Search results for ""author art, culture"

The 2018 edition of the Best American Poetry—“a ‘best’ anthology that really lives up to its title” (Chicago Tribune)—collects the most significant poems of the year, chosen by Poet Laureate of California Dana Gioia.The guest editor for 2018, Dana Gioia, has an unconventional poetic background. Gioia has published five volumes of poetry, served as the Chairman of the National Endowment for the Arts, and currently sits as the Poet Laureate of California, but he is also a graduate of Stanford Business School and was once a Vice President at General Foods. He has studied opera and is a published librettist, in addition to his prolific work in critical essay writing and editing literary anthologies. Having lived several lives, Gioia brings an insightful, varied, eclectic eye to this year’s Best American Poetry. With his classic essay “Can Poetry Matter?”, originally run in The Atlantic in 1991, Gioia considered whether there is a place for poetry to be a part of modern American mainstream culture. Decades later, the debate continues, but Best American Poetry 2018 stands as evidence that poetry is very much present, relevant, and finding new readers.

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Have you ever wondered what the phrase “God is dead” means? You’ll find out in Existentialism For Dummies, a handy guide to Nietzsche, Sartre, and Kierkegaard’s favorite philosophy. See how existentialist ideas have influenced everything from film and literature to world events and discover whether or not existentialism is still relevant today. You’ll find an introduction to existentialism and understand how it fits into the history of philosophy. This insightful guide will expose you to existentialism’s ideas about the absurdity of life and the ways that existentialism guides politics, solidarity, and respect for others. There’s even a section on religious existentialism. You’ll be able to reviewkey existential themes and writings. Find out how to: Trace the influence of existentialism Distinguish each philosopher’s specific ideas Explain what it means to say that “God is dead” See culture through an existentialist lens Understand the existentialist notion of time, finitude, and death Navigate the absurdity of life Master the art of individuality Complete with lists of the ten greatest existential films, ten great existential aphorisms, and ten common misconceptions about existentialism, Existentialism For Dummies is your one-stop guide to a very influential school of thought.

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The Last Dance: Encountering Death and Dying provides a comprehensive, up to date, and readable introduction to the study of death and dying. It directs attention to the evolving understanding of death and dying in today's culturally diverse environment. In a straightforward, conversational style, with an extensively illustrated format, The Last Dance provides a solid grounding in theory and research as well as in methods for applying what is learned to readers' own circumstances, both personal and professional. No other textbook so successfully combines the research and theories of such diverse disciplines as anthropology, art, ethics, health science, literature, philosophy, psychology, public policy, religion, and sociology. The eleventh edition of The Last Dance includes coverage of key topics yet retains the focus, writing, and pedagogy instructors have come to expect from the best-selling text in death studies. Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect® is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course.Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

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Chronicles grassroots efforts to recover, rebuild, and enjoy architecturally iconic but economically obsolete places in the American Rust Belt. A pioneering Detroit automobile factory. A legendary iron mill at the edge of Pittsburgh. A campus of concrete grain elevators in Buffalo. Two monumental train stations, one in Buffalo, the other in Detroit. These once-noble sites have since fallen from their towering grace. As local elected leaders did everything they could to destroy what was left of these places, citizens saw beauty and utility in these industrial ruins and felt compelled to act. Postindustrial DIY tells their stories. The culmination of more than a dozen years of on-the-ground investigation, ethnography, and historical analysis, author and urbanist Daniel Campo immerses the reader in this postindustrial landscape, weaving the perspectives of dozens of DIY protagonists as well as architects, planners, and preservationists. Working without capital, expertise, and sometimes permission in a milieu dominated by powerful political and economic interests, these do-it-yourself actors are driven by passion and a sense of civic duty rather than by profit or political expediency. They have craftily remade these sites into collective preservation projects and democratic grounds for arts and culture, environmental engagement, regional celebrations, itinerant play, and in-the-moment constructions. Their projects are generating excitement about the prospect of Rust Belt life, even as they often remain invisible to the uninformed passerby and fall short of professional preservation or environmental reclamation standards. Demonstrating that there is no such thing as a site that is “too far gone” to save or reuse, Postindustrial DIY is rich with case studies that demonstrate how great architecture is not simply for the elites or the wealthy. The citizen preservationists and urbanists described in this book offer looser, more playful, and often more publicly satisfying alternatives to the development practices that have transformed iconic sites into expensive real estate or a clean slate for the next profitable endeavor. Transcending the disciplinary boundaries of architecture, historic preservation, city planning, and landscape architecture, Postindustrial DIY suggests new ways to engage, adapt, and preserve architecturally compelling sites and bottom-up strategies for Rust Belt revival.

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Originally published in 1976. Representing years of critical reflection, The Theory of Criticism attempts to construct a poetics of "presence." Within a wide range of critical terminology, Murray Krieger has sought to create a new vision. In language that is passionate and often dramatic, he looks at the multidimensionality of the poetic world through the lens of Western poetics. His work clearly addresses itself to post–New Critical questions: how to preserve the literary object as a thing to be perceived, valued, and enjoyed and yet to account for its presence in, and interaction with, our culture as a whole, always in danger of being dissolved into man's language-making and -forming activity in general. Our awareness of the poem as object must be modified by our awareness that it is an "intentional" object. Krieger develops his balanced vision in three parts. Part 1 defines the problem and defends the very activity of theorizing both in its own terms and in terms of the critic's function throughout the history of Western criticism. By asking at the outset whether criticism is vain or valuable, Krieger already confronts the basic tension between system and world and the need to account for both. By creating a heuristic system that examines the possibility of form, the critic serves also the world of history and thought as a whole. Part 2 pursues that history from the classical encounter with mimesis in Greek thought to the Romantic and post-Romantic elevation of consciousness as a main criterion of poetic art. Defining a "humanistic aesthetic" as it has been viewed since Aristotle, the author shows how, during and after the eighteenth century, form was opened up under the impact of a Kantian and post-Kantian view, epitomized finally by Coleridge's imagination and its consequences for recent theorists. Part 3 deals with the image of the world struggling against its enclosure within a poetic context. It expands our view of metaphor as a reflection of the dual nature of poetic language, simultaneously locked into the poem and referring to history and nature outside. Our reading of the poem, Krieger concludes, must be double: we must see the poem as a linear and chronological sequence reflecting real life, and we must read it as a circular, imitative, mutually implicative mode.

