Search results for ""Sublime""

Winner of the 2022 Levis Reading PrizeFinalist for the National Book Critics Circle's 2021 John Leonard Prize for Best First BookA Publishers Weekly “Top Ten Pick” for Fall 2021 Poetry TitlesA Library Journal “Poetry Title to Watch” for 2021A Chicago Review of Books “Must-Read Book of September 2021”Selected by Sally Keith as a winner of the 2020 National Poetry Series, this debut collection is a ruminative catalogue of overgrowth and the places that haunt us.With Devon Walker-Figueroa as our Virgil, we begin in the collection’s eponymous town of Philomath, Oregon. We drift through the general store, into the Nazarene Church, past people plucking at the brambles of a place that won’t let them go. We move beyond the town into fields and farmland—and further still, along highways, into a cursed Californian town, a museum in Florence. We wander with a kind of animal logic, like a beast with “a mind to get loose / from a valley fallowing / towards foul,” through the tense, overlapping space between movement and stillness.An explorer at the edge of the sublime, Walker-Figueroa writes in quiet awe of nature, of memory, and of a beauty that is “merely existence carrying on and carrying on.” In her wanderings, she guides readers toward a kind of witness that doesn’t flinch from the bleak or bizarre: A vineyard engulfed in flames is reclaimed by the fields. A sow smothers its young, then bears more. A neighbor chews locusts in his yard.For in Philomath, it is the poet’s (sometimes reluctant) obligation “to keep an eye / on what is left” of the people and places that have impacted us. And there is always something left, whether it is the smell of burnt grapes, a twelfth-century bronze, or even a lock of hair.

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A brilliant scholar of the gospels offers a stunning new translation of the Gospel of John that captures and illuminates the influence and voice of Mary the mother of Jesus—a voice which suffuses and transfigures the original with a mother's deep and universal compassion and wisdom.A New Light on John’s Gospel The Gospel according to John has always been recognized as different from the “synoptic” accounts of Matthew, Mark, and Luke. But what explains the difference? In this new translation and verse-byverse commentary, Michael Pakaluk suggests an answer and unlocks a twothousand-year-old mystery. Mary’s Voice in the Gospel according to John reveals the subtle but powerful influence of the Mother of Jesus on the fourth Gospel. In his dying words, Jesus committed his Mother to the care of John, the beloved disciple, who “from that hour . . . took her into his own home.” Pakaluk draws out the implications of that detail, which have been overlooked for centuries. In Mary’s remaining years on earth, what would she and John have talked about? Surely no subject was as close to their hearts as the words and deeds of Jesus. Mary’s unique perspective and intimate knowledge of her Son must have shaped the account of Jesus’ life that John would eventually compose. With the same scholarship, imagination, and fidelity that he applied to Mark’s Gospel in The Memoirs of St. Peter, Pakaluk brings out the voice of Mary in John’s, from the famous prologue about the Incarnation of the Word to the Evangelist’s closing avowal of the reliability of his account. This remarkably fresh translation and commentary will deepen your understanding of the most sublime book of the New Testament.

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Understanding your approach to dating, relationships, and sex through the lens of your Enneagram personality type Sex can take us from the sacred sublime to the darkest aspects of humanity. It can carry us on the wings of pure pleasure, or crush and potentially destroy us. No act in the human experience, barring the essential survival needs of food and water, can have more of an effect on us. In Sex and the Enneagram, Ann Gadd explores relationships and sex through the lens of the Enneagram, its nine personality types, and the subtypes of the wings and Instinctual Triads. The author introduces the Enneagram system and provides a full chapter devoted to each type. She examines each type’s approach to sex, their fantasies, and levels of integration in relation to love and sex, as well as each type’s approach to issues such as pornography, sexual problems, and dating sites and whether some types make better lovers. The author explains the Enneagram Passions and Virtues of each type in relation to sex, divorce, wing influences, and gender and explains how the 27 Sub or Instinctual types and the Hornevian Triads of the Enneagram system affect our sexuality. Most importantly, Gadd looks at how we can heal ourselves sexually so we can create more fulfilling, transforming intimacy for ourselves and our partners. Through understanding ourselves and our partners sexually, with the help of the Enneagram, Gadd hopes to bring us to deeper levels of compassion and understanding for each other. Sex then can be an expression enhancing our love for each other, rather than simply a physical act. By understanding your own and your lover’s Enneagram type, intimate giving and receiving can be an empowering process to embody our love for ourselves and others.

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An evocative chronicle of the power of solitude in the natural worldI’m often asked, but have no idea why I chose Iceland, why I first started going, why I still go. In truth I believe Iceland chose me.—from the introductionContemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, Island Zombie distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self.Island Zombie is a meditation on being present. It vividly conveys Horn’s experiences, from the deeply profound to the joyful and absurd. Through powerful evocations of the changing weather and other natural phenomena—the violence of the wind, the often aggressive birds, the imposing influence of glaciers, and the ubiquitous presence of water in all its variety—we come to understand the author’s abiding need for Iceland, a place uniquely essential to Horn’s creative and spiritual life. The dramatic surroundings provoke examinations of self-sufficiency and isolation, and these ruminations summon a range of cultural companions, including El Greco, Emily Dickinson, Judy Garland, Wallace Stevens, Edgar Allan Poe, William Morris, and Rachel Carson. While brilliantly portraying nature’s sublime energy, Horn also confronts issues of consumption, destruction, and loss, as the industrial and man-made encroach on Icelandic wilderness.Filled with musings on a secluded region that perpetually encourages a sense of discovery, Island Zombie illuminates a wild and beautiful Iceland that remains essential and new.

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'Daisy Waugh's featherlight satires are as refreshing and uplifting as a glass of chilled vintage champagne. . . Imagine Agatha Christie on laughing gas' TimesThe Todes are back, and they're taking on Hollywood . . .When Hollywood wants to do a remake of the film that made Tode Hall famous, India and Egbert are delighted. They envisage a summer of free money and star-studded dinner parties ahead . . . But the Hall is soon overrun by wardrobe trucks and catering tents, and lusty, insecure actors squabbling about nudity clauses. When the movie's producers threaten to sue over the exact colour of Tode Hall's rolling lawns, India and Egbert realise that having a film crew on their doorstep isn't such a breeze after all. With so many egos in one place things were bound to end badly, but no one would have predicted quite so literal a backstabbing . . .'A glorious satire on aristocratic manners and mores, with a smidgeon of murder thrown in, Waugh's hilarious and entirely original twist on the country house murder mystery is 'a perfect antidote to all the real-life craziness going on' Daily MailPraise for the Todes 'Witty, well-written and determinedly entertaining . . . the perfect book for the staycation' Catholic Herald'I couldn't put it down' Santa Montefiore'A delightful treat' The Lady'Deliciously entertaining' Andrew Wilson'An irresistible champagne bubble of pleasure and laughter' Rachel Johnson'A perfect antidote to wintry gloom' The Literary Review'What a triumph!' Antonia Fraser'A masterclass in how to write a rollicking good read' Sarah Vine'A jolly farce that never takes itself too seriously' Red Magazine'Fizzles, crackles and sparkles' Elizabeth Buchan'A work of sublime silliness' Simon Brett'An effervescent madcap whodunnit' Metro'A marvellous rollicking read' Mary Killen'She's skewered her targets brilliantly' Imogen Edwards-Jones'This contemporary take on a golden age mystery is simply wonderful.' Belfast Telegraph

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Squeaky Clean Knock Knock Jokes to Tickle Your Funny Bone “This is a book with a purpose and that purpose is fun! Filled with spontaneous explosions of laughter...” ―Mark Squirek, New York Journal of Books Wholesome joke book for Kids. From Craig Yoe, former Creative Director, Vice President, and General Manager of Jim Henson's Muppets─and former Creative Director at Nickelodeon and Disney─comes a series of wholesome joke books for kids of all ages. Squeaky Clean Super Funny Knock Knock Jokes for Kidz is the second of the series and you’ll want to own them all! Laugh-out-loud (LOL) funny jokes. Craig, a retired pastor, believes there is nothing better in life than making kids laugh and feel happy. He’s been collecting jokes for years, and now is releasing his hand-picked jokes in the “Squeaky Clean” series; packed with wholesome, edifying, LOL funny jokes to encourage reading and entertain kids for hours. A career devoted to making kids happy. Yoe is the winner of an Eisner Award (the comics industry's equivalent of the Academy Awards) and a Gold Medal from the Society of Illustrators. He is an author, editor, art director, graphic designer, cartoonist and comics historian. Publisher Weekly says he's the “archivist of the ridiculous and the sublime” and calls his work "brilliant." Library Journal calls him “a comics guru”. Jim Henson once said that “Craig brings with him his valuable creativity and enthusiasm.” Mark Hamill of Star Wars fame quipped, “I keep buying books from Yoe Books as gifts, then keeping them for myself!” Perfect gift for kids (and parents and grandparents). If you and your kids enjoyed Craig Yoe’s first book in this series, Squeaky Clean Super Funny Jokes for Kidz, or other books such as Silly Jokes for Silly Kids or Belly Laugh Jokes for Kids; you’ll love Craig Yoe’s second Squeaky Clean joke book. No boogers, ghosts, witches, scary monsters, insults or put-downs─all giggle-filled good clean fun for young and old.

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Tied to the profundity of life and death, media are and have always been existential. Yet, as they are deeply embedded in the lifeworld on both individual and global scales, they currently capitalize on human existence seemingly without limit, while being mythologized as boundless harbingers of the future and as solutions to the predicaments of a world now poised on the edge. In this situation it is imperative to move beyond either the habitual or the sublime, to recognize that media are in fact of limits—situated both in the middle of our lives and at the limit they constitute the building blocks and brinks of being. In order to remedy the existential deficit in the field, in Existential Media Amanda Lagerkvist revisits existential philosophy through a reappreciation of Karl Jaspers philosophy, and of his concept of the limit situation: those ultimate moments in life—of loss, crisis and guilt—which we are called upon to seize. Introducing the field of existential media studies in conversation with disability studies, the new materialism and the environmental humanities, the book offers a media theory of the limit situation which brings limits, in all their shapes and forms, onto the radar when we interrogate media. Lagerkvist argues that the present age of deep techno-cultural saturation, and of escalating calamitous and interrelated crises, is a digital limit situation, in which there are profound stakes which heighten existential uncertainty, vulnerability as well as potential fecundity. Placing the mourner—the coexister—at the center of media studies, by entering into the slow fields of mourning, commemorating and speaking to the dead in the online environment, she brings out that existential media ambivalently offer metric parameters, caring lifelines and transcendent experiences which ultimately display post-interactive modes of being digital in slowness, silence and waiting. The book ultimately calls forth a different ethos which powerfully challenges ideals of limitlessness, quantification and speed, and seeks out alternate intellectual and ethical coordinates for reclaiming, imagining and anticipating a responsible future with existential media.

