Search results for ""author victoria"

As prominent members of the Victorian cultural and artistic world, Sir Charles and Lady Elizabeth Eastlake, along with their nephew Charles Locke Eastlake, enjoyed the friendship and support of influential figures including Prince Albert, Sir Thomas Lawrence, J. M. W. Turner, and Sir Robert Peel. This fascinating original biography brings the unique personality of each of the Eastlakes into sharp focus while also exploring their important contributions during the early days of the National Gallery. Charles Eastlake, an artist and connoisseur, was chosen to be not only the President of the Royal Academy from 1850, but also the National Gallery's first Director in 1855. With his capable wife, a literary critic and art historian in her own right, he traveled throughout Europe acquiring significant paintings for the Gallery and implementing important changes to their display and description. Nephew Charles, an architect and popularizer of the Arts and Crafts style, was Keeper at the National Gallery from 1878 to 1898. Art for the Nation tells the remarkable story of the Eastlake family's devotion to art and to the National Gallery during its crucial formative years.Published by National Gallery Company / Distributed by Yale University PressExhibition Schedule:National Gallery, London(07/27/11-10/30/11)

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In the summer of 1845, Frederick Douglass, the young runaway slave catapulted to fame by his incendiary autobiography, Narrative of the Life of Frederick Douglass, an American Slave, arrived in Liverpool for the start of a near-two-year tour of Britain and Ireland he always called one of the most transformative periods of his life. Laurence Fenton draws on a wide array of sources from both sides of the Atlantic and combines a unique insight into the early years of one of the great figures of the nineteenth-century world with rich profiles of the enormous personalities at the heart of the transatlantic anti-slavery movement. This vivid portrait of life in Victorian Britain is the first to fully explore the ‘liberating sojourn’ that ended with Douglass gaining his freedom – paid for by British supporters – before returning to America as a celebrity and icon of international standing. It also follows his later life, through the American Civil War and afterwards. Douglass has been described as ‘the most influential African American of the nineteenth century’. He spoke and wrote on behalf of a variety of reform causes: women’s rights, temperance, peace, land reform, free public education and the abolition of capital punishment. But he devoted most of his time, immense talent and boundless energy to ending slavery. On April 14, 1876, Douglass would deliver the keynote speech at the unveiling of the Emancipation Memorial in Washington’s Lincoln Park.

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The discovery of a cache of thousands of letters and dozens of diaries brings to light the untold story of Mrs. Tennant and her glittering social world Gertrude Tennant’s life was remarkable for its length (1819–1918), but even more so for the influence she achieved as an unsurpassed London hostess. The salon she established when widowed in her early fifties attracted legions of celebrities, among them William Gladstone and Benjamin Disraeli, Oscar Wilde, Mark Twain, Thomas Huxley, John Everett Millais, Henry James, and Robert Browning. In her youth she had a fling with Gustave Flaubert, and in her later years she became the redoubtable mother-in-law to the explorer Henry Morton Stanley. But as a woman in a male-dominated world, Mrs. Tennant has been remembered mainly as a footnote in the lives of eminent men.This book recovers the lost life of Gertrude Tennant, drawing on a treasure trove of recently discovered family papers—thousands of letters, including two dozen original letters from Flaubert to Tennant; dozens of diaries; and many other unpublished documents relating to Stanley and other famous figures of the nineteenth and early twentieth centuries. David Waller presents Gertrude Tennant’s life in colorful detail, placing her not only at the heart of a multigenerational, matriarchal family epic but also at the center of European social, literary, and intellectual life for the best part of a century.

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Attending the party and taking a leading role in the ensuing investigation is one of the most beloved characters from Anne Perry's Thomas Pitt series: Lady Vespasia Cumming-Gould. Lady Vespasia's friend Isobel has made a cruel remark about Gwendolen Kilmuir on the night Gwendolen was meant to have become engaged to the eligible Bertie Rosythe. Gwendolen flees the room, and the next morning her body is found in the lake in the gardens of the estate. It appears she has jumped from the bridge. The host, Omegus Jones and Vespasia decide to find who or what might have led Gwendolen to resort to such an extreme measure. They vow to make the guilty party seek forgiveness and expiation through the task of taking a sealed letter written by Gwendolen before her death to her mother up in the north of Scotland.The journey will be both physically and emotionally arduous but will bring answers to some unexpected and profound questions.