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In this broad-ranging and ambitious intervention in the debates over the politics, ethics, and aesthetics of cosmopolitanism, Rebecca L. Walkowitz argues that modernist literary style has been crucial to new ways of thinking and acting beyond the nation. While she focuses on modernist narrative, Walkowitz suggests that style conceived expansively as attitude, stance, posture, and consciousness helps to explain many other, nonliterary formations of cosmopolitanism in history, anthropology, sociology, transcultural studies, and media studies. Walkowitz shows that James Joyce, Joseph Conrad, Virginia Woolf, Salman Rushdie, Kazuo Ishiguro, and W. G. Sebald use the salient features of literary modernism in their novels to explore different versions of transnational thought, question moral and political norms, and renovate the meanings of national culture and international attachment. By deploying literary tactics of naturalness, triviality, evasion, mix-up, treason, and vertigo, these six authors promote ideas of democratic individualism on the one hand and collective projects of antifascism or anti-imperialism on the other. Joyce, Conrad, and Woolf made their most significant contribution to this "critical cosmopolitanism" in their reflection on the relationships between narrative and political ideas of progress, aesthetic and social demands for literalism, and sexual and conceptual decorousness. Specifically, Walkowitz considers Joyce's critique of British imperialism and Irish nativism; Conrad's understanding of the classification of foreigners; and Woolf's exploration of how colonizing policies rely on ideas of honor and masculinity. Rushdie, Ishiguro, and Sebald have revived efforts to question the definitions and uses of naturalness, argument, utility, attentiveness, reasonableness, and explicitness, but their novels also address a range of "new ethnicities" in late-twentieth-century Britain and the different internationalisms of contemporary life. They use modernist strategies to articulate dynamic conceptions of local and global affiliation, with Rushdie in particular adding playfulness and confusion to the politics of antiracism. In this unique and engaging study, Walkowitz shows how Joyce, Conrad, and Woolf developed a repertoire of narrative strategies at the beginning of the twentieth century that were transformed by Rushdie, Ishiguro, and Sebald at the end. Her book brings to the forefront the artful idiosyncrasies and political ambiguities of twentieth-century modernist fiction.

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Subtexts are all around us. In conversation, business transactions, politics, literature, philosophy, and even love, the art of expressing more than what is explicitly said allows us to live and move in the world. But rarely do we reflect on this subterranean dimension of communication.In this book, renowned classicist and scholar of rhetoric Laurent Pernot explores the fascinating world of subtext. Of the two meanings present in any instance of double meaning, Pernot focuses on the meaning that is unstated—the meaning that counts. He analyzes subtext in all its multifarious forms, including allusion, allegory, insinuation, figured speech, irony, innuendo, esoteric teaching, reading between the lines, ambiguity, and beyond. Drawing on examples from figures as varied as Homer, Shakespeare, Molière, Proust, Foucault, and others, as well as from popular culture, Pernot shows how subtext can be identified and deciphered as well as how prevalent and essential it is in human life.With erudition and wit, Pernot explains and clarifies a device of language that we use and understand every day without even realizing it. The Subtle Subtext is a book for anyone who is interested in language, literature, hidden meanings, and the finer points of social relations.

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As a young man, living in Manhattan in the 1970s and ‘80s, Frank Rispoli was drawn to the New Wave and Punk club scenes. Recognising the inherent performance of sexuality and desire in both fashion and club culture, he documented the intertwining of the two. Always with a camera strapped around his neck, he frequented Danceteria, Tier 3, Max’s Kansas City, Studio 54 and many other clubs in Soho, Chelsea, the Lower East Side, and Midtown. Rispoli asked female clubgoers, bar patrons, singers, and band members if he could photograph their shoes, utilising the staged sets, props, and bathrooms of the clubs, and the taxis, sidewalks, and rooftops of the city, as his backdrops. A selection of these photographs forms the basis of his first book – High Heels. Rispoli attributes his interest in women’s shoes to his inability, as a teenager, to look women in the eye and, due to his shyness, focusing on their feet instead. He drew further inspiration from the work of Guy Bourdin, and his advertising photography of the period. Rispoli continues, in his photographs, to capture the fun, freedom, and performance found in other outsider communities and events, such as Wigstock, and the burgeoning art scene in Bushwick, Brooklyn.

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How gaming intersects with systems like history, bodies, and code Why do we so compulsively play video games? Might it have something to do with how gaming affects our emotions? In Playing with Feelings, scholar Aubrey Anable applies affect theory to game studies, arguing that video games let us “rehearse” feelings, states, and emotions that give new tones and textures to our everyday lives and interactions with digital devices. Rather than thinking about video games as an escape from reality, Anable demonstrates how video games—their narratives, aesthetics, and histories—have been intimately tied to our emotional landscape since the emergence of digital computers.Looking at a wide variety of video games—including mobile games, indie games, art games, and games that have been traditionally neglected by academia—Anable expands our understanding of the ways in which these games and game studies can participate in feminist and queer interventions in digital media culture. She gives a new account of the touchscreen and intimacy with our mobile devices, asking what it means to touch and be touched by a game. She also examines how games played casually throughout the day create meaningful interludes that give us new ways of relating to work in our lives. And Anable reflects on how games allow us to feel differently about what it means to fail.Playing with Feelings offers provocative arguments for why video games should be seen as the most significant art form of the twenty-first century and gives the humanities passionate, incisive, and daring arguments for why games matter.

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How gaming intersects with systems like history, bodies, and code Why do we so compulsively play video games? Might it have something to do with how gaming affects our emotions? In Playing with Feelings, scholar Aubrey Anable applies affect theory to game studies, arguing that video games let us “rehearse” feelings, states, and emotions that give new tones and textures to our everyday lives and interactions with digital devices. Rather than thinking about video games as an escape from reality, Anable demonstrates how video games—their narratives, aesthetics, and histories—have been intimately tied to our emotional landscape since the emergence of digital computers.Looking at a wide variety of video games—including mobile games, indie games, art games, and games that have been traditionally neglected by academia—Anable expands our understanding of the ways in which these games and game studies can participate in feminist and queer interventions in digital media culture. She gives a new account of the touchscreen and intimacy with our mobile devices, asking what it means to touch and be touched by a game. She also examines how games played casually throughout the day create meaningful interludes that give us new ways of relating to work in our lives. And Anable reflects on how games allow us to feel differently about what it means to fail.Playing with Feelings offers provocative arguments for why video games should be seen as the most significant art form of the twenty-first century and gives the humanities passionate, incisive, and daring arguments for why games matter.

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Bustling, modern, and hip, the Twin Cities are far from hibernating. See what makes them shine year-round with a local in Moon Minneapolis & St. Paul.*Explore the Twin Cities: Navigate by neighbourhood or by activity, with colour-coded maps of the most interesting neighbourhoods in Minneapolis and St. Paul*See the Sights: Browse contemporary art at the Walker Art Center and Sculpture Garden (and play mini-golf on the roof!), learn about local history at the Minnesota State Capitol, shop at the Mall of America, or stroll along the banks of Lake Calhoun*Get a Taste of the City: Pop into a hole-in-the-wall Vietnamese restaurant on Eat Street, sample the flavours of Minnesota's Polish past, order from a fusion food truck, or grab a table at an innovative farm-to-table restaurant*Bars and Nightlife: Catch a performance at the Dakota Jazz Club, see where Prince got his start, sip fruity concoctions at a tiki bar, find the best spots for microbrews, or visit the Twin Cities' most popular gay bars*Local Expertise: Minneapolis local Tricia Cornell shares insider know-how on her two favourite cities*Itineraries and Day Trips: Explore nearby Stillwater, Duluth, and Lake Superior, or follow city itineraries designed for budget travelers, outdoor adventurers, and more*Full-Colour Photos and Detailed Maps*Handy Tools: Moon provides background information on the history and culture of the Twin CitiesSee the Twin Cities with a local with Moon Minneapolis & St. Paul. Exploring more American cities? Try Moon Chicago. Craving some fresh air? Check out Moon 75 Great Hikes Minneapolis & St. Paul.

