Search results for ""kant""

Thomas M. King, S.J. uses Jungian/Myers-Briggs typology to understand the different starting points of twelve philosophers, then uses Jungian patterns of “integration” to show similarities in their development. Jung’s Four and Some Philosophers provides a context in which to understand the widely differing claims of philosophers. The “four” in the title refers to the four faculties that Jung sees occurring in pairs in every psyche: thinking and its opposite, feeling; sensation and its opposite, intuition. One of these four will dominate (among philosophers it will characterize what they find self-evident), while the dominant’s opposite is repressed into the mysterious unconscious. Thus, a thinker will repress one’s feelings. To achieve wholeness, the philosopher must pass beyond what is known to seek the missing faculty and integrate it with the faculties of consciousness. King demonstrates this with highly documented studies of twelve philosophers: Plato, Locke, Sartre, Augustine, Descartes, Spinoza, Rousseau, Kant, Kierkegaard, Whitehead, Hume, and Teilhard, and a final reflection that considers the philosophic and religious quest.

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Are bacteriophage T4 and the long-nosed elephant fish valuable in their own right? Nicholas Agar defends an affirmative answer to this question by arguing that anything living is intrinsically valuable. This claim challenges received ethical wisdom according to which only human beings are valuable in themselves. The resulting biocentric or life-centered morality forms the platform for an ethic of the environment. Agar builds a bridge between the biological sciences and what he calls "folk" morality to arrive at a workable environmental ethic and a new spectrum-a new hierarchy-of living organisms. The book overturns common-sense moral belief as well as centuries of philosophical speculation on the exclusive moral significance of humans. Spanning several fields, including philosophy of psychology, philosophy of science, and other areas of contemporary analytic philosophy, Agar analyzes and speaks to a wide array of historic and contemporary views, from Aristotle and Kant, to E. O. Wilson, Holmes Rolston II, and Baird Callicot. The result is a challenge to prevailing definitions of value and a call for a scientifically-informed appreciation of nature.

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In Mood and Trope, John Brenkman introduces two provocative propositions to affect theory: that human emotion is intimately connected to persuasion and figurative language; and that literature, especially poetry, lends precision to studying affect because it resides there not in speaking about feelings, but in the way of speaking itself. Engaging a quartet of modern philosophers--Kant, Nietzsche, Heidegger, and Deleuze--Brenkman explores how they all approach the question of affect primarily through literature and art. He draws on the differences and dialogues among them, arguing that the vocation of criticism is incapable of systematicity and instead must be attuned to the singularity and plurality of literary and artistic creations. In addition, he confronts these four philosophers and their essential concepts with a wide array of authors and artists, including Pinter and Poe, Baudelaire, Jorie Graham and Li-Young Lee, Shakespeare, Tino Sehgal, and Francis Bacon. Filled with surprising insights, Mood and Trope provides a rich archive for rethinking the nature of affect and its aesthetic and rhetorical stakes.

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In Humanism of the Other, Emmanuel Levinas argues that it is not only possible but of the highest exigency to understand one's humanity through the humanity of others. Based in a new appreciation for ethics, and taking new distances from the phenomenology of Hegel, Heidegger, Husserl, and Merleau-Ponty, the idealism of Plato and Kant, and the skepticism of Nietzsche and Blanchot, Levinas rehabilitates humanism and restores its promises. He expresses disappointment with the revolutions that became bureaucracies and totalitarian governments, and the national liberation movements that eventually led to oppression and international wars. Defining the human as subject, ego, synthesis, identification, cognition, and mood all too easily lead to subjugation, persecution, and murder. Painfully aware of the long history of dehumanization which reached its apotheosis in Hitler and Nazism, Levinas does not underestimate the difficulty of reconciling oneself with another. The humanity of the human, Levinas argues, is not discoverable through mathematics, rational metaphysics or introspection. Rather, it is found in the recognition that the suffering and mortality of others are the obligations and morality of the self.

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This unique text by Stewart Shapiro looks at a range of philosophical issues and positions concerning mathematics in four comprehensive sections. The first describes questions and issues about mathematics that have motivated philosophers almost since the beginning of intellectual history. Part II is an historical survey, discussing the role of mathematics in such thinkers as Plato, Aristotle, Kant, and Mill. The third section covers the three major positions, and battle lines, throughout the twentieth century: that mathematics is logic (logicism), that the essence of mathematics is the rule-governed manipulation of characters (formalism), and a revisionist philosophy that focuses on the mental activity of mathematics (intuitionism). Finally, Part IV looks at contemporary positions and work which brings the reader up-to-date on the discipline. Thinking about Mathematics is accessible to those with little background in either mathematics or philosophy. It is aimed at students and professionals in mathematics who have little contact with academic philosophy and at philosophy students and other philosophers who forgot much of their mathematics.

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Over six previous editions, Twelve Theories of Human Nature has been a remarkably popular introduction to some of the most influential developments in Western and Eastern thought. Now titled Thirteen Theories of Human Nature, the seventh edition adds a chapter on feminist theory to those on Confucianism, Hinduism, Buddhism, Plato, Aristotle, the Bible, Islam, Kant, Marx, Freud, Sartre, and Darwinism. The authors juxtapose the ideas of these and other thinkers and traditions in a way that helps students understand how humanity has struggled to comprehend its nature. To encourage students to think critically for themselves and to underscore the similarities and differences between the many theories, the book examines each one on four points--the nature of the universe, the nature of humanity, the diagnosis of the ills of humanity, and the proposed cure for these problems. Ideal for introductory courses in human nature, introduction to philosophy, and intellectual history, this unique volume will engage and motivate students and other readers to consider how we can understand and improve both ourselves and human society.