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When future NBA legend Kareem Abdul-Jabbar was still an 18-year-old high school basketball prospect from New York City named Lew Alcindor, he accepted a scholarship from UCLA largely on the strength of Coach John Wooden's reputation as a winner. It turned out to be the right choice, as Alcindor and his teammates won an unprecedented three NCAA championship titles. But it also marked the beginning of one of the most extraordinary and enduring friendships in the history of sports. In COACH WOODEN AND ME, Abdul-Jabbar reveals the inspirational story of how his bond with John Wooden evolved from a history-making coach-player mentorship into a deep and genuine friendship that transcended sports, shaped the course of both men's lives, and lasted for half a century.COACH WOODEN AND ME is a stirring tribute to the subtle but profound influence that Wooden had on Kareem as a player, and then as a person, as they began to share their cultural, religious, and family values while facing some of life's biggest obstacles. From his first day of practice, when the players were taught the importance of putting on their athletic socks properly, to gradually absorbing the sublime wisdom of Coach Wooden's now famous "Pyramid of Success"; to learning to cope with the ugly racism that confronted black athletes during the turbulent Civil Rights era as well as losing loved ones, Abdul-Jabbar fondly recalls how Coach Wooden's fatherly guidance not only paved the way for his unmatched professional success but also made possible a lifetime of personal fulfillment.Full of intimate, never-before-published details and delivered with the warmth and erudition of a grateful student who has learned his lessons well, COACH WOODEN AND ME is at once a celebration of the unique philosophical outlook of college basketball's most storied coach and a moving testament to the all-conquering power of friendship.

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Under Representation shows how the founding texts of aesthetic philosophy ground the racial order of the modern world in our concepts of universality, freedom, and humanity. In taking on the relation of aesthetics to race, Lloyd challenges the absence of sustained thought about race in postcolonial studies, as well as the lack of sustained attention to aesthetics in critical race theory. Late Enlightenment discourse on aesthetic experience proposes a decisive account of the conditions of possibility for universal human subjecthood. The aesthetic forges a powerful “racial regime of representation” whose genealogy runs from enlightenment thinkers like Kant and Schiller to late modernist critics like Adorno and Benjamin. For aesthetic philosophy, representation is not just about depiction of diverse humans or inclusion in political or cultural institutions. It is an activity that undergirds the various spheres of human practice and theory, from the most fundamental acts of perception and reflection to the relation of the subject to the political, the economic, and the social. Representation regulates the distribution of racial identifications along a developmental trajectory: The racialized remain “under representation,” on the threshold of humanity and not yet capable of freedom and civility as aesthetic thought defines those attributes. To ignore the aesthetic is thus to overlook its continuing force in the formation of the racial and political structures down to the present. Across five chapters, Under Representation investigates the aesthetic foundations of modern political subjectivity; race and the sublime; the logic of assimilation and the stereotype; the subaltern critique of representation; and the place of magic and the primitive in modernist concepts of art, aura and representation. Both a genealogy and an account of our present, Under Representation ultimately helps show how a political reading of aesthetics can help us build a racial politics adequate for the problems we face today, one that stakes claims more radical than multicultural demands for representation.

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The Castorland Journal is a diary, a travel narrative about early New York, a work of autobiography, and a narrative of a dramatic and complex period in American history. In 1792 Parisian businessmen and speculators established the New York Company, one of the most promising French attempts to speculate for American land following the American Revolution. The company's goal was to purchase and settle fertile land in northwestern New York and then resell it to European investors. In 1793, two of the company's representatives, Simon Desjardins and Pierre Pharoux, arrived in New York to begin settlement of a large tract of undeveloped land. The tract, which was named Castorland for its abundant beaver population ("castor" is the French word for beaver), was located in northwestern New York State, along the Black River and in present-day Lewis and Jefferson counties. John A. Gallucci's edition is the first modern scholarly translation of the account Desjardins and Pharoux wrote of their efforts in Castorland from 1793 to 1797. While the journal can be read as tragedy, it also has many pages of satire and irony. Its descriptions of nature and references to the romantic and the sublime belong to the spirit of eighteenth-century literature. The journal details encounters with Native Americans, the authors' process of surveying the Black River, their contacts with Philip Schuyler and Baron Steuben, their excursions to Philadelphia to confer with Thomas Jefferson, Desjardins' trip to New York City to engage the legal services of Alexander Hamilton or Aaron Burr, the planting of crops, and the frustrations of disease and natural obstacles. The Castorland Journal is historically significant because it is an especially rich account of land speculation in early America, the displacement of Native Americans, frontier life, and politics and diplomacy in the 1790s. The Cornell edition of the journal features Gallucci's introduction and explanatory footnotes, several appendixes, maps, and illustrations.

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Janet Pritchard’s romance with the American West began with horseback riding, watching movies, and hearing her dad’s dreams of being a cowboy. When she began to spend adolescent summers in Wyoming during the 1960s, her world changed forever, as she fell under the spell of natural wonder in the shadow of the Grand Tetons. Only later did she recognize her feelings as a response to what nineteenth-century Romantics called the sublime.A vintage 1916 picture postcard of Golden Gate Canyon by F. Jay Haynes inspired this project. When Pritchard turned it over and read the message face=Calibri>– “I cannot describe the Yellowstone as the dictionary is only a book. It is more than scenery. In some places, it is so beautiful that the men take off their hats, and the women are silent!” face=Calibri>– she was back in a childhood place of wonder tempered by a lifetime of work as an artist and teacher in landscape photography.Formed by fire and ice, embraced by a nation seeking an ancient past with a future as grand as the landscapes it inhabited, Yellowstone was established as the world’s first national park by an Act of Congress in 1872. One hundred fifty years later, the park and the Greater Yellowstone Ecosystem continue to occupy an iconic role in the public imagination of Yellowstone as a place that is both real and ideal. Here, in this complex ecosystem where wild nature and culture meet, the complexities of our relationship to the natural world are revealed unlike any other place.Yellowstone is truly unique, and each generation who visits it invests Yellowstone with ideas, beliefs, and values reflecting its historical moment. In More than Scenery: Yellowstone, an American Love Story, Janet Pritchard surveys these relationships with her captivating photographs and insightful text, and Lucy R. Lippard’ sets the table with her heartfelt introduction to the world’s romance with Yellowstone. This book reveals why Yellowstone is so important to American and the world and how its landscapes reflect more than scenery.

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It is Rosh Hashanah — the Jewish New Year and Day of Judgment — in Moscow during the Stalinist purges of 1936. In the Lubyanka secret police prison, senior investigator Grisha Shwartzman masterfully pursues the rigorous logic and obsessive legalism of the Soviet witch-hunt. Facing an extraordinary prisoner, Grisha realizes that the Soviet system he has faithfully served is murderously corrupt and that he himself will be the next victim — but not an innocent one. In despair, he flees to his home, where his deranged wife and an unexpected Rosh Hashanah letter from his father-in-law, the enigmatic Krimsker Rebbe in America, await him. The Day of Judgment proves to be a startling experience as Grisha, the once idealistic radical, judges himself, accepts his responsibilities, and is guided to sublime passion and possible redemption by his mad wife, who for twenty years has been patiently awaiting him in a closed wardrobe. In 1942 a train of imprisoned Jews leaves the Warsaw ghetto for "resettlement in the East." It is Yom Kippur — the Day of Atonement and the holiest day of the Jewish year. In a crowded cattle car stands a lonely, defeated individual who is ashamed that he cannot even remember his own name. During the tortuous journey Yechiel Katzman will overhear a talmudic debate and meet a dull-witted giant who turns out to be none other than Itzik Dribble, also from Krimsk. As they arrive in the death camp of Treblinka, Yechiel remembers not only his name but also the Krimsker Rebbe's prophetic curse that exiled him from Krimsk forty years earlier. Yet as death approaches, that curse will prove a blessing. Stalin and Hitler decree certain death, but Grisha and Yechiel discover Jewish fates. The devil incites loneliness, degradation, despair, and even complicity; through memory, the victims elicit community, dignity, and the awareness of sanctity. Grisha's "Soviet" Rosh Hashanah and Yechiel's "Nazi" Yom Kippur are truly "Days of Awe." Even when death is certain, life can be lived.

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By some margin the most successful British medium-range airliner ever produced, the world-beating Viscount was a sublime combination of Vickers' state-of-the-art postwar design and Rolls-Royce's cutting-edge power-plant technology, both companies being at the very peak of their powers during the type's genesis and evolution. Tracing its origins back to the wartime Brabazon Committee, the Viscount was one of several designs from various British aircraft manufacturers produced to fulfill the committee's specifications for a fast, economical short- to medium-range airliner to satisfy the demands of the burgeoning postwar civil aviation market, which was predicted to grow at a healthy rate over the following decades. Vickers' chief designer and Managing Director George Edwards was quick to respond, the result being the Dart turboprop-powered Vickers V.630, which made its first flight in July 1948, despite its future looking uncertain after British European Airways having twenty examples of ordered its chief rival, Airspeed's Ambassador, six months before. The Viscount nevertheless entered full service with BEA in 1953, much to the relief of its manufacturer, orders flooding in thereafter from numerous airlines -- and air forces -- all over the world. Ultimately, some 200 individual airlines, companies and organizations in more than eighty countries operated the dependable and, crucially, development-friendly Viscount over its long and distinguished career. This book tells the full story of the world's first turboprop airliner, from its Brabazon Committee beginnings, through its early flight trials program and entry into service, to its almost unassailable position as the world's number one medium-haul turboprop, including its astonishing breakthrough in the USA, where it single-handedly broke the big American manufacturers' stranglehold on the airliner market. The type's military career is also covered, as is its construction; also included in this volume are details of the numerous variants produced and those of the 444 built still surviving as exhibits today, along with twenty-four superb artworks by world-renowned aviation illustrator Juanita Franzi.

