Search results for ""author art, culture"

Pious Pilgrims, Discerning Travellers, Curious Tourists: Changing patterns of travel to the Middle East from medieval to modern times comprises a varied collection of seventeen papers presented at the biennial conference of the Association for the Study of Travel in Egypt and the Near East (ASTENE) held in York in July 2019, which together will provide the reader with a fascinating introduction to travel in and to the Middle East over more than a thousand years. As in previous ASTENE volumes, the material presented ranges widely, from Ancient Egyptian sites through medieval pilgrims to tourists and other travellers of the nineteenth and early twentieth centuries. The papers embody a number of different traditions, including not only actual but also fictional travel experiences, as well as pilgrimage or missionary narratives reflecting quests for spiritual wisdom as well as geographical knowledge. They also reflect the shifting political and cultural relations between Europe and the Near and Middle East, and between the different religions of the area, as seen and described by travellers both from within and from outside the region over the centuries. The men and women travellers discussed travelled for a wide variety of reasons — religious, commercial, military, diplomatic, or sometimes even just for a holiday! — but whatever their primary motivations, they were almost always also inspired by a sense of curiosity about peoples and places less familiar than their own. By recording their experiences, whether in words or in art, they have greatly contributed to our understanding of what has shaped the world we live in. As Ibn Battuta, one of the greatest of medieval Arab travellers, wrote: ‘Travelling — it leaves you speechless, then turns you into a storyteller!’

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Experience an American city with Rust Belt roots and a vibrant, creative spirit with Moon Cleveland. Inside you'll find: *Explore the City: Navigate by neighbourhood or by activity, with colour-coded maps of Cleveland's most interesting neighbourhoods*See the Sights: Root for the Cleveland Indians at "The Jake," check out the legendary costumes, instruments, and handwritten lyrics at the Rock & Roll Hall of Fame, admire industrial-era mansions, or check out the Museum of Contemporary Art*Get a Taste of the City: Dine at a trattoria in Little Italy, savour fresh fare at farm-to-table restaurants, sample falafel, pierogis, local cheeses and more at the Westside Market, and relax with a pint at a craft brewery*Bars and Nightlife: Catch a performance at the House of Blues, play bocce ball in an Irish pub, polka-dance at a popular local happy hour, or sip craft cocktails in a historic lounge*Local Advice: Douglas Trattner shares insider know-how on the city he calls home*Itineraries and Day Trips: Explore nearby Lake Erie, Akron, and Amish Country, or follow city itineraries designed for long weekends, rainy days, and more*Handy tools like full-colour photos, detailed maps, and background information on the history and culture of ClevelandWith Moon Cleveland's practical tips and local insight, you can experience the city your way. Exploring more cities in the American Midwest? Check out Moon Chicago or Moon Minneapolis & St. Paul.

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Go on a musical journey around the world in this children's introduction.Discover the power of music and be inspired by cultures from all over the world with this extensive children's guide. This book is the perfect introduction for young readers to the world of music and celebrates music from every continent!Children aged 9+ can find out how instruments are made and played, and learn about the fascinating lives and achievements of great composers and musicians, from Bach to Bowie, Bjork and Beyoncé. All the essential information about music is covered, including the major movements, composers, instruments and techniques.This music book for children offers: - Chapters which cover a huge range of musical styles, from the very first instruments to the modern day.- Explanations of how music touches our lives, from festivals and religion, to TV and film, pop music and stardom.- Profiles of influential musicians from Bach to Elvis.- A focus on key instruments such as piano and violin, showing their component parts and the famous musicians who play them.Children's Book of Music is full of facts and photos highlighting musical styles from across the globe, from the very earliest music through to classical and blues, via reggae, Afropop, hip-hop and dance - making it the perfect gift for budding musicians.More in the seriesThe Children's Book of series inspires young learners to dive into their favourite topic and immerse themselves in the ins and outs, from fun facts to experts in the field. If you liked Children's Book of Music, then why not try the guide for budding artists, Children's Book of Art?

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During the summers of 1792-94, George Vancouver and the crew of the British naval ships Discovery and Chatham mapped the northwest coast of North America from Baja California to Alaska. Vancouver’s voyage was the last, and longest, of the great Pacific voyages of the late eighteenth century. Taking the art and technique of distant voyaging to a new level, Vancouver eliminated the possibility of a northwest passage and his remarkably precise surveys completed the outline of the Pacific.But to map an area is to appropriate it – to begin to bring it under control – and Vancouver’s charts of the northwest coast were part of a process of economic exploitation and cultural disruption. Although he and the other great navigators of his age exercised no control over the ideas and enterprises spawned by their voyages, their names have come to symbolize the consequences of European expansion – good or bad.From Maps to Metaphors grew out of the Vancouver Conference on Exploration and Discovery, held to observe the bicentennial of Vancouver’s arrival on the Pacific northwest coast. It brings to light much of the new research on the discovery of the Pacific and illuminates the European and Native experience. The chapters are written from a variety of perspectives and provide new insights on many aspects of Vancouver’s voyages – from the technology employed to the complex political and power relationships among European explorers and the Native leadership.While it is no longer possible to “celebrate” the arrival to the northwest coast of explorers such as Vancouver, their achievements cannot be overlooked. The charts, log books, journals, and specimens from these voyages are important sources of information and essential for the reconstruction of an image of the Pacific region and its people in the eighteenth century.

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As a social phenomenon and a commonplace of internet culture, virality provides a critical vocabulary for addressing questions raised by the global mobility and reproduction of early modern artworks. This book uses the concept of virality to study artworks’ role in the uneven processes of early modern globalization.Drawing from archival research in Asia, Europe, and the Americas, Stephanie Porras traces the trajectories of two interrelated objects made in Antwerp in the late sixteenth century: Gerónimo Nadal’s Evangelicae historiae imagines, an illustrated devotional text published and promoted by the Society of Jesus, and a singular composition by Maerten de Vos, St. Michael the Archangel. Both were reproduced and adapted across the early modern world in the seventeenth century. Porras examines how and why these objects traveled and were adopted as models by Spanish and Latin American painters, Chinese printmakers, Mughal miniaturists, and Filipino ivory carvers. Reassessing the creative labor underpinning the production of a diverse array of copies, citations, and reproductions, Porras uses virality to elucidate the interstices of the agency of individual artists or patrons, powerful gatekeepers and social networks, and economic, political, and religious infrastructures. In doing so, she tests and contests several analytical models that have dominated art-historical scholarship of the global early modern period, putting pressure on notions of copying, agency, context, and viewership. Vital and engaging, The First Viral Images sheds new light on how artworks, as agents of globalization, navigated and contributed to the emerging and intertwined global infrastructures of Catholicism, commerce, and colonialism.

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AS READ ON BBC RADIO 4 BOOK OF THE WEEK. The fascinating story of how we have gone out to eat, from the ancient Romans in Pompeii to the luxurious Michelin-starred restaurants of today. Tracing its earliest incarnations in the city of Pompeii, where Sitwell is stunned by the sophistication of the dining scene, this is a romp through history as we meet the characters and discover the events that shape the way we eat today. Sitwell, restaurant critic for the Daily Telegraph and famous for his acerbic criticisms on the hit BBC show MasterChef, tackles this enormous subject with his typical wit and precision. He spies influences from an ancient traveller of the Muslim world, revels in the unintended consequences for nascent fine dining of the French Revolution, reveals in full hideous glory the post-Second World War dining scene in the UK and fathoms the birth of sensitive gastronomy in the US counterculture of the 1960s. This is a story of the ingenuity of the human race as individuals endeavour to do that most fundamental of things: to feed people. It is a story of art, politics, revolution, desperate need and decadent pleasure. Sitwell, a familiar face in the UK and a figure known for the controversy he attracts, provides anyone who loves to dine out, or who loves history, or who simply loves a good read with an accessible and humorous history. The Restaurant is jam-packed with extraordinary facts; a book to read eagerly from start to finish or to spend glorious moments dipping in to. It may be William Sitwell’s History of Eating Out, but it’s also the definitive story of one of the cornerstones of our culture.