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Este ensayo trata sobre las relaciones entre el derecho y la justicia, pero también entre el poder, la autoridad y la violencia. La justicia no se agota nunca en las representaciones y las instituciones jurídicas que intentan ajustarse a ella. Lo justo trasciende siempre lo jurídico, pero no hay justicia que no deba inscribirse en un derecho, en un sistema y en una historia de la legalidad, en la política y en el Estado. No quita que, a su vez, el derecho prime sobre la fuerza; este es su deber, no hay derecho que no implique por sí mismo su aplicación, una técnica y, en consecuencia, la posibilidad de la guerra. Lo recuerda Kant: no hay derecho sin coacción. Lo que pretende tener fuerza de ley inscribe así la apelación a la fuerza en el concepto mismo de su autoridad. El riesgo de tiranía acecha ya desde el origen de la ley.Recuperando una expresión de Montaigne, Pascal hablaba de un fundamento místico de la autoridad: aquel que lleva a ésta a su principio, la aniquila. Y esta aniq

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Y si las certezas que componen eso que comúnmente se conoce como modernidad esa época histórica, sensación, presunción con las que creemos que somos más civilizados y racionales que nunca hubieran aparecido asesinadas y descuartizadas en un callejón de Los Ángeles? Y si las certezas que parecía traer la Modernidad bajo el brazo estuvieran en el centro de un cráter en Hiroshima y Nagasaki? Acaso no miró nadie en el cráter tras la explosión para localizar ahí el cuerpo des-compuesto de la Modernidad? Por qué nadie miró entre los edificios silenciados en los alrededores de Chernobyl? Y si la Modernidad sobrevivió como la cabeza de Fedro, hermosa, pero sin seso, tal y como gustaba citar a Kant, esto es, una Modernidad que sobrevive, en el mejor de los casos, zombi a base de una radiación que lamentable-mente no le legó superpoder alguno?Así comienza este libro en el que Antonio Sánchez y Fernando Ángel Moreno pretenden localizar en el cine de CF un lugar privilegiado para ver los fallo

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Displacing the novel from the central position it has held in studies concerned with the origin or rise of the English novel, Satire, History, Novel considers novelistic forms as part of a network of complementary and competing genres, including conjectural histories and narrative satires, and regards relations among these forms as most significant and revealing. This is the first book to explore the emergence and the fading of narrative genres in the context of successive cultural paradigms and the uneven develpment of public spheres. Analyzing works written over a century and a half in three national cultures, including canonical literature by Swift, Fielding, Burney, Voltaire, Diderot, and Goethe; less familiar but important and influential narratives by Delarivire Manley, Prvost, and Wieland; almanacs and popular novels by Courtilz de Sandras and Defoe; as well as philosophical and conjectural histories by Hume, Rousseau, Gibbon, and Kant, Satire, History, Novel will contribute to intellectual history, public spheres studies, theories of narrative, scholarship on eighteenth-century literature and culture, as well as the relations of literature and philosophy to their historical contexts.

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Pragmatism Ascendent is the last of four volumes on the contribution of pragmatism to American philosophy and Western philosophy as a whole. It covers the period of American philosophy's greatest influence worldwide, from the second half of the 20th century through the beginning of the 21st. The book provides an account of the way pragmatism reinterprets the revolutionary contributions of Kant and Hegel, the significance of pragmatism's original vision, and the expansion of classic pragmatism to incorporate the strongest themes of Hegelian and Darwinian sources. In the process, it addresses many topics either scanted or not addressed at all in most overviews of the pragmatism's relevance today. Noting the conceptual stalemate, confusion, and inertia of much of current Western philosophy, Margolis advances a new line of inquiry. He considers a fresh conception of the human agent as a hybrid artifact of enlanguaged culture, the decline of all forms of cognitive privilege, the pragmatist sense of the practical adequacy of philosophical solutions, and the possibilities for a recuperative convergence of the best resources of Western philosophy's most viable movements.

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Deepening divisions separate today's philosophers, first, from the culture at large; then, from each other; and finally, from philosophy itself. Though these divisions tend to coalesce publicly as debates over the Enlightenment, their roots lie much deeper. Overcoming them thus requires a confrontation with the whole of Western philosophy. Only when we uncover the strange heritage of Aristotle's metaphysics, as reworked, for example, by Descartes and Kant, can we understand contemporary philosophy's inability to dialogue with women, people of color, LGBTs, and other minority groups. Only when we have understood that inability can we see how the thought of Hegel and Heidegger contains the seeds of a remedy. And only when armed with such a remedy can philosophy rise to the challenges posed by thinkers such as David Foster Wallace and Abraham Lincoln. The book's interpretations of these figures and others past and present are as scrupulous as its conclusions will be controversial. The result contributes to the most important question confronting us today: does reason itself have a future?

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Against the assumption that aesthetic form relates to a harmonious arrangement of parts into a beautiful whole, this book argues that reason is the real theme of the Critique of Judgment as of the two earlier Critiques. Since aesthetic judgment of the beautiful becomes possible only when the mind is confronted with things of nature, for which no determined concepts of understanding are available, aesthetic judgment is involved in an epistemological or, rather, para-epistemological task. The predicate "beautiful" indicates that something has minimal form and is cognizable. This book explores this concept of form, in particular the role of presentation (Darstellung) in what Kant refers to as "mere form," which involves not only the understanding, but also reason as the faculty of ideas. Such a notion of form reveals why the beautiful can be related to the morally good. On the basis of this reinterpreted concept of form, most major concepts and themes of the Critique of Judgment—such as disinterestedness, free play, the sublime, genius, and beautiful arts—are examined by the author and shown in a new light.

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Richard C. Sha's revealing study considers how science shaped notions of sexuality, reproduction, and gender in the Romantic period. Through careful and imaginative readings of various scientific texts, the philosophy of Immanuel Kant and Longinus, and the works of such writers as William Blake, Percy Bysshe Shelley, Mary Wollstonecraft, and Lord Byron, Sha explores the influence of contemporary aesthetics and biology on literary Romanticism. Revealing that ideas of sexuality during the Romantic era were much more fluid and undecided than they are often characterized in the existing scholarship, Sha's innovative study complicates received claims concerning the shift from perversity to perversion in the nineteenth century. He observes that the questions of perversity-or purposelessness-became simultaneously critical in Kantian aesthetics, biological functionalism, and Romantic ideas of private and public sexuality. The Romantics, then, sought to reconceptualize sexual pleasure as deriving from mutuality rather than from the biological purpose of reproduction. At the nexus of Kantian aesthetics, literary analysis, and the history of medicine, Perverse Romanticism makes an important contribution to the study of sexuality in the long eighteenth century.

