Search results for ""author art, culture"

Start together on a lifetime of learning-- the greatest gift youcan give your child A special greeting for a guest...a new way of looking at a familiarfairy tale...a day of exploration around your town. These simpleexperiences and activities help your child understand how to getalong with family, friends, and neighbors--from around the block toaround the world. Early childhood education specialist Marlene Barron shows you howto stimulate your child's natural desire to relate to others with60 imaginative and entertaining activities. Each one is: * Inspired by the internationally renowned Montessori approach toeducation * Developed especially for children ages 3 to 7 * Aimed at achieving specific objectives, such as understandingbasic social skills, learning about diverse cultures, anddeveloping an appreciation of history and the arts * Readily upgraded to keep pace with your child's progress * Easy to do and loads of fun! The Ready, Set, Learn series was created to help parents andchildren explore concepts and develop skills necessary to succeedin school. In addition to dozens of activities, each book containsa substantial overview explaining children's developmental needs.Also available in the Ready, Set, Learn series: Ready, Set, Readand Write; Ready, Set, Count; and Ready, Set, Explore. "Marlene Barron's special understanding of people--children,parents, teachers--has led to these very special books. Theactivities here will allow children to construct a deeper, morecomplex understanding of their world and will be fun for bothparent and child. I recommend these books to anyone who works withchildren." --John Chattin-McNichols, Ph.D. Associate Professor,School of Education, Seattle University; Vice President, AmericanMontessori Society

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“The way to point to the existence of the universe is to see one thing directly and clearly and describe it. . . . If you see something as a symbol of something else, then you don't experience the object itself, but you're always referring it to something else in your mind. It's like making out with one person and thinking about another.” —Ginsberg speaking to his writing class at Naropa Institute, 1985With “Howl” Allen Ginsberg became the voice of the Beat Generation. It was a voice heard in some of the best-known poetry of our time—but also in Ginsberg’s eloquent and extensive commentary on literature, consciousness, and politics, as well as his own work. Much of what he had to say, he said in interviews, and many of the best of these are collected for the first time in this book. Here we encounter Ginsberg elaborating on how speech, as much as writing and reading, and even poetry, is an act of art.Testifying before a Senate subcommittee on LSD in 1966; gently pressing an emotionally broken Ezra Pound in a Venice pensione in 1967; taking questions in a U.C. Davis dormitory lobby after a visit to Vacaville State Prison in 1974; speaking at length on poetics, and in detail about his “Blake Visions,” with his father Louis (also a poet); engaging William Burroughs and Norman Mailer during a writing class: Ginsberg speaks with remarkable candor, insight, and erudition about reading and writing, music and fame, literary friendships and influences, and, of course, the culture (or counterculture) and politics of his generation. Revealing, enlightening, and often just plain entertaining, Allen Ginsberg in conversation is the quintessential twentieth-century American poet as we have never before encountered him: fully present, in pitch-perfect detail.

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What does it mean to describe cinematic effects as “movie magic,” to compare filmmakers to magicians, or to say that the cinema is all a “trick”? The heyday of stage illusionism was over a century ago, so why do such performances still serve as a key reference point for understanding filmmaking, especially now that so much of the cinema rests on the use of computers? To answer these questions, Colin Williamson situates film within a long tradition of magical practices that combine art and science, involve deception and discovery, and evoke two forms of wonder—both awe at the illusion displayed and curiosity about how it was performed. He thus considers how, even as they mystify audiences, cinematic illusions also inspire them to learn more about the technologies and techniques behind moving images. Tracing the overlaps between the worlds of magic and filmmaking, Hidden in Plain Sight examines how professional illusionists and their tricks have been represented onscreen, while also considering stage magicians who have stepped behind the camera, from Georges Méliès to Ricky Jay. Williamson offers an insightful, wide-ranging investigation of how the cinema has functioned as a “device of wonder” for more than a century, while also exploring how several key filmmakers, from Orson Welles to Christopher Nolan and Martin Scorsese, employ the rhetoric of magic. Examining pre-cinematic visual culture, animation, nonfiction film, and the digital trickery of today’s CGI spectacles, Hidden in Plain Sight provides an eye-opening look at the powerful ways that magic has shaped our modes of perception and our experiences of the cinema.

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An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture.What’s in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe.Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape recording became something different from what it had been in the West, shaped by its distinctive origins behind the Iron Curtain. The Sound of Modern Polish Poetry reconstructs the historical conditions, audio technologies, and personal motivations that informed poetic performances by such luminaries as Czesław Miłosz, Wisława Szymborska, Aleksander Wat, Zbigniew Herbert, Miron Białoszewski, Anna Swir, and Tadeusz Różewicz. Through performances both public and private, prepared and improvised, professional and amateur, these poets tested the possibilities of the physical voice and introduced new poetic practices, reading styles, and genres to the Polish literary scene. Recording became, for these artists, a means of announcing their ambiguous place between worlds.Kremer’s is a work of criticism as well as recovery, deploying speech-analysis software to shed light on forgotten audio experiments—from poetic “sound postcards,” to unusual home performances, to the final testaments of writer-performers. Collectively, their voices reveal new aesthetics of poetry reading and novel concepts of the poetic self.

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With rugged mountain ranges and stunning Pacific coastline, savoury mole and smoky mezcal, Oaxaca is more than just a stop along the way: it's an adventure in itself. Stay a while with Moon Oaxaca. Inside you'll find:*Strategic itineraries for backpackers, foodies, ecotourists, and more, whether you're spending ten days or just a weekend in Oaxaca *The top activities and unique experiences: Spend a day strolling Oaxaca City's cobblestone streets and stopping in trendy cafes, mezcal shops, artisan cooperatives, and art galleries. Tour the Zapotec ruins of Monte Albán, trek the mountain paths of the Sierra Norte, or surf the world-class swells off Oaxaca's coast. Revel in the blur of parades, fireworks, and friendly locals inviting you to view their ofrendas (altars) during Oaxaca's legendary Day of the Dead celebration*The best local flavours: Indulge in steamy pozole from a street stand, try traditional mole negro, or snack on fried grasshoppers. Visit a mezcal distillery to sample the smoky spirit and explore the fields of spiky agave, or satisfy your sweet tooth with a frothy espuma*Local insight: Mexico City writer and former Oaxaca dweller Cody Copeland shares what inspires him about the region*Full-colour photos and detailed maps throughout*Helpful background on the landscape, culture, history, and environment, plus tips on health and safety, how to get around, and a handy Spanish phrasebookWith Moon's practical tips and local insight, you can experience the best of Oaxaca.Looking for más Mexico? Check out Moon Yucatán Peninsula, Moon San Miguel de Allende, or Moon Mexico City.

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Whether you're an adventure junkie, road-tripper, or card shark, Nevada has something for you. Make it the perfect trip with Moon Nevada.Inside you'll find:* The best road trips through Nevada, from 3 days on "the loneliest road in America," to a week covering Death Valley and the Extraterrestrial Highway, with detailed information on travel times, distances, and directions* Full-color photos and detailed maps throughout* The top sights and unique activities for all travel styles:Explore caves and glaciers at Great Basin National Park, or go fishing, swimming, or boating on Lake Tahoe or Lake Mead. Marvel at the engineering of the Hoover Dam, camp out at a secluded alpine lake, or find the best spots for a day hike. Schedule your visit during one of the major festivals that frequent Nevada (Burning Man, Art Town Reno, or the National Rodeo Finals), or shop for local turquoise trinkets. Try your hand at a slot machine, and get a taste of the world-renowned Las Vegas nightlife* Focused coverage of Reno, Las Vegas, Death Valley, Tahoe, Central Nevada, Elko, the Ruby Mountains, and more* Honest advice on where to stay, when to go, and how to get around* Expert tips from long-time Nevada local Scott Smith* Thorough information, including background on the landscape, plants and animals, climate, and local cultureWith Moon Nevada's practical tips, myriad activities, and local insight, you can plan your trip your way.Spending more time at the lake? Try Moon Tahoe. Headed to the parks? Try Moon Yosemite National Park or Moon Death Valley National Park.

