Search results for ""author jean"

Who could be partners to archivists working in digital preservation? This book features chapters from international contributors from diverse backgrounds and professions discussing their challenges with and victories over digital problems that share common issues with those facing digital preservationists. The only certainty about technology is that it will change. The speed of that change, and the ever-increasing diversity of digital formats, tools, and platforms, will present stark challenges to the long-term preservation of digital records. Archivists are frequently challenged by the technical expertise, subject matter knowledge, time, and resource requirements needed to solve the broad set of challenges sure to be faced by the archival profession. Partners for Preservation advocates the need for archivists to recruit partners and learn lessons from across diverse professions to work more effectively within the digital landscape. Includes discussion of: the internet of things digital architecture research data and collaboration open source programming privacy, memory and transparency inheritance of digital media.

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This exciting book introduces readers to the life and career of WNBA superstar Breanna Stewart. The book also includes a table of contents, a Paving the Way special feature, an At a Glance section, informative sidebars, quiz questions, a glossary, additional resources, and an index. This Focus Readers series is at the Navigator level, aligned to reading levels of grades 3-5 and interest levels of grades 4-7.

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This compact phrase book of key business terminology is an invaluable resource for students who want to communicate their ideas, arguments and analyses with greater clarity and precision. Divided into 30 bite-size sections, users can quickly and easily find the topic they need when preparing and writing essays, reports and case studies. Each section contains three parts: words in action, taken from real academic writing; information to help you readers use these words correctly; and ‘nearly but not quite right’ examples from real students’ work. This is an essential companion for students studying both undergraduate and postgraduate courses in business and management, and is suitable for use at any stage of their studies. It is also ideal for those studying related disciplines, including business management, administration, HR, finance, systems analysis, project management, business law and corporate governance.

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A framework for anticipating and managing cultural differences at the negotiating table In today's global environment, negotiators who understand cultural differences and negotiation fundamentals have a decided advantage at the bargaining table. This thoroughly revised and updated edition of Negotiating Globally explains how culture affects negotiators' assumptions about when and how to negotiate, their interests and priorities, and their strategies. It explains how confrontation, motivation, influence, and information strategies shift due to culture. It provides strategic advice for negotiators whose deals, disputes, and decisions cross cultural boundaries, and shows how to anticipate cultural differences and then manage them when they appear at the negotiating table. It challenges negotiators to expand their repertoire of strategies, so that they are prepared to negotiate deals, resolve disputes, and make decisions regardless of the culture in which they find themselves. Includes a review of the various contexts and building blocks of negotiation strategy Explains how and why negotiation may be practiced differently in different cultures and how to modify strategy when confronted with different cultural approaches Explores the three primary cultural prototypes negotiators should understand Negotiating Globally is ideal for those relatively new to negotiation, particularly in the global arena, and offers an overview of the various contexts and tactics of negotiation strategy. Written by an award-winning negotiation expert, this book provides an ideal framework for any and all global negotiations.

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With over 560 color photos and well-researched text, this book recounts the histories of the hard working, entrepreneurial people of Cape Cod, Martha's Vineyard, and Nantucket and their role in this nation, as told through the folk art primitives the residents produced from the eighteenth to the twentieth centuries. The art displayed includes the works of itinerant painters, domestic weavers and quilters, seminary school watercolorists, and carvers in wood, metal, and stone. Among these fascinating items are: paintings including portraits and silhouettes, landscapes and genre paintings; maritime art such as sculpture and scrimshaw; trade figures and signs; carousel art; wood carvings; weathervanes and whirligigs; religious and decorative art; textiles, including quilts and samplers; and gravestones. All of these beautiful and compelling works of art speak eloquently of the human aspirations sparked by the freedom and prosperity offered by the coasts and the bold, clear visual language that ordered these craftsmen's world.

