Search results for ""Author Art, Culture"

At the Same Time contains sixteen illuminating essays by Susan Sontag.With a preface by David Rieff.The sixteen essays gathered here represent the last pieces written by Susan Sontag in the years before her ddath in 2004. Reflecting on literature, photography and art, post 9/11 America and political activism, these essays encompass the themes that dominated Sontag's life and work, revealing why she remains one of the twentieth century's preeminent writers and thinkers.'These sixteen pieces brim over with vitality . . . every one of them opening up fresh lines of thought' John Gray, New Statesman'One of America's greatest public intellectuals' Observer'Excellent and essential' Financial Times'Reads like a greatest-hits album - a little politics, something on photography, some lit. crit. - of Sontag's passions' Daily Telegraph'Sontag's clear thinking . . . shines like a spotlight in dark places' The TimesOne of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others, On Photography, Illness as Metaphor, At the Same Time, Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963, all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls, and the novels The Volcano Lover and The Benefactor, are available from Penguin Modern Classics.

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The three essays in Image, written by leading philosophers of religion, explore the modern power of the visual at the intersection of the human and the technological. Modern life is steeped in images, image-making, and attempts to control the world through vision. Mastery of images has been advanced by technologies that expand and reshape vision and enable us to create, store, transmit, and display images. The three essays in Image, written by leading philosophers of religion Mark C. Taylor, Mary-Jane Rubenstein, and Thomas A. Carlson, explore the power of the visual at the intersection of the human and the technological. Building on Heidegger’s notion that modern humanity aims to master the world by picturing or representing the real, they investigate the contemporary culture of the image in its philosophical, religious, economic, political, imperial, and military dimensions, challenging the abstraction, anonymity, and dangerous disconnection of contemporary images. Taylor traces a history of capitalism, focusing on its lack of humility, particularly in the face of mortality, and he considers art as a possible way to reconnect us to the earth. Through a genealogy of iconic views from space, Rubenstein exposes the delusions of conquest associated with extraterrestrial travel. Starting with the pressing issues of surveillance capitalism and facial recognition technology, Carlson extends Heidegger’s analysis through a meditation on the telematic elimination of the individual brought about by totalizing technologies. Together, these essays call for a consideration of how we can act responsibly toward the past in a way that preserves the earth for future generations. Attending to the fragility of material things and to our own mortality, they propose new practices of imagination grounded in love and humility.

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Pragmatism—a pluralistic philosophy with kinships to phenomenology, Gestalt psychology, and embodied cognitive science—is resurging across disciplines. It has growing relevance to literary studies, the arts, and religious scholarship, along with branches of political theory, not to mention our understanding of science. But philosophies and sciences of mind have lagged behind this pragmatic turn, for the most part retaining a central-nervous-system orientation, which pragmatists reject as too narrow.Matthew Crippen, a philosopher of mind, and Jay Schulkin, a behavioral neuroscientist, offer an innovative interdisciplinary theory of mind. They argue that pragmatism in combination with phenomenology is not only able to give an unusually persuasive rendering of how we think, feel, experience, and act in the world but also provides the account most consistent with current evidence from cognitive science and neurobiology. Crippen and Schulkin contend that cognition, emotion, and perception are incomplete without action, and in action they fuse together. Not only are we embodied subjects whose thoughts, emotions, and capacities comprise one integrated system; we are living ecologies inseparable from our surroundings, our cultures, and our world. Ranging from social coordination to the role of gut bacteria and visceral organs in mental activity, and touching upon fields such as robotics, artificial intelligence, and plant cognition, Crippen and Schulkin stress the role of aesthetics, emotions, interests, and moods in the ongoing enactment of experience. Synthesizing philosophy, neurobiology, psychology, and the history of science, Mind Ecologies offers a broad and deep exploration of evidence for the embodied, embedded, enacted, and extended nature of mind.

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Today’s nerds are loud, proud . . . and thirsty. They’ve stepped away from their action figure collections and toward the infinitely diverse collection of like-minded folk who are as turned on by cosplay as they are by foreplay. But as knowledgeable as they are, nerds aren’t always experts when it comes to the logistics of sex. Enter The Con-a-Sutra: A Guide to Full Frontal Nerdity. This book is much more than The Idiot’s Guide to Mensa Sex and light years ahead of a collection of IKEA “put tab Blaarf into slot Numdoggal” instruction sheets. Accompanied by classic comic book inspired art, noted fictional sexpert Professor Balls Xxxavier literally and figuratively illustrates the modern nerd’s wildest fantasies through a series of hilarious (if occasionally unachievable) sexual positions. Written to be inclusive of LGBTQ nerds, The Con-a-Sutra recognizes that nerds come in all body types, gender identities, and sexual orientations. Whether you prefer “The Splash Page,” “Wookiee Nookiee,” or “The Wayne Manner,” there is something here for everyone—even if only a hysterical and reference-packed break from your favorite smutty fanfic. From viral fan artists to passionate gamers, and from talented cosplayers to bookworms with overflowing comic collections, nerds are found in every demographic of modern society, making this the perfect gift for your boyfriend, girlfriend, husband, wife, brother, sister, office-mate, nerd-in-law, or any of the millions of people who proudly belong to a pop culture fandom. A comical compendium of con-friendly coitus, The Con-a-Sutra lets you boldly go where no nerd has gone before.

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How can memory be mobilized for social justice? How can images and monuments counter public forgetting? And how can inherited family and cultural traumas be channeled in productive ways? In this deeply personal work, acclaimed art historian Dora Apel examines how memorials, photographs, artworks, and autobiographical stories can be used to fuel a process of “unforgetting”—reinterpreting the past by recalling the events, people, perspectives, and feelings that get excluded from conventional histories. The ten essays in Calling Memory into Place feature explorations of the controversy over a painting of Emmett Till in the Whitney Biennial and the debates about a national lynching memorial in Montgomery, Alabama. They also include personal accounts of Apel’s return to the Polish town where her Holocaust survivor parents grew up, as well as the ways she found strength in her inherited trauma while enduring treatment for breast cancer. These essays shift between the scholarly, the personal, and the visual as different modes of knowing, and explore the intersections between racism, antisemitism, and sexism, while suggesting how awareness of historical trauma is deeply inscribed on the body. By investigating the relations among place, memory, and identity, this study shines a light on the dynamic nature of memory as it crosses geography and generations.

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Beginning with a historical account of why animal stories pose endemic critical challenges to literary and cultural theory, Animal Stories argues that key creative developments in narrative form became inseparable from shifts in animal politics and science in the past century. Susan McHugh traces representational patterns specific to modern and contemporary fictions of cross-species companionship through a variety of media—including novels, films, fine art, television shows, and digital games—to show how nothing less than the futures of all species life is at stake in narrative forms.McHugh’s investigations into fictions of people relying on animals in civic and professional life—most obviously those of service animal users and female professional horse riders—showcase distinctly modern and human–animal forms of intersubjectivity. But increasingly graphic violence directed at these figures indicates their ambivalent significance to changing configurations of species.Reading these developments with narrative adaptations of traditional companion species relations during this period— queer pet memoirs and farm animal fictions—McHugh clarifies the intercorporeal intimacies—the perforations of species boundaries now proliferating in genetic and genomic science—and embeds the representation of animals within biopolitical frameworks.