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Explore the fascinating world of flags! Find intriguing stories and factoids on the design of country, province, state and special flags. Read how these flags are used as heraldic symbols, cultural and national emblems, and how designs and meanings have evolved.The perfect guide to vexillology for anyone interested in the origin, history, and symbolism of flags. Inside this flag book, you'll find:- Highly detailed full-colour flag illustrations for each main entry - Comprehensive text explaining the significant elements of their design, colours, symbols, and insignia.- Beautifully illustrated introductory spreads that trace the history of banners, standards, and flags and explain the terms used to describe them- Sections on signal flags and flag protocol, as well as a concise glossary of terms- A flag identification guide and alphabetical flag directory to enable easy navigationA wonderful gift for flag enthusiasts! This guide to flags helps you identify flags and understand their symbolism. Learn about how flag designs have evolved over centuries and decades and how to identify flags by their distinguishing features. This educational guide to flags details more than 400 examples and covers everything from geography, communications, politics, sport, history, and art.Find out what makes the US stars and stripes so unique and the ancient medieval cantons of Switzerland noteworthy. Detailed notes and annotation reveal the origins, design development, and significance of colours, symbols, crests, and coats of arms and the reasons for recent changes to the flags.

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The prowess of Chinese creative abilities in the decorative arts in the 19th and early 20th centuries was well known globally, but, while much has been written about Chinese textiles and on the influence of the East on European styles of the time, the story of the influence of Western formats and tastes on the manufacture of Chinese jewellery in the period has, amazingly, never been told. In examining 50 objects of exatraordinary quality from an important private North American collection, this book seeks to redress the situation and reveal the splendour of silver and silver-gilt jewellery of the late Qing dynasty. An ancient and sophisticated culture, the Chinese – who have since records begun made up about a quarter of world’s population – had almost everything they could need or want within their own borders … except for silver. The metal had long cultural, commercial and governmental associations but had to be imported largely from South America, after both national and Japanese reserves were quickly exhausted by huge Chinese demand. Beginning in the mid 19th century – where the story told here begins – after two successive defeats in the Opium Wars, sixteen treaty ports were established on coastal and inland cities, enabling Western merchants freer movement and trade with the Chinese. The 50 pieces of jewellery and ornament presented here have been beautifully photographed and carefully documented. In superb unrestored condition, the objects incorporate exotic materials like tiger-shark teeth, teak wood, amber, precious and semi-precious stones from India and Sri Lanka, enamel, as well as finely carved and pierced nephrite, jadeite and lapis lazuli. Daoist imagery and motifs dominate but with the inclusion of some surprising Buddhist imagery as well. Though not from the imperial collection of the Qing, these exquisite pieces were seemingly commissioned and worn by prosperous members of the society from all over the vast country. The differences in manufacture, even in this varied sample of 50 items, is striking. Their appeal is more than just aesthetic, and their design and decoration speak of the social, religious, economic and political climate of their time. Questions regarding the sale and consumption of these object are discussed, and changing local and foreign tastes in the wake of the fall of the Qing dynasty and the establishment of the Republican period are also addressed.

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An explosive investigation into how the United States of America built one of the largest illicit offshore finance systems in the world. For years, one country has acted as the greatest offshore haven in the world, attracting hundreds of billions of dollars in illicit finance tied directly to corrupt regimes, extremist networks, and the worst the world has to offer. But it hasn’t been the sand-splattered Caribbean islands, or even traditional financial secrecy havens like Switzerland or Panama that have come to dominate the offshoring world. Instead, the country profiting the most also happens to be the one that still claims to be the moral leader of the free world, and the one that claims to be leading the fight against the crooked and the corrupt: the United States of America. American Kleptocracy examines just how the United States’ implosion into a centre of global offshoring took place: how states such as Delaware and Nevada perfected the art of the anonymous shell company; how post-9/11 reformers watched their success usher in a new flood of illicit finance directly into the U.S.; how African despots and post-Soviet oligarchs came to dominate American coastlines, American industries, and entire cities and small towns across the American Midwest; how Nazi-era lobbyists birthed an entire industry of spin-men whitewashing transnational crooks and despots, and how dirty money has now begun infiltrating America’s universities, think tanks, and cultural centres; and how those on the frontline are trying to restore America’s legacy of anti-corruption leadership ― and finally end this reign of American kleptocracy. It also looks at how Trump’s presidency accelerated all of the trends already on hand ― and how the Biden administration can, and should, act on this tawdry inheritance.

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From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, from blacks and whites in blackface to black-cast musicals to jazz shorts, from sorrow songs to show tunes to bebop and beyond. Arthur Knight focuses on American film’s classic sound era, when Hollywood studios made eight all-black-cast musicals—a focus on Afro-America unparalleled in any other genre. It was during this same period that the first black film stars—Paul Robeson, Louis Armstrong, Lena Horne, Harry Belafonte, Dorothy Dandridge—emerged, not coincidentally, from the ranks of musical performers. That these films made so much of the connection between African Americans and musicality was somewhat ironic, Knight points out, because they did so in a form (song) and a genre (the musical) celebrating American social integration, community, and the marriage of opposites—even as the films themselves were segregated and played before even more strictly segregated audiences.Disintegrating the Musical covers territory both familiar—Show Boat, Stormy Weather, Porgy and Bess—and obscure—musical films by pioneer black director Oscar Micheaux, Lena Horne’s first film The Duke Is Tops, specialty numbers tucked into better-known features, and lost classics like the short Jammin’ the Blues. It considers the social and cultural contexts from which these films arose and how African American critics and audiences responded to them. Finally, Disintegrating the Musical shows how this history connects with the present practices of contemporary musical films like O Brother, Where Art Thou? and Bamboozled.

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Embodying the Soul explores the possibilities and limitations of human intervention in the body's health across the ninth-century Carolingian Empire. Early medieval medicine has long been cast as a superstitious, degraded remnant of a vigorous, rational Greco-Roman tradition. Against such assumptions, Meg Leja argues that Carolingian scholars engaged in an active debate regarding the value of Hippocratic knowledge, a debate framed by the efforts to define Christian orthodoxy that were central to the reforms of Charlemagne and his successors. From a subject with pagan origins that had suspicious links with magic, medical knowledge gradually came to be classified as a sacred art. This development coincided with an intensifying belief that body and soul, the two components of individual identity, cultivated virtue not by waging combat against one another but by working together harmoniously. The book demonstrates that new discussions regarding the legitimacy of medical learning and the merits of good health encouraged a style of self-governance that left an enduring mark on medieval conceptions of individual responsibility. The chapters tackle questions about the soul's material occupation of the body, the spiritual meaning of illness, and the difficulty of diagnosing the ills of the internal bodily cavity. Combating the silence on "dark-age" medicine, Embodying the Soul uncovers new understandings of the physician, the popularity of preventative regimens, and the theological importance attached to dietary regulation and bloodletting. In presenting a cultural history of the body, the book considers a broad range of evidence: theological and pastoral treatises, monastic rules, court poetry, capitularies, hagiographies, biographies, and biblical exegesis. Most important, it offers a dynamic reinterpretation of the large numbers of medical manuscripts that survive from the ninth century but have rarely been the focus of historical study.

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A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.

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A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.