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One of the significant developments in scholarship in the latter half of the twentieth century was the awareness among historians of ideas, historians of theology, and medievalists of the importance of the Christian scriptures in the Latin Middle Ages. In contrast to an earlier generation of scholars who considered the medieval period as a ’Bible-free zone’, recent investigations have shown the central role of scripture in literature, art, law, liturgy, and formal religious education. Indeed, to understand the Latin Middle Ages one must understand the value they placed upon the Bible, how they related to it, and how they studied it. However, despite the new emphasis on the Bible’s role and the place of exegesis in medieval thought, our detailed understanding is all too meagre - and generalisations, often imagined as valid for a period of close to a millennium, abound. How the Scriptures were used in one pursuit (formal theology for example relied heavily on ’allegory’) was often very different to the way they were used in another (e.g. in history writing was interested in literal meanings), and exegesis differed over time and with cultures. Similarly, while most medieval writers were agreed that there were several ’senses’ within the text, the number and nature varied greatly as did the strategies for accessing those meanings. This collection of fifteen articles, concentrating on the early Latin middle ages, explores this variety and highlights just how patchy has been our understanding of medieval exegesis. We now may be aware of the importance of the Bible, but the task of studying that phenomenon is in its infancy.

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How our beliefs about the soul have developed through the ages, and why an understanding of it still matters todayThe concept of the soul has been a recurring area of exploration since ancient times. What do we mean when we talk about finding our soul, how do we know we have one, and does it hold any relevance in today’s scientifically and technologically dominated society? From Socrates and Augustine to Darwin and Freud, In Search of the Soul takes readers on a concise, accessible journey into the origins of the soul in Western philosophy and culture, and examines how the idea has developed throughout history to the present. Touching on literature, music, art, and theology, John Cottingham illustrates how, far from being redundant in contemporary times, the soul attunes us to the importance of meaning and value, and experience and growth. A better understanding of the soul might help all of us better understand what it is to be human.Cottingham delves into the evolution of our thoughts about the soul through landmark works—including those of Aristotle, Plato, and Descartes. He considers the nature of consciousness and subjective experience, and discusses the psychoanalytic view that large parts of the human psyche are hidden from direct conscious awareness. He also reflects on the mysterious and universal longing for transcendence that is an indelible part of our human makeup. Looking at the soul’s many dimensions—historical, moral, psychological, and spiritual—Cottingham makes a case for how it exerts a powerful pull on all of us.In Search of the Soul is a testimony to how the soul remains a profoundly significant aspect of human flourishing.

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The Mediterranean is surrounded by three continents – Europe, Africa and Asia – and even though the cultures around this sea are highly diverse, they harmoniously share a pleasant climate, distinctive flora and fauna, and not least the intense blue of the water. Angelika Taschen set out in search of the most beautiful hotels on a great variety of coasts, islands and beaches, taking you on a journey to the luxurious Hotel du Cap-Eden-Roc and the ultra-chic Les Roches Rouges on the Côte d’Azur, to the little-known Pardini’s Hermitage on the Italian island of Giglio, which is only accessible by boat or on foot, and to Bodrum in Turkey, where the elegant Amanruya resort lies hidden in one of the most stunning bays in the Mediterranean. She also presents new hotel concepts, great architecture and creative design – such as the finca Menorca Experimental on the Balearic Islands, the modernist Villa Dubrovnik in Croatia and Dexamenes on the Peloponnese, where new life was breathed into decommissioned wine tanks. Further highlights are the brand-new, stylishly designed Mezzatorre on Ischia and the Torre di Cala Piccola with its enchanting private beach on the Argentario peninsula in Tuscany, an almost unknown location that possesses the aura of 1960s Italy. Another gem is La Locanda del Barbablù, with just five rooms in the shadow of the mythical volcano on Stromboli. Look forward to staying at the Nord-Pinus in Tangier with its fantastic view of the Strait of Gibraltar, and the charming Coco-Mat Eco Residences on Serifos, or experiencing the originality of Ammos on Crete, where the art and design are as essential as the sun and the beach.

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No sitting federal judge has ever written so trenchant a critique of the federal judiciary as Richard A. Posner does in this, his most confrontational book. Skewering the politicization of the Supreme Court, the mismanagement of judicial staff, the overly complex system of appeals, the threat of originalism, outdated procedures, and the backward-looking traditions of law schools and the American judicial system, Posner has written a cri de coeur and a battle cry. With the prospect that the Supreme Court will soon be remade in substantial, potentially revanchist, ways, The Federal Judiciary exposes the American legal system’s most troubling failures in order to instigate much-needed reforms.Posner presents excerpts from legal texts and arguments to expose their flaws, incorporating his own explanation and judgment to educate readers in the mechanics of judicial thinking. This rigorous intellectual work separates sound logic from artful rhetoric designed to subvert precedent and open the door to oblique interpretations of American constitutional law. In a rebuke of Justice Antonin Scalia’s legacy, Posner shows how originalists have used these rhetorical strategies to advance a self-serving political agenda. Judicial culture adheres to an antiquated traditionalism, Posner argues, that inhibits progressive responses to threats from new technologies and other unforeseen challenges to society.With practical prescriptions for overhauling judicial practices and precedents, The Federal Judiciary offers an unequaled resource for understanding the institution designed by the founders to check congressional and presidential power and resist its abuse.

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The use of Irish settings in mainstream Hollywood cinema has been well documented; Terry Byrne's objective in Power in the Eye is to explore indigenous Irish film production that addresses itself primarily to a native Irish audience and to analyze the social impact of the films on modern Irish society. This is no easy task, as the book makes clear. Historically denied access to mainstream production funds and distribution systems, the work of these indigenous Irish filmmakers has (with two or three notable exceptions) been relegated to Irish and European art-house cinemas and to European television channels. The book addresses mainly the work of these filmmakers, in the hope that the stimulation of interest outside Ireland will encourage interested students of cinema to seek them out. In that context, Power in the Eye should serve as a guidebook—a launching-point from which to begin a search for these films and the subsequent work of their makers. In addition to internationally-known Irish filmmakers (Neil Jordan, Jim Sheridan, Pat O'Connor), the book focuses on the works and opinions of Joe Comerford, Cathal Black, John T. Davis, Thaddeus O'Sullivan, Gerry Stembridge, Kieran Hickey, Bob Quinn, Pat Murphy, and many others. It also deals with the social, economic, and political issues surrounding the production of films for the Irish market and those which would speak to the world on behalf of the Irish. Funding, censorship, and the definition of Irish culture are all wound up in these issues and brought to bear quite strongly in the making of films about the Irish. Power in the Eye addresses these issues and aims to stimulate the reader to pursue them further and to equip them to begin that pursuit.

