Search results for ""author fredericks"

Perfect for fans of Kevin Henkes’ Mouse Adventures and Leo Lionni’s Frederick, or young readers taking their first steps towards independence!Henri is a palace rat living as the pampered pet of King Louis the XVI! He’s waited on paw and foot . . . but not everybody is happy about it. When a dastardly plan by the royal staff casts Henri out to the streets, he must find his own way safely home. Country mice take Henri in and kindly show him their ways of living. To survive, Henri will eat field strawberries, fashion new clothes out of rags to match the latest Parisian styles, and sleep on grass nests, dreaming of his return to the palace. In no time, Henri will become a popular figure, spinning rich and colorful tales of palace life for growing audiences. Yet every great tale must have a happy ending . . . and when the time comes for Henri to determine how his own story will conclude, will he choose to stay with his new friends on the street or return to his regal life of comfort?

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Irene Calboli and Jacques de Werra have put together a comprehensive look at trademark transactions throughout the world. Essential reading for specialists in international trademark law and for anyone who wants to understand more about laws other than their own.'- Mark A. Lemley, William H. Neukom Professor, Stanford Law School, US'Commercial transactions involving trademarks, especially across borders, have received scant in-depth attention in law literature. With insights from the emerging markets of Brazil, China and India to the EU and USA via Australia and Japan, this book deals with the multifarious aspects. The reader will finish it not only with their knowledge greatly enhanced but convinced that, at least in this field, the world most certainly is not flat.'- David Llewelyn, Singapore Management University and King's College London, UK'An incisive, must-have book for every practitioner or scholar who is serious about trademark transactions. The key areas of this crucial subject are compellingly unpacked by famous authors from around the globe in a user-friendly format. Outstanding scholarship and presentation.'- Frederick Mostert, University of Oxford, UK and Past President of the International Trademark AssociationThe Law and Practice of Trademark Transactions is a comprehensive analysis of the law governing trademark transactions in a variety of legal and business contexts, and from a range of jurisdictional and cross-border perspectives. After mapping out the international legal framework applicable to trademark transactions, the book provides an analysis of important strategic considerations, including: tax strategies; valuation; portfolio splitting; registration of security interests; choice-of-law clauses; trademark coexistence agreements, and dispute resolution mechanisms.Key features include:- A comprehensive overview of legal and policy-related issues- A blend of approaches underpinning strategic considerations with analytical rigour- Regional coverage of the key characteristics of trademark transactions in a range of jurisdictions- Authorship from renowned trademark expertsPractitioners advising trademark owners, including trademark attorneys, will find this book to be an invaluable resource for their practice, particularly where cross-border issues arise. It will also be a key reference point for scholars working in the field.Contributors: L. Anderson, N. Binctin, G. Bühler, R. Burrell, I. Calboli, C. Czychowski, L. Dal Molin, R.P. D'Souza, D.J. Gervais, S. Ghosh, J.C. Ginsburg, H. Guo, M. Handler, M. Höpperger, R. Jacob, S.H.S. Leong, C. Manara, J.-F. Maraia, R. Mittal, X.-T. Nguyen, A. Nordemann, M. Senftleben, S. Teramoto, J.C. Vaz e Dias, J. de Werra, N. Wilkof, D. Yokomizo

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Noting that the documents pertaining to the Battle of the Little Big Horn are often garbled in editing and quoted out of context, Loyd J. Overfield set out to compile the original orders, letters, and telegrams that put a great fighting machine into motion and soon conveyed the shock of its destruction. Far more readable than today's official documents, they carry the sound of individual voices and clearly state the circumstances surrounding Custer's fall. The communications of this collection begin with Custer's successful plea to President Grant, who in a fit of pique had originally forbidden him to join his regiment in fighting the hostile Indians. A series of carefully spelled-out field orders is followed by a letter from Major Marcus Reno asking for medical aid for his wounded men after two days of fighting. Included are dispatches from Reno, Gen. Alfred H. Terry, Col. John Gibbon, Capt. Frederick Benteen, and Capt. E.W. Smith. The rosters of officers and enlisted men who fought at the Little Big Horn will be of interest to Custer buffs and historians and also to family genealogists trying to trace ancestors who made history there. Overfield has provided primary sources that amount to a detailed postmortem of events from participants only too aware that history would ask questions.

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In this sweeping look at political and philosophical history, Linda M. G. Zerilli unpacks the tightly woven core of Hannah Arendt's unfinished work on a tenacious modern problem: how to judge critically in the wake of the collapse of inherited criteria of judgment. Engaging a remarkable breadth of thinkers, including Ludwig Wittgenstein, Leo Strauss, Immanuel Kant, Frederick Douglas, John Rawls, J rgen Habermas, Martha Nussbaum, and many others, Zerilli clears a hopeful path between an untenable universalism and a cultural relativism that forever defers the possibility of judging at all. Zerilli deftly outlines the limitations of existing debates, both those that concern themselves with the impossibility of judging across cultures and those that try to find transcendental, rational values to anchor judgement. Looking at Kant through the lens of Arendt, Zerilli develops the notion of a public conception of truth, and from there she explores relativism, historicism, and universalism as they shape feminist approaches to judgment. Following Arendt even further, Zerilli arrives at a hopeful new pathway seeing the collapse of philosophical criteria for judgment not as a problem but a way to practice judgment anew as a world-building activity of democratic citizens. The result is an astonishing theoretical argument that travels through and goes beyond some of the most important political thought of the modern period.

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Harry Walsh is a young man on the make. He intends to become a famous singer, little knowing what dramas this will lead him through. He attaches himself to the celebrity composer, George Frederick Handel, maestro of the Italian opera, a favourite of royalty. But the aristocratic fashion for Handel is cooling. Opposing opera factions, one led by the scheming castrato, Senesino, knock the great man from his pinnacle. Meanwhile, rival impresarios are capturing new audiences with vulgar burlesques and extravagant pleasure gardens. As Harry negotiates his way through these shifts in popular entertainment his love-life proves equally complicated. He develops a passion for Handel's shy young assistant and finds himself tied into a triangle of love that slowly and painfully falls apart. Documenting the launch of the great oratorio, the Messiah, in Dublin, and capturing the self-absorbed world of the singer, this is a light-hearted account of the rise and fall of the Italian opera in Hanoverian London. It is also a well-observed story of confused sexuality and an adolescent yearning for self-esteem and love.

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This book offers the first sustained examination of the cultural relations of the American and Soviet avant-gardes in a period of major transformation. From the formation of the USSR in 1922 until its recognition by the American government, American avant-garde artists, writers and designers watched the 'Red Dawn' with fascination, enthusiastically reporting on its post-revolutionary cultural developments in articles and books, and brought these works to an American audience in ground-breaking exhibitions. Americans also emulated and adapted aspects of Soviet culture, as in the case of the New Playwrights Theatre, a group that mixed Russian avant-garde theatrical techniques with jazz, vaudeville and slapstick comedy in plays about strikes and racial injustice. Figures discussed include Louis Lozowick, Jane Heap, Frederick Kiesler, Ralph Steiner, John dos Passos, Margaret Bourke-White and Langston Hughes.Watching the red dawn takes an innovative interdisciplinary approach, considering these developments in architecture, theatre, film, photography and literature, and will be invaluable for students and specialists in these subject areas. It provides a new perspective on American avant-garde culture of the inter-war years.

