Search results for ""liverpool university press""

The rapidity of postwar globalization and the structural changes it has brought to both social and spatial aspects of everyday life has meant, in France as elsewhere, the destabilizing of senses of place, identity, and belonging, as once familiar, local environments are increasingly de-localized and made porous to global trends and planetary preoccupations. Maps and Territories identifies such preoccupations as a fundamental underlying impetus for the contemporary French novel. Indeed, like France itself, the protagonists of its best fiction are constantly called upon to renegotiate their identity in order to maintain any sense of belonging within the troubled territories they call home. Maps and Territories reads today’s French novel for how it re-maps such territories, and for how it positions its protagonists vis-à-vis the pressures of globalization, uncovering previously unseen affinities amongst, and offering fresh readings of—and offering exciting new perspectives on—a diverse set of authors: namely, Michel Houellebecq, Chloé Delaume, Lydie Salvayre, Jean-Philippe Toussaint, Virginie Despentes, Philippe Vasset, Jean Rolin, and Marie Darrieussecq. In the process, it sets the literary works into dialogue with a range of today’s most influential theorists of postmodernity and globalization, including Paul Virilio, Marc Augé, Peter Sloterdijk, Bruno Latour, Fredric Jameson, Edward Casey, David Harvey, and Ursula K. Heise.

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Home/Land: Women, Citizenship, Photographies is an extensive compendium of texts and images, combining scholarly, creative and critical writing on photography with new work in photography. The contributions to the compendium range from academic essays on fine art and documentary photographies to photo-essays, community-based and pedagogical photographic projects, personal testimonies, creative writing, activist interventions and accounts of participatory action research using photography. Home/Land is global in its reach, exploring women’s lives in Britain and other European nations, the United States, Canada, the Middle East, South Africa, Asia and Australia. Bringing together texts and images produced by an international group of feminist scholars, activists, artists and educators, the book demonstrates how women have used photographic practices to find places for themselves as citizens, denizens, exiles or guests, within or beyond the nation as currently conceived, and, in so doing, how they actively produce new and different forms of identity, community and belonging.

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Two thirds of our planet is covered by oceans and seas. Over recent decades developments in ocean science have dramatically improved our understanding of the key role oceans play in the Earth System, and how vital they are for regulating global climate. Humans depend on the oceans for many resources, but at the same time their impacts on the marine systems around the world are of increasing concern. Introducing Oceanography has been written by two leading oceanographers to provide a succinct overview of the science of the study of the seas for students and for the interested adult wanting a topical guide to this enormous and complex subject. The initial chapters describe the oceans and the forces at work within them. The authors then discuss the effects of light, the chemistry of the seas and the food web before surveying biological oceanography in the main oceanic regions. The final chapter looks at the methodology of ocean study. Copiously illustrated, this book is intended for those whose interest in oceanography has been stimulated, perhaps by media coverage of declining resources or climate change and who want to know more. Technical terms are kept to a minimum and are explained in a glossary.

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The extraordinary and beautiful scenery of the Northern Scottish Highlands has been created by a geological history lasting over three billion years. The new and thoroughly up-dated edition of this popular book takes its readers through those three billion years, shows the rocks, visits the places, introduces some famous researchers and presents the geological theories that have been inspired by the Highlands. Even though the influence of this magnificent place can be overwhelming, the book is about geology and the modern science involved. It is written for all to understand. It is a book for non-specialists interested in modern science, scientists and all lovers of the Northern Scottish Highlands.The text is sometimes light-hearted, but the science is serious. The subjects covered are as wide as he the splitting open of the North Atlantic Ocean: a time when the Earth resembled modern Mars; early continent formation; billion year old bacteria; the very beginnings of human evolution; Snowball Earth; and, inevitably, climate change. This is modern science wrapped up in good writing and humour: a rare combination.

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Geologists are among that group of scientists who must factor the passage of time into their investigations and they thus have a perspective on time that sets them apart from many other researchers. The proposition that geological time is vast, encompassing thousands of millions of years, is relatively recent. It is a concept that remains controversial and unacceptable to many people today who still consider the Earth to have been made to a timetable covering no more than ten thousand years.Paul Lyle examines how our fascination with time has developed from our earliest ancestors' recognition of the cycles of the sun and the moon. It considers the passage of time as a series of non-repeatable events, Time's Arrow, in contrast to time as a series of repeated processes, Time's Cycle, both of which can be used to explain geological features on the Earth's surface.The author argues for a greater understanding of geological or ‘deep time’ as society becomes more aware of the vulnerability of the Earth's resources to over-exploitation by an expanding consumer society. This debate and the controversy surrounding global warming emphasises the importance of geological time to the process of economic and political decision-making. It is a book for those interested in the intellectual challenge presented by the extent of geological time. It is written for environmentalists and policy-makers who wish to better place their concerns and decisions in proper context but, above all, it is a book that offers to share a geologist’s appreciation of time with the widest possible audience.

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In recent years Brendan's voyage has become increasingly popular as a topic of interest, not only in medieval studies, but also within the history of travel literature in general. One of the legend's charms is that it can be read in a number of ways: as a thinly disguised account of Irish travels and discoveries in the Atlantic, as a seafaring story in the fashion of the Irish immrama (literally 'rowings out'), or as an allegorical tale of Man's journey through life. It also has links with the monastic culture of its day, and contains echoes of the Odyssey and the Aeneid, Sinbad the Sailor and the quest for the Holy Grail.Barron and Burgess's volume collects the most important versions of the voyage from a wide variety of cultures, and presents them in modern English translations together with a general introduction to Brendan, explanatory commentaries and an extensive bibliography.This new paperback edition also includes a comprehensive index of story-elements specially devised with the Brendan student in mind to allow easy comparison of the different versions.

