Search results for ""author nicholas""

In this constantly shifting world, companies must innovate if they want to survive. In clear language, The Innovation Mandate shows leaders a step-by-step process to continually generate great ideas, implement them, and maximize their value to benefit both customers and investors.In today’s ultra competitive marketplace, the difference between success and failure is innovation. From small entrepreneurial startups to global Fortune 500 companies, innovation—the steady flow of new ideas—drives sustained success. It allows a company to: Introduce new products and services Effectively connect with customers Sharpen the supply chain Efficiently manage finances Hire and retain the best people Without a steady stream of new ideas, even the best company will slow down, atrophy, lose market share, hemorrhage customers, and eventually close or be sold.The Innovation Mandate offers a clear and straightforward pathway to profitable innovation. It demystifies the concept, making it easy to understand, implement, and measure. The book centers around three simple concepts: Innovation generates profits; Innovation, in the form of new, profitable ideas, can come from anywhere Identifying, harnessing, evaluating, and implementing these new ideas cannot be left to chance Additionally, the book offers a five-point checklist to ensure your company is innovation ready.

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In 1910, Dr. John Watson travels to Egypt with his wife Juliet. Her tuberculosis has returned and her doctor recommends a stay at a sanitarium in a dry climate. But while his wife undergoes treatment, Dr. Watson bumps into an old friend - Sherlock Holmes, in disguise and on a case. An English Duke with a penchant for egyptology has disappeared, leading to enquiries from his wife and the Home Office. Sherlock Holmes has discovered that the missing duke has indeed vanished from his lavish rooms in Cairo and that he was on the trail of a previous undiscovered and unopened tomb. And that he's only the latest Egyptologist to die or disappear under odd circumstances. With the help of Howard Carter, Holmes and Watson are on the trail of something much bigger, more important, and more sinister than an errant lord.

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In this important collection, distinguished philosopher Nicholas Rescher explores a variety of issues significant to contemporary philosophers. The essays fall into three interrelated groups. The first group surveys key aspects of the recent scene in philosophy in a retrospective mood that is appropriate as the century nears its close. The second group is a critical examination (both historical and systemic) of a conception— that of 'possible worlds'— which has played an important formative role in 20th century philosophy. The final group presents some philosophical reflections on the human condition viewed from the vantage point of concepts (collectivity, technology, complexity, chance, and rationality) which 20th century philosophy has placed in the foreground of philosophical concern. Varied yet cohesive, these reflections on issues of contemporary philosophy are important reading for anyone interested in the state and direction of the discipline.

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Aquinas on Emotion's Participation in Reason aims to present Aquinas's answer to the perennial and now popular question: In what way can the emotions be rational? For Aquinas, the starting point of this inquiry is Aristotle's claim (EN. I. 13) that there are three parts to the soul: 1) the rational part, 2) the non-rational part which can participate in reason, and 3) the non-rational part that does not participate in reason. It is the extent to which the second part (the sense appetites, the seat of the emotions) participates in reason that the emotions can become rational. However, immediately after Aristotle introduces his tripartite division of the soul, he warns that one need not delve into the details of the division or the participation. Aquinas, however, ignores Aristotle, and uses his precise metaphysics of participation within in his sophisticated anthropology to great effect in his ethics. Unlike Aristotle, to fully understand Aquinas's thinking on how the emotions can become rational, we simply must delve into the kinds of precisions that Aristotle thinks are misplaced. When Aquinas's views emerge from these precisions, he has a surprisingly level-headed and commonsense view of how the emotions can become rational. On this point, he is more pessimistic than Aristotle and more optimistic than Kant; he is certainly not, as is he is often thought to be, the faithful follower of Aristotle and the polar opposite of Kant. Nicholas Kahm argue that Aquinas has a realistic and plausible view of how far reason can go in shaping our emotions. Furthermore, his plausible views can accommodate the serious current challenge raised against virtue ethics from social psychology. The method has mainly been a careful reading of primary texts, but unlike the rest of the scholarship on Aquinas's ethics, Kahm is particularly sensitive to Aquinas's historical and philosophical development.

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You won’t miss anything in this remarkable and trendy city with this guide in hand. Whether you’re interested in the well-known Pike Place Market, or want to branch out to see other lesser known sights and local cultural events, Seattle CityGuide is your source for up-to-date and practical information, at your fingertips. This informative and fun-to-use compendium gives the savvy traveler guidance in a nutshell on where to go, shop, eat, and stay—those places of interest that are not to be missed, as well as lesser known spots you might not find on your own.