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From political debates about global free markets to local free lunches, today the word 'freedom' is in danger of becoming a distorted and tired cliche. In "Another Freedom", Svetlana Boym explores the rich history of the idea of freedom, from its origins in ancient Greece through the present day, suggesting that our attempts to imagine freedom should occupy the space of not only 'what is' but also 'what if'. Beginning with notions of sacrifice and the emergence of a public sphere for politics and art, Boym expands her account to include the relationships between freedom and liberty, modernity and terror, political dissent and creative estrangement, and love and freedom of the other. While depicting a world of differences, Boym affirms lasting cross-cultural solidarities with the commitment to passionate thinking that reflection on freedom requires. "Another Freedom" is filled with stories that illuminate our own sense of what it means to be free, and it assembles a truly remarkable cast of characters: Warburg and Euripides, Pushkin and Tocqueville, Kafka and Osip Mandelshtam, Arendt and Heidegger, and an imagined encounter between Dostoevsky and Marx on the streets of Paris. What are the limits of freedom and how can it be imagined anew? Reflecting upon her experience as a Leningrad native transplanted to the United States, Boym dares to ask whether American freedom can be transported across the national border. With these questions in mind, Boym attempts to reinvent freedom as something 'infinitely improbable' - yet nevertheless still possible. By offering a fresh look at the strange history of this idea and opening a new arena of inquiry, "Another Freedom" delivers a nuanced portrait of freedom's unpredictable occurrences and unexplored plots, one whose repercussions will be felt well into the future.

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Transcendence and History is an analysis of what philosopher Eric Voegelin described as 'the decisive problem of philosophy': the dilemma of the discovery of transcendent meaning and the impact of this discovery on human self-understanding. The explicit recognition and symbolization of transcendent meaning originally occurred in a few advanced civilizations worldwide during the first millennium. The world's major religious and wisdom traditions are built upon the recognition of transcendent meaning, and our own cultural and linguistic heritage has long since absorbed the postcosmological division of reality into the two dimensions of 'transcendence' and 'immanence.' But the last three centuries in the West have seen a growing resistance to the idea of transcendent meaning; contemporary and 'postmodern' interpretations of the human situation - both popular and intellectual - indicate a widespread eclipse of confidence in the truth of transcendence.In Transcendence and History, Glenn Hughes contributes to the understanding of transcendent meaning and the problems associated with it and assists in the philosophical recovery of the legitimacy of the notion of transcendence. Depending primarily on the treatments of transcendence found in the writings of twentieth-century philosophers Eric Voegelin and Bernard Lonergan, Hughes explores the historical discovery of transcendent meaning and then examines what it indicates about the structure of history. Hughes's main focus, however, is on clarifying the problem of transcendence in relation to historical existence. Addressing both layreaders and scholars, Hughes applies the insights and analyses of Voegelin and Lonergan to considerable advantage.Transcendence and History will be of particular value to those who have grappled with the notion of transcendence in the study of philosophy, comparative religion, political theory, history, philosophical anthropology, and art or poetry. By examining transcendent meaning as the key factor in the search for ultimate meaning from ancient societies to the present, the book demonstrates how 'the decisive problem of philosophy' both illuminates and presents a vital challenge to contemporary intellectual discourse.

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It is said that asphyxiation brings on a state of hallucinatory intoxication...in which case the 71 year old artist who lay in his sprawling Provencal villa died happy. In the early afternoon of Monday 4 October 1999, wracked with Parkinson's, and unable to paint because of a fall in which he had broken his wrist, Bernard Buffet calmly placed a plastic bag over his head, taped it tight around his neck and patiently waited the few minutes it took for death to arrive. Bernard Buffet:The Invention of the Modern Mega-artist tells the remarkable story of a French figurative painter who tasted unprecedented critical and commercial success at an age when his contemporaries were still at art school. Then, with almost equal suddenness the fruits of fame turned sour and he found himself an outcast. Scarred with the contagion of immense commercial success no leper was more untouchable. He was the first artist of the television age and the jet age and his role in creating the idea of a post-war France is not to be underestimated. As the first of the so-called Fabulous Five (Francoise Sagan, Roger Vadim, Brigitte Bardot and Yves Saint Laurent) he was a leader of the cultural revolution that seemed to forge a new France from the shattered remains of a discredited and demoralized country. Rich in incident Buffet’s remarkable story of bisexual love affairs, betrayal, vendettas lasting half a century, shattered reputations, alcoholism, and drug abuse, is played out against the backdrop of the beau monde of the 1950s and 1960s in locations as diverse as St Tropez, Japan, Paris, Dallas, St Petersburg and New York, before coming to its miserable conclusion alone in his studio.

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Pussyhats, typically crafted with yarn, quite literally created a sea of pink the day after Donald J. Trump became the 45th president of the United States in January 2017, as the inaugural Women’s March unfolded throughout the U.S., and sister cities globally.But there was nothing new about women crafting as a means of dissent.Crafting Dissent: Handicraft as Protest from the American Revolution to the Pussyhats is the first book that demonstrates how craft, typically involving the manipulation of yarn, thread and fabric, has also been used as a subversive tool throughout history and up to the present day, to push back against government policy and social norms that crafters perceive to be harmful to them, their bodies, their families, their ideals relating to equality and human rights, and their aspirations. At the heart of the book is an exploration for how craft is used by citizens to engage with the rhetoric and policy shaping their country’s public sphere.The book is divided into three sections: "Crafting Histories," Politics of Craft," and "Crafting Cultural Conversations."Three features make this a unique contribution to the field of craft activism and history: The inclusion of diverse contributors from a global perspective (including from England, Ireland, India, New Zealand, Australia) Essay formats including photo essays, personal essays and scholarly investigations The variety of professional backgrounds among the book’s contributors, including academics, museum curators, art therapists, small business owners, provocateurs, artists and makers. This book explains that while handicraft and craft-motivated activism may appear to be all the rage and “of the moment,” a long thread reveals its roots as far back as the founding of American Democracy, and at key turning points throughout the history of nations throughout the world.

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"Expertly takes readers into a world of Japanese home cooking far from the austere precision of the sushi counter, or the late-night rush of the ramen-ya. . . .This welcome primer goes a long way toward making Japanese cooking accessible to home cooks curious but perhaps intimidated by the cuisine." Publishers Weekly Learn how to make the enigmatic and umami-rich comfort food of Japan, with over 75 recipes straight from Atsuko Ikeda’s authentic yet modern Japanese Kitchen. Japanese home-cooking is full of comfort, but a version of comfort food that is stylish, mouth-watering and less unhealthy than most. For those who aspire to recreate the Japanese dishes enjoyed in restaurants or on holiday, and to discover even more about the secrets and techniques involved in Japanese home cooking, you are invited into Atsuko’s Kitchen. Learn the subtle art of creating a balanced meal as demonstrated with an easy-to-follow infographic. Learn the basics, such as how to season food the Japanese way, how to prepare dashi stock and how to make variations on basic rice. Choose from the delicious array of main dishes you might be familiar with, such as chicken teriyaki, tonkatsu pork, beef tataki, gyoza, seared tuna with ponzu, vegetable tempura, okonomiyaki, grilled aubergine with sesame sauce, plus recipes from Atsuko’s own family and modern creative repertoire. Also featuring ‘izakaya’ small plates for sharing and sumptuous modern desserts, there is Japanese comfort food for every occasion. With tips on how to present your dishes in the traditional way, anecdotes and cultural explanations of dishes, discover the secrets of Japanese home-cooking for yourself.

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From sipping scotch and sampling haggis to touring castles and historic museums, make the most of your Scottish adventure with Moon Edinburgh, Glasgow & the Isle of Skye. Inside you'll find:*Flexible itineraries such as one to three days in Edinburgh and Glasgow, two days in the Highlands, and four days on the Isle of Skye that can be expanded or combined into a longer trip, including day trips to Loch Lomond, Ben Nevis, and more*Strategic advice for art lovers, history buffs, road trippers, and more*Explore the Cities: Walk along Edinburgh's historic Royal Mile from the Edinburgh Castle to the Queen's Scottish Palace or climb the Arthur's Seat peak. Sample authentic haggis and dine at innovative new restaurants. Catch a traditional music performance in Glasgow (the UNESCO City of Music!) or chat with locals at a corner pub over folk music and a pint*Escape the Crowds: Hike through wild moors and pine forests to deserted villages on Skye, sip your way through Islay's whisky distilleries, or take a seaplane over Loch Lomond for dramatic views of the Highlands*Valuable perspective from Scotland expert Sally Coffey*Full-colour photos and detailed maps throughout*Background information on the landscape, history, and cultural customs of Scotland*Handy tools such as a glossary and list of Scottish phrases, and helpful tips for seniors, disability access, families with children, LGBTQ visitors, and travellers of colorWith Moon Edinburgh, Glasgow & the Isle of Skye's practical tips and local insight, you can plan your trip your way.Exploring beyond Scotland? Check out Moon Ireland.