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The Book of Marvels, a compilation of marvellous events of a grotesque, bizarre or sensational nature, was composed in the second century A.D. by Phlegon of Tralles, a Greek freedman of the Roman emperor Hadrian. This remarkable text is the earliest surviving work of pure sensationalism in Western literature. The Book is arranged thematically: Ghosts; Sex-Changers and Hermaphrodites; Finds of Giant Bones; Monstrous Births; Births from Males; Amazing Multiple Births; Abnormally Rapid Development of Human Beings; Discoveries of Live Centaurs. This volume also contains and Introduction and commentary on the texts, as well as translations of fragments of two other works and a translation of Goethe's well-known vampire poem, The Bride of Corinth, which was inspired by Phlegon's Book of Marvels.

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An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched.Articulating Bodies investigates the contemporaneous developments of Victorian fiction and disability’s medicalization by focusing on the intersection between narrative form and body. The book examines texts from across the century, from Frederic Shoberl’s 1833 English translation of Victor Hugo’s Notre-Dame de Paris to Arthur Conan Doyle’s Sherlock Holmes story “The Adventure of the Crooked Man” (1893), covering genres that typically relied upon disabled or diseased characters. By tracing the patterns of focalization and narrative structure across six decades of the nineteenth century and across six genres, Articulating Bodies demonstrates that throughout the Victorian era, authors of fiction used narrative form as well as narrative theme to negotiate how to categorize bodies, both constructing and questioning the boundary dividing normalcy from abnormality. As fiction’s form developed from the massive hybrid novels of the early decades of the nineteenth century to the case-study length of fin-de-siècle mysteries, disability became increasingly medicalized, moving from the position of spectacle to specimen.

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An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched.Reimagining Urban Nature questions some of the underlying imaginaries which have for so long allowed us humans to develop technologically at great cost to the more-than-human world and ourselves. In urban places, cultural and more-than-human entities are in frequent contact; however, the non-human is often seen as expendable in these human-centric places. While much important work has been done on improving care for the more rural and wild areas of the globe, to really address environmental damage we must work towards reimagining the city. These are places where the majority of people live and work, and where the majority of decisions are made about the care and protection of many environments within and beyond the city. This book contributes to the still under-developed field of urban ecocriticism by adding a posthumanist perspective, as well as expanding current discussions within urban studies and environmental activism that seek to shift political and cultural imaginaries of urban nature. Importantly, this investigation is grounded in the Australian (and more broadly, the Australasian) context to allow for the analysis of a more diverse set of voices, texts and ecologies in an area still dominated by the northern hemisphere and the Global North.

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**An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. A selection of essays on symbola, as the tokens of Classical Athens were called, bringing together scholars of various disciplines and professional categories (numismatists, historians, museum curators) that intends to reshape our knowledge on the roles these objects played in the Athenian Democracy. This is a series of case studies which aspires to test old theories and probe new assumptions. The first section explores the extent to which our knowledge has evolved since symbola were first distinguished from coins. Four essays demonstrate how tokens, as material manifestations of particular institutions, contributed to the formation of civic and political identity in the city-state of Athens and the roles they played in ensuring legal and political equality. The second section of the volume on new finds aims to develop expertise in studying tokens and increase relevant knowledge. Finally, a third section contains comparative studies from Sicily, Jerusalem and Ephesos, aiming to adopt a comparative methodology for a better understanding of the characteristics and roles of tokens from across the ancient Mediterranean. Contributors: Vera Geelmuyden Bulgurlu, Tumay Hazinedar Coscun, Antonino Crisà, Yoav Farhi, P. J. Finglass, Mairi Gkikaki, Irini Karra, James Kierstead, John H. Kroll, Stamatoula Makrypodi, Christian Mondello, Daria Russo, Martin Schäfer.

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An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched. The eighteenth century witnessed the rapid expansion of social, political, religious and literary networks in Great Britain. Increased availability of and access to print combined with the ease with which individuals could correspond across distance ensured that it was easier than ever before for writers to enter into the marketplace of ideas. However, we still lack a complex understanding of how literary networks functioned, what the term ‘network’ means in context, and how women writers in particular adopted and adapted to the creative possibilities of networks. This collection of essays address these issues from a variety of perspectives, arguing that networks not only provided women with access to the literary marketplace, but fundamentally altered how they related to each other, to their literary production, and to the broader social sphere. By examining the texts and networks of authors as diverse as Sally Wesley, Elizabeth Hamilton, Susanna Watts, Elizabeth Heyrick, Joanna Baillie, Mary Berry, Mary Russell Mitford, Mary Shelley and Elizabeth Barrett Browning, this volume demonstrates that attention to the scope and influence of women’s literary networks upends long standing assumptions about gender, literary influence and authorial formation during the Romantic period. Furthermore, it suggests that we must rethink what counts as literature in the Romantic period, how we read it, and how we draw the boundaries of Romanticism.