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Social Movements cleverly translates the art of collective action and mobilization by excluded groups to facilitate understanding social change from below. Students learn the core components of social movements, the theory and methods used to study them, and the conditions under which they can lead to political and social transformation. This fully class-tested book is the first to be organized along the lines of the major subfields of social movement scholarship—framing, movement emergence, recruitment, and outcomes—to provide comprehensive coverage in a single core text. Features include: use of real data collected in the U.S. and around the world the emphasis on student learning outcomes case studies that bring social movements to life examples of cultural repertoires used by movements (flyers, pamphlets, event data on activist websites, illustrations by activist musicians) to mobilize a group topics such as immigrant rights, transnational movement for climate justice, Women's Marches, Fight for $15, Occupy Wall Street, Gun Violence, Black Lives Matter, and the mobilization of popular movements in the global South on issues of authoritarian rule and neoliberalism With this book, students deepen their understanding of movement dynamics, methods of investigation, and dominant theoretical perspectives, all while being challenged to consider their own place in relation to social movements.

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A definitive new biography, deftly interweaving an account of Turner’s early life with profound scholarly and aesthetic appreciation of his work A complex figure, and divisive during his lifetime, Joseph Mallord William Turner (1775–1851) has long been considered Britain’s greatest painter. An artist of phenomenal invention, complexity, and industry, Turner is now one of the world’s most popular painters. This comprehensive new account of his early life draws together recent scholarship, corrects errors in the existing literature, and presents a wealth of new findings. In doing so, it furnishes a more detailed understanding than ever before of the connections between Turner’s life and art. Taking a strictly chronological approach, Eric Shanes addresses Turner’s intellectual complexity and depth, his technical virtuosity, his personal contradictions, and his intricate social and cultural relations. Shanes draws on decades of familiarity with his subject, as well as newly discovered source material, such as the artist’s principal bank records, which shed significant light on his patronage and sales. The result, written in a warm, engaging style, is a comprehensive and magnificently illustrated volume which will fundamentally shape the future of Turner studies.

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Planting design is, rather obviously, a complex topic, spanning as it does art, science, social need, and morality - especially during these days of increasing planetary environmental threat. Although certainly not denying the importance of scientifically appropriate practices, the symposium “The Aesthetics of [Contemporary] Planting Design” addressed planting design today, proposing a renewed concern for the cultural and aesthetic aspects of the landscapes that result. This book, which has been developed from the original presentations at the symposium, presents the thoughts of a select international group of landscape architects and historians who discuss the subject of planting design through the lens of their own work as well as the work of others, both contemporary and historical. They suggest that, as in real estate, the most important factor in selecting plants is “location, location, location.” Certainly the Californian situation is far more forgiving than the aridity and other restrictive environmental conditions endemic to the Sonoran desert, or the frost and short growing seasons of Nordic lands that direct Scandinavian landscape architects to rely on native birches, pines, rowan, and moss. Most of us would agree that there are plants sensible for each climatic zone. Addressing environmental conditions is but the first step in the equation, however. There are also the issues of combination and composition.

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"Five thousand years have now elapsed since the creation of the world, and still it is undecided whether or not there has even been an instance of the spirit of any person appearing after death. All argument is against it; but all belief is for it." --Samuel Johnson Ghosts are woven into the very fabric of life. In Britain, every town, village, and great house has a spectral resident, and their enduring popularity in literature, art, folklore, and film attests to their continuing power to fascinate, terrify, and inspire. Our conceptions of ghosts--the fears they provoke, the forms they take--are connected to the conventions and beliefs of each particular era, from the marauding undead of the Middle Ages to the psychologically charged presences of our own age. The ghost is no less than the mirror of the times. Organized chronologically, this new cultural history features a dazzling range of artists and writers, including William Hogarth, William Blake, Henry Fuseli, Dante Gabriel Rossetti, John Everett Millais, Susan Hiller and Jeremy Deller; John Donne, William Shakespeare, Samuel Pepys, Daniel Defoe, Percy and Mary Shelley, Emily Bronte, Charles Dickens, Wilkie Collins, Henry James, Thomas Hardy, Muriel Spark, Hilary Mantel, and Sarah Waters.

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The reputation of the oak is based not on superlatives but on personality. In human terms, it is not a celebrity, but a reliable citizen. Its enduring legacy is evident in place- and surnames, in landmarks and buildings and as a sturdy staple of engineering material. More than any other tree, the oak has been a symbol of strength and durability. Venerated in pagan societies, elements of its worship were absorbed by other religions: Celtic mythology, for example, where it is believed to be a gateway between worlds; or Norse, where it is sacred to Thor, god of thunder, as the tree most often struck by lightning. The oak has been adopted by many countries as a national symbol, particularly in western Europe and the United States. Several individual oaks are of great historical importance, such as the Royal Oak within which King Charles II of England hid to escape the Roundheads, and the Charter Oak in Hartford, Connecticut, which became a symbol of American independence. In Oak, Peter Young illuminates and examines this magnificent and ubiquitous tree, tracing its biological history in its many manifestations, natural and cultural. Much-loved internationally, the oak is to be found in works of art, folk-tales, poems and songs. Oak narrates the biography of the tree that since time immemorial has been a symbol of loyalty and strength, generosity and renewal.

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In traditional semantics, the human body tends to be ignored in the process of constructing meaning. Horst Ruthrof argues, by contrast, that the body is an integral part of this hermeneutic activity. Strictly language-based theories, and theories which conflate formal and natural languages, run into problems when they describe how we communicate in cultural settings. Semantics and the Body proposes that language is no more than a symbolic grid which does not signify at all unless it is brought to life by non-linguistic signs. Ruthrof reviews and analyses various 'orthodox' theories of meaning, from the views of Gottlob Frege at the beginning of the twentieth century to those of theorists in the postmodern period, then offers an alternative approach of his own. His theory features 'corporeal semantics,' and holds that meaning has ultimately to do with the body and that the meaning of linguistic expressions is indeterminate without the aid of visual, tactile, olfactory, and other bodily signs. This approach also remedies what Ruthrof sees also as a loss of interpretive will in the postmodern era. Pedagogy in many fields could be enriched by a systemic integration of non-verbal semiosis into the linguistically dominated syllabus. Those involved in discourse analysis, literature, art criticism, film theory, pedagogy, and philosophy will find the implications of Ruthrof's study considerable.

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More than a decade after the Fukushima Daiichi nuclear disaster, what we are witnessing is not a Second Nuclear Age – there is no post-atomic – but an uncanny, quiet return of the nuclear threat that so vividly animated the Cold War era. The renewed threat of nuclear proliferation, public complacency regarding weapons stockpiles, and the lack of a single functioning long-term repository after seventy years and thousands of tonnes of nuclear waste reveals the industry’s capacity for self-reinvention abetted by an ever-present capacity to forget. More than “fabulously textual,” as Jacques Derrida described it, the protean, unbound, and unending materiality of the nuclear is here to stay: resistance is crucial.Toxic Immanence introduces contemporary interdisciplinary perspectives that resist and decolonize the nuclear. Contributors highlight the prevalence and irrationality of slow violence and colonial governance as elements of the contemporary nuclear age. They propose a reappraisal of Cold War-era anti-nuclear art as well as pop culture representations of nuclear disaster, while decolonizing pedagogies advance the role of education in communicating and understanding the lethality of nuclear complexes. Collectively, the essays develop a robust critical discourse across fields of nuclear knowledge and integrate the work of the nuclear humanities with environmental justice and Indigenous rights activism. This reach across ways of knowing extends artistically: the poetry and photography included in this volume offer visions of past and present nuclear legacies.Conceived as a critical reflection on the potential of nuclear humanities, Toxic Immanence offers intellectual strategies for resisting and abolishing the global nuclear regime.

