Search results for ""Fordham University Press""

The form and content of the study of theology in the present, modern epoch are marked by a vast quantity and variety of the most diverse and, in part, the most divergent points of departure. The classical unity and perspicuity of the world of theological thought, so typical in earlier centuries, has dissolved with the plurality of the horizons and problems of modern thinking. The reality of the world, science, and theology appears no longer as a single “orbis,” but rather as an open and unbounded space. Indeed, precisely for the study of theology in modern universities, the catchphrase, the “new vastness,” thus appears to hold as well. This book is intended to provide Christians and theologians with an access to Karl Rahner to unpack his thinking and to make a theological inspection of his work possible. In this respect it is essential to locate the central point of departure for the theology of Karl Rahner in the concerns and questions of human beings and, to take a cue from the key concept of the “anthropological point of departure,” to make understandable the underlying tendency of Rahner’s work. Mastering scientific inquiries in the everyday praxis of contemporary theological studies of necessity often takes the unsatisfactory form of a compilation of various essays, articles, and contributions to handbooks. Precisely for this reason, immersing oneself in the work of an epochally significant author, in the world of his thoughts, and in his theological profile—as here in the case of the theology of Karl Rahner—ought to be, not only a dutiful exercise, but a delightful change of pace, perhaps even a passion: studium in the proper sense of the word.

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Phenomenology and the “Theological Turn” brings together the debate over Janicaud’s critique of the “theological turn” represented by the works of Emmanuel Levinas, Paul Ricœur, Jean-Luc Marion, Jean-François Courtine, Jean-Louis Chrétien, and Michel Henry.

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Oliver Otis Howard devoted his life to the service of his country, both as a distinguished army officer in two wars and as the founder of two universities. Oliver Otis Howard was a graduate of Bowdoin College and of West Point. Being reared in a pious New England (Maine) atmosphere gave him a deep sense of obligation to lead a Christian life, for the good of others and for the development of his own best self. He was often disturbed by the conflict presented him in his dual career in peace and war. General Howard’s strong sense of duty to his country brought about his distinguished career of command during the Civil War—at the Battle of Chancellorsville, itself a disappointing rout, and at Gettysburg, where he recovered any reputation the earlier defeat might have lost him. Under General Sherman, in the Atlanta campaign, and as a leader of the Army of the Tennessee he won special distinction. In total, Howard fought at the First Bull Run, Fair Oaks (where severe wounds forced the amputation of his right arm), Second Bull Run, Fredericksburg, Chancellorsville, and Gettysburg. The same strong sense of duty made him accept the commission of the Freedmen’s Bureau and the promotion of African–American education. Following his service in the Nez Perce Campaign of 1877 he was superintendent of West Point and the founder of Lincoln Memorial University. His greatest service to education, however, was as founder and president of Howard University, where his name and career are held in honor.

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This extensive and unique collection, consisting of over 180 letters and hundreds of drawings, covers Reed's period of service (1862-65) and provides the modern reader a wealth of information on the role of the Union army in the eastern theater, the events in the life of the Civil War soldier, and the war in general. A native of Boston, Reed served as bugler of the Ninth Massachusetts Battery, whose desperate holding action at Gettysburg ranks as one the most heroic actions of the war. During this battle Reed performed a deed of selfless bravery by saving his wounded captain from between the lines, an act for which he was later awarded the Medal of Honor. In addition to Gettysburg, Reed saw action in nearly all of the battles in the East from 1862 to 1865, including Bristoe Station, Mine Run, the Wilderness, Spotsylvania, North Ana, Bethesda Church, Cold Harbor, and the siege of Petersburg. Reed's letters chronicle events, from the most common to the extraordinary, with simple yet thoughtful eloquence. His drawings capture a wide variety of events to which he was not only an eyewitness but also a participant. His talent was considered equal to that of leading newspaper artists of his day, and his drawings were used to illustrate a best-selling Civil War book, Hardtack and Coffee (1887). We are fortunate that Reed's writings and drawings have been preserved, and can be presented here in a single volume.

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Major Philosophers of Jewish Prayer in the Twentieth Century addresses the troubling questions posed by the modern Jewish worshiper, including such obstacles to prayer as the inability to concentrate on the words and meanings of formal liturgy, the paucity of emotional involvement, the lack of theological conviction, the anthropomorphic and particularly the masculine emphasis of prayer nomenclature, and other matters. In assessing these difficultites, Cohen brings to the reader the writings on prayer of some seminal 20th century Jewish theologians. These include Herman Cohen, Franz Rosenzweig, Avraham Yitzhak, Hoakohen Kook, Mordecai M. Kaplan, R. Arele, Aaron Rote, Elie Munk, Abraham J. Heschel, Jakob J. Petuchowski, Eugene B. Borowitz, and Lawrence A. Hoffman.

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Railroad Ferries of the Hudson and the Stories of a Deckhand is a complete business, economic, technical, and social history of the ferryboats that were once operated across the Hudson River to Manhattan from New Jersey and that were owned and operated by various railroad companies in conjunction with their commuter and long-distance passenger trains. The work also covers the Staten Island Ferry (formerly operated by the B&O Railroad) and New York Waterway's present-day revival of services connecting with New Jersey Transit commuter-train services.

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New Masters: Northern Planters during the Civil War and Reconstruction, analyzes the North’s efforts to transform the South, both during and after the war, into a free labor economy and society. In this ground-breaking work, Lawrence N. Powell addresses the role that the twenty to fifty thousand "new masters," or northern planters, had on the post-reconstruction system. Covering evidence of over five hundred northern planters, Powell asserts that northern emigrants provided much of the capital that hard-pressed southern planters used to stave off bankruptcy; showing that these planters became both the catalyst that perpetuated the plantation system of servitude and debt, as well as became the reason behind the revitalization of the South. New Masters deals with a variety of issues, including race relations, Northern planters’ motivations, work habits, capital investment patterns, and the planters’ gradual disillusionment as problems mounted and profits declined.

