Search results for ""Nick Hern Books""

A savage satire on the rapacious nature of office lives and lusts - the British debut from a writer whose work has been seen in prestigious theatres all over Germany. Everyone wants to get to the executive suite. Everyone wants the Delhi job. Everyone wants sex, everyone wants love. So, they push for it. Roland Schimmelpfennig's play Push Up was first performed at the Schaubühne am Lehniner Platz, Berlin, in November 2001. It was premiered in this English translation by Maja Zade at the Royal Court Theatre, London, in February 2002.

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Drama Classics: The World's Great Plays at a Great Little Price The story of Andromache, widow of the Trojan hero Hector. Some years after the fall of Troy, Andromache is living as a slave to Neoptolemus, by whom she has a child. When Neoptolemus' fiercely jealous young wife, Hermione, finds she is unable to conceive, she threatens to murder Andromache, and the struggle between the two women turns quickly into a bitter feud. This edition of Euripides' Andromache, in the Drama Classics series, is translated and introduced by Marianne McDonald and J. Michael Walton.

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Terence Rattigan’s After the Dance is a brilliant attack on the hedonistic lifestyle of the ‘bright young things’ of the 1920s and 30s. David is a high-living, hard-drinking, successful writer involved with two women: his wife Joan and an earnest-minded younger woman, Helen. When Joan commits suicide, David considers following her, but instead returns to a life of parties and drinking. After the Dance was first produced at the St James’s Theatre, London, in June l939. It signalled a more serious direction in Rattigan's writing after the relative frivolity of the hugely successful French Without Tears. It opened to euphoric reviews, but only a month later the European crisis was darkening the national mood and audiences began to dwindle. The play was pulled in August after only sixty performances. This edition includes an authoritative introduction, biographical sketch and chronology.

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'Theatre is the greatest of collaborative art forms, and Shakespeare its greatest exponent: he used the form better than anyone else ever has to speak truth about the world.' In Exploring Shakespeare, acclaimed theatre director Bill Alexander takes us inside the rehearsal room to reveal – in unprecedented and captivating detail – exactly what happens there. He examines the key relationship between the actors and the director, how they work together to bring Shakespeare's vision to life, and how choices are made that will shape every aspect of the play in production. Full of acute observations and perceptions drawn from a long and brilliant career, the book covers the essential aspects of any Shakespeare production, from understanding the world of the play, to preparing and cutting the text, deciding on costumes and set design, handling soliloquies, and considering character and backstory. There are detailed studies of eight plays spanning the full length and breadth of the Shakespearean canon, from Titus Andronicus and The Shrew to The Tempest, via Othello, Hamlet, Lear, The Merchant of Venice and Twelfth Night. Alexander also provides first-hand case studies of three of his own productions, including his famous Richard III starring Antony Sher. Personal, forthright, and full of pragmatic advice, Exploring Shakespeare is a masterclass for directors and actors, and a fascinating insight for anyone interested in Shakespeare. Bill Alexander was an Associate Director of the Royal Shakespeare Company, and then Artistic Director of Birmingham Rep. His landmark productions include Richard III and The Merry Wives of Windsor (both Olivier Award-winners), The Merchant of Venice, The Taming of the Shrew, Titus Andronicus and King Lear with Corin Redgrave. 'Bill Alexander is a brilliant director, whose work has powerfully shaped my understanding of Shakespeare's plays, Richard III most of all' James Shapiro, author of 1599: A Year in the Life of William Shakespeare

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Every time you open your mouth on stage you are trying to persuade somebody of something. Sometimes referred to as 'the art of persuasion', rhetoric means using language to communicate your ideas and intentions to other people – and to make sure you are heard, understood and believed. This clear and concise guide explains how it works in plays, and how actors can use it to bring their performances to life on stage. Drawing on her decades of experience working with actors on major productions, including as Head of Voice at the National Theatre, Jeannette Nelson introduces all the major rhetorical techniques and devices that playwrights use. She offers fascinating breakdowns of dialogue and speeches from across the theatrical canon – from Shakespeare and Ibsen, to Tennessee Williams, Lorraine Hansberry and Arthur Miller, right up to contemporary playwrights such as Helen Edmundson and Tanika Gupta. Each chapter also includes a series of practical exercises which combine spoken word with physical action to help you explore and understand these techniques, and harness their power in performance. Whether you're an actor, a director or a drama teacher, Keeping It Active will empower you with a greater understanding of the ways that language underpins all dramatic works, and will give you the tools you need to unlock the text, understand characters, connect with the audience, and perform with greater confidence, focus and authenticity. 'As this excellent book outlines, rhetoric is everywhere. It's not simply in the parliament, the press conference and the court; it's in the workplace, the home and the family. There's no argument, classical or modern, in a play that isn't informed and helped by Jeannette's work' Josie Rourke, from her Foreword 'A great resource for actors and directors' Ralph Fiennes 'Jeannette Nelson's revelatory relationship to language is, quite simply, life-changing' Simon Godwin 'Jeannette taught me so much... I felt like I could persuade anybody to do anything' Sophie Okonedo