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We may all feel we know what an "English" garden is, but do we really? England's Gardens offers a holistic, modern-day tour and an update on the history of some of the most iconic, enduring, and influential gardens across the country.A fresh take on a much-loved subject, this book will help you get to know England's gardens up close and personal. Garden historian Stephen Parker leads you through England's horticultural history, unearthing the cultural context and hidden stories behind the gardens, and bringing lesser-known garden makers to the fore. In five detailed historical chapters, Parker explores the making of the so-called "English" garden - from its origins in the formal splendour of stately homes, all the way to climate-change resilience and future-facing designs of the modern era.Inside the pages of this stunning book on England's country gardens, you will find:- 5 chapters of detailed narrative essays arranged in chronological order.- Detailed profiles showcase significant garden makers.- More than 20 photography-led garden case studies explore key gardens to visit in England today.- Stunning, full-bleed, contemporary photography brings the gardens to life.- Archival photography and historical art sheds light on the history and making of the gardens.Discover the best gardens to visit today - with garden case studies showcasing everything England's gardens have to offer through stunning contemporary photography and careful analysis of planting schemes and garden makers' creative influences. From iconic sites like Sissinghurst and Great Dixter, to more unusual examples such as Prospect Cottage and The Laskett - this book celebrates England's gardens in all their glorious diversity, sublime beauty, and exuberant eccentricity.

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Is the faith journey a matter of reflection, of emotion, or of obedience? Is there valid and convincing evidence that does enable human beings to assent to Jesus Christ and his message? What is the influence of cognitive assumptions and of affective tendencies in the art of believing? Should we distinguish faith and belief? And do we need more than one kind of conversion?Taking account of the widespread indifference, skepticism, and distrust of organized religion in the West, Louis Roy begins The Three Dynamisms of Faith with the human concern about hope and about a reachable happiness, both in our contemporary world and in the Bible. He then traces these themes in three historic giants of Christian thinking: Thomas Aquinas, John Henry Newman, and Bernard Lonergan, presenting their converging descriptions of the three dynamisms of Christian faith: the quests for meaning, for fulfillment, and for truth. Fr. Roy shows how The Three Dynamisms of Faith are lived in today’s culture and how they are systematically related; sometimes in alliance and sometimes in apparent opposition. Having led the reader to a plausible answer to the human condition in Catholicism, in his final chapter he discusses some classic issues that result: possible tensions between meaning and truth, between feelings and insight, and about the role of religious experience in becoming attuned to Christian revelation. All along, Fr. Roy describes concrete examples of problems that may occur in the journey of faith: blindness and distortions, the varieties of self-deception, the limitations of natural reason. Logical stages on the way to faith are also identified. A pastoral conclusion brings those multiple threads together; it insists on the legitimate diversity of emphases in people’s journeys, and it proposes a balance between the rich strengths available in persons and groups.

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Islamic religious education (IRE) in Europe has become a subject of intense debate during the past decade. There is concern that states are doing too little or too much to shape the spiritual beliefs of private citizens. State response to the concern ranges from sponsoring religious education in public schools to forgoing it entirely and policies vary according to national political culture. In some countries public schools teach Islam to Muslims as a subject within a broader religious curriculum that gives parents the right to choose their children's religious education. In the other countries public schools teach Islam to all pupils as a subject with a close relation to the academic study of religions. There are also countries where public schools do not teach religion at all, although there is an opportunity to teach about Islam in school subjects such as art, history, or literature. IRE taught outside publicly funded institutions, is of course also taught as a confessional subject in private Muslim schools, mosques and by Muslim organisations. Often students who attend these classes also attend a publicly funded "main stream school". This volume brings together a number of researchers for the first time to explore the interconnections between Islamic educations and public schooling in Europe. The relation between Islamic education and public schooling is analysed within the publicly and privately funded sectors. How is publicly funded education organised, why is it organised in this way, what is the history and what are the controversial issues? What are the similarities and differences between privately run Islamic education and "main stream" schooling? What are the experiences of teachers, parents and pupils? The volume will be of interest to scholars of Islam in Europe, policy makers of education and integration and teachers of religious education.

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An exciting study of ancient slavery in Greece and Rome This book provides an introduction to pivotal issues in the study of classical (Greek and Roman) slavery. The span of topics is broad—ranging from everyday resistance to slavery to philosophical justifications of slavery, and from the process of enslavement to the decline of slavery after the fall of the Western Roman Empire. The book uses a wide spectrum of types of evidence, and relies on concrete and vivid examples whenever possible. Introductory chapters provide historical context and a clear and concise discussion of the methodological difficulties of studying ancient slavery. The following chapters are organized around central topics in slave studies: enslavement, economics, politics, culture, sex and family life, manumission and ex-slaves, everyday conflict, revolts, representations, philosophy and law, and decline and legacy. Chapters open with general discussions of important scholarly controversies and the challenges of our ancient evidence, and case studies from the classical Greek, Hellenistic, and Roman periods provide detailed and concrete explorations of the issues. Organized by key themes in slave studies with in-depth classical case studies Emphasizes Greek/Roman comparisons and contrasts Features helpful customized maps Topics range from demography to philosophy, from Linear B through the fall of the empire in the west Features myriad types of evidence: literary, historical, legal and philosophical texts, the bible, papyri, epitaphs, lead letters, curse tablets, art, manumission inscriptions, and more Ancient Greek and Roman Slavery provides a general survey of classical slavery and is particularly appropriate for college courses on Greek and Roman slavery, on comparative slave societies, and on ancient social history. It will also be of great interest to history enthusiasts and scholars, especially those interested in slavery in different periods and societies.

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Eric Zakim follows the literary and intellectual career of the powerful Zionist slogan "to build and be built" from its conceptual origin in reaction to the Kishinev pogroms of 1903, when it first served as an expression of settlement aspiration, until the end of pre-state national expansion in Palestine in 1938. "Draining the swamps" and "making the desert bloom," the Jewish settlers imagined themselves as performing "miracles" on the land. By these acts, they were also meant to reinvent the very notion of what it was to be a Jew in the modern world. As Jewish settlers reshaped nature in the Holy Land by turning it from one thing into another, they too were newly constructed. Zakim argues that in the period leading up to the establishment of the state of Israel, the action of working the land and building its cities in order to transform both into something essentially Jewish increasingly came to mark a turn inward toward the reclamation of a Jewish subject tied to the very soil of Palestine. To Build and Be Built radically recontextualizes modernist Hebrew literature to demonstrate how literary aesthetics of nature formed the very political discourse they nominally reflected. Zakim's work sees no division between politics and representation. Instead, the depiction of nature in literature, art, and architecture became constitutive of a political and social understanding of the Jew's place in the Middle East. By refusing to acknowledge the disciplinary boundaries of standard works on literature, history, and political thought, To Build and Be Built challenges the methodological certainties that have guided popular and academic understandings of the development of Zionist involvement in the land of Israel. For this reason, To Build and Be Built will be of interest to people beyond literature, in particular those working in history and those outside of Israel studies who have an interest in modernism and the representation of nature in the history of culture.

