Search results for ""author art, culture"

A laugh-out-loud visual history of the strangest piece of men’s clothing ever created: the codpiece.The codpiece was fashioned in the Middle Ages to close a revealing gap between two separate pieces of men’s tights. By the sixteenth century, it had become an upscale must-have accessory. This light-hearted, illustrated examination of its history pulls in writers from Rabelais to Shakespeare and figures from Henry VIII to Alice Cooper. Glover’s witty and entertaining prose reveals how male vanity turned a piece of cloth into a bulging and absurd representation of masculinity itself. The codpiece, painted again and again by masters such as Titian, Holbein, Giorgione, and Bruegel, became a symbol of royalty, debauchery, virility, and religious seriousness—all in one. Never has a piece of clothing revealed so much about men only by hiding their private parts. Glover’s book moves from paintings to contemporary culture and back again as it charts the growing popularity of the codpiece and its eventual decline. The first history of its kind, this book is a must-read for art historians, anthropologists, fashion aficionados, and readers looking for a good, long laugh. Centuries of male self-importance and delusion are on display in this highly enjoyably new title.

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How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China?Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there.

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Hip Hop Desis explores the aesthetics and politics of South Asian American (desi) hip hop artists. Nitasha Tamar Sharma argues that through their lives and lyrics, young “hip hop desis” express a global race consciousness that reflects both their sense of connection with Blacks as racialized minorities in the United States and their diasporic sensibility as part of a global community of South Asians. She emphasizes the role of appropriation and sampling in the ways that hip hop desis craft their identities, create art, and pursue social activism. Some desi artists produce what she calls “ethnic hip hop,” incorporating South Asian languages, instruments, and immigrant themes. Through ethnic hip hop, artists, including KB, Sammy, and Deejay Bella, express “alternative desiness,” challenging assumptions about their identities as South Asians, children of immigrants, minorities, and Americans. Hip hop desis also contest and seek to bridge perceived divisions between Blacks and South Asian Americans. By taking up themes considered irrelevant to many Asian Americans, desi performers, such as D’Lo, Chee Malabar of Himalayan Project, and Rawj of Feenom Circle, create a multiracial form of Black popular culture to fight racism and enact social change.

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This updated second edition of Molecular Typing in Bacterial Infections, presented in two volumes, covers both common and neglected bacterial pathogenic agents, highlighting the most effective methods for their identification and classification in the light of their specific epidemiology. New chapters have been included to add new species, as well as another view of how bacterial typing can be used. These books are valuable resources for the molecular typing of infectious disease agents encountered in both research and hospital clinical laboratory settings, as well as in culture collections and in the industry. Each of the 21 chapters provides an overview of specific molecular approaches to efficiently detect and type different bacterial pathogens. The chapters are grouped in five parts, covering respiratory and urogenital pathogens (Volume I), and gastrointestinal and healthcare-associated pathogens, as well as a new group of vector-borne and Biosafety level 3 pathogens including a description of typing methods used in the traditional microbiology laboratory in comparison to molecular methods of epidemiology (Volume II). Comprehensive and updated, Molecular Typing in Bacterial Infections provides state-of-the-art methods for accurate diagnosis and for the correct classification of different types which will prove to be critical in unravelling the transmission routes of human pathogens.

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Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between producers and consumers. This unique resource presents an up-to-date overview of academic research on the impact of digitization in the creative sector of the economy.In 37 chapters, this coherent volume brings together contributions by experts on many aspects of digitization in the creative industries. With its interdisciplinary approach and detailed studies of digitization in the arts, media and cultural industries, the Handbook provides accessible material for a range of courses. It will be thought-provoking reading for academics, researchers, students and policy-makers interested in progress in the creative economy.Contributors include: P. Arora, K. Atladottír, P. Bakker, J. Banks, W.J. Baumol, C. Bekar, A. Bruns, S. Cunningham, P. Di Cola, G. Doyle, K. van Eijck, J. Farchy, M. Favale, T. Flew, M. Gansemer, P. Goodridge, C. Handke, E. Haswell, A. Henten, R.M. Hilty, F. Homberg, R. Inglehart, A. Johansson, A. Katz, H. van Kranenburg, M. Kretschmer, M. Latzer, S.J. Liebowitz, M. Majorana, D. Mendis, F. Müller-Langer, T. Navarrete, S. Nérisson, P. Norris, J. Petrou, J. Poort, J. Potts, A. Pratt, M. Scheufen, N. Searle, D. Secchi, P. Stepan, A. Swift, R. Tadayoni, R. Towse, P. Tschmuck, F. Vermeylen, P. Waelbroek, R. Watt, G. White, P. Wikstrom, G. Withers, R. van der Wurff, G.W. Ziggers

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Historian Jeremy Black is comprehensive, as ever, but in his treatment of the British Gothic novel his greatest service is the preservation of the detail––namely, the human impetus behind art that is often undervalued. Gothic novelists were purposeful, thoughtful, and engaged questions and feelings that ultimately shaped a century of culture. Black notes that the Gothic novel is also very much about "morality and deploying history accordingly." The true interest of the Gothic novel is more remarkable than it is grisly: the featured darkness and macabre are not meant to usurp heroism and purity, but will fall hard under the over-ruling hand of Providence and certainty of retribution. Black's understanding of the Gothic writer is a remarkable contribution to the legacy of British literature and the novel at large. Once again, in Black thoroughness meets fidelity and the reader is overcome with his own insights into the period on the merit of Black's efforts. In The Weight of Words Series, Black is devoted to the preservation of the memory of British literary genius, and in so doing he is carving out a niche for himself. As in the Gothic novel where landscapes give quarter to influences that seem to interact with the human fates that freely wander in, reading Black is an experience of suddenly finding oneself in possession of an education, and his allure takes a cue from the horrific Gothic tempt.

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Recommended by the New York Times and NBC News, and called one of the Best Books of the Year by Buzzfeed! The New York Times directs readers to Retablos if you want to know "what's life really like on the Mexican border." "Solis grew up just a mile from the Rio Grande in El Paso, Texas, and he tells stories about his childhood and coming of age, including his parents migration to the United States from Mexico, his first encounter with racism and finding a Mexican migrant girl hiding in the cotton fields."—Concepción de León, New York Times Seminal moments, rites of passage, crystalline vignettes—a memoir about growing up brown at the U.S./Mexico border. More praise for Octavio Solis's Retablos: "This is American and Mexican literature a stone's throw from the always hustling El Paso border."—Gary Soto, author of The Elements of San Joaquin "We inhabit a border world rich in characters, lush with details, playful and poignant, a border that refutes the stereotypes and divisions smaller minds create. Solis reminds us that sometimes the most profound truths are best told with crafted fictions--and he is a master at it."—Julia Alvarez, author of How the García Girls Lost Their Accents " … it's hard not to consider the border itself as a representation of a 'terrible rift,' a split between homes, communities, identities, generations. While reading this generous and eye-opening account, it's easy to see how, for the country at large, the rift has only deepened.”—Arianna Rebolini, Buzzfeed Best Books of Fall 2018 "Landing somewhere between Neil Gaiman and Juan Rulfo, Solis secularizes the mythological by turning men and women into saintly figures—like their criada [maid], Consuelo, and a white priest who shows his family empathy—and monsters: border agents who take his friends away and school bullies."—Michael Adam Carroll, The Millions "There has never been a border book like Retablos, a collection of smoldering epiphanies suffering the baptizing waters of recall. . . ."—Roberto Ontiveros, San Antonio Current "The book is rendered in tight, stand-alone recollections rich with poetry and honesty. . . . If retablos are offerings, then Solis' book is a gift of memory, not always pleasant, but always true."—Beatriz Terrazas, Dallas Morning News "The experience of reading his tightly contained memories in succession is a bit like drawing old coins up from a wishing well. Filtered through veils of distance and time, these scenes and reflections are wonderful and weird flashes of childhood, adolescence and early adulthood in the life of this particular Mexican American boy."-- Sophie Haigney, San Francisco Chronicle "Octavio Solis' Retablos recounts a 'beautiful, messy' youth on the border. Though its title evokes Mexican folk art, Retablos is closer in effect to that of French pointillism. Its small dabs of vivid color produce a brilliant cumulative effect."—Steven G. Kellman, The Texas Observer "In this debut memoir, playwright Solis delivers top-notch vignettes of his youth with riveting imagery and empathy, recounting--and embellishing, he says--memories of growing up brown in El Paso, Tex. . . . These brilliantly told stories of missteps and redemption are a treat."--Publishers Weekly ". . .what struck me most about each chapter was Solis's ability to plant a specific image in your mind. With every retablo, you can see in ferocious detail exactly what the author wants you to see, like a special kind of telepathy. I found myself wanting to paint them."—Caitlyn Reynolds, The Los Angeles Review of Books "In all, a beautiful, evocative, and timely expression of border culture for every collection."--Sara Martinez, Booklist "In this coming-of-age memoir, a playwright illuminates the culture of the El Paso border as he perceived it when he was young. . . . An intriguing work that transcends category, drawing from facts but reading like fiction."--Kirkus Reviews