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This handsome volume is the first authoritative survey of one of the most intriguing periods of British art—the radically innovative decade of the 1860s. The book explores new developments in English painting of this period, focusing on the early work of Edward Burne-Jones, Frederic Leighton, Albert Moore, Edward Poynter, Simeon Solomon, and James McNeill Whistler, as well as on paintings by Frederick Sandys and the older G. F. Watts, and by Dante Gabriel Rossetti and his Pre-Raphaelite colleagues Holman Hunt and John Everett Millais. Allen Staley argues that engagement in the decorative arts, particularly by Burne-Jones, Moore, and Poynter at the outset of their careers, led to a transcending of traditional expectations of painting, making abstract formal qualities, or beauty for beauty's sake, the main goal. Rather than being about what it depicts, the painting itself becomes its own subject. The New Painting of the 1860s examines the interplay among the artists and the shared ambitions underlying their works, giving impetus to what would soon come to be known as the Aesthetic Movement.Published for the Paul Mellon Centre for Studies in British Art

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Africa since 1940 is the flagship textbook in Cambridge University Press' New Approaches to African History series. Now revised to include the history and scholarship of Africa since the turn of the millennium, this important book continues to help students understand the process out of which Africa's position in the world has emerged. A history of decolonisation and independence, it allows readers to see just what political independence did and did not signify, and how men and women, peasants and workers, religious and local leaders sought to refashion the way they lived, worked and interacted with each other. Covering the transformation of Africa from a continent marked by colonisation to one of independent states, Frederick Cooper follows the 'development question' across time, seeing how first colonial regimes and then African elites sought to transform African society in their own ways. He shows how people in cities and villages tried to make their way in an unequal world, through times of hope, despair, renewed possibilities, and continued uncertainties. Looking beyond the debate over what or who may be to blame, Cooper explores alternatives for the future.

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Retirement planning is difficult enough without having to contend with misinformation. Unfortunately, much of the advice that is dispensed is either unsubstantiated or betrays a strong vested interest. In The Essential Retirement Guide, Frederick Vettese analyses the most fundamental questions of retirement planning and offers some startling insights. The book finds, for example that: Saving 10 percent a year is not a bad rule of thumb if you could follow it, but there will be times when you cannot do so and it might not even be advisable to try. Most people never spend more than 50 percent of their gross income on themselves before retirement; hence their retirement income target is usually much less than 70 percent. Interest rates will almost certainly stay low for the next 20 years, which will affect how much you need to save. Even in this low-interest environment, you can withdraw 5 percent or more of your retirement savings each year in retirement without running out of money. Your spending in retirement will almost certainly decline at a certain age so you may not need to save quite as much as you think. As people reach the later stages of retirement, they become less capable of managing their finances, even though they grow more confident of their ability to do so! Plan for this before it is too late. Annuities have become very expensive, but they still make sense for a host of reasons. In addition, The Essential Retirement Guide shows how you can estimate your own lifespan and helps you to understand the financial implications of long-term care. Most importantly, it reveals how you can calculate your personal wealth target - the amount of money you will need by the time you retire to live comfortably. The author uses his actuarial expertise to substantiate his findings but does so in a jargon-free way.

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In Stay Black and Die, I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.

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In Stay Black and Die, I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.

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The Early Romantics met resistance from artists and academics alike in part because they defied the conventional wisdom that philosophy and the arts must be kept separate. Indeed, as the literary component of Romanticism has been studied and celebrated in recent years, its philosophical aspect has receded from view. This book, by one of the most respected scholars of the Romantic era, offers an explanation of Romanticism that not only restores but enhances understanding of the movement's origins, development, aims, and accomplishments--and of its continuing relevance.Poetry is in fact the general ideal of the Romantics, Frederick Beiser tells us, but only if poetry is understood not just narrowly as poems but more broadly as things made by humans. Seen in this way, poetry becomes a revolutionary ideal that demanded--and still demands--that we transform not only literature and criticism but all the arts and sciences, that we break down the barriers between art and life, so that the world itself becomes "romanticized." Romanticism, in the view Beiser opens to us, does not conform to the contemporary division of labor in our universities and colleges; it requires a multifaceted approach of just the sort outlined in this book.

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A quiet chat with Casanova turns into a catalogue of racy encounters set in 18th-century Venice and other cities … and we can even ask questions! You’ll find out just how he got himself both in and out of some extremely sticky situations, from debt and imprisonment, to confrontations with jealous husbands and even heartbreak. Renowned as a great lover and seducer, Casanova was far more than a bed hopping rake. He founded the world's first national lottery, discussed theories of taxation with Frederick the Great, debated the merits of the Gregorian calendar with Catherine the Great, talked theology with Pope Clement XIII, lectured on Horace and Homer, and gave a public recital of his own poem on the Passion of the Christ. He was also an accomplished swindler, an extraordinary wit, a brilliant philosopher, a formidable duellist, and a notable spy. The impressive scale of Casanova's many gifts – and vices – is brought brilliantly to life in this innovative biography. A concise biographical essay is followed by a scintillating dialogue that is as historically rigorous as it is entertaining. As Dita Von Teese says in her Foreword: "In my most amorous fantasies, I spend languid days and glittering nights with a true 'Casanova'— a man with a heartfelt passion for life, a thirst for knowledge and adventure, and of course a lust for refined romance." Be seduced by this brilliant book.

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A showcase of the extraordinary career America’s first Black novelist and pivotal figure in African American literature “It is difficult to imagine any one of his contemporaries who contributed as much or as richly to so many genres.” —Henry Louis Gates Jr. Born a slave and kept functionally illiterate until he escaped at age nineteen, William Wells Brown (1814–1884) refashioned himself first as an agent of the Underground Railroad, then as an antislavery activist and self-taught orator, and finally as the author of a series of landmark works that made him, like Frederick Douglass, a foundational figure of African American literature. His controversial novel Clotel; or, the President’s Daughter (1853), a fictionalized account of the lives and struggles of Thomas Jefferson’s black daughters and granddaughters, is the first novel written by an African American. This Library of America volume brings it together with Brown’s other groundbreaking works: Narrative of William W. Brown: A Fugitive Slave, Written by Himself (1847), his first published book and an immediate bestseller, which describes his childhood, life in slavery, and eventual escape; later memoirs charting his life during the Civil War and Reconstruction; the first play (The Escape; or, A Leap for Freedom, 1858), travelogue (The American Fugitive in Europe, 1855), and history (The Black Man, His Antecedents, His Genius, and His Achievements, 1862) written by an African American; and eighteen speeches and public letters from the 1840s, 50s, and 60s, many collected here for the first time. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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In proving the existence of stem cells, Ernest Armstrong McCulloch and James Edgar Till formed the most important partnership in Canadian medical research since Frederick Banting and Charles Best, the discoverers of insulin. Together, Till and McCulloch instructed, influenced, and inspired successive generations of researchers who have used their findings to make huge advances against disease. Thousands of people who would have died from leukemia and immunological disorders now owe their lives to therapies developed from their discoveries. Despite their accomplishments, Till and McCulloch remain largely unknown, and until now, their story has remained untold. Dreams and Due Diligence vividly chronicles the work of two researchers who made medical history - two men who possessed exactly the right complementary talents to achieve greatness and win nearly every award available in medical research. Bringing their legacy to life for the first time, Joe Sornberger provides a dramatic account of the development of stem cell research, one of today's most ground-breaking medical scientific fields.