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Shortlisted for the British Science Fiction Association Best Non-Fiction Award 2020Shortlisted for the Locus Science Fiction Foundation Non-Fiction Award 2021An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched.Despite the occasional upsurge of climate change scepticism amongst Anglophone conservative politicians and journalists, there is still a near-consensus amongst climate scientists that current levels of atmospheric greenhouse gas are sufficient to alter global weather patterns to disastrous effect. The resultant climate crisis is simultaneously both a natural and a socio-cultural phenomenon and in this book Milner and Burgmann argue that science fiction occupies a critical location within this nature/culture nexus. Science Fiction and Climate Change takes as its subject matter what Daniel Bloom famously dubbed ‘cli-fi’. It does not, however, attempt to impose a prescriptively environmentalist aesthetic on this sub-genre. Rather, it seeks to explain how a genre defined in relation to science finds itself obliged to produce fictional responses to the problems actually thrown up by contemporary scientific research. Milner and Burgmann adopt a historically and geographically comparatist framework, analysing print and audio-visual texts drawn from a number of different contexts, especially Australia, Britain, Canada, China, Finland, France, Germany, Japan and the United States. Inspired by Williams's cultural materialism, Bourdieu's sociology of culture and Moretti's version of world systems theory, the book builds on Milner’s own Locating Science Fiction to produce a powerfully persuasive study in the sociology of literature.

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An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched.This volume contributes to the vibrant, ongoing recuperative work on women’s writing by shedding new light on a group of authors commonly dismissed as middlebrow in their concerns and conservative in their styles and politics. The neologism ‘interfeminism’ – coined to partner Kristin Bluemel’s ‘intermodernism’ – locates this group chronologically and ideologically between two ‘waves’ of feminism, whilst also forging connections between the political and cultural monoliths that have traditionally overshadowed them. Drawing attention to the strengths of this ‘out-of-category’ writing in its own right, this volume also highlights how intersecting discourses of gender, class and society in the interwar and postwar periods pave the way for the bold reassessments of female subjectivity that characterise second and third wave feminism.The essays showcase the stylistic, cultural and political vitality of a substantial group of women authors of fiction, non-fiction, drama, poetry and journalism including Vera Brittain, Storm Jameson, Nancy Mitford, Phyllis Shand Allfrey, Rumer Godden, Attia Hosain, Doris Lessing, Kamala Markandaya, Susan Ertz, Marghanita Laski, Elizabeth Bowen, Edith Pargeter, Eileen Bigland, Nancy Spain, Vera Laughton Matthews, Pamela Hansford Johnson, Dorothy Whipple, Elizabeth Taylor, Daphne du Maurier, Barbara Comyns, Shelagh Delaney, Stevie Smith and Penelope Mortimer. Additional exploration of the popular magazines Woman’s Weekly and Good Housekeeping and new material from the Vera Brittain archive add an innovative dimension to original readings of the literature of a transformative period of British social and cultural history.List of contributors: Natasha Periyan, Eleanor Reed, Maroula Joannou , Lola Serraf, Sue Kennedy, Ana Ashraf, Chris Hopkins, Gill Plain, Lucy Hall, Katherine Cooper, Nick Turner, Maria Elena Capitani, James Underwood, and Jane Thomas.

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This book introduces Gerard Manley Hopkins' poetry and prose through its wide-ranging engagements with nature, language, science, philosophy, theology, prosody and social issues.

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This close and sensitive study shows Christopher Smart (1722-1771) to be one of the finest and most important English religious poets between George Herbert and Gerard Manley Hopkins.

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This book shows how directors, actors, and critics have sought by various strategies to exorcise the demon of anti-semitism.

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A critical analysis of foremost Indian novelist Shashi Deshpande.

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This book views the Victorian quest romance genre in the light of debates within the then nascent sciences of Anthropology and Archaeology.

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Through detailed discussions of a number of short stories and novels, and references to other works by Indo-English writers, this book shows how Desai maps her ‘India’, and opens up ways of reading ‘India’ for the reader as outsider.

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This is the first full-length study of Marina Warner's work.

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This book introduces the reader to the work for which Swinburne is most famous, concentrating on three major collections - Poems and Ballads 1 (1866), Songs before Sunrise (1871) and Poems and Ballads 2 (1878), as well as a number of his most influential essays.

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Cultured Violence explores contemporary South African culture as a test case for the achievement of democracy by constitutional means in the wake of prolonged and violent conflict. The book addresses key ethical issues, normally addressed from within the discourses of law, the social sciences, and health sciences, through narrative analysis. The book draws from and juxtaposes narratives of profoundly different kinds to make its point: fictional narratives, such as the work of Nobel laureate J.M. Coetzee; public testimony, such as that of the Truth and Reconciliation Commission, and Jacob Zuma’s (the former Deputy President’s) 2006 trial on charges of rape; and personal testimony, drawn from interviews undertaken by the author over the past ten years in South Africa. These narratives are analysed in order to demonstrate the different ways in which they illuminate the cultural “state of the nation”: ways that elude descriptions of South African subjects undertaken from within discourses that have a historical tendency to ignore cultural dimensions of lived experience and their material particularity. The implications of these lived experiences of culture are underlined by the book’s focus on the violation of human rights as comprising practices that are simultaneously discursive and material. Cases of such violations, all drawn from the South African context, include humans’ use of non-human animals as instruments of violence against other humans; the constructed marginalization and vulnerability of women and children; and the practice of stigma in the context of the HIV/AIDS epidemic.