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"Andrew and Evelyn Rothstein have given teachers a model for teaching the structure of our language with fun and interesting strategies that can be used at all grade levels. They show teachers how to take grammar instruction from a stand-alone subject to an integral part of a complete literacy program."—Kim Whitling, Fifth-Grade Inclusion TeacherFranklinville Central School, NYBuild strong grammar skills to help students become better readers, writers, and communicators!With today′s diverse and standards-driven classroom environment, teachers are eager for a new approach to grammar instruction—one that builds understanding of the structure and nuances of English. This practical guide points the way to fun, engaging, and effective grammar teaching for Grades K–12.Designed for classroom teachers, this resource covers grammar fundamentals that support vocabulary and writing skills. Readers will discover teaching strategies that encourage creativity and critical thought, based on a realistic approach to children′s language development. This guide provides: Clear explanations of grammatical terms as a refresher for teachers Easy-to-implement classroom activities, including examples and word play from children′s literature Appropriate techniques for a broad audience of students, with specific suggestions for English language learners Background on the development of English as a global language, promoting students′ respect for diverse cultures A teaching approach that supports the National Council of Teachers of English standards for English language arts Help your students develop a deep understanding of English grammar and build a solid foundation for academic achievement and lifelong communications skills.

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National Jewish Book Awards Finalist for the Nahum N. Sarna Memorial Award for Scholarship, 2018.Hasidism, a movement of religious awakening and social reform, originated in the mid-eighteenth century. After two and a half centuries of crisis, upheaval, and renewal, it remains a vibrant way of life and a compelling aspect of Jewish experience. This book explores the profound intellectual and religious issues that the hasidic masters raised in their Torah commentary, and brings to the fore the living qualities of their sermons (derashot). Ora Wiskind-Elper addresses a spectrum of topics: creation, revelation, and redemption; hermeneutics, epistemology, psychology, Romanticism, poetry and poetics, art history, Hebrew fiction, cultural history, and tropes of Jewish suffering and hope. Fully engaged in the texts and their spirituality, she brings them to bear on postmodernist challenges to traditional spiritual and religious sensibilities. This is a comprehensive study, unique in pedagogy, clarity, and originality. It uses the full range of critical scholarship on hasidism as a social and ideological movement. At the same time, it maintains a strong focus on hasidic Torah commentary as a conveyor of theology and value. Each of its chapters presents a fundamentally new approach. Wiskind-Elper’s translations are in themselves an innovative moment in the tradition and spiritual history of the passages she offers.

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Some people are naturally creative and others aren't, right? Wrong. In this classic book on creativity, James Adams takes a unique approach to generating ideas and solving problems that has captivated, inspired, and guided thousands of people from all walks of life to new heights of creativity-whether you are a writer with writers block, or a businesswoman struggling to come up with a new organizational structure. More than three decades after its original publication, Conceptual Blockbusting has never been more relevant, powerful, or fresh. Integrating insights from the worlds of psychology, engineering, management, art, and philosophy, Adams identifies the key blocks (perceptual, emotional, cultural, environmental, intellectual, and expressive) that prevent us from realizing the full potential of our fertile minds. Employing unconventional exercises and other interactive elements, Adams shows individuals, teams, and organizations how to overcome these blocks, embrace alternative ways of thinking about complex problems, and celebrate the joy of creativity. Completely revised and updated with the latest cognitive science and addressing new subjects such as changes in technology, creativity in large groups, and sustaining creativity over time, Conceptual Blockbusting will introduce a new generation of readers to a world of new possibilities.

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Ukraine is Europe's second state and this lavishly illustrated volume provides a concise and easy to read historical survey of the country from earliest times to the present. Each of the book's forty-six chapters is framed by a historical map, which graphically depicts the key elements of the chronological period or theme addressed within. In addition, the entire text is accompanied by over 300 historic photographs, line drawings, portraits, and reproductions of books and art works, which bring the rich past of Ukraine to life. Rather than limiting his study to an examination of the country's numerically largest population - ethnic Ukrainians - acclaimed scholar Paul Robert Magocsi emphasizes the multicultural nature of Ukraine throughout its history. While ethnic Ukrainians figure prominently, Magocsi also deals with all the other peoples who live or who have lived within the borders of present-day Ukraine: Russians, Poles, Jews, Crimean Tatars, Germans (including Mennonites), and Greeks, among others. This book is not only an indispensable resource for European area and Slavic studies specialists; it is sure to appeal to people interested in having easy access to information about political, economic, and cultural development in Ukraine.

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At the beach, bodies converge with the elements and strange treasures come to light. Departing from the conventional association of modernism with the city, this book makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance—a stage for loosely scripted, improvisatory forms of embodiment and togetherness.The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection. With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices—including tide-pooling, beachcombing, gambling, and sunbathing—as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world.Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought.

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Are American colleges and universities failing their students by refusing to teach the philosophical traditions of China, India, Africa, and other non-Western cultures? This biting and provocative critique of American higher education says yes. Even though we live in an increasingly multicultural world, most philosophy departments stubbornly insist that only Western philosophy is real philosophy and denigrate everything outside the European canon. In Taking Back Philosophy, Bryan W. Van Norden lambastes academic philosophy for its Eurocentrism, insularity, and complicity with nationalism and issues a ringing call to make our educational institutions live up to their cosmopolitan ideals. In a cheeky, agenda-setting, and controversial style, Van Norden, an expert in Chinese philosophy, proposes an inclusive, multicultural approach to philosophical inquiry. He showcases several accessible examples of how Western and Asian thinkers can be brought into productive dialogue, demonstrating that philosophy only becomes deeper as it becomes increasingly diverse and pluralistic. Taking Back Philosophy is at once a manifesto for multicultural education, an accessible introduction to Confucian and Buddhist philosophy, a critique of the ethnocentrism and anti-intellectualism characteristic of much contemporary American politics, a defense of the value of philosophy and a liberal arts education, and a call to return to the search for the good life that defined philosophy for Confucius, Socrates, and the Buddha. Building on a popular New York Times opinion piece that suggested any philosophy department that fails to teach non-Western philosophy should be renamed a "Department of European and American Philosophy," this book will challenge any student or scholar of philosophy to reconsider what constitutes the love of wisdom.

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Are American colleges and universities failing their students by refusing to teach the philosophical traditions of China, India, Africa, and other non-Western cultures? This biting and provocative critique of American higher education says yes. Even though we live in an increasingly multicultural world, most philosophy departments stubbornly insist that only Western philosophy is real philosophy and denigrate everything outside the European canon. In Taking Back Philosophy, Bryan W. Van Norden lambastes academic philosophy for its Eurocentrism, insularity, and complicity with nationalism and issues a ringing call to make our educational institutions live up to their cosmopolitan ideals. In a cheeky, agenda-setting, and controversial style, Van Norden, an expert in Chinese philosophy, proposes an inclusive, multicultural approach to philosophical inquiry. He showcases several accessible examples of how Western and Asian thinkers can be brought into productive dialogue, demonstrating that philosophy only becomes deeper as it becomes increasingly diverse and pluralistic. Taking Back Philosophy is at once a manifesto for multicultural education, an accessible introduction to Confucian and Buddhist philosophy, a critique of the ethnocentrism and anti-intellectualism characteristic of much contemporary American politics, a defense of the value of philosophy and a liberal arts education, and a call to return to the search for the good life that defined philosophy for Confucius, Socrates, and the Buddha. Building on a popular New York Times opinion piece that suggested any philosophy department that fails to teach non-Western philosophy should be renamed a "Department of European and American Philosophy," this book will challenge any student or scholar of philosophy to reconsider what constitutes the love of wisdom.