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Between 1772 and 1795, Russia, Prussia, and Austria concluded agreements to annex and eradicate the Commonwealth of Poland-Lithuania. With the partitioning of Poland, the dioceses of the Uniate Church (later known as the Greek Catholic Church) were fractured by the borders of three regional hegemons.Larry Wolff's deeply engaging account of these events delves into the politics of the Episcopal elite, the Vatican, and the three rulers behind the partitions: Catherine II of Russia, Frederick II of Prussia, and Joseph II of Austria. Wolff uses correspondence with bishops in the Uniate Church and ministerial communiqués to reveal the nature of state policy as it unfolded.Disunion within the Union adopts methodologies from the history of popular culture pioneered by Natalie Zemon Davis (The Return of Martin Guerre) and Carlo Ginzburg (The Cheese and the Worms) to explore religious experience on a popular level, especially questions of confessional identity and practices of piety. This detailed study of the responses of common Uniate parishioners, as well as of their bishops and hierarchs, to the pressure of the partitions paints a vivid portrait of conflict, accommodation, and survival in a church subject to the grand designs of the late eighteenth century’s premier absolutist powers.

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Located in Chelten Hills just outside of Philadelphia, Pennsylvania, Camp William Penn was the largest and first Civil War facility to exclusively train Northern-based federal black soldiers during the war. Boasting the biggest free-black population in the country and the 19th-century’s epicenter of the Underground Railroad, Philadelphia and Camp William Penn, hosted the greatest anti-slavery abolitionists, including Frederick Douglass, Harriet Tubman, Sojourner Truth, Robert Purvis, and William Still. Douglass and Tubman spoke to and rallied some of the almost 11,000 soldiers, many of them runaway or ex-slaves, who trained in eleven regiments that fought in a slew of major battles, helped to corner the Confederate General Robert E. Lee and his Rebel forces, as well as capture President Lincoln’s assassins. Several earned the Medal of Honor for their bravery, and many gave their lives. At a time when America’s very existence was threatened, the warriors and freedom fighters for human equality associated with Camp William Penn were a major part of the country’s salvation. The complete story is told here.

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A compelling anthology of Black voices from England, America, Africa and the Caribbean, from people who lived, worked, campaigned and travelled in Britain from the eighteenth to the early twentieth century.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.Professor Hakim Adi, shortlisted for the Wolfson history prize, draws on a variety of published works in Black Voices on Britain, all of which describe powerful experiences: James Gronniosaw and his family endure poverty, illness and unemployment; Mary Prince is driven out by her cruel owners and turns to London charities for help; Frederick Douglass, on a lecture tour around Britain, reveals how the Christian clergy built churches with slave-owners’ money; and William Wells Brown gives his impressions of England as he travels around a country which welcomes him more readily than America. These and other voices offer a fascinating and thought-provoking portrayal of Black experiences in Britain.

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In 1893 Frederick Jackson Turner famously argued that the generational process of meeting and conquering the supposedly uncivilized western frontier is what forged American identity. In the late twentieth century, “new western” historians dissected the mythologized western histories that Turner and others had long used to embody American triumph and progress. While Turner’s frontier is no more, the West continues to present America with challenging processes to wrestle, navigate, and overcome.The North American West in the Twenty-First Century, edited by Brenden W. Rensink, takes stories of the late twentieth-century “modern West” and carefully pulls them toward the present—explicitly tracing continuity with or unexpected divergence from trajectories established in the 1980s and 1990s. Considering a broad range of topics, including environment, Indigenous peoples, geography, migration, and politics, these essays straddle multiple modern frontiers, not least of which is the temporal frontier between our unsettled past and uncertain future. These forays into the twenty-first-century West will inspire more scholars to pull histories to the present and by doing so reinsert scholarly findings into contemporary public awareness.

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In 1893 Frederick Jackson Turner famously argued that the generational process of meeting and conquering the supposedly uncivilized western frontier is what forged American identity. In the late twentieth century, “new western” historians dissected the mythologized western histories that Turner and others had long used to embody American triumph and progress. While Turner’s frontier is no more, the West continues to present America with challenging processes to wrestle, navigate, and overcome.The North American West in the Twenty-First Century, edited by Brenden W. Rensink, takes stories of the late twentieth-century “modern West” and carefully pulls them toward the present—explicitly tracing continuity with or unexpected divergence from trajectories established in the 1980s and 1990s. Considering a broad range of topics, including environment, Indigenous peoples, geography, migration, and politics, these essays straddle multiple modern frontiers, not least of which is the temporal frontier between our unsettled past and uncertain future. These forays into the twenty-first-century West will inspire more scholars to pull histories to the present and by doing so reinsert scholarly findings into contemporary public awareness.

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In 1892, Lord Frederick Arthur Stanley donated the Dominion Hockey Challenge Cup – later known as the Stanley Cup – to crown the first Canadian hockey champions. Canada’s Holy Grail documents Lord Stanley’s personal politics, his desire to affect Canadian nationality and unity, and the larger transformations in Anglo-liberal political thought at the time. This book posits that the Stanley Cup fit directly within Anglo-American traditions of using sport to promote ideas of the national, and the donation of the cup occurred at a moment in history when Canadian nationalists needed identifying symbols. Jordan B. Goldstein asserts that only with a transformation in Anglo-liberal thought could the state legitimately act through culture to affect national identity. Drawing on primary source documentation from Lord Stanley’s archives, as well as statements by politicians and hockey enthusiasts, Canada’s Holy Grail integrates political thought into the realm of sport history through the discussion of a championship trophy that still stands as one of the most well-known and recognized Canadian national symbols.

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In 1892, Lord Frederick Arthur Stanley donated the Dominion Hockey Challenge Cup – later known as the Stanley Cup – to crown the first Canadian hockey champions. Canada’s Holy Grail documents Lord Stanley’s personal politics, his desire to affect Canadian nationality and unity, and the larger transformations in Anglo-liberal political thought at the time. This book posits that the Stanley Cup fit directly within Anglo-American traditions of using sport to promote ideas of the national, and the donation of the cup occurred at a moment in history when Canadian nationalists needed identifying symbols. Jordan B. Goldstein asserts that only with a transformation in Anglo-liberal thought could the state legitimately act through culture to affect national identity. Drawing on primary source documentation from Lord Stanley’s archives, as well as statements by politicians and hockey enthusiasts, Canada’s Holy Grail integrates political thought into the realm of sport history through the discussion of a championship trophy that still stands as one of the most well-known and recognized Canadian national symbols.