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The second series of adventures from Big Finish continues, featuring Christopher Eccleston as the Ninth Doctor. Distant worlds, alien cultures, vessels of exploration - the Doctor is never more at home than when he's out among the stars. But that's when travellers face the greatest dangers, and where the Doctor's help is needed most... 2.1 Salvation Nine by Timothy X Atack. The Doctor happens upon an unusual outpost - and discovers it is about to be annihilated. To save Salvation Nine, he must rally a people for whom war is an alien concept - and protect the future of the Sontaran race! 2.2 Last of the Zetacene by James Kettle. The rich and the criminal rub shoulders on Stage Three spaceport - and play high-stakes games for valuable prizes. The Doctor is always interested in endangered species, and the Zetacene is more endangered than most... 2.3 Break the Ice by Tim Foley. On a chilly space station, the Doctor meets a group of scientists experimenting with cryogenics. But when one subject returns from extreme sub-zero temperatures, he does not return alone. A creature awakens that can freeze the soul with icy fingers - Jack Frost! CAST: Christopher Eccleston (The Doctor), Lily Bevan (Antinav Floris), Nicolas Colicos (Succeeding/Robot), Martyn Ellis (The Rotter/Delius), Alice Feetham (Nel), Josie Lawrence (Gaznak), Amy Manson (Jeanie/System), Maureen O’Brien (Selo/First Gyra), Joanne Pearce (Luton/Second Gyra), Pooja Shah (Navarch Al-Hanin), Simon Shepherd (Pal Andrews), Dan Starkey (Sontaran), Thalissa Teixeita (Dr Lenni Fisk), Pip Torrens (Kenton). Other parts played by members of the cast.

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Caribbean art as a diasporic, fugitive phenomenon: a groundbreaking global survey The 1990s were a period of profound political transformation, from the dissolution of the Eastern Bloc to the rise of trade agreements that continue to influence the world we live in today. Emerging from this pivotal decade—which also shaped the production, circulation and framing of art in the Caribbean—Forecast Form traces a path into the present, highlighting forms, materials and processes that reveal new modes of thinking about identity and place. This volume features scholarly essays alongside richly illustrated plate sections and texts focused on an intergenerational group of 37 artists working across the Americas and Europe. A radical rethinking of contemporary art in the Caribbean, Forecast Form reveals the region as a place where the past, the present and the future meet—where continuous exchanges forecast what is to come while remaining grounded in the histories that shape the present. Artists include: Candida Alvarez, Firelei Báez, Álvaro Barrios, Frank Bowling, Sandra Brewster, María Magdalena Campos-Pons, Donna Conlon and Jonathan Harker, Christopher Cozier, Julien Creuzet, Maksaens Denis, Peter Doig, Jeannette Ehlers, Tomm El-Saieh, Alia Farid, Teresita Fernández, Rafael Ferrer, Denzil Forrester, Joscelyn Gardner, Felix Gonzalez-Torres, Deborah Jack, Engel Leonardo, Daniel Lind-Ramos, Suchitra Mattai, David Medalla, Ana Mendieta, Lorraine O'Grady, Ebony G. Patterson, Keith Piper, Marton Robinson, Donald Rodney, Freddy Rodríguez, Tavares Strachan, Zilia Sánchez, Rubem Valentim, Adán Vallecillo, Cosmo Whyte and Didier William.

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“[A]n extraordinary work within the literary canon of the Holocaust.” —Aldo and Jeanne Scaglione Prize for a Translation of a Literary WorkWith The Voices of Babyn Yar—a collection of stirring poems by Marianna Kiyanovska—the award-winning Ukrainian poet honors the victims of the Holocaust by writing their stories of horror, death, and survival by projecting their own imagined voices. Artful and carefully intoned, the poems convey the experiences of ordinary civilians going through unbearable events leading to the massacre at Kyiv’s Babyn Yar from a first-person perspective to an effect that is simultaneously immersive and estranging. While conceived as a tribute to the fallen, the book raises difficult questions about memory, responsibility, and commemoration of those who had witnessed an evil that verges on the unspeakable.

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Barb Cook and 14 other autistic women describe life from a female autistic perspective, and present empowering, helpful and supportive insights from their personal experience for fellow autistic women. Michelle Garnett's comments validate and expand the experiences described from a clinician's perspective, and provide extensive recommendations.Autistic advocates including Liane Holliday Willey, Anita Lesko, Jeanette Purkis, Artemisia and Samantha Craft offer their personal guidance on significant issues that particularly affect women, as well as those that are more general to autism. Contributors cover issues including growing up, identity, diversity, parenting, independence and self-care amongst many others. With great contributions from exceptional women, this is a truly well-rounded collection of knowledge and sage advice for any woman with autism.