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A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and products of image-making. Examining moments of military and diplomatic crisis, this book considers how artists and photographers operating "in the field" helped to define British visions of war and peace. The Victorians increasingly turned to visual spectacle to help them compose imperial sovereignty. The British Empire was thus rendered into a spectacle of "peace," from world’s fairs to staged diplomatic rituals. Yet this occurred against a backdrop of incessant colonial war—campaigns which, far from being ignored, were in fact unprecedentedly visible within the cultural forms of Victorian society. Visual media thus shaped the contours of imperial statecraft and established many of the aesthetic and ethical frames within which the colonial violence was confronted.Distributed for the Paul Mellon Centre for Studies in British Art

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During the nineteenth century, Britain became the first gaslit society, with electric lighting arriving in 1878. At the same time, the British government significantly expanded its power to observe and monitor its subjects. How did such enormous changes in the way people saw and were seen affect Victorian culture?To answer that question, Chris Otter mounts an ambitious history of illumination and vision in Britain, drawing on extensive research into everything from the science of perception and lighting technologies to urban design and government administration. He explores how light facilitated such practices as safe transportation and private reading, as well as institutional efforts to collect knowledge. And he contends that, contrary to presumptions that illumination helped create a society controlled by intrusive surveillance, the new radiance often led to greater personal freedom and was integral to the development of modern liberal society.The Victorian Eye's innovative interdisciplinary approach - and generous illustrations - will captivate a range of readers interested in the history of modern Britain, visual culture, technology, and urbanization.

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Charles Astor Bristed (1820-1874) was the favourite grandson of John Jacob Astor (the first American multi-millionaire, and the Astor of the Waldorf-Astoria). After gaining a degree at Yale, Bristed entered Trinity College, Cambridge in 1840, graduating in 1845. "An American in Victorian Cambridge" is a richly detailed account of student life in the Cambridge of the 1840s. The rationale for the book, which is as appealing today as it was then, is that this is pre-eminently a book about an American student at an English university. The book belongs to a fascinating C19th trans-Atlantic publishing genre: travel accounts designed to describe British culture to Americans and vice-versa. In this new edition, some substantial additions have been made: the Foreword and Introduction both help to contextualise the work, and point to its significance as an important historical source and as a fascinating memoir of life in Victorian Cambridge; annotation helps to identify the individuals who appear in Bristed’s text; and an index allows full use to be made of the text for the first time.

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An irresistible mystery set in 1890s Edinburgh, Kaite Welsh's THE WAGES OF SIN features a female medical student-turned-detective, and will thrill fans of Sarah Waters and Antonia Hodgson.'Historical fiction doesn't get much more delicious or original' Damian Barr'This powerful novel combines a disturbing look at late Victorian attitudes towards women and morality with a satisfying murder mystery' Sunday ExpressSarah Gilchrist has fled from London to Edinburgh in disgrace and is determined to become a doctor, despite the misgivings of her family and society. As part of the University of Edinburgh's first intake of female medical students, Sarah comes up against resistance from lecturers, her male contemporaries, and - perhaps worst of all - her fellow women, who will do anything to avoid being associated with a fallen woman...When one of Sarah's patients turns up in the university dissecting room as a battered corpse, Sarah finds herself drawn into Edinburgh's dangerous underworld of bribery, brothels and body snatchers - and a confrontation with her own past.What readers are saying about THE WAGES OF SIN:'Sarah Gilchrist is a brilliant lead character. Atmospheric and evocative. Well worth a read' 'A fascinating exploration of how women were treated in Victorian times, enveloped in a dark murder mystery. It kept me guessing and kept me wanting more. One of my favourite historical fictions ever' 'A punchy, feminist page-turner with a wonderful sense of atmosphere'

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In 1898, a group of schoolboys in Bridgeport, Connecticut discovered gruesome packages under a bridge holding the dismembered remains of a young woman. Finding that the dead woman had just undergone an abortion, prosecutors raced to establish her identity and fix blame for her death. Suspicion fell on Nancy Guilford, half of a married pair of “doctors” well known to police throughout New England. A fascinated public followed the suspect’s flight from justice, as many rooted for the fugitive. The Disquieting Death of Emma Gill takes a close look not only at the Guilfords, but also at the cultural shifts and societal compacts that allowed their practice to flourish while abortion was both illegal and unregulated.Focusing on the women at the heart of the story—both victim and perpetrator—Biederman reexamines this slice of history through a feminist lens and reminds us of the very real lives at stake when a woman's body and choices are controlled by others.