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Reluctant Pioneers describes the migration of Chinese to Manchuria, their settlement there, and the incorporation of Manchuria into an expanding China, from the seventeenth to the twentieth centuries. The expansion of Chinese state and society from the agrarian and urban core of China proper to the territories north and west of the Great Wall doubled the size of the empire, forming the "China" now so prominent on the map of Asia. The movement and settlement of people, clearing and cultivation of land, invasions of soldiers, circulation of merchants, and establishment of government offices extended the boundaries of China at the same time that the American expansion westward and the Russian expansion eastward created the other great landed empires that dominated the twentieth century and persist today. The chief purpose of this book is to describe the Chinese experience and what it tells us about the expansion of states and societies, drawing comparisons with Russia and America, and reflecting on the nature of what scholars since Frederick Jackson Turner have called "frontiers" and what Turner's critics now call "borderlands" or "middle ground." In addition, the book touches on several other issues central to our understanding of modern China, such as the development of the Chinese economy and the nature of Chinese migration.

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What is Cultural History? has established itself as an essential guide to what cultural historians do and how they do it. Now fully updated in its third edition, leading historian Peter Burke offers afresh his accessible account of the past, present and future of cultural history, as it has been practised not only in the English-speaking world, but also in Continental Europe, Asia, South America and elsewhere. Burke begins by discussing the ‘classic’ phase of cultural history, associated with Jacob Burckhardt and Johan Huizinga, and the Marxist reaction to it, from Frederick Antal to Edward Thompson. He then charts the rise of cultural history in more recent times, concentrating on the work of the last generation, often described as the ‘New Cultural History’. He places cultural history in its own cultural context, noting links between new approaches to historical thought and writing and the rise of feminism, postcolonial studies and an everyday discourse in which the idea of culture plays an increasingly important part. The new edition also surveys the latest developments in the field and considers the directions that cultural history has been taking in the twenty-first century and may take in the future. This landmark book will continue to be essential reading for students of history, anthropology, cultural studies and literary studies.

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Using the expansive vernacular of black and white night photography to modify the antiquarian sensibility ordinarily brought to the study of Mexico's colonial architectures, Colonial Noir brings together the unsettling tenor of Mexico's colonial legacies with the ambiguous landscape of noir. Set against the backdrop of Baroque and Neoclassical architecture, the images in this collection draw on the aesthetics of Surrealism and Abstract Expressionism to create the collection's existential tone—where the innuendo of chiaroscuro becomes an analog to the tenuous relationship between Mexico's celebrated cultural plurality and its nefarious colonial history. Composed over a period of five years, the images in this collection reflect elements of Reid Samuel Yalom's background in modernist architectural photography and bear the subtle influence of Mexican works by Edward Weston and Paul Strand. The images also pay homage to the work of George Brassai and collections of Guillermo Kahlo and Henry Ravell that celebrate the architectural landscape of colonial Mexico. The book includes an essay by Frederick Luis Aldama, which uses ephemera of personal experience and elements of Latin American literary culture to provide an interpretive window into Yalom's work, and it includes an introduction by Santhosh Daniel, which places Yalom's work in the context of the history of photographic work on Mexico. The book also includes a foreword by the photographer Mark Citret.

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‘This has everything I love in a book; drama, intrigue and a giant, stuffed mammal.’ Sue PerkinsMr Horniman’s Walrus tells the story of the rise and fall of three generations of a remarkable and dysfunctional Victorian family – the Hornimans – exploring the lives and loves behind their extraordinary and varied legacies.Family patriarch John Horniman established the tea company that bore his name in 1826, which went on to become one of the best-known brands of nineteenth-century Britain. His son Frederick created the eclectic and wonderful Horniman Museum in London, and his granddaughter Annie was a theatrical impresario responsible for founding Ireland’s national theatre, the Abbey. Across more than a century, the family embodied changing middle-class attitudes from patriarchy to the new spirit of modernity; and their progress mirrored the high point of Victorian entrepreneurialism and the changes ushered in by the Edwardian age. Drawing on her years of research and unfettered access to the family archive, Clare Paterson has written a riveting tale of trade, collecting, the stage, sex and politics in Victorian Britain. For the first time, Mr Horniman’s Walrus unpicks the lives of this fascinating family, including their slips from grace as well as their astounding achievements. It’s a story of capital and culture, philanthropy and empire, but also bankruptcy, betrayal, intrigue, lunacy and deep involvement in the esoterica of the occult.

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When British and American intelligence catch wind of a major Al Qaeda operation in the works, they are primed for action - but what can they do? They know nothing about the attack: the what, where or when. They have no sources in Al Qaeda, and it's impossible to plant someone. Impossible, unless . . . The Afghan is Izmat Khan, a five-year prisoner of Guantanamo Bay and a former senior commander of the Taliban. The Afghan is also Colonel Mike Martin, a 25-year veteran of war zones around the world, a dark, lean man born and raised in Iraq. In an attempt to stave off disaster, the intelligence agencies will try to do what no one has ever done before - pass off a Westerner as an Arab among Arabs - pass off Martin as the trusted Khan.It will require extraordinary preparation, and then extraordinary luck, for nothing can truly prepare Martin for the dark and shifting world he is about to enter. Or for the terrible things he will find there . . .The Day of the Jackal, The Dogs of War, The Odessa File - the books of Frederick Forsyth have helped define the international thriller as we know it today. Combining meticulous research with crisp narratives and plots as current as the headlines, Forsyth shows us the world as it is, in a way that few have ever been able to equal.And the world as it is today is a very scary place . . .

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Scoundrels, Cads, and Other Great Artists examines the lives of 12 great artists who were less than exemplary human beings in their lives outside of their art. It explores the question, “Why do we like magnificent art from artists who were awful human beings?” For example, the great Baroque painter, Caravaggio, who developed the chiaroscuro style of painting, was in constant trouble with the law, even having killed a man in a dual. Frederick Remington, the great painter of the American West, was an incredible racist and bigot. His evocative paintings of native Americans on the trail on horseback give no hint of Remington’s enmity toward them or other ethnic groups in America. John James Audubon? He mostly shot the birds he painted; if in doing so, he damaged a part that he wanted to paint, he shot another one. Whistler and Courbet were philanderers and libertines. Scoundrels introduces people to great art by showing the more salacious side of the personal lives of great artists over time. The book not only tells the stories of a dozen artists, but explores how to look at art and the separation between art and artist. This lively narrative is enhanced by over 100 full-color reproductions of great paintings and details from them.