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After nearly three decades of research and editing over 600 journals spanning 200 years (from 1769 to 1969), Volume VIII incorporates two major sections: (1) Theological Studies and (2) Qumran and the Dead Sea Scrolls. Articles under Theological Studies are classified by subject and include references to articles on the Nature of God, Cosmology, Cosmography, The Doctrine of Man, Sin, Suffering, Heilgeschichte, Ethics, The Future of Life, The Use of the Old Testament in the New Testament, Symbolism and Typology, and Apologetics, as well as studies on the theology of specific books of the Hebrew Bible. It encompasses a total of 100 divisions and subdivisions. The section on Qumran and the Dead Sea Scrolls is broken down into to major divisions: The Qumran Community, its practices and doctrines, and Literary Criticism of the "Dead Sea Scrolls," which is further subdivided by each particular scroll. Volume VIII also references articles on: The Influence of the Old Testament on Contemporary Culture, including Art, Literature, and Music. Studies on anti-Semitism, ancient and modern, Zionism, Jewish-Christian Dialogue, Use of the Old Testament in Preaching, and Methods of Studying and Teaching the Old Testament. The entire series of eight volumes covers 1157 sections on all facets of the Ancient Near East and the Old Testament.

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They’re not the students strolling across the bucolic liberal arts campuses where their grandfathers played football. They are first-generation college students—children of immigrants and blue-collar workers—who know that their hopes for success hinge on a degree. But college is expensive, unfamiliar, and intimidating. Inexperienced students expect tough classes and demanding, remote faculty. They may not know what an assignment means, what a score indicates, or that a single grade is not a definitive measure of ability. And they certainly don’t feel entitled to be there. They do not presume success, and if they have a problem, they don’t expect to receive help or even a second chance. Rebecca D. Cox draws on five years of interviews and observations at community colleges. She shows how students and their instructors misunderstand and ultimately fail one another, despite good intentions. Most memorably, she describes how easily students can feel defeated—by their real-world responsibilities and by the demands of college—and come to conclude that they just don’t belong there after all. Eye-opening even for experienced faculty and administrators, The College Fear Factor reveals how the traditional college culture can actually pose obstacles to students’ success, and suggests strategies for effectively explaining academic expectations.

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“The Spanish Element in Our Nationality” delves beneath the traditional “English-only” narrative of U.S. history, using Spain’s participation in a series of international exhibitions to illuminate more fully the close and contested relationship between these two countries.Written histories invariably record the Spanish financing of Columbus’s historic voyage of 1492, but few consider Spain’s continuing influence on the development of U.S. national identity. In this book, M. Elizabeth Boone investigates the reasons for this problematic memory gap by chronicling a series of Spanish displays at international fairs. Studying the exhibition of paintings, the construction of ephemeral architectural space, and other manifestations of visual culture, Boone examines how Spain sought to position itself as a contributor to U.S. national identity, and how the United States—in comparison to other nations in North and South America—subverted and ignored Spain’s messages, making it possible to marginalize and ultimately obscure Spain’s relevance to the history of the United States.Bringing attention to the rich and understudied history of Spanish artistic production in the United States, “The Spanish Element in Our Nationality” recovers the “Spanishness” of U.S. national identity and explores the means by which Americans from Santiago to San Diego used exhibitions of Spanish art and history to mold their own modern self-image.

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Walker Evans in his own words: the legendary interview, back in print In 1971, Art in America published an interview with Walker Evans conducted by Leslie George Katz, writer and publisher of the Eakins Press. The interview is charming and illuminating in its clarity and candor. Nearing the end of his life, Evans speaks freely about his influences and how he got started as a photographer (“I was damn well going to be an artist and I wasn’t going to be a businessman,” he remembers), and reflects back on his work and his thinking. The interview has become legendary, consulted by curators, scholars and students for half a century and considered a definitive source for insights into the process, philosophy and personality of one of America’s greatest photographers. In 1995, the Eakins Press Foundation republished Evans’ interview in a deluxe clothbound edition titled Walker Evans Incognito. More than 20 years later, this new edition brings the Evans interview back into print in an elegant and affordable volume for a new generation. Walker Evans scholar Anne Bertrand introduces the interview and its publication history, and contributes notes throughout the text that provide important contextual information. Walker Evans: The Interview offers an opportunity to rediscover the man behind the famous images, in his own words. Born in St. Louis, Missouri, Walker Evans (1903–75) took up photography in 1928. His book collaboration with James Agee, Let Us Now Praise Famous Men (1941), which portrayed the lives of three white tenant families in southern Alabama during the Depression, has become one of that era's most defining documents. Evans joined the staff of Time magazine in 1945, and shortly after moved to Fortune magazine, where he stayed until 1965. That year, he became a professor of photography at the Yale University School of Art. Evans died at his home in Old Lyme, Connecticut, in 1975. Leslie George Katz (1918–97) was the founder and publisher of the Eakins Press Foundation. Until his death in 1997, he wrote extensively about American art and culture, and through his sustained efforts to celebrate his heroes—Thomas Eakins, Walt Whitman, and Walker Evans—found a way to define a new sort of democratic, patriotic intellectualism.

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A view of a long-neglected classic of Weimar cinema - now restored and widely available - as both a gripping narrative of infidelity and jealousy and a film inherently about film. Artur Robison's Warning Shadows - in German simply Schatten, shadows - premiered in 1923 to critical acclaim. This story of a fateful dinner party at which a flirtatious wife, her jealous husband, and their guests are entertained by a traveling illusionist who deals in shadow play and hypnosis was extolled by one critic as superior to Wegener's Golem, Lubitsch's Passion, even Murnau's Nosferatu and Wiene's The Cabinet of Dr. Caligari. Yet where those films became mainstays of film history, Warning Shadows was long unknown: only recently, with the release of a restored version on DVD, has it begun to get its due. One of the few silent movies to eschew intertitles, it was an attempt to create a "pure film," drawing on the qualities of cinema that made it not an heir to literature or theater but a unique and autonomous art form. Staging a story of desire, adultery, and violence, Robison's film also engaged with discourses at the heart of Weimar culture, from changing gender norms to hysteria and hypnosis to the construction of spectatorship. Seen this way, Warning Shadows is both a gripping narrative of infidelity and jealousy and a film inherently about film.