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The second title in the Minack Chronicles, this tells in more detail the story of Derek and Jeannie's beloved ginger cat Monty. From the first moment Derek, who was not until then a cat-lover, met a tiny bundle of fur with Jeannie, through to the pet's old age when he would still walk down to the stream to make 'Monty's Leap', this is a touching story of friendship between two people and their cat.

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`[The series is an indispensable component of any historical or Arthurian library.' NOTES AND QUERIES This latest issue of Arthurian Literature continues the tradition of the journal in combining theoretical studies with editions of primary Arthurian texts. There is a special focus on Chrétien de Troyes, with articles considering his identity, providing a new reading of Le Chevalier de la Charrete, and giving an account of a discovery of an important new fragment of the First Continuation. Other essays deal with Glastonbury, at the heart of the English Arthurian legend;the Scottish treatment of the Arthur story in the Reformation period; and the Morte Darthur in the context of fifteenth-century chivalric encyclopaedias. Contributors: SARAH KAY, NICK CORBYN, LISA JEFFERSON, AELRED WATKIN, JEANNE KROCHALIS, DAVID ALLAN, KAREN CHEREWATUK

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An authoritative survey of music and its context in the Renaissance. The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of "Renaissance" and "Baroque"). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS,DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK

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In the twenty-first century, as in centuries past, stories of the supernatural thrill and terrify us. But despite their popularity, scholars often dismiss such beliefs in the uncanny as inconsequential, or even embarrassing. The editors and contributors to The Supernatural in Society, Culture, and History have made a concerted effort to understand encounters with ghosts and the supernatural that have remain present and flourished. Featuring folkloric researchers examining the cultural value of such beliefs and practices, sociologists who acknowledge the social and historical value of the supernatural, and enthusiasts of the mystical and uncanny, this volume includes a variety of experts and interested observers using first-hand ethnographic experiences and historical records.The Supernatural in Society, Culture, and History seeks to understand the socio-cultural and socio-historical contexts of the supernatural. This volume takes the supernatural as real because belief in it has fundamentally shaped human history. It continues to inform people’s interpretations, actions, and identities on a daily basis. The supernatural is an indelible part of our social world that deserves sincere scholarly attention. Contributors include: Janet Baldwin, I'Nasah Crockett, William Ryan Force, Rachael Ironside, Tea Krulos, Joseph Laycock, Stephen L. Muzzatti, Scott Scribner, Emma Smith, Jeannie Banks Thomas, and the editors

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Jeannie is twenty years old and she's Lancashire's worst perfume girl. She works in her small town's department store, where all the other girls have perfect make-up (if a little too orange, and a mite too thick) and hair in buoyant ponytails. Jeannie, with wet hair and pale skin, doesn't fit the bill. And she doesn't really care - she arrived as a temp two years ago and has never got round to leaving. Being bored by work gives her plenty of time to think about her impending nuptials to Jimmy, her teenage sweetheart who's now a mechanic. He's a local lad and like everyone in the town, he lives for Saturday nights: beer, brawls and bare flesh. Jeannie is happier at home on the sofa, or better still, day-dreaming about leaving the town behind. Just as her feet are at their most cold, she stumbles upon Danny at the train station. He's a well-read, well-travelled, sophisticated ladies' man and represents everything her life is not. Or at least that's how it seems. And before long, it all becomes complicated.

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From Subject to Subjectivities profiles the recent debates about the role of qualitative and participatory methods in psychology, a discipline which has traditionally seen itself as a form of positivistic science. Contributors explain how fundamentally different views of the nature of reality and of scientific theory have shaped these debates, and how psychology is being transformed through the use of these methods. At the heart of the book are 10 exemplars of interpretive and participatory action research which describe the rationale for and process of using these methods in actual cases. They also articulate some of the challenges psychologists may face in adopting them, offering insights into how these complications can be successfully negotiated. Relevant beyond psychology, the models provided can be used within the context of a wide array of social science disciplines, from sociology and anthropology to women's studies and public health. The contributors represent a veritable "who's who" of qualitative scholars, including Lyn Mikel Brown, Larry Davidson, Michelle Fine, Louise Kidder, M. Brinton Lykes, Jeanne Marecek, Abigail Stewart, and Niobe Way. No previous book has examined qualitative and participatory methods specifically within the context of psychology. From Subjects to Subjectivities provides a unique and badly needed resource for those interested in learning about the practice of these methods in the field.