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At the Field’s End is an exploration and celebration of Pacific Northwest literature. In their own words, twenty-two of the finest and best-known writers in America discuss their work and the region’s influence on it. Interviews with Denise Levertov and John Haines have been added since the publication of the first edition in 1987, and the author introductions have been updated.

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The story of a quest to uncover the evolutionary history of consciousness from a leading theoretical psychologist.We feel, therefore we are. Conscious sensations ground our sense of self. They are crucial to our idea of ourselves as psychic beings: present, existent, and mattering. But is it only humans who feel this way? Do other animals? Will future machines? Weaving together intellectual adventure and cutting-edge science, Nicholas Humphrey describes in Sentience his quest for answers: from his discovery of blindsight in monkeys and his pioneering work on social intelligence to breakthroughs in the philosophy of mind.The goal is to solve the hard problem: to explain the wondrous, eerie fact of “phenomenal consciousness”—the redness of a poppy, the sweetness of honey, the pain of a bee sting. What does this magical dimension of experience amount to? What is it for? And why has it evolved? Humphrey presents here his new solution. He prop

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This book celebrates binocular vision by presenting illustrations that require two eyes to see the effects of cooperation and competition between them. Pictures are flat but by printing them in different colours and viewing them through similarly coloured filters (included with the hardcover book) they are brought to life either in stereoscopic depth or in rivalry with one another. They are called anaglyphs and all those in the book display the ways in which the eyes interact. Thus, the reader is an integral element in the book and not all readers will see the same things. The history, science and art of binocular vision can be experienced in ways that are not usually available to us and with images made specifically for this book. The study of vision with two eyes was transformed by the invention of stereoscopes in the early 19th century. Anaglyphs are simple forms of stereoscopes that have three possible outcomes from viewing them – with each eye alone to see the monocular images, with both eyes to see them in stereoscopic depth or rivalry, or without the red/cyan glasses where they can have an appeal independent of the binocularity they encompass. Through the binocular pictures and the words that accompany them there will be an appreciation of just how remarkable the processes are that yield binocular singleness and depth. Moreover, the opportunities for expressing these processes are explored with many examples of truly binocular art.

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One of the world's foremost authorities on magnetism, Professor Louis Neel was the recipient of the 1970 Nobel Prize in Physics. With all but ten of Neel's 150 original papers being written in French, the aim of this English edition is to bring this important work to a wider readership.

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Jerusalem is not an ordinary city and Crossing Jerusalem is not a standard telling of a city's story. While the author himself is deeply skeptical of religion, this book is both a portrait of a spiritual Jerusalem, and a recounting of the effect the city has on the spirit of one visitor who discovers its ongoing distress - through it he discovers some sort of spirituality in himself. At the same time a travelogue, a questioning of spiritual values, and an examination of the beliefs that have sustained Jerusalem's populations through centuries of conflict and division, Crossing Jerusalem offers an unusual and penetrating perspective of the city. While many of the themes the author touches upon are inevitably sensitive and controversial, Crossing Jerusalem is intended to provoke thought rather than antipathy. At a time when both Jewish attitudes and the West's foreign policy options on a Middle East solution are evolving, Crossing Jerusalem is now especially relevant.

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This authoritative collection brings together 100 key articles on the subject of the welfare state selected by one of the world's leading experts. The first volume discusses the economic theory and related matters which underpin analysis of the welfare state. Volume II is about income transfers, especially social security benefits and poverty relief. Volume III looks at benefits in kind, particularly health care and education.This important work provides an analytical background to the subject whilst illustrating the vast array of literature available. It will be invaluable to students and professionals alike.

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A moving portrait of the young Vincent van Gogh - a hit in the West End and on Broadway. Winner of the 2003 Olivier Award for Best New Play. Brixton, 1873. A brash young Dutchman rents a room in the house of an English widow. Three years later he returns to Europe on the first step of a journey which will end in breakdown, death and immortality. Nicholas Wright's play Vincent in Brixton was first performed at the National Theatre, London, in the Cottesloe auditorium, in April 2002, directed by Richard Eyre. The production transferred to Wyndhams Theatre in the West End in August 2002.