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Discover the celebrated world of design, advertising, photography, and illustration art in the latest edition of the quarterly Graphis Journal magazine, featuring Q&As and the incredible talents of renowned creatives and visionaries. Get ready to be inspired as you dive inside the stories and visuals within this limited-edition publication.Inside take a journey into uncharted territory as PepsiCo Design & Innovation, led by Jason Woodside, reveals their groundbreaking design philosophy, introducing a paradigm-shifting wave of creativity. Brace yourself for a narrative that places people at the forefront, crafting extraordinary and transformative experiences for their world-renowned food and beverage offerings.Prepare to be awestruck by the extraordinary works of Marlena Buczek Smith, whose mastery of posters transcends mere communication to create a complete cultural experience. Join Jessica Walsh of &Walsh as she showcases the power of intersectional feminism in design, paving the way for a new wave of creative expression.Immerse yourself in advertising, where the iconic agency Fallon effortlessly bridges the gap between nostalgia and modernity. Drawing inspiration from beloved films, art, and music, Kelsey _____'s work resonates deeply with audiences, evoking a sense of yesteryear with a fresh twist. Witness the magic of Michael Winokur's photography as he skillfully captures light and form to produce images that are nothing short of perfection. From flawless compositions to a delightful sense of humor, Michael brings joy and professionalism to every shoot. Then, experience the mastery of Darnell McCown, who flawlessly showcases fine timepieces in the best possible light. With 15 years of expertise and an unwavering commitment to perfection, Darnell is a true artist in his craft.The publication also pays tribute to the extraordinary talents of The Balbusso Twins, an Italian duo whose artistry knows no bounds. With originality and impeccable craftsmanship, their work will leave you in awe. Next up join Richard Wilde, former Dean of the School of Visual Arts, on a journey of education, where the joy of nurturing student creativity and achievements is celebrated. Richard's boundless enthusiasm and infectious passion have transformed countless students into some of the greatest creatives in the industry.With each turn of the page, Graphis Journal opens a window into a world of inspiration, innovation, and creativity. This extraordinary edition will leave you mesmerized and fuel your own artistic journey.

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“Fresh and diverting, informative and topical without being slight or ephemeral. This supremely well-edited combination of current affairs, journalism, commentary, and fun facts is perfect for our pause-button moment.” —Australian Financial Review, Best Books of the Year Fully illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world. IN THIS VOLUME: Growing Uncertainty in California’s Central Valley by Anna Wiener • What Does It Mean to Be a Solution? by Vanessa Hua • Shadows in the Valley by Francisco Cantú. Plus: direct democracy and unsustainable development, the rise of the Land Back movement, LA’s cultural renaissance in the face of rampant gentrification, visions of the future, the death of the Californian Dream, the burning of Paradise and much more . . . “Wildfire season had already begun, and, as the car pitched along the road through Kings Canyon, I tried to tamp down a feeling like dread. In California, where the effects of global warming are pervasive and unsubtle, spending time in the forest always makes me feel unspeakably lucky and dizzy with remorse. Families in masks stomped through the Giant Forest to pose for photographs in front of General Sherman, a 275-foot-tall tree. Children licked ice-cream bars by the visitor center. In the parking lot, some of the oldest living trees in the world shaded eight-seat SUVs: Kia Tellurides, Chevy Tahoes, Toyota Sequoias.” —From “Growing Uncertainty in California’s Central Valley” by Anna Wiener

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Combines empirical data and original analysis in a uniquely detailed account of Christianity in North Africa and West AsiaThis comprehensive reference volume covers every country in North Africa and West Asia, offering reliable demographic information and original interpretative essays by indigenous scholars and practitioners. It maps patterns of growth and decline, assesses major traditions and movements, analyses key themes and examines current trends.Key FeaturesProfiles of Christianity in every country in North Africa and West Asia including clearly presented statistical and demographic informationAnalyses of leading features and current trends written by indigenous scholarsEssays examining each of the major Christian traditions (Anglicans, Independents, Orthodox, Protestants, Roman Catholics, Evangelicals, Pentecostals/Charismatics)Essays explore key themes such as faith and culture, worship and spirituality, theology, social and political engagement, mission and evangelism, religious freedom, gender, inter-faith relations, monastic movements and spirituality, displaced populations and ecclesiologyContributorsEd Alden, Independent Scholar Sara Afshari, University of Edinburgh Najib George Awad, Hartford SeminaryKatia Boissevain, Centre National de la Recherche Scientifique (CNRS)Charles Chartouni, Lebanese University and St Joseph University John Eibner, Christian Solidarity International (CSI)Kristian Girling, Boston College's School of Theology and MinistryAkram Habib, Independent ScholarGabriel Hachem, Holy Spirit University of Kaslik (USEK)Hrayr Jebejian, General Secretary of the Bible Society in the GulfTodd M. Johnson, Gordon-Conwell Theological Seminary Paolo Maggiolini, Catholic University of MilanDuane Miller, Saint Mary's University in San AntonioElizabeth Monier, University of CambridgeRima Nasrallah, Near East School of Theology, BeirutDavid Neuhaus SJ, Latin Patriarchal VicarEric N. Newberg, Oral Roberts University in TulsaEwelina Ochab, ADF InternationalAnthony O'Mahony, Heythrop College at the University of LondonAnna Poujeau, National Centre for Scientific Research (CNRS) in FranceMitri Raheb, Dar al-Kalima University College of Arts and Culture in BethlehemDonna M. Rizk, King's College LondonBernard Sabella, al-Quds University George F. Sabra, Near East School of Theology in BeirutYazid Said, Liverpool Hope UniversitySilvia Serrano, Universite d'Auvergne Heather J. Sharkey, University of PennsylvaniaRazek Siriani, lay deacon in the Syriac Orthodox Church of AntiochGeorges Tamer, Friedrich-Alexander University Erlangen-NurembergMariz Tadros, University of SussexSamuel Tadros, Hoover Institution and Johns Hopkins UniversityHratch Tchilingirian, University of OxfordHerman G.B. Teule, Radboud University Nijmegen and University of LouvainIyad Twal, Bethlehem UniversityWafik Wahba, Tyndale University and Seminary in TorontoJack Wald, pastor of Rabat International Church Anastasia Yiangou, Independent ScholarGina A. Zurlo, Gordon-Conwell Theological Seminary

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Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time.

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'A raw and raging celebration of music . . . astounding.' Megan Bradbury'Funny, filthy, erudite, and rude.' Carl Shuker'A magnificent novel.' Alan McMonagleDuring their 1985 tour, two events of hatred and stupidity forever change the lives of a band’s four members. Neues Bauen, a post-hardcore Illinois group homing in on their own small fame, head on with frontman Conrad Wells sexually assaulted and guitarist Tone Seburg wounded by gunshot. The band staggers forth into the American landscape, traversing time and investigating each of their relationships with history, memory, authenticity, violence and revelling in transcendence through the act of art.With decades passed and compelled by his wife’s failing health to track down Tone, Conrad flies to North Africa where her brother is rumoured to be hiding with a renowned artist from their past. There he instead meets various characters including his former drummer, Spence. Amongst the sprawl and shout of Morocco, the men attempt to recall what happened to them during their lost years of mental disintegration and emotional poverty.Dance Prone is a novel of music, ritual and love. It is live, tense and corporeal. Full of closely observed details of indie-rock, of punk infused performance, the road and the players’ relationship to violence, hate and peace. Set during both the post-punk period and the present day, Dance Prone was born out of a love of the underground and indie rock scenes of the 1980s, a fascination for their role in the cultural apparatus of memory, social decay and its reconstruction.

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In Public Privates, a book about looking and being looked at, about speculums, spectacles, and spectators, about display, illumination, and reflection, Terri Kapsalis makes visible the practices and representations of gynecology. The quintessential examination of women, gynecology is not simply the study of women’s bodies, but also serves to define and constitute them. Any critical analysis of gynecology is therefore, as Kapsalis affirms, an investigation of what it means to be female. In this respect she considers the public exposure of female "privates" in the performance of the pelvic exam. From J. Marion Sims’s surgical experiments on unanesthetized slave women in the mid-nineteenth century, to the use of cadavers and prostitutes to teach medical students gynecological techniques, Kapsalis focuses on the ways in which women and their bodies have been treated by the medical establishment. Removing gynecology from its private cover within clinic walls and medical textbook pages, she decodes the gynecological exam, seizing on its performative dimension. She considers traditional medical practices and the dynamics of "proper" patient performance; non-traditional practices such as cervical self-exam; and incarnations of the pelvic examination outside the bounds of medicine, including its appearance in David Cronenberg’s film Dead Ringers and Annie Sprinkle’s performance piece "Public Cervix Announcement." Confounding the boundaries that separate medicine, art, and pornography, revealing the potent cultural attitudes and anxieties about women, female bodies, and female sexuality that permeate the practice of gynecology, Public Privates concludes by locating a venue from which challenging, alternative performances may be staged.