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Two architects, Jeanne Della Casa and Sylvie Pfaehler, together with their new partners Michael Perret and Lucile Fonta-Rak, are working on a remarkable oeuvre in Lausanne. In the midst of an urban garden and an ensemble of housing, three timber residential developments have their own poetic radiance. The architects' award-winning works include clear tectonically structured residential buildings in Lausanne and the Lavaux region. Text in English and German. Text in English and German.

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Astaroth's new life as a demon king rising up the ranks in an unfamiliar world has only just begun, yet he's already assembling quite a group of allies! With his maid, Eve, serving as his advisor, legendary swordsman Hijikata leading his forces into battle, and Jeanne d'Arc herself lending him her strength, it's no surprise how quickly he's making a name for himself. His next step is to recruit some talented dwarves to expand his castle town, but a fearsome necromancer stands in his way

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The diverse contributors to this issue of Plough Quarterly focus on what it means to be a peacemaker. Peacemaking, they show, is a riskier and more ambitious undertaking than we may have imagined. Today we must wage peace where thousands of children are being murdered by militias or forced to fight as soldiers. We need peacemakers in divided cities from Paris to Baltimore, peacemakers in a culture with little tolerance for Christian witness, and peacemakers in churches riven by ideological fights and petty grudges, not to mention making peace with our spouses, and with ourselves. Hear from active peacemakers on the frontlines of these battles and explore insights on peacemaking from Thomas Merton, Dorothy Day, Badshah Khan, Jeannette Rankin, Charles Spurgeon, André Trocmé, Peace Pilgrim, Albert Schweitzer, Dietrich Bonhoeffer, and Eberhard Arnold. And as always, Plough Quarterly includes world-class art by the likes of Marc Chagall, Egon Schiele, Lisa Toth, Carl Larsson, Ben Shahn, Mikalojus Konstantinas Čiurlionis, Paul Klee, Antonello da Messina, and others. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, fiction, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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Titled Masquerades: Drawn to Metamorphosis, the 18th edition of the MOMENTA Biennale de l’image presents 23 artists whose projects activate processes of transformation, mimicry, and mutation. Its goal is to shed light on the dynamics of visibility and invisibility defining the relationships between self and other, between humans and their environment, whether that environment is vegetal, animal, or technological. This publication assembles the descriptions of the exhibitions, an essay by Anne Anlin Cheng on the metamorphic potential of “skin consciousness,” an original portfolio of photographs by Chris Curreri, and an essay by the curator Ji-Yoon Han that reflects on the notion of the image through the prism of the Biennale’s theme. Artists: Bianca Shonee Arroyo-Kreimes, Bianca Baldi, Rémi Belliveau, Valérie Blass, Michèle Pearson Clarke, Chris Curreri, Lindsay Katsitsakatste Delaronde, Mara Eagle, Jeannette Ehlers, Séamus Gallagher, Lynn Hershman Leeson, siren eun young jung, Marion Lessard, Tuan Andrew Nguyen, Marianne Nicolson, Kristina Norman, Meky Ottawa, Émilie Pitoiset, Naomi Rincón Gallardo, Anette Rose, Hito Steyerl, Maya Watanabe, Carey Young. Text in French.

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Dodder, Baldmoney, Cloudberry, and Sneezewort are the last four gnomes in Britain and were first introduced to us in the Carnegie Medal-winning book, The Little Grey Men. In this charming book their story continues and we find them tucked up in their cosy home, next to the Folly, for winter. But when they're awakened from their sleep with the terrible news that the Folly is drying up, they must pack up their belongings and head off in their boat, the Jeanie Deans, to find a new home where they can be safe once again. Along the way they face many dangers and their journey is sometimes perilous and packed with adventure.

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The third title in the Minack Chronicles, which tell the story of how Derek and his wife Jeannie left behind their London home to establish a flower farm on the coast of Cornwall. This book takes a closer look at some of the animals who shared the Tangye's home and surroundings, especially Boris, the Muscovy duck.