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The definitive chronicle of the ancient peoples of Central America & Mexico – including the Aztec, Maya, Olmec, Mixtec, Toltec and Zapotec In a sumptuous new large-format edition, this wide-ranging reference book covers almost 3000 years of history, offering enthralling insights into the art and architecture, myths and legends, and everyday life of the many different empires of Central America and Mexico. Stories of sun-gods and blood sacrifice, of pyramids and temples, and of the fabulous treasuries filled with gold have fascinated many generations. This book unravels the true facts behind the stories and looks at how myth and legends can tell us much about the cult of war in these pre-industrial nations. The magnificent architectural and cultural achievements of a succession of Mesoamerican peoples - the Olmecs, Maya, Zapotecs, Toltecs, Mixtec and Aztecs - cover almost 3000 years. These achievements range from the temple-pyramids and colossal stone carvings of the Olmecs to the awe-inspiring cities, vast trading networks and complex religious societies of the Aztecs and Maya. The World Heritage sites of historic Mexico City and Tenochtitlán, Teotihuacán, Chichén Itzá, Tikal and Monte Albán, are examined giving life to the civic, military and everyday world of the time. Archaeological finds and surviving documents provide intriguing insights into astronomy, the development of calendars, mathematics, writing and the arts. They also reveal a grim commitment to war and a savage religious devotion to gods who demanded the blood of human sacrifice. Pottery and textiles, carvings, mosaics, and gold and metalwork show the technological innovations of these pre-industrial civilizations. Superbly illustrated throughout, with more than 1000 colour photographs, artworks, maps and plans, the book reveals every aspect of the history of these lost civilizations. This unrivalled volume is not only a perfect introduction to the subject but also a stunning visual record of a fascinating period that has helped to shape our world.

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Praise for the author's A Brief Guide to the Greek Myths: 'Eminently sane, highly informative'PAUL CARTLEDGE, BBC History magazineThe year 2022 marks 2,500 years since the final defeat of the invasion of Greece by the Persian King Xerxes. This astonishing clash between East and West still has resonances in modern history, and has left us with tales of heroic resistance in the face of seemingly hopeless odds. Kershaw makes use of recent archaeological and geological discoveries in this thrilling and timely retelling of the story, originally told by Herodotus, the Father of History.The protagonists are, in Europe, the Greeks, led on land by militaristic, oligarchic Sparta, and on sea by the newly democratic Athens; in Asia, the mighty Persian Empire - powerful, rich, cultured, ethnically diverse, ruled by mighty kings, and encompassing modern Iran, Iraq, Turkey, Syria and Egypt.When the rich, sophisticated, Greek communities of Ionia on the western coast of modern Turkey, rebel from their Persian overlord Darius I, Athens sends ships to help them. Darius crushes the Greeks in a huge sea battle near Miletus, and then invades Greece. Standing alone against the powerful Persian army, the soldiers of Athens' newly democratic state - a system which they have invented - unexpectedly repel Darius's forces at Marathon. After their victory, the Athenians strike a rich vein of silver in their state-owned mining district, and decide to spend the windfall on building a fleet of state-of-the-art warships. Persia wants revenge. The next king, Xerxes, assembles a vast multinational force, constructs a bridge of boats across the Hellespont, digs a canal through the Mount Athos peninsula, and bears down on Greece. Trusting in their 'wooden walls', the Athenians station their ships at Artemisium, where they and the weather prevent the Persians landing forces in the rear of the land forces under the Spartan King Leonidas at the nearby pass of Thermopylae. Xerxes's assault is a disastrous failure, until a traitor shows him a mountain track that leads behind the Greeks. Leonidas dismisses the Greek troops, but remains in the pass with his 300 Spartan warriors where they are overwhelmed in an heroic last stand. Athens is sacked by the Persians. Democracy is hanging by a thread. But the Athenians convince the Greek allies to fight on in the narrow waters by the island of Salamis (underwater archaeology has revealed the Greek base), where they can exploit local weather conditions to negate their numerical disadvantage. Despite the heroism of the Persian female commander Artemisia, the Persian fleet is destroyed.Xerxes returns to Asia Minor, but still leaves some forces in Greece. In 479 BCE, the Spartans lead a combined Greek army out against the Persians. In a close-run battle near the town of Plataea, the discipline, fighting ability and weaponry of the Greeks prevail. The Persian threat to the Greek mainland is over.Athens forms a successful anti-Persian coalition to drive the Persians from Greek territory, seek reparations, and create security in the future. But this 'alliance' is gradually converted into an Athenian Empire. The democracy becomes increasingly radical. In this context we see the astonishing flowering of fifth-century BCE Athenian culture - in architecture, drama and philosophy - but also a disastrous war, and defeat, at the hands of Sparta by the end of the century.The book concludes by exploring the ideas that the decisive battles of Thermopylae and Salamis mark the beginnings of Western civilization itself and that Greece remains the bulwark of the West , representing the values of generous and unselfish peace, freedom and democracy in a neighbourhood ravaged by instability and war.

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Alastair Gordon (b.1978, Edinburgh), is an artist based in London. This, the first major monograph of the artist’s career, includes over 160 paintings, drawings and documentational photographs, along with notes by Gordon himself. The book introduces this accomplished and engaging new voice in British painting.Gordon’s paintings bring the historic languages of genre painting and the quodlibet into a contemporary discourse that pushes the boundaries of realism, figuration and illusionism to focus on everyday moments. His work often elevates seemingly ordinary objects – feathers, matchsticks, postcards – allowing them to speak to wider concerns of beauty, truth, life and death.The documented works, produced between 2012 and 2023, include paintings made in oil or acrylic on MDF, wood, ‘found’ wood, gesso panel, paper, canvas and occasionally linen. Each is distinctive for its style and for the recurring motifs Gordon selects such as masking tape, paper ephemera and repeated, subtly different studies of the same subject. Gordon’s texts describe how objects found mud larking on the banks of the River Thames, shoes from the London City Mission and rags and papers discarded from art students’ studios have been depicted in paintings, incorporating the histories and stories of each item (and each person) into his work. The book also features recent works influenced by rural landscapes and parkland.An introduction by Julia Lucero, Associate Director of Nahmad Projects, London, emphasises the importance of nature and of meditation within Gordon’s practice. Specifically, Lucero brings out the idea of the ‘axis mundi, that metaphysical and mystical connecting point where heaven meets Earth’. She explores the significance of quodlibet, a seventeenth-century trompe-l’oeil painting technique that Gordon favours, rendering brushstrokes invisible and affording everyday objects new significance, even ‘profound value’. Humble objects such as a matchstick or paper aeroplane might be elevated to the realms of the divine.An essay by Jorella Andrews, Professor of Visual Cultures at Goldsmiths, University of London, describes the influence of Gordon’s time on a research residency in the former studio of Paul Cézanne at Les Lauves on the outskirts of Aix-en-Provence. His experiences there proved pivotal to the direction of his practice, in which both the ‘visual misdirection’ of quodlibet and the qualities of wood have become central. Andrews brings art historical texts and works of art into relation with Gordon’s paintings, making comparisons between subject, form and approach. Andrews’ text further details the recent synthesis of two sides of Gordon’s work: precise illusionism combined with looser observations made in the natural landscape.Edited by Alastair Gordon Studio, designed by Herman Lelie, printed by EBS Verona and published in 2023 by Anomie Publishing, London, the publication has been generously supported by Howard and Roberta Ahmanson through Fieldstead and Company.Alastair Gordon (b. 1978, Edinburgh) is an artist working with painting, drawing and installation, based in London. Gordon received his BA from Glasgow School of Art and his MA from Wimbledon School of Art, London. His work has been shown in recent solo exhibitions at Ahmanson Gallery in Irvine, California (2017), Aleph Contemporary, London (Quodlibet (2021) and Without Borders (2020)) and in the group exhibition Unpacking Gainsborough (2021) at Cynthia Corbett Gallery, London.