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In the course of his ongoing study of the aesthetic world of the Limba of Sierra Leone, anthropologist Simon Ottenberg met three men from Wara Wara Bafodea chiefdom who played an instrument called the kututeng, known elsewhere in Africa as the mbira and sometimes in the West as the thumb piano. Each of the three was blind, poor, unmarried, and childless in a society where children bring status and where musicianship is not a standard role for the blind. Each man’s life experiences had influenced the way he performed Kututeng, a traditional but changing form of music. In this book, Ottenberg approaches Limba Kututeng music through the lives of these three musicians—Sayo Kamara, Muctaru Mansaray, and Marehu Mansaray. He looks at their different styles of performance, the social settings in which they play, the meanings of their song texts, and the relationships between their musical form and other Limba arts. Ottenberg filters his analysis through the concepts of personhood and agency: he is concerned with the actions and experiences of individuals within a larger cultural structure, with the way people act to maintain or re-create their culture and society as they go about their everyday business. By examining the lives and music of these three men, he is able to show how each one has been an agent for either innovation or stability in Kututeng music in this Limba chiefdom. Throughout the book, Ottenberg attempts to let the musicians’ voices and personalities be heard and seen. He believes that looking at music and performance through their eyes, rather than solely through the anthropologist’s organized categories, offers a useful alternative way of understanding how music is practiced, responded to, and changed by individuals. At the same time, Ottenberg makes readers aware of his own agency—the effects his presence, personality, and life experiences had on his fieldwork. Kututeng music is not an ancient tradition in Limba country, or in Sierra Leone in general, but dates to the early twentieth century. In recent years it has begun to change in response to the popularity of other musical forms in Sierra Leone. Ottenberg shows effectively how these three men have helped reformulate the nature of Kututeng in the chiefdom capital town, giving it a new vitality that is consistent with the aesthetic values of the Limba world.

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A Collector's Edition of Imagine John Yoko - the definitive inside story of the making of the legendary album and all that surrounded it - personally compiled and curated by Yoko Ono. In 1971, John Lennon & Yoko Ono conceived and recorded the critically acclaimed album Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, in the state-of-the-art studio they built in the grounds, and at the Record Plant in New York. The lyrics of the title track were inspired by Yoko Ono's `event scores' in her 1964 book Grapefruit, and she was officially co-credited as writer in June 2017. Imagine John Yoko tells the story of John & Yoko's life, work and relationship during this intensely creative period. It transports readers to home and working environments showcasing Yoko's closely guarded archive of photos and artefacts, using artfully compiled narrative film stills, and featuring digitally rendered maps, floorplans and panoramas that recreate the interiors in evocative detail. John & Yoko introduce each chapter and song; Yoko also provides invaluable additional commentary and a preface. All the minutiae is examined: the locations, the key players, the music and lyrics, the production techniques and the artworks - including the creative process behind the double exposure polaroids used on the album cover. With a message as universal and pertinent today as it was when the album was created, this landmark publication is a fitting tribute to John & Yoko and their place in cultural history.

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Meadow explores the intimate and complex relationship between people, place and plants which, over many centuries, has shaped the colour and character of the classic hay meadows of the British Isles. The surviving hay meadows of the British Isles are an intrinsic part of our cultural heritage, representing a natural equivalent to our great churches, castles, and ancient standing stones. Those that remain provide a tantalising glimpse into the past to a time long before chemical fertilisers and herbicides robbed our grasslands of all their treasures; they are biodiversity hotspots, offering home and sanctuary to flora and fauna. In this book, Iain Parkinson has carefully curated a fascinating collection of personal and evocative accounts shared by notable meadow experts from the world of science, conservation and the arts. The complex story of a hay meadow is told by the people whose lives are entangled within its intricate web, and in Meadow we hear over 30 first-person accounts touching on everything from wildflower and grassland restoration, basketmaking and weaving, pollinators and birdlife, water and soil, to hedgelaying, grazing, and archaeology. Beautifully illustrated with photographs specially taken by Jim Holden, Meadow is not only an insightful guide that helps to reveal the secret life of the flora and fauna of our classic hay meadows, but it also acts as a long-overdue celebration of the people behind these enigmatic grasslands.

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Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music's position in culture, musical aesthetics, the significance of opera as an art, setting text to music, the nature of twentieth-century harmony and form, and the practice of musical analysis. Fully matching the quality and style of Cone's published writings, these essays mark a critical addition to his work, developing new ideas, such as the composer as critic; clarifying and modifying older positions, especially regarding opera and the nature of sung utterance; and adding new and often unexpected insights on composers and ideas previously discussed by Cone. In addition, there are essays, such as one on Debussy, that lead Cone into areas he had not previously examined. Hearing and Knowing Music represents the final testament of one of our most important writers on music.

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Every successful organization needs high-performance teams to compete and succeed. Yet, technical people are often resistant to traditional "touchy-feely" teambuilding. To improve communication, performance, and morale among NASA’s technical teams, former NASA Astrophysicist Dr. Charlie Pellerin developed the teambuilding process described in "How NASA Builds Teams"—an approach that is proven, quantitative, and requires only a fraction of the time and resources of traditional training methods. This "4-D" process has boosted team performance in hundreds of NASA project teams, engineering teams, and management teams, including the people responsible for NASA’s most complex systems — the Space Shuttle, space telescopes, robots on Mars, and the mission back to the moon. How NASA Builds Teams explains how the 4-D teambuilding process can be applied in any organization, and includes a fast, free on-line behavioral assessment to help your team and the individual members understand each other and measure the key driver of team performance, the social context. Moreover, these simple, logical processes appeal strongly to technical teams who eschew "touchy-feely" training. Pellerin applies simple, elegant principles from his physics background to the art teambuilding, such as the use of a coordinate system to analyze the characteristics of team performance into actionable elements. The author illustrates the teambuilding process with entertaining stories from his decade as NASA’s Director for Astrophysics and subsequent 15 years of working closely with NASA and outside business teams. For example, he tells how the processes in the book enabled him to initiate the space mission to fix the Hubble Space Telescope’s flawed mirror. Free downloadable resources will help you: Identify your teammates’ innate personalities Diagram your culture (And compare it to your customer’s) Measure the coherency of your project’s paradigm (Get this wrong and you will be fired!) and Learn to meet people’s need to feel valued by you. Further, you can download and use Pellerin’s most powerful tool for influencing the outcome of any difficult situation: the Context Shifting Worksheet.