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This dip-in, flick-through, quick-fire resource book, part of the bestselling Drama Games series, offers dozens of games to help bring Shakespeare's plays to life in the classroom or rehearsal room – making them fun and accessible to actors, students, directors and teachers. Inspired by the work of leading cultural education charity Coram Shakespeare Schools Foundation, this book offers a wide range of activities to tackle every aspect of the plays, including: Warm-ups and General Games to establish an atmosphere of focus, connection, support and fun – all the conditions you need for a successful session Story and World-building to explore the events, environments and societies of Shakespeare's plays Introducing Shakespeare's Language to break down the text and allow participants to uncover the meaning through play and creative discovery Activating Shakespeare's Language to liberate actors from the script through movement and voice-work Character to help develop compelling, believable performances by investigating motivations and relationships, circumstances and emotions Staging to help empower every member of the ensemble in moments that might be challenging to stage – such as big movement sequences, fights and battles and intimate love scenes Whatever your reason for exploring Shakespeare – whether you're directing a production, teaching a set text, or introducing his work to young people for the first time – this essential resource will give you the tools you need to demystify the language, take ownership of the plays, and find a connection to the words that resonates in our own time. 'This wonderful book will be an invaluable resource for anyone approaching the teaching or directing of Shakespeare, whether novice or veteran' Paterson Joseph, from his Foreword

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Celebrate the incredible journey of Phoebe Waller-Bridge's outrageously funny, blazingly forthright Fleabag, from fringe theatre hit to international cultural phenomenon, in this special edition – featuring the original playscript, never-before-seen colour photos, and exclusive bonus content by Phoebe, director Vicky Jones and key members of the creative team. In 2013, Fleabag made its debut as a one-woman show in sixty-seater venue the Big Belly, at the Edinburgh Festival Fringe's Underbelly. It was an immediate hit, going on to enjoy two runs at London's Soho Theatre, national and international tours, whilst picking up prizes including Critics' Circle, The Stage, Fringe First and two Off West End Theatre Awards, plus an Olivier Award nomination. The 2016 TV adaptation propelled Fleabag and Phoebe to worldwide fame, earning critical acclaim and further accolades including Writers' Guild, Royal Television Society and BAFTA Television Awards. A second series followed in 2019, winning an amazing six Emmy Awards (including Outstanding Comedy Series and Outstanding Writing for a Comedy Series), along with a sold-out run of the original play in New York. This special edition of the play is released alongside Fleabag's first West End run at Wyndham's Theatre, London. It is introduced by Deborah Frances-White, stand-up comedian, writer and host of The Guilty Feminist podcast.

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‘He is the sickness and you maintain that sickness.’ Idi Amin is the self-declared President of Uganda. When Scottish medic Nicholas Garrigan becomes his personal physician, he is catapulted into Amin's inner circle. A useful asset for the British Secret Service, is Garrigan the man on the inside, or does he have blood on his hands too? Giles Foden's multi-award-winning novel The Last King of Scotland is an electrifying thriller about corruption and complicity. This stage adaptation by Steve Waters premiered at the Crucible Theatre, Sheffield, in September 2019, directed by Gbolahan Obisesan.

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‘I’ll tell you what I really want. I want to jump clean out of my brain.’ Essie's lost her job. Her girlfriend's left. But she's alright. Except lately she feels more like a chair than a person. One of those folding chairs. Solid one minute. And then. Margaret Perry's play Collapsible is a funny, furious monologue about holding on in this collapsing world. It was premiered at the 2019 VAULT Festival, London, where it won the Origins Award for Outstanding New Work. It transferred to the Edinburgh Festival Fringe and the Dublin Fringe Festival in 2019 (winning the Fishamble New Writing Award), and the Bush Theatre, London, in 2020, in a co-production between Ellie Keel Productions and HighTide.