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More than two million people are currently imprisoned in the United States, and the nation’s incarceration rate is now the highest in the world. The dramatic rise and consolidation of America’s prison system has devastated lives and communities. But it has also transformed prisons into primary sites of radical political discourse and resistance as they have become home to a growing number of writers, activists, poets, educators, and other intellectuals who offer radical critiques of American society both within and beyond the prison walls. In Forced Passages, Dylan Rodríguez argues that the cultural production of such imprisoned intellectuals as Mumia Abu-Jamal, Angela Davis, Leonard Peltier, George Jackson, José Solis Jordan, Ramsey Muniz, Viet Mike Ngo, and Marilyn Buck should be understood as a social and intellectual movement in and of itself, unique in context and substance. Rodríguez engages with a wide range of texts, including correspondence, memoirs, essays, poetry, communiqués, visual art, and legal writing, drawing on published works by widely recognized figures and by individuals outside the public’s field of political vision or concern. Throughout, Rodríguez focuses on the conditions under which imprisoned intellectuals live and work, and he explores how incarceration shapes the ways in which insurgent knowledge is created, disseminated, and received. More than a series of close readings of prison literature, Forced Passages identifies and traces the discrete lineage of radical prison thought since the 1970s, one formed by the logic of state violence and by the endemic racism of the criminal justice system. Dylan Rodríguez is assistant professor of ethnic studies at the University of California, Riverside.

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An argument that humanists have the tools—and the responsibility—to mobilize political power to tackle climate changeAs climate catastrophes intensify, why do literary and cultural studies scholars so often remain committed to the separation of aesthetic study from the nitty-gritty of political change? In this thought-provoking book, Caroline Levine makes the case for an alternative view, arguing that humanists have the tools to mobilize political power—and the responsibility to use those tools to avert the worst impacts of global warming. Building on the theory developed in her award-winning book, Forms, Levine shows how formalist methods can be used in the fight for climate justice.Countering scholars in the environmental humanities who embrace only “modest gestures of care”—and who seem to have moved directly to “mourning” our inevitable environmental losses—Levine argues that large-scale, practical environmental activism should be integral to humanists’ work. She identifies three major infrastructural forms crucial to sustaining collective life: routines, pathways, and enclosures. Crisscrossing between art works and public works—from urban transportation to television series and from food security programs to rhyming couplets—she considers which forms might support stability and predictability in the face of growing precarity. Finally, bridging the gap between academic and practical work, Levine offers a series of questions and exercises intended to guide readers into political action. The Activist Humanist provides an essential handbook for prospective activist-scholars.

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Kendel Hippolyte’s poetry moves easily, boldly between the worlds of public engagement and the intimacies of domesticity. What unites this movement are the distinctive sounds and rhythms of his voice, and whilst some poems have a named recipient, and some are addressed to himself, all engage the reader in an implicit dialogue. His is an art of sound, of the rhythms of the long, supple line, of form that sometimes disguises itself as no form, of the beauty of the crooked basket. He wants the poem to draw us in rather than hold us outside in admiration at its skill – and skill and craft are what his poems display in spades. His is a vision that extends outwards in illimitable ways in space and time, but where the scale is always the human body, the human mind.The challenge comes in the way his poems address the dread reality of a Caribbean world of disappointed dreams, of sovereignty swamped by the new economic and cultural imperialism that masquerades under the mask of globalisation, of waking “one morning and the Caribbean was gone”, of continuing environmental degradation. The questioning comes from looking inwards to wonder why this has happened, what failures of vision, what empty sloganizing, what dishonesties, arrogance and failures of mutual respect led to the defeats so that “the rivers of Babylon clog into vomit…” The comfort comes from both the small loving kindnesses of the domestic – the rituals of coffee-brewing, of bed-making – but also the refusal to retreat, to look to the moment when flint and iron can “flare into the hot bright moment of a spark”.

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In a culture that prizes keeping one’s options open, making commitments offers something more valuable. The consumerism and instant gratification of “liquid modernity” feed a general reluctance to make commitments, a refusal to be pinned down for the long term. Consider the decline of three forms of commitment that involve giving up options: marriage, military service, and monastic life. Yet increasing numbers of people question whether unprecedented freedom might be leading to less flourishing, not more. They are dissatisfied with an atomized way of life that offers endless choices of goods, services, and experiences but undermines ties of solidarity and mutuality. They yearn for more heroic virtues, more sacrificial commitments, more comprehensive visions of the individual and common good. It turns out that the American Founders were right: the Creator did endow us with an unalienable right of liberty. But he has endowed us with something else as well, a gift that is equally unalienable: desire for unreserved commitment of all we have and are. Our liberty is given us so that we in turn can freely dedicate ourselves to something greater. Ultimately, to take a leap of commitment, even without knowing where one will land, is the way to a happiness worth everything. On this theme: - Lydia S. Dugdale asks what happened to the Hippocratic Oath in modern medicine. - Caitrin Keiper looks at competing vows in Victor Hugo’s Les Misérables. - Kelsey Osgood, an Orthodox Jew, asks why lifestyle discipline is admired in sports but not religion. - Wendell Berry says being on the side of love does not allow one to have enemies. - Phil Christman spoofs the New York Times Vows column. - Andreas Knapp tells why he chose poverty. - Norann Voll recounts the places a vow of obedience took her. - Carino Hodder says chastity is for everyone, not just nuns. - Dori Moody revisits her grandparents’ broken but faithful marriage. - Randall Gauger, a Bruderhof pastor, finds that lifelong vows make faithfulness possible. - King-Ho Leung looks at vows, oaths, promises, and covenants in the Bible. Also in the issue: - A young Black pastor reads Clarence Jordan today. - Activists discuss the pro-life movement after Roe and Dobbs. - Children learn from King Arthur, Robin Hood, and the occasional cowboy. - Original poetry by Ned Balbo - Reviews of Montgomery and Biklé’s What Your Food Ate, Mohsin Hamid’s The Last White Man, and Bonnie Kristian’s Untrustworthy - A profile of Sadhu Sundar Singh Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

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Caroline Bancroft History Prize 2021, Denver Public Library Armitage-Jameson Prize 2021, Coalition of Western Women's History David J. Weber Prize 2021, Western History Association W. Turrentine Jackson Prize 2021, Western History AssociationTiny You tells the story of one of the most successful political movements of the twentieth century: the grassroots campaign against legalized abortion. While Americans have rapidly changed their minds about sex education, pornography, arts funding, gay teachers, and ultimately gay marriage, opposition to legalized abortion has only grown. As other socially conservative movements have lost young activists, the pro-life movement has successfully recruited more young people to its cause. Jennifer L. Holland explores why abortion dominates conservative politics like no other cultural issue. Looking at anti-abortion movements in four western states since the 1960s—turning to the fetal pins passed around church services, the graphic images exchanged between friends, and the fetus dolls given to children in school—she argues that activists made fetal life feel personal to many Americans. Pro-life activists persuaded people to see themselves in the pins, images, and dolls they held in their hands and made the fight against abortion the primary bread-and-butter issue for social conservatives. Holland ultimately demonstrates that the success of the pro-life movement lies in the borrowed logic and emotional power of leftist activism.