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Genvieve Stonefield's husband Angus is missing when she seeks William Monk's help to find him. She is convinced that he has been murdered by his twin brother Caleb, a shadowy figure who lives in the slums bordering the Thames and has always hated his respectable businessman brother. Although worried about Hester Latterly's health as she nurses victims of a typhoid outbreak in Limehouse, and threatened by a personal scandal, Monk is determined to bring one of the most bizarre cases he has ever encountered to its conclusion.

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The descendant of German and French Catholic mercenaries, a Scots Presbyterian subaltern, and their secluded Indian wives, David Ochterlony Dyce Sombre defied all classification in the North Indian principality where he was raised. Add to these influences an adoptive mother who began as a Muslim courtesan and rose to become the Catholic ruler of a strategically-placed, cosmopolitan little kingdom, which her foster son was destined to inherit, and you have the origins of a fascinating life that reflects many of the Romantic, political, and colonial trends of a century. As heir to the throne, Sombre took great advantage of the sensuous pleasures of privilege, but he lost his kingdom to the British and went into exile in London with his very considerable fortune. Despite being Indian and Catholic, Sombre married the daughter of an English Protestant Viscount, who was a prominent defender of slavery. Sombre bought himself election as a British MP but then was expelled for corruption. His treatment of his aristocratic wife led to his arrest and confinement as a Chancery lunatic. Fleeing to France, Sombre spent years trying to reclaim his sanity and his fortune from those among the British establishment who had done him down. In this thrilling biography, Michael H. Fisher recovers Sombre's strange story and the echoes of his case for modern conceptions of race, privilege and empire.

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Exploring the concept of portrait as memoir, Women, Portraiture and the Crisis of Identity in Victorian England: My Lady Scandalous Reconsidered examines the images and lives of four prominent Victorian women who steered their way through scandal to forge unique identities. The volume shows the effect of celebrity, and even notoriety, on the lives of Mary Elizabeth Braddon, Lady Dilke, Millicent Garrett Fawcett, and Sarah Grand. For these women, their portraits were more than speaking likenesses-whether painted or photographic, they became crucial tools the women used to negotiate their controversial identities. Women, Portraiture and the Crisis of Identity in Victorian England shows that the fascinating power of celebrity - and specifically its effects on women - was as much of a phenomenon in Victorian times as it is today. Colleen Denney explores how these women used their portraits as tools of persuasion, performing a domestic masquerade to secure privacy and acceptance, or sites of resistance, tearing down male constructions of female propriety and fighting Victorian stereotypes of intellectual women. Questioning the classic Victorian notions of "separate spheres," this volume celebrates women's search for self within the constraints of the nineteenth century, as well as within the world of present-day academia.

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It may come as some surprise that in such a popular area of military history there is no book that focuses on the experience of the Victorian soldier - from recruitment to embarkation, fighting and perhaps returning, perhaps dying - in his own words. Dr Manning's meticulous research in primary sources gives the lie to the received image of the disciplined, redcoated campaigner of Victorian art and literature: for one thing, by the time he arrived at his destination, the coat would have been in rags. The distances covered on march were unbelievable, through desert and disease-ravaged swamp. Lavishly illustrated throughout, all the major Colonial campaigns and most of the minor ones are featured. To understand how what was in reality a tiny standing army controlled the largest empire the world has ever seen, this book is a must.

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During the nineteenth century, Britain became the first gaslit society, with electric lighting arriving in 1878. At the same time, the British government significantly expanded its power to observe and monitor its subjects. How did such enormous changes in the way people saw and were seen affect Victorian culture?To answer that question, Chris Otter mounts an ambitious history of illumination and vision in Britain, drawing on extensive research into everything from the science of perception and lighting technologies to urban design and government administration. He explores how light facilitated such practices as safe transportation and private reading, as well as institutional efforts to collect knowledge. And he contends that, contrary to presumptions that illumination helped create a society controlled by intrusive surveillance, the new radiance often led to greater personal freedom and was integral to the development of modern liberal society.The Victorian Eye's innovative interdisciplinary approach - and generous illustrations - will captivate a range of readers interested in the history of modern Britain, visual culture, technology, and urbanization.