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Experience an American city with Rust Belt roots and a vibrant, creative spirit with Moon Cleveland. Inside you'll find: *Explore the City: Navigate by neighbourhood or by activity, with colour-coded maps of Cleveland's most interesting neighbourhoods*See the Sights: Root for the Cleveland Indians at "The Jake," check out the legendary costumes, instruments, and handwritten lyrics at the Rock & Roll Hall of Fame, admire industrial-era mansions, or check out the Museum of Contemporary Art*Get a Taste of the City: Dine at a trattoria in Little Italy, savour fresh fare at farm-to-table restaurants, sample falafel, pierogis, local cheeses and more at the Westside Market, and relax with a pint at a craft brewery*Bars and Nightlife: Catch a performance at the House of Blues, play bocce ball in an Irish pub, polka-dance at a popular local happy hour, or sip craft cocktails in a historic lounge*Local Advice: Douglas Trattner shares insider know-how on the city he calls home*Itineraries and Day Trips: Explore nearby Lake Erie, Akron, and Amish Country, or follow city itineraries designed for long weekends, rainy days, and more*Handy tools like full-colour photos, detailed maps, and background information on the history and culture of ClevelandWith Moon Cleveland's practical tips and local insight, you can experience the city your way. Exploring more cities in the American Midwest? Check out Moon Chicago or Moon Minneapolis & St. Paul.

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Go on a musical journey around the world in this children's introduction.Discover the power of music and be inspired by cultures from all over the world with this extensive children's guide. This book is the perfect introduction for young readers to the world of music and celebrates music from every continent!Children aged 9+ can find out how instruments are made and played, and learn about the fascinating lives and achievements of great composers and musicians, from Bach to Bowie, Bjork and Beyoncé. All the essential information about music is covered, including the major movements, composers, instruments and techniques.This music book for children offers: - Chapters which cover a huge range of musical styles, from the very first instruments to the modern day.- Explanations of how music touches our lives, from festivals and religion, to TV and film, pop music and stardom.- Profiles of influential musicians from Bach to Elvis.- A focus on key instruments such as piano and violin, showing their component parts and the famous musicians who play them.Children's Book of Music is full of facts and photos highlighting musical styles from across the globe, from the very earliest music through to classical and blues, via reggae, Afropop, hip-hop and dance - making it the perfect gift for budding musicians.More in the seriesThe Children's Book of series inspires young learners to dive into their favourite topic and immerse themselves in the ins and outs, from fun facts to experts in the field. If you liked Children's Book of Music, then why not try the guide for budding artists, Children's Book of Art?

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Discover the celebrated world of design, advertising, photography, and illustration art in the latest edition of the quarterly Graphis Journal magazine, featuring Q&As and the incredible talents of renowned creatives and visionaries. Get ready to be inspired as you dive inside the stories and visuals within this limited-edition publication.Inside take a journey into uncharted territory as PepsiCo Design & Innovation, led by Jason Woodside, reveals their groundbreaking design philosophy, introducing a paradigm-shifting wave of creativity. Brace yourself for a narrative that places people at the forefront, crafting extraordinary and transformative experiences for their world-renowned food and beverage offerings.Prepare to be awestruck by the extraordinary works of Marlena Buczek Smith, whose mastery of posters transcends mere communication to create a complete cultural experience. Join Jessica Walsh of &Walsh as she showcases the power of intersectional feminism in design, paving the way for a new wave of creative expression.Immerse yourself in advertising, where the iconic agency Fallon effortlessly bridges the gap between nostalgia and modernity. Drawing inspiration from beloved films, art, and music, Kelsey _____'s work resonates deeply with audiences, evoking a sense of yesteryear with a fresh twist. Witness the magic of Michael Winokur's photography as he skillfully captures light and form to produce images that are nothing short of perfection. From flawless compositions to a delightful sense of humor, Michael brings joy and professionalism to every shoot. Then, experience the mastery of Darnell McCown, who flawlessly showcases fine timepieces in the best possible light. With 15 years of expertise and an unwavering commitment to perfection, Darnell is a true artist in his craft.The publication also pays tribute to the extraordinary talents of The Balbusso Twins, an Italian duo whose artistry knows no bounds. With originality and impeccable craftsmanship, their work will leave you in awe. Next up join Richard Wilde, former Dean of the School of Visual Arts, on a journey of education, where the joy of nurturing student creativity and achievements is celebrated. Richard's boundless enthusiasm and infectious passion have transformed countless students into some of the greatest creatives in the industry.With each turn of the page, Graphis Journal opens a window into a world of inspiration, innovation, and creativity. This extraordinary edition will leave you mesmerized and fuel your own artistic journey.

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As a social phenomenon and a commonplace of internet culture, virality provides a critical vocabulary for addressing questions raised by the global mobility and reproduction of early modern artworks. This book uses the concept of virality to study artworks’ role in the uneven processes of early modern globalization.Drawing from archival research in Asia, Europe, and the Americas, Stephanie Porras traces the trajectories of two interrelated objects made in Antwerp in the late sixteenth century: Gerónimo Nadal’s Evangelicae historiae imagines, an illustrated devotional text published and promoted by the Society of Jesus, and a singular composition by Maerten de Vos, St. Michael the Archangel. Both were reproduced and adapted across the early modern world in the seventeenth century. Porras examines how and why these objects traveled and were adopted as models by Spanish and Latin American painters, Chinese printmakers, Mughal miniaturists, and Filipino ivory carvers. Reassessing the creative labor underpinning the production of a diverse array of copies, citations, and reproductions, Porras uses virality to elucidate the interstices of the agency of individual artists or patrons, powerful gatekeepers and social networks, and economic, political, and religious infrastructures. In doing so, she tests and contests several analytical models that have dominated art-historical scholarship of the global early modern period, putting pressure on notions of copying, agency, context, and viewership. Vital and engaging, The First Viral Images sheds new light on how artworks, as agents of globalization, navigated and contributed to the emerging and intertwined global infrastructures of Catholicism, commerce, and colonialism.

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AS READ ON BBC RADIO 4 BOOK OF THE WEEK. The fascinating story of how we have gone out to eat, from the ancient Romans in Pompeii to the luxurious Michelin-starred restaurants of today. Tracing its earliest incarnations in the city of Pompeii, where Sitwell is stunned by the sophistication of the dining scene, this is a romp through history as we meet the characters and discover the events that shape the way we eat today. Sitwell, restaurant critic for the Daily Telegraph and famous for his acerbic criticisms on the hit BBC show MasterChef, tackles this enormous subject with his typical wit and precision. He spies influences from an ancient traveller of the Muslim world, revels in the unintended consequences for nascent fine dining of the French Revolution, reveals in full hideous glory the post-Second World War dining scene in the UK and fathoms the birth of sensitive gastronomy in the US counterculture of the 1960s. This is a story of the ingenuity of the human race as individuals endeavour to do that most fundamental of things: to feed people. It is a story of art, politics, revolution, desperate need and decadent pleasure. Sitwell, a familiar face in the UK and a figure known for the controversy he attracts, provides anyone who loves to dine out, or who loves history, or who simply loves a good read with an accessible and humorous history. The Restaurant is jam-packed with extraordinary facts; a book to read eagerly from start to finish or to spend glorious moments dipping in to. It may be William Sitwell’s History of Eating Out, but it’s also the definitive story of one of the cornerstones of our culture.