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THE SUNDAY TIMES BESTSELLER AND WINNER OF THE 2019 WILLIAM HILL SPORTS BOOK OF THE YEARDuncan Hamilton is already a multiple award-winning sports writer, but it is hard to imagine he will write a better book than this superb, elegiac portrait of the sociable, feted, but ultimately unknowable, man who virtually invented modern sports writing...This is writing every bit the equal of Cardus himself. - Daily Mail 'Hamilton is a worthy biographer... as much sublime writing comes from his keyboard as from Cardus's pen.' The Times'With its verve, insight and generosity of sympathy, this is by some way the best full-length life of a cricket writer, perhaps even of any sports writer.' Guardian Neville Cardus described how one majestic stroke-maker 'made music' and 'spread beauty' with his bat. Between two world wars, he became the laureate of cricket by doing the same with words.In The Great Romantic, award-winning author Duncan Hamilton demonstrates how Cardus changed sports journalism for ever. While popularising cricket - while appealing, in Cardus' words to people who 'didn't know a leg-break from the pavilion cat at Lord's'- he became a star in his own right with exquisite phrase-making, disdain for statistics and a penchant for literary and musical allusions. Among those who venerated Cardus were PG Wodehouse, John Arlott, Harold Pinter, JB Priestley and Don Bradman. However, behind the rhapsody in blue skies, green grass and colourful characters, this richly evocative biography finds that Cardus' mother was a prostitute, he never knew his father and he received negligible education. Infatuations with younger women ran parallel to a decidedly unromantic marriage. And, astonishingly, the supreme stylist's aversion to factual accuracy led to his reporting on matches he never attended. Yet Cardus also belied his impoverished origins to prosper in a second class-conscious profession, becoming a music critic of international renown. The Great Romantic uncovers the dark enigma within a golden age.

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Don't miss Veronica Henry's new bestselling and gorgeously uplifting novel, The Impulse Purchase - available now!'A heart-warming, triumphant story combined with Veronica's sublime writing - the perfect mix!' Cathy Bramley***What's the secret ingredient to your happiness?Laura Griffin is preparing for an empty nest. The thought of Number 11 Lark Hill falling silent - a home usually bustling with noise, people and the fragrant smells of something cooking on the Aga - seems impossible. Laura hopes it will mean more time for herself, and more time with her husband, Dom.But when an exposed secret shakes their marriage, Laura suddenly feels as though her family is shrinking around her. Feeling lost, she turns to her greatest comfort: her grandmother's recipe box, a treasured collection dating back to the Second World War. Everyone has always adored Laura's jams and chutneys, piled their sandwiches high with her pickles . . . Inspired by a bit of the old Blitz spirit, Laura has an idea that gives her a fresh sense of purpose. Full of fierce determination, Laura starts carving her own path. But even the bravest woman needs the people who love her. And now, they need her in return . . .The brand-new feel-good story from bestseller Veronica Henry - a perfect mix of family, friends and delicious food.*****Your favourite authors love A Family Recipe:'An utter delight' Jill Mansell'Truly blissful escapism' Lucy Diamond'A delicious treat of a book' Milly Johnson 'A beautiful book. Warm, emotional and full of hope' Sarah MorganReaders have fallen in love with A Family Recipe:'So absolutely and completely gorgeous in every way!''A delightful, heart-warming story about the importance of home, family, friends and the unbreakable bonds between them''Wonderfully uplifting...A story of lost chances and second chances, tragedy and despair but also hope and resilience''The perfect mix of food, family and friends provides the right ingredients for this delightful read''My favourite book of 2018 - treat yourself to a delicious novel this summer'

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The novels of Iain M. Banks have forever changed the face of modern science fiction. His Culture books combine breathtaking imagination with exceptional storytelling, and have secured his reputation as one of the most extraordinary and influential writers in the genre.'Banks is a phenomenon' William Gibson The Scavenger species are circling. It is, truly, the End Days for the Gzilt civilisation.An ancient people, organised on military principles and yet almost perversely peaceful, the Gzilt helped set up the Culture ten thousand years earlier. Now they've made the collective decision to follow the well-trodden path of millions of other civilisations: they are going to Sublime, elevating themselves to a new and almost in­finitely more rich and complex existence.But, amid preparations, the Regimental High Command is destroyed. Vyr Cossont, a former soldier for the Gzilt, appears to have been involved, and she is now wanted - dead, not alive. Aided only by an ancient, reconditioned android and a suspicious Culture avatar, Cossont must complete a ­final mission; she must ­find the oldest person in the Culture, a man over nine thousand years old, who might just hold the key to understanding what happened . . .The ­final days of the Gzilt civilisation may prove its most perilous.Praise for the Culture series:'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday'Banks has created one of the most enduring and endearing visions of the future' Guardian'Jam-packed with extraordinary invention' Scotsman'Compulsive reading' Sunday Telegraph The Culture series:Consider PhlebasThe Player of GamesUse of WeaponsExcessionInversionsLook to WindwardMatterSurface DetailThe Hydrogen SonataThe State of the ArtOther books by Iain M. Banks:Against a Dark BackgroundFeersum EndjinnThe AlgebraistAlso now available: The Culture: The Drawings - an extraordinary collection of original illustrations faithfully reproduced from sketchbooks Banks kept in the 1970s and 80s, depicting the ships, habitats, geography, weapons and language of Banks' Culture series of novels in incredible detail.

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'Daisy Waugh's featherlight satires are as refreshing and uplifting as a glass of chilled vintage champagne. . . Imagine Agatha Christie on laughing gas' TimesThe Todes are back, and they're taking on Hollywood . . .When Hollywood wants to do a remake of the film that made Tode Hall famous, India and Egbert are delighted. They envisage a summer of free money and star-studded dinner parties ahead . . . But the Hall is soon overrun by wardrobe trucks and catering tents, and lusty, insecure actors squabbling about nudity clauses. When the movie's producers threaten to sue over the exact colour of Tode Hall's rolling lawns, India and Egbert realise that having a film crew on their doorstep isn't such a breeze after all. With so many egos in one place things were bound to end badly, but no one would have predicted quite so literal a backstabbing . . .'A glorious satire on aristocratic manners and mores, with a smidgeon of murder thrown in, Waugh's hilarious and entirely original twist on the country house murder mystery is 'a perfect antidote to all the real-life craziness going on' Daily MailPraise for the Todes 'Ms. Waugh's novel offers plenty of satire, several good laughs and many dark chuckles.' Wall Street JournalWitty, well-written and determinedly entertaining . . . the perfect book for the staycation' Catholic Herald'I couldn't put it down' Santa Montefiore'A delightful treat' The Lady'Deliciously entertaining' Andrew Wilson'An irresistible champagne bubble of pleasure and laughter' Rachel Johnson'A perfect antidote to wintry gloom' The Literary Review'What a triumph!' Antonia Fraser'A masterclass in how to write a rollicking good read' Sarah Vine'A jolly farce that never takes itself too seriously' Red Magazine'Fizzles, crackles and sparkles' Elizabeth Buchan'A work of sublime silliness' Simon Brett'An effervescent madcap whodunnit' Metro'A marvellous rollicking read' Mary Killen'She's skewered her targets brilliantly' Imogen Edwards-Jones'This contemporary take on a golden age mystery is simply wonderful.' Belfast Telegraph

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'A sharp-eyed and tender novel about human connection in a time of crisis' (PAULA HAWKINS) from the bestselling, National Book Award-winning author of The Friend'Once you discover Sigrid Nunez, you don't look back' ANNE ENRIGHT'A novel that truly, truly speaks to the soul' GLAMOUR'A gorgeous, funny novel about connection' iPAPER'Compulsively readable' ELLEThree strangers are thrown together in one Manhattan apartment: a solitary writer; a Gen Z college drop-out; and a spirited parrot named Eureka.As the world outside descends into turmoil, the three of them must learn how to live with and care for one another. The Vulnerables reveals what happens when strangers are willing to open their hearts to each other and how far even small acts of caring can go to ease another's distress.'I am committed, until one of us dies, to Nunez's novels. They are short, wise, provocative, funny' NEW YORK TIMES'The Vulnerables leaves us, as it reaches its extraordinarily hopeful last line, with the feeling that we have been helped' GUARDIAN BOOK OF THE DAY'Beautiful and profound' MEG MASON'A must-read about unlikely friendships' SUNDAY TIMES STYLE'A funny, divinely chatty novel filled with moments of the sublime. I really think there are sections of this book that I'll be thinking about forever' CAROLINE O'DONOGHUE'With the intimacy and humour of a great conversation, this novel makes you feel smarter and more alive' PEOPLE'Sigrid Nunez is among the most interesting writers of our generation' INDEPENDENT *****'Infused with moments of hilarity and wisdom. Beautiful' WOMAN'S WEEKLY'Cracks open windows and offers a reassuring breeze, reminding us that it's OK - and perhaps even necessary - to need each other; it's only human' SAN FRANCISCO CHRONICLE'One of my favourite authors' NATALIE PORTMAN'A breath of fresh air for a time when it still sometimes feels there isn't any' GOOD HOUSEKEEPING'A compelling read. I'm a huge fan' RED ONLINE

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'Priestdaddy caused a sensation when it hit bookshelves in 2017' Vogue 'Glorious' Sunday Times'Laugh-out-loud funny' The Times'Extraordinary' Observer'Exceptional' Telegraph'Electric' New York Times'Snort-out-loud' Financial Times'Dazzling' Guardian'Do yourself a favour and read this memoir!' BookPageWINNER OF THE THURBER PRIZE FOR AMERICAN HUMOURThe childhood of Patricia Lockwood, the poet dubbed 'The Smutty-Metaphor Queen of Lawrence, Kansas' by The New York Times, was unusual in many respects. There was the location: an impoverished, nuclear waste-riddled area of the American Midwest. There was her mother, a woman who speaks almost entirely in strange riddles and arnings of impending danger. Above all, there was her gun-toting, guitar-riffing, frequently semi-naked father, who underwent a religious conversion on a submarine and found a loophole which saw him approved for the Catholic priesthood by the future Pope Benedict XVI, despite already having a wife and children.When an unexpected crisis forces Lockwood and her husband to move back into her parents' rectory, she must learn to live again with the family's simmering madness, and to reckon with the dark side of her religious upbringing. Pivoting from the raunchy to the sublime, from the comic to the serious, Priestdaddy is an unforgettable story of how we balance tradition against hard-won identity - and of how, having journeyed in the underworld, we can emerge with our levity and our sense of justice intact.'Destined to be a classic . . . this year's must-read memoir' Mary Karr, author of The Liars' Club'Irrepressible . . . joyous, funny and filthy . . . Lockwood blows the roof off every paragraph' Joe Dunthorne, author of Submarine'Beautiful, funny and poignant. I wish I'd written this book' Jenny Lawson, author of Furiously Happy'A revelatory debut . . . Lockwood's prose is nothing short of ecstatic . . . her portrait of her epically eccentric family is funny, warm, and stuffed to bursting with emotional insight' Joss Whedon'Praise God, this is why books were invented' Emily Berry, author of Dear Boy and Stranger, Baby