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One of the most notorious Victorian murders was committed by Dr George Henry Lamson, who stood trial in 1882 for poisoning his crippled brother-in-law Percy Malcolm John; he was found guilty, sentenced to death, and executed. This book is the first full-length account of the Lamson case since the relevant ‘Notable British Trials’ volume appeared back in 1912. Using contemporary newspapers, the police and Home Office files at the National Archives, and various other archival sources, it describes Lamson’s adolescence in a distinguished New York family, his successful medical studies in Paris and Edinburgh, and his valiant wartime service as a military surgeon in Serbia and Romania. Things then went rapidly downhill: he failed to establish himself as a general practitioner in Bournemouth, and descended into a maelstrom of drug addiction and moral irresponsibility, ending up a cruel, calculating murderer for the sake of profit. New light will be shed on Lamson’s motive for the murder, and on his choice of poison; arguments will be presented that the murder of Percy Malcolm John was not the first attempt on the life of this hapless youth by the murderous doctor; nor was he the first victim of this cunning and subtle Victorian poisoner par excellence.

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This book examines Virginia Woolf's influence on the literary afterlives of nineteenth-century women of letters through her journalism, including case studies of Jane Austen, Mary Russell Mitford, Elizabeth Barrett Browning, Charlotte Bronte, George Eliot, Margaret Oliphant and Mary Augusta Ward. Woolf's responses to her literary predecessors provide new insights into her self-positioning within the literary canon and the interplay of biographical innovation and Victorian legacies in her non-fiction. This study demonstrates that Victorian narratives and tropes of female professionalism continue to shape Woolf's representations of nineteenth-century women writers even in her heyday of her Modernist fame. It contextualises the overt feminism of A Room of One's Own within Woolf's more ambiguous literary biography to argue for its status as a transitional, post-Victorian body of work.

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What is steampunk and why are people across the globe eagerly embracing its neo-Victorian aesthetic? Old-fashioned eye goggles, lace corsets, leather vests, brass gears and gadgets, mechanical clocks, the look appears across popular culture, in movies, art, fashion, and literature. But steampunk is both an aesthetic program and a way-of-life and its underlying philosophy is the key to its broad appeal. Steampunk champions a new autonomy for the individual caught up in today’s technology-driven society. It expresses optimism for the future but it also delivers a note of caution about our human role in a world of ever more ubiquitous and powerful machines. Thus, despite adopting an aesthetic and lifestyle straight out of the Victorian scientific romance, steampunk addresses significant 21st-century concerns about what lies ahead for humankind. The movement recovers autonomy from prevailing trends even as it challenges us to ask what it is to be human today.

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The Masses Are Revolting reconstructs a pivotal era in the history of affect and emotion, delving into an archive of nineteenth-century disgust to show how this negative emotional response came to play an outsized, volatile part in the emergence of modern British society. Attending to the emotion's socially productive role, Zachary Samalin highlights concrete scenes of Victorian disgust, from sewer tunnels and courtrooms to operating tables and alleyways. Samalin focuses on a diverse set of nineteenth-century writers and thinkers—including Charles Darwin, Charles Dickens, Karl Marx, Friedrich Engels, Thomas Hardy, George Gissing, and Charlotte Brontë—whose works reflect on the shifting, unstable meaning of disgust across the period. Samalin elaborates this cultural history of Victorian disgust in specific domains of British society, ranging from the construction of London's sewer system, the birth of modern obscenity law, and the development of the conventions of literary realism to the emergence of urban sociology, the rise of new scientific theories of instinct, and the techniques of colonial administration developed during the Indian Rebellion of 1857. By bringing to light disgust's role as a public passion, The Masses Are Revolting reveals significant new connections among these apparently disconnected forms of social control, knowledge production, and infrastructural development.

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'A tale of irresponsibility and inexperience' THE TIMES'Graphically written with a sense of dramatic construction' SCOTSMANOn December 28th 1879, the night of the Great Storm, the Tay Bridge collapsed, along with the train that was crossing, and everyone on board...This is the true story of that disastrous night, told from multiple viewpoints:The station master waiting for the train to arrive - who sees the approaching lights simply vanish.The bored young boys watching from their bedroom window who witness the disaster.The dreamer who designed the bridge which eventually destroyed him.The old highlanders who professed the bridge doomed from the outset.The young woman on the ill-fated train, carrying a love letter from the man she hoped to marry...THE HIGH GIRDERS is a vivid, dramatic reconstruction of the ill-omened man-made catastrophe of the Tay Bridge disaster - and its grim aftermath.

