Search results for ""alma""

In the great age of English garden design, eighteenth-century women working in the “sister arts” of painting, poetry, and landscape gardening adapted the Linnaean system of plant classification and the tradition of the erotic garden to create art with and for other women that celebrated everything from classical friendship to erotic love. In this book, filled with lush illustrations and intriguing stories, Lisa L. Moore reveals how these women artists used flowers, gardens, and landscapes to express their love for other women.Aristocratic diarist Mary Delany built a garden grotto for the exclusive use of herself and the naturalist and collector Margaret Bentinck, Duchess of Portland. Romantic poet Anna Seward, mourning the loss of Honora Sneyd to an unworthy marriage and then death, wrote her beloved’s face and body into her landscape poems. And in 1790s Connecticut, feminist intellectual Sarah Pierce transformed texts and images into a new poetic evocation of intimacy between women both egalitarian and erotic. These women, Moore shows, influenced later works by Emily Dickinson, Georgia O’Keeffe, Frida Kahlo, and Tee Corinne.Moore goes on to trace the legacy of the lesbian sister arts tradition in subsequent art and poetry, including contemporary multimedia work by Kara Walker, Michelene Thomas, Alma Lopez, and Allyson Mitchell. Her book redefines this unstudied sister arts tradition, which becomes visible only when we understand how the works of these women exemplify what she deems “lesbian genres.” It will captivate readers who want to know more about women’s contributions to garden history and landscape design—as well as those looking for a new perspective on queer history, literature, and culture.

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A colossal, panoramic, much-needed appraisal of the visual cultures of Afro-Atlantic territories across six centuries Named one of the best books of 2021 by Artforum Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories—their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures. The plural and polyphonic quality of “histórias” is also of note; unlike the English “histories,” the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives. The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism. Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loïs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye.

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Náufragos, origami, posesión y ciencia: estos cuentos encarnan el punto de encuentro entre los horrores contemporáneos y los terrores antiguos.Seis relatos de una belleza oscura que laten con temáticas perturbadoras: la legitimidad de la venganza, el incesto como medio de supervivencia, brujería indígena versus tradición japonesa, el cuerpo como la víctima fatal que habitamos. Los cuentos de Rivero perforan al lector como una herida, ofreciendo también posibilidades de amor, justicia y esperanza. Narrados con un lirismo frágil y feroz, los cuentos de Tierra fresca de su tumba punzan los abismos del alma humana, y a la vez reforman los límites del gótico para incorporar ritos precolombinos, leyendas, ciencia ficción y erotismo.Shipwrecks, dive bars, possession, and science—this is where contemporary horrors and ancient terrors meet.In Fresh Dirt from the Grave , a hillside is “an emerald saddle teeming with evil and beauty.” It is this collision of harshness and tenderness that animates Giovanna Rivero’s short stories, where no degree of darkness (buried bodies, lost children, wild paroxysms of violence) can take away from the gentleness she shows all violated creatures. A mad aunt haunts her family, two Bolivian children are left on the outskirts of a Metis reservation outside Winnipeg, a widow teaches origami in a women’s prison and murders, housefires, and poisonings abound, but so does the persistent bravery of people trying to forge ahead in the face of the world. They are offered cruelty, often, indifference at best, and yet they keep going. Rivero has reworked the boundaries of the gothic to engage with pre-Columbian ritual, folk tales, sci-fi and eroticism, and found in the wound their humanity and the possibility of hope.