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A philosophical and legal argument for equal access to good lawyers and other legal resources.Should your risk of wrongful conviction depend on your wealth? We wouldn’t dream of passing a law to that effect, but our legal system, which permits the rich to buy the best lawyers, enables wealth to affect legal outcomes. Clearly justice depends not only on the substance of laws but also on the system that administers them.In Equal Justice, Frederick Wilmot-Smith offers an account of a topic neglected in theory and undermined in practice: justice in legal institutions. He argues that the benefits and burdens of legal systems should be shared equally and that divergences from equality must issue from a fair procedure. He also considers how the ideal of equal justice might be made a reality. Least controversially, legal resources must sometimes be granted to those who cannot afford them. More radically, we may need to rethink the centrality of the market to legal systems. Markets in legal resources entrench pre-existing inequalities, allocate injustice to those without means, and enable the rich to escape the law’s demands. None of this can be justified. Many people think that markets in health care are unjust; it may be time to think of legal services in the same way.

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"I am just one of many who experienced life on a submarine duringWorld War II. Silent Running is a story sincerely told--free of anyrevisionism or cynicism--and I commend Vice Admiral Calvert forsharing this dramatic personal account of that difficult andexciting time." --President George Bush "Hardened old sub vet that I am, I still felt the need for twoweeks R&R after reliving Jim's only too realistic warpatrolling adventures." --C. W. Nimitz, Jr., Rear Admiral, USN(Ret.) "I believe it is the best personal account yet written on U.S.submarine operations in the Second World War. [Calvert] writes withlucidity and a rare candor. We get an extraordinary sense of whatit was like, feeling the tensions and emotions, sharing thesuccesses and disappointments, ... This is a true story with tealpeople, always gripping and sometimes tender. It is exciting toread and hard to put down. --J. L. Holloway, Admiral, USN (Ret.)President, Naval Historical Society, Chief of Naval Operations,1974-1978. "I knew Jim Calvert Throughout the war, and in this book he hastold the submarine story in a way that catches the flavor and tangof the real thing. This is the way it really was." --Frederick B.Warder, Rear Admiral, USN (Ret.) Legendary W.W. II skipper of theSeawolf.

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A fascinating reinterpretation of the radical and socialist origins of ecology Twenty years ago, John Bellamy Foster's Marx's Ecology: Materialism and Nature introduced a new understanding of Karl Marx's revolutionary ecological materialism. More than simply a study of Marx, it commenced an intellectual and social history, encompassing thinkers from Epicurus to Darwin, who developed materialist and ecological ideas. Now, with The Return of Nature: Socialism and Ecology, Foster continues this narrative. In so doing, he uncovers a long history of efforts to unite issues of social justice and environmental sustainability that will help us comprehend and counter today's unprecedented planetary emergencies. The Return of Nature begins with the deaths of Darwin (1882) and Marx (1883) and moves on until the rise of the ecological age in the 1960s and 1970s. Foster explores how socialist analysts and materialist scientists of various stamps, first in Britain, then the United States, from William Morris and Frederick Engels to Joseph Needham, Rachel Carson, and Stephen J. Gould, sought to develop a dialectical naturalism, rooted in a critique of capitalism. In the process, he delivers a far-reaching and fascinating reinterpretation of the radical and socialist origins of ecology. Ultimately, what this book asks for is nothing short of revolution: a long, ecological revolution, aimed at making peace with the planet while meeting collective human needs.

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In Against the Closet, Aliyyah I. Abdur-Rahman interrogates and challenges cultural theorists' interpretations of sexual transgression in African American literature. She argues that, from the mid-nineteenth century through the twentieth, black writers used depictions of erotic transgression to contest popular theories of identity, pathology, national belonging, and racial difference in American culture. Connecting metaphors of sexual transgression to specific historical periods, Abdur-Rahman explains how tropes such as sadomasochism and incest illuminated the psychodynamics of particular racial injuries and suggested forms of social repair and political redress from the time of slavery, through post-Reconstruction and the civil rights and black power movements, to the late twentieth century.Abdur-Rahman brings black feminist, psychoanalytic, critical race, and poststructuralist theories to bear on literary genres from slave narratives to science fiction. Analyzing works by African American writers, including Frederick Douglass, Pauline Hopkins, Harriet Jacobs, James Baldwin, and Octavia Butler, she shows how literary representations of transgressive sexuality expressed the longings of African Americans for individual and collective freedom. Abdur-Rahman contends that those representations were fundamental to the development of African American forms of literary expression and modes of political intervention and cultural self-fashioning.

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In this sweeping look at political and philosophical history, Linda M. G. Zerilli unpacks the tightly woven core of Hannah Arendt's unfinished work on a tenacious modern problem: how to judge critically in the wake of the collapse of inherited criteria of judgment. Engaging a remarkable breadth of thinkers, including Ludwig Wittgenstein, Leo Strauss, Immanuel Kant, Frederick Douglas, John Rawls, J rgen Habermas, Martha Nussbaum, and many others, Zerilli clears a hopeful path between an untenable universalism and a cultural relativism that forever defers the possibility of judging at all. Zerilli deftly outlines the limitations of existing debates, both those that concern themselves with the impossibility of judging across cultures and those that try to find transcendental, rational values to anchor judgement. Looking at Kant through the lens of Arendt, Zerilli develops the notion of a public conception of truth, and from there she explores relativism, historicism, and universalism as they shape feminist approaches to judgment. Following Arendt even further, Zerilli arrives at a hopeful new pathway seeing the collapse of philosophical criteria for judgment not as a problem but a way to practice judgment anew as a world-building activity of democratic citizens. The result is an astonishing theoretical argument that travels through and goes beyond some of the most important political thought of the modern period.

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Published to coincide with the 50th anniversary of his death, this book presents new articles by leading authorities on John Ireland and his music, together with transcriptions of his broadcast talks and of interviews with the composer. John Ireland [1879-1962] was one of the most distinctive and distinguished of a generation of exceptional British composers that included Vaughan Williams, Gustav Holst, Frank Bridge and Arnold Bax. They emerged in the decade before the First World War and, in the inter-war years, produced a remarkable body of music. In Ireland's case his was not only the most popular British Piano Concerto of its time, but he also composed a splendid repertoire of songs,piano music, chamber music and orchestral and choral scores. This richly illustrated Companion will be essential for all admirers of the composer. Not only for the performer - pianist, singer, conductor - but for thewider musical public, record collectors and music historians, academics and anyone interested in British music of the earlier twentieth century. Lewis Foreman has drawn on his extensive research into Ireland's life and letters over many years, and, in association with the John Ireland Charitable Trust, has not only commissioned a wide range of chapters from leading performers and writers of today, but has brought together in one convenient format Ireland's own writings on music, the memories of his friends and students (including Britten, Moeran and Arnell) and a selection of important earlier articles. The Companion also includes a complete list of works and themost comprehensive discography of Ireland ever compiled. The accompanying CD contains historical recordings featuring the voice of John Ireland, with two of his broadcast talks, as well as otherwise unobtainable performances of Ireland's music from the composer himself and from other well-known performers of the past. LEWIS FOREMAN is author of Bax: A Composer and His Time [Boydell, 2007] and London: a Musical Gazetteer [Yale 2005]. Contributors: FELIX APRAHAMIAN, RICHARD ARNELL, BENJAMIN BRITTEN, JOCELYN BROOKE, ALAN BUSH, GEOFFREY BUSH, GEORGE DANNATT, JULIE DELLER, JEREMY DIBBLE, EDWIN EVANS, LEWIS FOREMAN, NORAH KIRBY, FREDERICK LAMOND, PHILIP LANCASTER, STEPHEN LE PROVOST, STEPHEN LLOYD, CHARLES MARKES, ROBERT MATTHEW-WALKER, E.J. MOERAN, ANGUS MORRISON, ERIC PARKIN, BRUCE PHILLIPS, C. B. REES, FIONA RICHARDS, ALAN ROWLANDS, R. MURRAY SCHAFER, MARION SCOTT, COLIN SCOTT-SUTHERLAND, HUMPHREY SEARLE, FREDA SWAIN, KENNETH THOMPSON, RODERICK WILLIAMS, KENNETH A. WRIGHT

