, which—instead of parting to allow them to march on to Jerusalem—instead delivered them to merchants who sold them into slavery in Tunisia or delivered them to a watery death. It is a cruel and sorrowful story mingling history and legend, which Schwob recounts through the voices of eight different protagonists: a goliard, a leper, Pope Innocent III, a cleric, a qalandar and Pope Gregory IX, as well as two of the marching children, whose naive faith eventually turns into growing fear and anguish. Though it is a tale drawn from the early 13th century, Schwob presents it through a modern framework of shifting subjectivity and fragmented coherency, and its subject matter and its succession of different narrative perspectives has been seen as an influence on and precursor to such diverse works as Alfred Jarry’s The Other Alcestis, Ryunosuke Akutagawa’s “In a Grove,” William Faulkner’s As I Lay Dying and Jerzy Andrzejewski’s The Gates of Paradise. It is a tale told by many yet understood by few, a mosaic surrounding a void, describing a world in which innocence must perish.

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Through the sweeping cultural and historical transformations of China, entrepreneur Lan Yan traces her family’s history through early 20th Century to present day.The history of the Yan family is inseparable from the history of China over the last century. One of the most influential businesswomen of China today, Lan Yan grew up in the company of the country's powerful elite, including Zhou Enlai, Deng Xiaoping, and other top leaders. Her grandfather, Yan Baohang, originally a nationalist and close to Chiang Kai-shek and his wife, Soong May-ling, later joined the communists and worked as a secret agent for Zhou Enlai during World War II. Lan's parents were diplomats, and her father, Yan Mingfu, was Mao's personal Russian translator.Inspite of their elevated status, the Yan's family life was turned upside down by the Cultural Revolution. One night in 1967, in front of a terrified ten-year-old Lan, Red Guards burst into the family home and arrested her grandfather. Days later, her father was arrested, accused of spying for the Soviet Union. Her mother, Wu Keliang, was branded a counter-revolutionary and forced to go with her daughter to a re-education camp for more than seven years, where Lan came of age as a high school student.In recounting her family history, Lan Yan brings to life a century of Chinese history from the last emperor to present day, including the Cultural Revolution which tore her childhood apart. The little girl who was crushed by the Cultural Revolution has become one of the most active businesswomen in her country. In telling her and her family's story, she serves up an intimate account of the history of contemporary China.

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Cronyism is a serious problem in the United States, but unfortunately it is still not very well understood. In this new essay, Jay Cost explains what it is, and why we should be so worried about it. By mingling private and public interests, cronyism costs us hundreds of billions of dollars per year and threatens to transform our republic into an oligarchy, where the rich dominate the middle class. Worse, modern cronyism has become embedded into the laws themselves, so politicians in Washington assume that such corruption is just the way things should be. To confront the dangers of cronyism, reformers need to think outside the box, paying special attention to how the political process functions.

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A web of criss-crossing influences covers our planet, producing hybrids like Tandoori pizzas and ninja ballets, Silicon valleys in Bangalore and Zen monasteries in California. This mixing of cultures is also fraught with tension and conflict. Far from blending and mingling together, new barriers are emerging between peoples. And at the heart of this conflict is religious belief. In this fascinating and ground-breaking study, Vinoth Ramachandra examines the complex interaction of four major world faiths. He looks at the distinctiveness of the Christian message in a world of many faiths, and asks if a truly tolerant and pluralistic society can ever emerge from a rejection of universal truth claims.

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A Poetry Book Society recommendation; A book of the year - the Poetry School; The Triumph of Cancer blurs the borders of science and poetry, working with forensic attention to capture the `inscape' of the living world. In this powerful new collection, presented as a museum of artefacts, Chris McCabe returns to the site of personal trauma to confront disease head-on. Elegies for his father, poets and celebrities mingle with still-life portraits of organic and synthetic subjects. These poems move with lyric grace and surgical precision against a backdrop of terror and cancerous global politics, showing McCabe at the height of his powers: dextrous, darklycomic and a true original.

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The Ku Klux Klan has peaked three times in American history: after the Civil War, around the 1960s Civil Rights Movement, and in the 1920s, when the Klan spread farthest and fastest. Recruiting millions of members even in non-Southern states, the Klan’s nationalist insurgency burst into mainstream politics. Almost one hundred years later, the pent-up anger of white Americans left behind by a changing economy has once again directed itself at immigrants and cultural outsiders and roiled a presidential election.In The Politics of Losing, Rory McVeigh and Kevin Estep trace the parallels between the 1920s Klan and today’s right-wing backlash, identifying the conditions that allow white nationalism to emerge from the shadows. White middle-class Protestant Americans in the 1920s found themselves stranded by an economy that was increasingly industrialized and fueled by immigrant labor. Mirroring the Klan’s earlier tactics, Donald Trump delivered a message that mingled economic populism with deep cultural resentments. McVeigh and Estep present a sociological analysis of the Klan’s outbreaks that goes beyond Trump the individual to show how his rise to power was made possible by a convergence of circumstances. White Americans’ experience of declining privilege and perceptions of lost power can trigger a political backlash that overtly asserts white-nationalist goals. The Politics of Losing offers a rigorous and lucid explanation for a recurrent phenomenon in American history, with important lessons about the origins of our alarming political climate.