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The expression of cultural differences in medieval courtly literature explored. Cultural differences in medieval European literary practice are reflected in many different ways, as this volume illustrates. The essays cover a whole range of courtly topics, in particular questions of context, genre and poetic voice. The five sections explore contexts for courtliness, especially the position of the vernacular poet at or near the court; the ways in which courtly values and political aspirations are reflected in the work of medieval chronicle and romance writers; questions of register, convention, gender, and narrative technique; problems of literary production and reception, particularly the transmission of courtly and quasi-courtly texts among widely differing medieval audiences; and broader issues such as the clues to the courtly mentality provided by peripheral narrative details, the blurring of conventional courtly boundaries, and the perennial fascination of tales with strong folklore or fabliau elements. Dr EVELYN MULLALLY and Dr JOHN THOMPSON are Senior Lecturers at the Queen's University of Belfast. Contributors: GEAROID MAC EOIN, NOLLAIG O MURA-LE, RUPERT T. PICKENS, FRANÇOISE LE SAUX, CATHERINE LÉGLU, BARBARA N. SARGENT-BAUR, AD PUTTER, MICHEL ZINK, DONALD MADDOX, JEANBLACKER, SARA STURM-MADDOX, MICHELLE SZKIILNIK, THEA SUMMERFIELD, HELEN COOPER JOHN SCATTERGOOD, JUNE HALL MCCASH, JOAN BRUMLIK, LESLIE C. BROOKMAUREEN BOULTON, JESSICA COOKE, DIANE M. WRIGHT, G. KOOLEMANS BEYNEN, LORI J. WALTERS, SYLVIA WRIGHT, FRANK BRANDSMA, CARTER REVARD, A S G EDWARDS, HEATHER COLLIER, TERENCE SCULLY, CHRISTOPHER KLEINHENZ, SARA I. JAMES, WILLIAM MACBAIN, SARA I. JAMES, MARY B. SPEER, YASMINA FOEHR-JANSSENS, CAROL J. HARVEY, BART BESAMUSCA, KEITH BUSBY

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“Queering Archives: Intimate Tracings” is the second of two themed issues from Radical History Review (numbers 120 and 122) that explore the ways in which the notion of the “queer archive” is increasingly crucial for scholars working at the intersection of history, sexuality, and gender. Efforts to record and preserve queer experiences determine how scholars account for the past and provide a framework for understanding contemporary queer life. Essays in these issues consider historical materials from queer archives around the world as well as the recent critical practice of “queering” the archive by looking at historical collections for queer content (and its absence).This issue considers how archives allow historical traces of sexuality and gender to be sought, identified, recorded, and assembled into accumulations of meaning. Contributors explore conundrums in contemporary queer archival methods, probing some of them in essays on the Catholic Church and the Church of Jesus Christ of Latter-Day Saints. This issue also includes a series of intergenerational interviews reflecting on histories of LGBT archives, a roundtable discussion about legacies of queer studies of the archive, and a closing reflection by Joan Nestle, a founding figure in the practice of international queer archiving.Daniel Marshall is Senior Lecturer in the Faculty of Arts and Education at Deakin University, Melbourne. Kevin P. Murphy is Associate Professor of History at the University of Minnesota and a member of the Radical History Review editorial collective. Zeb Tortorici is Assistant Professor of Spanish and Portuguese Languages and Literatures at New York University.Contributors: Rustem Ertug Altinay, Anjali Arondekar, Elspeth H. Brown, Elise Chenier, Howard Chiang, Ben Cowan, Ann Cvetkovich, Sara Davidmann, Leah DeVun, Peter Edelberg, Licia Fiol-Matta, Jack Jen Gieseking, Christina Hanhardt, Robb Hernandez, Kwame Holmes, Regina Kunzel, A. J. Lewis, Martin F. Manalansan IV, María Elena Martínez, Michael Jay McClure, Caitlin McKinney, Katherine Mohrman, Joan Nestle, Mimi Thi Nguyen, Tavia Nyong’o, Anthony M. Petro, K. J. Rawson, Barry Reay, Juana María Rodríguez, Don Romesburg, Rebecka Sheffield, Marc Stein, Margaret Stone, Susan Stryker, Robert Summers, Jeanne Vaccaro, Dale Washkansky, Melissa White