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‘Mr Roscoe’s Garden is a key outcome of The Fragrant Liverpool project. Conceived by Jyll Bradley, this is a unique international art project exploring the stories, rites and exchanges that occur when a flower is cut and placed in the human hand. The project centres on the fascinating story of the Liverpool’s Botanic Collection and the people involved in its intriguing history. Established by William Roscoe in 1802, and moved to more extensive sites in both 1846 when it became a public facility and in 1964, the complete Botanic Collection has not been on display since 1984 when it closed to the public in a political storm that mirrored the cataclysmic 1980s decline of Liverpool itself. The collection thus has both a glorious and tragic past. Jyll Bradley draws together the compelling tales of the Botanic Collection’s history in this creatively ambitious and beautifully illustrated book, evoking the people that made the collection and the distant lands that supplied the plants. By the early nineteenth century the Liverpool Botanic Collection was one of the greatest botanic gardens of its day, filled with strange and rare plants arriving on ships through the City’s port from an ever-widening imperial world. By the mid-twentieth the Collection included the greatest orchid collection ever amassed in municipal Britain, as it still does today. While the indignity of the closure lives on, so do, by miracle, the living plants and the dried plants (in Liverpool’s magnificent Herbarium); the books; the paintings and all the other riches that have, at one time, or another, co-existed in the Liverpool Botanic Gardens. The glory days are still in the past, but the plant collections have continued to be nurtured and grown and Liverpool’s current revival has signalled a new future for the Collection. Painstakingly designed by Jyll Bradley, Mr Roscoe’s Garden is a work of art in itself. Its publication also coincides with the re-emergence of the collection as goes to the Chelsea Flower Show for the first time in 30 years and the Gardens open once again to the public.

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Polemics, Literature, and Knowledge in Eighteenth-Century Mexico is the first study to comprehensively analyse the configuration of the idea of the Republic of Letters in an eighteenth-century Latin American country. Taking a multisided approach to Mexican culture of the era, this book’s analysis of literary texts engages with an exploration of such concepts as the Republic of Letters and the archive, as well as their connections to transatlantic polemics on knowledge production in the New World and debates on philosophical systems of learning. It furthermore draws upon the history of science in Mexico in order to trace the development of scientific thought and its influence on culture, religion, and fiction. This study proposes that eighteenth-century Mexican writers sought to establish a place within a global scholarly community for their local literary republic through the formation of scholarly networks, the historical exploration of the past and present, and the creation of new epistemological approaches to literary production inspired by Enlightenment ideas. This book invites those devoted to the study of eighteenth-century cultures to engage in an examination of a lesser-explored scholarly territory and its networks, and to think about how it was heterogeneously constructed by many-sided polemics and debates which manifested in a broad range of literary works.

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What do we mean when call something a lyric poem? How many kinds of lyric are there? Are there fewer now than there were in 1920 or 1820 or 1620? The purpose of Forms of Late Modernist Lyric is to show that our oldest styles of poetic articulation – the elegy, the ode, the hymn – have figured all too briefly in modern genealogies of lyric, and that they have proved especially seductive, curiously enough, to avant-garde practitioners in the Anglophone tradition. The poets in question – Jorie Graham, Frank O’Hara, Michael Haslam, J. H. Prynne, Claudia Rankine, and others – have thickened the texture of lyric practice at a time when the growing tendency in critical circles has been to dissolve points of difference within the genre itself. The broader aim of this volume is to demonstrate that experimental poets since 1945 have not always been rebarbative and anti-traditional, but rather that their recourse to familiar forms and shapes of thought should prompt us to reconsider late modernism as a crucial phase in the evolving history of lyric.CONTRIBUTORS: Ruth Abbott, Edward Allen, Gareth Farmer, Fiona Green, Drew Milne, Jeremy Noel-Tod, Sophie Read, Matthew Sperling, Esther Osorio Whewell, John Wilkinson

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The Culture of War explores the unexpected flourishing of literature both high and low during the Siege of Paris at the end of the Franco-Prussian War, 1870-1871. When Prussian forces completely blockaded Paris, isolating the city from the outside world, Parisians turned to literature to resist the enemy, to fill the idle hours under siege, and to articulate their place in history. This cultural boom was a conscious effort on the part of literary institutions like newspapers, publishers, and theaters to ensure the viability of their industries during a period of political uncertainty. To do so, many publishers, editors, and directors sought legitimacy through populism, promoting literature written by anonymous and unknown authors or that spoke to populist ideas. A study of national tragedy on a local scale, The Culture of War goes beyond traditional narratives of communal or individual psychology, and studies institutional responses to financial and political instability, viewing literature as a product of economic and political forces.

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A synoptic edition of the English version of John Arderon’s De judiciis urinarum containing the commentary on Giles of Corbeil’s Carmen de urinis as preserved in Glasgow University Library, MS Hunter 328, from the early 15th century, and Manchester University Library, MS Rylands Eng. 1310, from the 16th century. The English version of De judiciis urinarum is a detailed uroscopic treatise instructing the mediaeval practitioner on the examination of urine with twenty colours and eighteen to nineteen contents, incorporating colour descriptions, diagnoses, medicines and information about urinary contents. The present edition offers the semi-diplomatic transcription of these hitherto unedited texts, accompanied by a glossary, notes and introduction, the latter containing the textual transmission of the text, a codicological/palaeographic description together with the analysis of the scribal language. The present edition will be useful as a primary source for research not only in Historical Linguistics but also in other related fields such as the History of Medicine or Ecdotics.