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An easy-to-grasp guide to addressing the principles of ethics and applying them to daily life How do you define "good" versus "evil?" Do you know the difference between moral "truth" and moral relativity? Whether or not you know Aristotle from Hume, Ethics For Dummies will get you comfortable with the centuries-old study of ethical philosophy quickly and effectively! Ethics For Dummies is a practical, friendly guide that takes the headache out of the often-confusing subject of ethics. In plain English, it examines the controversial facets of ethical thought, explores the problem of evil, demystifies the writings and theories of such great thinkers through the ages as Aristotle, Confucius, Descartes, Kant, Nietzsche, and so much more. Provides the tools to tackle and understand today's important questions and ethical dilemmas Shows you how to apply the concepts and theories of ethical philosophy to your everyday life Other title by Panza: Existentialism For Dummies Whether you're currently enrolled in an ethics course or are interested in living a good life but are vexed with ethical complexities, Ethics For Dummies has you covered!

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Past interpreters of Kant’s thought seldom viewed his writings on politics as having much importance, especially in comparison with his writings on ethics, which (along with his major works, such as the Critique of Pure Reason) received the lion’s share of attention. But in recent years a new generation of scholars has revived interest in what Kant had to say about politics. From a position of engagement with today’s most pressing questions, this volume of essays offers a comprehensive introduction to Kant’s often misunderstood political thought. Covering the full range of sources of Kant’s political theory—including not only the Doctrine of Right, the Critiques, and the political essays but also Kant’s lectures and minor writings—the volume’s distinguished contributors demonstrate that Kant’s philosophy offers compelling positions that continue to inspire the best thinking on politics today.Aside from the editor, the contributors are Michaele Ferguson, Louis-Philippe Hodgson, Ian Hunter, John Christian Laursen, Mika LaVaque-Manty, Onora O’Neill, Thomas W. Pogge, Arthur Ripstein, and Robert S. Taylor.

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Pushing past the constraints of postmodernism which cast "reason" and"religion" in opposition, God, the Gift, and Postmodernism, seizes the opportunity to question the authority of "the modern" and open the limits of possible experience, including the call to religious experience, as a new millennium approaches. Jacques Derrida, the father of deconstruction, engages with Jean-Luc Marion and other religious philosophers to entertainquestions about intention, givenness, and possibility which reveal the extent to which deconstruction is structured like religion. New interpretations of Kant, Heidegger, Husserl, and Derrida emerge from essays and discussions with distinguished philosophers and theologians from the United States and Europe. The result is that God, the Gift, and Postmodernism elaborates a radical phenomenology that stretches the limits of its possibility and explores areas where philosophy and religion have become increasingly and surprisingly convergent.Contributors include: John D. Caputo, John Dominic Crossan, Jacques Derrida, Robert Dodaro, Richard Kearney, Jean-Luc Marion, Frangoise Meltzer, Michael J. Scanlon, Mark C. Taylor, David Tracy, Merold Westphaland Edith Wyschogrod.

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People rely on reason to think about and navigate the abstract world of human relations in much the same way they rely on maps to study and traverse the physical world. Starting from that simple observation, renowned geographer Gunnar Olsson offers in "Abysmal" an astonishingly erudite critique of the way human thought and action have become deeply immersed in the rhetoric of cartography and how this cartographic reasoning allows the powerful to map out other people's lives. A spectacular reading of Western philosophy, religion, and mythology that draws on early maps and atlases; Plato, Kant, and Wittgenstein; Thomas Pynchon, Gilgamesh, and Marcel Duchamp; "Abysmal" is itself a minimalist guide to the terrain of Western culture. Olsson roams widely but always returns to the problems inherent in reason, to question the outdated assumptions and fixed ideas that thinking cartographically entails. A work of ambition, scope, and sharp wit, "Abysmal" will appeal to an eclectic audience - to geographers and cartographers, but also to anyone interested in the history of ideas, culture, and art.

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Recent critical theory is curiously preoccupied with the metaphors and ideas of early Christianity, especially the religion of Paul. The haunting of secular thought by the very religion it seeks to overcome may seem surprising at first, but Ward Blanton argues that this recent return by theorists to the resources of early Christianity has precedent in modern and ostensibly secularizing philosophy, from Kant to Heidegger. "Displacing Christian Origins" traces the current critical engagement of Agamben, Derrida, and Zizek, among others, back to nineteenth- and early-twentieth-century philosophers of early Christianity. By comparing these crucial moments in the modern history of philosophy with exemplars of modern biblical scholarship - David Friedrich Strauss, Adolf Deissmann, and Albert Schweitzer - Blanton offers a new way for critical theory to construe the relationship between the modern past and the biblical traditions to which we seem to be drawn once again. An innovative contribution to the intellectual history of biblical exegesis, "Displacing Christian Origins" will promote informed and fruitful debate between religion and philosophy.