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The movie theater has always been a place where people come together to share powerful emotional experiences, from the fear generated by horror films and the anxiety induced by thrillers to the laughter elicited by screwball comedies and the tears precipitated by melodramas. Indeed, the dependability of movies to provide such experiences lies at the center of the medium's appeal and power. Yet cinema's ability to influence, even manipulate, the emotions of the spectator is one of the least-explored topics in film theory today. In Passionate Views, thirteen internationally recognized scholars of film studies, philosophy, and psychology explore the emotional appeal of the cinema. Employing a novel cognitive perspective, the volume investigates the relationship between genre and emotion; explores how film narrative, music, and cinematic techniques such as the close-up are used to elicit emotion; and examines the spectator's identification with and response to film characters. An impressive range of films and topics is brought together by Carl Plantinga and Greg M. Smith, including: the success of Stella Dallas and An Affair to Remember as tearjerkers; the power of Night of the Living Dead to inspire fear and disgust; the sublime evoked in The Passion of Joan of Arc, Aguirre, the Wrath of God, and The Children of Paradise; the emotional basis of film comedy as seen in When Harry Met Sally; the use of cinematic cues in Raiders of the Lost Ark and Local Hero to arouse emotions; the relationship between narrative flow and emotion in Once Upon a Time in the West and E.T.; the emotive use of music in The Elephant Man and A Clockwork Orange; Stranger than Paradise's sense of timing; desire and resolution in Casablanca; audience identification with the main characters in Groundhog Day and The Crying Game; portrayal of perversity in The Silence of the Lambs, Flaming Creatures, and Shivers; and empathy elicited through closeups of actors' faces in Yankee Doodle Dandy and Blade Runner. Passionate Views offers a new approach to our understanding of film and will be of interest to anyone fascinated by the emotional power of motion pictures and their relationship to the central concerns of our lives, as well as by the techniques filmmakers use to move an audience.

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'A quiet work of art that explores the complexity of trauma in the wake of the Enniskellen bombing. McKeon’s writing is sensitive, elusive and philosophical, and pursues an elusive truth at the heart of the Troubles.’ PAUL LYNCH 'Exceptional ... The imaginative storytelling and fine prose of Remembrance Sunday puts McKeon in the big leagues' Irish Times'A supreme storyteller' Sunday Times'If you enjoy Colum McCann's work, this novel is for you' Irish Independent'Impressive ... A poignant, delicately composed novel that doesn't stint on the wreckage of violence' Daily Mail 'Beautifully written' Sunday IndependentChinatown, New York. After a chance encounter with an old friend, Simon Hanlon, an Irish architect, experiences a seizure, his first in almost thirty years. Soon, they come to him daily.As he awaits a brain operation, Simon turns his mind back to his childhood on a farm near the Irish border. At fifteen, he was present when an IRA bomb exploded at the Remembrance Sunday parade in Enniskillen. It was in the following weeks that his seizures first began. Now, he is compelled to seek out the bomber from the remnants of his past, and to ask himself the question: why do we harm one another?Remembrance Sunday is a moving and unforgettable novel about love, empathy and the ways in which history imprints itself upon our hearts and minds.***'Deeply felt and delicate, Remembrance Sunday is a timely evocation of the havoc the Troubles wreaked, not just on the street, but on the soul' CLAIRE KILROY'Beautifully wrought, startlingly perceptive, stealthily gripping . . . It moves masterfully between the forensic and the lyrical, the meditative and the dramatic, the personal and the political' KEVIN POWER'McKeon animates a story out of the North's recent history with much skill and empathy. Complicating the commonplace, attempting to make sense of the senseless, the novel is an impressive and moving act of imagination and remembrance' NICK LAIRD'A stunning achievement. I was completely gripped by it and awed at the sublime skill and beauty of its execution. Darragh has created a work of art of immediate relevance and enduring importance' DONAL RYAN

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THE WILEY-BLACKWELL HANDBOOK OF Transpersonal Psychology "The new Handbook of Transpersonal Psychology is a necessity today. Many transpersonal psychologists and psychotherapists have been waiting for such a comprehensive work. Congratulations to Harris Friedman and Glenn Hartelius. May this book contribute to an increasingly adventurous, creative, and vibrant universe."—Ingo B. Jahrsetz, President, The European Transpersonal Association "The Handbook of Transpersonal Psychology is an outstanding, comprehensive overview of the field. It is a valuable resource for professional transpersonal practitioners, and an excellent introduction for those who are new to this wide-ranging discipline."—Frances Vaughan, PhD. Psychologist, author of Shadows of the Sacred: Seeing Through Spiritual Illusions "Finally, the vast literature on transpersonal psychology has been collected in what is clearly the essential handbook for psychologists and others who have either too apologetically endorsed or too critically rejected what undoubtedly will define psychology in the future. If you are not a transpersonal psychologist now, you will be after exploring this handbook. No longer can one dismiss the range of topics confronted by transpersonal psychologists nor demand methodological restraints that refuse to confront the realities transpersonal psychologists explore. This is a marvelous handbook—critical, expansive, and like much of what transpersonal psychologists study, sublime."—Ralph W. Hood Jr., University of Tennessee, Chattanooga With contributions from more than fifty scholars, this is the most inclusive resource yet published on transpersonal psychology, which advocates a rounded approach to human well-being, integrating ancient beliefs and modern knowledge. Proponents view the field as encompassing Jungian principles, psychotherapeutic techniques such as Holotropic Breathwork, and the meditative practices found in Hinduism and Buddhism. Alongside the core commentary on transpersonal theories—including holotropic states; science, with chapters on neurobiology and psychometrics; and relevance to feminism or concepts of social justice—the volume includes sections describing transpersonal experiences, accounts of differing approaches to healing, wellness, and personal development, and material addressing the emerging field of transpersonal studies. Chapters on shamanism and psychedelic therapies evoke the multifarious interests of the transpersonal psychology community. The result is a richly flavored distillation of the underlying principles and active ingredients in the field.

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Death is an inevitable fact of life. Throughout the centuries, humanity has sought to understand this sobering thought through art and ritual. The theme of memento mori informs medieval Danse Macabre, the Tibetan Book of the Dead, Renaissance paintings of dissected corpses and “anatomical Eves,” Gothic literature, funeral effigies, Halloween, and paintings of the Last Judgment. Deceased ancestors are celebrated in the Mexican Day of the Dead, while the ancient Egyptians mummified their dead to secure their afterlife. A volume of unprecedented breadth and sinister beauty, Death: A Graveside Companion examines a staggering range of cultural attitudes toward death. The book is organized into themed chapters: The Art of Dying, Examining the Dead, Memorializing the Dead, The Personification of Death, Symbolizing Death, Death as Amusement, and The Dead After Life. Each chapter begins with thought-provoking articles by curators, academics, and journalists followed by gallery spreads presenting a breathtaking variety of death-related imagery and artifacts. From skulls to the dance of death, statuettes to ex libris, memento mori to memorabilia, the majority of the images are of artifacts in the astonishing collection of Richard Harris and range from 2000 BCE to the present day, running the gamut of both high and popular culture. Essays: Death in Ancient and Present-Day Mexico, Eva Aridjis,The Power of Hair as Human Relic in Mourning Jewelry - Karen Bachmann, Medusa and the Power of the Severed Head, Laetitia Barbier, Anatomical Expressionism, Eleanor Crook, Poe and the Pathological Sublime, Mark Dery, Eros and Thanatos, Lisa Downing, Death-Themed Amusements, Joanna Ebenstein, The Nutshell Studies of Unexplained Death, Bruce Goldfarb, Theatre, Death and the Grand Guignol, Mel Gordon, Holy Spiritualism, Elizabeth Harper, Playing dead – A Gruesome Form of Amusement, Mervyn Heard, The Anatomy of Holy Transformation, Liselotte Hermes da Fonseca, Collecting Death, Evan Michelson, Art and Afterlife: Ethel le Rossignol and Georgiana Houghton, Mark Pilkington, The Dance of Death, Kevin Pyle, Art, Science and the Changing Conventions of Anatomical Representation, Michael Sappol, Spiritualism and Photography, Shannon Taggart, Playing with Dead Faces, John Troyer, Anatomy Embellished in the Cabinet of Frederik Ruysch, Bert van de Roemer 900 illustrations in color and black and white

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Although Herman Melville's Moby-Dick is beloved as one of the most profound and enduring works of American fiction, we rarely consider it a work of nature writing--or even a novel of the sea. Yet Pulitzer Prize-winning author Annie Dillard avers Moby-Dick is the "best book ever written about nature," and nearly the entirety of the story is set on the waves, with scarcely a whiff of land. In fact, Ishmael's sea yarn is in conversation with the nature writing of Emerson and Thoreau, and Melville himself did far more than live for a year in a cabin beside a pond. He set sail: to the far remote Pacific Ocean, spending more than three years at sea before writing his masterpiece in 1851. A revelation for Moby-Dick devotees and neophytes alike, Ahab's Rolling Sea is a chronological journey through the natural history of Melville's novel. From white whales to whale intelligence, giant squids, barnacles, albatross, and sharks, Richard J. King examines what Melville knew from his own experiences and the sources available to a reader in the mid-1800s, exploring how and why Melville might have twisted what was known to serve his fiction. King then climbs to the crow's nest, setting Melville in the context of the American perception of the ocean in 1851--at the very start of the Industrial Revolution and just before the publication of On the Origin of Species. King compares Ahab's and Ishmael's worldviews to how we see the ocean today: an expanse still immortal and sublime, but also in crisis. And although the concept of stewardship of the sea would have been entirely foreign, if not absurd, to Melville, King argues that Melville's narrator Ishmael reveals his own tendencies toward what we would now call environmentalism. Featuring a coffer of illustrations and an array of interviews with contemporary scientists, fishers, and whale watch operators, Ahab's Rolling Sea offers new insight not only into a cherished masterwork and its author but also into our evolving relationship with the briny deep--from whale hunters to climate refugees.