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A new edition of the hugely successful musical by Steven Levenson, Benj Pasek and Justin Paul, published alongside its West End premiere and featuring exclusive content. A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he's always wanted: a chance to belong. Both deeply personal and profoundly contemporary, Dear Evan Hansen is a groundbreaking musical about truth, fiction, and the price we're willing to pay for the possibility to connect. The production opened in Washington DC in 2015, off-Broadway in 2016, and on Broadway later that year, before winning six Tony Awards including Best Musical, Best Book and Best Score, and the Grammy Award for Best Musical Theater Album. This official West End edition is published alongside the production's transfer to London's Noël Coward Theatre in 2019. It features the complete book and lyrics of the show, plus exclusive bonus content and colour photographs of the West End production. 'Dear Evan Hansen lodges in your head long after you've seen it or heard it or read it. It feels like a pure expression from young writers at a crossroad of coming to terms with who they are and what they want to say about the world' James Lapine, from his Foreword

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One night in a small town in County Cork, where everyone knows everyone, things spiral terrifyingly out of control. What will happen now to Emma? To her family? To the others? This stage adaptation of Louise O’Neill’s devastating novel, Asking for It, shines an unflinching light on the experience of a young woman whose life is changed for ever by a horrific act of violence. Adapted by Meadhbh McHugh, in collaboration with its director Annabelle Comyn, the play premiered at the Everyman, Cork, in 2018, before transferring to the Abbey Theatre, Dublin.

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‘It’s a bit weird to be sitting at the Arctic Circle chatting to a fit boy with your dad’s ashes in your backpack.’ Rory's dad was an explorer. Well, not literally. Literally, he was a geography teacher. But inside, she knows, he was Bear Grylls. And when he dies suddenly in an accident, Rory knows she needs to make one last expedition. With a plastic compass and Dad's ashes at her side, Rory sets off in the footsteps of all the dead beardy explorers before her, to get Dad to the North Pole. Before Mum finds out they've gone. Tatty Hennessy's play A Hundred Words for Snow is about being an explorer in a melting world. It's a coming-of-age story. With polar bears. The play won the Heretic Voices Monologue Competition and was first produced at the Arcola Theatre, London, in 2018. A new production was performed at the 2018 VAULT Festival, where it was the winner of a VAULT Origins Award for outstanding new work from the VAULT Festival. It then toured the UK, with a run at the Trafalgar Studios in London's West End in 2019. This edition also includes the diary of her research trip to the Arctic Circle, and the short play Distant Early Warning, set in 2053 in what was once Greenland.

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Three generations of the Blake family have assembled for Thanksgiving in Brigid and Richard's ramshackle pre-war apartment in Lower Manhattan. Whilst the event may have a slightly improvised air, the family is determined to make the best of its time together. As they attempt to focus on the traditional festivities, fears of the past and pressures of the future seep into the reunion and the precariousness of their position becomes increasingly evident. Stephen Karam's blisteringly funny and bruisingly sad drama, The Humans, is a stunning portrayal of the human condition; a family at its best and worst navigating the challenges of everyday life. The Humans premiered in Chicago in 2014, before transferring to the Roundabout Theatre Company, New York, in 2015; Broadway in 2016; and Hampstead Theatre, London, in 2018. The production won numerous awards, including the Tony Award and the New York Drama Critics' Circle Award for Best Play. A film adaptation, written and directed by Stephen Karam, was premiered in 2021.

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An inspiring and interactive workbook to help you develop skills for longform improvisation, by one of the UK’s top improv performers and teachers. Structured as a twelve-week course, this book provides techniques, advice and exercises that can be done on your own or in groups – with activities to complete as you go – for learning faster and becoming (more) amazing at improvisation. It draws on the author’s own experience of performing and teaching improv around the world, with added gems of wisdom from key experts. Starting with the basics of improvisation, it moves on to explore areas of the craft such as rehearsals, character, editing, form and style; plus career advice including how to cope with bad gigs, jealousy, fear of missing out and your Inner Critic. The Improviser’s Way is ideal for improvisers at any level – from those new to improv entirely, through those familiar with shortform who are looking to extend their reach, to experienced longform performers and teachers looking to refresh their approach and embrace new ideas. It is also invaluable to anyone looking to discover more about this popular, thrillingly creative and empowering form of performance. By the end, you won’t just be a better improviser – you’ll be a better person!