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Jeanne Calment, who lived to be 121, credited one thing for her long life: olive oil.Olive oil enthusiasts and experts Alice Alech and Cécile Le Galliard join forces in this complete guidebook discussing the amazing—almost miraculous—health benefits of olive oil. From slowing the effects of Alzheimer’s to building healthy bones, extra virgin olive oil is unrivaled in its natural goodness. With detailed research and findings from doctors, medical researchers, nutritionists, and chefs around the globe, The 7 Wonders of Olive Oil explores the role olive oil plays in the Mediterranean diet, covers tips for cooking with, buying, and storing the green nectar, and most of all, reveals its seven amazing health benefits including: ·Anti-inflammation ·Cancer prevention ·Skin rejuvenation ·Healthy bones ·Alzheimer’s disease prevention ·Reduction in risk for diabetes ·Stroke and heart attack prevention

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'This unique and fascinating book carefully traces aspects of the personality of sextuplets which persist from birth onwards. The way in which the personal characteristics of both the mother and her children influence the quality of maternal care and relationships with peers is also carefully compared and delineated. What is most original and striking about this book is the examination of sibling group relationships and the description of the sextuplets' early innate characteristics and interactions in early childhood through both psychological testing and infant observations and then shows how specific characteristics and interactions persist through early adult life. It is essential reading for many professionals involved in child development studies including doctors, teachers, psychologists, psychotherapists and health visitors.'- Jeanne Magagna, Phd, Consultant Psychotherapist, Ellern Mede Centre and former Head of Psychotherapy Services, Great Ormond Street Hospital for Children

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In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Other pieces revise standard accounts of well-known jazz figures, such as Duke Ellington, and lesser-known musicians, including Jeanne Lee; delve into how money, class, space, and economics affect the performance of experimental music; and take up the question of how digital technology influences improvisation. People Get Ready offers a vision for the future of jazz based on an appreciation of the complexity of its past and the abundance of innovation in the present. Contributors. Tamar Barzel, John Brackett, Douglas Ewart, Ajay Heble, Vijay Iyer, Thomas King, Tracy McMullen, Paul D. Miller/DJ Spooky, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Aldon Lynn Nielsen, Eric Porter, Marc Ribot, Matana Roberts, Jaribu Shahid, Julie Dawn Smith, Wadada Leo Smith, Alan Stanbridge, John Szwed, Greg Tate, Scott Thomson, Rob Wallace, Ellen Waterman, Corey Wilkes

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Within the social sciences, kinship and statehood are often seen as two distinct modes of social organization, sometimes conceived of as following each other in a temporal line and sometimes as operating on different scales. Kinship is traditionally associated with small-scale communities in stateless societies. The state, meanwhile, is viewed as a development away from kinship as political order toward rational, impersonal, and functional forms of rule. In recent decades, theoretical and empirical scholarship has challenged these notions, but the underlying presumption of a deep-rooted opposition between kinship and the (modern) state has remained surprisingly stable. That this binary is so deeply engrained in Western self-understanding and knowledge production poses a considerable challenge to decoding their coproduction. Reconnecting State and Kinship seeks to trace the historical shifts and boundary work implied in the ongoing reproduction of these supposedly discrete or even opposing units of analysis. Contributors ask whether concepts associated with one sphere —including corruption, patronage, lineage, and incest—surface in the other. Policies and interventions modeled upon the assumed polarity can have lasting consequences for mechanisms of marginalization and exclusion, including decisions about life and death. Reconnecting State and Kinship not only explores the boundary-related and classificatory practices that reinforce the kinship/statehood binary but also tracks the traveling of these concepts and their underlying norms through time and space ultimately demonstrating the ways that kinship and "the state" are intertwined. Contributors: Erdmute Alber, Apostolos Andrikopoulos, Helle Bundgaard, Jeanette Edwards, Karen Fog Olwig, Victoria Goddard, Michael Herzfeld, Eirini Papadaki, Frances Pine, Ivan Rajković, Tatjana Thelen, Thomas Zitelmann.

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This second book featuring the work of the Louis I. Kahn Visiting Assistant Professors includes the studios of Jeanne Gang, Sunil Bald and Mark Tsurumaki.