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Although Herman Melville's Moby-Dick is beloved as one of the most profound and enduring works of American fiction, we rarely consider it a work of nature writing—or even a novel of the sea. Yet Pulitzer Prize–winning author Annie Dillard avers Moby-Dick is the "best book ever written about nature," and nearly the entirety of the story is set on the waves, with scarcely a whiff of land. In fact, Ishmael's sea yarn is in conversation with the nature writing of Emerson and Thoreau, and Melville himself did much more than live for a year in a cabin beside a pond. He set sail: to the far remote Pacific Ocean, spending more than three years at sea before writing his masterpiece in 1851. A revelation for Moby-Dick devotees and neophytes alike, Ahab's Rolling Sea is a chronological journey through the natural history of Melville's novel. From white whales to whale intelligence, giant squids, barnacles, albatross, and sharks, Richard J. King examines what Melville knew from his own experiences and the sources available to a reader in the mid-1800s, exploring how and why Melville might have twisted what was known to serve his fiction. King then climbs to the crow's nest, setting Melville in the context of the American perception of the ocean in 1851—at the very start of the Industrial Revolution and just before the publication of On the Origin of Species. King compares Ahab's and Ishmael's worldviews to how we see the ocean today: an expanse still immortal and sublime, but also in crisis. And although the concept of stewardship of the sea would have been entirely foreign, if not absurd, to Melville, King argues that Melville's narrator Ishmael reveals his own tendencies toward what we would now call environmentalism. Featuring a coffer of illustrations and an array of interviews with contemporary scientists, fishers, and whale watch operators, Ahab's Rolling Sea offers new insight not only into a cherished masterwork and its author but also into our evolving relationship with the briny deep—from whale hunters to climate refugees.

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THE STUNNING AND ROMANTIC NEW NOVEL FROM SUNDAY TIMES BESTSELLING AUTHOR VERONICA HENRY!'Magical, romantic, fantastique' MILLY JOHNSON'A perfect Parisian fantasy every woman will love' KATIE FFORDE'Wow, wow, WOW. Her best and most perfect book yet. I adored every word. Sublime, as always' JILL MANSELL'The perfect weekend read. I was so captivated I didn't notice I was turning the pages' FANNY BLAKEBecause Paris is always a good idea...Years ago, Juliet left a little piece of her heart in Paris - and now, separated from her husband and with her children flying the nest, it's time to get it back!So she puts on her best red lipstick, books a cosy attic apartment near Notre-Dame and takes the next train out of London.Arriving at the Gare du Nord, the memories come flooding back: bustling street cafés, cheap wine in candlelit bars and a handsome boy with glittering eyes.But Juliet has also been keeping a secret for over two decades - and she begins to realise it's impossible to move forwards without first looking back.Something tells her that the next thirty days might just change everything...Your favourite authors are loving Thirty Days in Paris!'Gorgeously romantic. A lovely slice of Paris life' JO THOMAS'I loved this gorgeous, hopeful story of second chances in the City of Lights!' LIZ FENWICK'A gloriously escapist read, I absolutely loved it!' KATE EBERLEN'A delicious, dreamy, joy of a book' LIBBY PAGE'I was immersed in and inspired by this exquisitely told love story' HEIDI SWAIN'Captures the romance and magic of Paris perfectly. A blissful escape' SARAH MORGAN'A story of second chances and the most uplifting getaway' LUCY DIAMOND'Gloriously escapist and filled with joie de vivre' ALEX BROWN'Irresistibly romantic and bursting with joie de vivre. I adored it' PHILLIPA ASHLEY'A sumptuous, joyfully indulgent treat of a book. I devoured it' CRESSIDA McLAUGHLIN'Such wonderful characters & the perfect setting. BIG recommendation!' CARI ROSEN'Absolutely perfect for anyone who loves Paris and twisty love stories - a five star read!' LORRAINE BROWN

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To praise Jane Austen's novels only as stylistic masterpieces is to strip them of the historical, cultural, and literary contexts that might otherwise illuminate them. By focusing primarily on the political, historical, satiric, actively intertextual, and deeply sexualized text of Persuasion, Jocelyn Harris seeks to reconcile the so-called insignificance of her content with her high canonical status, for Austen’s interactions with real and imagined worlds prove her to be innovative, even revolutionary. This book answers common assertions that Austen’s content is restricted; that being uneducated and a woman, she could only write unconsciously, realistically, and autobiographically of what she knew; that her national and sexual politics were reactionary; and that her novels serve mainly as havens from reality. Such ideas arose from literal readings of Austen’s letters, the family’s representation of her as a gentle, unlearned genius, and the assumption that she could not write about the Napoleonic Wars. Persuasion is, though, permeated with references to war as well as peace. Harris suggests that Persuasion may respond to Walter Scott’s review of Emma, Austen’s correspondence with Fanny Knight, hostile reviews of Frances Burney’s The Wanderer, contemporary attacks on the novel, and her own defense of fiction in Northanger Abbey. Self-critical in revision, Austen calls on Byron, Shakespeare, Napoleon, and Cook to modify wartime constructions of English masculinity such as Southey’s Nelson. Similarly, her critique of Scott’s first three novels confirms that her attitude toward class and gender is far from reactionary. Persuasion reveals Austen’s patriotism, her pioneering lyricism, and her hopes for sexual equality. Although like Turner she portrays Lyme as sublime and liminally open to change, she attacks Bath, a city shadowed by mortality and corruption, with a savage indignation characteristic of contemporary satire. Persuasion sketches a society founded on merit and distributive justice, its turn from woe to joy derived not so much from her own life as from the seasonal resurrections of Shakespeare’s late tragicomedies, her religious beliefs, and the nation’s mixed grief and jubilee after Waterloo. Harris draws on new information to argue that Austen is an outward looking, intertextually aware, and remarkably self-conscious author.

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From the hosts of the popular podcast and tv show Men in Blazers, comes their completely scientific, 100% definitive, defend-to-the-death list of the greatest soccer players of all time. Every fan has their own list of the 100 soccer players they consider the greatest ever to play the game. A list based on triumphs, sublime moments of skill, superhuman tenacity, and telenovela-esque backstories. To the list-maker, that 100 feels objective. Unequivocal. An absolute truth. This is one such list. Written with the same signature Men in Blazers humor found in their New York Times bestseller Encyclopedia Blazertannica, and accompanied by Nate Kitch's iconic photographic illustrations, Men in Blazers share the stories of household names like David Beckham and Alex Morgan, along with cult icons such as Garrincha, the Brazilian star of the 1960s who was born with one leg six inches shorter than the other, and Briana Scurry, a trailblazer who paved a path for young Black soccer-playing women. Page by page, you will revel in the depictions of players you adore, discover tales you have never heard, and experience vivid stories of dreams, loyalty, perseverance, creativity, and luck. Together, they form an alternative telling of the history of soccer, tracing the evolution of the men's and women's games around the globe, one unlikely, unbelievable, unforgettable career at a time. Thanks to the transcendent career arcs depicted within, Gods of Soccer is rife with tales that will make readers' hearts soar. Encourage them to dream. And then quickly rush off to make their own lists. FOR READERS OF: Complete Book of Soccer, The Baseball 100, Encyclopedia Blazertannica, and Reborn in the USA A COMPANION TO MEN IN BLAZERS PODCAST AND SHOWS: This is the perfect companion for avid fans of the Men in Blazers podcast, one of the largest soccer podcasts in the world, and their weekly NBC show. A GREAT GIFT: Surprise the soccer fans in your life or introduce someone to the sport with God's of Soccer . This will make a fantastic gift for both novice and die-hard players and soccer fans of all ages.

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A groundbreaking new approach to grilling vegetables and fruit from the author of Seven Fires and Mallmann on FireGreen Fire is an extraordinary vegetarian cookbook, as Mallmann brings his techniques, creativity, instinct for bold flavors, and decades of experience to the idea of cooking vegetables and fruits over live fire. Blistered tomatoes reinvigorate a classic Caprese salad. Eggplants are buried whole in the coals—a technique called rescoldo—then dance that fine line between burned and incinerated until they yield an ineffable creaminess made irresistible with a slather of parsley, chile, and aioli. Brussels sprout leaves are scorched and served with walnuts; whole cabbages are sliced thick, grilled like steaks, and rubbed with spice for a mustard-fennel crust. Corn, fennel, artichokes, beets, squash, even beans—this is the vegetable kingdom, on fire. The celebrated Patagonian chef, known for his mastery of flame and meat, the chef who romanced the food world with an iconic image of a whole cow dressed and splayed out over licking flames, is returning to the place where his storied career began—the garden and all its bounty. It’s his new truth: the transformation wrought by flame, coals, and smoke on a carrot or peach is nothing short of alchemy. And just as he’s discovered that a smoky, crackling-crusted potato cooked on the plancha is as sublime as the rib-eye he used to serve it next to, Mallmann’s also inspired by another truth: we all need to cut down on consuming animals to ensure a healthier future for both people and the planet. Time to turn the fire “green.” The fruit desserts alone confirm live fire’s ability to transform and elevate any ingredient. Mallmann roasts whole pineapples, grills grapes, chars cherries, and then finds just the right unexpected match—melted cheese, toasted hazelnuts, Campari granita—to turn each into a simple yet utterly entrancing dish. Cooking with fire demands both simplicity and perfection. But the results are pure magic. By using this oldest of cooking techniques, you’ll discover fruits and vegetables pushed to such a peak of flavor it’s as if they’d never been truly tasted before.