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Today, coaching is recognized to be one of the most effective human resource development processes available, and it is becoming increasingly popular in organizations of all sizes. Faced with historically low levels of employee engagement (as little as 13% according to Gallup’s latest survey), business leaders see coaching as key to unlocking the human talent, creativity, and innovation that is hiding in plain sight in their workplaces. And rather than bring in external coaches for this purpose, they want to integrate coaching into their company culture—a 2015 study by the International Coaching Federation (ICF) and the Human Capital Institute (HCI) found that 81% of organizations surveyed planned to train managers/leaders in coaching skills. The Master Coach is written for these leaders, and is perfectly positioned to become the definitive book on the topic. Drawing on the wealth of experience that has made Gregg Thompson and Bluepoint Leadership Development the choice of numerous Fortune 100 companies, it illuminates the essence of what it takes to be a great coach. The Master Coach will appeal to leaders at all organization levels, showing them how to make a significant shift in their attitudes, values and behaviors and become more coach-like in all of their daily interactions and conversations.The Master Coach is based on the simple but profound 3Cs Coaching Model. This proven approach asserts that to master the art of coaching one must have an exemplary Character that invites the trust of others, be able to form rapid Connections with others at deeply personal level, and have the ability to initiate and guide intense, attitude-changing Conversations. At every step, Thompson reminds readers that coaching is not merely about what the coach says or does; it is about who he or she is.

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One of the significant developments in scholarship in the latter half of the twentieth century was the awareness among historians of ideas, historians of theology, and medievalists of the importance of the Christian scriptures in the Latin Middle Ages. In contrast to an earlier generation of scholars who considered the medieval period as a ’Bible-free zone’, recent investigations have shown the central role of scripture in literature, art, law, liturgy, and formal religious education. Indeed, to understand the Latin Middle Ages one must understand the value they placed upon the Bible, how they related to it, and how they studied it. However, despite the new emphasis on the Bible’s role and the place of exegesis in medieval thought, our detailed understanding is all too meagre - and generalisations, often imagined as valid for a period of close to a millennium, abound. How the Scriptures were used in one pursuit (formal theology for example relied heavily on ’allegory’) was often very different to the way they were used in another (e.g. in history writing was interested in literal meanings), and exegesis differed over time and with cultures. Similarly, while most medieval writers were agreed that there were several ’senses’ within the text, the number and nature varied greatly as did the strategies for accessing those meanings. This collection of fifteen articles, concentrating on the early Latin middle ages, explores this variety and highlights just how patchy has been our understanding of medieval exegesis. We now may be aware of the importance of the Bible, but the task of studying that phenomenon is in its infancy.

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How our beliefs about the soul have developed through the ages, and why an understanding of it still matters todayThe concept of the soul has been a recurring area of exploration since ancient times. What do we mean when we talk about finding our soul, how do we know we have one, and does it hold any relevance in today’s scientifically and technologically dominated society? From Socrates and Augustine to Darwin and Freud, In Search of the Soul takes readers on a concise, accessible journey into the origins of the soul in Western philosophy and culture, and examines how the idea has developed throughout history to the present. Touching on literature, music, art, and theology, John Cottingham illustrates how, far from being redundant in contemporary times, the soul attunes us to the importance of meaning and value, and experience and growth. A better understanding of the soul might help all of us better understand what it is to be human.Cottingham delves into the evolution of our thoughts about the soul through landmark works—including those of Aristotle, Plato, and Descartes. He considers the nature of consciousness and subjective experience, and discusses the psychoanalytic view that large parts of the human psyche are hidden from direct conscious awareness. He also reflects on the mysterious and universal longing for transcendence that is an indelible part of our human makeup. Looking at the soul’s many dimensions—historical, moral, psychological, and spiritual—Cottingham makes a case for how it exerts a powerful pull on all of us.In Search of the Soul is a testimony to how the soul remains a profoundly significant aspect of human flourishing.

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The Mediterranean is surrounded by three continents – Europe, Africa and Asia – and even though the cultures around this sea are highly diverse, they harmoniously share a pleasant climate, distinctive flora and fauna, and not least the intense blue of the water. Angelika Taschen set out in search of the most beautiful hotels on a great variety of coasts, islands and beaches, taking you on a journey to the luxurious Hotel du Cap-Eden-Roc and the ultra-chic Les Roches Rouges on the Côte d’Azur, to the little-known Pardini’s Hermitage on the Italian island of Giglio, which is only accessible by boat or on foot, and to Bodrum in Turkey, where the elegant Amanruya resort lies hidden in one of the most stunning bays in the Mediterranean. She also presents new hotel concepts, great architecture and creative design – such as the finca Menorca Experimental on the Balearic Islands, the modernist Villa Dubrovnik in Croatia and Dexamenes on the Peloponnese, where new life was breathed into decommissioned wine tanks. Further highlights are the brand-new, stylishly designed Mezzatorre on Ischia and the Torre di Cala Piccola with its enchanting private beach on the Argentario peninsula in Tuscany, an almost unknown location that possesses the aura of 1960s Italy. Another gem is La Locanda del Barbablù, with just five rooms in the shadow of the mythical volcano on Stromboli. Look forward to staying at the Nord-Pinus in Tangier with its fantastic view of the Strait of Gibraltar, and the charming Coco-Mat Eco Residences on Serifos, or experiencing the originality of Ammos on Crete, where the art and design are as essential as the sun and the beach.

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No sitting federal judge has ever written so trenchant a critique of the federal judiciary as Richard A. Posner does in this, his most confrontational book. Skewering the politicization of the Supreme Court, the mismanagement of judicial staff, the overly complex system of appeals, the threat of originalism, outdated procedures, and the backward-looking traditions of law schools and the American judicial system, Posner has written a cri de coeur and a battle cry. With the prospect that the Supreme Court will soon be remade in substantial, potentially revanchist, ways, The Federal Judiciary exposes the American legal system’s most troubling failures in order to instigate much-needed reforms.Posner presents excerpts from legal texts and arguments to expose their flaws, incorporating his own explanation and judgment to educate readers in the mechanics of judicial thinking. This rigorous intellectual work separates sound logic from artful rhetoric designed to subvert precedent and open the door to oblique interpretations of American constitutional law. In a rebuke of Justice Antonin Scalia’s legacy, Posner shows how originalists have used these rhetorical strategies to advance a self-serving political agenda. Judicial culture adheres to an antiquated traditionalism, Posner argues, that inhibits progressive responses to threats from new technologies and other unforeseen challenges to society.With practical prescriptions for overhauling judicial practices and precedents, The Federal Judiciary offers an unequaled resource for understanding the institution designed by the founders to check congressional and presidential power and resist its abuse.