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"Queer, dirty, insightful, and so funny" (Andrea Lawlor), this coyly revolutionary debut story collection imagines new origins and futures for its cast of unforgettable protagonists-almost all of whom are named Sarah.NAMED A MOST ANTICIPATED BOOK OF 2021 BY THE MILLIONS * OPRAH MAGAZINE * LAMBDA LITERARY * ELECTRIC LITERATURE * REFINERY29 * COSMO * THE ADVOCATE * ALMA * PAPERBACK PARIS * WRITE OR DIE TRIBE * READS RAINBOWIn Sarahland, Sam Cohen brilliantly and often hilariously explores the ways in which traditional stories have failed us, both demanding and thrillingly providing for its cast of Sarahs new origin stories, new ways to love the planet and those inhabiting it, and new possibilities for life itself. In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure-and a new set of problems-by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives. Readers witness as the ever-evolving "Sarah" gets recast: as a bible-era trans woman, an aging lesbian literally growing roots, a being who transcends the earth as we know it. While Cohen presents a world that will clearly someday end, "Sarah" will continue.In each Sarah's refusal to adhere to a single narrative, she potentially builds a better home for us all, a place to live that demands no fixity of self, no plague of consumerism, no bodily compromise, a place called Sarahland.

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Robert D. Denham has collected in these volumes the 266 letters, cards, and telegrams that Helen Kemp and Northrop Frye wrote to each other during the six periods when they were apart, from the winter of 1931-32 until the summer of 1939. The letters form a compelling narrative of their early relationship. They tell of a romance in which two people fall in love, want to get married, and are confronted with obstacles blocking their path, including lack of money and the education they both need to advance their careers. But the story is much more than a romance. The letters reveal Frye's early talent as a writer, illustrating that both the matter and the manner of his criticism had begun to take shape when he was only nineteen. Helen Kemp's expressiveness and intelligence come through clearly in her letters, which were only discovered in 1992. Kemp and Frye share their thoughts on literature, music, religion, politics, education, and a host of other topics. They discuss their alma mater, Victoria College; artists and musicians of Toronto; southwestern Saskatchewan, where Frye spent a summer as a pastor on a United Church circuit; Frye's hometown, Moncton, New Brunswick; and Kemp's neighbourhood on Fulton Avenue in Toronto. We travel with them around the world, from Ottawa to Rome. We see through their eyes the early years of the Co-operative Commonwealth Federation, the struggles of the United Church of Canada, the activities of the Student Christian Movement, the appeal of Communism, the rise of fascism, and the beginnings of art education in the galleries of Canada.

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Technical services departments are increasingly expected to do more with less, which means that finding a balance between meeting service demands and developing staff knowledge and skills is more challenging than ever. Today's next gen catalogs, changing cataloging rules, and diverse formats and delivery models demand that technical services professionals and paraprofessionals keep up with evolving best practices for the work they do. Fortunately, libraries can adopt methods such as Training Within Industry (TWI), lean management, and instructional design methodologies to develop a learning culture that continuously improves service delivery. Using case studies, this collection showcases a variety of creative and practical training development and organizational strategies that libraries and consortia have used to tackle issues related to skills gaps, remote work, student worker turnover, reorganizations, technology migrations, and more. You will learn about techniques for establishing a positive training and learning culture; project management tools and business methodologies such as a Deming approach and just-in-time training for continuous improvement and staff skill development; reactive and proactive approaches in the training program for the University of Nevada, Las Vegas Acquisitions Unit; how the University of Toronto Libraries (UTL) harnessed the power of remote work to undertake a library services platform migration during the pandemic; applying concepts from information literacy instruction to e-resources training; reinventing student worker training; collaborative initiatives such as cross-organizational learning through Community of Practice (CoP); assessing metadata competencies by transforming records for a multi-system migration in an academic library at a R1 research university; and how staff training and documentation eased a library system’s transition from Voyager to Alma.