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Palmquist’s Commentary provides the first definitive clarification on Kant’s Philosophy of Religion in English; it includes the full text of Pluhar’s translation, interspersed with explanations, providing both a detailed overview and an original interpretation of Kant’s work. Offers definitive, sentence-level commentary on Kant’s Religion within the Bounds of Bare Reason Presents a thoroughly revised version of Pluhar’s translation of the full text of Kant’s Religion, including detailed notes comparing the translation with the others still in use today Identifies most of the several hundred changes Kant made to the second (1794) edition and unearths evidence that many major changes were responses to criticisms of the first edition Provides both a detailed overview and original interpretation of Kant’s work on the philosophy of religion Demonstrates that Kant’s arguments in Religion are not only cogent, but have clear and profound practical applications to the way religion is actually practiced in the world today Includes a glossary aimed at justifying new translations of key technical terms in Religion, many of which have previously neglected religious and theological implications

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Kant and Hartmann share a belief that is less common than it once was: that the aim of morality is to guide us toward becoming the best version of ourselves. Morality is not the same as prudence, nor is it a utilitarian calculus about what actions lead to our advantage. Yes, we do need to see what is in front of us, and handle what demands our immediate attention, in accordance with the rules endorsed by our societies. We also need to secure our existence as well as the material flourishing of ourselves and those who depend on us. But focusing exclusively on such issues deflects our consciousness from the high road of morality. [] These essays explore ideas relating to the suffocating and hope-crushing atmosphere of negativity and disorientation in the contemporary world. The message of this collection is that, if we dare to open our eyes and our hearts, we can find that there is much in ourselves and the world that deserves our reverence and our loving gaze. It is not too late to re

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Bertrand Russell was one of the greatest logicians since Aristotle, and one of the most important philosophers of the past two hundred years. As we approach the 125th anniversary of the Nobel laureate's birth, his works continue to spark debate, resounding with unmatched timeliness and power. The Problems of Philosophy, one of the most popular works in Russell's prolific collection of writings, has become core reading in philosophy. Clear and accessible, this little book is an intelligible and stimulating guide to those problems of philosophy which often mistakenly lead to its status as too lofty and abstruse for the lay mind. Focusing on problems he believes will provoke positive and constructive discussion, Russell concentrates on knowledge rather than metaphysics, steering the reader through his famous 1910 distinction between "knowledge by acquaintance and knowledge by description," and introducing important theories of Descartes, Kant, Hegel, Hume, Locke, Plato, and others to lay the foundation for philosophical inquiry by general readers and scholars alike.With a new introduction by John Perry, this valuable work is a perfect introduction to the field and will continue to stimulate philosophical discussion as it has done for nearly forty years.

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Die Schöpfung ist nicht das Werk von einem Augenblicke. Die Schöpfung ist niemals vollendet.Immanuel Kant – Allgemeine Naturgeschichte und Theorie des HimmelsWie nehmen wir unsere materielle Welt wahr? Woraus besteht die Erde unter unseren Füßen? Warum fühlt sich Holz warm an und Metall kalt? Warum zerbricht Glas und Metall nicht? Woher kommt der Sauerstoff in der Luft? Und was hat eine Leuchtstofflampe mit der Sonne gemeinsam?Spannende Fragen, die uns im Alltag begegnen. Die drei Autoren dieses Buches gehen der Frage nach, welche Gesetze den Stoffen sowie den elementarsten Teilchen, die wir heute kennen, zugrunde liegen. Sie erklären die Prozesse, die wohl einst beim Urknall abgelaufen sind und nach denen bis heute in den heißen Herzen der Sterne die Elemente entstehen, aus denen wir und unsere Welt gemacht sind. Schließlich fragen sie, was das Leben ausmacht. Dieses Bild-Lese-Buch spannt einen großen Bogen: von der Wahrnehmung unserer stofflichen Umgebung über die wissenschaftliche Interpretation zahlreicher alltäglicher Phänomene bis hin zu den uns ganz persönlich berührenden Fragen, wie derjenigen nach unserem eigenen Ursprung.Dank der interdisziplinären Herangehensweise der Autoren, dank hunderter klarer Grafiken und ansprechender Fotografien, erschließt das Werk oft unerwartete Zusammenhänge.

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We are inundated with game play today. Digital devices offer opportunities to play almost anywhere and anytime. No matter our age, gender, social, cultural, or educational background—we play. Play in the Age of Goethe: Theories, Narratives, and Practices of Play around 1800 is the first book-length work to explore how the modern discourse of play was first shaped during this pivotal period (approximately 1770-1830). The eleven chapters illuminate critical developments in the philosophy, pedagogy, psychology, politics, and poetics of play as evident in the work of major authors of the period including Lessing, Goethe, Kant, Schiller, Pestalozzi, Jacobi, Tieck, Jean Paul, Schleiermacher, and Fröbel. While drawing on more recent theories of play by thinkers such as Jean Piaget, Donald Winnicott, Jost Trier, Gregory Bateson, Jacques Derrida, Thomas Henricks, and Patrick Jagoda, the volume shows the debates around play in German letters of this period to be far richer and more complex than previously thought, as well as more relevant for our current engagement with play. Indeed, modern debates about what constitutes good rather than bad practices of play can be traced to these foundational discourses. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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What is critique? How is it used and abused? At a moment when popular discourse is saturated with voices confronting each other about not being critical enough, while academic discourses proclaim to have moved past critique, this provocative book reawakens the foundational question of what 'critique' is in the first place. Roy Ben-Shai inspects critique as an orientation of critical thinking, probing its structures and assumptions, its limits and its risks, its history and its possibilities. The book is a journey through a landscape of ideas, images, and texts from diverse sources—theological, psychological, etymological, and artistic, but mainly across the history of philosophy, from Plato and Saint Augustine, through Kant and Hegel, Marx and Heidegger, up to contemporary critical theory. Along the way, Ben-Shai invites the reader to examine their own orientation of thought, even at the moment of reading the book; to question popular discourse; and to revisit the philosophical canon, revealing affinities among often antagonistic traditions, such as Catholicism and Marxism. Most importantly, Critique of Critique sets the ground for an examination of alternative orientations of critical thinking, other ways of inhabiting and grasping the world.