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Dancer, choreographer and a legendary South African artist, Gregory Maqoma’s childhood was marked by a deep connection to movement, rhythm and the assorted sounds of Soweto. From a young age, he showed a natural passion for dance. He saw this in his neighbourhood, and he immersed himself in the language of music and dance. In his teen years, he played the drum in the school band, set up his own music and dance group, before winning a scholarship to Moving into Dance, despite his father‘s wishes that he become a doctor. Gregory’s upbringing in the 1980s, a politically charged era, sparked his awareness of social issues and a desire to use art as a means of activism. Amidst the challenges and inequalities of his environment, Maqoma found solace and inspiration in the transformative power of dance. Through sheer grit and dedication, his dancing gave him the means for self-expression, allowing him to channel his emotions, dreams, and aspirations. Along the way, he encountered mentors who supported his creative spark and fellow dancers who became lifelong friends. Maqoma’s childhood experiences laid the foundation for his future as a renowned choreographer and storyteller. They instilled in him a profound respect for his cultural heritage, a commitment to social justice, and an unwavering passion for the transformative potential of the arts. His journey from Soweto to the global stage is a testament to the resilience, creativity and indomitable spirit that shaped his formative years. My Life, My Dance, My Soul is an dazzling memoir that encourages young adults to embrace their passions, overcome obstacles, and believe in the strength of their dreams. It is a testament to the extraordinary heights that can be reached when one dances to the rhythm of their own soul.

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One of the first French intellectuals to take a systematic interest in questions of language and meaning, Maurice Blanchot (1907-2003) substantially influenced such thinkers as Deleuze, Foucault, Barthes, Levinas, and Derrida. Until recently, Blanchot's work remained largely unknown outside France, in part because of its complexity and in part because Blanchot shunned intellectual celebrity. Over the past decade, however, nearly all of Blanchot's books have been translated into English, and worldwide interest in his fiction, cultural criticism, and philosophy has increased dramatically. Kevin Hart and Geoffrey H. Hartman bring together essays by prominent scholars from a range of disciplines to focus on Blanchot's diverse concerns: literature, art, community, politics, ethics, spirituality, and the Holocaust. The volume takes its title from Blanchot's idea that literature is "a power of contestation: contestation of the established power, contestation of what is..., contestation of language and of the forms of literary language, finally contestation of itself as power." Tracing this concept as a central theme of Blanchot's writings, and exploring its scope and ambiguity, the contributors bring this seminal, but formidably difficult, intellect into sharper focus. Contributors: Gerald L. Bruns, University of Notre Dame; Leslie Hill, University of Warwick; Michael Holland, St Hugh's College, Oxford; Philippe Lacoue-Labarthe, University of Strasbourg; Vivian Liska, University of Antwerp; Jill Robbins, Emory University, and the editors.

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This is the first reference work to describe the history of embroidery throughout Central Asia, the Iranian Plateau and the Indian Subcontinent from the medieval period through to the present. It offers an authoritative guide to all the major embroidery traditions of the region and a detailed examination of the material, technical, artistic and design dimensions of the subject, including its use by today’s fashion designers. For millennia, the peoples of Central Asian, the Iranian Plateau and the Indian Subcontinent have migrated and traded along the multiple strands of the Silk Road, both north–south and east–west. This history of contact has found rich expression within the arts and crafts of the region and particularly in the heritage of embroidery which has sat at the heart of the social and cultural lives of these diverse communities. Embroidery has been produced to decorate individuals, their families, their clients, their homes and public spaces and has reflected economic and political changes over time as well as social, religious and artistic contexts. Generously illustrated with 500 images (over 450 in colour) of clothes, accessories, and examples of decorated soft furnishings such as cushions, bed linen, curtains, floor coverings and wall hangings, the Encyclopedia is an essential resource for students and scholars of the subject. This volume is the second in the Bloomsbury World Encyclopedia of Embroidery series. The first volume, on embroidery from the Arab World, won the 2017 Dartmouth Medal, awarded by the American Library Association for a reference work of outstanding quality and significance.

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Offering a rare look at the musical life of Russia Abroad as it unfolded in New York City, Natalie K. Zelensky examines the popular music culture of the post-Bolshevik Russian emigration and the impact made by this group on American culture and politics. Performing Tsarist Russia in New York begins with a rich account of the musical evenings that took place in the Russian émigré enclave of Harlem in the 1920s and weaves through the world of Manhattan's Russian restaurants, Tin Pan Alley industry, Broadway productions, 1939 World's Fair, Soviet music distributors, postwar Russian parish musical life, and Cold War radio programming to close with today's Russian ball scene, exploring how the idea of Russia Abroad has taken shape through various spheres of music production in New York over the course of a century. Engaging in an analysis of musical styles, performance practice, sheet music cover art, the discourses surrounding this music, and the sonic, somatic, and social realms of dance, Zelensky demonstrates the central role played by music in shaping and maintaining the Russian émigré diaspora over multiple generations as well as the fundamental paradox underlying this process: that music's sustaining power in this case rests on its proclivity to foster collective narratives of an idealized prerevolutionary Russia while often evolving stylistically to remain relevant to its makers, listeners, and dancers. By combining archival research with fieldwork and interviews with Russian émigrés of various generations and emigration waves, Performing Tsarist Russia in New York presents a close historical and ethnographic examination of music's potential as an aesthetic, discursive, and social space through which diasporans can engage with an idea of a mythologized homeland, and, in turn, the vital role played by music in the organization, development, and reception of Russia Abroad.

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Setting aside the pastiche of bullfighters and flamenco dancers that has dominated the U.S. image of Spain for more than a century, this innovative volume uncovers the roots of Spanish studies to explain why the diversity, vitality, and complexity of Spanish history and culture have been reduced in U.S. accounts to the equivalent of a tourist brochure. Spurred by the complex colonial relations between the United States and Spain, the new field of Spanish studies offered a way for the young country to reflect a positive image of itself as a democracy, in contrast with perceived Spanish intolerance and closure. Spain in America investigates the political and historical forces behind this duality, surveying the work of the major nineteenth-century U.S. Hispanists in the fields of history, art history, literature, and music. A distinguished panel of contributors offers fresh examinations of the role of U.S. writers, especially Washington Irving and Henry Wadsworth Longfellow, in crafting a wildly romantic vision of Spain. They examine the views of such scholars as William H. Prescott and George Ticknor, who contrasted the "failure" of Spanish history with U.S. exceptionalism. Other essays explore how U.S. interests in Latin America consistently colored its vision of Spain and how musicology in the United States, dominated by German émigrés, relegated Spanish music to little more than a footnote. Also included are profiles of the philanthropist Archer Mitchell Huntington and the pioneering art historians Georgiana Goddard King and Arthur Kingsley Porter, who spearheaded U.S. interest in the architecture and sculpture of medieval Spain. Providing a much-needed look at the development and history of Hispanism, Spain in America opens the way toward confronting and modifying reductive views of Spain that are frozen in another time.