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'Damien Lewis is both a meticulous historian and a born storyteller' Lee ChildSAS Great Escapes Two recounts the hitherto untold stories of six of the most dramatic and daring escapes executed by the world's most famous fighting force during WWII. From the very earliest SAS missions to the push into Nazi-occupied Europe, they cover some of the key figures in the Regiment, including its founder, David Stirling, plus other lesser-known heroes.With each story comes an edge-of-the-seat, rollercoaster ride in classic Damien Lewis fashion, as readers are plunged into the escapees' experiences - sharing their most terrifying yet inspiring moments. These stunning accounts of survival beggar belief, revealing nerve-racking bluff and deception, knife-edge encounters with enemy hunter forces hellbent on wreaking vengeance and murder, but also incredible acts of mercy and kindness from those who risk all to help the escapees on their way. Each tale of breath-taking derring-do reveals how necessity really is the mother of all invention, as with every step and at every juncture these fugitives defied fate, snatching survival and freedom from the jaws of the enemy, and all the horrors that would have followed capture.Damien Lewis has worked closely with the families of those portrayed, accessing wartime diaries, letters, mission reports, interrogation transcripts and more, to relate how the men of the SAS crossed blazing deserts, evaded enemy hunter forces and escaped through hostile lands, battling against seemingly insurmountable odds. But most of all, these uplifting tales of endurance beyond measure showcase the triumph of the human spirit and the will to survive.'Damien Lewis paints a uniquely vivid picture of the wartime SAS. Packed with detail, this fresh and dynamic book brings us as close to its remarkable members as we are ever likely to get.' Joshua Levine, author of Dunkirk'In these days when we are told to be scared of everything it is a relief to read of steely nerves and cold courage. Damien Lewis has collected examples of exactly these qualities from World War II and they are all thrillers, to be read with pleasure - and a bit of nostalgia!' Frederick Forsyth'The fund of SAS escapes turns out to be too big for one book, and in Damien Lewis there is a writer of rare narrative gifts able to bring alive these epic stories for us today' Mark Urban'An astonishing book: a collection of truly riveting stories of bravery, all brilliantly told. In terms of sheer drama and audacity, SAS: Great Escapes Two goes where no fiction writer would dare venture' Alex Gerlis, author of Agent in the Shadows

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'Damien Lewis is both a meticulous historian and a born storyteller' Lee ChildSAS Great Escapes Two recounts the hitherto untold stories of six of the most dramatic and daring escapes executed by the world's most famous fighting force during WWII. From the very earliest SAS missions to the push into Nazi-occupied Europe, they cover some of the key figures in the Regiment, including its founder, David Stirling, plus other lesser-known heroes.With each story comes an edge-of-the-seat, rollercoaster ride in classic Damien Lewis fashion, as readers are plunged into the escapees' experiences - sharing their most terrifying yet inspiring moments. These stunning accounts of survival beggar belief, revealing nerve-racking bluff and deception, knife-edge encounters with enemy hunter forces hellbent on wreaking vengeance and murder, but also incredible acts of mercy and kindness from those who risk all to help the escapees on their way. Each tale of breath-taking derring-do reveals how necessity really is the mother of all invention, as with every step and at every juncture these fugitives defied fate, snatching survival and freedom from the jaws of the enemy, and all the horrors that would have followed capture.Damien Lewis has worked closely with the families of those portrayed, accessing wartime diaries, letters, mission reports, interrogation transcripts and more, to relate how the men of the SAS crossed blazing deserts, evaded enemy hunter forces and escaped through hostile lands, battling against seemingly insurmountable odds. But most of all, these uplifting tales of endurance beyond measure showcase the triumph of the human spirit and the will to survive.'Damien Lewis paints a uniquely vivid picture of the wartime SAS. Packed with detail, this fresh and dynamic book brings us as close to its remarkable members as we are ever likely to get.' Joshua Levine, author of Dunkirk'In these days when we are told to be scared of everything it is a relief to read of steely nerves and cold courage. Damien Lewis has collected examples of exactly these qualities from World War II and they are all thrillers, to be read with pleasure - and a bit of nostalgia!' Frederick Forsyth'The fund of SAS escapes turns out to be too big for one book, and in Damien Lewis there is a writer of rare narrative gifts able to bring alive these epic stories for us today' Mark Urban'An astonishing book: a collection of truly riveting stories of bravery, all brilliantly told. In terms of sheer drama and audacity, SAS: Great Escapes Two goes where no fiction writer would dare venture' Alex Gerlis, author of Agent in the Shadows

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There is no formula for becoming humble—not for individuals, and not for nations. Benjamin Franklin’s dilemma—one he passed on to the young United States—was how to achieve both greatness and humility at once. The humility James Madison learned as a legislator helped him to mold a nation, despite his reputation as a meek, timid, and weak man. The humility of Abigail Adams fed her impossible resilience. Humility of all kinds is deeply ingrained in our American DNA. Our challenge today is to rediscover and reawaken this utterly indispensable, alarmingly dormant national virtue before it’s too late.In Humility: An Unlikely Biography of America’s Greatest Virtue, Dr. David J. Bobb traces the “crooked line” that is the history of humility in political thought. From Socrates to Augustine to Machiavelli to Lincoln, passionate opinions about the humble ruler are literally all over the map. Having shown classical, medieval, and Christian ideas of humility to be irreconcilable, Dr. Bobb asserts that we as a nation are faced with a difficult choice. A choice we cannot put off any longer.“The power promised by humility is power over oneself, in self-government,” says Dr. Bobb. “[But] humility’s strength is obscured by the age of arrogance in which we live.”George Washington’s humility, as great as it was, cannot substitute for ours today. We must reintegrate this fundamental virtue if there is to be an American future. The rediscovery of humility’s strength awaits."Humility is essential to good character—and to our country. In this smart and lively book, David Bobb illustrates this virtue with the stories of five great Americans. And he reminds us that humility is at the core of our national creed of equality and liberty."—Paul Ryan"Nothing defies political correctness and the prevailing zeitgeist as radically as the notion that humility remains an important virtue. Dr. Bobb not only makes the case for this dismissed and disregarded value but emphasizes its importance as part of the American national character."—Michael Medved, syndicated talk radio host"A lively and counterintuitive argument, spiced with witty prose and engaging vignettes of Franklin, Washington, Madison, Lincoln, Frederick Douglass, and Abigail Adams."—Robert Faulkner, professor of Political Science, Boston College; author, The Case for Greatness“Dr. David Bobb has written a timely and timeless book on a vital virtue absent from far too many leaders today. Humility should be required reading for leaders in the public and private sector as well as in our homes and communities. In an age of arrogance there is much to be learned and strength to be gained from returning to the principle, power and pattern of humility contained in this extraordinary book.” --Mike Lee, U.S. Senator, Utah