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How did the Greeks view foreign peoples? This book considers what the Greeks thought of foreigners and their religions, cultures and politics, and what these beliefs and opinions reveal about the Greeks. The Greeks were occasionally intrigued by the customs and religions of the many different peoples with whom they came into contact; more often they were disdainful or dismissive, tending to regard non-Greeks as at best inferior, and at worst as candidates for conquest and enslavement. Facing up to this less attractive aspect of the classical tradition is vital, Thomas Harrison argues, to seeing both what the ancient world was really like and the full nature of its legacy in the modern. In this book he brings together outstanding European and American scholarship to show the difference and complexity of Greek representations of foreign peoples -- or barbarians, as the Greeks called them -- and how these representations changed over time. The book looks first at the main sources: the Histories of Herodotus, Greek tragedy, and Athenian art. Part II examines how the Greeks distinguished themselves from barbarians through myth, language and religion. Part III considers Greek representations of two different barbarian peoples -- the allegedly decadent and effeminate Persians, and the Egyptians, proverbial for their religious wisdom. In part IV three chapters trace the development of the Greek--barbarian antithesis in later history: in nineteenth-century scholarship, in Byzantine and modern Greece, and in western intellectual history. Of the twelve chapters six are published in English for the first time. The editor has provided an extensive general introduction, as well as introductions to the parts. The book contains two maps, a guide to further reading and an intellectual chronology. All passages of ancient languages are translated, and difficult terms are explained.

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Queens Cartimandua and Boudica were both Celtic noblewomen, recorded by classical writers as part of a tradition of women who showed particular courage, ambition and political skill, and who were just as formidable in war as their husbands. They took on the status of Celtic goddesses and were central players in the struggle against the Roman annexation of Britain. Boudica led the rebellion against the Romans but her reputation may be largely symbolic. Using historical and archaeological evidence, Celtic Queen uncovers the arguably more impressive story of Queen Cartimandua, the independent ruler of the powerful Brigante tribe whose territory was the single largest Celtic kingdom in Britain. Cartimandua’s leadership in battle and political influence were probably much greater than Boudica’s. Unlike Boudica, wife of King Prasutagus of the Iceni tribe, Cartimandua was the regent of the Brigante tribe in her own right. Her tribe prospered in the new Imperial world because she cooperated with the invaders and she held her position as queen until AD69. Cartimandua's territory was considerable, covering most of modern Cheshire, South and North Yorkshire, Lancashire, North Humberside, Cumbria, County Durham and Tyne and Wear. But she was seen as a shameless adulteress after an open affair with her husband’s armour bearer. Such sexual liberation was normal for powerful Celtic women but it scandalised Roman society. With many references to popular Celtic culture, their gods, beliefs, art and symbolism, as well as living conditions and the hillforts that would have been Cartimandua’s headquarters, Celtic Queen offers an insight into the life of this fascinating woman and the Romano/Celtic world in which she lived.

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In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past quarter century has used the trope of masculinity to mirror the profound sociopolitical changes in the country. Since 1980, South Korea has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition has fueled anxiety about male identity, and amid this tension, empowerment has been imagined as remasculinization. Kim argues that the brutality and violence ubiquitous in many Korean films is symptomatic of Korea’s on-going quest for modernity and a post-authoritarian identity.Kim offers in-depth examinations of more than a dozen of the most representative films produced in Korea since 1980. In the process, he draws on the theories of Jacques Lacan, Slavoj Zizek, Gilles Deleuze, Rey Chow, and Kaja Silverman to follow the historical trajectory of screen representations of Korean men from self-loathing beings who desire to be controlled to subjects who are not only self-sufficient but also capable of destroying others. He discusses a range of movies from art-house films including To the Starry Island (1993) and The Day a Pig Fell into the Well (1996) to higher-grossing, popular films like Whale Hunting (1984) and Shiri (1999). He considers the work of several Korean auteurs—Park Kwang-su, Jang Sun-woo, and Hong Sang-su. Kim argues that Korean cinema must begin to imagine gender relations that defy the contradictions of sexual repression in order to move beyond such binary struggles as those between the traditional and the modern, or the traumatic and the post-traumatic.

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Louisiana is in a desperate battle to save what remains of its coastal wetlands, which are disappearing at the rate of a football field--size area every 38 minutes. Most people are unaware of the devastating transformation of this remote region, though the effects are detrimental for the entire country economically, culturally, and environmentally. Hoping that art will inspire concern where statistics have not, and focusing on the marshlands' beauty rather than their destruction, nature photographer C. C. Lockwood and painter Rhea Gary have joined together in Marsh Mission to show that a picture is worth at least a thousand words. Their rapturous thirty photographs and thirty paintings may well leave one speechless.For an entire year, C.C. immersed himself in the wetlands, living on a houseboat -- the Wetland Wanderer -- with his wife, Sue, a schoolteacher, who created an interactive classroom from the boat via the Internet. They covered more than 5,000 miles, taking the pulse of their environs and documenting everything from oil rigs to egrets and vivid setting suns. Rhea sometimes joined the Lockwoods and other times ventured out in her own bateau, designed to hold an easel for making oil-on-paper sketches. She produced the final oil paintings on canvas in her studio.In his photographs, C.C. captures the quiet, hidden activity of the wetlands in all their paradisaical aspects. Breathtaking detail -- the reward of day-in and day-out vigilance. Rhea conveys her emotional response to the light, color, and mood of the landscape with bold impressionistic strokes in raspberry, tangerine, lime, fuchsia, azure, and yellow. Hot -- like the culture and the climate of south Louisiana. Together, the two impart an aesthetic experience that explains better than any map or scientific data the irreplaceable treasure being lost. A narrative by each artist enhances their visual testimony and gives a rare glimpse into the creative process.Formed by silt deposits from the Mississippi River, Louisiana's coastal region constitutes 40 percent of all U.S. marshlands, but it is sinking at an alarming rate because the river's leveed banks -- while essential for flood control and ship navigation -- obstruct silt replenishment. With Marsh Mission, C. C. Lockwood and Rhea Gary offer a visionary tribute to this endangered, national natural resource. Their images should arouse awareness, appreciation, and, especially, action.

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Alice Fulton reimagines the great lyric subjects—time, death, love—and imbues them with fresh urgency and depth. Barely Composed unveils the emotional devastations that follow trauma or grief—extreme states that threaten psyche and language with disintegration. With rare originality, the poems illuminate the deepest suffering and its aftermath of hypervigilance and numbness, the "formal feeling" described by Emily Dickinson. Elegies contemplate temporal mysteries—the brief span of human/animal life, the nearly eternal existence of stars and nuclear fuel, the enduring presence of the arts—and offer unsparing glimpses of personal loss and cultural suppressions of truth. Under the duress of silencing, whether chosen or imposed, language warps into something uncanny, rich, and profoundly moving. Various forms of inscription—coloring book to redacted document—enact the combustible power of the unsaid. Though "anguish is the universal language," there also is joy in the reciprocity of gifts and creativity, intellect and intimacy. Gorgeous vintage rhetorics merge with incandescent contemporary registers, and this recombinant linguistic mix gives rise to poems of disarming power. Visionaries—truth tellers, revelators, beholders—offer testimony as beautiful as it is unsettling. Shimmering with the "good strangeness of poetry," Barely Composed bears witness to love’s complexities and the fragility of existence. In the midst of cruelty, a world in which “the pound is by the petting zoo,” Fulton’s poems embrace the inextinguishable search for goodness, compassion, and "the principles of tranquility."