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The Mehdi Army militia was a towering force in Iraq during the early years of the post-Saddam era. As an aggressive opponent of foreign occupation and one of the principal antagonists in Iraq's brutal sectarian civil war, the militia was central to the violence that ravaged the country and a pivotal political actor. Growing rapidly in size and strength, and controlling entire districts of Baghdad and broad swathes of southern and central Iraq, the Mehdi Army seemed poised to become a Hezbollah-like 'state within a state' that would remain enormously powerful for years to come. Drawing from extensive field experience in one of Baghdad's most volatile militia-held districts, Krohley exposes how, and why, the militia suddenly and unexpectedly collapsed in the midst of the Americans' 'Surge' of forces during 2008. Building from an examination of the Mehdi Army's social and ideological roots, he presents a neighbourhood-by-neighbourhood study of the militia's changing fortunes that offers unparalleled local detail and specificity. Krohley shows how the Mehdi Army's demise was ultimately a self-inflicted 'death' as opposed to a triumph of its foes.In so doing, he not only challenges prevailing orthodoxies of counterinsurgency doctrine and the mythology of the Surge, but also offers penetrating insights into the battered state of Iraqi society after decades of dictatorship, privation and war.

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A compelling exploration of one of the most ill-advised and calamitous interventions in colonial development history. As colonial development took off after the Second World War, in the context of national food shortages, Britain's Labour Government initiated the Groundnut Scheme, an extraordinarily ambitious project to convert 3 million acres of bush in Tanganyika into the largest mechanized groundnut farm in the world. It was to prove the largest, most expensive and most disastrous development scheme ever undertaken by the British Government. Never previously analysed in depth, the author draws on a wide range of sources to discuss the political dynamics that drove the Groundnut Scheme forward, despite the gravest doubts of agriculturalists and economists, why it went wrong, and what its impact has been since on the practice of economic development. Initially employing the United Africa Company as agent, the government set up an Overseas Food Corporation to manage the Groundnut Scheme as an example of socialist development in Africa. Army surplus kit and demobbed soldiers poured into the country and were sent up the railway line to Kongwa to beat the bush. By the time the effort was abandoned in 1950, costs had risen to a colossal 36 million - equivalent to over 1 billion today - and yet almost no groundnuts had been exported. The prototype of many large-scale, government-run, high-cost development projects that failed to deliver, the Groundnut Scheme was perhaps the first major failure of agricultural development in Africa, and its legacy in development practice still with us today.

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Nicholas Hagger’s literary, philosophical, historical and political writings are innovatory. He has set out a new approach to literature that combines Romantic and Classical outlooks in a substantial literary oeuvre of 2,000 poems including over 300 classical odes, two poetic epics, five verse plays, three masques, two travelogues and 1,200 stories. He has created a new philosophy of Universalism that focuses on the unity of the universe and humankind and the interconnectedness of all disciplines, and challenges modern philosophy. He has presented an original historical view of the rise and fall of civilisations, and proposed - and detailed - a limited democratic World State with the power to abolish war and solve all the world’s problems. Selected Letters draws together those of his letters (written over 60 years) that aid the interpretation and elucidation of his works. Many of his correspondents are well-known figures within literature, philosophy, history and international politics, and Hagger is in the footsteps of Alexander Pope in editing his own letters, which are in the tradition of Pope, Wordsworth, Keats, T.E. Lawrence, Ezra Pound and Ted Hughes (one of his correspondents). They throw light on all aspects of Hagger’s vast output, and are required reading for all interested in following the growth of his Universalism, his literary development and his innovatory approach to universal truth. NICHOLAS HAGGER is a poet, man of letters, cultural historian and philosopher. He has lectured at universities in Iraq, Libya and Japan, where he was a Professor of English Literature. He has written 54 books. These include an immense literary offering, most recently King Charles the Wise and Visions of England (both also published by O-Books), and innovatory works within history, philosophy and international politics and statecraft. His archive of papers and manuscripts is held as a Special Collection in the Albert Sloman Library at the University of Essex. In 2016 he was awarded the Gusi Peace Prize for Literature, and in 2019 the BRICS silver medal for ‘Vision for Future’.