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Two Literary Critics Romancing the Archive at London's National Portrait Gallery. Part biography, part detective novel, part love story, and part meta archival meditation, Love Among the Archives is an experiment in writing a life. Our subject is Sir George Scharf, the founding director of the National Portrait Gallery in London, well known and respected in the Victorian period, strangely obscure in our own. We tell of discovering Scharf's souvenirs of a social life among the highest classes, and then learning he was the self made son of an impoverished immigrant. As we comb through 50 years of daily diaries, we stumble against plots we bring to the archive from our reading of novels. We ask questions like, did Scharf have a beloved? Why did Scharf kick his aged father out of the family home? What could someone like Scharf mean when he referred to an earl as his "best friend"? The answers turn out never to be what Victorian fiction - or Victorianist Studies - would have predicted. Presents a unique approach to life writing that foregrounds the process of archival discovery; a contribution to sexuality studies of the Victorian period that focuses on domestic arrangements between middle class men; offers an intervention into identity studies going beyond class, gender, and sexuality to try out new categories like "extra man" or "perpetual son" and a humorous critique of what literary critics do when they turn to "the archive" for historical authenticity.

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The most beautiful Victorian maps of England's counties and cities – in large format – by one of Britain's great cartographer's Thomas Moule. Thomas Moule was one of the finest Victorian mapmakers and is regarded as the true follower of John Speed in the cartographic history of Britain. Moule’s beautifully observed county and city maps present a minutely detailed record of 19th-century England. They were first published in collectable parts between 1830 and 1837 and then published together in the extensive 2-volume masterwork The English Counties Delineated. Moule celebrated the ‘ancientness’ and history of each county by including pastoral or monument views within the maps, all framed by cartouches, festoons and architectural ornament in a variety of historical styles. But underpinning this ancient vision is the hand of the British Industrial Revolution. Moule’s maps are deeply informed by the early technical work of the Ordnance Survey and record the unstoppable growth of the major cities and the unrelenting spread of the railways. The maps have remained influential and highly collectable as both originals and as reproductions. For the first time in a generation this new large-format volume, comprising 55 county and city maps, presents the main body of Thomas Moule’s work alongside his original detailed text descriptions. The book’s Introduction explains Moule’s career as a writer and antiquary and sets his celebrated maps in the context of the technical cartographic revolution in which they were published. The book examines the wide-ranging artistic and cultural influences exhibited as Moule combines accurate cartography with highly decorative architectural frames and evocative, Romantic, pastoral views of the England he so cherished. In doing so it positions him alongside his fellow celebrated Victorian pioneers, including George Virtue, William Westall, Walter Scott, Charles Dickens, JMW Turner, Augustus Pugin, Edward Stanford and George Bradshaw.

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When discussing unsolved murders of women in late Victorian London, most people think of the depredations of Jack the Ripper, the Whitechapel Murderer, whose sanguineous exploits have spawned the creation of a small library of books. But Jack the Ripper was just one of a string of phantom murderers whose unsolved slayings outraged late Victorian Britain. The mysterious Great Coram Street, Burton Crescent and Euston Square murders were talked about with bated breath, and the northern part of Bloomsbury got the unflattering nickname of the ‘murder neighbourhood’ for its profusion of unsolved mysteries. Marvel at the convoluted Kingswood Mystery, littered with fake names and mistaken identities; be puzzled by the blackmail and secret marriage in the Cannon Street Murder; and shudder at the vicious yet silent killing in St Giles that took place in a crowded house in the dead of night. This book is the first to resurrect these unsolved Victorian murder mysteries, and to highlight the ghoulish handiwork of the Rivals of the Ripper: the spectral killers of gas-lit London.

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Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

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From humble beginnings with the threat of the workhouse looming, Emily Soldene rose to become a star of the London stage and a formidable impresario with her own opera company. The darling of theatreland, she later reinvented herself as a journalist and writer who scandalised the country with her outrageous memoir. Weaving through the grit and glamour of Victorian music halls and theatres, taking encounters with the Pre-Raphaelites and Charles Dickens in her stride, Emily became the toast of New York and ventured far off the beaten track to tour Australia and New Zealand. Batten paints a vibrant portrait of an almost forgotten star who trod the boards, travelled the globe and tore up the Victorian rule book.

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A study of growth and controversy in Victorian Methodism, through the records of the Local Preachers of the Oxford Wesleyan Circuit. Wesleyan Methodism was the largest Free Church denomination in Victorian Oxfordshire, with a presence in many towns and villages as well as in the city of Oxford and its growing suburbs. Crucial to the nurture and expansion of Methodism were the Local Preachers, lay volunteers who conducted most of the Sunday services in Methodist chapels. The quarterly Preachers' Meetings supervised the recruitment, training, deployment and discipline of these volunteers, and their minutes track the development of the denomination and the fortunes of individual preachers and preaching places across three-quarters of a century. The minutes of the Oxford Wesleyan Circuit Local Preachers' meetings from 1830 to 1902 are presented here in full, with annotations and biographical notes on the preachers. The introduction to the volume sets the scene by discussing the history of Methodism and the place of preaching in the Wesleyan movement. Martin Wellings is Superintendent of the Barnet and Queensbury Circuit of the Methodist Church and former Minister of Wesley Memorial Church, Oxford.