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A career-spanning volume drawn from forty years of work and a selection of new poems.Stephen Corey’s work is intelligent, moving and engaging. Poem after poem is beautiful, effortless, and thought-provoking. The range of style and subject matter, the depth of thought and emotion, the elegance and resonance and simplicity of language, the affectionate voice and tone—all work to make this a truly important and memorable book.“Here is a life, and a life, and / a life,” Stephen Corey writes in the opening poem’s instructions to on how find the faded leaf—also a metaphor for the end of life—that one must imagine still colored after he is “gone.” The poem is echoed near the end of this stunningly rich and encompassing book in a poem addressed to his four daughters about what he has missed during his life. In between we encounter a world we thought we knew but have not seen in this way before: things as varied as Monarch butterflies, telephones, calligraphy, and bread, as well as other writers and texts that become lenses to show us “How we are growing undoes what we are” and see.Like the glassblower’s art in one of these major poems, “Breath makes another world.” And like his Michelangelo in a sequence that masterfully covers centuries, we see “the way a life we love can be steered, / beyond our control, beyond us.” And so, thanks to this important and needed book we too can live beyond ourselves; that, indeed, is the highest praise for any art.”—Richard Jackson, author of Broken Horizons and Where the Wind Comes From“Stephen Corey’s, As My Age Then Was, So I Understood Them, is sometimes bookish, in the best ways, and in addition to welcoming many of the stars in our pantheon (Shakespeare, O’Keeffe, Keats, Ginsberg, Woolf, and Whitman for example) there’s also the dual elegy for the poet’s father and Dickinson (the latter also has her own baseball poem), Emerson ‘at the moment of his first masturbation,” and a sequence in which Li Po and Tu Fu hop on a jet and tour America. What this means is that when Corey forays into “the real world” —keeping a hospital death watch, exploring and exalting carnal love, or delighting in his young daughter “playing Beethoven on my chest” — the poems are informed by both of his masters… by the “shelves of books” that are “the bones of my brain.””—Albert GoldbarthStephen Corey worked at the Georgia Review for thirty-six years in various positions including thirteen year as Editor before retiring in 2019. His first two poetry collections, The Last Magician (Water Mark Press, 1981) and Synchronized Swimming (Swallow’s Tale Press, 1984), were winners of national competitions. All These Lands You Call One Country (University of Missouri Press, 1992) and There Is No Finished World (White Pine Press, 2003) followed, and a half-dozen poetry chapbooks were interspersed along the way. His first prose collection was Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017), and a second is in process.

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At sixty-five, artist, writer, and psychologist Sharon Strong doesn’t fit into the cultural stereotype of “senior citizen”—and she has no desire to. Instead, she claims the next decade as the most transformational years of her life. At sixty-six, she erects the first of what will become a series of monumental sculptures on the Black Rock Desert at Burning Man. At sixty-seven, she treks in the Himalayas. At seventy, she meets the love of her life and begins a new life with him. To honor her seventy-fifth year, she delves into an inward journey with psilocybin mushrooms.But life has its own seasons and time. The Great Recession necessitates the closing of Sharon’s gallery. She comes to the end of Burning Man. A wildfire destroys her home and, most devastating of all, completely incinerates her art studio and twenty years’ worth of work.Through it all, Sharon honors her experiences—even the most painful ones—because she knows that each one helps shape who she is. Ultimately, Burning Woman is a passionate love story about the adventure of aging that will inspire readers to feel their strength and commit to living their lives to the fullest and with a sense of pride and purpose.

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One of the secrets to Bruce Springsteen’s enduring popularity over the past fifty years is the way fans feel a deep personal connection to his work. Yet even as the connection often stays grounded in details from his New Jersey upbringing, Springsteen’s music references a rich array of personalities from John Steinbeck to Amadou Diallo and beyond, inspiring fans to seek out and connect with a whole world’s worth of art, literature, and life stories. In this unique blend of memoir and musical analysis, John Massaro reflects on his experiences as a lifelong fan of The Boss and one of the first professors to design a college course on Springsteen’s work. Focusing on five of the Jersey rocker’s main themes—love, masculinity, sports, politics, and the power of music—he shows how they are represented in Springsteen’s lyrics and shares stories from his own life that powerfully resonate with those lyrics. Meanwhile, paying tribute to Springsteen’s inclusive vision, he draws connections among figures as seemingly disparate as James Joyce, Ta-Nehisi Coates, Thomas Aquinas, Bobby Darin, and Lin-Manuel Miranda. Shades of Springsteen offers a deeply personal take on the musical and cultural legacies of an American icon.

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Sir Edgar Speyer was a conspicuous figure in the financial, cultural, social and political life of Edwardian London. Head of the syndicate which financed the construction of the deep 'tube lines' and 'King of the Underground', he was also a connoisseur and active patron of the arts who rescued the 'Proms' from collapse, enhanced the nation's musical and artistic life at his own expense and directed the funding of Captain Scott's Antarctic expeditions. Speyer and his wife, the concert violinist, Leonora Speyer lived in fabulously magnificent style. Early in the early summer of 1914 they stood at the peak of their success and celebrity in London society. Within weeks, on the outbreak of war, they became pariahs, objects of suspicion and aversion. Despite having been a naturalised British citizen for over 20 years and an ubiquitous public benefactor, Speyer found himself ostracised by society and mercilessly harried by the Northcliffe press. Under the Aliens Act of 1918, Speyer was summoned in 1921 before a judicial enquiry which found him guilty of disloyalty and disaffection and of communicating and trading with the enemy. He was stripped of his citizenship and membership of the Privy Council. Pilloried by The Times as a traitor, Speyer vehemently denied the charges, but he never returned to England thereafter and never forgot his ordeal.

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When we encounter typography, how do we know what it means? How is the tone of type influenced by the way it is set, when it is made, and where it exists? Considering the social, spatial, and temporal contexts of visual language, this text informs and inspires students, educators, and professionals looking to engage more deeply with the letterforms they use and see. Featuring diverse typographic works, “closer looks”, and interviews with practicing artists and designers, Giving Type Meaning serves to inform how and why we understand what type communicates. The book includes: - The importance and impact of cultural and social context across the expanded field of art and design - How to use visual, physical, and gestural space to inform meaning - The ways time impacts type, such as historical references, recontextualizations, and the use of time as medium - A range of global examples, including Lushootseed language letterforms (Lushootseed Sulad by Juliet Shen), Arabic calligraphy and type design (Regard Each Other as Brothers by Josh Berer, Mirsaal by Rana Abou Rjeily), American civil rights inspired type (Martin by Tré Seals), Italian concrete poetry (Storia Del Monumento by Mirella Bentivoglio), and animated Chinese characters (Motion Type Project by Ting-An Ho)

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The collapse of communism in the Soviet Union and Eastern Europe was supposed to bring about the “end of history” with capitalism and liberal democracy achieving decisive victories. Europe would now integrate and reconcile with its past. However, the aftershocks of the financial crisis of 2008—the rise in right-wing populism, austerity politics, and mass migration—have shown that the ideological divisions which haunted Europe in the twentieth century still remain. It is within this context that Post-Communist Malaise revives discourses of political modernism and revisits debates from Marxism and seventies film theory. Analyzing work of Theo Angelopoulos, Věra Chytilová, Srdjan Dragojević, Jean-Luc Godard, Miklós Jancsó, Emir Kusturica, Dušan Makavejev, Cristi Puiu, Jan Švankmajer, Andrei Tarkovsky, and Béla Tarr, the book focuses on how select cinemas from Eastern Europe and the Balkans critique the neoliberal integration of Europe whose failures fuel the rise of nationalism and right-wing politics. By politicizing art cinema from the regions, Post-Communist Malaise asks fundamental questions about film, aesthetics, and ideology. It argues for the utopian potential of the materiality of cinematic time to imagine a new political and cultural organization for Europe.