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"...here’s eye candy on every page of the book." — Natural Diamonds This sumptuous book showcases the work of women jewellers in the 20th century. Beginning with Arts & Crafts jewellers in Britain, Europe and North America, the author then examines the key figures and movements of the pre-war period including Coco Chanel's legendary 'Bijoux de Diamants' exhibition of 1932, the designs of Suzanne Belperron and the roles of Jeanne Toussaint at Cartier and Renée Puissant at Van Cleef & Arpels. From the 1950s to the present day, a wide range of international designers are examined in detail with many examples of their work clearly illustrated. The author focuses on themes associated with jewellery, including colour, light, proportion, nature and legends. Among the many names included are Vivianna Torun Bülow-Hübe (designer for Georg Jensen), Margaret De Patta, Wendy Ramshaw, Angela Cummings, Paloma Picasso, Marina B, Lydia Courteille and Michelle Ong. Jewellery firms include: Boivin, Cartier, Van Cleef & Arpels, Bulgari, Jensen, Tiffany & Co. Designers featured: Alma Pihl, Coco Chanel, Suzanne Belperron, Juliette Moutard, Olga Tritt, Elisabeth Treskow, Margaret de Patta, Jeanne Toussaint, Line Vautrin, Margret Craver, Vivianna Torun Bülow-Hübe, Nanna Ditzel, Marianne Ostier, Barbara Anton, Gerda Flöckinger, Astrid Fog, Cornelia Roethel, Catherine Noll, Angela Cummings, Elsa Peretti, Wendy Ramshaw, Marina B, Marie-Caroline de Brosses, Marilyn Cooperman, Paloma Picasso, Victoire de Castellane, Alexandra Mor, Ornella Iannuzzi, Neha Dani, Paula Crevoshay, Nathalie Castro, Claire Choisne, Bina Goenka, Carla Amorim, Monique Péan, Michelle Ong - Carnet, Kara Ross, Lydia Courteille, Suzanne Syz, Sylvie Corbelin, Kaoru Kay Akihara - Gimel, Katey Brunini, Luz Camino, Cindy Chao, Aida Bergsen, Anna Hu, Barbara Heinrich, Jacqueline Cullen, Cynthia Bach.

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Fifteen years after the release of the first Mediator novel, #1 New York Times bestselling author Meg Cabot returns with a deliciously sexy new entry to a fan-favorite series. Suze Simon-all grown up and engaged to her once-ghostly soulmate-faces a vengeful spirit and an old enemy bent on ending Suze's wedded bliss before it begins. You can take the boy out of the darkness. But you can't take the darkness out of the boy. All Susannah Simon wants is to make a good impression at her first job since graduating from college (and since becoming engaged to Dr. Jesse de Silva). But when she's hired as a guidance counselor at her alma mater, she stumbles across a decade-old murder, and soon ancient history isn't all that's coming back to haunt her. Old ghosts as well as new ones are coming out of the woodwork, some to test her, some to vex her, and it isn't only because she's a mediator, gifted with second sight. From a sophomore haunted by the murderous specter of a child, to ghosts of a very different kind-including Paul Slater, Suze's ex, who shows up to make a bargain Suze is certain must have come from the Devil himself-Suze isn't sure she'll make it through the semester, let alone to her wedding night. Suze is used to striking first and asking questions later. But what happens when ghosts from her past-including one she found nearly impossible to resist-strike first? What happens when old ghosts come back to haunt you? If you're a mediator, you might have to kick a little ass.

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Shortlisted for the Orange Prize for Fiction 2006 and winner of the 2006 Prix du Meilleur Livre Étranger, The History of Love by bestselling author Nicole Krauss explores the lasting power of the written word and the lasting power of love. 'When I was born my mother named me after every girl in a book my father gave her called The History of Love. . . 'Fourteen-year-old Alma Singer is trying to find a cure for her mother's loneliness. Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author.Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the love lost that sixty years ago in Poland inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives. . . 'Wonderfully affecting...brilliant, touching and remarkably poised' Sunday Telegraph'A tender tribute to human valiance. Who could be unmoved by a cast of characters whose daily battles are etched on out mind in such diamond-cut prose?' Independent on Sunday'Devastating...one of the most passionate vindications of the written word in recent fiction. It takes one's breath away' Spectator Nicole Krauss is an American bestselling author who has received international critical acclaim for her first three novels: Great House (shortlisted for the Orange Prize for Fiction 2011), The History of Love and Man Walks into a Room (shortlisted for the LA Times Book Award), all of which are available in Penguin paperback.