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Provence, May 1889. The hospital of Saint-Paul-de Mausole is home to the mentally ill. An old monastery, it sits at the foot of Les Alpilles mountains amongst wheat fields, herbs and olive groves. For years, the fragile have come here and lived quietly, found rest behind the shutters and high, sun-baked walls. Tales of the new arrival - his savagery, his paintings, his copper-red hair - are quick to find the warden's wife. From her small white cottage, Jeanne Trabuc watches him - how he sets his easel amongst the trees, the irises and the fields of wheat, and paints in the heat of the day. Jeanne knows the rules; she knows not to approach the patients at Saint-Paul. But this man - paint-smelling, dirty, troubled and intense - is, she thinks, worth talking to. So ignoring her husband's wishes, the dangers and despite the word mad, Jeanne climbs over the hospital wall. She will find that the painter will change all their lives.Let Me Tell You About A Man I Knew is a beautiful novel about the repercussions of longing, of loneliness and of passion for life. But it's also about love - and how it alters over time.

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Meet Barack ‘Barrie OB’ Obama, urban forager and burgeoning ukulele player; ‘Hilly’ Clinton, noted jeansmith and heritage denim brand pioneer; and Queen Elizabeth II, normcore fashion goddess and much-vaunted culture-jamming DJ. This set of 20 postcards re-imagines the biggest world leaders as modern-day hipsters. Send one to a friend and see the world in a whole new light!

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Intervening at the crossroads of philosophy, politics, and cinema, this book argues that the career of Robert Guédiguian, director of Marius et Jeannette (1997) and other popular auteurist films, can be read as an original and coherent project: to make a committed, historically-conscious cinema with friends, in a local space, and over a long period of time. Illustrated with comprehensive readings of all of Guédiguian's films.

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As discrete fields of inquiry, rhetoric and mathematics have long been considered antithetical to each other. That is, if mathematics explains or describes the phenomena it studies with certainty, persuasion is not needed. This volume calls into question the view that mathematics is free of rhetoric. Through nine studies of the intersections between these two disciplines, Arguing with Numbers shows that mathematics is in fact deeply rhetorical. Using rhetoric as a lens to analyze mathematically based arguments in public policy, political and economic theory, and even literature, the essays in this volume reveal how mathematics influences the values and beliefs with which we assess the world and make decisions and how our worldviews influence the kinds of mathematical instruments we construct and accept. In addition, contributors examine how concepts of rhetoric—such as analogy and visuality—have been employed in mathematical and scientific reasoning, including in the theorems of mathematical physicists and the geometrical diagramming of natural scientists. Challenging academic orthodoxy, these scholars reject a math-equals-truth reduction in favor of a more constructivist theory of mathematics as dynamic, evolving, and powerfully persuasive. By bringing these disparate lines of inquiry into conversation with one another, Arguing with Numbers provides inspiration to students, established scholars, and anyone inside or outside rhetorical studies who might be interested in exploring the intersections between the two disciplines.In addition to the editors, the contributors to this volume are Catherine Chaput, Crystal Broch Colombini, Nathan Crick, Michael Dreher, Jeanne Fahnestock, Andrew C. Jones, Joseph Little, and Edward Schiappa.

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This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.

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This wonderful collection brings together seven well-loved carols, all newly arranged by Mack Wilberg for low voice and piano. Featuring a range of Christmas texts, including 'Bring a torch, Jeannette, Isabella', 'Deck the hall', and 'The Twelve Days of Christmas', it also offers two carols with alternative, original foreign-language options (French and Catalan). With a delightful variety of musical styles and moods, this volume is perfect for recitals, services, and concerts at Christmas time. Also available in a volume for high voice.

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“Each day of my life has been dedicated in part to drawing. I have never stopped drawing and painting, seeking, where I could find them, the secrets of form.”—Le Corbusier Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the manifesto After Cubism. Even after Le Corbusier turned to architecture, he continued to paint and draw. His thousands of drawings, rarely exhibited but meticulously stored in two watch cabinets from his family home, were particularly significant; he considered his work as a draftsman to be fundamental to his creative process. Beautifully illustrated with more than 300 drawings that have never before been published for an English readership, this revealing book charts the evolution of Le Corbusier’s process from his youthful travels abroad to his arrival and maturation in Paris. Danièle Pauly shows how his drawings functioned within an intimate zone of private reflection and situates his work within the broader artistic and intellectual currents of Cubism, Purism, Primitivism, and Surrealism. In addition to providing a crucial new background against which to comprehend Le Corbusier’s architecture and urbanism, this important volume advocates for understanding him alongside leading modern artists including Pablo Picasso and Fernand Léger.