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Murrow is the biography of America’s foremost broadcast journalist, Edward R. Murrow. At twenty-nine, he was the prototype of a species new to communications—an eyewitness to history with power to reach millions. His wartime radio reports from London rooftops brought the world into American homes for the first time. His legendary television documentary See It Now exposed us to the scandals and injustices within our own country. Friend of Presidents, conscience of the people, Murrow remained an enigma—idealistic, creative, self-destructive. In this portrait, based on twelve years of research, A. M. Sperber reveals the complexity and achievements of a man whose voice, intelligence, and honesty inspired a nation during its most profound and vulnerable times.

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"Singer's theory of rights, an impressive development of social accounts by pragmatists George Herbert Mead and John Dewey, was developed in Operative Rights (1993). This successor volume includes applications, lectures, replies to critics, and clarifications. For Singer, Dewey, and Mead, rights exist only if they are embedded in the operative practices of a community. People have a right in a community if their claim is acknowledged, and if they would acknowledge similar claims by others. Singer's account contrasts with theories of natural rights, which state that humans have rights by virtue of being human. Singer's account also differs from Kantian attempts to derive rights from the necessary conditions of rationality. While denying that rights exist independently of a community's practices, Singer maintains that rights to personal autonomy and authority ought to exist in all communities. Group rights, an anathema among individualistic theories, are from Singer's pragmatist perspective a valuable institution. Singer's discussion of rights appropriate for minority communities (e.g., the Bosnian Muslims and the Canadian Quebecois) is particularly illuminating. Her book is a model of careful reasoning. General libraries, and certainly academic libraries, should have Singer's Operative Rights. The volume under review is a good addition for research libraries and recommended for graduate students and above."[Singer] examines the views of Rousseau, Mill, and T. H. Green on human rights and those of Dewey and G. H. Mead on the relationship between rights and the democratic process...Recommended."--Choice Pragmatism, Rights, and Democracy is available from the publisher on an open-access basis.

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Listening for God proceeds from the author's belief that, across a wide spectrum of outlooks, people are attracted to religion, yet wary of it.

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Melting Pot Soldiers is the story of the way immigrants responded to the drama of the Civil War. When the war began in 1861, there were, in most states in the North (primarily from Western Europe), large populations of immigrants whose leaders were active in American politics at the local, state, and national levels. Just as native-born Americans, both individually and collectively, reacted to war, so did these newcomers. A characteristic feature of the formation of the Union armies was the role played by politicians in the recruitment of the regiment, the basic unit of the army. Ethnic politicians (and a few were women!) like their native-born counterparts, actively recruited young men into regiments- in this case regiments based upon the country of origin of the recruits. There were dozens of such regiments, mostly German and Irish, but also a Scandinavian unit, a polygot outfit, and there was an attempt to form a Scottish regiment. AS the war progressed and casualties mounted, these regiments gradually lost their ethnic composition. Ethnic entreprenuers were the key figures in the organization of these regiments, and such men ordinarily intended to parlay their military service into a post-war political career. Burton examines the impact ethnic entreprenuers had during the war, both by their key role in the organization of their regiments and by their post-war political careers.

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Concentrating on ideology and cultural values, Liberty, Virtue, and Progress explores the motivations that casued Northerners to fight America's Civil War. Arguing for the primary significance of ideals and cultural values in defining a war, the book examines the opinions of both the Northern soldier and civilian about the meaning of the Civil War in terms of defining American nationalism, the character of the American people, and the future of free government. The book addresses the intellectual and social elites of Northern society, but gives a new emphasis to the opinions of the common man on the subject and ideology of the war. In addition to identifying and discussing the ideas and cultural values that played a role in motivation, Hess looks at how the experience of war (battlefield death and suffering) interacted with that ideology. Contrary to the commonly held belief that war is disruptive to pre-war ideals, Hess argues that Northern soldiers and civilians made a conscious effort to use ideology as a tool with which to retain their faith in ideas. Liberty, Virtue, and Progress is based on extensive research in both published and unpublished sources.

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Recent discussions in the various circles of feminism, postmodernism, and environmentalism have begun to make clear that ontology and epistemology without ethics is deadly - oppressive to women, oppressive to men, oppressive to the earth. In response to this crisis of reason in modernity, this collection of essays suggests the importance of knowing other-wise, non-rational ways of knowing which are wise to the "other" - a spiritual knowing of the heart with the passionate eye of love. Knowing Other-wise calls into question the Western philosophical tradition of giving pride of place to reason in the acquisition of knowledge. Reasoning is only one of many ways in which we engage, i.e. know, the world. We know more than we think. We know by touch, by feel, by taste, by sight, by sounds, by smell, by symbols, by sex, by trust - by means of every modality of human experience. Philosophy becomes, in the fashion of Levinas, "the wisdom of love at the service of love. Tracing connections between epistemology, ethics, and spirituality - between "knowing" and the "other," between an other and the Other - all the essays serve as points of convergence between postmodern discussions and the Calvinian spirituality which is the home for writers in this collection. In particular, this collection explores the contributions of feminist thought and thinkers such as Emmanuel Levinas, Richard Rorty, Jacqes Derrida, and John D. Caputo to a spiritually and ethically sensitive knowing.

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Wordsworth: A Poetic Life is a new biography of the great father of British Romanticism. It is new in several ways, most notably in the way it approaches the life of the poet. Paying its proper respect to the classic lives of Wordsworth by Mary Moorman and Stephen Gill, it attempts to tell the story of the life through a more rigorous reading of key and representative works of the poet, through careful blending of life and poetry. Wordsworth offers the story of the literariness of the poet's life - childhood and adolescence in the Lake District, education at Cambridge, love and political radicalism in France, the long period of residence in Grasmere and Rydal, celebrity, and national and international recognition. Its reading of the poems, in tune with current theoretical practice, offers a sense of the continuities in Wordsworth's career as it moves away from familiar theories of a Golden Decade of creativity and a period of long decline. The book also works closely and rigorously with Wordsworth's poetry as a method of dramatizing the essentially poetic character of the poet's life.