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"I never thought I would come all this wayto come all this way."The troupe of "friends" and "strangers" whom the reader meets in these poems are sometimes alter egos, sometimes aliases, sometimes adversaries. Located in worlds such as those of French film noir, spy movies, and travellers' tales, they inhabit a milieu of mistaken identity, deliberate disguise and random encounters in hotels. For the voyager, "there are too many wrong countries" and "already no one remembers you at home." Despite the book's title, these poems are rarely autobiographical - though the tastes they reveal are intriguing - and they have few straightforward stories to tell. They are subtly humorous at one turn, sinister at another, heartbroken at the next. They puzzle over accidents, coincidences, and moments of passion, as they edge towards a sense of the world's curious strangeness, the complications of history and the encounters brought by the geography of migration. Poems balance on the edge between concealment and revelation, between bemused fascination and tentative comprehension. Yet for all the disguises, the book offers glimpses of a distinctive and engaging sensibility involved with art, language and the nature of love. While Trinidad is scarcely mentioned, this is, if obliquely, the work of a poet trying to make sense of what it means to write in such an island society.

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Reassesses the role of the British Naval Staff during the First World War, challenging many widely-held views, and casting much new light on controversial issues and individuals. Winner of the Society for Nautical Research's prestigious Anderson Medal, 2010. Nicholas Black examines the role of the Naval Staff of the Admiralty in the 1914-18 war, reassessing both the calibre of the Staff and the function and structure of the Staff. He challenges historians such as Arthur Marder and naval figures such as Captains Herbert Richmond and Kenneth Dewar who were influential in creating the largely bad press that the Staff has receivedsubsequently, showing that their influence has, at times, been both unhealthy and misinformed. The way in which the Staff developed during the war from a small, overstretched and often manipulated body, to a much more highly specialised and successful one is also examined, reassessing the roles of key individuals such as Jellicoe and Geddes, and suggesting that the structure of the Staff has been misunderstood and that it was a rather more sophisticated body than historians have traditionally appreciated. Black also looks at how the Staff performed in various major naval issues of the war: the role of the Grand Fleet, the war against the U-boat, the Dardanelles Operation and the implementation of the economic blockade against Germany. Overall, the book complements, and at times challenges, both operational histories of the war and biographies of the leading individuals involved. NICHOLAS BLACK is Head of History at Dulwich College.

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When her twin brother goes missing in Northern California, Vivian Owens follows his trail to the town of Mount Hookey, home to the followers of Telos: a mountain-worshipping cult that offers spiritual fulfilment to those who seek it. While trying to navigate the town’s bizarre inhabitants and the seductive preaching of the initiates of Telos, Vivian will have to confront questions about herself, her family, and everything she thinks she knows about the world. She quickly realises that her search is about far more than her missing brother – it is a quest for the secret of happiness itself. To that end, there is only one question she needs to answer: what is really at the top of Mount Hookey?

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In Fools’ Paradise Nicholas Hagger presented the UK’s attempt to leave the EU under Prime Minister Theresa May in terms of the voyage of Sebastian Brant’s 1494 Ship of Fools heading with a mutinous crew for the illusory, nonexistent paradise of Narragonia. His mock-heroic satirical poem on the political chaos surrounding the most important UK decision since the Second World War is in rhymed heroic couplets, in the tradition of Dryden and Pope. In this sequel, Fools’ Gold, Hagger focuses on the beginning of Boris Johnson’s premiership, the promises that won him the 2019 General Election with an 80-seat majority, and his removal of the UK from the EU, only to be engulfed by the deadly Covid pandemic which has devastated the UK economy. Hagger describes the catastrophic national events in heroic blank verse, which befits the darkening mood. The UK public has been promised a new Golden Age, an age of plenty, and it remains to be seen whether there will be prosperity for all - gold - now that the UK is facing colossal debt outside the EU, or whether the promises will turn out to be worthless iron pyrites: fools’ gold.