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The use of Irish settings in mainstream Hollywood cinema has been well documented; Terry Byrne's objective in Power in the Eye is to explore indigenous Irish film production that addresses itself primarily to a native Irish audience and to analyze the social impact of the films on modern Irish society. This is no easy task, as the book makes clear. Historically denied access to mainstream production funds and distribution systems, the work of these indigenous Irish filmmakers has (with two or three notable exceptions) been relegated to Irish and European art-house cinemas and to European television channels. The book addresses mainly the work of these filmmakers, in the hope that the stimulation of interest outside Ireland will encourage interested students of cinema to seek them out. In that context, Power in the Eye should serve as a guidebook—a launching-point from which to begin a search for these films and the subsequent work of their makers. In addition to internationally-known Irish filmmakers (Neil Jordan, Jim Sheridan, Pat O'Connor), the book focuses on the works and opinions of Joe Comerford, Cathal Black, John T. Davis, Thaddeus O'Sullivan, Gerry Stembridge, Kieran Hickey, Bob Quinn, Pat Murphy, and many others. It also deals with the social, economic, and political issues surrounding the production of films for the Irish market and those which would speak to the world on behalf of the Irish. Funding, censorship, and the definition of Irish culture are all wound up in these issues and brought to bear quite strongly in the making of films about the Irish. Power in the Eye addresses these issues and aims to stimulate the reader to pursue them further and to equip them to begin that pursuit.

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Marking the 50th anniversary of the Landmarks Law, this book celebrates the great interiors of New York in a stunning visual presentation of space and intricate detail that captures the rich architectural heritage of the city. Some are widely celebrated - Radio City Music Hall, the Great Hall of the Metropolitan Museum of Art, Grand Central Station - and others virtually unknown, all warrant preservation. This book is the first to present great landmarked interiors of New York in all their intricate detail, in a visual celebration of space that captures the rich heritage of the city. In the fifty years since it was established in 1965, the New York City Landmarks Law has preserved for generations to come a remarkable number of significant buildings that represent New York City’s cultural, social, economic, political, and architectural history. Not only do the exterior facades of these buildings fall within the law’s purview, but, since 1973, many of their stunning interiors as well. This book tells the colorful stories of 47 interior landmarks from the oldest to the youngest - from the grand Italianate and infamous Tweed Courthouse, the centerpiece of the largest corruption case in New York history, and the glamorous Art Deco Rainbow Room, constructed shortly after the repeal of the Prohibition - to the modernist 1967 Ford Foundation Building, whose garden-filled atrium exemplified sustainable design well before the concept became fashionable, and was hailed as “one of the most romantic environments ever devised by corporate man.” Located throughout the five boroughs, the interior landmarks include banks, theaters, office building lobbies, restaurants, libraries, and more - spaces in which New Yorkers have worked, learned, governed, been entertained, and interacted with their communities for decades. Readers will learn about their original construction and style, their exceptional design features, materials, and architectural details - then of the challenges to preserving them—whether they were unanimously accepted or hotly contested in legal battles - the restorations or re-imaginings that took place, and the preservationists, philanthropists, politicians, and designers who made it possible. Combining strong visuals and thorough research, this valuable reference work will fascinate all readers with an interest in the city’s history.

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Courageous artists working in conflict regions describe exemplary peacebuilding performances and groundbreaking theory on performance for transformation of violence. Acting Together: Performance and the Creative Transformation of Conflict is a two-volume work describing peacebuilding performances in regions beset by violence and internal conflicts. Volume I: Resistance and Reconciliation in Regions of Violence, emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence, while Volume II: Building Just and Inclusive Communities, focuses on the transformative power of performance in regions fractured by "subtler" forms of structural violence and social exclusion. Volume I: Resistance and Reconciliation in Regions of Violence focuses on the role theatre and ritual play both in the midst and in the aftermath of violence. The performances highlighted in this volume nourish and restore capacities for expression, communication, and transformative action, and creatively support communities in grappling with conflicting moral imperatives surrounding questions of justice, memory, resistance, and identity. The individual chapters, written by scholars, conflict resolution practitioners, and artists who work directly with the communities involved, offer vivid firsthand accounts and analyses of traditional and nontraditional performances in Serbia, Uganda, Sri Lanka, Palestine, Israel, Argentina, Peru, India, Cambodia, Australia, and the United States. Complemented by a website of related materials, a documentary film, Acting Together on the World Stage, that features clips and interviews with the curators and artists, and a toolkit, or "Tools for Continuing the Conversation," that is included with the documentary as a second disc, this book will inform and inspire socially engaged artists, cultural workers, peacebuilding scholars and practitioners, human rights activists, students of peace and justice studies, and whoever wishes to better understand conflict and the power of art to bring about social change. The Acting Together project is born of a collaboration between Theatre Without Borders and the Program in Peacebuilding and the Arts at the International Center for Ethics, Justice, and Public Life at Brandeis University. The two volumes are edited by Cynthia E. Cohen, director of the aforementioned program and a leading figure in creative approaches to coexistence and reconciliation; Roberto Gutierrez Varea, an award-winning director and associate professor at the University of San Francisco; and Polly O. Walker, director of Partners in Peace, an NGO based in Brisbane, Australia..

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This book gathers for the first time an extensive selection of American artist—or “builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured “merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. “The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; “If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same image over and over—war, violence, explosions, things being blown apart. As a citizen, you have to participate in that every day. You have to walk by until it's changed.” Eagerly anticipated, this is the first large-scale publication by a major publisher about the work of this important and increasingly influential artist. Artist and writer Malik Gaines considers Bradford's play with signs in relation to literary and performative theories of African-American forms; writer and cultural critic Ernest Hardy addresses social issues, in Los Angeles and more broadly, raised by Bradford's source material; Heidi Zuckerman Jacobson examines the language in the work as it relates to Concrete poetry; and Dia Art Foundation Director Philippe Vergne looks at the surface of the work and Bradford's processes of mining and excavation.

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It's a life of the two of us.' The complete surviving correspondence between Benjamin Britten and Peter Pears. To read these letters is to climb up a wall and peer into the secret garden of two giants.' From the Foreword by FIONA SHAW This volume comprises the complete surviving correspondence between Benjamin Britten and Peter Pears. The 365 letters written throughout their 39-year relationship are here brought together and published, as Pears intended, for the first time. While the correspondence provides valuable evidence of the development of Britten's works, more significant is the insight into his relationship with Pears and their day-to-day life together. Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentiethcentury, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', art collecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century. VICKI P. STROEHER is Professor of Music History at Marshall University where she isalso Coordinator of the Music History & Literature area. NICHOLAS CLARK is the Librarian at the Britten-Pears Foundation at The Red House, Britten and Pears's home in Aldeburgh, Suffolk. JUDE BRIMMER is an Archivist at the Britten-Pears Foundation.

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The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: 'Texts and Textuality'; 'Dialogues'; 'Transforming Knowledge'; Space(s) and Places'; 'A Passionate Selfhood'; 'A Non-linear Dante'; and 'Nachleben'. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.

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Pious Pilgrims, Discerning Travellers, Curious Tourists: Changing patterns of travel to the Middle East from medieval to modern times comprises a varied collection of seventeen papers presented at the biennial conference of the Association for the Study of Travel in Egypt and the Near East (ASTENE) held in York in July 2019, which together will provide the reader with a fascinating introduction to travel in and to the Middle East over more than a thousand years. As in previous ASTENE volumes, the material presented ranges widely, from Ancient Egyptian sites through medieval pilgrims to tourists and other travellers of the nineteenth and early twentieth centuries. The papers embody a number of different traditions, including not only actual but also fictional travel experiences, as well as pilgrimage or missionary narratives reflecting quests for spiritual wisdom as well as geographical knowledge. They also reflect the shifting political and cultural relations between Europe and the Near and Middle East, and between the different religions of the area, as seen and described by travellers both from within and from outside the region over the centuries. The men and women travellers discussed travelled for a wide variety of reasons — religious, commercial, military, diplomatic, or sometimes even just for a holiday! — but whatever their primary motivations, they were almost always also inspired by a sense of curiosity about peoples and places less familiar than their own. By recording their experiences, whether in words or in art, they have greatly contributed to our understanding of what has shaped the world we live in. As Ibn Battuta, one of the greatest of medieval Arab travellers, wrote: ‘Travelling — it leaves you speechless, then turns you into a storyteller!’