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The motto “Národ sobě”—“From the Nation to Itself”—inscribed over the proscenium arch of Prague’s National Theatre symbolizes the great importance theater holds for the Czechs. It also belies an extraordinary history of subversion, repression, and an enduring capacity for reinvention. In Trial by Theatre, Barbara Day sets that story in its political and sociological contexts, painting a vivid portrait of the evolving nature and importance of Czech theater that illuminates the nation’s history more broadly. Drawing on a range of oral and written sources, as well as her unique personal experience of cultural and historical events in Czechoslovakia from the 1960s to the 1980s, Day offers a sweeping view of Czech theater, its colorful personalities, and international connections. Her story details: the days of the National Awakening in the nineteenth century, when theater took the place of politics, becoming an instrument of national identity in the hands of the revivalists; theater as a symbol of independence during the Nazi occupation; its survival of Socialist Realism and Stalinism and subsequent blossoming in the “Golden Sixties”; and theater’s essential role in Prague Spring and beyond, when for two decades theater operated in provisional spaces like gymnasiums, bars, trade union halls, art galleries, and living rooms. Trial by Theatre culminates in the Velvet Revolution of 1989, a year that saw the installation of Václav Havel—a playwright—as the first post-Communist president of Czechoslovakia.

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How to Read the Victorian Novel provides a unique introduction to the genre. Using examples from the classics, like The Pickwick Papers, David Copperfield, Jane Eyre, The Woman in White, and Middlemarch, it demonstrates just how unfamiliar their familiarity is. The book attempts to break free of the sense that the Victorian novel is somehow old fashioned, moralizing, and formally careless by emphasizing the complexity, difficulty, and rare pleasures of the Victorian writers’ strenuous efforts both to entertain and to teach; to create serious “art” and to appeal to wide audiences; to respond both to the demands of publishing and also to their own rich imaginative engagement with a world heading into modernity at full speed. Broad in its scope, the text surveys a wide variety of literary types and explores the cultural and historical developments of the novel form itself. The book also poses a series of “big questions” pertaining to money, capitalism, industry, race, gender, and, at the same time, to formal issues, such as plotting, perspective, and realist representation. In addition, it locates the qualities that give to the great variety of Victorian novels a “family resemblance,” the material conditions of their production, their tendency to multiply plots, their obsession with class and money, their problematic handling of gender questions, and their commitment to realist representation. How to Read the Victorian Novel challenges our comfortable expectations of the genre in order to explore intensively a burgeoning and changing literary form which mirrors a burgeoning and changing society.

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The Rise and Fall of the British Press takes an artful look at the past, present and immediate future of the printed newspaper. Temple offers a thought-provoking account of the evolution of Britain’s news consumption across the centuries, situating it within significant social, cultural and political currents of the time.Chapters cover: The impact of key technological developments; from the birth of print and the introduction of television, to the rise of the internet and digital media; The ever-shifting power play between political parties and the press; The notion of the ‘public sphere’ and how newspapers have influenced it over the decades; The role of news media during some of Europe’s most significant historical events, such as the French Revolution, the First and Second World Wars and the Suez crisis; The aftermath of the Leveson inquiry and the question of increased media regulation; The successes and failures of important media players, including Baron Beaverbrook and Lord Northcliffe in the nineteenth century, and Rupert Murdoch and Mark Zuckerberg in the twentieth and twenty-first centuries. Throughout the book, parallels are drawn between current issues impacting on the press and society and those from previous decades, further illuminating the role, both historic and ongoing, of the news media in Britain. Temple concludes the book by looking to the future of print journalism, calling for a reassessment of its role in the twenty-first century, redefining what journalism should be and reasserting its value in society today. This far-reaching analysis will be an invaluable resource for both students and researchers of journalism and media studies.

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Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come.

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The definitive guide to the extraordinary world of coffee from growing and roasting to brewing and serving the perfect cup. This is the ultimate guide to the history, science and cultural influence of coffee according to coffee aficionado and master storyteller Tristan Stephenson. You’ll explore the origins of coffee, the rise of the coffee house and the evolution of the café before discovering the varieties of coffee, and the alchemy responsible for transforming a humble bean into the world’s most popular drink. You’ll learn how to roast coffee at home in the fascinating Roasting section before delving into the Science and Flavour of Coffee and finding out how sweetness, bitterness, acidity and aroma all come together. You’ll then get to grips with grinding before learning about the history of the espresso machine and how to make the perfect espresso in the Espresso chapter. Discover how espresso and milk are a match made in heaven, yielding such treasures as the Latte, Cappuccino, Flat white and Macchiato; you’ll also find out how to pour your own Latte art. Other Brewing Methods features step-by-step guides to classic brewing techniques to bring the coffee to your table, from a Moka pot and a French press to Aeropress and Siphon brewing. Finally, why not treat yourself to one of Tristan’s expertly concocted recipes. From an Espresso Martini to a Pumpkin Spice Latte and Coffee Liqueur to Butter Coffee, this really is the essential anthology for the coffee enthusiast.

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'A modern classic.' Guardian'A near-perfect work of art.' Joyce Carol OatesSylvia Plath is a major cultural icon who continues to inspire new generations of female readers. The Bell Jar is one of the defining novels of the 20th century.I was supposed to be having the time of my life . . . Working as an intern for a New York fashion magazine in the summer of 1953, Esther Greenwood is on the brink of her future. Yet she is also on the edge of a darkness that makes her world increasingly unreal. Esther's vision of the world shimmers and shifts: day-to-day living in the sultry city, her crazed men-friends, the hot dinner dances . . . The Bell Jar, Sylvia Plath's only novel, is partially based on Plath's own life. It has been celebrated for its darkly funny and razor sharp portrait of 1950s society, and has sold millions of copies worldwide.ONE OF THE BBC'S '100 NOVELS THAT SHAPED OUR WORLD''As clear and readable as it is witty and disturbing.' New York Times Book ReviewReader responses:'Very readable, often darkly funny, and feels fresh.' 'Plath's masterpiece . . . It's amazing how relevant this book still is.' 'So enthralling . . . So thought provoking, so vivid, that it's thoroughly engrossing.' 'I just couldn't put it down.' 'Ever better than I expected.''Plath's underrated humour shines through this startling account of 1950s 'normality'.'

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A startling look at the unexpected places where violent hate groups recruit young peopleHate crimes. Misinformation and conspiracy theories. Foiled white-supremacist plots. The signs of growing far-right extremism are all around us, and communities across America and around the globe are struggling to understand how so many people are being radicalized and why they are increasingly attracted to violent movements. Hate in the Homeland shows how tomorrow's far-right nationalists are being recruited in surprising places, from college campuses and mixed martial arts gyms to clothing stores, online gaming chat rooms, and YouTube cooking channels.Instead of focusing on the how and why of far-right radicalization, Cynthia Miller-Idriss seeks answers in the physical and virtual spaces where hate is cultivated. Where does the far right do its recruiting? When do young people encounter extremist messaging in their everyday lives? Miller-Idriss shows how far-right groups are swelling their ranks and developing their cultural, intellectual, and financial capacities in a variety of mainstream settings. She demonstrates how young people on the margins of our communities are targeted in these settings, and how the path to radicalization is a nuanced process of moving in and out of far-right scenes throughout adolescence and adulthood.Hate in the Homeland is essential for understanding the tactics and underlying ideas of modern far-right extremism. This eye-opening book takes readers into the mainstream places and spaces where today's far right is engaging and ensnaring young people, and reveals innovative strategies we can use to combat extremist radicalization.

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Bringing together leading scholars from across the UK, North America and mainland Europe, this book provides a uniquely comparative exploration of daily life under dictatorship in 20th-century Europe. With coverage of well-known regimes and some that are relatively underrepresented in the literature from right across the continent, it examines the impact felt on people’s lives amidst political administrations characterised by some or all of the following: a one-party state, in which opposition or multiple parties were banned; a cult surrounding the leader; the censorship of the press and other publications; the widespread use of propaganda and political persuasion; and the threat or use of force by the regime and its agents. The chapters investigate crucial questions in relation to life under dictatorships as follows: · What was the impact of censorship on access to news or entertainment? · How was leisure time conducted? · What was the impact of the regime on working life? · What was the scope for dissent and resistance? To what extent were these possible? · How much did the regime coerce the population and how much did it try to indoctrinate? · What was the difference for Party leaders, comrades and members in terms of the possibilities and opportunities that opened up, compared to everyone else in society? · With the shutting down – to a large extent – of civil society and state intrusion into private life, what restrictions were placed on ordinary and day-to-day activities? · What happened to religious life and to cultural life and the arts? · How were personal choices in aspects of life such as reproduction, education and even eating affected by these regimes? · What was the impact of different political ideologies on people’s way of life – whether Fascist, Nazi or Communist? Dictatorship and Daily Life in 20th-Century Europe addresses these issues and more, striking to the heart of European life in the darkest episodes of its recent history.