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What is critique? How is it used and abused? At a moment when popular discourse is saturated with voices confronting each other about not being critical enough, while academic discourses proclaim to have moved past critique, this provocative book reawakens the foundational question of what 'critique' is in the first place. Roy Ben-Shai inspects critique as an orientation of critical thinking, probing its structures and assumptions, its limits and its risks, its history and its possibilities. The book is a journey through a landscape of ideas, images, and texts from diverse sources—theological, psychological, etymological, and artistic, but mainly across the history of philosophy, from Plato and Saint Augustine, through Kant and Hegel, Marx and Heidegger, up to contemporary critical theory. Along the way, Ben-Shai invites the reader to examine their own orientation of thought, even at the moment of reading the book; to question popular discourse; and to revisit the philosophical canon, revealing affinities among often antagonistic traditions, such as Catholicism and Marxism. Most importantly, Critique of Critique sets the ground for an examination of alternative orientations of critical thinking, other ways of inhabiting and grasping the world.

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Political Theory and the Displacement of Politics, originally published in 1993, has been called a founding text of agonism, which treats political contestation not as a regrettably necessary way to correct political imperfections but as a necessary, sometimes joyful feature of democratic life. As Bonnie Honig writes in the preface to this thirtieth anniversary edition, "the agonism that informs this book is democratic: it is committed to shared spaces and relational practices in which diverse groups and individuals set and reset the terms of living together as equals." By rethinking the established relation between politics and political theory, Honig argues that political theorists of opposing positions often treat political theory less as an exploration of politics than as a series of devices for its displacement. She characterizes Kant, Rawls, and Sandel as virtue theorists of politics, arguing that they rely on principles of right, rationality, community, and law to protect their political theories from the conflict and uncertainty of political reality. Drawing on Nietzsche and Arendt as well as Machiavelli and Derrida, Honig instead explores an alternative politics of virtú, which treats the disruptions of political order as valued sites of democratic freedom and individuality.

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"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In Stolen Life—the second volume in his landmark trilogy consent not to be a single being—Fred Moten undertakes an expansive exploration of blackness as it relates to black life and the collective refusal of social death. The essays resist categorization, moving from Moten's opening meditation on Kant, Olaudah Equiano, and the conditions of black thought through discussions of academic freedom, writing and pedagogy, non-neurotypicality, and uncritical notions of freedom. Moten also models black study as a form of social life through an engagement with Fanon, Hartman, and Spillers and plumbs the distinction between blackness and black people in readings of Du Bois and Nahum Chandler. The force and creativity of Moten's criticism resonate throughout, reminding us not only of his importance as a thinker, but of the continued necessity of interrogating blackness as a form of sociality.

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What if our strongest urges could be divested of their power to compel yet retain their power to fascinate us? What if our most basic appetites could be translated from the realm of bodily necessity to the sphere of artistic freedom? Jeff Nunokawa traces the variety of social pressures that inspired Oscar Wilde's lifelong effort to concoct forms of desire that thrill without menacing us, as well as the alchemies by which he sought to do so. Assigning Wilde a place of honor in a heady company of thinkers drawn from the ranks of philosophy, sociology, economics, psychoanalysis, and contemporary queer theory--Kant, Marx, Simmel, Weber, Freud, Hannah Arendt, Albert O. Hirschman, Erving Goffman, Judith Butler, Eve Sedgwick, and, of course, Michel Foucault--this is the first book to recognize Wilde not only as a blatant symptom of a familiar understanding of modern sexuality, but also as a grand theorist of the subject in his own right. The result is a wholly original portrait of the artist as a social critic who, in the midst of his humor, labored to illuminate and amend the book of love.

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Beauty has captured human interest since before Plato, but how, why, and to whom does beauty matter in today's world? Whose standard of beauty motivates African Americans to straighten their hair? What inspires beauty queens to measure up as flawless objects for the male gaze? Why does a French performance artist use cosmetic surgery to remake her face into a composite of the master painters' version of beauty? How does beauty culture perceive the disabled body? Is the constant effort to remain young and thin, often at considerable economic and emotional expense, ethically justifiable? Provocative essays by an international group of scholars discuss aesthetics in aesthetics, the arts, the tools of fashion, the materials of decoration, and the big business of beautification—beauty matters—to reveal the ways gender, race, and sexual orientation have informed the concept of beauty and driven us to become more beautiful. Here, Kant rubs shoulders with Calvin Klein. Beauty Matters draws from visual art, dance, cultural history, and literary and feminist theory to explore the values and politics of beauty. Various philosophical perspectives on ethics and aesthetics emerge from this penetrating book to determine and reveal that beauty is never disinterested.

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'To read Being Ecological is to be caught up in a brilliant display of intellectual pyrotechnics' P.D.Smith, GuardianWhy is everything we think we know about ecology wrong?Is there really any difference between 'humans' and 'nature'?Does this mean we even have a future?Don't care about ecology? This book is for you. Timothy Morton, who has been called 'Our most popular guide to the new epoch' (Guardian), sets out to show us that whether we know it or not, we already have the capacity and the will to change the way we understand the place of humans in the world, and our very understanding of the term 'ecology'. A cross-disciplinarian who has collaborated with everyone from Björk to Hans Ulrich Obrist, Morton is also a member of the object-oriented philosophy movement, a group of forward-looking thinkers who are grappling with modern-day notions of subjectivity and objectivity, while also offering fascinating new understandings of Heidegger and Kant. Calling the volume a book containing 'no ecological facts', Morton confronts the 'information dump' fatigue of the digital age, and offers an invigorated approach to creating a liveable future.

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Peter Sloterdijk turns his keen eye to the history of western thought, conducting colorful readings of the lives and ideas of the world's most influential intellectuals. Featuring nineteen vignettes rich in personal characterizations and theoretical analysis, Sloterdijk's companionable volume casts the development of philosophical thinking not as a buildup of compelling books and arguments but as a lifelong, intimate struggle with intellectual and spiritual movements, filled with as many pitfalls and derailments as transcendent breakthroughs. Sloterdijk delves into the work and times of Aristotle, Augustine, Bruno, Descartes, Foucault, Fichte, Hegel, Husserl, Kant, Kierkegaard, Leibniz, Marx, Nietzsche, Pascal, Plato, Sartre, Schelling, Schopenhauer, and Wittgenstein. He provocatively juxtaposes Plato against shamanism and Marx against Gnosticism, revealing both the vital external influences shaping these intellectuals' thought and the excitement and wonder generated by the application of their thinking in the real world. The philosophical "temperament" as conceived by Sloterdijk represents the uniquely creative encounter between the mind and a diverse array of cultures. It marks these philosophers' singular achievements and the special dynamic at play in philosophy as a whole. Creston Davis's introduction details Sloterdijk's own temperament, surveying the celebrated thinker's intellectual context, rhetorical style, and philosophical persona.