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‘The most striking result produced by the completion of this Railway, is the sudden and marvellous change which has been effected in our ideas of time and space. What was quick is now slow; what was distant is now near.’ So wrote Henry Booth of the Liverpool & Manchester Railway. The early railways changed all aspects of life: what people ate (and how they cooked), what they wore and how they communicated. But what was it like to travel on the railways in the 1830s and 1840s? This book hopes to explore the experiences of these pioneer railway travellers, from the first railway stations and railway carriages to the hazards of the journey itself.

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Julia Margaret Cameron's 'fancy subjects' is the first study of Cameron's allegorical photographs and the first to examine the intellectual connections of this imagery to British culture and politics of the 1860s and 1870s. In these photographs, Cameron depicted passages from classical mythology, the Old and New Testament, and historical and contemporary literature. She costumed her friends, domestic help, and village children in dramatic poses, turning them into goddesses and nymphs, biblical kings and medieval knights; she photographed young women in the style of the Elgin marbles, making sculpture come alive, and re-imagined scenes depicted in the poetry of Byron and Tennyson. Cameron chose allegory as her primary artistic device because it allowed her to use popular iconography to convey a latent or secondary meaning. In her photographs, a primary meaning is first conveyed by the title of the image; then, social and political ideas that the artist implanted in the image begin to emerge, contributing to and commenting on the contemporary cultural, religious and political debates of the time. Cameron used the term 'fancy subjects' to embed these moral, intellectual and political narratives in her photographs. This book reconnects her to the prominent minds in her circle who influenced her thinking, including Benjamin Jowett, George Grote and Henry Taylor, and demonstrates her awareness and responsiveness to popular graphic art, including textiles and wall paper, book illustrations and engravings from period folios, cartoons from Punch and line drawings from the Illustrated London News, cabinet photographs and autotype prints.

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A beautifully illustrated exploration of how Victorian novelty picture books reshape the ways children read and interact with texts The Victorian era saw an explosion of novelty picture books with flaps to lift and tabs to pull, pages that could fold out, pop-up scenes, and even mechanical toys mounted on pages. Analyzing books for young children published between 1835 and 1914, Playing with the Book studies how these elaborately designed works raise questions not just about what books should look like but also about what reading is, particularly in relation to children’s literature and child readers. Novelty books promised (or threatened) to make reading a physical as well as intellectual activity, requiring the child to pull a tab or lift a flap to continue the story. These books changed the relationship between pictures, words, and format in both productive and troubling ways. Hannah Field considers these aspects of children’s reading through case studies of different formats of novelty and movable books and intensive examination of editions that have survived from the nineteenth century. She discovers that children ripped, tore, and colored in their novelty books—despite these books’ explicit instructions against such behaviors.Richly illustrated with images of these ingenious constructions, Playing with the Book argues that novelty books construct a process of reading that involves touch as well as sight, thus reconfiguring our understanding of the phenomenology of reading.

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In this book, Amy R. Wong unravels the colonial and racial logic behind seemingly innocuous assumptions about "speech": that our words belong to us, and that self-possession is a virtue. Through readings of late-Victorian fictions of empire, Wong revisits the scene of speech's ideological foreclosures as articulated in postcolonial theory. Engaging Afro-Caribbean thinkers like Édouard Glissant and Sylvia Wynter, Refiguring Speech reroutes attention away from speech and toward an anticolonial poetics of talk, which emphasizes communal ownership and embeddedness within the social world and material environment. Analyzing novels by Robert Louis Stevenson, Bram Stoker, George Meredith, Joseph Conrad, and Ford Madox Ford, Wong refashions the aesthetics of disordered speech—such as parroting, eavesdropping, profuse inarticulacy, and dysfluency—into alternate forms of communication that stand on their own as talk. Wong demonstrates how late nineteenth-century Britain's twin crises of territorialization—of empire and of new media—spurred narrative interests in capturing the sense that speech's tethering to particular persons was no longer tenable. In doing so, Wong connects this period to US empire by constructing a genealogy of Anglo-American speech's colonialist and racialized terms of proprietorship. Refiguring Speech offers students and scholars of Victorian literature and postcolonial studies a powerful conceptualization of talk as an insurgent form of communication.