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Courageous artists working in conflict regions describe exemplary peacebuilding performances and groundbreaking theory on performance for transformation of violence. Acting Together: Performance and the Creative Transformation of Conflict is a two-volume work describing peacebuilding performances in regions beset by violence and internal conflicts. Volume I: Resistance and Reconciliation in Regions of Violence, emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence, while Volume II: Building Just and Inclusive Communities, focuses on the transformative power of performance in regions fractured by "subtler" forms of structural violence and social exclusion. Volume I: Resistance and Reconciliation in Regions of Violence focuses on the role theatre and ritual play both in the midst and in the aftermath of violence. The performances highlighted in this volume nourish and restore capacities for expression, communication, and transformative action, and creatively support communities in grappling with conflicting moral imperatives surrounding questions of justice, memory, resistance, and identity. The individual chapters, written by scholars, conflict resolution practitioners, and artists who work directly with the communities involved, offer vivid firsthand accounts and analyses of traditional and nontraditional performances in Serbia, Uganda, Sri Lanka, Palestine, Israel, Argentina, Peru, India, Cambodia, Australia, and the United States. Complemented by a website of related materials, a documentary film, Acting Together on the World Stage, that features clips and interviews with the curators and artists, and a toolkit, or "Tools for Continuing the Conversation," that is included with the documentary as a second disc, this book will inform and inspire socially engaged artists, cultural workers, peacebuilding scholars and practitioners, human rights activists, students of peace and justice studies, and whoever wishes to better understand conflict and the power of art to bring about social change. The Acting Together project is born of a collaboration between Theatre Without Borders and the Program in Peacebuilding and the Arts at the International Center for Ethics, Justice, and Public Life at Brandeis University. The two volumes are edited by Cynthia E. Cohen, director of the aforementioned program and a leading figure in creative approaches to coexistence and reconciliation; Roberto Gutierrez Varea, an award-winning director and associate professor at the University of San Francisco; and Polly O. Walker, director of Partners in Peace, an NGO based in Brisbane, Australia..

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The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: 'Texts and Textuality'; 'Dialogues'; 'Transforming Knowledge'; Space(s) and Places'; 'A Passionate Selfhood'; 'A Non-linear Dante'; and 'Nachleben'. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.

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Mahani Teave grew up on Rapa Nui, also known as Easter Island, one of the most remote islands in the world, where moai statues stand and music is everywhere. When she began taking lessons on the island's only piano, she proved to be a great talent. She left Rapa Nui when she was just nine to continue her music education, wishing she didn't have to leave such a beautiful place to pursue her dreams. She became an internationally acclaimed classical pianist, playing around the world for all kinds of audiences.But her island home kept calling her back. Years later, she returned to Rapa Nui to stay, and with a new dream: to save its environment and culture. She helped create a music and arts school, so that children there could learn music in ways that kept the island's unique traditions alive. Mahani also saw the island's struggles with sustainability issues and pollution from tourism and ocean plastics, so the school was built using of thousands of tires, bottles, and cans in its walls, and incorporates rain barrels, solar panels, and a food garden. Mahani and her team have created an inspiring place that celebrates the land of Rapa Nui and its people.

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Integral to the commercial law field, Intellectual Property (IP) knowledge is central to culture, innovation, and enterprise. Looking forward to the new academic norm, Teaching Intellectual Property Law: Strategy and Management uses experience as well as interactive, practice-based methods for teaching IP to examine the various ways through which to move on from ‘chalk and talk’ methods.Crucial to science, technology, art, fashion and creative industries as well as to business creation and management, it is unsurprising that IP surfaces in curricula within and beyond the law school. Providing multiple examples, exercises and teaching tips to identify the transferable aspects of IP teaching, this book provides educators with new approaches to tailor content delivery to their students. Focused on the profile of the contemporary learner, it invites educators to adopt new approaches to impart knowledge that will empower IP students of all disciplines, at all levels.Teaching Intellectual Property Law: Strategy and Management will be a useful resource for higher education law academics offering Intellectual Property education modules in law schools, to facilitate contemporary approaches to traditional law school content. It will also be of value to tertiary educators inspired, or instructed, to include IP education in their programmes as well as enterprise and entrepreneurship educators and trainers, to further IP relevance to enterprise and entrepreneurship.

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On November 18, 1928, the world’s most famous mouse made his very first public debut. Today, we celebrate 90+ years of Mickey in one of the most expansive illustrated publications on the Disney universe. Starting with the first sketches of a character who was almost named Mortimer, we trace the career of Walt Disney’s and Ub Iwerks’s most famous creation, one met with an explosion of worldwide popularity preceded only by the earlier successes of Charlie Chaplin.With unlimited access to Disney’s vast historical collections as well as public and private collections, the authors bring Mickey’s success story to life: concept art, story sketches, background paintings, and animation drawings as well as historical photographs trace the origins and evolution of such timeless favorites as Steamboat Willie, The Band Concert, and Brave Little Tailor. They also follow Mickey as he builds on this legendary library of short cartoons by appearing in two historic feature-length films, Fantasia and Fun and Fancy Free.Unfinished projects, many of them presented for the first time through original storyboard drawings, unveil a Mickey that might have been. Extensive archival research sheds new light on little-known chapters of Mickey’s career, such as his pioneering radio shows, the origins of the Mickey Mouse Club, and his use as a patriotic icon during World War II. Along the way, we encounter the work of all major Mickey artists in both film and comics, including such greats as Ub Iwerks, Win Smith, Ferdinand Horvath, Fred Moore, Floyd Gottfredson, Carl Barks, Manuel Gonzales, Paul Murry, Romano Scarpa, Giorgio Cavazzano, Byron Erickson, César Ferioli, and Noel Van Horn.Mickey Mouse has left an indelible mark on everyday culture. As Walt Disney once said: “I only hope that we never lose sight of one thing—that it was all started by a mouse.” And an end to the success story is nowhere in sight. Today, 90 years after his creation, Mickey remains as lovable and popular as ever. Let’s pay tribute to the little fellow, his legend, and his legacy with a monument to the one and only Mickey Mouse.Copyright © 2023 Disney Enterprises, Inc.

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Fresh examinations of the role of medicinal plants in medieval thought and practice and how they contributed to broader ideas concerning the body, religion and identity. The important and ever-shifting role of medicinal plants in medieval science, art, culture, and thought, both in the Latin Western medical tradition and in Byzantine and medieval Arabic medicine, is the focus of this new collection. Following a general introduction and a background chapter on Late Antique and medieval theories of wellness and therapy, in-depth essays treat such wide-ranging topics as medicine and astrology, charms and magical remedies, herbal glossaries, illuminated medical manuscripts, women's reproductive medicine, dietary cooking, gardens in social and political context, and recreated medieval gardens. They make a significant contribution to our understanding ofthe place of medicinal plants in medieval thought and practice, and thus lead to a greater appreciation of how medieval theories and therapies from diverse places developed in continuously evolving and cross-pollinating strands,and, in turn, how they contributed to broader ideas concerning the body, religion, identity, and the human relationship with the natural world. Contributors: MARIA AMALIA D'ARONCO, PETER DENDLE, EXPIRACION GARCIA SANCHEZ, PETER MURRAY JONES, GEORGE R. KEISER, DEIRDRE LARKIN, MARIJANE OSBORN, PHILIP G. RUSCHE, TERENCE SCULLY, ALAIN TOUWAIDE, LINDA EHRSAM VOIGTS

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The Philosophy of Julia Kristeva is the latest addition to the highly acclaimed series, The Library of Living Philosophers. The book epitomizes the objectives of this acclaimed series; it contains critical interpretation of one of the greatest philosophers of our time, and pursues more creative regional and world dialogue on philosophical questions. The format provides a detailed interaction between those who interpret and critique Kristeva’s work and the seminal thinker herself, giving broad coverage, from diverse viewpoints, of all the major topics establishing her reputation. With questions directed to the philosopher while they are alive, the volumes in The Library of Living Philosophers have come to occupy a uniquely significant place in the realm of philosophy. The inclusion of Julia Kristeva constitutes a vital addition to an already robust list of thinkers. The Philosophy of Julia Kristeva exemplifies world-class intellectual work closely connected to the public sphere. Kristeva has been said to have “inherited the intellectual throne left vacant by Simone de Beauvoir,” and has won many awards, including the Hannah Arendt Prize for Political Thought. Julia Kristeva’s autobiography provides an excellent introduction to her work, situating it in relation to major political, intellectual, and cultural movements of the time. Her upbringing in Soviet-dominated Bulgaria, her move to the French intellectual landscape of the 1960s, her visit to Mao’s China, her response to the fall of the Berlin Wall, her participation in a papal summit on humanism, her appointment by President Chirac as President of the National Council on Disability, and her setting up of the Simone de Beauvoir prize, honoring women in active and creative fields, are all major moments of this fascinating life. The major part of the book is comprised of thirty-six essays by Kristeva’s foremost interpreters and critics, together with her replies to the essays. These encounters cover an exceptionally wide range of theoretical and literary writing. The strong international and multidisciplinary focus includes authors from over ten countries, and spans the fields of philosophy, semiotics, literature, psychoanalysis, feminist thought, political theory, art, and religion. The comprehensive bibliography provides further access to Kristeva’s writings and thought. The preparation of this volume, the thirty-sixth in the series, was supported by a major grant from the National Endowment for the Humanities.