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Following on the heels of their incredibly successful The Ruins of Detroit, this major new project by the prolific French photographer duo Marchand/Meffre, poignantly eulogizes and celebrates the tattered remains of hundreds of movie theaters across America.They are in every American city and town—grandiose movie palaces, constructed during the heyday of the entertainment industry, that now stand abandoned, empty, decaying, or repurposed. Since 2005, the acclaimed photographic duo Marchand/Meffre have been traveling across the US to visit these early 20th-century relics. In hundreds of lushly colored images, they have captured the rich architectural diversity of the theaters’ exteriors, from neo renaissance to neo-Gothic, art nouveau to Bauhaus, and neo-Byzantine to Jugendstill. They have also stepped inside to capture the commonalities of a dying culture— crumbling plaster, rows of broken crushed-velvet seats, peeling paint, defunct equipment, and abandoned concession stands—as well as their transformation into bingo halls, warehouses, fitness centers, flea markets, parking lots, and grocery stores. Using a large format camera, the photographers’ carefully composed images range from landscape exteriors to starkly beautiful closeups. Presented here in a gorgeous oversized format, exquisitely printed with superior inks and spot varnish, this illustrated eulogy for the American movie palace is certain to become a modern-day classic.

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This interdisciplinary volume is a new introduction to area studies in the framework of whole-world thinking. Emerging in the United States after World War II, area studies have proven indispensable to American integration in the world. They serve two main purposes: to equip future experts with rich cultural-historical and political-economic knowledge of a world area in its global context and advanced foreign language proficiency, and to provide interested readers with well-founded analyses of a vast array of the world's communities. Area Studies in the Global Age examines the interrelation between three constructions central to any culture—community, place, and identity—and builds on research by scholars specializing in diverse world areas, including Africa; Central, East, and North Asia; Eastern and East Central Europe; and Latin America. In contrast to sometimes oversimplified, globalized thinking, the studies featured here argue for the importance of understanding particular human experience and the actual effects of global changes on real people's lives. The rituals, narratives, symbols, and archetypes that define a community, as well as the spaces to which communities attach meaning, are crucial to members' self-perception and sense of agency. Editors Edith W. Clowes and Shelly Jarrett Bromberg have put into practice the original mission of US area studies, which were intended to employ both social science and humanities research methods. This important study presents and applies a variety of methodologies, including interviews and surveys; the construction of databases; the analysis of public rituals and symbols; the examination of archival documents as well as contemporary public commentary; and the close reading and interpretation of fiction, art, buildings, cities, and other creatively produced works in their social contexts. Designed for advanced undergraduate and beginning graduate students in allied disciplines, Clowes and Bromberg's volume will also appeal to readers interested in internationally focused humanities and social sciences.

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Packed with facts and illustrations, this landmark book offers a reliable, visually stunning, and family-friendly alternative to online information sources.This fully illustrated encyclopedia is the antidote to the internet. It's expertly written and beautifully presented reference for a world overloaded with unreliable information. From quantum physics to the square of the hypotenuse, Ancient Rome to the depths of the oceans, this is your one-stop knowledge shop for the digital age - clear, simple, accurate and unbiased.This book is a comprehensive guide to a huge range of human knowledge, and includes over 4,000 images to bring information vividly to life. Its format is accessible to a wide range of readers, so it's ideal for a variety of ages, for home study - or simply for browsing for fun. Parents and teachers can be confident that children won't see any unwanted content.The Visual Encyclopedia is the ultimate easy-to-read family guide to science, nature, space, history, art, technology, leisure, culture, and more. The information is organized thematically for simple navigation, and clear signposting makes it easy to follow connections between subjects. For family, for study, for the simple pleasure of discovery, here is a trustworthy source of knowledge and enjoyment.

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Wer sein Unternehmen in Zeiten permanenten Wandels konkurrenzfähig halten will, kommt am Konzept der Agilität nicht vorbei. Was in der Softwareentwicklung und über das Projektmanagement Einzug in die Teams von Unternehmen gefunden hat, gilt inzwischen als die passende Antwort auf die Herausforderungen an das gesamte Unternehmen - schnell, innovativ und frei von festgefahrenen Strukturen auf ein verändertes Marktumfeld reagieren zu können. Doug Rose erläutert die Grundideen agiler Praktiken, erklärt Tools wie Disciplined Agile Delievery, Large Scale Scrum, Lean Product Delivery, Kanban, Scale Agile Framework und Spotify Engineering Culture und zeigt auf, für welche Art von Unternehmen und Unternehmenskultur welche Rahmenstrukturen passen - ein Start-up-Unternehmen hat nun einmal andere Voraussetzungen als eines, das sich durch starke hierarchische Strukturen definiert. Sie erfahren, wie Sie Schritt-für-Schritt agile Praktiken umsetzen und Ihr Unternehmen so fit für die kommenden Herausforderungen machen.

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In 1967 Israel occupied the western section of Syria’s Golan Heights, expelling 130,000 residents and leaving only a few thousand Arab inhabitants clustered in several villages. Sometimes characterised as the ‘forgotten occupation’, the western Golan Heights have been transformed by Israeli colonisation, including the appropriation of land and water resources, economic development and extensive military use. This landmark volume is the first academic study in English of Arab politics and culture in the occupied Golan Heights. It focuses on an indigenous community, known as the Jawlanis, and their experience of everyday colonisation and resistance to settler colonisation. Chapters cover how governance is carried out in the Golan, from Israel's use of the education system and collective memory, to its development of large-scale wind turbines which are now a symbol of Israeli encroachment. To illustrate the ways in which the current regime of Israeli rule has been contested, there are chapters on the six-month strike of 1982, youth mobilisation in the occupied Golan, Palestinian solidarity movements, and the creation of Jawlani art and writing as an act of resistance. Rich in ethnographic detail and with chapters from diverse disciplines, the book is unique in bringing together Jawlani, Palestinian and UK researchers. The innovative format - with shorter ‘reflections’ from young Arab researchers, activists and lawyers that respond to more traditional academic chapters - establishes a bold new ‘de-colonial’ approach.

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“Better a witty fool, than a foolish wit,” said the world’s greatest and most preeminent English writer of all time, William Shakespeare.Have you ever wanted to quote the most quoted writer in the English language? Deliver the most inventive and debasing Shakespearean insult (“Would thou wert clean enough to spit upon!”)? Recite titillating love poetry like a modern-day Romeo to his (or her) Juliet? Or commit a learned wisdom about life’s woes to memory? The Smart Words and Wicked Wit of William Shakespeare is the perfect pocket book to carry around in your arsenal. Laugh, cry, rage, and muse along with beloved (or not so beloved) Shakespeare characters like Hamlet, Lady Macbeth, King Lear, and Cleopatra on the topics of love, art, beauty—as well as life’s most irreverently relevant insights. Full of savvy wisdoms from works such as Twelfth Night, Othello, A Midsummer Night’s Dream, As You Like It, and many others, this inspiring collection compiles the wisest and wittiest Shakespearean quotations that speak of the writer’s enduring legacy—even in contemporary pop culture.