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An Observer Best Debut of the Year A Granta Best of Young British Novelists ‘Oozes with erotic tension from the start’ Sarah Winman, author of Still Life ‘Sublime… I loved this book’ Julia Armfield, author of Our Wives Under the Sea ‘Moody, generous and brilliant’ Jessie Burton, author of The House of Fortune ‘Tense, taut and exhilarating’ Monica Heisey, author of Really Good, Actually ‘I’ve completely fallen for the astonishing Mrs S’ Andrea Lawlor, author of Paul Takes the Form of a Mortal Girl Powerfully sensual and sublimely stylish, Mrs S is a tale of queer love that smoulders with the heat of summer. In an elite English boarding school where the girls kiss the marble statue of the famous dead author who used to walk the halls, a young Australian woman arrives to take up the antiquated role of ‘matron’. Within this landscape of immense privilege, in which the girls can sense the slightest weakness in those around them, she finds herself unsure of her role, her accent and her body. That is until she meets Mrs S, the headmaster’s wife, a woman who is her polar opposite: assured, sophisticated, a paragon of femininity. Over the course of a long, restless heatwave, the matron finds herself irresistibly drawn ever closer into Mrs S’s world and their unspoken desire blooms into an illicit affair of electric intensity. But, as the summer begins to fade, both women know that a choice must be made. K Patrick’s portrait of the butch experience is revelatory; exploring the contested terrain of our bodies, our desires and the constraints society places around both. Mrs S marks the arrival of a major new literary talent, unlike any other. ‘The intense physicality of the novel’s emotions and its stylish, stripped-back prose make for an arresting pairing’ Observer ‘Atmospheric and daring’ Guardian ‘There’s nothing else like it out there’ The Times ‘Bold and beautiful… Desire crackles through these pages like fire’ Telegraph ‘Entirely captivating’ New York Times ‘Reading Mrs S is a delicious experience’ Rupert Thomson, author of Never Anyone But You

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2024’s most unforgettable romance that will give you ALL the feels! From the queen of the 'what if' love story ‘It's the sort of story which makes you want to say, I love you, to everyone you care about the most in your life,’ Reader review ⭐⭐⭐⭐⭐ Dan is Emma’s person. She’s known it since the first time she saw him dressed in lederhosen on the tube. On their fifteen year ‘dateversary’, Emma texts a list of everything she should have told Dan that morning. Tell the kids to remember their homework… And their gloves. Can you defrost some sausages? Emma just forgets to write the most important words of all – I love you – and by the end of the day everything changes. Or does it? Emma is given the chance to rewrite their future – if she can just figure out their past… Escape with the most uplifting and emotional love story of the year. Perfect for fans of The Man Who Didn’t Call and Jojo Moyes! Readers LOVE Maybe Next Time! ‘WOW! WOW! WOW! Powerful and life affirming, So much more than five stars. If there is only one book you read this year, make it this one!’ Reader review ⭐⭐⭐⭐⭐ ‘The ending will have you ugly crying… It made me cry so hard I couldn’t actually read’ Reader review ⭐⭐⭐⭐⭐ ‘Take a love story, mix it with a stress dream, add moments that will stop you in your tracks and take your breath away while somersaulting on an emotional rollercoaster… Completely addictive’ Reader review ⭐⭐⭐⭐⭐ ‘Sublime. I was only a quarter of a way through before I decided that it is definitely going down as one of my books of the year!’ Reader review ⭐⭐⭐⭐⭐ –––––––––––––––––––––––––––––-‘Ingeniuous, intriguing and so emotional’ JILL MANSELL ‘Deeply moving, extremely funny, brilliantly knowing and fabulously observed’ DAISY BUCHANAN ‘Heart-warming and life-affirming – a gorgeous read’ LOUISE O’NEILL ‘Astonishing’ CLARE MACKINTOSH ‘Addictive, heartbreaking and achingly romantic’ ROSIE WALSH ‘A reminder of just how precious every day can be’ LUCY DIAMOND

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These are the Journals of Francis Davies Leading Shipwright RN when on board Captain Scott's "Terra Nova" British Antarctic Expedition 1910 - 1913, Never seen before photos and historical artefacts, kept safe by his decadences, for over 100 years. Unique below decks prospective on Captains Scotts last Antarctic Expedition, Unabridged and never before Published. The geographic and scientific accomplishments of Captain Scott's two Antarctic expeditions changed the face of the Twentieth Century in ways that are still not widely appreciated over a hundred years later. The fact of accomplishment has tended to be lost in speculative argument as to how Scott should have done this instead of that, supposedly to achieve the extra few yards per day to save the lives of the South Pole Party in 1912. Also lost to a generation overwhelmed with information, however, is the sublime sense of adventure into the unknown, which Scott's expeditions represented to his generation. We have forgotten what it is to take the awesome life-gambling risk of sailing beyond the edge of the map into nothingness and rendering it known. We send robot explorers instead. As a result, after two millennia of maritime and exploration history, we have become detached from the sea which surrounds our island and the tradition of exploration which it represents. With Scott: Before the Mast is a unique account that serves as an antidote to this disconectedness. It is no fictional 'Hornblower', although it may seem so at times. This is a true story. It presents one man's account of his part in a great act of derring-do, the assault on the South Pole in 1912. Most records of Captain Scott's British Antarctic Expedition aboard Terra Nova (1910-1913) are the accounts of officers. With Scott: Before the Mast is the story of Francis Davies, Shipwright, R.N., and Carpenter. The title says it all but may be lost on landlubbers. Before the mast means 'to serve as an ordinary seaman in a sailing ship'. This makes it a rare and hugely important account, presenting a viewpoint from the lower ranks. Such insight is rarely available and the long overdue publication of this account is greatly to be welcomed.

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'A quiet work of art that explores the complexity of trauma in the wake of the Enniskellen bombing. McKeon’s writing is sensitive, elusive and philosophical, and pursues an elusive truth at the heart of the Troubles.’ PAUL LYNCH 'Exceptional ... The imaginative storytelling and fine prose of Remembrance Sunday puts McKeon in the big leagues' Irish Times'A supreme storyteller' Sunday Times'If you enjoy Colum McCann's work, this novel is for you' Irish Independent'Impressive ... A poignant, delicately composed novel that doesn't stint on the wreckage of violence' Daily Mail 'Beautifully written' Sunday IndependentChinatown, New York. After a chance encounter with an old friend, Simon Hanlon, an Irish architect, experiences a seizure, his first in almost thirty years. Soon, they come to him daily.As he awaits a brain operation, Simon turns his mind back to his childhood on a farm near the Irish border. At fifteen, he was present when an IRA bomb exploded at the Remembrance Sunday parade in Enniskillen. It was in the following weeks that his seizures first began. Now, he is compelled to seek out the bomber from the remnants of his past, and to ask himself the question: why do we harm one another?Remembrance Sunday is a moving and unforgettable novel about love, empathy and the ways in which history imprints itself upon our hearts and minds.***'Deeply felt and delicate, Remembrance Sunday is a timely evocation of the havoc the Troubles wreaked, not just on the street, but on the soul' CLAIRE KILROY'Beautifully wrought, startlingly perceptive, stealthily gripping . . . It moves masterfully between the forensic and the lyrical, the meditative and the dramatic, the personal and the political' KEVIN POWER'McKeon animates a story out of the North's recent history with much skill and empathy. Complicating the commonplace, attempting to make sense of the senseless, the novel is an impressive and moving act of imagination and remembrance' NICK LAIRD'A stunning achievement. I was completely gripped by it and awed at the sublime skill and beauty of its execution. Darragh has created a work of art of immediate relevance and enduring importance' DONAL RYAN

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EVIE EPWORTH IS TEN YEARS OLDER. BUT IS SHE ANY WISER?!‘It’s an uplifting, rip-roaring read, peppered with nostalgic detail and plenty of comic asides.’ Daily Express'A golden ray of sunshine. If you're after a funny, uplifting summer read then this is for you!' Libby Page, author of The Lido 'A joyous way to spend an afternoon.' Joannna Nadin, author of The Double Life of Daisy Hemmings‘Taylor’s writing is sublime, effortlessly combining humour with pathos and spot-on period detail while sensitively exploring themes such as loss, grief, love and death. It’s sure to be another hit.’ Yorkshire Post'A thoroughly uplifting and unputdownable sequel to the bestselling The Miseducation of Evie Epworth.' Waterstones 1972. Ten years on from the events of The Miseducation of Evie Epworth and Evie is settled in London working for the BBC. She has everything she's ever dreamed of (a career, a leatherette briefcase, an Ossie Clark poncho) but, following an unfortunate incident involving Princess Anne and a Hornsea Pottery mug, she finds herself having to rethink her life and piece together work, love, grief and multiple pairs of cork-soled platform sandals. Ghosts from the past and the spirit of the future collide in a joyous adventure that sees Evie navigate the choppy waters of her messy twenties. Can a 1960s miseducation prepare her for the growing pains of the 1970s? Big-hearted, uplifting, bittersweet and tender, All About Evie is a novel fizzing with wit and alive to the power of friendship in all its forms. Praise for The Miseducation of Evie Epworth ‘Tight, clever and riddled with wit. Like discovering Adrian Mole or Bridget Jones for the first time.’ Joanna Nadin, author of The Queen of Bloody Everything ‘A sweet, fizzy sherbet dib-dab of a book - deliciously nostalgic, hugely funny and ultimately heartwarming. The perfect book for our times.’ Veronica Henry ‘Such a joyful and uplifting read. Just the sort of thing that people will want to be reading right now.’ Anita Rani, Radio 2 Book Club 'Full of fabulous characters, sprinkled with joy and drenched in wit.' Milly Johnson

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NOW A MAJOR TV SERIES BY BARRY JENKINS (COMING MAY 2021) WINNER OF THE PULITZER PRIZE FOR FICTION 2017WINNER OF THE ARTHUR C. CLARKE AWARD 2017LONGLISTED FOR THE BOOKER PRIZE 2017NATIONAL BOOK AWARD WINNER 2016'Whitehead is on a roll: the reviews have been sublime' Guardian'Luminous, furious, wildly inventive' Observer'Hands down one of the best, if not the best, book I've read this year' Stylist 'Dazzling' New York Review of BooksPraised by Barack Obama and an Oprah Book Club Pick, The Underground Railroad by Colson Whitehead won the National Book Award 2016 and the Pulitzer Prize for Fiction 2017.Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North.In Whitehead's razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.At each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once the story of one woman's ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.