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The acclaimed overview of Black abstract art, now in an expanded edition with nearly 100 additional color plates The Joyner/Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by artists of the African diaspora and from the continent of Africa itself. Four Generations: The Joyner/Giuffrida Collection of Abstract Art draws upon the collection's unparalleled holdings to explore the critical contributions made by Black artists to the evolution of visual art in the 20th and 21st centuries. This revised and expanded edition updates Four Generations with several new texts and nearly 100 images of works that have been added to the collection since the initial publication of this influential and widely praised book. Lavishly illustrated and featuring important contributions by leading art historians, critics, and curators, Four Generations gives an essential overview of some of the most notable Black artists and movements of the past century, and their approaches to abstraction in its various forms. Filled with countless insights and visual treasures, Four Generations is a journey through the momentous legacy of postwar art of the African diaspora. Artists include: Firelei Báez, Romare Bearden, Kevin Beasley, Zander Blom, Mark Bradford, Leonardo Drew, Sam Gilliam, David Hammons, Isaac Julien, Jacob Lawrence, Norman Lewis, Glenn Ligon, Julie Mehretu, Oscar Murillo, Christina Quarles, Robin Rhode, Lorna Simpson, Shinique Smith, Alma Thomas, Kara Walker, Jack Whitten, Lynette Yiadom-Boakye and many others. Rarely is a monograph on a private collection as revelatory as this—what an extraordinary, rich body of work is packed into these pages. The achievements of the artists, as well as their conceptual and formal daring, leave no doubt that a new page on American art is about to be opened." –Okwui Enwezor

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In spring 2014 Peggy Kokernot Kaplan, a former Trinity University athlete and cofounder of the women’s track team, emailed her alma mater’s athletic department asking the school to post statistics from the team’s 1975 season. It’s no surprise that they couldn’t fulfill her request, for Trinity had sparse records from the 1970s—not just for track and field but for most performances by female athletes before 1991, when the school joined a NCAA Division III conference. What started as a humble email request nearly a decade ago has culminated in From the Sidelines to the Headlines: The Legacy of Women's Sports at Trinity University, an expansive book aimed at filling in the gaps in coverage of half a century of women’s intercollegiate sports. Former Trinity athlete Betsy Gerhardt Pasley and historian Doug Brackenridge, along with other members of the Trinity community, have collected hundreds of long-forgotten documents and conducted dozens of interviews with former students, coaches, and administrators to tell the fascinating, multifaceted story of women’s sports at this liberal arts school in San Antonio, Texas.While the book focuses primarily on the post–Title IX years between 1972 and 1999, its scope extends to Trinity’s founding in 1869, illuminating the century-long evolution of women in competitive sports, at Trinity and elsewhere, before Title IX. The story, told alongside the cultural shifts that formed the social and athletic context for female athletes of the day, also documents the decision Trinity and other institutions of higher learning faced after Title IX: Should they adhere to a commercial model, in which a focus on athletics often overshadowed academics, or strive for a more balanced student-athlete, nonscholarship model? Trinity chose the latter and has decades of national championships and academic accolades to show for it.

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The Shadow of Selma evaluates the 1965 civil rights campaign in Selma, Alabama, the historical memory of the campaign's marches, and the continuing relevance of and challenges to the Voting Rights Act. The contributors present Selma not just as a keystone event but, much like Ferguson today, as a transformative place: a supposedly unimportant location that became the focal point of epochal historical events. By shifting the focus from leaders like Martin Luther King Jr. to the thousands of unheralded people who crossed the Edmund Pettus Bridge-and the networks that undergirded and opposed them-this innovative volume considers the campaign's long-term impact and its place in history.The volume recalls the historical currents that surrounded Selma, discussing grassroots activism, the role of President Lyndon B. Johnson during the struggle for the Voting Rights Act, and the political reaction to Selma at home and abroad. Using Ava DuVernay's 2014 Hollywood film as a stepping stone, the editors bring together various essays that address the ways media-from television and newspaper coverage to "race beat" journalism-represented and reconfigured Selma. The contributors underline the power of misrepresentation in shaping popular memory and in fueling a redemptive narrative that glosses over ongoing racial problems. Finally, the volume traces the fifty-year legacy of the Voting Rights Act. It reveals the many subtle and overt methods by which opponents of racial equality attempted to undo the act's provisions, with a particular focus on the 2013 Shelby County v. Holder decision that eliminated sections of the act designed to prevent discrimination.Taken together, the essays urge readers not to be blind to forms of discrimination and injustice that continue to shape inequalities in the United States. They remind us that while today's obstacles to racial equality may look different from a literacy test or a grimfaced Alabama state trooper, they are no less real. Contributors: Alma Jean Billingslea Brown | Ben Houston | Peter Ling | Mark McLay | Tony Badger | Clive Webb | Aniko Bodroghkozy | Mark Walmsley | George Lewis | Megan Hunt | Devin Fergus | Barbara Harris Combs | Lynn Mie Itagaki