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This book is a richly detailed exploration of the complex and cosmopolitan urban culture inhabited by the Presbyterian elite of late-Georgian Belfast, which will prove to be of interest to a wide range of scholars working on the political, cultural and intellectual histories of both Ireland and Britain during the age of reform. Employing both biographical and thematic approaches, the book begins by examining the story of the Tennents, one of the most prominent Presbyterian families in early-nineteenth-century Belfast, before turning to reconstruct their milieu. Challenging existing narratives, the study provides a major re-assessment of the political life of late-Georgian Belfast, highlighting the activities of a close-knit group of advanced reformer – the ‘natural leaders’ of the books title – who sought to promote the cause of reform and engage with British and European political events. In addition, the book contains the first serious scholarly examination of the cultural and intellectual life of the town in the early-nineteenth century, and the first major treatment of the middle classes’ philanthropic activities. The interplay of politics and culture is discussed, as is the accuracy of Belfast’s reputation as the ‘Athens of the North’ and the religious underpinnings of the town’s charitable societies. In examining these areas, attention is paid to the influence of trends such as romanticism and evangelicalism and of writers such as Lord Byron, Walter Scott, Robert Owen and Thomas Chalmers, and it is argued that, both culturally and politically, the Presbyterian middle classes of Belfast inhabited a British world.

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This book translates the mid-12th-century Synopsis Chronike by Constantine Manasses which was widely circulated. It extends to 1081, marking the end of Nikephoros Botaneiates' reign and the accession of Alexios I Komnenos. Commissioned by the Sevastokratorissa Irene, whose sponsorship likely determined its format in verse and subject matter, the chronicle begins with a dedicatory epigram and introduction lauding Irene for her largesse and love of learning. Manasses proceeds to relate a pastoral view of creation, biblical stories, a history of the peoples of the East, Alexander the Great's conquests and the subsequent Hellenistic empires. He then provides a non-Homeric view of the Trojan War and continues with Rome through the Principate and early empire until the reigns of Constantine I in the East and Theodosios II in the West. Manasses then focuses on the New Rome with a colorful treatment of its individual emperors. The chronicle attracted the attention of Emperor John Alexander for whom the Middle Bulgarian Synodal or Moscow manuscript was translated. This is the mid-14th-century copy taken into account here with deviations from the Greek contained in the footnotes. The so-called Middle Bulgarian Short Chronicle is interspersed in the appropriate places.

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In Unwritten Rome, a new book by the author of Myths of Rome, T.P. Wiseman presents us with an imaginative and appealing picture of the early society of pre-literary Rome—as a free and uninhibited world in which the arts and popular entertainments flourished. This original angle allows the voice of the Roman people to be retrieved empathetically from contemporary artefacts and figured monuments, and from selected passages of later literature.How do you understand a society that didn’t write down its own history? That is the problem with early Rome, from the Bronze Age down to the conquest of Italy around 300 BC. The texts we have to use were all written centuries later, and their view of early Rome is impossibly anachronistic. But some possibly authentic evidence may survive, if we can only tease it out – like the old story of a Roman king acting as a magician, or the traditional custom that may originate in the practice of ritual prostitution. This book consists of eighteen attempts to find such material and make sense of it.

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Terry Gilliam’s 12 Monkeys (1995) was a commercial and critical success, but it is Gilliam’s least understood film, even on the basic plot level. Aside from recognizable debts to specific films such as La Jetée (1962) and Dr. Strangelove (1964), 12 Monkeys plays with a number of genres: apocalypse and postapocalypse movies, sci-fi, nuclear noir, and what is becoming known as “geek dystopia.” This volume in the Constellations series examines Gilliam’s film—and briefly the TV series based on it—in the context of post-apocalypse movies and with an eye to the film’s major themes, including mental illness, conspiracy theories, the impossibility of human closeness, and the nature of reality. It is the first to read 12 Monkeys’s portrayal of time travel in light of Einstein’s ideas about time and to ask what answers these ideas suggest to the film’s most basic philosophical predicament: the problem of free will versus determinism.

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Writers, publishers, readers and scholars have stopped apologising for the short story: the genre is no longer a bad investment, a trial-exercise for a novel or a minor entertainment, as demonstrated by exceptional writers with an almost exclusive dedication to it, such as Jorge Luis Borges, Alice Munro, Quim Monzó or Cristina Fernández Cubas. With deep roots in classic and medieval literatures, and great achievements in the nineteenth- and twentieth-centuries, the genre of the short story, which benefits from the linguistic tightness of poetry and the narrative comforts of the novel, has finally been recognised as having a (hybrid) identity of its own. This volume re-edits and expands a previous bilingual collection published in 1997. The first edition included stories by twelve writers: Pilar Cibreiro, Cristina Fernández Cubas, Paloma Díaz-Mas, Adelaida García Morales, Lourdes Ortiz, Laura Freixas, Marina Mayoral, Mercedes Abad, Rosa Montero, Maruja Torres, Soledad Puértolas and María Eugenia Salaverri. The present edition adds another four: Nuria Amat, Juana Salabert, Luisa Castro and Berta Marsé. The stories gathered in this second edition were written between 1980 and 2010, and testify to the richness and vitality of women’s writing in contemporary Spain. With the original texts in Spanish as well as facing-page English translations, an Introduction, notes, and bio-bibliographical information on each author, this volume is a useful tool for students of the Spanish language and culture at all levels. It includes a selection of secondary reading on Spanish women writers and a selection of anthologies of Spanish short stories since 1997.