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Expression and truth are traditional opposites in Western thought: expression supposedly refers to states of mind, truth to states of affairs. Expression and Truth rejects this opposition and proposes fluid new models of expression, truth, and knowledge with broad application to the humanities. These models derive from five theses that connect expression to description, cognition, the presence and absence of speech, and the conjunction of address and reply. The theses are linked by a concentration on musical expression, regarded as the ideal case of expression in general, and by fresh readings of Ludwig Wittgenstein's scattered but important remarks about music. The result is a new conception of expression as a primary means of knowing, acting on, and forming the world. "Recent years have seen the return of the claim that music's power resides in its ineffability. In Expression and Truth, Lawrence Kramer presents his most elaborate response to this claim. Drawing on philosophers such as Wittgenstein and on close analyses of nineteenth-century compositions, Kramer demonstrates how music operates as a medium for articulating cultural meanings and that music matters too profoundly to be cordoned off from the kinds of critical readings typically brought to the other arts. A tour-de-force by one of musicology's most influential thinkers."--Susan McClary, Desire and Pleasure in Seventeenth-Century Music.

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Americans responded to the deadly terrorist attacks on September 11, 2001, with an outpouring of patriotism, though all were not united in their expression. A war-based patriotism inspired millions of Americans to wave the flag and support a brutal War on Terror in Afghanistan and Iraq, while many other Americans demanded an empathic patriotism that would bear witness to the death and suffering surrounding the attack. Twenty years later, the war still simmers, and both forms of patriotism continue to shape historical understandings of 9/11's legacy and the political life of the nation. John Bodnar's compelling history shifts the focus on America's War on Terror from the battlefield to the arena of political and cultural conflict, revealing how fierce debates over the war are inseparable from debates about the meaning of patriotism itself. Bodnar probes how honor, brutality, trauma, and suffering have become highly contested in commemorations, congressional correspondence, films, soldier memoirs, and works of art. He concludes that Americans continue to be deeply divided over the War on Terror and how to define the terms of their allegiance--a fissure that has deepened as American politics has become dangerously polarized over the first two decades of this new century.

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From mass murder to genocide, slavery to colonial suppression, acts of atrocity have lives that extend far beyond the horrific moment. They engender trauma that echoes for generations, in the experiences of those on both sides of the act. Gabriele Schwab reads these legacies in a number of narratives, primarily through the writing of postwar Germans and the descendents of Holocaust survivors. She connects their work to earlier histories of slavery and colonialism and to more recent events, such as South African Apartheid, the practice of torture after 9/11, and the "disappearances" that occurred during South American dictatorships. Schwab's texts include memoirs, such as Ruth Kluger's Still Alive and Marguerite Duras's La Douleur; second-generation accounts by the children of Holocaust survivors, such as Georges Perec's W, Art Spiegelman's Maus, and Philippe Grimbert's Secret; and second-generation recollections by Germans, such as W. G. Sebald's Austerlitz, Sabine Reichel's What Did You Do in the War, Daddy?, and Ursula Duba's Tales from a Child of the Enemy. She also incorporates her own reminiscences of growing up in postwar Germany, mapping interlaced memories and histories as they interact in psychic life and cultural memory. Schwab concludes with a bracing look at issues of responsibility, reparation, and forgiveness across the victim/perpetrator divide.

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Following the success of their 2014 cook book, Henderson's Relish's follow up title showcases the spicy Yorkshire sauce in all its glory. Strong and Northern - The Henderson's Relish Cook Book is a reminder of what people use Hendo's for every day: splashing over their favourite meals, whether that's a proper pie or Friday fish and chips. Henderson's Relish remains an independent family-owned business with deep roots and pride in the Sheffield community, which has served it so well for over a century. Henderson's is a Sheffield institution, adorning the kitchen tables and cupboard shelves of South Yorkshire families for generations - with fans now appearing all over the world. Recipes include a selection of pies and pastries, family favourites, one pot options, vegan dishes and sides; all the kinds of things that Henderson's Relish mouth-wateringly enhances. In a city which has given the world so much in the form of manufacturing, music, film, art and sport - Henderson's Relish remains a source (or should that be sauce?) of great admiration for Sheffielders. It embodies the very essence of what makes the city great; the cultural lifeblood behind its character and surely its favourite table sauce.

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*Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay*Selected as a Book of the Year 2016 by the Financial Times, Guardian, New Statesman, Observer, The Millions and Emerald Street'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.'If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk’. Part cultural meander, part memoir, Flâneuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flâneuses who have lived and walked in those cities.From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flâneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.

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Immerse yourself in the history of ancient Rome - from its origins as a small settlement on the Palatine Hill to its peak as an empire reigning over 90 million people, and its tumultuous decline.Covering more than 1,000 years of history, and an empire that stretched from Scotland to Syria, Ancient Rome reveals in vivid detail all of the key political, cultural, and military events that shaped the Roman Empire and explores what it was like to live in a society that laid the foundations for many aspects of the modern world.Sumptuous photography and engaging text cover every facet of life in ancient Rome, from art, entertainment, and fashion to engineering, medicine, and war, while detailed maps trace the rise of the mighty Roman Empire.Step back in time in the pages of this history book to discover:- Themed spreads explore developments in areas such as sculpture, religion, warfare, and engineering.- Includes tales of the most dramatic events and battles in Roman history, as well as profiles of influential historical and cultural figures.- An optional 80pp reference section includes sections on rulers, gods and goddesses, and key sites.Featuring Rome's greatest emperors, from Augustus to Constantine, as well as profiles of generals, historians, and influential women, Ancient Rome also delves into the fascinating stories of gladiators, bakers, and enslaved people. The most iconic buildings of Rome are brought to life with specially commissioned CGI recreations, while the stories of ordinary citizens, soldiers, and persecuted groups from across the empire are told with the help of illustrations, artefacts, and eyewitness accounts.Beautifully illustrated and unparalleled in scope, Ancient Rome is the perfect book for anyone who is interested in this defining period of world history.

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Known worldwide as a creative darling, Mike Perry’s celebrated DIY style of hand-drawn rendering has influenced a generation of contemporary designers and illustrators. Though Perry publishes zines, runs a magazine, makes clothing, has curated three successful books, and has painted, sculpted, silk-screened, and drawn on anything and everything, Wondering Around Wandering is his first monograph. And, in tune with his whimsical nature, this book functions as a true artist’s book. Perry has carefully designed each page of this book, placing old work next to new and sometimes even reworking old work to make it new again. With explosive fluorescent colors, various paper stocks, and five four-page zines bound into the book, this volume is an object that must be experienced. With his playful approach to life and art, it is no surprise that Perry is considered the grandfather (or grandson) of this aesthetic. Artists, designers, hip trendsetters, children, the young-at-heart, and anyone interested in DIY culture will treasure this amazing project.