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The former general in chief of the Union armies during the Civil War . . . the two-term president of the United States . . . the beloved ambassador of American goodwill around the globe . . . the respected New York financier—Ulysses S. Grant—was dying. The hardscrabble man who regularly smoked 20 cigars a day had developed terminal throat cancer. Thus began Grant’s final battle—a race against his own failing health to complete his Personal Memoirs in an attempt to secure his family’s financial security. But the project evolved into something far more: an effort to secure the very meaning of the Civil War itself and how it would be remembered.The news of Grant’s illness came swift on the heels of his financial ruin. Business partners had swindled him and his family out of everything but the money he and his wife had in their pockets and the family cookie jar. Investors lost millions. The public ire that turned on Grant first suspected malfeasance, then incompetence, then unfortunate, naive neglect.In this maelstrom of woe, Grant refused to surrender. Putting pen to paper, the hero of Appomattox embarked on his final campaign: an effort to write his memoirs before he died. The Personal Memoirs of Ulysses S. Grant, would cement his place as not only one of America’s greatest heroes but also as one of its most sublime literary voices.Filled with personal intrigues of its own and supported by a cast of colourful characters that included Mark Twain, William Vanderbilt, and P. T. Barnum, Grant’s Last Battle recounts a deeply personal story as dramatic for Grant as any of his battlefield exploits.Authors Mackowski and White have recounted Grant’s battlefield exploits as historians at Fredericksburg and Spotsylvania National Military Park, and Mackowski, as an academic, has studied Grant’s literary career. Their familiarity with the former president as a general and as a writer bring Grant’s Last Battle to life with new insight, told with the engaging prose that has become the hallmark of the Emerging Civil War Series.

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Under Representation shows how the founding texts of aesthetic philosophy ground the racial order of the modern world in our concepts of universality, freedom, and humanity. In taking on the relation of aesthetics to race, Lloyd challenges the absence of sustained thought about race in postcolonial studies, as well as the lack of sustained attention to aesthetics in critical race theory. Late Enlightenment discourse on aesthetic experience proposes a decisive account of the conditions of possibility for universal human subjecthood. The aesthetic forges a powerful “racial regime of representation” whose genealogy runs from enlightenment thinkers like Kant and Schiller to late modernist critics like Adorno and Benjamin. For aesthetic philosophy, representation is not just about depiction of diverse humans or inclusion in political or cultural institutions. It is an activity that undergirds the various spheres of human practice and theory, from the most fundamental acts of perception and reflection to the relation of the subject to the political, the economic, and the social. Representation regulates the distribution of racial identifications along a developmental trajectory: The racialized remain “under representation,” on the threshold of humanity and not yet capable of freedom and civility as aesthetic thought defines those attributes. To ignore the aesthetic is thus to overlook its continuing force in the formation of the racial and political structures down to the present. Across five chapters, Under Representation investigates the aesthetic foundations of modern political subjectivity; race and the sublime; the logic of assimilation and the stereotype; the subaltern critique of representation; and the place of magic and the primitive in modernist concepts of art, aura and representation. Both a genealogy and an account of our present, Under Representation ultimately helps show how a political reading of aesthetics can help us build a racial politics adequate for the problems we face today, one that stakes claims more radical than multicultural demands for representation.

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'A sharp-eyed and tender novel about human connection in a time of crisis' (PAULA HAWKINS) from the bestselling, National Book Award-winning author of The Friend'Once you discover Sigrid Nunez, you don't look back' ANNE ENRIGHT'A novel that truly, truly speaks to the soul' GLAMOUR'A gorgeous, funny novel about connection' iPAPER'Compulsively readable' ELLEThree strangers are thrown together in one Manhattan apartment: a solitary writer; a Gen Z college drop-out; and a spirited parrot named Eureka.As the world outside descends into turmoil, the three of them must learn how to live with and care for one another. The Vulnerables reveals what happens when strangers are willing to open their hearts to each other and how far even small acts of caring can go to ease another's distress.'I am committed, until one of us dies, to Nunez's novels. They are short, wise, provocative, funny' NEW YORK TIMES'The Vulnerables leaves us, as it reaches its extraordinarily hopeful last line, with the feeling that we have been helped' GUARDIAN BOOK OF THE DAY'Beautiful and profound' MEG MASON'A must-read about unlikely friendships' SUNDAY TIMES STYLE'A funny, divinely chatty novel filled with moments of the sublime. I really think there are sections of this book that I'll be thinking about forever' CAROLINE O'DONOGHUE'With the intimacy and humour of a great conversation, this novel makes you feel smarter and more alive' PEOPLE'Sigrid Nunez is among the most interesting writers of our generation' INDEPENDENT *****'Infused with moments of hilarity and wisdom. Beautiful' WOMAN'S WEEKLY'Cracks open windows and offers a reassuring breeze, reminding us that it's OK - and perhaps even necessary - to need each other; it's only human' SAN FRANCISCO CHRONICLE'One of my favourite authors' NATALIE PORTMAN'A breath of fresh air for a time when it still sometimes feels there isn't any' GOOD HOUSEKEEPING'A compelling read. I'm a huge fan' RED ONLINE

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Well-known for his historical accounts of Satan and hell, Jeffrey Burton Russell here explores the brighter side of eternity: heaven. Dispensing with the cliche images of goodness that can make even heaven seem unbearable, the author stimulates our imagination with a history of how the joy of paradise has been conceived by writers, philosophers, and artists for whom heaven was an imminent reality. Russell not only explores concepts found among the ancient Jews, Greeks, and Romans as well as early and medieval Christians, but also addresses the intellectual problems heaven poses: how does time "pass" in eternity? is heaven a place or a state? who is in and who is not? what happens to the body and soul between death and Judgment Day? Russell stresses that the best way to approach the logic-defying concept of a place occupying neither space nor time is through poetry and paradox, and through the visions of such mystics as Bernard, Julian of Norwich, and Eckhart. After the Revelation of Saint John the Divine, the most sublime and encompassing portrait of heaven to date has come not from a theologian but from a poet--Dante Alighieri in his Divine Comedy. Russell's history of heaven culminates in a lively analysis of how Dante described the glories of the indescribable. The unsurpassed images of light, movement, and community that Dante uses so skillfully to convey the presence of God are rooted in the Jewish picture of heaven as a garden or court and in the Greek picture of the Elysian Fields. Using current scholarly insights together with a vast store of knowledge gathered from the past, Russell takes the idea of heaven as valid and important in itself--something to be understood from the point of view of those believing in it. His very use of language immerses us in the thoughts of those who have sought heaven and provides rich material for contemplation.

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The Bhagavad Gita is the best known of all the Indian scriptures, and Eknath Easwaran’s best-selling translation is reliable, readable, and profound.Easwaran's 55-page introduction places the Bhagavad Gita in its historical setting, and brings out the universality and timelessness of its teachings. Chapter introductions clarify key concepts, and notes and a glossary explain Sanskrit terms. Easwaran grew up in the Hindu tradition in India, and learned Sanskrit from a young age. He was a professor of English literature before coming to the West on a Fulbright scholarship. A gifted teacher, he is recognized as an authority on the Indian classics and world mysticism. The Bhagavad Gita opens, dramatically, on a battlefield, as the warrior Arjuna turns in anguish to his spiritual guide, Sri Krishna, for answers to the fundamental questions of life. Yet, as Easwaran points out, the Gita is not what it seems – it’s not a dialogue between two mythical figures at the dawn of Indian history. “The battlefield is a perfect backdrop, but the Gita’s subject is the war within, the struggle for self-mastery that every human being must wage if he or she is to emerge from life victorious.”Arjuna’s struggle in the Bhagavad Gita is acutely modern. He has lost his way on the battlefield of life and turns to find the path again by asking direct, uncompromising questions of his spiritual guide, Sri Krishna, the Lord himself. Krishna replies in 700 verses of sublime instruction on living and dying, loving and working, and the nature of the soul.Easwaran shows the Gita’s relevance to us today as we strive, like Arjuna, to do what is right.“No one in modern times is more qualified – no, make that ‘as qualified’ – to translate the epochal Classics of Indian Spirituality than Eknath Easwaran. And the reason is clear. It is impossible to get to the heart of those classics unless you live them, and he did live them. My admiration of the man and his works is boundless.” Huston Smith, author of The World’s Religions.

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The richly varied lives of the Martin brothers reflected the many upheavals of Britain in the age of Industrial Revolution. Low-born and largely unschooled, they were part of a new generation of artists, scientists and inventors who witnessed the creation of the modern world. William, the eldest, was a cussedly eccentric inventor who couldn't look at a piece of machinery without thinking about how to improve it; Richard, a courageous soldier, fought in the Peninsular War and at Waterloo; Jonathan, a hellfire preacher tormented by madness and touched with a visionary genius reminiscent of William Blake, almost burned down York Minster in 1829; while John, the youngest Martin, single-handedly invented, mastered and exhausted an entire genre of painting, the apocalyptic sublime, while playing host to the foremost writers, scientists and thinkers of his day. In The Prometheans Max Adams interweaves the fascinating story of these maverick siblings with a magisterial and multi-faceted account of the industrial, political and artistic ferment of early 19th-century Britain. His narrative centres on a generation of inventors, artists and radical intellectuals (including the chemist Humphry Davy, the engineer George Stephenson, the social reformer Robert Owen and the poet Shelley) who were seeking to liberate humanity from the tyranny of material discomfort and political oppression. For Adams, the shared inspiration that binds this generation together is the cult of Prometheus, the titan of ancient Greek mythology who stole fire from Zeus to give to mortal man, and who became a potent symbol of political and personal liberation from the mid-18th century onwards. Whether writing about Davy's invention of the miner's safety lamp, the scandalous private life of the Prince Regent, the death of Shelley or J.M.W. Turner's use of colour, Adams's narrative is pacy, characterful, and rich in anecdote, quotation and memorable character sketch. Like John Martin himself, he has created a sprawling and brightly coloured canvas on an epic scale.