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Through a detailed analysis of ghost tales in the Ashkenazi pietistic work Sefer ḥasidim, Susan Weissman documents a major transformation in Jewish attitudes and practices regarding the dead and the afterlife that took place between the rabbinic period and medieval times. She reveals that a huge influx of Germano-Christian beliefs, customs, and fears relating to the dead and the afterlife seeped into medieval Ashkenazi society among both elite and popular groups. In matters of sin, penance, and posthumous punishment, the infiltration of Christian notions was so strong as to effect a radical departure in Pietist thinking from rabbinic thought and to spur outright contradiction of talmudic principles regarding the realm of the hereafter. Although it is primarily a study of the culture of a medieval Jewish enclave, this book demonstrates how seminal beliefs of medieval Christendom and monastic ideals could take root in a society with contrary religious values—even in the realm of doctrinal belief.

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How Jews use media to connect with one another has profound consequences for Jewish identity, community, and culture. This volume explores how the use of media can both create communities and divide them because of how different media shape actions and project anxieties, conflicts, and emotions. Taken together, the essays presented here consider how Jewish use of media at home and in the street, as well as in the synagogue and in school, affects the individual’s sense of ethnic and religious affiliation. They include closely observed case studies, in various national contexts, of the role of popular film, television, records, the Internet, and smartphones, as well as the role of print media, now and historically. They raise fascinating questions about how Jews and Jewish institutions harness, tolerate, or resist media to create their sense of social belonging as Jews within the wider society.

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Moshe Rosman's revolutionary approach has become a cornerstone of Polish Jewish historiography. Challenging conventions, he asserts that the 'marriage of convenience' between the Jews and the Polish--Lithuanian Commonwealth was a dynamic relationship that, though punctuated by crisis and persecution, developed into a saga of overall achievement and stability. With that fundamental message this book forges a thematic survey of Jewish history in early modern Poland. These essays, written by Rosman over the course of a distinguished career, have all been updated and enhanced with new detail and nuanced arguments, taking account not only of new archival material and research but also of the ongoing evolution of the author’s own knowledge and perspectives. Some appear here in English for the first time. The volume's structure highlights key topics for understanding the Polish Jewish past: relations between Jews and other Poles; Jewish communal life; Polish Jewish women; and hasidism. One section analyses how this past has been presented in both scholarly and popular modes. The essays are crafted to place them in dialogue with each other. Analytical introductions weigh their significance in the light of modern and postmodern Jewish and Polish historiography. An extensive general introduction sets the context of the history portrayed here, while a thoughtful conclusion elucidates the larger motifs that emerge.

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Ada Rapoport-Albert has been a key player in the profound transformation of the history of hasidism that has taken shape since the 1970s. She has never lacked the courage to question conventional wisdom, but neither has she overturned it lightly. The essays in this volume show the erudition and creativity of her contribution to rewriting the master-narrative of hasidic history. Thanks to her we now know that eighteenth-century hasidism evolved in a context of intense spirituality rather than political, social, economic, or religious crisis. It did not represent the movement’s ‘classic period’ and was not a project of democratization, ameliorating the hierarchical structuring of religion and spirituality. Eighteenth-century hasidism is more accurately described as the formative and creative prelude to the mature movement of the nineteenth century: initially neither institutionalized nor centralized, it developed through a process of differentiation from traditional ascetic-mystical hasidism. Its elite leaders only became conscious of a distinctive group identity after the Ba’al Shem Tov’s death, and they subsequently spent the period from the late eighteenth to the early nineteenth century experimenting with various forms of doctrine, literature, organization, leadership, and transfer of authority. Somewhat surprisingly there was no attempt to introduce any revision of women’s status and role; in the examination of this area of hasidism Rapoport-Albert’s contribution has been singularly revealing. Her work has emphasized that, contrary to hasidism’s thrust towards spiritualization of the physical, the movement persisted in identifying women with an irredeemable materiality: women could never escape their inherent sexuality and attain the spiritual heights. Gender hierarchy therefore persisted and, formally speaking, for the first 150 years or so of hasidism’s existence women were not counted as members of the group. Twentieth-century Habad hasidim responded to modernist feminism by re-evaluating the role of women, but just as Habad appropriated modern rhetorical strategies to defend tradition, so it adopted certain feminist postulates in order to create a counter-feminism that would empower women without destabilizing traditional gender roles. The essays in this volume are a fitting statement of Professor Rapoport-Albert’s importance to the study of hasidism, to Jewish studies as a whole, and to the academic scrutiny of religion. Written over a period of forty years, they have been updated for this volume with regard to significant detail and to take account of important works of scholarship written after they were originally published.

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The Habad school of hasidism is distinguished today from other hasidic groups by its famous emphasis on outreach, on messianism, and on empowering women. Hasidism Beyond Modernity provides a critical, thematic study of the movement from its beginnings, showing how its unusual qualities evolved. Topics investigated include the theoretical underpinning of the outreach ethos; the turn towards women in the twentieth century; new attitudes to non-Jews; the role of the individual in the hasidic collective; spiritual contemplation in the context of modernity; the quest for inclusivism in the face of prevailing schismatic processes; messianism in both spiritual and political forms; and the direction of the movement after the passing of its seventh rebbe, Rabbi Menachem Mendel Schneerson, in 1994. Attention is given to many contrasts: pre-modern, modern, and postmodern conceptions of Judaism; the clash between maintaining an enclave and outreach models of Jewish society; particularist and universalist trends; and the subtle interplay of mystical faith and rationality. Some of the chapters are new; others, published in an earlier form, have been updated to take account of recent scholarship. This book presents an in-depth study of an intriguing movement which takes traditional hasidism beyond modernity.