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Mahani Teave grew up on Rapa Nui, also known as Easter Island, one of the most remote islands in the world, where moai statues stand and music is everywhere. When she began taking lessons on the island's only piano, she proved to be a great talent. She left Rapa Nui when she was just nine to continue her music education, wishing she didn't have to leave such a beautiful place to pursue her dreams. She became an internationally acclaimed classical pianist, playing around the world for all kinds of audiences.But her island home kept calling her back. Years later, she returned to Rapa Nui to stay, and with a new dream: to save its environment and culture. She helped create a music and arts school, so that children there could learn music in ways that kept the island's unique traditions alive. Mahani also saw the island's struggles with sustainability issues and pollution from tourism and ocean plastics, so the school was built using of thousands of tires, bottles, and cans in its walls, and incorporates rain barrels, solar panels, and a food garden. Mahani and her team have created an inspiring place that celebrates the land of Rapa Nui and its people.

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During the summers of 1792-94, George Vancouver and the crew of the British naval ships Discovery and Chatham mapped the northwest coast of North America from Baja California to Alaska. Vancouver’s voyage was the last, and longest, of the great Pacific voyages of the late eighteenth century. Taking the art and technique of distant voyaging to a new level, Vancouver eliminated the possibility of a northwest passage and his remarkably precise surveys completed the outline of the Pacific.But to map an area is to appropriate it – to begin to bring it under control – and Vancouver’s charts of the northwest coast were part of a process of economic exploitation and cultural disruption. Although he and the other great navigators of his age exercised no control over the ideas and enterprises spawned by their voyages, their names have come to symbolize the consequences of European expansion – good or bad.From Maps to Metaphors grew out of the Vancouver Conference on Exploration and Discovery, held to observe the bicentennial of Vancouver’s arrival on the Pacific northwest coast. It brings to light much of the new research on the discovery of the Pacific and illuminates the European and Native experience. The chapters are written from a variety of perspectives and provide new insights on many aspects of Vancouver’s voyages – from the technology employed to the complex political and power relationships among European explorers and the Native leadership.While it is no longer possible to “celebrate” the arrival to the northwest coast of explorers such as Vancouver, their achievements cannot be overlooked. The charts, log books, journals, and specimens from these voyages are important sources of information and essential for the reconstruction of an image of the Pacific region and its people in the eighteenth century.

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On November 18, 1928, the world’s most famous mouse made his very first public debut. Today, we celebrate 90+ years of Mickey in one of the most expansive illustrated publications on the Disney universe. Starting with the first sketches of a character who was almost named Mortimer, we trace the career of Walt Disney’s and Ub Iwerks’s most famous creation, one met with an explosion of worldwide popularity preceded only by the earlier successes of Charlie Chaplin.With unlimited access to Disney’s vast historical collections as well as public and private collections, the authors bring Mickey’s success story to life: concept art, story sketches, background paintings, and animation drawings as well as historical photographs trace the origins and evolution of such timeless favorites as Steamboat Willie, The Band Concert, and Brave Little Tailor. They also follow Mickey as he builds on this legendary library of short cartoons by appearing in two historic feature-length films, Fantasia and Fun and Fancy Free.Unfinished projects, many of them presented for the first time through original storyboard drawings, unveil a Mickey that might have been. Extensive archival research sheds new light on little-known chapters of Mickey’s career, such as his pioneering radio shows, the origins of the Mickey Mouse Club, and his use as a patriotic icon during World War II. Along the way, we encounter the work of all major Mickey artists in both film and comics, including such greats as Ub Iwerks, Win Smith, Ferdinand Horvath, Fred Moore, Floyd Gottfredson, Carl Barks, Manuel Gonzales, Paul Murry, Romano Scarpa, Giorgio Cavazzano, Byron Erickson, César Ferioli, and Noel Van Horn.Mickey Mouse has left an indelible mark on everyday culture. As Walt Disney once said: “I only hope that we never lose sight of one thing—that it was all started by a mouse.” And an end to the success story is nowhere in sight. Today, 90 years after his creation, Mickey remains as lovable and popular as ever. Let’s pay tribute to the little fellow, his legend, and his legacy with a monument to the one and only Mickey Mouse.Copyright © 2023 Disney Enterprises, Inc.

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Integral to the commercial law field, Intellectual Property (IP) knowledge is central to culture, innovation, and enterprise. Looking forward to the new academic norm, Teaching Intellectual Property Law: Strategy and Management uses experience as well as interactive, practice-based methods for teaching IP to examine the various ways through which to move on from ‘chalk and talk’ methods.Crucial to science, technology, art, fashion and creative industries as well as to business creation and management, it is unsurprising that IP surfaces in curricula within and beyond the law school. Providing multiple examples, exercises and teaching tips to identify the transferable aspects of IP teaching, this book provides educators with new approaches to tailor content delivery to their students. Focused on the profile of the contemporary learner, it invites educators to adopt new approaches to impart knowledge that will empower IP students of all disciplines, at all levels.Teaching Intellectual Property Law: Strategy and Management will be a useful resource for higher education law academics offering Intellectual Property education modules in law schools, to facilitate contemporary approaches to traditional law school content. It will also be of value to tertiary educators inspired, or instructed, to include IP education in their programmes as well as enterprise and entrepreneurship educators and trainers, to further IP relevance to enterprise and entrepreneurship.

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Fresh examinations of the role of medicinal plants in medieval thought and practice and how they contributed to broader ideas concerning the body, religion and identity. The important and ever-shifting role of medicinal plants in medieval science, art, culture, and thought, both in the Latin Western medical tradition and in Byzantine and medieval Arabic medicine, is the focus of this new collection. Following a general introduction and a background chapter on Late Antique and medieval theories of wellness and therapy, in-depth essays treat such wide-ranging topics as medicine and astrology, charms and magical remedies, herbal glossaries, illuminated medical manuscripts, women's reproductive medicine, dietary cooking, gardens in social and political context, and recreated medieval gardens. They make a significant contribution to our understanding ofthe place of medicinal plants in medieval thought and practice, and thus lead to a greater appreciation of how medieval theories and therapies from diverse places developed in continuously evolving and cross-pollinating strands,and, in turn, how they contributed to broader ideas concerning the body, religion, identity, and the human relationship with the natural world. Contributors: MARIA AMALIA D'ARONCO, PETER DENDLE, EXPIRACION GARCIA SANCHEZ, PETER MURRAY JONES, GEORGE R. KEISER, DEIRDRE LARKIN, MARIJANE OSBORN, PHILIP G. RUSCHE, TERENCE SCULLY, ALAIN TOUWAIDE, LINDA EHRSAM VOIGTS

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Monuments represent power: explicitly and simply, but not universally. In Estonia, the classical notion of a monument is a strange one. Its presence is marginal, its tradition non-existent and its form tormented by an apparent cultural displacement. The statue on a square never claimed the central position so common in Western Europe. This semantic void directs attention to other, less exceptional pieces of architecture. Sometimes a stairway marks a politically charged location, or a pavement becomes symbolic. Instead of explicit meanings inscribed in marble and bronze, an implicit charge is revealed that might be weaker yet more relevant, for what is only implicit cannot be openly questioned. Weak Monument explores the blurred line between a monument's explicitly political form and the architecture of everyday. It juxtaposes classical monuments with seemingly insignificant architectural objects and public space in a collection of images and drawings, archival as well as newly commissioned ones, alongside essays and brief texts. Contributors include such eminent guests as Tom Avermaete, Professor of Architecture at the Delft University of Technology; Margrethe Troensegaard from Ruskin School of Art, University of Oxford; Eik Hermann, Estonian theorist and philosopher; and Toomas Paaver, Estonian architect and political activist. Text in English and Estonian.