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The mayfly hatches in the morning, mates in the afternoon, dies at night: a lot can happen in a day. A family searches for new beginnings: Ben thinks they might be better off without him, but his wife Cat has read her stars: `Today a very special person will appear from out the blue’. Their daughter Loops is getting ready for a date. It’s her first one, and she has everything crossed. People think that cos you’re from a small village, everyone will know you. But we can still go missing. Even out here. An ethereal family drama, Joe White’s debut play Mayfly explores rebirth in the aftermath of tragedy

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America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. Originally premiered in Britain at the National Theatre, London, where it won the Evening Standard Best Play Award, Tony Kushner's Angels in America went on to win two Tony Awards and the Pulitzer Prize for Drama. This volume contains both Part One: Millennium Approaches and Part Two: Perestroika, plus 45 pages of bonus material including a new introduction by the playwright, a full production history, deleted scenes, and notes on staging. It was published alongside a new production in 2017 at the National Theatre, London, directed by Marianne Elliott and starring Andrew Garfield, Denise Gough, Nathan Lane, James McArdle and Russell Tovey.

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'What you gonna do once you free? You just gonna walk up in somebody house and be like,"Hey. I'm a slave. Help me?"' Judge Peyton is dead, and his plantation Terrebonne is in financial ruins. Peyton's handsome nephew George arrives as heir apparent, and quickly falls in love with Zoe, a beautiful 'octoroon'. But the dastardly M'Closky has other plans – for both Terrebonne and Zoe. Branden Jacobs-Jenkins' exhilarating play, An Octoroon, draws on Dion Boucicault's 1859 melodrama The Octoroon to explore issues about race and identity in America today. The play won an OBIE Award when it was first seen in New York in 2014, and had its European premiere at the Orange Tree Theatre, Richmond, in 2017. It transferred to the National Theatre, London, in 2018. An Octoroon won Branden Jacobs-Jenkins the Most Promising Playwright Award at the Evening Standard Awards in 2017. He was also named Most Promising Playwright at the Critics' Circle Awards in 2018 for his plays Gloria and An Octoroon.

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'Retired people are like nuclear power stations. They like to live by the sea.' Two ageing nuclear scientists in an isolated cottage on the coast, as the world around them crumbles. Then an old friend arrives with a frightening request. Lucy Kirkwood's play The Children premiered at the Royal Court, London, in the Jerwood Theatre Downstairs on 17 November 2016, in a production directed by James Macdonald. The Children was named Best Play at the 2018 Writers' Guild Awards.

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From the bestselling Drama Games series, this dip-in, flick-through, quick-fire resource book – packed with over 200 individual games – is perfect for teachers, playgroup leaders and drama facilitators who want to inspire and entertain children, aged 3 and up, with vibrant and engaging drama experiences. The book includes 40 complete and easy-to-follow lesson plans that can be implemented with little prior preparation – all appropriate for exploring the curriculum or running extra-curricular workshops. The action-packed sessions will transport you and your group to enchanted forests, pirate ships, bustling farmyards or the bottom of the sea, via magic-carpet rides or a journey through outer space. They incorporate vocal exercises, mime and movement, nursery rhymes and fairytales, character development, costumes, songs and music, puppetry, art and text work. Also included is advice on preparing sessions, and a template lesson plan. The most comprehensive and practical drama resource ever published for anyone working with young children (including parents!), the book offers material that will engage any child, from the most reticent to the supremely confident. It is an ideal way to explore and encourage skills of creativity, self-expression, tolerance, mutual respect, problem-solving and communication, in a safe, non-threatening environment. 'Tapping into a child’s ability to play is the way to educate our children and inspire them to learn. Katherine Zachest understands this and her book is a fantastic tool with which to do it.' Sally Cookson, from her Foreword

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“I’m walking down the street and there’s a door in the fence open and inside there are three women I’ve seen before.” Three old friends and a neighbour. A summer of afternoons in the back yard. Tea and catastrophe. Caryl Churchill's play Escaped Alone premiered at the Royal Court Theatre, London, in 2016, in a production directed by James Macdonald. It was named Best Play at the 2017 Writers' Guild Awards.