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In Fools’ Paradise, a mock-heroic poem on Brexit which complements his masque King Charles the Wise, Nicholas Hagger presents the most important British event since the Second World War: the Brexiteers’ struggle to wrest control of the UK’s laws, borders, money and trade from the EU and turn the UK into a more prosperous paradise. In 16 cantos and an epilogue of heroic couplets with an epic tone he narrates the 2018 Chequers compromise and its aftermath: the EU’s opposition, lack of internal support, looming ‘no deal’ and requests for extensions that keep the UK in the EU. He shows the UK Ship of State as manned by a squabbling crew sailing for an illusory paradise and too riven by division to reach agreement. The dream all were promised seems undeliverable. In the tradition of the social satire of Dryden and Pope, the elevated style is undermined by a recurring image of the Ship of Fools in Sebastian Brant’s 1494 Swiss poem Ship of Fools (Das Narrenschiff), which makes a chaotic voyage from Europe to an illusory paradise across the waves. It becomes apparent that all on the UK Ship of State are to some extent living in a fools’ paradise. Focusing on the historic decision to leave Europe that if carried through would have immense repercussions for coming generations, Nicholas Hagger presents the warring factions on the UK Ship of State and in true Universalist manner foresees a resolution of the conflict in the reconciliation of a coming united world. This is an astonishing poem that approaches the most important national event of our time in the spirit of Tennyson and gets to the heart of the UK’s national predicament.

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Nicholas Hagger's 55 books include innovatory works on literature, history, philosophy and international politics. In his first published literary work he revived the Preface, which had fallen into disuse after Wordsworth and Shelley. He went on to write Prefaces (sometimes called ‘Prologues’, ‘Introductions’ or ‘Introductory Notes’) for all his subsequent books. Collected Prefaces, a collection of 55 Prefaces (excluding the Preface to this book), sets out his thinking and the reader can follow the development of his philosophy of Universalism (of which he is the main exponent), his literary approach (particularly his combination of Romanticism and Classicism which he calls "neo-Baroque") and his metaphysical thinking. His Prefaces can be read as essays, and as in T.S. Eliot’s Selected Essays there is an interaction between adjacent Prefaces that brings an entirely new perspective to Hagger's works. These Prefaces cover an enormous range. Nicholas Hagger is a Renaissance man at home in many disciplines. His Universalism focuses on humankind’s relationship to the whole universe as reflected in seven key disciplines seen as wholes: the whole of literature, history, philosophy and the sciences, mysticism, religion, international politics and statecraft and world culture. Behind all the Prefaces is Hagger’s fundamental perception of the unity of the universe as the One and of humankind’s position in it. These Prefaces complement his Selected Letters, a companion volume also published by O-Books, and contain startling insights that illumine and send readers to the works the Prefaces introduce.

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This timely book addresses what it is to be a planner in a changing world: a world in need of transformation in the way planning is done in order to tackle social problems and ecological crises. Nicholas Low argues for the need to revalue public planning, sensitive to the social context in which it takes place. Aiming to define the social and political basis of planning, the book highlights how our neo-liberal world has lost touch with the importance of a well-resourced, impartial, professional and permanent public service to democracy. It does so by exploring the role of planning in long-term social and economic change, different understandings of social power and class and how human-nature relationships might influence ecological governance. Planning scholars, particularly those focusing on urban and environmental planning, will find this book an inspiring and accessible read, integrating a wide range of social theories with social and ecological justice.

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In this remarkable memoir Nicholas Hagger reflects on war and peace and on 'peace for our time', Chamberlain’s haunting words in 1938 that ushered in the Second World War. Peace then turned out to be an illusion shattered by the outbreak of hostilities. Will world peace again turn out to be an illusion? With a lightness of touch Nicholas Hagger addresses the burning issue of our time - whether a new world structure can avert a new world war - and unveils a vision of a better, safer world for our grandchildren. This stimulating work will fascinate and inspire a new generation looking beyond nation-state self-interest to world unity.

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Postcards from the World of Horse Racing: Days Out on the Global Racing Road is the new book by international-racing expert Nicholas Godfrey. In a series of evocative, informative pieces from around the racing world, Godfrey visits 20 different countries on six continents, from unforgettable high-profile events at major racecourses - such as the Kentucky Derby at Churchill Downs or the Dubai World Cup at billion-dollar Meydan - to racing venues on the road less travelled - like Morocco, Uruguay and Switzerland, where they race on a frozen lake in St Moritz. Among those he encounters are America's mighty mare Zenyatta, Triple Crown hero American Pharoah and Black Caviar, the 'Wonder from Down Under'. As well as reliving his experiences, Godfrey prefaces each postcard with a how-to guide for those wishing to follow in his footsteps. Illustrated with a range of colour photographs, the book also features a foreword by Brough Scott, one of the most respected sportswriters in the business.

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