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This book offers a fresh reading of the biblical story of Joseph, alert to, and explicit about current literary methodology. Joseph is sold south by traders; then his brothers must go down to barter for food; and finally all his kin relocate in Egypt to survive famine. The relentless pull of the characters into various literal and figurative pits mingles with their struggles to emerge. The major mystery presented to both characters and readers—who is responsible for the descent of Joseph into Egypt?—develops into a much deeper question articulated by the brothers about the significance of the journey: 'What profit for us?' The conversation among characters is the repeated effort to interpret and thus understand, even control, the details of the descents so that survival is possible. The significance of the Joseph story for characters and readers is in the re-enacting, re-playing, remembering, re-interpreting of the events so that they can be grasped and integrated. The characters' strategies become a model for what the readers must do with the text.

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Murder, dark family secrets, and the unwavering bond of sisterhood-regardless of the cost Beth Ralston, a paralegal in Portland, Oregon, would rather be racking up billable hours than mingling at an office party-especially when her sister Lindsay, aka her plus one, is a no-show. After making her obligatory rounds, Beth returns to her office to find that her boss, who she'd talked with moments before, has been murdered. She sees a woman fleeing the scene. Wait-was that Lindsay? Unable to catch up to her in time, Beth waits for the police to arrive and notices that Lindsay has left her phone behind with an unsent text message to Beth displayed on the screen: Don't ask. Don't follow. Lindsay is unreachable for days, and when Beth starts to come under suspicion for the crime, she decides that waiting is impossible. While retracing Lindsay's steps, determined to bring her home, Beth uncovers what her sister, an investigative reporter bent on changing the world, was trying to expose-corru

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Winner of the 2021 Julian Minghi Distinguished Book Award from the American Association of Geographers​2021 Foreword Indies Finalist - Politics and Social SciencesIntimate Geopolitics begins with a love story set in the Himalayan region of Ladakh, in India’s Jammu and Kashmir State, but this is also a story about territory, and the ways that love, marriage, and young people are caught up in contemporary global processes. In Ladakh, children grow up to adopt a religious identity in part to be counted in the census, and to vote in elections. Religion, population, and voting blocs are implicitly tied to territorial sovereignty and marriage across religious boundaries becomes a geopolitical problem in an area that seeks to define insiders and outsiders in relation to borders and national identity. This book populates territory, a conventionally abstract rendering of space, with the stories of those who live through territorial struggle at marriage and birth ceremonies, in the kitchen and in the bazaar, in heartbreak and in joy. Intimate Geopolitics argues for the incorporation of the role of time–temporality–into our understanding of territory.

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Shortlisted for The 2019 Forward Prize for Best Collection. City of Departures is Helen Tookey’s second Carcanet collection, following her 2014 Missel-Child, an `exceptional volume … from a powerful and intelligent imagination’ (Jeffrey Wainwright). City of Departures is a collection of uncanny spaces and fleeting encounters, an urban patchwork of glimpsed moments and chance affiliations. Through them, Tookey explores the ways in which we create meaning and connection in these kinds of spaces, and how the nature of those connections—often temporary and provisional—affects who we are, and who we are becoming. Tookey’s work has a new formal inventiveness and experimental temperament. The collection mixes prose and verse, and a multitude of voices and structures mingle on its pages. The poems connect through repeated images, themes and tones, which echo and re-echo. Their loci are neglected houses and gardens, canals, wrecked boats… liminal worlds where absence has a presence of its own, fertile ground for ghosts, fantasies, memories, and dreams.

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Traditional medicine enjoys widespread appeal in today’s Russia, an appeal that has often been framed either as a holdover from pre-Soviet times or as the symptom of capitalist growing pains and vanishing Soviet modes of life. Mixing Medicines seeks to reconsider these logics of emptiness and replenishment. Set in Buryatia, a semi-autonomous indigenous republic in Southeastern Siberia, the book offers an ethnography of the institutionalization of Tibetan medicine, a botanically-based therapeutic practice framed as at once foreign, international, and local to Russia’s Buddhist regions. By highlighting the cosmopolitan nature of Tibetan medicine and the culturally specific origins of biomedicine, the book shows how people in Buryatia trouble entrenched center-periphery models, complicating narratives about isolation and political marginality. Chudakova argues that a therapeutic life mediated through the practices of traditional medicines is not a last-resort response to sociopolitical abandonment but depends on a densely collective mingling of human and non-human worlds that produces new senses of rootedness, while reshaping regional and national conversations about care, history, and belonging.

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Extraordinary and diverse people inhabit this rich, ripe, occasionally raucous collection of short stories. Some are based on real people - Jeanne Duval, Baudelaire's handsome and reluctant muse who never asked to be called the Black Venus, trapped in the terminal ennui of the poet's passion, snatching at a little lifesaving respectability against all odds...Edgar Allen Poe, with his face of a actor, demonstrating in every thought and deed how right his friends were when they said 'No man is safe who drinks before breakfast.'And some of these people are totally imaginary. Such as the seventeenth century whore, transported to Virginia for thieving, who turns into a good woman in spite of herself among the Indians, who have nothing worth stealing. And a girl, suckled by wolves, strange and indifferent as nature, who will not tolerate returning to humanity. Angela Carter wonderfully mingles history, fiction, invention, literary criticism, high drama and low comedy in a glorious collection of stories as full of contradictions and surprises as life itself.

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