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It is commonly asserted that Maimonides' famous Thirteen Principles are the last word in Orthodox Jewish theology. This is a very popular notion, and is often repeated by scholars from all camps in Judaism. Yet such a position ignores the long history of Jewish theology in which Maimonides' Principles have been subject to great dispute. The book begins with a discussion of the significance of the Principles and illustrates how they assumed such a central place in traditional Judaism. Each principle is then considered in turn: the reasons underlying Maimonides' formulations are expounded and the disputes that have arisen concerning them are discussed in detail. Marc B. Shapiro's authoritative analysis makes it quite clear that the notion that Maimonides' Principles are the last word in traditional Jewish theology is a misconception, and that even Maimonides himself was not fully convinced of every aspect of his formulations. Although structured around Maimonides' Principles, this book can also be seen as an encyclopedia of traditional Jewish thought concerning the central issues of Jewish theology. The diversity of opinion in Jewish tradition on such issues as God, Creation, and the Revelation of the Torah is sure to surprise readers.

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Modernity offers people choices about who they want to be and how they want to appear to others. The way in which Jews choose to frame their identity establishes the dynamic of their social relations with other Jews and non-Jews - a dynamic complicated by how non-Jews position the boundaries around what and who they define as Jewish. This book uncovers these processes, historically, as well as in contemporary behavior, and finds explanations for the various manifestations, in feeling and action, of 'being Jewish.' Boundaries and borders raise fundamental questions about the difference between Jews and non-Jews. At root, the question is how 'Jewish' is understood in social situations where people recognize or construct boundaries between their own identity and those of others. The question is important because this is by definition the point at which the lines of demarcation between Jews and non-Jews, and between different groupings of Jews, are negotiated. Collectively, the contributors to the book expand our understanding of the social dynamics of framing Jewish identity. The book opens with an introduction that locates the issues raised by the contributors in terms of the scholarly traditions from which they have evolved. Part I presents four essays dealing with the construction and maintenance of boundaries - two by scholars showing how boundaries come to be etched on an ethnic landscape and two by activists who question and adjust distinctions among neighbors. Part II focuses on expressive means of conveying identity and memory, while, in Part III, the discussion turns to museum exhibitions and festive performances as locations for the negotiation of identity in the public sphere. A lively discussion forum concludes the book with a consideration of the paradoxes of Jewish heritage revival in Poland, and the perception of that revival by Jews and non-Jews. *** ..".these essays help us understand the social dynamics of Jewish identity and how identity is constructed in modern life." -- AJL Reviews, February/March 2015 (Series: Jewish Cultural Studies - Vol. 4) [Subject: Jewish Studies, Cultural Studies]

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Brian De Palma's adaptation of Stephen King's debut novel, Carrie (1976), is one of the defining films of 1970s "New Hollywood" style and a horror classic. The story of a teenage social outcast who discovers she possesses latent psychic powers that allow her to deliver retribution to her peers, teachers, and abusive mother, Carrie was an enormous commercial and critical success and is still one of the finest screen adaptations of a King novel. This contribution to the Devil's Advocates series not only breaks the film down into its formal componenets--its themes, stylistic tropes, technical approaches, uses of color and sound, dialogue, and visual symbolism--but also considers a multitude of other factors contributing to the work's classic status. The act of adapting King's novel for the big screen, the origins of the novel itself, the place of Carrie in De Palma's oeuvre, the subsequent versions and sequel, and the social, political, and cultural climate of the era (including the influence of second wave feminism, loosening sexual norms, and changing representations of adolescence), as well as the explosion of interest in and the evolution of the horror genre during the decade, are all shown to have played an important part in the film's success and enduring reputation.

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Pan's Labyrinth (2006) is a film of extraordinary technical achievement and intense emotional impact, garnering acclaim from both critics and audiences alike. Such a rich cinematic text demands close scrutiny and comprehensive study. This volume guides the reader through a detailed analysis of the film, concentrating on the generation of meaning for the viewer. The book maps technical choices and how they capture human experience and political conflict. It also details the processes of production, distribution, and exhibition. Specific examples from a range of film texts enable a vivid grasp of technical vocabulary, therefore providing readers with the tools to analyze other films as well.

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Midrash is arguably the most ancient genre of Jewish literature, forming a voluminous body of scriptural exegesis over the course of centuries. There is hardly anything in the ancient rabbinic universe that was not taught through this medium. The diversity and development of that creative profusion are presented here in a new light. The contributors cover a broad range of texts, from late antiquity to the modern period and from all the centres of literary creativity, including non-rabbinic and non-Jewish literature, so that the full extent of the modes and transformations of Midrash can be fully appreciated. A comprehensive introduction situates Midrash in its historical and cultural setting, pointing to creative adaptations within the tradition and providing a sense of the variety of genres and applications discussed in the body of the book. Bringing together an impressive array of the leading names in the field, the volume is innovative in both its scope and content, seeking to open a new period in the study of Midrash and its creative role in the formation of culture. It should be of interest to all scholars of Jewish studies, as well as to a wider readership interested in the interrelationships between hermeneutics, culture, and creativity, and especially in the afterlife of a classical genre and its ability to inspire new creativity in many forms. Contributors: Philip Alexander, Sebastian Brock, Jacob Elbaum, Michael Fishbane, Robert Hayward, William Horbury, Sara Japhet, Ephraim Kanarfogel, Naftali Loewenthal, Ivan G. Marcus, Alison Salvesen, Marc Saperstein, Chava Turniansky, Piet van Boxel, Joanna Weinberg, Benjamin Williams, Elliot Wolfson, Eli Yassif.