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“Ah! . . . to make of painting what the music of Berlioz and Wagner has been before us . . . a consolatory art for distressed hearts!”—Vincent van Gogh This engaging book is the first in-depth investigation of the influential role that music and sound played throughout Vincent van Gogh’s (1853–1890) life. From psalms and hymns to the operas of Richard Wagner to simple birdsong, music represented to Van Gogh the ultimate form of artistic expression. And he believed that by emulating music painting could articulate deep truths and impart a lasting emotional impact on its viewers. In Van Gogh and Music Natascha Veldhorst provides close readings of the many allusions to music in the artist’s prolific correspondence and examines the period’s artistic theory to offer a rich picture of the status of music in late 19th-century culture. Veldhorst shows the extent to which Van Gogh not only admired the ability of music to inspire emotion, but how he incorporated musical subject matter and techniques into his work, with illustrations of celebrated paintings such as Sunflowers in a Vase, which he described as “a symphony in blue and yellow.” An expansive inquiry into the significance of sound and music for the artist, including the formative influence of his song-filled upbringing, Van Gogh and Music is full of fascinating new insights into the work of one of history’s most venerated artists.

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This state-of-the-art Encyclopedia provides a detailed snapshot study of politics in Asia. Curated by two internationally recognised scholars, entries offer key insights and critical reference points in order to navigate the vastness, diversity and dynamism of Asian politics.Cross-disciplinary in approach, this pioneering Encyclopedia of Asian Politics reviews a broad range of issues such as democratisation, identity politics, political culture and terrorism, as well as the regional divisions across Northeast Asia, Southeast Asia and South Asia. Contributors include a wealth of specialist academics and practitioners from a diverse array of fields. They provide case studies on specific countries for further insight, focusing on China, India, Japan, Pakistan, Taiwan and Vietnam among other territories. Offering a high level of detail in an accessible manner, this definitive Encyclopedia will be crucial reading for students and academics in international relations, international politics, Asian studies and Asian politics. It will also prove an excellent reference point for practitioners and professionals working in the field. Key Features: Covers the latest developments in the field of Asian politics Signposts extensive additional resources for further reading and exploration Over 50 entries organised according to key geographic regions and conceptual themes Entries written by leading scholars reviewing core topics in the current political landscape

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Monuments represent power: explicitly and simply, but not universally. In Estonia, the classical notion of a monument is a strange one. Its presence is marginal, its tradition non-existent and its form tormented by an apparent cultural displacement. The statue on a square never claimed the central position so common in Western Europe. This semantic void directs attention to other, less exceptional pieces of architecture. Sometimes a stairway marks a politically charged location, or a pavement becomes symbolic. Instead of explicit meanings inscribed in marble and bronze, an implicit charge is revealed that might be weaker yet more relevant, for what is only implicit cannot be openly questioned. Weak Monument explores the blurred line between a monument's explicitly political form and the architecture of everyday. It juxtaposes classical monuments with seemingly insignificant architectural objects and public space in a collection of images and drawings, archival as well as newly commissioned ones, alongside essays and brief texts. Contributors include such eminent guests as Tom Avermaete, Professor of Architecture at the Delft University of Technology; Margrethe Troensegaard from Ruskin School of Art, University of Oxford; Eik Hermann, Estonian theorist and philosopher; and Toomas Paaver, Estonian architect and political activist. Text in English and Estonian.

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Exam Board: Cambridge Assessment International EducationLevel & Subject: Cambridge International AS & A Level DramaFor examination from 2021 (AS Level), 2022 (AS and A Level) The Student’s Book is structured to build skills and knowledge in a clear sequence, and to help students to apply their skills. With in-depth coverage of the syllabus topics and a stimulating range of international play script extracts, this is the ideal resource for advanced level drama study.• Offers a clear route through the syllabus, helping teachers to plan for the first years of teaching and find material for each Component of the course.• Fosters a creative, experiential approach with practical activities in every unit and suggestions of how to experiment with imaginative approaches to individual tasks.• Introduces the excitement of World Theatre: a chapter on World Theatre traditions and practitioners enables students to draw on this knowledge in their own practice throughout the course and opens avenues for further exploration.• Helps students to acquire a vocabulary of performing arts terms with Key terms boxes throughout and a collated Glossary of key terms.• Supports successful writing with clear modelling of the planning, structuring and writing process, and sample writing at different levels.• Provides an exciting range of high quality, international play script extracts for students to perform individually and in groups.• Contextualises plays for international students – Key context boxes introduce texts and their social, historical and cultural contexts, while Vocabulary boxes explain any culturally specific vocabulary or references.• Differentiated to support all learners with Thinking more deeply sections in each chapter to stretch those who require a challenge, and a clear, accessible writing style to assist international learners.• Written by experienced A Level drama teachers, whose expertise includes technical and production skills as well as devising, performing and writing.• Supports teachers through the free, editable scheme of work available on www.collins.co.uk/cambridge-international-downloads. This title is endorsed by Cambridge Assessment International Education.

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Metal music has long nurtured an obsession with visions of the Middle Ages, with countless album covers and lyric sheets populated by Vikings, knights, wizards, and castles. Medievalism and Metal Music Studies: Throwing down the Gauntlet addresses this fascination with all things medieval, exploring how metal musicians and fans find inspiration both in authentically medieval materials and neomedievalist depictions of the period in literature, cinema, and other media. Within metal music, the medieval takes on multiple, and even contradictory meanings, becoming at once a cipher of difference and grotesque alterity while simultaneously being imagined as a simpler, more authentic time, as opposed to the complexities and stresses of modernity. In this fashion, the medieval period becomes both a source for artistic creativity and a vector for countercultural social and political critique. The contributors in this book hail from a wide range of fields including medieval history, music performance, musicology, media studies, and literature, and computer linguistics, bringing a variety of critical perspectives to bear on the topic. Engaging in analyses of cover art, liner notes, lyrics, and musical style, the contributors investigate issues of research methodologies, crucial concerns over identity and nationalism, and the recontextualisation of historical materials, all aimed at critically examining how and why medievalism has permeated heavy metal music and culture. Hearken to our tales!

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This multicultural children's book presents a selection of traditional Korean folk tales that are instantly recognizable to Koreans of all ages. These treasured tales are retold by Kim So-un, an eminent storyteller who is a household name in Korea. The illustrations combine modern and traditional Korean art elements and techniques in telling these classic stories.In the Tuttle tradition of bringing beloved stories from other countries to new generations of readers, this book presents the following tales: "The Magic Gem" answers the question why do dogs and cats fight? When the house feline recovers the story's prized title jewel, the family dog bears a grudge that is passed down through the ages. "The Deer and the Woodcutter" follows a merciful man who saves a deer's life and is rewarded with love and luck. When he's turned into a rooster, he expresses his joy each dawn through his loud crowing. "The Tigers of the Kumgang Mountains" concludes the anthology with a cautionary tale about overcoming challenges. A hunter's son sets out for revenge but instead learns that things are not always as they appear, and that persistence and sacrifice hold richer rewards. With Three Korean Fairy Tales, kids and parents alike will learn about Korean culture by experiencing the country's rich storytelling tradition.