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In the late 1600s, in a convent in Mexico, a gifted and progressive writer finds herself at the centre of a deadly battle of ideas. Celebrated by the Court but silenced by the Church, she is betrayed by the very people she thought she could trust. Inspired by the extraordinary life of Sor Juana Inés de la Cruz, Helen Edmundson's The Heresy of Love is a powerful drama about a clash between organised religion and personal faith, full of intrigue and danger, ruthless ambitions and illicit desire. Premiered by the Royal Shakespeare Company in 2012, The Heresy of Love was revived in a new production at Shakespeare's Globe, London, in 2015.

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Mike Bartlett's 'future history play' explores the people beneath the crowns, the unwritten rules of our democracy, and the conscience of Britain's most famous family. Queen Elizabeth II is dead. After a lifetime of waiting, her son ascends the throne. A future of power. But how to rule? Drawing on the style and structure of a Shakespearean history play, King Charles III opened at London's Almeida Theatre, directed by its Artistic Director Rupert Goold, in April 2014, before transferring to the West End. The play went on to win Best New Play at both the Critics' Circle Theatre Awards and the Olivier Awards. It also won the South Bank Sky Arts Theatre Award.

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Actioning – and How to Do It is the indispensable companion to a vital component in every actor’s toolkit. Actioning is one of the most widely used rehearsal techniques for actors. It helps bring clarity to every moment or thought in the text, energising rehearsals and bringing performances to life. Actioning will enable you to discover and unlock newfound energy, range, variety and clarity of body and voice, by: Interrogating the text and making initial action verb choices Playing your chosen actions, both verbally and physically Maintaining an imaginative and emotional connection with each moment Signposting each thought to your scene partner From the publishers of the internationally successful Actions: The Actors' Thesaurus, this is the first in-depth exploration of Actioning for student actors, those who train them, and professionals working in the industry, whether they're brand new to the technique or have been practising it for years. This step-by-step guide draws on concepts from Stanislavsky, using sample scenes from classic plays such as The Seagull and The Importance of Being Earnest, as well as contemporary pieces, and is filled with exercises to demonstrate the technique at work.

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An exciting, fresh and accessible adaptation of Dostoyevsky's masterful novel. Starving, destitute student Raskolnikov is surrounded by the harsh injustices of the world: the grime of poverty and prostitution, unscrupulous pawnbrokers chasing debts, and a sister about to marry someone she doesn't love to keep her family alive. His guilt is unbearable. Only Sonya, a downtrodden prostitute, can offer any chance of redemption. As Raskolnikov enters a dangerous cat and mouse game with the examining magistrate, a psychological thriller unfolds that probes how far humanity might go when driven by disillusionment and whether any crime can be justified by a higher purpose. Chris Hannan's adaptation of Crime and Punishment was first performed at the Citizens Theatre, Glasgow, in 2013, followed by a UK tour.

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Someone sneezes. Someone can't get a signal. Someone shares a secret. Someone won't answer the door. Someone put an elephant on the stairs. Someone's not ready to talk. Someone is her brother's mother. Someone hates irrational numbers. Someone told the police. Someone got a message from the traffic light. Someone's never felt like this before. In this fast moving kaleidoscope, more than a hundred characters try to make sense of what they know. Caryl Churchill's play Love and Information was first performed at the Royal Court Theatre, London, in September 2012.

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A gripping historical play that dramatises a crucial moment of English history. December 1648. The Army has occupied London. Parliament votes not to put the imprisoned king on trial, so the Army moves against Westminster in the first and only military coup in English history. What follows over the next fifty-five days, as Cromwell seeks to compromise with a king who will do no such thing, is nothing less than the forging of a new nation, an entirely new world. Howard Brenton’s play depicts the dangerous and dramatic days when, in a country exhausted by Civil War, a few great men attempt to think the unthinkable: to create a country without a king. 55 Days was first performed at Hampstead Theatre, London, in October 2012, in a production directed by Howard Davies.