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The phenomenal rise of Yiddish language and culture is one of the most interesting and colorful sagas of modern Jewish history. In this significant book, Dr. Goldsmith relates the growth of Yiddish to the explosion of Jewish literature, the surge of Zionism, and the popularity of Socialism that impacted upon the Jews of Europe, America, and Israel. Including a study of the major personalities associated with the first Yiddish Language Conference (1908,) this is the first comprehensive work to explore a movement that affected the lives of millions of Jews before the Holocaust and continues to influence Jewish life throughout the world.

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The first edition of this extremely popular two volume Greek text has been successfully adopted in many high schools and colleges; the organization and approach used by the authors, make it an equally effective tool for those who would enjoy learning the language on their own.

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For Yves R. Simon, philosophy has an affinity to science, not in the sense that philosophy is a mere metascience, a commentary on the sciences, but rather because it shares the same aim as science: the search for explanation. The philosophy Simon espouses is philosophical realism which, following Jacques Maritain, he prefers to call critical realism. Against the prejudice that only some version of philosophical idealism, be it critical or absolute, is capable of understanding positive science. Simon, in Foresight and Knowledge, develops a philosophy of science form a realistic perspective. Philosophy of science or the critique of science, as it was known in France, is according to Simon, metahphysics in the exercise of its critical function. Simon selects as the central focus of the treatise the problem of determinism, causality, and chance. Simon shows that the concept “determinism” must be understood in different conceptual systems, such as a philosophy of nature and physics; in the latter, determinism is conceived as a possibility of certain and exact prediction.

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The scope of The Forged Feature is two-fold: to bring together a representative selection of critical essays bearing on Belitt's interests as poet, critic, teacher, and translator; and to furnish an on-going review of his concern with the encoding of languages and the exigencies of their imaginative retrieval. The collection begins with three pieces on the uses of belief, linguistic and place as shaping forces in the concretizing of the literary artifact. The second section of essays examines the fictive medium in terms of a number of "predicaments." The discussion embraces texts such as parables, novels, and autobiographical meoirs covering a broad range of twentieth century talents: Kafka, Borges, V.S. Naipaul, Saul Bellows, and Pablo Neruda. The third section is devoted to the theory and practice of translation developed from Belitt's personal lifetime of experience. Finally, there is a sequence of four essays on the uses of "new physics" of quantum mechanics and its uncanny relevance to the accountability of poetry. Belitt re-evaluates Gerard Manley Hopkins as a "scientific" rather than a priestly crafter of a medium, and touches upon diverse traditions and talents such as Keats, Blake, Stevens, Bishop, Yeats, Baudelaire, Rimbaud, Cocteau, W.C. Williams, Michado, Rilke, Wordsworth, and Coleridge. The brilliant observations collected in this volume are not contained within a specific school of thought and are indefinable within any current fashion- rather, Belitt's frame of reference is literature itself and his essays proceed in a literary, poetic, and individual voice.

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American Poet Robinson Jeffers (1887-1962) was educated in the classics from an early age and published his first book of poetry in 1912. Most of Jeffers' work is distinguished by strong elemental narratives set in the California Carmel/Big Sur area. His imagery often puts the rugged beauty of the landscape in opposition to the degraded and introverted condition of modern humanity. Jeffers' themes draw on classical and biblical sources from his early education, and his strong interest in Nietzsche's concept of individualism. Many of his contemporaries erroneously regarded him as a nihilist. This collection of essays attempts to illustrate the art and complexity of Jeffers, while presenting new insights into his work and its perception among his contemporaries. The essayists are Robert Brophy, Alex Vardamis, Robert Zaller, Terry Beers, Tim Hunt, David J. Rothman, Alan Soldofsky, Kirk Glaser, and William Everson. The essays represent a range of critical points of entry-some are on the cutting-edge of criticism and break new ground, others attempt to place Jeffers in the established perspectives of Western civilization's Christian humanism and American poetry's landscape-centered mysticism. The collection constitutes some of the most conversant and active research in the field of Jeffers studies. The critiques speak to the nature of Jeffer's poetry- how it challenged both the minds and hearts of its readers and prompted them to carefully define their own values and authentically find their own center.

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This work completes Ross's trilogy examining the inexhaustible complexity of the world and our relation to our surroundings.

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At his death in 1878 William Cullen Bryant had been, for fifty-one years, the chief editor and a principal owner of the New York Evening Post. The paper had been started in 1801 by lawyer William Coleman in association with the Federalist political Alexander Hamilton. In 1826, Coleman hired Bryant as a reporter. Although Coleman may have engaged his services because of his growing distinction as a poet, Bryant was also by then an experienced writer of prose, having published more than fifty critical and familiar essays. He had been both editor of and most frequent writer for the monthly New York Review and the United State Review, and was known widely for his lectures on poetry before the New York Athenaeum. By the time he assumed the direction of the Evening Post after Coleman's death in 1829 he had proved himself, in three annual volumes of the holiday gift book The Talisman, to be proficient in a wit and irony soon reflected in his editorials. Bryant brought the conservative journal to the support of the Democratic Party of President Andrew Jackson, and held it thereafter to liberal principles, advocating free trade, free labor, and Free Soil. Except for the years from 1829 to 1836, Bryant held the editorial pen largely alone until after the Civil War. Occasional contributors formed a representative roster of leaders in many fields: Charles Francis Adams, Thomas Hart Benton, Francis P. Blair, Salman P. Chase, Thomas Cole, James Fenimore Cooper, Hamilton Fish, Parke Godwin (Bryant's son-in-law), Bret Harte, James K. Paulding, John Randolph, Samule J. Tilden, Martin and John Van Buren, Artemus Ward, Gideon Wlles, Walt Whitman, and Silas Wright. And now and then there were articles by British Parliamentarian Richard Cobden and artist-economist George Harvey, and the French critic Charles Sainte-Beuve. Bryant's editorials after 1860 suggest separate treatment. The present volume traces the growth of his political and social maturity as he made of a conservative, parochial, small-city newspaper into a national organ which Charles Francis Adams in 1850 called "the best daily journal in the United States."