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Historians of science have long noted the influence of the nineteenth-century political economist Thomas Robert Malthus on Charles Darwin. In a bold move, Piers J. Hale contends that this focus on Malthus and his effect on Darwin's evolutionary thought neglects a strong anti-Malthusian tradition in English intellectual life, one that not only predated the 1859 publication of the Origin of Species but also persisted throughout the Victorian period until World War I. Political Descent reveals that two evolutionary and political traditions developed in England in the wake of the 1832 Reform Act: one Malthusian, the other decidedly anti-Malthusian and owing much to the ideas of the French naturalist Jean Baptiste Lamarck. These two traditions, Hale shows, developed in a context of mutual hostility, debate, and refutation. Participants disagreed not only about evolutionary processes but also on broader questions regarding the kind of creature our evolution had made us and in what kind of society we ought therefore to live. Significantly, and in spite of Darwin's acknowledgement that natural selection was "the doctrine of Malthus, applied to the whole animal and vegetable kingdoms," both sides of the debate claimed to be the more correctly "Darwinian." By exploring the full spectrum of scientific and political issues at stake, Political Descent offers a novel approach to the relationship between evolution and political thought in the Victorian and Edwardian eras.

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Exploring the vast urban legend surrounding this enigmatic figure, John Matthews explains how the Victorian fascination with strange phenomena and sinister figures paired with hysterical reports enabled Spring-Heeled Jack to be conjured into existence. Sharing original 19th-century newspaper accounts of Spring-Heeled Jack sightings and encounters, he also examines recent 20th and 21st-century reports, including a 1953 UFO-related sighting from Houston, Texas, and disturbing accounts of the Slender Man, who displays notable similarities with Jack. He traces Spring-Heeled Jack’s origins to earlier mythical beings from folklore, such as fairy creatures and land spirits, and explores the theory that Jack is an alien marooned on Earth whose leaping prowess is attributed to his home planet having far stronger gravity than ours.

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First survey of the religious history of Cornwall, from the county's Romano-British origins to the sixteenth century. Religious history is the focus of this volume, which covers the development of Christianity in the county from its Romano-British origins up to the Elizabethan Church Settlement of 1559; it provides the first ever in-depth study of the county's religious history during the Middle Ages and the Reformation. The story it tells is a highly distinctive one, full of interest, covering the uniquely numerous local saints and founders, their legends and the parish churches, chapels, holy wells and religious sites associated with them, as well as the larger religious communities. The Cornish clergy are placed in a national context and the impact of their scholarship on the wider word is emphasised. Five general chapters are followed by detailed histories of the 35 monasteries, friaries, collegiate churches, and hospitals in the county. The book is well-illustrated throughout, with numerous maps, plans,and photographs. NICHOLAS ORME is Emeritus Professor of History at Exeter University and an honorary canon of Truro Cathedral. He has written some twenty books on English religious, cultural, and social history, including Medieval Children, Medieval Schools, and The Saints of Cornwall.

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Authoritative account of the history of Henley-on-Thames and its neighbouring parishes. Focused on the south-west Chilterns, this volume looks at the riverside market town of Henley-on-Thames, now famous for its annual Royal Regatta, and at the four neighbouring parishes of Bix, Harpsden, Rotherfield Greys and Rotherfield Peppard. Henley began as a planned town, probably in the late twelfth century, and became a major inland port, funnelling grain, wood and (later) malt into London. In the seventeenth and eighteenth centuries it developed as a coaching centre, and from the nineteenth flourished as a fashionable resort and commuting area, following the belated arrival of the railway and the self-conscious promotion of the Regatta. The adjoining parishes stretch from the river to the Chilterns uplands, comprising a mixed landscape of wood pasture, small hedged closes, and (in the Middle Ages) small open fields. Settlement is characteristically dispersed, and as elsewhere in the Chilterns the balance between crops, grazing and wood exploitation varied over time. The area contains deserted or shrunken settlements, including Bolney and the newly-discovered site of Bix Gibwyn church; its important buildings include Greys Court, established probably in the eleventh century, while Henley itself contains a richness of eighteenth-century brick-built houses alongside medieval timber-framing, several examples of which have recently been dated by dendrochronology.