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The third in our award-winning Atlas series, following Dinosaur Atlas and Animal Atlas, Lonely Planet Kids’ Bug Atlas focuses on the magical miniature world of creepy crawlies. Continent by continent, we take a tour around the globe to uncover fascinating bugs, insects, scorpions, spiders and other icky things that live around, alongside - and often even on - us.Maps show where the critters live, while gatefolds and flaps open to reveal their wonderful, and sometimes very weird, mini lives. From spiders the size of dinner plates, stick insects as long as golf clubs and mega-ant colonies that stretch across countries to cannibal mantises, zombie ants, giant millipedes, beautiful butterflies, shiny iridescent beetles and more, this is a fascinating, in-depth exploration of the world of bugs.As with previous titles in this series, Bug Atlas features a mixture of art and photography, densely packed with information and illustrated with incredible images.Features include: Detailed maps of every continent showing where all the fascinating bugs live. Data boxes for each amazing species, listing its name, size, habitat, diet and more. Life-size elements, both big and small, showing you just how enormous a goliath-bird eating spider is (you don’t want to know) to tiny bugs that share our homes almost unnoticed. Incredible macro photography revealing the minute detail of these minibeasts Animal Adaptations – Showing how each species is perfectly adapted for its environment, including the amazing camouflage of leaf insects. About Lonely Planet Kids: Lonely Planet Kids - an imprint of the world's leading travel authority Lonely Planet - published its first book in 2011. Over the past 45 years, Lonely Planet has grown a dedicated global community of travelers, many of whom are now sharing a passion for exploration with their children. Lonely Planet Kids educates and encourages young readers at home and in school to learn about the world with engaging books on culture, sociology, geography, nature, history, space and more. We want to inspire the next generation of global citizens and help kids and their parents to approach life in a way that makes every day an adventure. Come explore!

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Transforming Ourselves, Transforming the World is an insightful collection that articulates how Jesuit colleges and universities create an educational community energized to transform the lives of its students, faculty, and administrators and to equip them to transform a broken world. The essays are rooted in Pedro Arrupe’s ideal of forming men and women for others and inspired by Peter-Hans Kolvenbach’s October 2000 address at Santa Clara in which he identified three areas where the promotion of justice may be manifested in our institutions: formation and learning, research and teaching, and our way of proceeding. Using the three areas laid out in Fr. Kolvenbach’s address as its organizing structure, this stimulating volume addresses the following challenges: How do we promote student life experiences and service? How does interdisciplinary collaborative research promote teaching and reflection? How do our institutions exemplify justice in their daily practices? Introductory pieces by internationally acclaimed authors such as Rev. Dean Brackley, S.J.; David J. O’Brien; Lisa Sowle Cahill; and Rev. Stephen A. Privett, S.J., pave the way for a range of smart and highly creative essays that illustrate and honor the scholarship, teaching, and service that have developed out of a commitment to the ideals of Jesuit higher education. The topics covered span disciplines and fields from the arts to engineering, from nursing to political science and law. The essays offer numerous examples of engaged pedagogy, which as Rev. Brackley points out fits squarely with Jesuit pedagogy: insertion programs, community-based learning, study abroad, internships, clinical placements, and other forms of interacting with the poor and with cultures other than our own. This book not only illustrates the dynamic growth of Jesuit education but critically identifies key challenges for educators, such as: How can we better address issues of race in our teaching and learning? Are we educating in nonviolence? How can we make the college or university “greener”? How can we evoke a desire for the faith that does justice? Transforming Ourselves, Transforming the World is an indispensable volume that has the potential to act as an academic facilitator for the promotion of justice within not only Jesuit schools but all schools of higher education.

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Plague and Pleasure is a lively popular history that introduces a new hypothesis about the impetus behind the cultural change in Renaissance Italy. The Renaissance coincided with a period of chronic, constantly recurring plague, unremitting warfare and pervasive insecurity. Consequently, people felt a need for mental escape to alternative, idealized realities, distant in time or space from the unendurable present but made vivid to the imagination through literature, art, and spectacle.Pope Pius II experienced both plague and war during his reign and he exhibited many escapist behaviors typical of his period: the building of his “Shangri-La” at Pienza, his constant sight-seeing travels, his passion for natural scenery or Roman remains, his public spectacles, andthe humanism that immersed him in an idealized Roman past. This see-saw mentality of the period could plunge into melancholy when facing harsh realities and then propel them into ecstasies of makebelieve to counter their dispair.Plague and Pleasure uses the life and times of Pope Pius II as the framework for presenting a view of the Renaissance that the public can understand and appreciate and which may at least narrow the gap between the past known to scholars and that known to the public they ultimately serve.

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This innovative book is a compilation of state-of-the-art choice experiment studies undertaken in several European Union (EU) countries, including Finland, France, Greece, Ireland, Italy, Poland, Spain and the United Kingdom. The case studies presented concern a variety of environmental, agricultural and natural resource issues - such as the management of water resources, forests and agricultural landscapes; conservation of biodiversity and cultural heritage; noise pollution reduction and food labeling. The book highlights how the choice experiment method can be employed to inform efficient and effective design and implementation of various EU level agricultural and environmental policies and directives, including the Common Agricultural Policy, Water Framework Directive, Forestry Strategy, Habitats Directive and food labeling systems.This book will be of great interest to researchers working in the fields of environmental, natural resource and agricultural economics. Academics and graduate students worldwide, as well as applied economists working in international and national organizations, would benefit from the cutting edge choice experiment applications presented in this book. International and national policy makers will also benefit from the information on the use and usefulness of the choice experiment method in informing efficient and effective environmental, agricultural and natural resource management policy making.

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This timely Handbook provides a state-of-the-art overview of research on changing behaviour to become less environmentally harmful. Exploring how well-designed, contextually appropriate behaviour change interventions can work, it charts a path for future research that challenges traditional assumptions to maximise pro-environmental impact.Drawing together work from diverse perspectives and disciplines, this Handbook makes six key recommendations for anyone working towards a more sustainable society. Giving a critical perspective on existing ways of thinking about research and policy, leading global scholars examine behavioural change in the public and private sphere. Through empirical analysis and theoretical reflection, they review key success stories and identify where new ideas and approaches are needed. Chapters discuss cutting-edge issues including citizen science, effectiveness of behavioural interventions, norm nudges, public participation in climate policy, and children’s pro-environmentalism. The Handbook on Pro-Environmental Behaviour Change will be an invaluable resource for researchers and students of sustainability, social psychology, cultural and human geography, environmental governance, and natural resource management. It will also prove an essential guide for practitioners and activists seeking evidence-based strategies to induce change.

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This issue provides an overview of the emerging interdisciplinary field of Critical AI, which seeks to demystify artificial intelligence; counter its mythologizing as a marvelous and impenetrable black box; and translate, interpret, and critique its operations, from data collection and model architecture to decision making. Artists and researchers are developing new methods, practices, and concepts for this critical project, which is both historicist and attentive to the institutional, technological, and epistemic transformations still underway. Contributors to this special issue collectively articulate and evince just such a critical approach to AI, one that combines humanistic and technical inquiry in its exploration of disciplinary and epistemological questions on the one hand, and the techniques of machine learning on the other. Featured contributions articulate some of the social, cultural, and ethicopolitical dimensions of machine learning in domains such as ecologies, art, poetics, race, warfare, pedagogy, and speculative fiction. Contributors. Ranjodh Singh Dhaliwal, Evan Donahue, Michele Elam, Seb Franklin, Christopher Grobe, N. Katherine Hayles, Tung-Hui Hu, Patrick Jagoda, Melody Jue, Fabian Offert, Rita Raley, Jennifer Rhee, R. Joshua Scannell, J.D. Schnepf, Tyler Shoemaker, Avery Slater, Luke Stark, Lindsay Thomas, Sherryl Vint

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Winner, AIGA 50 Books | 50 Covers and Alcuin Society Book Design Awards Second Prize (Prose Illustrated) A National Bestseller The legacies of theaters, hotels, fire stations, flour mills, and more — torn down, burned down, and otherwise lost — are uncovered in this bittersweet collection. Using archival photographs, blueprints, and written reports, Raymond Biesinger has rendered a selection of Canada’s most iconic lost buildings in his signature minimalist style. Accompanying Biesinger’s illustrations are Alex Bozikovic’s descriptions which capture each building’s historical, cultural, and architectural significance. Bozikovic draws on local histories, archived building permits and his own extensive knowledge of the Canadian urban architectural landscape and its history — from the letters passed through Kelowna’s unlikely art deco post office to the destruction of a home in Halifax’s Africville — to offer fascinating, sometimes forgotten stories about each building and its significance. An impossible architectural walking tour, 305 Lost Buildings of Canada spans the country, its cities and countryside, and its history. Cities change, buildings come and go, but in this fact-filed compendium, you’ll find the lost wonders of Canada’s architecture.