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This volume contributes to the remarkable resurgence in interest for American pragmatism and its proponents, William James, C.S. Peirce, and John Dewey, by focusing on the influence of British empiricism, especially the philosophies of Locker and Hume, and the sharp differences between the two traditions. It is Roth’s contention that American pragmatism, sometimes called America’s first “indigenous” philosophy, something significant to say philosophically, not only America, but for the world. Heretofore, the lines of development and divergence between British empiricism and American pragmatism have not been sufficiently developed.

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The relationship between James Joyce and Samuel Beckett has long been of interest to literary critics and readers alike and Re: Joyce 'n Beckett explores that relationship more fully that any other single work of the current scholarship. This volume provides the reader with an overview of the main trends and dilemmas that have dominated discussions on the complex Joyce/Beckett relationship, and pulls together previously scattered materials into a cohesive whole. It also contains an extensive bibliography of particular interest to scholars who will find this composite of sources priceless. The main section offers eleven engaging new essays written from many points of view on a variety of topics including, the impact of biographies written on both Joyce and Beckett, the handling of Irish materials in the short story form, the use of allusion as well as larger narrative structures, the portrayal of the concept of the artist, and the way in which each author deals with the problem of "authority" in their writings. An original one-act play by Denis Regan is also included; the play premiered in April 1990 at the Milwaukee Irishfest. This work does much to challenge previous misconceptions about the Joyce/Beckett relationship. Re: Joyce 'n Beckett is a rich, lively work that brings the relationship of these two, crucially important literary figures of the twentieth century together in one definitive volume.

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When this book was originally published in 1969, it added fuel to a controversy (sparked by the author in a previous work) that continues unabated to the present day.Now, available for the first time in a paperback edition, it offers a new generation of readers a detailed exposition of the Confessions, showing how the Plotinian view of man as a fallen soul is present in this work and, furthermore, that it is the key to its interpretation.

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Although this book derives its inspiration and model from Descartes' Meditations and Husserl's Cartesian Meditations, it attempts to overcome Cartesianism conceived as individualistic, reflective, apodictic, presuppositionless self-recovery. Instead, contends Professor Marsh, the isolated, individualistic, brougeois ego gives way to the social, communal, post-bourgeois self: wordly, linguistic, historical, practical, and critical. The book attempts to overcome Cartesianism both in content and in form. In content, Marsh argues, the social self replaces the isolated ego; this he attempts to establish through a series of chapters progressively expanding their scope and social context. Beginning with an emphasis on individual perception, thought, and freedom, and moving through reflections on knowledge of the other, practical engagments with the other, and hermeneutics, he concludes with critiques of the psychological and social unconscious. The result is not a rejection of individual perception, reflection, and freedom, but their sublation within community, tradition, and history. For Marsh the authentic individual is the social individual, the individual-in-community. This book not only inscribes a progressively expanding circle, but also moves in a circle. It begins with a reflection on the contemporary experience of alientation and history of philosophy, ascends in the next several chapters to considering the perceptual, cognitive, free, social self, and then descends in the last chapter to further discussion of this historical starting points in this practical and philosophical aspects. Dialectical phenomenology as method bends back on itself to reflect in a manner both critical and redemptive on its own starting point and genesis. Post-Cartesian Meditations obviously situates itself withing the modernism/post-modernism debate being carried on by Ricoeur and Derrida, Habermas and Foucault, Searle and Rorty, Bernstein and Caputo. Like post-modernism, the book is critical of naive Cartesian presence, the excesses of technological rationality, the pathology of modernity, the irrationality of bourgeois society. Unlike post-modernism, however, the book argues for a socially mediated self, the legitimacy of technology in contrast to technocracy, the critical redemption of modernity, a dialectical rather than a rejectionistic overcoming of capitalism. Rich in insight, suggestion, and argumentation, this book has much to offer students and instructors of philosophy generally, but will be particularly useful to those interested in phenomenological developments, or a Marxist critique of capitalism as a way of life influencing modern philosophical thought.

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The proceedings of a symposium commemorating the 450th anniversary of Thomas More’s death and the 50th anniversary of his canonization, Interpreting Thomas More’s Utopia presents four leading Morean scholars on various aspects central to understanding More’s masterpiece. An introduction by Governor Mario M. Cuomo in which he assesses More’s influence on his career in public life precedes this stimulating discussion. The contributions, in order of appearance, are "A Personal Appreciation" by Mario M. Cuomo, "The Argument of Utopia" by George M. Logan, "The Key to Nowhere: Pride and Utopia" by Thomas I. White, "Utopia and Martyrdom" by Germain Marc’hadour, and "The Idea of Utopia from Hesiod to John Paul II" by John C. Olin.

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For the English speaking reader of today, Ranke is surprisingly inaccessible; indeed, he has become something of a patron saint, more praised than read. Now all his major works have been translated, while almost none of his letters, notes, or essays, so important in getting an informal appraisal of his craft of history, is in English. Many of his of books, whether in German or in English, are no longer in print, and the modern reader is less likely to bear up with the four or six volume works which are. Thus the purpose of this anthology is to bring attention to some of the riches which a reader might find in a more extended study of Ranke's histories. Its emphasis is on Ranke as an historian, with translations of essays and addresses which lay down his program for research, politics, and the relationship between and historian's values and his work. It also attempts to give some sense of Ranke's literary skill, by including examples of his historical portraiture from his History of the Popes, History of France, and History of the Reformation. Finally, a selection of letters and brief reflections culled from his works and notes tries to recapture the man, whose own inner development joined with the tendencies of his age to make him a world-historical figure in Ranke's own sense of the word.