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Describes the area's varied agrarian history and industrial activity. This volume of the county history covers the part of north-west Gloucestershire extending from the foothills of the Malverns in the north to the distinctive feature of May Hill in the south. Centred on the parish and former markettown of Newent, it also covers the ancient parishes of Bromesberrow, Dymock, Huntley, Kempley, Longhope, Oxenhall, Pauntley, Preston, and Taynton. Over much of the area a pattern of scattered farmsteads and small fields emerged from the clearance of ancient woodland. That process continued after the Norman Conquest but with the consolidation of farms from the later middle ages the story became one of the abandonment of numerous farmhouses and farmsteads. In the eighteenth and nineteenth centuries road improvements facilitated the growth of outlying villages and squatter settlement on common and waste land created a number of hamlets, as on May Hill and on the Herefordshire border at Gorsley. The volume also describes the area's varied agrarian history, from sheep, dairy and arable farming to its orchards, and, more recently, viniculture. Industrial activity has included glassworks and ironworks,and charcoal production. Newent, the chief trading centre from the thirteenth century on, saw both a short-lived coalfield, one of the principal objects for the construction of Herefordshire and Gloucestershire canal, and a spa.

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Authoritative, comprehensive history of the City of Westminster. The City of Westminster is the seat of the monarchy and government of Great Britain and the centre of many aspects of British economic and cultural life, yet to date there has been no comprehensive history of the city. It is thisgap which this volume will fill. The book opens with an explanation of what makes Westminster unique and follows with detailed sections on landownership and religious history. The section on landownership treats the history and ownership of the manors, the large medieval inns, and the estates created from the 16th century onwards; that on religious history provides a general chronological introduction to religious life in the city, and detailed accounts of the history and buildings of all the Christian denominations and other Faiths. PATRICIA CROOT is at the Institute of Historical Research, University of London.

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This volume contains the history of Dorchester and Thame Hundreds covering the parishes for Dorchester of: Chislehampton, Clifton Hampden, Culham, Dorchester, Burcot, Drayton St. Leonard, Stadhampton and South Stoke: and for Thame: Great Milton, Tetsworth, Thame and Waterstock. Also included are Tax Assessments for 1306-1523

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In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. Turning a critical lens on “drawing-room books” as both material objects and historical events, Kooistra reveals how the gift book’s visual/verbal form mediated “high” and popular art as well as book and periodical publication. A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book’s aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly resituating Tennyson’s works within the gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and receptionof the laureate’s verses at the peak of his popularity. Poetry, Pictures, and Popular Publishing changes the map of poetry’s place—in all its senses—in Victorian everyday life and consumer culture.

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'The story of Mrs. Gordon Baillie is stranger than anything to be met with in the field of fiction.' Mrs. Gordon Baillie, known throughout her life as Annie, was born in the direst poverty in the small Scottish fishing town of Peterhead in 1848\. Illegitimate and illiterate her beauty and intelligence nevertheless enabled her to overcome her circumstances and become a charming and wealthy socialite living a life of luxury whilst raising money for worthy causes and charitable works. Behind her supposed perfect and contented life, however, lay one of the most notorious and compulsive swindlers of the Victorian Age. Her fraudulent fundraising and larger-than-life schemes played out across four decades and three continents, Europe, America and Australasia, and involved land owners crofters, aristocrats, politicians, bankers, socialist revolutionaries, operatic stars and the cultural icons of the day. She became mistress to a rich aristocrat, married a world-renowned male opera singer and later took as a lover a vicar's son with anarchist tendencies. For most of her 'career' she kept one step ahead of the law and her nemesis, Inspector Henry Marshall of Scotland Yard, but finally becoming undone through her own compulsion for petty theft, despite her amassed fortune. During her life she used more than 40 aliases, produced four children and spent her way through millions of ill-gotten pounds, dollars and other currencies. But at the turn of the twentieth century, her notoriety was such that she took refuge in America and disappeared from history.

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Follow in the footsteps of the world's first capitalists and discover the original secrets of business success. Learn how to awaken your inner industrialist and build a commercial empire that will stand the test of time. Forged in the white heat of the industrial revolution, Who Moved My Stilton? reveals the practical skills that every modern professional needs to get ahead in the workplace, including: · Why you ought to think outside the opera box · What to do when the customer is literally King · And how to harness the exciting opportunities for child employment provided by Junior Apprentice. Irreverent, insightful and compendious, Who Moved My Stilton? will change the way you think about business (and cheese) forever. It is the book no aspiring plutocrat should be without.

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