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Exam Board: Cambridge Assessment International EducationLevel & Subject: Cambridge International AS & A Level DramaFor examination from 2021 (AS Level), 2022 (AS and A Level) The Student’s Book is structured to build skills and knowledge in a clear sequence, and to help students to apply their skills. With in-depth coverage of the syllabus topics and a stimulating range of international play script extracts, this is the ideal resource for advanced level drama study.• Offers a clear route through the syllabus, helping teachers to plan for the first years of teaching and find material for each Component of the course.• Fosters a creative, experiential approach with practical activities in every unit and suggestions of how to experiment with imaginative approaches to individual tasks.• Introduces the excitement of World Theatre: a chapter on World Theatre traditions and practitioners enables students to draw on this knowledge in their own practice throughout the course and opens avenues for further exploration.• Helps students to acquire a vocabulary of performing arts terms with Key terms boxes throughout and a collated Glossary of key terms.• Supports successful writing with clear modelling of the planning, structuring and writing process, and sample writing at different levels.• Provides an exciting range of high quality, international play script extracts for students to perform individually and in groups.• Contextualises plays for international students – Key context boxes introduce texts and their social, historical and cultural contexts, while Vocabulary boxes explain any culturally specific vocabulary or references.• Differentiated to support all learners with Thinking more deeply sections in each chapter to stretch those who require a challenge, and a clear, accessible writing style to assist international learners.• Written by experienced A Level drama teachers, whose expertise includes technical and production skills as well as devising, performing and writing.• Supports teachers through the free, editable scheme of work available on www.collins.co.uk/cambridge-international-downloads. This title is endorsed by Cambridge Assessment International Education.

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An alluring overview to the thirty-year, award-winning output of Brininstool + Lynch, whose rigor, vision, and elegance has distinguished their diverse projects since its founding. Brad Lynch and David Brininstool of Chicago-based Brininstool + Lynch feature their most exemplary built works from over the course of their thirty years in practice. Founded in 1989, their office has become known for modern works that are rooted in the exceptional architectural culture of the American Midwest but also epitomize the best of contemporary design: elegant spatial compositions, remarkable aesthetic quality, and nuanced details. In this volume, partners Brad Lynch and David Brininstool have selected twelve distinguished projects that represent the character of the practice, at once refined and forthright. Among the selected built works are the Racine Art Museum, designed around a collection of crafts in ceramic, fiber, glass, metal, and wood; city and country houses in Illinois and Indiana; sophisticated single-family homes; and multi-unit residential buildings that explore their urban scale and contexts. For thirty years, the office distinguished itself through buildings and interiors whose beauty lies in their restraint: spare, smart structures that manipulate light, space, and a simple material palette to create architecture of unusual grace. Brininstool + Lynch: Making Architecture showcases the signature works of this prestigious firm.

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“Ah! . . . to make of painting what the music of Berlioz and Wagner has been before us . . . a consolatory art for distressed hearts!”—Vincent van Gogh This engaging book is the first in-depth investigation of the influential role that music and sound played throughout Vincent van Gogh’s (1853–1890) life. From psalms and hymns to the operas of Richard Wagner to simple birdsong, music represented to Van Gogh the ultimate form of artistic expression. And he believed that by emulating music painting could articulate deep truths and impart a lasting emotional impact on its viewers. In Van Gogh and Music Natascha Veldhorst provides close readings of the many allusions to music in the artist’s prolific correspondence and examines the period’s artistic theory to offer a rich picture of the status of music in late 19th-century culture. Veldhorst shows the extent to which Van Gogh not only admired the ability of music to inspire emotion, but how he incorporated musical subject matter and techniques into his work, with illustrations of celebrated paintings such as Sunflowers in a Vase, which he described as “a symphony in blue and yellow.” An expansive inquiry into the significance of sound and music for the artist, including the formative influence of his song-filled upbringing, Van Gogh and Music is full of fascinating new insights into the work of one of history’s most venerated artists.

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The Philosophy of Julia Kristeva is the latest addition to the highly acclaimed series, The Library of Living Philosophers. The book epitomizes the objectives of this acclaimed series; it contains critical interpretation of one of the greatest philosophers of our time, and pursues more creative regional and world dialogue on philosophical questions. The format provides a detailed interaction between those who interpret and critique Kristeva’s work and the seminal thinker herself, giving broad coverage, from diverse viewpoints, of all the major topics establishing her reputation. With questions directed to the philosopher while they are alive, the volumes in The Library of Living Philosophers have come to occupy a uniquely significant place in the realm of philosophy. The inclusion of Julia Kristeva constitutes a vital addition to an already robust list of thinkers. The Philosophy of Julia Kristeva exemplifies world-class intellectual work closely connected to the public sphere. Kristeva has been said to have “inherited the intellectual throne left vacant by Simone de Beauvoir,” and has won many awards, including the Hannah Arendt Prize for Political Thought. Julia Kristeva’s autobiography provides an excellent introduction to her work, situating it in relation to major political, intellectual, and cultural movements of the time. Her upbringing in Soviet-dominated Bulgaria, her move to the French intellectual landscape of the 1960s, her visit to Mao’s China, her response to the fall of the Berlin Wall, her participation in a papal summit on humanism, her appointment by President Chirac as President of the National Council on Disability, and her setting up of the Simone de Beauvoir prize, honoring women in active and creative fields, are all major moments of this fascinating life. The major part of the book is comprised of thirty-six essays by Kristeva’s foremost interpreters and critics, together with her replies to the essays. These encounters cover an exceptionally wide range of theoretical and literary writing. The strong international and multidisciplinary focus includes authors from over ten countries, and spans the fields of philosophy, semiotics, literature, psychoanalysis, feminist thought, political theory, art, and religion. The comprehensive bibliography provides further access to Kristeva’s writings and thought. The preparation of this volume, the thirty-sixth in the series, was supported by a major grant from the National Endowment for the Humanities.

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This state-of-the-art Encyclopedia provides a detailed snapshot study of politics in Asia. Curated by two internationally recognised scholars, entries offer key insights and critical reference points in order to navigate the vastness, diversity and dynamism of Asian politics.Cross-disciplinary in approach, this pioneering Encyclopedia of Asian Politics reviews a broad range of issues such as democratisation, identity politics, political culture and terrorism, as well as the regional divisions across Northeast Asia, Southeast Asia and South Asia. Contributors include a wealth of specialist academics and practitioners from a diverse array of fields. They provide case studies on specific countries for further insight, focusing on China, India, Japan, Pakistan, Taiwan and Vietnam among other territories. Offering a high level of detail in an accessible manner, this definitive Encyclopedia will be crucial reading for students and academics in international relations, international politics, Asian studies and Asian politics. It will also prove an excellent reference point for practitioners and professionals working in the field. Key Features: Covers the latest developments in the field of Asian politics Signposts extensive additional resources for further reading and exploration Over 50 entries organised according to key geographic regions and conceptual themes Entries written by leading scholars reviewing core topics in the current political landscape

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