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Arthur Ransome's famous and much-loved children's classic is brought thrillingly to life in Helen Edmundson's wonderfully theatrical adaptation, with 'delightfully catchy and often witty' (Telegraph) songs by Neil Hannon of The Divine Comedy When John, Susan, Titty and Roger are granted their wish to set sail on their beloved boat Swallow, they know it will be the summer holiday of a lifetime. But their adventure truly begins when they encounter Nancy and Peggy, the self-proclaimed Amazon Pirates, and the dastardly Captain Flint. This adaptation was first performed at the Bristol Old Vic in 2010. It had its West End premiere in 2011.

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Helen Edmundson's celebrated and 'exemplary' (The Times) adaptation of Leo Tolstoy's enduring classic is a vibrant and deeply moving meditation on the nature of love. Anna is beautiful and admired but empty – until a chance meeting throws her into emotional turmoil and a scandalous affair. Contrasting with this tale of destructive love is the story of Levin, an idealistic man striving to find meaning in life – and a self-portrait of Tolstoy himself. Helen Edmundson's stage adaptation of Anna Karenina was first performed by Shared Experience at the Theatre Royal, Winchester, in January 1992 at the start of a nationwide tour. The production went on to win the Time Out Award for Outstanding Theatrical Event of 1992. This edition of the play was published alongside a revival at the Arcola Theatre, London, in 2011.

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Based on the award-winning memoir by Timothy Conigrave, and adapted for the stage by acclaimed playwright Tommy Murphy, Holding the Man tells a remarkable true-life love story that speaks across generations, sexualities and cultures. The course of teenage love rarely runs smooth, but it is a white-water adventure if you are secretly gay in an all-male school in 1970s Melbourne with a crush on the captain of the football team. Against the odds, Tim and John develop a relationship that, for fifteen years, survives everything life throws at it – the separations, the discriminations, the temptations, the jealousies and the losses – until the only problem that love can't solve turns up to part them. Tommy Murphy's play Holding the Man was first performed in Sydney, Australia, in 2006. It had its UK premiere at the Trafalgar Studios in the West End in 2010. ‘Tommy Murphy is a bewitching playwright of startling originality’ - Cate Blanchett and Andrew Upton, Artistic Directors of Sydney Theatre Company

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A hugely-acclaimed black comedy exposing the dark side of the Midwestern American family. When the large Weston family is reunited in Oklahoma after the disappearance of their father, they let loose a maelstrom of repressed truths and unsettling secrets. Tracy Letts's play August: Osage County was first performed by Steppenwolf Theatre Company in Chicago in June 2007. It was first staged in the UK at the National Theatre in 2008. August: Osage County won the Pulitzer Prize for Drama, the Tony Award for Best Play and the Critics' Circle Award for Best Play.

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100 speeches and scenes for Learners entering LAMDA Graded Examinations in Performance: Acting from Grade 1 to Grade 5.

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Chris Bush and Richard Hawley's musical, a history of modern Britain told through the stories of one Sheffield housing estate. Winner of the Best New Musical award at the 2023 Olivier Awards.

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'With great pleasure Leyla & Joel Invite you to celebrate their marriage. Dress code is smart casual. Doors at 7.30 p.m., followed by the exchange of vows. And at the signal, the entertainment will begin. (This performance is being staged without a licence from the Ministry. We recognise the risk that each and every one of you is taking by attending and we salute your courage.)' A Mirror is an elusive, explosive play by Sam Holcroft, interrogating censorship, authorship and free speech. It premiered at the Almeida Theatre, London, in 2023, directed by Jeremy Herrin, and with a cast including Jonny Lee Miller, Tanya Reynolds and Micheal Ward.

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'I am strength I am power I am courage I am revolution I am Amber Rai' Amber is trapped – by her family's rules and expectations, and by her own fears. But on the running track she feels free. As her body speeds up, the world slows down. And the tangled, mixed-up words in her head start to make sense... It's time to start a revolution: for her mother, for her sister, for herself. Run, Amber. Run. Manjeet Mann's multi-award-winning verse novel, Run, Rebel, about a young woman beginning to take control of her life, was shortlisted for the Carnegie Medal 2021 and won the CILIP Carnegie Shadowers Choice Award, a UKLA Book Award, a Diverse Book Award and the Sheffield Children's Book Award. This fast-paced, mesmerising stage version, adapted by the author, was first produced in 2023 by Pilot Theatre, with Mercury Theatre, Colchester, Belgrade Theatre Coventry, Derby Theatre and York Theatre Royal. This edition also contains a range of teaching materials and resources designed to help educators bring the play to life for their students. 'Mann's brilliant, coruscating verse novel lays out the anatomy of Amber's revolution, and the tentative first flowerings of hope and change' Guardian