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Bringing together theologies of liberation and decolonial thought, Decolonial Love interrogates colonial frameworks that shape Christian thought and legitimize structures of oppression and violence within Western modernity. In response to the historical situation of colonial modernity, the book offers a decolonial mode of theological reflection and names a historical instance of salvation that stands in conflict with Western modernity. Seeking a new starting point for theological reflection and praxis, Joseph Drexler-Dreis turns to the work of Frantz Fanon and James Baldwin. Rejecting a politics of inclusion into the modern world-system, Fanon and Baldwin engage reality from commitments that Drexler-Dreis describes as orientations of decolonial love. These orientations expose the idolatry of Western modernity, situate the human person in relation to a reality that exceeds modern/colonial significations, and catalyze and authenticate historical movement in conflict with the modern world-system. The orientations of decolonial love in the work of Fanon and Baldwin—whose work is often perceived as violent from the perspective of Western modernity—inform theological commitments and reflection, and particularly the theological image of salvation. Decolonial Love offers to theologians a foothold within the modern/colonial context from which to commit to the sacred and, from a historical encounter with the divine mystery, face up to and take responsibility for the legacies of colonial domination and violence within a struggle to transform reality.

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Husserl’s Missing Technologies looks at the early-twentieth-century “classical” phenomenology of Edmund Husserl, both in the light of the philosophy of science of his time, and retrospectively at his philosophy from a contemporary “postphenomenology.” Of central interest are his infrequent comments upon technologies and especially scientific instruments such as the telescope and microscope. Together with his analysis of Husserl, Don Ihde ventures through the recent history of technologies of science, reading and writing, and science praxis, calling for modifications to phenomenology by converging it with pragmatism. This fruitful hybridization emphasizes human–technology interrelationships, the role of embodiment and bodily skills, and the inherent multistability of technologies. In a radical argument, Ihde contends that philosophies, in the same way that various technologies contain an ever-shortening obsolescence, ought to have contingent use-lives.

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From the 1811 German Coast Slave Rebellion to the 1971 Attica Prison Uprising, from the truancy of enslaved women to the extreme self-discipline exercised by prisoners in solitary confinement, Black Americans have, through time, resisted racial regimes in extraordinary and everyday ways. Though these acts of large and small-scale resistance to slavery and incarceration are radical and transformative, they have often gone unnoticed. This book is about Black rebellion in captivity and the ways that many of the conventional well-worn constructs of academic political theory render its political dimensions obscure and indiscernible. While Hannah Arendt is an unlikely theorist to figure prominently in any discussion of Black politics, her concepts of world and worldlessness offer an indispensable framework for articulating a theory of resistance to chattel and carceral captivity. Politics in Captivity begins by taking seriously the ways in which slavery and inca

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This counter-history of western thought explores how a Christian cosmology supported the conquest of paganism in Europe and the Americas, sowed seeds of climate wreckage, complemented capitalist ravages, and helped to conceal that wreckage. Connolly advances a counter-cosmology and political strategy indebted to pagan predecessors and recent minor philosophers in the west.

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Winner, "Gold" Independent Publishing Award (IPPY) for LGBTQ+ Nonfiction Winner, The Randy Shilts Award for Gay Nonfiction, 34th Annual Triangle Awards 2023 Lammy Finalist, Gay Memoir/Biography A coming-of-age memoir of life on the front lines of the AIDS crisis with ACT UP New York. From the moment Ron Goldberg stumbled into his first ACT UP meeting in June 1987, the AIDS activist organization became his life. For the next eight years, he chaired committees, planned protests, led teach-ins, and facilitated their Monday night meetings. He cruised and celebrated at ACT UP parties, attended far too many AIDS memorials, and participated in more than a hundred zaps and demonstrations, becoming the group’s unofficial “Chant Queen,” writing and leading chants for many of their major actions. Boy with the Bullhorn is both a memoir and an immersive history of the original New York chapter of ACT UP, the AIDS Coalition to Unleash Power, from 1987 to 1995, told with great humor, heart, and insight. Using the author’s own story, “the activist education of a well-intentioned, if somewhat naïve nice gay Jewish theater queen,” Boy with the Bullhorn intertwines Goldberg’s experiences with the larger chronological history of ACT UP, the grassroots AIDS activist organization that confronted politicians, scientists, drug companies, religious leaders, the media, and an often uncaring public to successfully change the course of the AIDS epidemic. Diligently sourced and researched, Boy with the Bullhorn provides both an intimate look into how activist strategies are developed and deployed and a snapshot of life in New York City during the darkest days of the AIDS epidemic. On the occasions where Goldberg writes outside his personal experience, he relies on his extensive archive of original ACT UP documents, news articles, and other published material, as well as activist videos and oral histories, to help flesh out actions, events, and the background stories of key activists. Writing with great candor, Goldberg examines the group’s triumphs and failures, as well as the pressures and bad behaviors that eventually tore ACT UP apart. A story of ordinary people doing extraordinary things, from engaging in outrageous, media-savvy demonstrations, to navigating the intricacies of drug research and the byzantine bureaucracies of the FDA, NIH, and CDC, Boy with the Bullhorn captures the passion, smarts, and evanescent spirit of ACT UP—the anger, grief, and desperation, but also the joy, camaraderie, and sexy, campy playfulness—and the exhilarating adrenaline rush of activism.

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What was the nature of justice in Italian Fascist society? Through the lens of the case of Luigia Paulovich, a legal appeal filed against the Prefect of Trieste in 1931, In the Name of Italy: Nation, Family, and Patriotism in a Fascist Court demonstrates the inconsistencies of the Fascist attack on traditional political liberties and the incomplete nature of Fascist legal reform. A compelling narrative of an elderly widow’s successful challenge to the “italianization” of her surname, the book reveals institutional uncertainty, signs of underlying discontent, and legal opposition to Fascistization in the first decade of Mussolini’s rule. It explores the world of Fascist justice in the halls of the Italian Administrative Court, highlighting the interplay of Italian law and the judiciary in the interpretation of Fascist expectations and the enforcement of Fascist policies against the backdrop of inherited cultural, political, and gendered beliefs. Fascist aims to create a “new” society clashed with conservative notions of family, church, and patriotism to affect the perception and practice of justice. Competing visions of nationalism from Italy’s Adriatic borderlands, Dalmatia, and Rome show how the persistence of regional cultural and legal particularities impeded Fascist efforts to promote national standardization and enforce government centralization. Focusing on the proceedings of the case revealed in local documents and national court records, the account of the woman who pit Fascist officials against the national government engages legal scholars, historians, onomasticians, and theorists of Fascism, nationalism, and borderlands in debates over the nature of citizenship and the meanings of nationalism, patriotism, and justice. It explores Fascist legal reform and sheds light on the nature of Fascist authority, demonstrating the fragmentation of power, the constraints of dictatorship, and the limits of popular quiescence. The widow’s triumph indicates that while Fascist dictatorship appeared in many guises, dissent adopted many masks.