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***NOMINATED FOR THE NME BEST BOOK AWARD 2017 *** The first and only OFFICIAL book from ZAYN, for his ultimate fans. Zayn's autobiography features exclusive, never-before-seen photographs alongside his story. -------------------------------- 'This book is my diary of a period that I would like to share with you all. I hope that there are things in the book that contextualise some of the moments and memories we have all shared together. There are things I address in the book that are very personal to me, things that I have never told anyone, things I still find hard to talk about. It's a part of a journey I'm still on' - ZAYN ZAYN opens up with this collection of thoughts, inspiration, and never-before-seen personal photographs. After five years of massive success with One Direction, ZAYN launched his career as a solo artist with Mind of Mine, becoming one of the most successful artists in the world. Now, for the first time ever, ZAYN is going to tell and show all in this intimate and raw scrapbook of his life. Never-before-released photos give readers insight to ZAYN, no-holds-barred. Gorgeously designed with hundreds of full-color photographs and Zayn's notes, drawings, song lyrics, and personal stories, the book captures Zayn's most private moments and his candid feelings on fame, success, music, and life. The next chapter of ZAYN'S evolution into global superstar, told by the artist who is living it. Global superstar ZAYN shares a photographic journey of his life since leaving One Direction. *** Reviews for Mind of Mine: "A singer eager to reclaim the parts of himself that five years in the pop klieg lights forced into the shadows." -The New York Times "Sonically, you won't find many pop albums in 2016 more immaculately conceived than this." -SPIN "Sublime." -USA Today "Malik can sing . . . he's done this before, but not like this." -Rolling Stone "A moody, deeply textured R&B album..." -Los Angeles Times "Zayn has clearly achieved his aim of making an album of sexy, credible pop-R&B." -NME

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The Universe Within is a thrilling journey from today all the way back to the Big Bang, which shows the deep connections between the human body and the universe, from Neil Shubin, author of Your Inner FishWhat links the birth of the moon to our body clocks? How did the creation of the Atlantic Ocean affect how we have children? What does the water inside us and on Earth have to do with the deepest stretches of space? Humanity's status in the cosmos can seem insignificant. Yet, as Neil Shubin shows, the one place where the universe, solar system and planet merge is inside your body. Exploring the smallest atomic structures and vastest reaches of space, Shubin uncovers a sublime truth: that in every one of us lies the most profound story of all - how we and our world came to be.Neil Shubin is a palaeontologist in the great tradition of his mentors, Ernst Mayr and Stephen Jay Gould. He has discovered fossils around the world that have changed the way we think about many of the key transitions in evolution and has pioneered a new synthesis of expeditionary palaeontology, developmental genetics and genomics. He trained at Columbia, Harvard and Berkeley and is currently a Professor in the Department of Organismal Biology and Anatomy at the University of Chicago.'A new, fresh way of telling the story of life, the universe and everything ... hugely enjoyable' Tim Radford, Guardian'Shubin is not only a distinguished scientist, but a wonderfully lucid and elegant writer; he is an irrepressibly enthusiastic teacher ... a science writer of the first rank' Oliver Sacks'Glorious, uplifting ... It tracks the very atoms in our bodies back to the Big Bang, and shows how all the molecules that comprise us have roots in the formation of Earth ... What is special about the book is its sweep, its scope, its panorama' Wall Street Journal

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Squeaky Clean Jokes to Tickle Your Funny BoneSqueaky Clean Super Funny School Jokes for Kidz. From Craig Yoe, the former Creative Director, Vice President, and General Manager of Jim Henson's Muppets─and former Creative Director at Nickelodeon and Disney─comes a series of wholesome joke books for kids of all ages. Squeaky Clean Super Funny School Jokes for Kidz is the third of the series and you’ll want to own them all! Laugh-out-loud (LOL) funny jokes. Craig, a retired pastor, believes that there is nothing better in life than making kids laugh and feel happy. He has been collecting jokes for years, and now he is releasing his hand-picked jokes for kids in the “Squeaky Clean” series. It’s packed with wholesome, edifying, LOL funny jokes to encourage reading and entertain children for hours. A career devoted to making kids happy. Yoe is the winner of an Eisner Award (the comics industry's equivalent of the Academy Awards) and a Gold Medal from the Society of Illustrators. He is an author, editor, art director, graphic designer, cartoonist and comics historian. Craig is currently operating Yoe! Studio creations and Yoe! Books. Publisher Weekly says he's the “archivist of the ridiculous and the sublime” and calls his work "brilliant." Library Journal “calls him a comics guru.” Jim Henson once said that “Craig brings with him his valuable creativity and enthusiasm. He has a nice mix of business and creative talent!” Mark Hamill of Star Wars fame quipped, “I keep buying books from Yoe Books as gifts, then keeping them for myself!” Perfect gift for kids (and parents and grandparents). If you and your kids have enjoyed books such as Silly Jokes for Silly Kids, Belly Laugh Jokes for Kids, or Laugh-Out-Loud A+ Jokes for Kids; you and your child will love Craig Yoe’s Squeaky Clean Super Funny School Jokes for Kidz. No boogers, ghosts, witches, scary monsters, insults or put-downs─all giggle-filled good clean fun for young and old alike.

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'I've never read anything quite like Songbirds - a beautifully crafted novel that sits at the intersection of race and class.' Jodi PicoultShe walks unseen through our world.Cares for our children, cleans our homes.Her voice unheard.She has a story to tell.Will you listen?Nisha has crossed oceans to give her child a future. By day she cares for Petra's daughter; at night she mothers her own little girl by the light of a phone. Nisha's lover, Yiannis, is a poacher, hunting the tiny songbirds on their way to Africa each winter. His dreams of a new life, and of marrying Nisha, are shattered when she vanishes. No one cares about the disappearance of a domestic worker, except Petra and Yiannis. As they set out to search for her, they realise how little they know about Nisha. What they uncover will change them all.Set in her native Cyprus, Christy Lefteri has crafted a powerful, redemptive story of loss, of the triumph of the human spirit, and of the enduring love of a mother for her child.COMING IN AUGUST 2023, CHRISTY LEFTERI'S BREATHTAKING NEW NOVEL, THE BOOK OF FIREPraise for Christy Lefteri:'This thought-provoking novel of love loss and redemption is thoroughly sublime.' Caroline Montague'Lefteri is an astonishing weaver of stories.' Daljit Nagra' . . . broke my heart and kept me turning the pages of her gorgeous novel well into the night.' Alka Joshi, NYT-bestselling author of The Henna Artist and The Secret Keeper of Jaipur'Christy Lefteri has crafted a beautiful novel, intelligent, thoughtful, and relevant.' Benjamin Zephaniah on The Beekeeper of Aleppo' . . . it's impossible not to be moved by Lefteri's plea for humanity and perhaps inspired too.' Observer, on The Beekeeper of Aleppo'Courageous, proactive, haunting.' Heather Morris, on The Beekeeper of Aleppo***DON'T MISS CHRISTY LEFTERI'S MOVING AND CAPTIVATING NEW NOVEL: THE BOOK OF FIRE, OUT NOW!***

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What sorts of cultural criticism are teachers and scholars to produce, and how can that criticism be "employed" in the culture at large? In recent years, debates about the role and direction of English departments have mushroomed into a broader controversy over the public legitimacy of literary criticism. At first glance this might seem odd: few taxpayers and legislators care whether the nation's English professors are doing justice to the project of identifying the beautiful and the sublime. But in the context of the legitimation crisis in American higher education, the image of English departments has in fact played a major role in determining public attitudes toward colleges and college faculty. Similarly, the changing economic conditions of universities have prompted many English professors to rethink their relations to their "clients," asking how literary study can serve the American public. What sorts of cultural criticism are teachers and scholars to produce, and how can that criticism be "employed" in the culture at large? In The Employment of English, Michael Bérubé, one of our most eloquent and gifted critics, examines the cultural legitimacy of literary study. In witty, engaging prose, Bérubé asserts that we must situate these questions in a context in which nearly half of all college professors are part-time labor and in which English departments are torn between their traditional mission of defining movements of literary history and protocols of textual interpretation, and their newer tasks of interrogating wider systems of signification under rubrics like "gender," "hegemony," "rhetoric," "textuality" (including film and video), and "culture." Are these new roles a betrayal of the field's founding principles, in effect a short-sighted sell-out of the discipline? Do they represent little more that an attempt to shore up the status of--and student enrollments in--English? Or are they legitimate objects of literary study, in need of public support? Simultaneously investigating the economic and the intellectual ramifications of current debates, The Employment of English provides the clearest and most condensed account of this controversy to date.

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Squeaky Clean Jokes to Tickle Your Funny Bone “This is a book with a purpose and that purpose is fun! Filled with spontaneous explosions of laughter….”—Mark Squirek, New York Journal of Books From Craig Yoe, the former Creative Director, Vice President, and General Manager of Jim Henson's Muppets─and former Creative Director at Nickelodeon and Disney─comes a series of wholesome joke books for kids of all ages. Squeaky Clean Super Funny Jokes for Kidz is the first of the series and you’ll want to own them all! Fun for Everyone. No boogers, ghosts, witches, scary monsters, insults or put-downs─all giggle-filled good clean fun for young and old alike. Your child can share these jokes with family, friends, or anyone who wants to laugh. Laugh-out-loud (LOL) funny jokes. Craig, a retired pastor, believes that there is nothing better in life than making kids laugh. He has been collecting jokes for years, and now he is releasing his hand-picked jokes for kids in the “Squeaky Clean” series. It’s packed with wholesome, edifying, LOL funny jokes to encourage reading and entertain for hours. A career devoted to making kids happy. Yoe is the winner of an Eisner Award (the comics industry's equivalent of the Academy Awards) and a Gold Medal from the Society of Illustrators. He is an author, editor, art director, graphic designer, cartoonist and comics historian. Craig is currently operating Yoe! Studio creations and Yoe! Books. Publisher Weekly says he's the “archivist of the ridiculous and the sublime” and calls his work "brilliant." Library Journal “calls him a comics guru”. Jim Henson once said that “Craig brings with him his valuable creativity and enthusiasm.” Mark Hamill of Star Wars fame quipped, “I keep buying books from Yoe Books as gifts, then keeping them for myself!” If your child liked Silly Jokes for Silly Kid by Silly Willy, Jokes for Kids by Rob Stevens, or Knock-Knock Jokes for Kids by Whee Winn, they will love Squeaky Clean Super Funny Jokes for Kidz.

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Marc Woodworth's book covers the album's long and unorthodox period of writing, recording, sequencing, and editing. It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of Bee Thousand's definitive songs. The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard's basement. The story of Guided By Voices transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of "Bee Thousand". In addition to providing a central account of how the record was made, Woodworth devotes another substantial chapter to the album's lyrics. Robert Pollard's lyrics are described by critics, when they're described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. I want to offer a sustained discussion of Pollard's work as a writer of often sublime, beautiful, and very human lyrics. I won't miss the chance to consider the pleasures of the absurd in this context and, of course, the contributions to "Bee Thousand" of Tobin Sprout. The third key section of the book covers aesthetics. Woodworth considers the great appeal of the do-it-yourself nature of "Bee Thousand" and reflects on the larger importance of the strain of alternative rock for which this record is a touchstone. The focus is on "Bee Thousand", of course, but also includes discussion on the rise of a lo-fi aesthetic and its continuing influence. This chapter would also provide the context for an account of rock that exists because of passion, love, and compulsive need rather than formula, money, and marketing.

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