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Loie Fuller was the most famous American in Europe throughout the late nineteenth and early twentieth centuries. Rising from a small-time vaudeville career in the States, she attained international celebrity as a dancer, inventor, impresario, and one of the first women filmmakers in the world. Fuller befriended royalty and inspired artists such as Mallarme, Toulouse-Lautrec, Rodin, Sarah Bernhardt, and Isadora Duncan. Today, though, she is remembered mainly as an untutored "pioneer" of modern dance and stage technology, the "electricity fairy" who created a sensation onstage whirling under colored spotlights. But in Rhonda Garelick's Electric Salome, Fuller finally receives her due as a major artist whose work helped lay a foundation for all modernist performance to come. The book demonstrates that Fuller was not a mere entertainer or precursor, but an artist of great psychological, emotional, and sexual expressiveness whose work illuminates the centrality of dance to modernism. Electric Salome places Fuller in the context of classical and modern ballet, Art Nouveau, Orientalism, surrealism, the birth of cinema, American modern dance, and European drama. It offers detailed close readings of texts and performances, situated within broader historical, cultural, and theoretical frameworks. Accessibly written, the book also recounts the human story of how an obscure, uneducated woman from the dustbowl of the American Midwest moved to Paris, became a star, and lived openly for decades as a lesbian.

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A potent new book examines the overlap between our ecological crisis and video games Video games may be fun and immersive diversions from daily life, but can they go beyond the realm of entertainment to do something serious—like help us save the planet? As one of the signature issues of the twenty-first century, ecological deterioration is seemingly everywhere, but it is rarely considered via the realm of interactive digital play. In Playing Nature, Alenda Y. Chang offers groundbreaking methods for exploring this vital overlap.Arguing that games need to be understood as part of a cultural response to the growing ecological crisis, Playing Nature seeds conversations around key environmental science concepts and terms. Chang suggests several ways to rethink existing game taxonomies and theories of agency while revealing surprising fundamental similarities between game play and scientific work.Gracefully reconciling new media theory with environmental criticism, Playing Nature examines an exciting range of games and related art forms, including historical and contemporary analog and digital games, alternate- and augmented-reality games, museum exhibitions, film, and science fiction. Chang puts her surprising ideas into conversation with leading media studies and environmental humanities scholars like Alexander Galloway, Donna Haraway, and Ursula Heise, ultimately exploring manifold ecological futures—not all of them dystopian.

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"All is true," realist writers would say of their work, to which critics now respond: All is art and artifice. Offering a new approach to reading nineteenth-century realist fiction, Lilian R. Furst seeks to reconcile these contradictory claims. In doing so, she clarifies the deceptions, appropriations, intentions, and ultimately the power of literary realism.In close textual analyses of works ranging across European and American literature, including paradigmatic texts by Balzac, Flaubert, George Eliot, Zola, Henry James, and Thomas Mann, Furst shows how the handling of time, the presentation of place, and certain narrational strategies have served the realists’ claim. She demonstrates how readers today, like those a hundred years ago, are convinced of the authenticity of the created illusion by such means as framing, voice, perspective, and the slippage from metonymy to metaphor. Further, Furst reveals the pains the realists took to conceal these devices, and thus to protect their claim to be employing a simple form. Taking into account both the claims and the covert strategies of these writers, All Is True puts forward an alternative to the conventional polarized reading of the realist text—which emerges here as neither strictly an imitation of an extraneous model nor simply a web of words but a brilliantly complex imbrication of the two.A major statement on one of the most enduring forms in cultural history, this book promises to alter not only our view of realist fiction but our understanding of how we read it.

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Frederick Wiseman is America’s foremost chronicler of public institutions. His films have focused on city, state, and local governments; hospitals; asylums; creative organizations and museums; schools; libraries; and more. In recent years, Wiseman’s work has reached a new level of popularity, with films such as In Jackson Heights (2015), Monrovia, Indiana (2018), and City Hall (2020) all earning widespread acclaim.Voyages of Discovery is the definitive account of Wiseman’s career, offering a comprehensive analysis of the work of the leading documentary filmmaker in the United States. In this updated edition, Barry Keith Grant adds new material exploring the documentarian’s works since the 1990s, discussing every film in Wiseman’s remarkable sixty-year career. He examines the core concerns running across Wiseman’s work from the early films, which focus on documenting institutional failure, through an expanding interest in cultural institutions and ideology, to a blossoming embrace of democracy in later films. He pays particular attention to Wiseman’s strategies for involving and implicating the spectator in the institutional processes the films document. Grant also places Wiseman within the history of the documentary and other traditions of American art and considers the relationship between documentary film and authorship. Voyages of Discovery is an important book for anyone interested in Wiseman’s work or how documentary film can reveal the fabric of our shared civic life.

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Frederick Wiseman is America’s foremost chronicler of public institutions. His films have focused on city, state, and local governments; hospitals; asylums; creative organizations and museums; schools; libraries; and more. In recent years, Wiseman’s work has reached a new level of popularity, with films such as In Jackson Heights (2015), Monrovia, Indiana (2018), and City Hall (2020) all earning widespread acclaim.Voyages of Discovery is the definitive account of Wiseman’s career, offering a comprehensive analysis of the work of the leading documentary filmmaker in the United States. In this updated edition, Barry Keith Grant adds new material exploring the documentarian’s works since the 1990s, discussing every film in Wiseman’s remarkable sixty-year career. He examines the core concerns running across Wiseman’s work from the early films, which focus on documenting institutional failure, through an expanding interest in cultural institutions and ideology, to a blossoming embrace of democracy in later films. He pays particular attention to Wiseman’s strategies for involving and implicating the spectator in the institutional processes the films document. Grant also places Wiseman within the history of the documentary and other traditions of American art and considers the relationship between documentary film and authorship. Voyages of Discovery is an important book for anyone interested in Wiseman’s work or how documentary film can reveal the fabric of our shared civic life.

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A selection of drawings by two Belgian artists: Philippe Vandenberg, painter, and Berlinde De Bruyckere, sculptress. Philippe Vandenberg (Ghent, 1952 – Brussels, 2009) was a foremost Belgian painter, whose oeuvre presented a series of radical stylistic and thematic shifts, reflecting both a personal trajectory and responses to varying socio-cultural changes. The creative basis of Berlinde De Bruyckere’s drawings, sculptures and installations, is rooted in her childhood, and has been layered over with subsequent experiences and ideas. Its figurative points of departure render her work highly recognizable. Even though their oeuvres are so divergent in approach, sensibility, imagery, style, iconography, they show some strong affinity. As far as the content of their work is concerned, the two artists share parallel existential views, as well as a deep interest in the literary world, in the history of Western art, and in the traditions of religious imagery. The starting point is Berlinde De Bruyckere’s intuitive selection from Philippe Vandenberg's legacy of drawings. For more than one year she leafed through his work. From the extensive amount of drawings that he left behind, she selected about 70 items and joined them to a selection from her own drawings. This book is the reflection of a meeting. It is a dialogue, not between artists who may, or may not, have known each other, but between their corpus of drawings.