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Charles Baudelaire is usually read as a paradigmatically modern poet, whose work ushered in a new era of French literature. But the common emphasis on his use of new forms and styles overlooks the complex role of the past in his work. In Grotesque Figures, Virginia E. Swain explores how the specter of the eighteenth century made itself felt in Baudelaire's modern poetry in the pervasive textual and figural presence of Jean-Jacques Rousseau. Not only do Rousseau's ideas inform Baudelaire's theory of the grotesque, but Rousseau makes numerous appearances in Baudelaire's poetry as a caricature or type representing the hold of the Enlightenment and the French Revolution over Baudelaire and his contemporaries. As a character in "Le Poeme du hashisch" and the Petits Poemes en prose, "Rousseau" gives the grotesque a human form. Swain's literary, cultural, and historical analysis deepens our understanding of Baudelaire and of nineteenth-century aesthetics by relating Baudelaire's poetic theory and practice to Enlightenment debates about allegory and the grotesque in the arts. Offering a novel reading of Baudelaire's ambivalent engagement with the eighteenth-century, Grotesque Figures examines nineteenth-century ideological debates over French identity, Rousseau's political and artistic legacy, the aesthetic and political significance of the rococo, and the presence of the grotesque in the modern.

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Sugawara and the Secrets of Calligraphy is a classic play from Japan's golden age of puppet theater. Written in the eighteenth century, it tells the tale of Sugawara no Michizane, a wronged scholar-official who, in death, joins the Shinto pantheon as a nurturer of scholarship and calligraphy. The story recounts Sugawara's entanglement with the powerful Fujiwara family, who accuse Sugawara of plotting against the emperor, resulting in his exile and death in 903. After a series of misfortunes befall those who conspired against him, Sugawara's enemies appease his spirit through deification. Sugawara and the Secrets of Calligraphy centers on three archetypical brothers and their wives. Their fates unfold against the intrigues surrounding Sugawara and his foes, which reflect the cultural values of the Edo period woven into a stylized past. This annotated translation by Stanleigh H. Jones Jr. replicates the play's poetic and idiomatic language and its original mix of register while also clarifying the drama's complex story and dialogue for students of Japanese literature and drama. An introduction situates the play within its eighteenth-century context and ninth-century setting and describes the relationship between bunraku puppet theater and kabuki. A unique illustrated appendix delves into the construction of puppets and the art of puppetry.

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Inside Moon Amsterdam, Brussels & Bruges you'll find:- Flexible itineraries for 1 to 5 days in Amsterdam, Brussels, and Bruges that can be combined into a longer trip- Strategic advice for foodies, art lovers, history buffs, and more- Top experiences and unique highlights:Cycle along serene canals and narrow brick roads past baroque architecture, or stroll through Bruges's grand Markt Square. Marvel at the works of famed Dutch and Flemish painters, walk through history at the Anne Frank House, or remember the fallen in the cemeteries and memorials of Ypres- The best local flavors: Sip on Amsterdam's specialty liquor at a jenever tasting room, or enjoy a glass of authentic Trappist beer produced in monasteries. Snack on Belgian frites, sample stroopwafel, and savor scrumptious local chocolates- Ideas for side trips from each city, including Lisse, The Hague, Rotterdam, and more- Expert insight from Karen Turner, an expat who's called the Netherlands home for years- Full-color photos and detailed maps throughout- Helpful resources on COVID-19 and traveling to Amsterdam, Brussels, and Bruges- Background information on the landscape, history, and cultural customs of each city- Handy tools such as visa information, Dutch, Flemish, and French phrasebooks, and tips for seniors, LGBTQ+ travelers, visitors with children, and moreExperience the best of these three cities at your own pace with Moon Amsterdam, Brussels & Bruges.Exploring more of Europe's best cities? Check out Moon Rome, Florence & Venice or Moon Prague, Vienna & Budapest.About Moon Travel Guides: Moon was founded in 1973 to empower independent, active, and conscious travel. We prioritize local businesses, outdoor recreation, and traveling strategically and sustainably. Moon Travel Guides are written by local, expert authors with great stories to tell-and they can't wait to share their favorite places with you.For more inspiration, follow @moonguides on social media.

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From the prizewinning Jewish Lives series, a fresh, vivid look at Disraeli's life, achievements, and temperament that casts doubts on his much-touted commitment to Jewish rights Lauded as a “great Jew,” excoriated by antisemites, and one of Britain’s most renowned prime ministers, Benjamin Disraeli has been widely celebrated for his role in Jewish history. But is the perception of him as a Jewish hero accurate? In what ways did he contribute to Jewish causes? In this groundbreaking, lucid investigation of Disraeli’s life and accomplishments, David Cesarani draws a new portrait of one of Europe’s leading nineteenth-century statesmen, a complicated, driven, opportunistic man. While acknowledging that Disraeli never denied his Jewish lineage, boasted of Jewish achievements, and argued for Jewish civil rights while serving as MP, Cesarani challenges the assumption that Disraeli truly cared about Jewish issues. Instead, his driving personal ambition required him to confront his Jewishness at the same time as he acted opportunistically. By creating a myth of aristocratic Jewish origins for himself, and by arguing that Jews were a superior race, Disraeli boosted his own career but also contributed to the consolidation of some of the most fundamental stereotypes of modern antisemitism. About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award. More praise for Jewish Lives: "Excellent" –New York Times "Exemplary" –Wall Street Journal "Distinguished" –New Yorker "Superb" –The Guardian

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East of East: The Making of Greater El Monte, is an edited collection of thirty-one essays that trace the experience of a California community over three centuries, from eighteenth-century Spanish colonization to twenty-first century globalization. Employing traditional historical scholarship, oral history, creative nonfiction and original art, the book provides a radical new history of El Monte and South El Monte, showing how interdisciplinary and community-engaged scholarship can break new ground in public history. East of East tells stories that have been excluded from dominant historical narratives—stories that long survived only in the popular memory of residents, as well as narratives that have been almost completely buried and all but forgotten. Its cast of characters includes white vigilantes, Mexican anarchists, Japanese farmers, labor organizers, civil rights pioneers, and punk rockers, as well as the ordinary and unnamed youth who generated a vibrant local culture at dances and dive bars.

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This pocket-sized guide is a convenient, quick-reference companion to discovering what to do, what to see and how to get around Rome. It covers top attractions like the colosseum, the Pantheon and the Trevi Fountain as well as hidden gems, including Campo de' Fiori and the Carlo Bilotti Modern Art Collection. This will save you time, and enhance your exploration of this fascinating city. This title has been fully updated post-COVID-19.This Mini Rough Guide to Rome covers: Piazza Venezia and Capitoline Hill, Ancient Rome, Centro Storico, Spanish Steps and Tridente, the Trevi Fountain and Quirinale, Villa Borghese, the Vatican, Trastevere, the Aventine and Testaccio, Monti and Esquilino and further afieldIn this travel guide you will find: RECOMMENDATIONS FOR EVERY TYPE OF TRAVELLER Experiences selected for every kind of trip to Rome, from cultural explorations in Testaccio to family activities in child-friendly places, like Villa Borghese or or chilled-out breaks in popular tourist areas, like the Spanish Steps. TOP TEN ATTRACTIONS Covers the destination's top ten attractions not to miss, including Villa Borghese Park, Villa D'Este and the Sistine Chapel, and a Perfect Day itinerary suggestions COMPACT FORMAT Compact, concise, and packed with essential information, with a sharp design and colour-coded sections, this is the perfect on-the-move companion when you're exploring Rome.HISTORICAL AND CULTURAL INSIGHTSIncludes an insightful overview of landscape, history and cultureWHAT TO DODetailed description of entertainment, shopping, nightlife, festivals and events, and children's activities PRACTICAL MAPS Handy colour maps on the inside cover flaps will help you find your way aroundPRACTICAL TRAVEL INFORMATIONPractical information on eating out, including a handy glossary and detailed restaurant listings, as well as a comprehensive A-Z of travel tips on everything from getting around to health and tourist information.STRIKING PICTURESInspirational colour photography throughoutFREE EBOOK Free eBook download with every purchase of a printed book to access all the content from your phone or tablet for on-the-road exploration.