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A raw and heart-wrenching literary memoir about a queer couple's attempt to adopt a child.But would you take a ginger child? a social worker asks Patrick Flanery as he and his husband embark on their four-year odyssey of trying to adopt. This curious question comes to haunt the journey, which Flanery recounts with startling candour as he explores what it means to make a family as a queer couple, to be an outsider in a foreign country, to grapple with the inheritance of intergenerational loss, and to discover that the emotions we feel are sometimes as mysterious to ourselves as to others.This uniquely powerful book moves deftly between heartbreaking memoir and illuminating meditation on parenting, adoption and queerness in contemporary culture, stopping along the way to consider recent science fiction film, camp horror television, fiction and visual art. At the end, which could also be the beginning of a new journey, Flanery asks whether we might all imagine ourselves as ginger children-fragile, sensitive, more easily hurt than we think possible, but with the hope that we are also survivors, with greater powers of resilience than we know.

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“Ron Padgett makes the most quiet and sensible of feelings a provocatively persistent wonder.”—Robert CreeleyRon Padgett has reenergized modern poetry with exuberant and tender love poems, with exceptionally lucid and touching elegies, and with imaginative and action-packed homages to American culture and visual art. He has paid tribute to Woody Woodpecker and the West, to friends and collaborators, to language and cowslips, to beautiful women and chocolate milk, to paintings and small-time criminals. His poems have always imparted a contagious sense of joy.In this new collection of poems, Padgett hasn’t forsaken his beloved Woody Woodpecker, but he has decided to heed the canary and sound the alarm. Here, he asks, “What makes us so mean?” And he really wants to know. Even as these poems cajole and question, as they call attention to what has been lost and what we still stand to lose, they continue to champion what makes sense and what has always been worth saving. “Humanity,” Padgett generously (and gently) reminds us, still “has to take it one step at a time.”

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Extravagantly opaque, willfully vaporous — Aphex Twin’s Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise. Faithful to Brian Eno’s definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.

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'Simply magnificent.' Mail on SundayA massive audience in sitting-rooms, parks and pubs watched England in the 2018 World Cup. Yet as Duncan Hamilton demonstrates with style, insight and wit in Going to the Match, watching on TV is no substitute for being there. Hamilton embarks on a richly entertaining, exquisitely crafted journey through football. Glory game or grass roots, England v Slovenia or Guiseley v Hartlepool, he delves beneath the action to illuminate the stories which make the sport endlessly compelling.Along the way he marvels at present-day titans Harry Kane, Mo Salah, Kevin De Bruyne and Paul Pogba, reflects on sepia-tinted magicians Stanley Matthews, Jimmy Greaves, Bobby Charlton and Pele, and assesses managerial giants from Brian Clough and Jose Mourinho to Arsene Wenger and Gareth Southgate.The odyssey takes Hamilton from Fleetwood to Berlin, via Glasgow and a Manchester derby, making detours into art, cinema, literature and politics as he explores the game's ever-changing culture and character.The result, like the L.S. Lowry painting that inspired the book, is a football masterpiece.

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As people from record collectors to file swappers know, the experience of music - making it, marketing it, listening to it - relies heavily on technology. From the viola that amplifies the vibrations of a string to the CD player that turns digital bits into varying voltage, music and technology are deeply intertwined. What was gained - or lost - when compact discs replaced vinyl as the mass-market medium? What unique creative input does the musician bring to the music, and what contribution is made by the instrument? Do digital synthesizers offer unlimited range of sonic potential, or do their push-button interfaces and acoustical models lead to cookie-cutter productions? Through this interrogation of sound and technology, Aden Evens provides an acute consideration of how music becomes sensible, advancing original variations on the themes of creativity and habit, analog and digital technologies, and improvisation and repetition. Evens elegantly and forcefully dissects the paradoxes of digital culture and reveals how technology has profound implications for the phenomenology of art. Sound Ideas reinvents the philosophy of music in a way that encompasses traditional aspects of musicology, avant-garde explorations of music's relation to noise and silence, and the consequences of digitization.

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The Funambulists brings together the diverse poetry collections of six contemporary Arab diasporic women poets. Spanning multiple languages and regions, this volume illuminates the distinct artistic voice of each poet, yet also highlights the aesthetic and political relevance that unites their work.Marchi explores the work of Naomi Shihab Nye, a celebrated American poet of Palestinian descent; Iman Mersal, an Egyptian poet living in Edmonton, Canada, who writes in Arabic; Nadine Ltaif, a Lebanese poet who lives in Quebec and has adopted French as her language; Maram al-Massri, a Syrian poet writing in Arabic and living in France; Suheir Hammad, an American poet of Palestinian origin; and Mina Boulhanna, a Moroccan poet living in Italy and writing in Italian. Despite their varying geographical and political backgrounds, these poets find common ground in themes of injustice, spirituality, gender, race, and class. Drawing upon the concept of tension, Marchi examines both the breaking points and the creative energies that traverse the poetic works of these writers. These celebrated funambulists use their art of balance and flexibility bolstered by their courage and transgression to walk a tightrope stretched out across cultures, faiths, and nations.

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The last great master of the ukiyo-e tradition, Hiroshige produced works of subtle yet intense color. This collection of prints, first published in the 1850s, contains images of each of Japan’s provinces. Created during Hiroshige’s highly productive later years, this series was an ambitious project that captured a crucial moment in Japan’s history, a decade before the Meiji Restoration would open the doors to industrialization and Western influence. One of its most striking characteristics is the vertical presentation, which allowed Hiroshige to experiment with perspective. His sweeping panoramas of the beautiful countryside combine the illusion of distance with a depth of detail that draws the viewer in. In addition to these glorious landscapes, Hiroshige’s depictions of busy urban centers provide a rare insight into daily life in the Edo era. This beautiful slip- cased edition includes two volumes: a complete set of seventy prints and a separate booklet that provides an introduction to Hiroshige’s life and art as well as descriptive captions of the prints. From thundering waterfalls and towering cliffs to wide beaches and bustling harbors, Hiroshige’s native land emerges in serene and exquisite detail—the perfect keepsake for fans of ukiyo-e, Japanese culture, and printmaking.

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A new intellectual biography of Thomas Babington Macaulay, showing how nineteenth-century British liberal culture retained and transformed the ideas of the Enlightenment in a rapidly changing world. Macaulay and the Enlightenment sheds new light on both familiar and unfamiliar aspects of the life and ideas of this most famous of nineteenth-century British historians. Thomas Babington Macaulay (1800-1859) was a prominent representative of mainstream British liberalism in the first half of the nineteenth century. He was also a Member of Parliament and government minister, and famously spent several years as a member of the governing council in India, where he promoted legal and educational reforms. One of the book's key contributions is the investigation of Enlightenment influences on the more well-known aspects of Macaulay's thought: history, politics, social and economic issues, religion, revolution and colonialism. The book also offers new revelations about Macaulay's attitude towards women, and provides insight into his views on art, nature and animals. In this study, Macaulay emerges as a more subversive, at times even radical, figure than previously assumed. The book thus emphasizes the transformation of Enlightenment ideas into early nineteenth-century liberalism.