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An account of criticism as an urgent response to what moves us. Criticism begins when we put down a book to tell someone about it. It is what we do when we face a work or event that bowls us over and makes us scramble for a response. As Michel Chaouli argues, criticism involves three moments: Something speaks to me. I must tell you about it. But I don’t know how. The heart of criticism, no matter its form, lies in these surges of thoughts and feelings. Criticism arises from the fundamental need to share what overwhelms us. We tend to associate criticism with scholarship and journalism. But Chaouli is not describing professional criticism, but what he calls “poetic criticism”—a staging ground for surprise, dread, delight, comprehension, and incomprehension. Written in the mode of a philosophical essay, Something Speaks to Me draws on a wide range of writers, artists, and thinkers, from Kant and Schlegel to Merleau-Ponty, Bachelard, Barthes, and Cavell. Reflecting on these dimensions of poetic experience, Something Speaks to Me is less concerned with joining academic debates than communicating the urgency of criticism.

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As a philosopher, Richard McKeon spent his career developing Pragmatism in a new key, specifically by tracing the ways in which philosophic problems arise in fields other than philosophy—across the natural and social sciences and aesthetics—and showed the ways in which any problem, pushed back to its beginning or taken to its end, is a philosophic problem. The roots of this book, On Knowing—The Social Sciences, are traced to McKeon’s classes where he blended philosophy with physics, ethics, politics, history, and aesthetics. This volume—the second in a series—leaves behind natural science themes to embrace freedom, power, and history, which, McKeon argues, lay out the whole field of human action. The authors McKeon considers—Hobbes, Machiavelli, Spinoza, Kant, and J. S. Mill—show brilliantly how philosophic methods work in action, via analyses that do not merely reduce or deconstruct meaning, but enhance those texts by reconnecting them to the active history of philosophy and to problems of ethics, politics, and history. The waves of modernism and post-modernism are receding. Philosophic pluralism is now available, fully formulated, in McKeon’s work, spreading from the humanities to the social sciences.

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Hegel's Theory of Intelligibility picks up on recent revisionist readings of Hegel to offer a productive new interpretation of his notoriously difficult work, the Science of Logic. Rocio Zambrana transforms the revisionist tradition by distilling the theory of normativity that Hegel elaborates in the Science of Logic within the context of his signature treatment of negativity, unveiling how both features of his system of thought operate on his theory of intelligibility. Zambrana clarifies crucial features of Hegel's theory of normativity previously thought to be absent from the argument of the Science of Logic-what she calls normative precariousness and normative ambivalence. She shows that Hegel's theory of determinacy views intelligibility as both precarious, the result of practices and institutions that gain and lose authority throughout history, and ambivalent, accommodating opposite meanings and valences even when enjoying normative authority. In this way, Zambrana shows that the Science of Logic provides the philosophical justification for the necessary historicity of intelligibility. Intervening in several recent developments in the study of Kant, Hegel, and German Idealism more broadly, this book provides a productive new understanding of the value of Hegel's systematic ambitions.

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This book is a fully updated and expanded new edition of An Introduction to Continental Philosophy, first published in 1996. It provides a clear, concise and readable introduction to philosophy in the continental tradition. It is a wide-ranging and reliable guide to the work of such major figures as Nietzsche, Habermas, Heidegger, Arendt, Sartre, Foucault, Derrida and Žižek. At the same time, it situates their thought within a coherent overall account of the development of continental philosophy since the Enlightenment. Individual chapters consider the character of modernity, the Enlightenment and its continental critics; the ideas of Marxism, the Frankfurt School and Habermas; hermeneutics and phenomenology; existentialism; structuralism, post-structuralism and postmodernism. In addition to the thinkers already mentioned, there is extended discussion of the ideas of Kant, Hegel, Dilthey, Husserl, Gadamer, Kierkegaard, de Beauvoir and Lyotard. The new edition includes an additional, full-length chapter on continental philosophy in the twenty-first century focusing on Giorgio Agamben, Alain Badiou and Slavoj Žižek. Continental Philosophy: An Introduction is an invaluable introductory text for courses on continental philosophy as well as courses in the humanities and social sciences dealing with major figures or influential approaches within that tradition.

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In After Parmenides, Tom Rockmore takes us all the way back to the beginning of philosophy when Parmenides asserted that thought and being are one: what we know is what is. This idea created a division between what the mind constructs as knowable entities and the idea that there is also a mind-independent real, which we can know or fail to know. To counter this, Rockmore argues that we need to give up on the idea of this real, and instead focus on the objects of cognition that our mind constructs. Though we cannot know mind-independent objects as they “really” are, we can and do know objects as they appear to us. If we construct the object we seek to know, then it corresponds to what we think about it. After Parmenides charts the continual engagement with these ideas of real and the knowable throughout philosophical history from Plato and Aristotle to Descartes, Kant, Fichte, Hegel, and Schopenhauer, Marx, and others. This ambitious book shows how new connections can be made in the history of philosophy when it is reread through a new lens.