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The Jewish Cultural Studies series offers a contemporary view of Jewish culture around the globe. Multidisciplinary, multi-focused, and eclectic, it covers the cultural practices of secular Jews as well as of religious Jews of all persuasions, and from historical as well as contemporary perspectives. It also considers the range of institutions that represent and respond to Jewishness, including museums, the media, synagogues, and schools. More than a series on Jewish ideas, it uncovers ideas of being Jewish. This volume proposes that the idea of 'Jewish', or what people think of as 'Jewishness', is revealed in expressions of culture and applied in constructions of identity and representation. In Part I, 'Expression', Elly Teman considers how the kabbalistic red string found at sites throughout Israel conveys a political and psychological response to terrorism. Sergey Kravtsov examines Jewish and non-Jewish narratives concerning a synagogue in eastern Europe. Miriam Isaacs looks at expressions of cultural continuity in DP camps in the aftermath of the Holocaust, and Jascha Nemtsov discusses how Jewish folk music was presented as high art in early twentieth-century Germany. In Part II, 'Identity', Joachim Schlor enquires how the objects taken by emigrants leaving Germany for Palestine after Hitler's rise to power represented their identities. Hanna Kliger, Bea Hollander-Goldfein, and Emilie Passow examine how survivors' narratives become integrated into family identities. Olga Gershenson offers close readings of how the identities of Jews as enacted in post-perestroika films highlight conflicting Russian attitudes towards Jews. Ted Merwin considers commercial establishments as 'sacred spaces' for Jewish secular identities. Part III, 'Representation', opens with stories collected in Israel by Ilana Rosen from Jews who lived in Carpatho-Russia, while Judith Lewin considers the characterization of the Jewish woman in French literature. Holly Pearse and Mikel Koven, respectively, decode the Jewishness of modern radio comedy and Hollywood film. The idea of Jewishness is applied in the volume with provocative interpretations of Jewish experience, and fresh approaches to the understanding of Jewish cultural expressions. CONTRIBUTORS Simon J. Bronner, Olga Gershenson, Bea Hollander-Goldfein, Miriam Isaacs, Hannah Kliger, Mikel J. Koven, Sergey R. Kravtsov, Judith Lewin, Ted Merwin, Jascha Nemtsov, Emilie S. Passow, Holly A. Pearse, Ilana Rosen, Joachim Schlor, Elly Teman

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The crucial question for today's Jewish world, Menachem Kellner argues, is not whether Jews will have Jewish grandchildren, but how many different sorts of mutually exclusive Judaisms those grandchildren will face. Kellner’s short, brisk, and accessible book examines how the split that threatens the Jewish future can be avoided. The first six chapters of this strongly argued book analyse what religious faith means in classical Judaism and will be of interest to anyone seeking lucid insights into the nature of Judaism. The final chapter builds upon the conclusions of the first six in order to argue for a new way of construing the relationship of Orthodoxy to non-Orthodox Jews and institutions. Kellner argues that the Orthodox practice of framing the debate with non-Orthodox movements in terms of dogmatic fidelity contrasted with heresy is not the traditional Jewish approach, and that the debate could well be framed in other ways, ways that would allow all Jews to work together towards a less polarized Jewish future. Undoubtedly, Must a Jew Believe Anything? has the potential to make a difference to how Orthodoxy understands itself and its relationship to other Jewish movements in the modern world. For the second edition, the author has added a substantial Afterword, reviewing his thinking on the subject and addressing the reactions to the original edition.

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In the period between the two world wars, Poland's Jewish community was second only in size to that of the United States, and was the laboratory in which the ideological orientations which dominated the Jewish world - Zionism, Bundism, Neo-Orthodoxy, Assimilation - were tested. There has been much disagreement as to the character and strength of anitsemitism in Poland at that time, and the extent to which the experience of the Jews aided the Nazis in carrying out their genocidal plans. This latest volume of Polin includes contributions from Poland, western Europe, Israel, and North America, which together provide a clearer understanding of the issues which have in the past proved so divisive. It also includes a number of personal testimonies from people who experienced the interwar period at first hand. The result is a book that will be essential reading for all those interested in modern Jewish history and in the problems of ethnic minorities in post-Versailles Europe.

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Discusses the Druze in the Middle East in general, with a particular focus of the Druze relationship with the State of Israel. Part I -- Faiths, Commandments, and the Life-Cycle -- deals with practical religious commandments, religious rights and ceremonies, and the life-cycle of the individual. Original material is presented that places the Druze unequivocally as members of an independent faith with their own unique identity. Part II -- Spiritual Leadership and Community Organisation -- treats the spiritual leadership in various countries of the Middle East throughout their history. This leadership is of great importance in administering the life of the Druze community. Part III -- Population, Society, and Identity in Israel -- discusses the role of family, society, and religious identity, and the changes in attitudes that have taken place in recent generations. Part IV -- Laws of Personal Status -- is an analysis of the laws of personal status of individuals, and of the implementation of these laws in practice in the Druze religious courts.

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