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"Ways with Words" presents interpretive essays by scholars from different disciplines on seven core, premodern classical Chinese texts. The remarkable diversity of these works - drawn from literature, philosophy, religion, and art history - challenges the presumption of a monolithic Chinese tradition that has been promoted by scholars and popular culture alike, both in China and the West. The texts themselves include a poem from the "Classic of Poetry" compiled in the sixth century b.c.e.; passages from "Mencius and Zhuangzi"; the "Heart Sutra"; a poem by Du Fu and the "Biography of Yingying" by Yuan Zhen, both written during the Tang dynasty; and "Notes on the Method for the Brush", a tenth-century text attributed to Jing Hao.Both the original Chinese versions and the translations are provided for each primary text. There are at least two essays - when possible from scholars in different fields - on each work. The volume as a whole demonstrates the various ways in which the modern Western reader can confront the impressive variety of texts from the classical Chinese tradition.

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Untying Things Together helps to clarify the stakes of the last fifty years of literary and cultural theory by proposing the idea of a sexuality of theory. In 1905, Freud published his Three Essays on the Theory of Sexuality, the book that established the core psychoanalytic thesis that sexuality is central to formations of the unconscious. With this book, Eric L. Santner inverts Freud’s title to take up the sexuality of theory—or, more exactly, the modes of enjoyment to be found in the kinds of critical thinking that, since the 1960s, have laid claim to that ancient word, “theory.” Santner unfolds his argument by tracking his own relationship with this tradition and the ways his intellectual and spiritual development has been informed by it.Untying Things Together is both an intellectual history of major theoretical paradigms and a call for their reexamination and renewal. Revisiting many of the topics he has addressed in previous work, Santner proposes a new way of conceptualizing the eros of thinking, attuned to how our minds and bodies individually and collectively incorporate or “encyst” on a void at the heart of things. Rather than proposing a “return to theory,” Santner’s book simply employs theory as a way of further “(un)tying together” the resources of philosophy, art and literature, theology, psychoanalysis, political thought, and more.

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The Autobiography of Giambattista Vico is significant both as a source of insight into the influences on the eighteenth-century philosopher's intellectual development and as one of the earliest and most sophisticated examples of philosophical autobiography. Referring to himself in the third person, Vico records the course of his life and the influence that various thinkers had on the development of concepts central to his mature work. Beyond its relevance to the development of the New Science, the Autobiography is also of interest for the light it sheds on Italian culture in the seventeenth and eighteenth centuries.Still regarded by many as the best English-language translation of this classic work, the Cornell edition was widely lauded when first published in 1944. Wrote the Saturday Review of Literature: "Here was something new in the art of self-revelation. Vico wrote of his childhood, the psychological influences to which he was subjected, the social conditions under which he grew up and received an education and evolved his own way of thinking. It was so outstanding a piece of work that it was held up as a model, which it still is."

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This comprehensive text is designed for courses in baking and the pastry arts, yet still accessible to the aspiring home baker Help readers understand the how and why of successful baking On Baking, Third Edition, Update enhances the fundamentals approach that has prepared thousands of students for successful careers in the baking and pastry arts. It teaches both the how and why, starting with general procedures, highlighting core principles and skills, and then presenting applications and sample recipes. Professionalism, breads, desserts and pastries, advanced pastry work–including chocolate work–are each covered in detail. To help students truly master baking, the book also incorporates scientific, cultural, and historical aspects of the culinary arts. More than 230 new full-color photographs, 40 new recipes, and information on key trends like healthy baking, wedding cakes, and plating techniques help prepare readers to use the latest methods and recipes. Also available with MyCulinaryLab This title is also available with MyCulinaryLab—an online homework, tutorial, and assessment program designed to work with this text to engage students and improve results. With its vast collection of recipes tested in the kitchens of top culinary schools and an extensive ingredient database, Pearson Kitchen Manager allows Chefs to maximize the value of their recipe content. New Culinary Math Problem-Sets for baking are designed to help students with varying levels of math knowledge master the basic math skills they need to be successful in the kitchen, and apply them within the context of baking. NOTE: You are purchasing a standalone product; MyCulinaryLab does not come packaged with this content. If you would like to purchase both the physical text and MyCulinaryLab search for ISBN-10: 0134115252/ISBN-13: 9780134115252. That package includes ISBN-10: 0133886751/ISBN-13: 9780133886757 and ISBN-10: 0134109406/ISBN-13: 9780134109404. MyCulinaryLab should only be purchased when required by an instructor.

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Leadership is the habit of making good choices. Even in difficult and uncertain circumstances, the most effective leaders focus their attention and overcome entrenched patterns of behavior to push an organization to new heights of success. This capability is no fluke: the latest research on the brain shows that we can pinpoint the mental activity associated with it—and cultivate it for our benefit.In this book, Art Kleiner, a strategy expert; Jeffrey Schwartz, a research psychiatrist; and Josie Thomson, an executive coach, give a transformative explanation of how cutting-edge neuroscience can help business leaders set a course toward better management. Mapping the functions of a manager onto established patterns of mental activity, they identify crucial brain circuits and their parallels in organizational culture. Strategic leaders, they show, play the role of wise advocates: able to go beyond day-to-day transactional behavior to a longer-term, broader perspective that articulates their organization’s deeper purpose. True leaders can play this influencer role in an organization because they have cultivated similar self-reflective habits in their own minds. Providing a powerful guide to decision strategies and their consequences, The Wise Advocate helps managers find their own inner voice and then make that voice ring out loud and clear, with a four-step program for practice and catalytic implications for management strategy, executive education, and business results.

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Exciting fresh perspectives on Edward I as man, king and administrator. The reign of Edward I was one of the most important of medieval England, but the king's activities and achievements have not always received the full attention they deserve. The essays collected here offer fresh insights into Edward's own personality as well as developments in law, governance, war and culture. Edward the man emerges in chapters on his early life, his piety and his family, while the administrator king is discussed in evaluations of his twogreat ministers, his handling of the crucial issue of law and order and the way he managed the realm from abroad through his correspondence. Edward's nobles, both in England and Scotland, naturally appear as vital to understanding the reign, while his rule is set in a British and European context. Overall, the book aims to move the debate on the reign beyond K.B. McFarlane's hugely influential judgement that "Edward I preferred masterfulness to the arts of political management", by highlighting his skills -- and failings -- as a politician and manager.

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Meyerhold on Theatre brings together in one volume Vsevolod Meyerhold's most significant writings and utterances, and covers his entire career as a director from 1902 to 1939. It contains a comprehensive selection from all published material, unabridged and translated from the original Russian, updated and supplemented with a critical commentary relating Meyerhold to his period and eye-witness accounts describing all his productions. The book is illustrated with photographs of Meyerhold's designs and productions. Within this diverse collection of sometimes dense, sometimes lyrical, and always fascinating writings, Meyerhold emerges from this book as a forerunner of such directors as Brecht, Piscator, Planchon and Brook, a relentless enemy of naturalism and a supreme exponent of total theatre whose influence continues to be felt throughout the theatre of today. This fourth edition features a new introduction by Prof. Jonathan Pitches, which helps to demystify some of the terminology Meyerhold and his associates used, and indicates the fundamental connection between culture and politics represented in his life and art.