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This book tells the story of idealism in modern philosophy, from the seventeenth century to the turn of the twenty-first. Paul Guyer and Rolf-Peter Horstmann define idealism as the reduction of all reality to something mental in nature. Rather than distinguishing between metaphysical and epistemological versions of idealism, they distinguish between metaphysical and epistemological motivations for idealism. They argue that while metaphysical arguments for idealism have only rarely been accepted, for example by Bishop Berkeley in the early eighteenth century and the British idealists Bradley and McTaggart in the late nineteenth and early twentieth centuries, epistemological arguments for idealism have been widely accepted, even in the so-called analytic philosophy of the twentieth century. Guyer and Horstmann discuss many philosophers who have played a role in the development of idealism, from Descartes, Hobbes, Spinoza, Leibniz, Locke, Berkeley, and Hume, through Kant; the German idealists Fichte, Schelling, and Hegel; Schopenhauer and Nietzsche; the British and American idealists such as Green and Royce in addition to Bradley and McTaggart; G.E. Moore and Bertrand Russell, Neo-Kantians such as Ernst Cassirer; and twentieth-century philosophers such as Wittgenstein, Collingwood, Carnap, Sellars, and McDowell.

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Dieser Band enthält eine Gesamtdarstellung des spannungsreichen Verhältnisses von Philosophie und Theologie in der abendländischen Geschichte. Ausgehend von der Entwicklung der griechischen Philosophie und der Ausbildung einer philosophischen Theologie fragt Jan Rohls zunächst nach der Reaktion des Judentums und des frühen Christentums auf die antike Philosophie. Er zeichnet die Rezeption des arabisch-jüdischen Aristotelismus durch die mittelalterliche Theologie ebenso nach wie die Auflösung der scholastischen Synthese von Theologie und aristotelischer Philosophie im Nominalismus.Besonderes Gewicht erhält die Epoche zwischen Renaissance und Aufklärung. Hier wird nicht nur die gesamte antike Philosophie wiederentdeckt und eine aristotelisch geprägte Schulphilosophie in den verschiedenen konfessionellen Lagern entwickelt, sondern mit Descartes, Locke und Leibniz kommt es schließlich auch zum endgültigen Abschied von Aristoteles. In der Neuzeit steht seit Kant das Verhältnis der Theologie zur Metaphysik, vor allem in Gestalt des Hegelschen Idealismus, und zur Metaphysikkritik, am radikalsten repräsentiert durch Nietzsche, im Vordergrund.Der Autor widmet sich sodann den Auswirkungen der drei wichtigsten Richtungen der Philosophie des zwanzigsten Jahrhunderts auf die Theologie der Gegenwart: der analytischen und der hermeneutischen Philosophie sowie der Frankfurter Schule samt Transzendentalpragmatik. Er schließt mit der Erörterung des Verhältnisses von Theologie und Metaphysik.

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In Money Matters, Richard Gray investigates the discourses of aesthetics and philosophy alongside economic thought, arguing that their domains are not mutually exclusive. The transition in Germany from an agrarian or proto-industrial economy to a capitalist industrial economy, which was paralleled by a shift from the exchange of money in coin to the use of paper currencies, occurred simultaneously with an efflorescence of German-language literature and philosophy. Based on close readings of canonical literary and philosophical texts, Gray explores how this confluence led to a rich cross-fertilization between economic and literary thought in Germany during this period. Money Matters documents the surprising degree to which literature and philosophy participated in the creation of modern economic paradigms, as well as the extent to which economics influenced literature and philosophy. The cultural artifacts of the period demonstrate the existence of an “economic unconsciousness”: persistent notions of value and exchange that inflect the aesthetic and thematic dimensions of literary and philosophical texts. This book offers a thought-provoking and original analysis of literature and ideas in the critical transition period from Kant and Goethe, through the German Romantics, to Marx.

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You may have an inclination to do it, but there is still a moment when you can decide to do it or not. This "moment of drama" is more puzzling than it first appears. When you are inclined to do something, are you related to your inclination as rider to horse? As ruler to subject? As thinker to thoughts? Schapiro shows that these familiar pictures fail to confront the central puzzle. Inclinations are motives with respect to which we are distinctively passive. But to be motivated is to be active—to be self-moved. How can you be passive in relation to your own activity? Schapiro puts forward an "inner animal" view, inspired by Kant, which holds that when you are merely inclined to act, the instinctive part of yourself is already active, while the rest of you is not. At this moment, your will is at a crossroads. You can humanize your inclination, or you can dehumanize yourself. Feeling Like It provides a concise and accessible investigation of a new problem at the intersection of ethics, philosophy of action, and philosophy of mind.

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This book is a highly original exploration of what life could and should be. It juxtaposes a philosophical enquiry into the nature of the good life with an ethnography of people living in a small Irish town. Attending carefully to the everyday lives of these people, the ethnographic chapters examine topics ranging from freedom and inequality to the creation of community and the purpose of life. These chapters alternate with discussions of similar topics by a wide range of philosophers in the Western tradition, from Socrates and the Stoics through Kant, Hegel, and Heidegger to Adorno, Rawls, MacIntyre, and Nussbaum. As an ethnography, this book reveals just how much we can learn from a respectful acknowledgement of what ordinary modest people have achieved. By creating community as a deliberate and social project that provides the foundation for a more fulfilling life, where affluence has not led to an increase in individualism, the people in this town have found a way to live the good enough life. The book also shows how anthropology and philosophy can complement and enrich one another in an enquiry into what we might accomplish in our lives.

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Many consider the nature of human consciousness to be one of the last great unsolved mysteries. Why should the light turn on, so to speak, in human beings at all? And how is the electrical storm of neurons under our skull connected with our consciousness? Is the self only our brain’s user interface, a kind of stage on which a show is performed that we cannot freely direct? In this book, philosopher Markus Gabriel challenges an increasing trend in the sciences towards neurocentrism, a notion which rests on the assumption that the self is identical to the brain. Gabriel raises serious doubts as to whether we can know ourselves in this way. In a sharp critique of this approach, he presents a new defense of the free will and provides a timely introduction to philosophical thought about the self – all with verve, humor, and surprising insights. Gabriel criticizes the scientific image of the world and takes us on an eclectic journey of self-reflection by way of such concepts as self, consciousness, and freedom, with the aid of Kant, Schopenhauer, and Nagel but also Dr. Who, The Walking Dead, and Fargo.