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The living and the dead cohabited Paris until the late eighteenth century, when, in the name of public health, measures were taken to drive the latter from the city. Cemeteries were removed from urban space, and corpses started to be viewed as terrifyingly noxious substances. The dead had fallen victim to a sustained reflection on the notions of life and death that emerged from the two new medical fields of biology and hygiene. In large part, the Paris of the nineteenth century—the Paris of modernity—arose, both theoretically and physically, out of this concern over the relations between the animate and the inanimate. As the dead became a source of pervasive and intense anxiousness, they also became an object of fascination that at once exceeded and guided the medical imagination attempting to control them. Human Remains examines that exuberant anxiety to discover the irrational, indeed erotic, forces motivating the medicalization of death. Working across a broad range of disciplines, including history, literature, the visual arts, philosophy, and psychoanalysis, the book seeks to understand the meaning of the dead and their role in creating one of the most important cities of the contemporary world.

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This book—the culmination of forty years of friendship between J. Hillis Miller and Jacques Derrida, during which Miller also closely followed all Derrida’s writings and seminars—is “for Derrida” in two senses. It is “for him,” dedicated to his memory. The chapters also speak, in acts of reading, as advocates for Derrida’s work. They focus especially on Derrida’s late work, including passages from the last, as yet unpublished, seminars. The chapters are “partial to Derrida,” on his side, taking his part, gratefully submitting themselves to the demand made by Derrida’s writings to be read—slowly, carefully, faithfully, with close attention to semantic detail. The chapters do not progress forward to tell a sequential story. They are, rather, a series of perspectives on the heterogeneity of Derrida’s work, or forays into that heterogeneity. The chief goal has been, to borrow a phrase from Wallace Stevens, “plainly to propound” what Derrida says. The book aims, above all, to render Derrida’s writings justice. It should be remembered, however, that, according to Derrida himself, every rendering of justice is also a transformative interpretation. A book like this one is not a substitute for reading Derrida for oneself. It is to be hoped that it will encourage readers to do just that.

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Governor Mario Cuomo formed the New York State Commission on Government Integrity in 1987. Acting under an extraordinary mandate, the Commission of seven private citizens pursued a wide-ranging agenda of subjects from campaign financing and judicial selection to ethics training and whistleblowing protection. In many publicized hearings, it exposed abuses and legal loopholes in the system and documented the need for a major overhaul of state laws, regulations, and procedures.

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A passionate exhortation to expand the ways we talk about human sex, sexuality, and gender. Twenty-five years ago, Mark D. Jordan published his landmark book on the invention and early history of the category “sodomy,” one that helped to decriminalize certain sexual acts in the United States and to remove the word sodomy from the updated version of a standard English translation of the Christian Bible. In Queer Callings, Jordan extends the same kind of illuminating critical analysis to present uses of “identity” with regard to sexual difference. While the stakes might not seem as high, he acknowledges, his newest history of sexuality is just as vital to a better present and future. Shaking up current conversations that focus on “identity language,” this essential new book seeks to restore queer languages of desire by inviting readers to consider how understandings of “sexual identity” have shifted—and continue to shift—over time. Queer Callings re-reads texts in various genres—literary and political, religious and autobiographical—that have been preoccupied with naming sex/gender diversity beyond a scheme of LGBTQ+ identities. Engaging a wide range of literary and critical works concerned with sex/gender self-understanding in relation to “spirituality,” Jordan takes up the writings of Oscar Wilde, Marcel Proust, Djuna Barnes, Samuel R. Delany, Audre Lorde, Geoff Mains, Eve Kosofsky Sedgwick, Gloria Anzaldúa, Maggie Nelson, and others. Before it’s possible to perceive sexual identities differently, Jordan argues, current habits for classifying them have to be disrupted. In this way, Queer Callings asks us to reach beyond identity language and invites us to re-perform a selection of alternate languages—some from before the invention of phrases like “sexual identity,” others more recent. Tracing a partial genealogy for “sexual identity” and allied phrases, Jordan reveals that the terms are newer than we might imagine. Many queer folk now counted as literary or political ancestors didn’t claim a sexual or gender identity: They didn’t know they were supposed to have one. Finally, Queer Callings joins the writers it has evoked to resist any remaining confidence that it’s possible to give neatly contained accounts of human desire. Reaching into the past to open our eyes to extraordinary opportunities in our present and future, Queer Callings is a generatively destabilizing and essential read.

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In this new work, renowned feminist filmmaker and postcolonial theorist Trinh T. Minh-ha offers a lyrical, philosophical meditation on the global state of endless war and the violence inflicted by the imperial need to claim victory. She discusses the rise of the police state as linked, for example, to U.S. military intervention in Iraq and Afghanistan, or to China’s occupation of Tibet, examining legacies of earlier campaigns and the residual effects of the war on terror. She also takes up the shifting dynamics of peoples’ resistance to acts of militarism and surveillance as well as social media and its capacity to inform and mobilize citizens around the world. At once an engaging treatise and a creative gesture, Lovecidal probes the physical and psychic conditions of the world and shows us a society that is profoundly heartsick. Taking up with those who march both as and for the oppressed—who walk with the disappeared to help carry them forward—Trinh T. Minh-ha engages the spiritual and affective dimensions of a civilization organized around the rubrics of nonstop governmental subjugation, economic austerity, and highly technologized military conflict. In doing so, she clears a path for us to walk upon. Along with our every step, the world of the disappeared lives on.