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The Greeks and Romans were not shy about sex. Drinking cups, oil-lamps and walls were decorated with scenes of seduction and sexual intercourse which make the modern viewer blush; models of penises were worn around the neck or hung from doorways. In classical Greece, statues of erect penises served as boundary-stones and signposts. In Rome, marble satyrs and nymphs grappled in gardens. How are we to make sense of this abundance of sexual imagery? Were these images seductive, shocking, humorous? Were they about sex or love? And what and how do we learn from them? Sex on Show answers these questions by embracing ancient attitudes to religion, politics, sex and gender to examine how the ancient saw themselves and their world. Covering the sixth century BC to the fourth century AD, as well as some Neoclassical art from the eighteenth and nineteenth centuries, Sex on Show uses detailed visual analysis to bring new insights to Greek and Roman culture and to the meaning of erotic imagery, past and present. This is not simply a book about sexual practice or social history. It is a visual history – about what it meant and still means to stare sex in the face.

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Here is a bold new vision of Victorian culture: a study of myths of womanhood that shatters the usual generalizations about the squeezed, crushed, and ego-less Victorian woman.Through copious examples drawn from literature, art, and biography, Nina Auerbach reconstructs three central paradigms: the angel/demon, the old maid, and the fallen woman. She shows how these animate a pervasive Victorian vision of a mobile female outcast with divine and demonic powers. Fear of such disruptive, self-creating figures, Auerbach argues, produces the approved ideal of the dutiful, family-bound woman. The awe they inspire associates them with characters in literature, the only vehicles of immortality in whom most Victorians could unreservedly believe.Auerbach looks at a wonderful variety of sources: Svengali, Dracula, and Freud; poets and major and minor novelists Carlyle, John Stuart Mill, and Ruskin; lives of women, great and unknown; Anglican sisterhoods and Magdalen homes; bardolatry and the theater; Pre-Raphaelite paintings and contemporary cartoons and book illustrations. Reinterpreting a medley of fantasies, she demonstrates that female powers inspired a vivid myth central to the spirit of the age.

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1920s Cairo: singers were pressing hit records, dramatic troupes were springing up and cabarets were packed - a counterculture was on the rise. In bars, hash-dens and music halls, people of all backgrounds came together as a passionate group of artists captivated Egyptian society. Of these performers, Cairo's biggest stars were female, and they asserted themselves on the stage like never before. Two of the most famous troupes were run by women; Badia Masabni's dancehall became the hottest nightspot in town; pioneer of Egyptian cinema Aziza Amir made her stage debut; and legendary singer Oum Kalthoum first rose to fame. It is these women, who knew both the opportunities and prejudices that this world offered, who best reveal this cosmopolitan and raucous city's secrets. Midnight in Cairo tells the thrilling story of Egypt's interwar nightlife and entertainment industry through the lives of its pioneering women. Introducing an eccentric cast of characters, it brings to life a world of revolutionary ideas and provocative art - one which laid the foundations of Arab popular culture today. It is a story of modern Cairo as we have never heard it before.

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For his entire professional life, British architect Cedric Price (1934-2003) reflected on the mechanisation of society and its effect on people's lives. In the 1960s and 1970s Price searched for a new language in modern architecture. His multifaceted, interdisciplinary approach and his sense of humour and self-irony, also with regard to his own profession, lead him into the fields of art and of social and natural sciences. Tanja Herdt's new book on the work and life of Cedric Price for the first time offers a comprehensive demonstration of his architectural concepts and social visions. Herdt focuses on his view of the city as a socio-technical system, the influence of product and everyday culture on architecture, and the role of science and technology in architectural design. Based on extensive research and drawing from rich and largely unpublished material, she features some of Price's well-known projects, such as Fun Palace (1961) or Potteries Thinkbelt (1964), in context with her new findings. Herdt's thorough analysis of his lesser-known works from the 1970s, including McAppy (1973-1975) and The Generator (1976), also questions the common perception of Cedric Price as an "anti-architect".

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Robin Dreeke is a senior agent at the FBI and an 18 year veteran of the Bureau. He was, until recently, the head of the Counterintelligence Division’s Behavioral Analysis Program where his primary mission was to thwart the efforts of foreign spies and recruit American spies. His core approach in this mission was to inspire reasonable, well-founded trust among people who could provide valuable information. The Code of Trust is based on the system Dreeke devised and implemented during years of field work at the highest levels of national security. Applying his system first to himself, he rose up through the FBI, and then taught to law enforcement and military officials throughout the country. The Code of Trust has since elevated executives to leadership and changed the culture of entire companies, making them happier and more productive as morale soars. Inspiring trust is not a trick, nor is it an arcane art. It’s an important, character-building endeavor that requires only a sincere desire to be helpful and sensitive and the ambition to be more successful at work and at home. The Code of Trust is based on 5 principles: 1) Suspend Your Ego 2) Be Nonjudgmental 3) Honor Reason 4) Validate Others 5) Be Generous All a reader needs to be successful is the willingness to spend eight to ten hours learning a system that took Robin Dreeke almost a lifetime to create.

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A retelling of the Christopher Columbus story from an Indigenous point of view turns this tale on its ear! Coyote, the trickster, creates the world and all the creatures in it. She is able to control all events to her advantage until a funny-looking red-haired man named Columbus changes her plans. He is unimpressed by the wealth of moose, turtles and beavers in Coyote’s land. Instead he is interested in the human beings he can take to sell in Spain. Thomas King uses a bag of literary tricks to shatter the stereotypes surrounding Columbus’s voyages. In doing so, he invites children to laugh with him at the crazy antics of Coyote, who unwittingly allows Columbus to bring about the downfall of her human friends. And he makes the point that history is influenced by the culture of the reporter. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events. CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges. CCSS.ELA-LITERACY.RL.2.6 Acknowledge differences in the points of view of characters, including by speaking in a different voice for each character when reading dialogue aloud. CCSS.ELA-LITERACY.RL.3.3 Describe characters in a story (e.g., their traits, motivations, or feelings) and explain how their actions contribute to the sequence of events

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For decades, artists and architects have struggled to relate to the Holocaust in visual form, resulting in memorials that feature a diversity of aesthetic strategies. In Memory Passages, Natasha Goldman analyzes both previously-overlooked and internationally-recognized Holocaust memorials in the United States and Germany from the postwar period to the present, drawing on many historical documents for the first time. From the perspectives of visual culture and art history, the book examines changing attitudes toward the Holocaust and the artistic choices that respond to it.The book introduces lesser-known sculptures, such as Nathan Rapoport’s Monument to the Six Million Jewish Martyrs in Philadelphia, as well as internationally-acclaimed works, such as Peter Eisenman’s Memorial to the Murdered Jews of Europe in Berlin. Other artists examined include Will Lammert, Richard Serra, Joel Shapiro, Gerson Fehrenbach, Margit Kahl, and Andy Goldsworthy.Archival documents and interviews with commissioners, survivors, and artists reveal the conversations and decisions that have shaped Holocaust memorials.Memory Passages suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering. This book will be valuable for anyone teaching—or seeking to better understand—the Holocaust.