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Light Break presents the first survey since 1996 of photographer Roy DeCarava, an essential figure of American art and culture, whose “poetry of vision” re-forms urban life, labor, love, and jazz into the discovery of “an intimate, emotional arc of transformation.”Though DeCarava often refrained from public discussion of his work, this catalogue provides important background into determining factors of his aesthetic sensibility—his traditional training in painting and printmaking as well as his philosophical undertakings. It brings the viewer to a consideration of contradictory precepts in DeCarava’s work that seeks resolution through tonal and structural elements within the image.Light Break presents a wide-ranging selection of DeCarava’s photographs accompanied by a preface by Zoé Whitley, an American curator based in London, and features an introduction and essay by curator and art historian Sherry Turner DeCarava. Titled “Celebration,” Turner DeCarava’s essay considers the artist’s singular poetic vision, his timeless portrayals of individuals and places, and his mastery of composition and photographic printmaking.As Whitley writes, “In making photographs, as in life, DeCarava was patient. Possessing both a peerless self-awareness and acute observational skills, he knew intuitively when to wait and when to open the camera’s shutter. In the dark room, he availed himself of these same attributes, moving with steady assurance to develop his prints so as to allow the full range of what he called his ‘infinite scale of grey tones’—often realized at the deepest end of the spectrum—to emerge slowly and fully.”Published on the occasion of two concurrent exhibitions of DeCarava’s work at David Zwirner New York in 2019, this exquisite volume showcases a dynamic range of images that underscore DeCarava’s subtle mastery of tonal and spatial elements across a wide, fascinating array of subject.

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Imagine the twentieth century without photography and film. Its history would be absent of images that define historical moments and generations: the death camps of Auschwitz, the assassination of John F. Kennedy, the Apollo lunar landing. It would be a history, in other words, of just artists' renderings and the spoken and written word. To inhabitants of the twenty-first century, deeply immersed in visual culture, such a history seems insubstantial, imprecise, and even, perhaps, unscientific.Documenting the World is about the material and social life of photographs and film made in the scientific quest to document the world. Drawing on scholars from the fields of art history, visual anthropology, and science and technology studies, the chapters in this book explore how this documentation from the initial recording of images, to their acquisition and storage, to their circulation has altered our lives, our ways of knowing, our social and economic relationships, and even our surroundings. Far beyond mere illustration, photography and film have become an integral, transformative part of the world they seek to show us.

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Sourdough is magic. It’s healthy, it’s tasty, and it’s alive. But that doesn’t mean you have to be a magician to craft beautiful, tasty loaves from it. Baking Sourdough Bread guides you through the delicious world of sourdough—starter to finish. Recipes include: Classics like French levain and English wheat sourdough bread Unique twists like carrot and hazelnut breads Sweet breads such as the German gugelhupfBaking with sourdough isn’t difficult; the biggest challenge is patience! But take it easy, and your taste buds will be rewarded with a crispy crust and rich, full flavor. Of course, it doesn’t hurt to know a few tricks when mastering the art, and this book offers plenty. Discover the history, the chemistry, and the culture behind this distinctive dough. Learn to make a sourdough starter and keep the leaven active with regular feeding. Try different flours and unique ingredients; for example, did you know you can make delectable bread with green tea or beer? It’s not just the recipes that make the book a treat—it’s the creativity it cultivates.

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Discover the work of Aubrey Beardsley, a complex and intriguing artist who shocked and delighted late-Victorian London Aubrey Beardsley (1872&;1898) is best remembered for his powerful illustrations for Salome by Oscar Wilde. Spanning just seven years, his intense, prolific career as a draftsman and illustrator was cut short when he died at the age of 25. His subversive black-and-white drawings and his complex persona became synonymous with decadence: He alighted on the perverse and erotic aspects of life and legend, shocking audiences with his bizarre sense of humor and fascination with the grotesque. His keen observation of his contemporaries makes him of his time, but his distinct style has resonated with subsequent generations. A major influence on the development of Art Nouveau, and on psychedelic pop culture and design in the late 1960s, Beardsley&;s drawings remain a key reference for many artists today. Here, short essays on aspects of Beardsley&;s remarkable career complement reproductions of his fascinating work.

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Nobert Elias (1897-1990) is described as one of the great sociologists of the 20th century. Born in Germany, Elias earned a doctorate in philosophy and then turned to sociology, working with Max Weber's younger brother, Alfred Weber, and with Karl Mannheim. He later fled the Nazi regime in 1935 and spent most of his life in Britain. He is best known for his book, "The Civilizing Process," wherein he traces the subtle changes in manners among the European upper classes since the Middle Ages, and shows how those seemingly innocuous changes in etiquette reflected profound transformations of power relations in society. He later applied these insights to a wide range of subjects, from art and culture to the control of violence, the sociology of sports, the development of knowledge and the sciences, and the methodology of sociology. This volume is a collection of Elias's most important writings, and includes many of his ideas. The development of Elias's thinking during the course of his long career is traced, along with a discussion of how his work relates to other major sociologists and how the various selections are interconnected.

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A richly illustrated look at how travel influenced the work of renowned contemporary artist Betye SaarBetye Saar (b. 1926) is an artist whose assemblages tell visual stories and convey powerful political messages. A leading figure of the Black Arts Movement in the 1970s, she works with found objects—many of which she gathers on her extensive travels—to explore themes like symbolic mysticism, feminism, racism, and Eurocentric chauvinism. Betye Saar: Heart of a Wanderer sheds new light on Saar’s unique creative process, her trips around the world, and the diverse ways in which her artworks engage with global histories of travel and forced migration. It presents how the artist’s work conjures the transporting experience of a voyage to a faraway place.This beautifully illustrated book draws on original, in-depth interviews with Saar and the companions who accompanied the artist in her travels across four continents over several decades. Essays by leading scholars contextualize Saar’s journeys within her broader life and career, as well as how her practice fits into broader traditions—such as scrapbooking—in African American visual culture. In addition to providing this context, this book explores how Saar’s assemblage practice both echoes and provides a critical counterpoint to the collecting practices of Gilded Age American art collectors like Isabella Stewart Gardner.Featuring a wealth of previously unpublished material—including almost thirty travel sketchbooks and two dozen finished assemblages—Betye Saar: Heart of a Wanderer provides a fresh look at a groundbreaking American artist while offering a timely social history of the impact of travel on the African American experience.Distributed for the Isabella Stewart Gardner MuseumExhibition ScheduleIsabella Stewart Gardner Museum, BostonFebruary 16–May 21, 2023

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An exploration of the role of the handbag in the history of culture, fashion, and material production The history of the handbag—its design, how it has been made, used, and worn—reveals something essential about women's lives over the past 500 years. Perhaps the most universal item of fashionable adornment, it can also be elusive, an object of desire, secrecy, and even fear. Handbags explores these rich histories and multiple meanings.This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.Essays by leading fashion historians and an acclaimed psychoanalyst investigate the history of gesture, the psychoanalysis of bags, and the museum's state-of-the-art mannequins and archive cabinets. In order to preserve the words that describe the unique qualities of each bag, a terminology of handbags has been compiled.Published in association with the Simone Handbag Museum, Seoul

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