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Adapted and expanded from online extras for the series, this gorgeous collection ofshort stories and illustrations details fragmentary moments from the lives of Kaito,Elizabeth, and others. Kaito suffers from nightmares, fanatics hound Elisabeth, andHina goes missing...? After averting a catastrophe, Kaito and Hina decide to throw aparty to celebrate the third anniversary of Elisabeth’s appointment to captain of theguard. Isabella shows off her natural charms; Jeanne brags; and the Butcher annoysthe hell out of Vlad. Within these pages, scraps of happiness coalesce, and stories pointthe way forward.

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Roberto Borgo llega a Marsella en 1934 para liberar a su amigo Xavier Saratov, encarcelado por un asesinato que realmente cometió Jeannot Villanova, jefe del hampa marsellesa. Para Borgo, el plan consiste en acabar con Villanova... Sólo así podrá conseguir el dinero necesario para la defensa de Xavier.

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Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema.Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.

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Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema.Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.

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Praise for Building Nonprofit Capacity "A central question for leadership is to identify where, and when, to focus organizational energy, and that is where Brothers and Sherman's book comes in. Changing organizations is never easy, which is why managers need the right set of maps and tools—like this one." Jon Pratt, executive director, Minnesota Council of Nonprofits "Anyone running a nonprofit organization, no matter how large or small, would benefit from reading this book. It's chock-full of useful information about managing change." Eric Nee, managing editor, Stanford Social Innovation Review "Nonprofit leaders need tools to help them manage better, engage communities, collaborate, and have greater impact. Building Nonprofit Capacity is a great tool and a useful reference for organizations that are seeking to make a greater and more sustainable difference." Paul Schmitz, CEO, Public Allies "Brothers and Sherman expertly braid together complementary organizational lifecycle frameworks—and add their own wide-ranging expertise and experience—to bring practitioners and executives this comprehensive, relevant, and honest book about the organizational quest to become ever better." Jeanne Bell, CEO, CompassPoint Nonprofit Services "Whether you are building a start-up, bringing an organization to scale, managing an established group toward excellence, or shepherding a nonprofit at risk of decline, this book should be required reading for every nonprofit executive director." Richard R. Buery, Jr., president and CEO, The Children's Aid Society "There are a lot of nonprofit management books out there. What makes Brothers and Sherman's book different and so important and worthwhile is that they have combined a number of models, theories, and practices and shaped them into a few essential processes that can be used by organizations both large and small." Doug Bauer, executive director, The Clark Foundation

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Hone your understanding of imaging concepts and techniques with the Student Workbook for Frommer's Radiology for the Dental Professional, 10th Edition. Coordinating step-by-step with the main text, this workbook offers the essential practice and review you need to master radiography concepts and learn to capture high-quality images. Activities and exercises - including new laboratory workshop activities and new ordering sequence questions - cover application, image assessment, image labeling, vocabulary, information recall, and more. It's the perfect hands-on practice tool to help you successfully support oral diagnosis and treatment planning. Correlation with the textbook makes your workbook experience seamless. Additional illustrations not found in the text provide practice with identification and interpretation. Perforated pages provie for on-the-go study or turn-in assignments. NEW! Content on digital imaging, radiation protection, and infection prevention has been added throughout the workbook. NEW! Practice questions and exercises aid in content recall and understanding. NEW! Clinical and radiographic images hone your interpretation and evaluation skills. NEW! Laboratory workshop activities promote assessment and skill-building. NEW! Ordering sequence questions reinforce your understanding of key skills and techniques.

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Virginia Woolf's most unusual and fantastic creation, a funny, exuberant tale that examines the very nature of sexuality. WITH INTRODUCTIONS BY PETER ACKROYD AND MARGARET REYNOLDS As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart. The Vintage Classics Virginia Woolf series has been curated by Jeanette Winterson and Margaret Reynolds, and the texts used are based on the original Hogarth Press editions published by Leonard and Virginia Woolf. **One of the BBC’s 100 Novels That Shaped Our World**

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