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Offering a thorough assessment of recent developments in the economic literature on happiness and quality of life, this major research handbook astutely considers both methods of estimation and policy application. Luigino Bruni and Pier Luigi Porta's refreshing, and constructively critical, approach emphasizes the subject's integral impact on latter-day capitalism.Expert contributors critically present in-depth research on a wide range of topics including:- the history of the idea of quality of life and the impact of globalization- links between happiness and health- comparisons between hedonic and eudaimonic well-being- the relational and emotional side of human life, including subjective indicators of well-being- genetic and environmental contributions to life satisfaction- the impact of culture, fine arts and new media.Accessible and far-reaching, the Handbook of Research Methods and Applications in Happiness and Quality of Life will prove an invaluable resource for students and scholars of welfare and economics as well as practicing psychologists and researchers.Contributors: M. Bianchi, L. Bruni, L. Crivelli, S. Della Bella, A. Delle Fave, E. Diener, E. Granata, M. Guerini, P. Krause, B. López Noval, M. Lucchini, F. Maggino, H.À. Marujo, N. Matteucci, C. Miller, J. Morozink Boylan, L.M. Neto, G. Nuvolati, A. Pelloni, P.L. Porta, M. Rojas, C.D. Ryff, A. Sen, M.J. Sirgy, L. Stanca, L. Tay, R. Veenhoven, S. Vieira Lima

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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this provocative rephotography project, bringing past and present into dynamic juxtaposition, renowned photographer Mark Klett has gone to the same locations pictured in forty-five compelling historic photographs taken in the days following the 1906 earthquake and fires and precisely duplicated each photograph's vantage point. The result is an elegant and powerful comparison that challenges our preconceptions about time, history, and culture. 'I think the pictures ask us to become aware of the extraordinary qualities of our own distinct moment in time. But it is a realization that a particular future is not guaranteed by the flow of time in any given direction.' So says Mark Klett discussing this multilayered project in an illuminating interview included in this lavishly produced volume, which accompanies an exhibition at The Fine Arts Museums of San Francisco. "After the Ruins, 1906 and 2006" features a vivid essay by noted environmental historian Philip Fradkin on the events surrounding and following the 1906 earthquake, which he describes as 'the equivalent of an intensive, three-day bombing raid, complete with many tons of dynamite that acted as incendiary devices.' A lyrical essay by acclaimed writer Rebecca Solnit considers the meaning of ruins, resurrection, and the evolving geography and history of San Francisco.

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While creativity and entrepreneurship may appear to be unlikely allies, they are increasingly intersecting to produce economic and social value in new and exciting ways. This groundbreaking volume examines how creativity and entrepreneurship can be used in conjunction to foster positive change and innovation, particularly in areas such as higher education and sustainable global development.The essays in this volume discuss the ways in which creativity and entrepreneurship challenge and disrupt conventional structures and effect positive transformations in people, institutions, cultures and societies. The contributors hail from a variety of backgrounds - including academia, business, the arts and sciences and public policy - and offer a wealth of interdisciplinary perspectives and new ways of thinking about creative and entrepreneurial processes. In addition to its lucid and comprehensive discussion of current issues in the field, this book also offers insightful education and policy recommendations for developing and fostering future collaboration between creative and entrepreneurial enterprises in both theoretical and practical contexts.Students, professors, researchers and policymakers in a variety of creative and business-related fields will find much of interest in this innovative and diverse volume.Contributors include: M. Abrahams, B. Altringer, G. Batson, L. Book, L. Bresler, K. Daum, M. Durkee, P. Essl, D.W. Godwin, S. Hayasaka, H. LaMoreaux, P. Laurienti, D.P. Phillips, L. Rego, C.D. Roark, M. Root-Bernstein, M.S. Sarow, S. Sherman, J. Stapleton-Kotloski, B.E. Stuart, W. Wiggins, A.S. Yang

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A cutting portrayal of the pursuit of work-life balance from the cartoonist of Shit is Real. To achieve the proper work-life balance perhaps we just need the right therapist to coach us through our day-to-day. Anita, Sandra, and Dex have ambitions. Anita wants to move from making utility ceramics to fine art sculpture but her pent up dissatisfaction results in an outburst that puts her studio mate s work at risk. Sandra juggles her practical administrative day job at a startup with her wellness influencer channel, finding both in jeopardy when a messy affair with her coworker comes to light. In another corner of the same startup, Dex s innovative ideas are rejected, leading him to spend his days hacking and working as a bike courier. All three are disillusioned with their daily grinds. As the pressure for self-improvement builds they all end up looking to the same therapist for answers. Soon the boundaries between work and life begin to bleed into each other and it becomes increasingly impossible to find balance. All the solace the characters expect their therapist to provide is obscured by her quirks, whims, and psycho-parlance, leading to sessions that are neglectful at best and actively inhibit growth at worst. In striking colors and trippy transformational sequences, Aisha Franz captures the comedic absurdity of contemporary work-life and wellness culture.

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AN ECONOMIST, GUARDIAN AND NEW STATESMAN BOOK OF THE YEAR A gripping narrative of the intertwined lives of the four philosophers whose ideas reshaped the twentieth centuryThe year is 1919. Walter Benjamin flees his overbearing father to scrape a living as a critic. Ludwig Wittgenstein, scion of one of Europe's wealthiest families, signs away his inheritance, seeking spiritual clarity. Martin Heidegger renounces his faith and aligns his fortunes with Husserl's phenomenological school. Ernst Cassirer sketches a new schema of human culture on a cramped Berlin tram. The stage is set for a great intellectual drama. Over the next decade the lives and thought of this quartet will converge and intertwine, as each gains world-historical significance, between them remaking philosophy.Time of the Magicians brings to life this miraculous burst of intellectual creativity, unparalleled in philosophy's history, and with it an entire era, from post-war exuberance to economic crisis and the emergence of National Socialism. With great art, Wolfram Eilenberger traces the paths of these titanic figures through the tumult. He captures their personalities as well as their achievements, and illuminates with singular clarity the philosophies each embodied as well as espoused. It becomes an intellectual adventure story, a captivating journey through the greatest revolution in Western thought told through its four protagonists, each with their own penetrating gaze and answer to the question which has animated philosophy from the very beginning: What are we?

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When most people think of Minneapolis and St. Paul, they think of frigid winters and thousands of lakes. So most people who come explore the Twin Cities are in for a surprise. The truth is that this metropolis is where history, the arts and world cultures combine to create a dynamic community that is constantly reinventing itself. Bonded by the Mississippi River and studded with lakes, creeks, and waterfalls, this Midwestern destination is a place where nature meets the city with a flair unmatched by any other urban area in the United States. The Twin Cities of Minneapolis and St. Paul are packed with secrets and adventures. Visit the sites of St. Paul's nefarious mobster past or paddleboard down a hidden canal that looks like a Monet landscape. Take in a show at the Minneapolis theatre where Prince played his first solo gig, ski on a lake decorated with ice luminaries, and sample lefse and lingonberries in a Norwegian market. Discover 111 places in the Twin Cities that will amaze and delight you, whether it's your first visit or fifteenth, or you are a native daughter or son who is lucky enough to call this land of sky-blue waters your home.

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