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How did violence become OK? And is there any way back? At some point between George Floyd’s killing on May 25 and the invasion of the US Capitol on January 6, America’s consensus against political violence crumbled. Before 2020, almost everyone agreed that it should be out of bounds. Now, many are ready to justify such violence – at least when it is their side breaking windows or battling police officers. Something significant seems to have slipped. Is there any way back? As Christians, we need to consider what guilt we bear, with the rise of a decidedly unchristian “Christian nationalism” that historically has deep roots in American Christian culture. But shouldn’t we also be asking ourselves what a truly Christian stance might look like, one that reflects Jesus’ blessings on the peacemakers, the merciful, and the meek? Oscar Romero, when accused of preaching revolutionary violence, responded: “We have never preached violence, except the violence of love, which left Christ nailed to a cross.” If we take Jesus’ example and his call to nonviolence at face value, we’re left with all kinds of interesting questions: What about policing? What about the military? What about participating in government? This issue of Plough addresses some of these questions and explores what a life lived according to love rather than violence might look like. In this issue: - Anthony M. Barr revisits James Baldwin’s advice about undoing racism. - Gracy Olmstead describes welcoming the baby she did not expect during a pandemic. - Patrick Tomassi debates nonviolence with Portland’s anarchists and Proud Boys. - Scott Beauchamp advises on what not to ask war veterans. - Rachel Pieh Jones reveals what Muslims have taught her about prayer. - Eberhard Arnold argues that Christian nonviolence is more than pacifism. - Stanley Hauerwas presents a vision of church you’ve never seen in practice. - Andrea Grosso Ciponte graphically portrays the White Rose student resistance to Nazism. - Zito Madu illuminates rap’s role in escaping the violence of poverty. - Springs Toledo recounts his boxing match with an undefeated professional. You’ll also find: - An interview with poet Rhina P. Espaillat - New poems by Catherine Tufariello - Profiles of Anabaptist leader Felix Manz and community founder Lore Weber - Reviews of Marly Youmans’s Charis in the World of Wonders, Judith D. Schwartz’s The Reindeer Chronicles, Chris Lombardi’s I Ain’t Marching Anymore, and Martín Espada’s Floaters Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre. Since the 1970s, klezmer music has become one of the most popular world music genres, at the same time influencing musical styles as diverse as indie rock, avant-garde jazz, and contemporary art music. Klezmer is the celebratory instrumental music that developed in the Jewish communities of eastern Europe over the course of centuries and was performed especially at weddings. Brought to North America in the immigration wave in the late nineteenth century, klezmer thrived and developed in the Yiddish-speaking communities of New York and other cities during the period 1880-1950. No two musicians represent New York klezmer more than clarinetists Naftule Brandwein (1884-1963)and Dave Tarras (1897-1989). Born in eastern Europe to respected klezmer families, both musicians had successful careers as performers and recording artists in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s. Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.

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June Boyce-Tillman's new book identifies and discusses the very issues that could render the education that we offer through music more engaging and relevent to those whom we teach. The book presents a wide-ranging and rich mix of psychological, ethnomusicological, philosophical, educational, mythological and theological material. Into this rich tapestry is woven a concern to consider seriously New Age phenomena and to empathize with people's experiences and life stories. Very occasionally, a book is published that has the potential of seriously challenging current orthodoxy and practice. This is such a book.'- British Journal of Music Education.'June Boyce-Tillman has published this beautifully researched essay at what I think may prove to be a vital re-balancing point in our history, when there is a developing realisation that post-Enlightenment culture with its emphasis on scientific reason and logic needs to incorporate again the "subjugated ways of knowing" as June Boyce-Tillman terms Gooch's value "system B" which favours being, subjectivity, personal feeling, emotion, magic, involvement, associative ways of knowing, belief and non-causal knowledge... The bibliography and referencing are excellent, massively extending the hub of resource which this book itself presents for further study, investigation and good practice by people from many walks of life. Many thanks to June Boyce-Tillman for her work.'- The Christian Parapsychologist'In Constructing Musical Healing, June Boyce-Tillman attempts to blend ancient and modern ideas and practices with her own perspective as a New Age practitioner. In an interdisciplinary effort, Boyce-Tillman describer particular philosophical aspects concerning Western music, practices of shamans and healers, and explorations of the new consciousness reflected in the New Age movement and music therapy. Her goal is to establish a new model of healing as balance including physical, psychological, and spiritual elements in a process approach, which she parallels with music therapy practice...Boyce-Tillman has some promising ideas. And certainly she adds her words, her thoughts, and beliefs to the continuing questions about the compatibility between "healing" and "therapy"...The strength of the book is that it has the potential to encourage our own discourse by giving us an opportunity to compare and contrast our own ideas about music therapy with at least one New Age practitioner.'- The Arts in PsychotherapyDrawing on literature from philosophy, anthropology, psychology and musicology, Boyce-Tillman looks at musical traditions and notions of healing in different societies. Her work includes a number of case studies in various cultures - spirit possession cults in Africa and shamans in various traditions. It explores contemporary musical practice in the New Age including neo-shamanism and notions of musical healing in Western musical aesthetics. The use of music in Western medicine is also studied, as Boyce-Tillman draws together a theory of what actually occurs when music is associated with therapeutic intention and examines the role of music within healthcare, education and the community.

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In this bold, surreal photographic celebration of the fantastical beauty of cosplay, 70 cosplayers leave behind their everyday existence and become heroes for a day. Whether it is becoming a fictional character or presenting the ‘you’ the world sees, the craft of cosplay is everywhere. A powerful expression of individuality and diversity, cosplay is a global phenomenon that allows a large number of diverse individuals to join together in one single chaotic but inclusive community. Cosplay allows anyone to become a hero for a day. After attending a cosplay convention in 2018, photographer Thurstan Redding became captivated by cosplay as a subject matter and embarked on a three-year photographic project to portray cosplay in a way it had never been seen before. In this bold and surprising volume, he captures the transfixing world of cosplay. Brought to life through the presentation of 70 cosplayers in the most unassuming of locations, this exceptional book highlights how creativity can thrive in the most mundane realities: Spider-Man is illuminated by the open fridge in the kitchen, three Alices wait at a bus stop in a desolate Wonderland, Resistance Pilot plays dead on the gravel driveway of a suburban housing estate. Supplemented by commentary from the cosplayers themselves, together with behind-the-scenes pages from Thurstan’s personal diary, Kids of Cosplay is ‘a celebration of ... fandom and allows a glimpse into the world where people are united by their celebration of an art which transforms the ordinary into the extraordinary’ (The Independent). A foreword by fashion powerhouse Katie Grand, an essay by writer and performer Tom Rasmussen, who discusses the social and cultural context of cosplay, and an illuminating interview with Redding by noted fashion writer Sara McAlpine complete this compelling volume. Sometimes, all it takes is to scratch the surface of our realities to reveal the fantasy that lies beneath.

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The British love their birds, which are inextricably entwined with every aspect of their island life. British customs, more than 1,000 years of English literature, the very fabric of society, even the landscape itself, have all been enhanced by the presence of birds. Highly acclaimed on first publication, this superb book pays tribute to the remarkable relationship forged between a nation and its most treasured national heritage.Birds Britannica is a unique publication of immense importance. Neither an identification guide nor a behavioural study (although both these subjects enter its field), it concentrates on our social history and on the cultural links between humans and birds.What makes Birds Britannica of special significance is the inclusion of observations and experiences from more than 1,000 naturalists and bird lovers. These contributions from the public touch on avian ecology; the lore and language of birds; their myths, the art and literature they have inspired; birds as food; and the crucial role they play in our sense of place and the changing seasons.Birds Britannica took eight years to research and was assembled by a team that included some of the finest writers and image-makers of British wildlife. On one level, it is a remarkable collection of humorous stories, field observations and tales of joy, wonder and occasional woe; on another, it is a nationwide chronicle. Scholarly and wide-ranging, a mix of the traditional and the contemporary, Birds Britannica is a comprehensive record of birdlife in the early years of the twenty-first century. No other book has dealt so completely with the rich connections between birds and humans; Birds Britannica captures the very essence of that relationship, and explores why birds matter and why we care.

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