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'Starts off like a fired bullet and never lets up. A sheer delight' DAVID BALDACCI Michael North is a dead man walking. Can he survive long enough to uncover the truth? Tobias Hawke was the tech genius on the brink of an astonishing breakthrough in the field of Artificial Intelligence. His creation, 'Syd', a device that mimics human thought, promised to change the face of humanity forever. Now Hawke’s body has been found in his lab – brutally murdered. And in the wake of her creator's death, Syd has gone into emergency shutdown procedure. There’s only one man to uncover what secrets she’s hiding and find the killer: Michael North – ex-assassin, spy-for-hire, and racing against the clock to survive the bullet lodged in his brain. Can he save himself and humanity in time? Perfect for fans of David Baldacci, Lee Child and Mark Dawson, Curse the Day is an action-packed spy thriller from a Sunday Times bestselling author. REVIEWS FOR CURSE THE DAY: 'A slick, fast-paced thriller from a master storyteller... Do yourself a favour and buy this book!' LJ Ross 'A rip-roaring road trip into the dark heart of a corrupt, cynical British establishment' Financial Times 'With a plot Fleming or Forsyth would be proud of and a hero to rival Jack Reacher, Curse the Day just might be the Thriller of the Year' Howard Linksey 'Relentlessly plotted with a blistering pace, Curse the Day is a sharply drawn, gleefully witty conspiracy thriller. Tackling tomorrow's nightmare today, this is a superb novel' M.W. Craven 'A brilliant technothriller that reads like a Bond movie, complete with terrific action sequences, memorable characters, and the fate of the world at stake... The pace never lets up and the story stays with you long after the final page' Zoe Sharp 'Packed with no-holds-barred action and memorable characters. It's a blast!' James Swallow PRAISE FOR JUDE O'REILLY: 'A terrific future-shock thriller full of pace, tension, character, and emotion' Lee Child 'Fast-paced and packed with action' Mick Herron 'A high-octane plot that centres around the dark heart of British political power' Sunday Times 'Thought-provoking, pacy and thrilling' Sunday Mirror 'A gritty, action-packed, page-turner' Andy McNab 'New thriller writers come and go. I suspect this lady will stick around' Frederick Forsyth 'A constantly surprising, heart-felt, desperately exciting super-thriller – and a truly standout action-adventure novel... Left me both smiling and breathless' Rob Parker

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A gorgeously illustrated tour of several centuries of American magazine history. The history of the American magazine is intricately entwined with the history of the nation itself. In the colonial eighteenth century, magazines were crucial outlets for revolutionary thought, with the first statement of American independence appearing in Thomas Paine’s Pennsylvania Magazine in June 1776. In the eighteenth century, magazines were some of the first staging grounds for still-contentious debates on Federalism and states’ rights. In the years that followed, the landscape of publications spread in every direction to explore aspects of American life from sports to politics, religion to entertainment, and beyond.Magazines and the American Experience is an expansive and chronological tour of the American magazine from 1733 to the present. Illustrated with more than four hundred color images, the book examines an enormous selection of specialty magazines devoted to a range of interests running from labor to leisure to literature. The contributors—Leonard Banco and Suze Bienaimee, both experts in the field of periodical history—devote particular focus to magazines written for and by Black Americans throughout US history, including David Ruggles’s Mirror of History (1838), [Frederick] Douglass’ Monthly (1859), the combative Messenger (1917), the Negro Digest (1942), and Essence (1970). With its mix of detailed descriptions, historical context, and lush illustrations, this handsome guide to American magazines should entice casual readers and serious collectors alike.

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Long before cities were scrambling to go green and eco-conscious commuters were sensibly strapping on their bike helmets, New Haven, Connecticut, was envisioning a plan for its growth taken from the challenging ideas of the City Beautiful Movement and its call for civic monumentality. In a 1910 plan commissioned from legendary landscape architect Frederick Law Olmsted and prominent architect Cass Gilbert, New Haven's leaders charted new ground by incorporating revolutionary models for studying social and demographic data and using that information to help guide the physical plan for the city's growth. The visionary result is a gem of American urban planning history that became a benchmark in discussions about the shape the new American city would take in the twentieth century. This facsimile edition of the 1910 Plan for New Haven, available to general readers for the first time, includes a critical contemporary review of the century-old plan. Architectural scholar Alan Plattus and urban economist Douglas Rae contribute modern perspectives on the plan's importance to the development of both New Haven and American urbanism in the current rediscovery of urban livability and sustainability. The lessons of master urban planners like Cass and Gilbert have never been more valuable and can guide an exploration of how American urbanism has evolved and where it is going in the twenty-first century.

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Volume 12 of Adams Family Correspondence, with 276 documents spanning from March 1797 through April 1798, opens with the inauguration of John Adams as president and closes just after details of the XYZ affair are made public in America. Through private networks of correspondence, the Adamses reveal both their individual concerns for the well-being of the nation and the depth of their public and political engagement with the republic. Abigail’s letters to friend and foe demonstrate the important role she played as an unofficial member of the administration. John Quincy and Thomas Boylston’s letters from The Hague, Paris, London, and finally Berlin offer keen observations about the political turmoil in France and its consequences, the shifting European landscape as a result of the war, and court life in Berlin following the coronation of Frederick William III.In the midst of crisis, the family’s domestic life and personal connections challenged and sustained them. The marriage of John Quincy and Louisa Catherine Johnson in London in July 1797 gave the family cause for celebration, while John’s appointment of John Quincy as U.S. minister to Prussia created a minor rift as the scrupulous younger Adams struggled with concerns about nepotism. Visits between the elder Adamses and their children Nabby and Charles in New York provided welcome distractions, even as John and Abigail worried about Nabby’s domestic situation. With the characteristic candor and perception expected from the Adamses, this volume again features forthright commentary from one family at the center of it all.