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What does it mean to lead a moral life? In her first extended study of moral philosophy, Judith Butler offers a provocative outline for a new ethical practice—one responsive to the need for critical autonomy and grounded in a new sense of the human subject. Butler takes as her starting point one’s ability to answer the questions “What have I done?” and “What ought I to do?” She shows that these question can be answered only by asking a prior question, “Who is this ‘I’ who is under an obligation to give an account of itself and to act in certain ways?” Because I find that I cannot give an account of myself without accounting for the social conditions under which I emerge, ethical reflection requires a turn to social theory. In three powerfully crafted and lucidly written chapters, Butler demonstrates how difficult it is to give an account of oneself, and how this lack of self-transparency and narratibility is crucial to an ethical understanding of the human. In brilliant dialogue with Adorno, Levinas, Foucault, and other thinkers, she eloquently argues the limits, possibilities, and dangers of contemporary ethical thought. Butler offers a critique of the moral self, arguing that the transparent, rational, and continuous ethical subject is an impossible construct that seeks to deny the specificity of what it is to be human. We can know ourselves only incompletely, and only in relation to a broader social world that has always preceded us and already shaped us in ways we cannot grasp. If inevitably we are partially opaque to ourselves, how can giving an account of ourselves define the ethical act? And doesn’t an ethical system that holds us impossibly accountable for full self-knowledge and self-consistency inflict a kind of psychic violence, leading to a culture of self-beratement and cruelty? How does the turn to social theory offer us a chance to understand the specifically social character of our own unknowingness about ourselves? In this invaluable book, by recasting ethics as a project in which being ethical means becoming critical of norms under which we are asked to act, but which we can never fully choose, Butler illuminates what it means for us as “fallible creatures” to create and share an ethics of vulnerability, humility, and ethical responsiveness.

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What becomes of life, experience, and truth in the hyperconsumeristic culture of the twenty-first century? What happens to the phenomenological call to go “back to the things themselves” when these things, to an ever greater degree, involve a televised life that is not ours to live, celebrities who are utterly like us yet infinitely untouchable, and uncannily pluripotent electronic gadgets? Combining sustained philosophical inquiry with fragmentary and experimental theoretical interventions, Anthony Curtis Adler rethinks Marxist materialism and the Heideggerian project in terms of the singular experiences of late capitalism. In doing so, he reveals how the disarticulation of life via the commodity fetish demands at once a new notion of phenomenological method and an ontology oriented toward the radical contingency of being itself as transcendental ground.

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The arrival of the Anthropocene brings the suggestion that we are only now beginning to speculate on an inhuman world that is not for us, only now confronting fears and anxieties of ecological, political, social, and philosophical extinction. While pointing out that reflections on disaster were not foreign to what we historically call romanticism, Last Things pushes romantic thought toward an altogether new way of conceiving the “end of things,” one that treats lastness as neither privation nor conclusion. Through quieter, non-emphatic modes of thinking the end of human thought, Khalip explores lastness as what marks the limits of our life and world. Reading the fate of romanticism—and romantic studies—within the key of the last, Khalip refuses to elegize or celebrate our ends, instead positing romanticism as a negative force that exceeds theories, narratives, and figures of survival and sustainability. Each chapter explores a range of romantic and contemporary materials: poetry by John Clare, Emily Dickinson, John Keats, Percy Shelley, and William Wordsworth; philosophical texts by William Godwin, David Hume, Immanuel Kant, and Jean-Jacques Rousseau; paintings by Hubert Robert, Caspar David Friedrich, and Paterson Ewen; installations by Tatsuo Miyajima and James Turrell; and photography by John Dugdale, Peter Hujar, and Joanna Kane. Shuttling between temporalities, Last Things undertakes an original reorganization of romantic thought for contemporary culture. It examines an archive on the side of disappearance, perishing, the inhuman, and lastness.

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This book is a celebratory history, marking 25 years since the founding of the Center for International Humanitarian Cooperation (CIHC); the completion of 50 of our premier training course; the highly intensive, month-long International Diploma in Humanitarian Assistance (IDHA); the offering of dozens of other specialized courses; the publication of books, conference proceedings, and Occasional Papers, many translated into other languages and used in academic centers all over the world; the development of a Master of Arts in International Humanitarian Action (MIHA); the creation of an undergraduate major in Humanitarian Studies, one of only four such programs offered in any university anywhere; and the establishment of an independent Institute of Humanitarian Affairs (IIHA) at Fordham University in New York. These are but some of the milestones we commemorate here, so that future generations entering the evolving profession of humanitarian assistance might appreciate the challenges faced by earlier pilgrims on a journey that embraced the spiritual as well as the practical elements of this noble, multidimensional discipline.

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The Eclipse of the Utopias of Labor traces the shift from the eighteenth-century concept of man as machine to the late twentieth-century notion of digital organisms. Step by step—from Jacques de Vaucanson and his Digesting Duck, through Karl Marx’s Capital, Hermann von Helmholtz’s social thermodynamics, Albert Speer’s Beauty of Labor program in Nazi Germany, and on to the post-Fordist workplace, Rabinbach shows how society, the body, and labor utopias dreamt up future societies and worked to bring them about. This masterful follow-up to The Human Motor, Rabinbach’s brilliant study of the European science of work, bridges intellectual history, labor history, and the history of the body. It shows the intellectual and policy reasons as to how a utopia of the body as motor won wide acceptance and moved beyond the “man as machine” model before tracing its steep decline after 1945—and along with it the eclipse of the great hopes that a more efficient workplace could provide the basis of a new, more socially satisfactory society.