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Celebrate the Dude with an abiding look at the philosophy behind The Big Lebowski Is the Dude a bowling-loving stoner or a philosophical genius living the good life? Naturally, it's the latter, and The Big Lebowski and Philosophy explains why. Enlisting the help of great thinkers like Plato and Nietzsche, the book explores the movie's hidden philosophical layers, cultural reflection, and political commentary. It also answers key questions, including: The Dude abides, but is abiding a virtue? Is the Dude an Americanized version of the Taoist way of life? How does The Big Lebowski illustrate the Just War Theory? How does bowling help Donny, Walter, and the Dude oppose nihilism? Yes, the Dude is deep, and so is this book. Don't watch the movie—or go to Lebowski Fest—without it. Explores many of The Big Lebowski's key themes, such as nihilism, war and politics, money and materialism, idealism and morality, history, and more Gives you new perspective on the movie's characters—the Dude, the Big Lebowski, Walter Sobchak, Donny, Maude Lebowski, Bunny Lebowski, and others Helps you appreciate the Coen Brothers classic even more with the insights of Aristotle, Epicurus, Kant, Derrida, and other philosophical heavyweights

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In Kant's Moral Religion, Allen W. Wood argues that Kant's doctrine of religious belief if consistent with his best critical thinking and, in fact, that the "moral arguments"—along with the faith they justify—are an integral part of Kant's critical philosophy. Wood shows that Kant's sensitive religious outlook on the world deserves to be counted among the greatest of his philosophical contributions.In setting forth his interpretation of Kant, Wood provides a clear statement of what the philosopher reveals in his reasoning for belief in God and immortality. He reexamines Kant's conception of moral volition and defends his doctrine of the "highest good." He discusses Kant's use of moral faith as a rational criterion for religion in relation to ecclesiastically faith, religious experience, and claims to divine revelation. Finally, he discusses the philosopher's idea of radical evil in man's nature, and develops Kant's theory of divine grace as it is foreshadowed in his 1793 book Religion Within the Limits of Reason Alone.Kant's thoughts about religion, Wood maintains, are a great philosopher's solution to difficult problems that must be confronted by everyone and can serve as a guide in any effort to deal rationally with questions of religion.

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Bruce Haddock's lucid and original textbook combines historical and theoretical analysis, setting political thought in the context of the emerging institutional, cultural and economic framework of the modern world. From the colossal impact of the French and American revolutions, through reaction and constitutional consolidation, the book traces the contrasting criteria invoked to justify particular forms of political order from 1789 to the present day. Its chapters are organized around key themes such as liberty, welfare, the nation-state and totalitarianism, focusing on the response of theorists to fundamental ideological and political controversies. Major thinkers covered include Kant, Burke, Hegel, Tocqueville, Marx, Mill, Mazzini, Lenin, Schmitt, Hayek, Oakeshott and Rawls. The book also confronts challenging questions about the status of moral and political principles. Cultural and moral controversy is characteristic of our everyday experience. In recent decades, however, the foundations of political and ethical theory have been widely questioned. Haddock highlights the emergence of a dilemma that faces all citizens: how we make judgements of value from embedded positions in social and cultural communities. A History of Political Thought: 1789 to the Present will be of interest to students and scholars of politics, history and philosophy.

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A compilation of fascinating and original essays by one of today's most important art historians In this richly illustrated book, Michael Fried—one of the most esteemed and influential art critics and art historians working today—has gathered eight major essays written between 1993 and 2013, on topics ranging from Jacques-Louis David, Théodore Géricault, and Caspar David Friedrich through Gustave Caillebotte and Roger Fry to recent films by Douglas Gordon and Thomas Demand. Gustave Courbet and Edouard Manet, too, are distinct presences along with, in the background, the great art critic Denis Diderot and, in the case of Friedrich, the philosopher Immanuel Kant. As always in Fried’s writing, the emphasis falls equally on observation and argument: never have these artists (and one critic, Fry) been subjected to so searching a gaze, and never has the meaning of their respective enterprises been laid bare with comparable clarity and force. Another hallmark of Fried’s work is its extraordinary originality, and that too is fully in evidence throughout this remarkable book, which will add to his reputation as one of the indispensable thinkers of our time.

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What is fair? How and when can punishment be legitimate? Is there recompense for human suffering? How can we understand ideas about immortality or an afterlife in the context of critical thinking on the human condition? In this book L. E. Goodman presents the first general theory of justice in this century to make systematic use of the Jewish sources and to bring them into a philosophical dialogue with the leading ethical and political texts of the Western tradition. Goodman takes an ontological approach to questions of natural and human justice, developing a theory of community and of nonvindictive yet retributive punishment that is grounded in careful analysis of various Jewish sources—biblical, rabbinic, and philosophical, His exegesis of these sources allow Plato, Kant, and Rawls to join in a discourse with Spinoza and medieval rationalists, such as Saasidah and Maimonides, who speak in a very different idiom but address many of the same themes. Drawing on sources old and new, Jewish and non-Jewish, Goodman offers fresh perspectives on important moral and theological issues that will be of interest to both Jewish and secular philosophers.

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Gaming the System takes philosophical traditions out of the ivory tower and into the virtual worlds of video games. In this book, author David J. Gunkel explores how philosophical traditions—put forth by noted thinkers such as Plato, Descartes, Kant, Heidegger, and Žižek—can help us explore and conceptualize recent developments in video games, game studies, and virtual worlds. Furthermore, Gunkel interprets computer games as doing philosophy, arguing that the game world is a medium that provides opportunities to model and explore fundamental questions about the nature of reality, personal identity, social organization, and moral conduct. By using games to investigate and innovate in the area of philosophical thinking, Gunkel shows how areas such as game governance and manufacturers' terms of service agreements actually grapple with the social contract and produce new postmodern forms of social organization that challenge existing modernist notions of politics and the nation state. In this critically engaging study, Gunkel considers virtual worlds and video games as more than just "fun and games," presenting them as sites for new and original thinking about some of the deepest questions concerning the human experience.

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