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This volume brings together sixteen essays on key and intersecting topics in critical cultural studies from major scholars in the field. Taking into account the vicissitudes of political, social, and cultural issues, the contributors engage deeply with the evolving understanding of critical concepts such as history, community, culture, identity, politics, ethics, globalization, and technology. The essays address the extent to which these concepts have been useful to scholars, policy makers, and citizens, as well as the ways they must be rethought and reconsidered if they are to continue to be viable.Each essay considers what is known and understood about these concepts. The essays give particular attention to how relevant ideas, themes, and terms were developed, elaborated, and deployed in the work of James W. Carey, the "founding father" of cultural studies in the United States. The contributors map how these important concepts, including Carey's own work with them, have evolved over time and how these concepts intersect. The result is a coherent volume that redefines the still-emerging field of critical cultural studies.Contributors are Stuart Allan, Jack Zeljko Bratich, Clifford Christians, Norman Denzin, Mark Fackler, Robert Fortner, Lawrence Grossberg, Joli Jensen, Steve Jones, John Nerone, Lana Rakow, Quentin J. Schultze, Linda Steiner, Angharad N. Valdivia, Catherine Warren, Frederick Wasser, and Barbie Zelizer.

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This volume brings together sixteen essays on key and intersecting topics in critical cultural studies from major scholars in the field. Taking into account the vicissitudes of political, social, and cultural issues, the contributors engage deeply with the evolving understanding of critical concepts such as history, community, culture, identity, politics, ethics, globalization, and technology. The essays address the extent to which these concepts have been useful to scholars, policy makers, and citizens, as well as the ways they must be rethought and reconsidered if they are to continue to be viable.Each essay considers what is known and understood about these concepts. The essays give particular attention to how relevant ideas, themes, and terms were developed, elaborated, and deployed in the work of James W. Carey, the "founding father" of cultural studies in the United States. The contributors map how these important concepts, including Carey's own work with them, have evolved over time and how these concepts intersect. The result is a coherent volume that redefines the still-emerging field of critical cultural studies.Contributors are Stuart Allan, Jack Zeljko Bratich, Clifford Christians, Norman Denzin, Mark Fackler, Robert Fortner, Lawrence Grossberg, Joli Jensen, Steve Jones, John Nerone, Lana Rakow, Quentin J. Schultze, Linda Steiner, Angharad N. Valdivia, Catherine Warren, Frederick Wasser, and Barbie Zelizer.

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A vivid and moving celebration of the ways that Black Americans have shaped and been shaped by photography, from its inception to the present day. A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. It has been widely acknowledged that Douglass, the subject of 160 photographic portraits and the most photographed American of the nineteenth century, anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13–December 10, 2022.

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The first art book to explore Rossetti's art and poetry together, including her own artworks, illustrations to her writing, and art inspired by her Christina Rossetti (1830–1894) is among the greatest of English Victorian poets. The intensity of her vision, her colloquial style, and the lyrical quality of her verse still speak powerfully to us today, while her striking imagery has always inspired artists. Rossetti lived in an exceptionally visual environment: her brother, Dante Gabriel Rossetti, was the leading member of the avant-garde Pre-Raphaelite Brotherhood, and she became a favorite model for the group. She sat for the face of Christ in William Holman Hunt’s The Light of the World, while both John Everett Millais and Frederick Sandys illustrated her poetry. Later on, the pioneering photographer Julia Margaret Cameron and the great Belgian Symbolist Fernand Khnopff were inspired by Rossetti’s enigmatic verses. This engaging book explores the full artistic context of Rossetti’s life and poetry: her own complicated attitude to pictures; the many portraits of her by artists, including her brother, John Brett, and Lewis Carroll; her own intriguing and virtually unknown drawings; and the wealth of visual images inspired by her words.Published in association with Watts GalleryExhibition Schedule:Watts Gallery, Guildford, Surrey (11/13/18–03/17/19)

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Mary Austin (1868-1934) - eccentric, independent, and unstoppable - was twenty years old when her mother moved the family west. Austin's first look at her new home, glimpsed from California's Tejon Pass, reset the course of her life, 'changed her horizons and marked the beginning of her understanding, not only about who she was, but where she needed to be.' At a time when Frederick Jackson Turner had announced the closing of the frontier, Mary Austin became the voice of the American West. In 1903, she published her first book, "The Land of Little Rain", a wholly original look at the West's desert and its ethnically diverse people. Defined in a sense by the places she lived, Austin also defined the places themselves, whether Bishop, in the Sierra Nevada, Carmel, with its itinerant community of western writers, or Santa Fe, where she lived the last ten years of her life. By the time of her death in 1934, Austin had published over thirty books and counted as friends the leading literary and artistic lights of her day. In this rich new biography, Susan Goodman and Carl Dawson explore Austin's life and achievement with unprecedented resonance, depth, and understanding. By focusing on one extraordinary woman's life, "Mary Austin and the American West" tells the larger story of the emerging importance of California and the Southwest to the American consciousness.

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Winner of the 2017 Virginia Marie Folkins Award, Association of King County Historical Organizations (AKCHO) Winner of the 2017 Hal K. Rothman Book Prize, Western History Association Seattle would not exist without animals. Animals have played a vital role in shaping the city from its founding amid existing indigenous towns in the mid-nineteenth century to the livestock-friendly town of the late nineteenth century to the pet-friendly, livestock-averse modern city. When newcomers first arrived in the 1850s, they hastened to assemble the familiar cohort of cattle, horses, pigs, chickens, and other animals that defined European agriculture. This, in turn, contributed to the dispossession of the Native residents of the area. However, just as various animals were used to create a Euro-American city, the elimination of these same animals from Seattle was key to the creation of the new middle-class neighborhoods of the twentieth century. As dogs and cats came to symbolize home and family, Seattleites’ relationship with livestock became distant and exploitative, demonstrating the deep social contradictions that characterize the modern American metropolis. Throughout Seattle’s history, people have sorted animals into categories and into places as a way of asserting power over animals, other people, and property. In The City Is More Than Human, Frederick Brown explores the dynamic, troubled relationship humans have with animals. In so doing he challenges us to acknowledge the role of animals of all sorts in the making and remaking of cities.

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El Capitán Frederick Marryat (Londres, 1792-Langham, 1872) ingresó a los catorce años en la Armada Real británica y dio sus primeros pasos en el mar a bordo del buque Impérieuse capitaneado por Lord Cochrane, cuyo valor inspiró a Marryat futuros personajes de sus novelas. En 1814 fue nombrado teniente de navío del Newcastle y en 1825 capitán del Tees. A los treinta y ocho años se retiró del servicio con rango de capitán y se dedicó por entonces a escribir (como Conrad, como Melville) narraciones de aventuras en el mar, batallas, tormentas y naufragios, contando para ello con su enorme conocimiento de primera mano de la vida marinera.En El perro diabólico nos encontramos con la balandra Yungfrau, cuya misión es patrullar el Canal de la Mancha con el fin de impedir el contrabando procedente de las costas francesas, y su oficial al mando, el teniente Cornelis Vanslyperken, sirve también como correo real del rey Guillermo con los E

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