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Intercarnations is an outstanding collection of provocative, elegantly written essays—many available in print for the first time—by renowned theologian Catherine Keller. Affirmations of body, flesh, and matter pervade current theology and inevitably echo with the doctrine of the incarnation. Yet, in practice, materialism remains contested ground—between Marxist and capitalist, reductive and postmodern iterations. Current theological explorations of our material ecologies cannot elude the tug or drag of the doctrine of “the incarnation.” But what if we were to redistribute, rather than repress, that singular body? Might we free it—along with the bodies in which it is boundlessly entangled—from a troubling history of Christian exceptionalism? In these immensely significant, highly original essays, theologian Catherine Keller proposes to liberate the notion of the divine made flesh from the exclusivity of orthodox Christian theology’s Jesus of Nazareth. Throughout eleven scintillating essays, she attends to bodies diversely religious, irreligious, social, animal, female, queer, cosmopolitan, and cosmic, highlighting the intermittencies and interdependencies of intra-world relations. According to Keller, when God is cast on the waters of a polydoxical indeterminacy, s/he/it returns manifold. For the many for whom theos has become impossible, Intercarnations exercises new theological possibilities through the diffraction of contextually diverse multiplicities. A groundbreaking work that pulls together a wide range of intersecting topics and methodologies, Intercarnations enriches and challenges current theological thinking. The essays reach back into feminist, process, and postcolonial discourses, and further back into messianic and mystical potentialities. They reach out into Asian as well as inter-Abrahamic comparison and forward toward a political theology of the Earth, queerly entangling climate catastrophe in materializations resistant to every economic, social, and anthropic exceptionalism. According to Keller, Intercarnations offers itself as a transient trope for the mattering of our entangled difference, meaning to stir up practices of a better planetarity. In Intercarnations, with Catherine Keller as their erudite guide, readers gain access to new worlds of theological possibility and perception.

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Drawing on records of about 5,500 soldiers and veterans, Shades of Green traces the organization of Irish regiments from the perspective of local communities in Connecticut, Illinois, and Wisconsin and the relationships between soldiers and the home front. Research on the impact of the Civil War on Irish Americans has traditionally fallen into one of two tracks, arguing that the Civil War either further alienated Irish immigrants from American society or that military service in defense of the Union offered these men a means of assimilation. In this study of Irish American service, Ryan W. Keating argues that neither paradigm really holds, because many Irish Americans during this time already considered themselves to be assimilated members of American society. This comprehensive study argues that the local community was often more important to ethnic soldiers than the imagined ethnic community, especially in terms of political, social, and economic relationships. An analysis of the Civil War era from this perspective provides a much clearer understanding of immigrant place and identity during the nineteenth century. With a focus on three regiments not traditionally studied, the author provides a fine-grained analysis revealing that ethnic communities, like other types of communities, are not monolithic on a national scale. Examining lesser-studied communities, rather than the usual those of New York City and Boston, Keating brings the local back into the story of Irish American participation in the Civil War, thus adding something new and valuable to the study of the immigrant experience in America’s bloodiest conflict. Throughout this rich and groundbreaking study, Keating supports his argument through advanced quantitative analysis of military-service records and an exhaustive review of a massive wealth of raw data; his use of quantitative methods on a large dataset is an unusual and exciting development in Civil War studies. Shades of Green is sure to “shake up” several fields of study that rely on ethnicity as a useful category for analysis; its impressive research provides a significant contribution to scholarship.

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The writer Gabriel Audisio once called the Mediterranean a “liquid continent.” Taking up the challenge issued by Audisio’s phrase, Edwige Tamalet Talbayev insists that we understand the region on both sides of the Mediterranean through a “transcontinental” heuristic. Rather than merely read the Maghreb in the context of its European colonizers from across the Mediterranean, Talbayev compellingly argues for a transmaritime deployment of the Maghreb across the multiple Mediterranean sites to which it has been materially and culturally bound for millennia. The Transcontinental Maghreb reveals these Mediterranean imaginaries to intersect with Maghrebi claims to an inclusive, democratic national ideal yet to be realized. Through a sustained reflection on allegory and critical melancholia, the book shows how the Mediterranean decenters postcolonial nation-building projects and mediates the nomadic subject’s reinsertion into a national collective respectful of heterogeneity. In engaging the space of the sea, the hybridity it produces, and the way it has shaped such historical dynamics as globalization, imperialism, decolonization, and nationalism, the book rethinks the very nature of postcolonial histories and identities along its shores.

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Contemporary publishing, e-media, and writing owe much to an unsung hero who worked in the trenches of the culture industry (for pulp magazines, Hollywood films, and advertising) and caroused and collaborated with the avant-garde throughout the first half of the twentieth century. Robert Carlton Brown (1886–1959) turned up in the midst of virtually every significant American literary, artistic, political, and popular or countercultural movement of his time—from Chicago’s Cliff Dweller’s Club to Greenwich Village’s bohemians and the Imagist poets; from the American vanguard expatriate groups in Europe to the Beats. Bob Brown churned out pulp fiction and populist cookbooks, created the first movie tie-ins, and invented a surreal reading machine more than seventy-five years ahead of e-books. He was a real-life Zelig of modern culture. With The Amazing Adventures of Bob Brown, Craig Saper disentangles, for the first time, the many lives and careers of the intriguing figure behind so much of twentieth-century culture. Saper’s lively and engaging yet erudite and subtly experimental style offers a bold new approach to biography that perfectly complements his multidimensional subject. Readers are brought along on a spirited journey with Bob and the Brown clan—Cora (his mother), Rose (his wife), and Bob, a creative team who sometimes went by the name of CoRoBo—through globetrotting, fortune-making and fortune-spending, culture-creating and culture-exploring adventures. Along the way, readers meet many of the most important cultural figures and movements of the era and are witness to the astonishingly prescient vision Brown held of the future of American cultural life in the digital age. Although Brown traveled and lived all around the world, he took Manhattan with him, and his New York City had boroughs around the world.

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Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary Studies Who speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian “techniques of the body” as belonging to the domain of Derridean “arche-writing,” Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices.

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