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Mary has just been released from prison. She wants to come home and forget all about it – but Briana has other ideas. Over two tumultuous days, a family is forced to confront not only their past, but everything about themselves. Because the truth doesn't go away, even if you refuse to hear it. A powerful story of family and forgiveness, Deborah Bruce's play Dixon and Daughters was first performed at the National Theatre, London, in April 2023, directed by Róisín McBrinn and co-produced with Clean Break.

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'I have to write. That's what I am. My sister Meg is beautiful, my sister Beth is good, my sister Amy is, well, she is what she is, but I'm the writer of the family. What shall I do?' Christmas Eve, 1862. With their father away on the frontline of the American Civil War, the four March sisters – Meg, Jo, Beth and Amy – journey into adulthood, each determined to pursue a life on their own terms. But growing up means contending with love and loss, as well as the myriad twists of fortune that shape a life. Published in 1868, Louisa May Alcott's Little Women was an immediate critical and commercial success, and remains one of the best-loved novels of all time. This joyful and spirited adaptation was first produced at Pitlochry Festival Theatre and Watford Palace Theatre in 2022, directed by Brigid Larmour. An earlier version was staged at the Gate Theatre, Dublin, in 2011. It provides rich opportunities for any amateur company looking for an uplifting version of a classic story that's guaranteed to delight audiences.

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'I'm not in your Britain. I'm in another Britain.' Zafar flees homophobic persecution in Pakistan to seek asylum in the UK. Londoner Bilal (or Billy as he prefers to be known) is ground down by years of Grindr and the complexity of being a brown gay man. In Soho, at 2 a.m., parallel worlds collide – and Zafar and Billy's lives are about to change forever. The P Word is Waleed Akhtar's sharp-witted and devastating play charting the parallel lives of two gay Pakistani men as they negotiate everything from casual hook-ups to the UK's hostile environment. A story of who wins in the luck of life's draw, it was premiered at the Bush Theatre, London, in 2022, directed by Anthony Simpson-Pike. It went on to win Outstanding Achievement in Affiliate Theatre at the 2023 Olivier Awards. Waleed Akhtar was named Most Promising New Playwright at the 2023 OffWestEnd Awards, for his two plays The P Word and Kabul Goes Pop: Music Television Afghanistan.

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'Everyone lived like we did! Well maybe not everyone, everyone. But… I wasn't any worse than anyone else.' The near future. The climate emergency is gathering pace, and our generation is being judged. The jurors are children. But are they delivering justice – or just taking revenge? Dawn King's searing play The Trials was first performed at the Düsseldorfer Schauspielhaus in January 2022, and was a finalist for the Susan Smith Blackburn Prize. It received its British premiere at the Donmar Warehouse, London, in August 2022, directed by Natalie Abrahami. The Trials offers an exciting opportunity for theatre companies to address the climate emergency and intergenerational conflict, as the jury of 12 to 17-year-olds hold the stage alongside three adult defendants.

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Thirty-somethings Leo, Misha, Ralph and Dawn have been inseparable since college. Making their way together in the big city, they are liberal, open-minded and socially aware. As best friends and lovers, confident in their 'woke-ness', their connection with each other is stronger than anything else – until Leo is assaulted by the police in a racially motivated incident. Shaken to the core, he brings to the group an extreme proposition... Suzan-Lori Parks' play White Noise takes an unflinching look at race in the twenty-first century from both a black and white perspective. It was first performed at The Public Theater, New York, in March 2019, directed by Oskar Eustis, and had its European premiere at the Bridge Theatre, London, in October 2021, directed by Polly Findlay.