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Zhu Xiao-Mei was born to middle-class parents in post-war China, and her musical proficiency became clear at an early age. Taught to play the piano by her mother, she developed quickly into a prodigy, immersing herself in the work of classical masters like Bach and Brahms. She was just eleven years old when she began a rigorous course of study at the Beijing Conservatory, laying the groundwork for what was sure to be an extraordinary career. But in 1966, when Xiao-Mei was seventeen, the Cultural Revolution began, and life as she knew it changed forever. One by one, her family members were scattered, sentenced to prison or labor camps. By 1969, the art schools had closed, and Xiao-Mei was on her way to a work camp in Inner Mongolia, where she would spend the next five years. Life in the camp was nearly unbearable due to horrific living conditions and intensive brainwashing campaigns. Yet through it all Xiao-Mei clung to her passion for music. And when the Revolution ended, it was the piano that helped her to heal. Heartbreaking and heartwarming, The Secret Piano is the incredible true story of one woman’s survival in the face of unbelievable odds—and in pursuit of a powerful dream.

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Brilliant illustrations and four stunning gatefold page spreads bring this beloved Chinese tale of a man's encounter with a water nymph to vibrant life The Ode to the Goddess of the Luo River is an ancient Chinese poem created by Cao Zhi, a writer living in the state of Wei during the Three Kingdoms period (c. 220-280 CE). In his tale, Cao Zhi is returning from the capital to his own land when he stops at the Luo River for a rest, where he sees a vision of the goddess so powerful that he instantly falls in love with her. Cao sees a nymph of peerless beauty "as elegant as a startled swan and supple as a swimming dragon". Though he's swept away by her ethereal beauty, it's a love that isn't meant to be. In this tale, alas, there can be no marriage between the earthly and heavenly realms. In a masterpiece of illustration, the young artist Ye Luying renders this tale's lavish world by combining traditional Chinese painting styles with a contemporary graphic-novel sensibility. With its high production values and amazingly-detailed-multi-page foldout spreads, this is a special book that will entice art lovers of all ages. Yu Zhiying's adaptation and the accompanying explanatory notes will provide readers with a fresh view of ancient Chinese culture.

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Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability rethinks theory and style through films that bring the limits of traditional postcolonial frameworks into stark relief. Discover Singapore’s preoccupations with space, Yasmin Ahmad’s Malaysian soundscapes, and Indonesia’s investment in genre. These undertheorized films from geopolitically situated cultures narrate colonial identity within a distinctively Southeast Asian story. Gerald Sim’s immersive journey nurtures connections between narrative film, commercial video, art cinema, and experimental work with an abiding commitment to self-reflexive theorizing. The book culminates in a reflection on the ethics and politics of conducting knowledge work on world cinema. Sim navigates Singapore’s love of maps with the work of Tom Conley and Gilles Deleuze, surveys the city-state’s cartographic uncanny, before using the spatial inquisitions in filmmaker Tan Pin Pin’s “cinema of hiraeth” to appreciate Singapore’s territorial predispositions. The book then revisits a beloved Malaysian director's voice of modernity alongside Jean-Luc Nancy’s phenomenologies of listening and globalization. Original readings of Ahmad’s oeuvre dwell on the interplay between her ethnic cacophonies and imperfect subtitling. Finally, Sim focuses on the postcoloniality of Indonesia’s Cold War alliance with the United States to contemplate the overhang of authoritarian stability within its contemporary cinema’s generic recourse.

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This book reproduces the texts of four lectures, followed by discussions, and two interviews with Lise Gauvin published in Introduction à une poétique du divers (1996); and also four further interviews from L’Imaginaire des langues (Lise Gauvin, 2010). It covers a wide range of topics but key recurring themes are creolization, language and langage, culture and identity, ‘monolingualism’, the ‘Chaos-world’ and the role of the writer. Migration and the various different kinds of migrants are also discussed, as is the difference between ‘atavistic’ and ‘composite’ communities, the art of translation, identity as a ‘rhizome’ rather than a single root, the Chaos-World and chaos theory, ‘trace thought’ as opposed to ‘systematic thought’, the relation between ‘place’ and the Whole-World, exoticism, utopias, a new definition of beauty as the realized quantity of differences, the status of literary genres and the possibility that literature as a whole will disappear. Four of the interviews (Chapters 6, 7, 8 and 9) relate to particular works that Glissant has published: Tout-monde, Le monde incrée, La Cohée du Lamentin, Une nouvelle région du monde. Many of these themes have been explored in his previous works, but here, because in all the chapters we see Glissant interacting with the questions and views of other people, they are presented in a particularly accessible form.

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First full-length study of the impact of the Gothic Revival across the arts, from literature and architectural theory to houses, furniture and interiors. The Gothic Revival, rich, ambitious, occasionally eccentric, but nonetheless visually exciting, is one of Britain's greatest contributions to early modern design history, not least because for the most part it contravened approvedtaste: Classicism. Scholars have tended to treat Georgian Gothic as an homogenous and immature precursor to "high" Victorian Gothic, and centred their discussion around Walpole's Strawberry Hill. This book, conversely, reveals how the style was imaginatively and repeatedly revised and incorporated into prevailing eighteenth-century fashions: Palladianism, Rococo, Neoclassicism, and antiquarianism. It shows how under the control of architects, from Wren toPugin, Walpole and Cottingham, and furniture designs, especially those of Chippendale, and Ince and Mayhew, a shared language of Gothic motifs was applied to British architecture, furniture and interiors. Georgian Britain was awash with Gothic forms, even if the arbiters of taste criticised it vehemently. Throughout, the volume reframes the Gothic Revival's expression by connecting it with Georgian understandings of the medieval past, and consequently revises our interpretation of one of the most influential, yet lampooned, forms of material culture at the time. Peter N. Lindfield is a Leverhulme Early Career Research Fellow at the University of Stirling.

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David Adjaye, the son of a Tanzanian diplomat, spent his childhood moving between international cities before settling in London, where he was educated. Fresh out of the Royal Academy of Art, his early commissions reflected an influential generation of artists at the turn of the millennium with whom he shared a range of sensibilities. His artistic sensitivity, deft use of space and inexpensive, unexpected materials resulted in a number of iconic projects. With the hindsight of almost twenty years of practice and a raft of high-profile projects around the world – perhaps best symbolized by his National Museum of African American History and Culture in Washington, D.C. – the significance of Adjaye’s earlier projects is clear. Never shying away from a challenge, Adjaye used his first projects as testbeds for what would become his unique, acclaimed and highly sought after brand of ‘critical regionalism’. This monograph presents the first projects of Adjaye’s corpus, many little documented. From London’s West End to Brooklyn, clever urban interventions and pavilions to private houses for artists and public buildings for the many. These early projects, brought together and presented with new analyses and recently uncovered archival material, testify to the originality of an architect at the height of his talents who is changing the face of our built world.

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