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'I must have action! And if I cannot find it, I will make it.' Jane Eyre may be poor, obscure, plain and little, but she has heart and soul – and plenty of it. Chris Bush's witty and fleet-footed adaptation lays bare the beating heart of Charlotte Brontë's classic novel, whilst staying true to its revolutionary spirit. With actor-musicians, playful doubling, and a plethora of nineteenth-century pop hits, it was first produced at the Stephen Joseph Theatre, Scarborough, and the New Vic Theatre, Newcastle-under-Lyme, in 2022, directed by Zoë Waterman. 'One of the UK’s most exciting young playwrights' The Stage 'A writer of great wit and empathy' The Times

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Our most brilliant, fearless and creative women directors open the door on their craft, discussing their work in the theatre in intimate and illuminating detail. Through a series of fascinating conversations with many of the leading talents working on British stages, Running the Room explores what it takes to succeed in the field, and how each director approaches the work in their own way. Each interview focuses on a particular facet of the director's practice, examining not just the 'how' – how to talk to actors, how to create the right rehearsal environment, how to handle cuts and previews, how to work with a living playwright – but also the 'why': why certain approaches work better than others, why there's no 'right' way to direct a play, and why work in theatre anyway? As this passionate, inspiring book shows, there are myriad ways to be a theatre director. For aspiring or current directors, it will give you the confidence to be uniquely yourself, develop your own approach, and create the work you want to make. For creatives in other disciplines, it will provide insight into directors' processes, along with examples of successful collaboration. And for anyone who loves theatre, this is an unparalleled first-hand account of how brilliant theatre is made – direct from those making it. With contributions from: Natalie Abrahami • Annabel Arden • Milli Bhatia • Carrie Cracknell • Tinuke Craig • Marianne Elliott • Nadia Fall • Yaël Farber • Vicky Featherstone • Jamie Fletcher • Sarah Frankcom • Emma Frankland • Rebecca Frecknall • Debbie Hannan • Tamara Harvey • Natalie Ibu • Ola Ince • Lynette Linton • Nancy Medina • Katie Mitchell • Rachel O'Riordan • Emma Rice • Indhu Rubasingham • Jenny Sealey

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In How Plays Work, distinguished playwright David Edgar examines the mechanisms and techniques which dramatists throughout the ages have employed to structure their plays and to express their meaning. Written for playwrights and playgoers alike, Edgar's analysis starts with the building blocks of whole plays – plot, character-creation, genre and structure – and moves on to scenes and devices. He shows how plays share a common architecture without which the uniqueness of their authors' vision would be invisible. How Plays Work is both a masterclass for playwrights and playmakers and a fascinating guide to the anatomy of drama. In this revised edition, Edgar brings the book right up to date with analyses of many recent plays, as well as explorations of emerging genres and new innovations in playwriting practice. 'A brilliantly illuminating, bang-up-to-date, unmissable read' April De Angelis 'A book of real theoretical heft written by a major working playwright' Steve Waters 'An essential accompaniment for anyone fascinated by the craft of dramatic storytelling' John Yorke 'Every theatremaker should read this book' Pippa Hill, Literary Manager, Royal Shakespeare Company 'Even if you've read the book before, it demands to be reread' Simon Callow 'Combines theoretical acumen with the assured know-how of a working dramatist' Terry Eagleton, Times Literary Supplement

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This clear, accessible guide to creating and putting on a solo show is packed with inspiring, practical advice for writers, actors, directors, and anyone who wants to know how solo shows are actually made. Written by two theatremakers with a wealth of experience in the field, it leads you through the whole process – from finding a subject you're passionate about, to developing your ideas and getting the script written, through to rewrites, rehearsals and getting your show on stage. It tackles key questions such as: What makes a 'good' solo show? How do I engage the audience? How should directors and writer-performers work together? And what's the best way of approaching a producer? There's also invaluable advice on looking after yourself, coping with anxieties, dealing with reviews, and taking your show to the Edinburgh Fringe. With practical exercises throughout to help you put everything into action, this book is an indispensable toolkit for making your solo show a reality. Lisa Carroll is a playwright, screenwriter and comedian, whose plays have been staged at Soho Theatre, the Arcola Theatre, and the Abbey Theatre, Dublin. Milly Thomas is an actor and writer whose plays have been staged at Theatre503, the Edinburgh Fringe, Soho Theatre, the West End's Trafalgar Studios and New York Theatre Workshop. Together, Lisa and Milly have taught regular solo-show workshops, including for training and creative organisation The Mono Box. The Compact Guides are pocket-sized introductions for actors and theatremakers, each tackling a key topic in a clear and comprehensive way. Written by industry professionals with extensive hands-on experience of their subject, they provide you with maximum information in minimum time.

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