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Was ist unter narrativer Therapie und weitergehend narrativer Praxis zu verstehen? Welche konzeptionellen und methodischen Weiter- und Neuentwicklungen hat sie in den letzten Jahren erfahren? Wie kann in verschiedensten Kontexten und Settings narrativ gearbeitet werden, welche Impulse für schulenübergreifendes, beraterisches und therapeutisches Tun ergeben sich daraus? Dieses umfassende Handbuch informiert fundiert und facettenreich über Begrifflichkeiten und theoretische Hintergründe, vor allem aber über die Praxis narrativen Vorgehens in psychosozialen und organisationsbezogenen Arbeitsfeldern. Aus der narrativen Therapie von White und Epston, der Philosophie von Deleuze und Braidotti und aus anderen Quellen gespeist steuern mehr als 45 Autorinnen und Autoren von nationalem und internationalem Rang eine große Bandbreite an neuen kreativen Arbeitsansätzen bei, untermauern narratives Verständnis mit theoretischen Grundlagentexten, präsentieren aktuelle Ergebnisse narrativer Forschung und geben sozialkritischen Perspektiven Raum. Dieses Handbuch eröffnet therapeutisch, beraterisch und wissenschaftlich Tätigen in Zeiten des ständigen gesellschaftspolitischen Wandels eine Vielfalt neuer Denk- und Handlungsmöglichkeiten. Mit Beiträgen von: Chimamanda Ngozi Adichie, Brigitte Boothe, Maria Borcsa, Britta Boyd, Rudi Dallos, Dan Dulberger, Sol D’Urso, David Epston, Simon Forstmeier, Thomas Friedrich-Hett, Katarzyma Gdowska, Alma R. Galván-Durán, Deliana Garcia, Julia Hille, Peter Jakob, Milena Kansy, Mathias Klasen, Thomas Klatetzki, Heiko Kleve, Tobias Köllner, Tom Levold, Gabriele Lucius-Hoene, Elisabeth Christa Markert, Afiya Mangum Mbilishaka, Jan Müller, Michael Müller, Jan Olthof, Meinolf Peters, Peter Rober, Tom Rüsen, Carl Eduard Scheidt, Thomas Schollas, Jasmina Sermijn, Monica Sesma, Claudia Schiffmann, Heidrun Schulze, Sally St. George, Jürgen Straub, Arist von Schlippe, Sabine Trautmann-Voigt, Arlene Vetere, Gerhard Walter, Kaethe Weingarten, Dietmar J. Wetzel, Jim Wilson, Dan Wulff. Die Beiträge von David Epston, Jan Olthof und Peter Jakob, Dan Wulff et al., Peter Rober, Jim Wilson (Wie man Bilder für therapeutische Geschichten mit Kindern findet), Rudi Dallos und Arlene Vetere, Kaethe Weingarten et al. sowie Afiya Mangum Mbilishaka wurden von Astrid Hildenbrand aus dem Englischen übersetzt.

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What if the goddess Athena, who sprang fully-grown from Zeus's head and denied she had a mother, became aware of the compelling existence of her other parent? What if she discovered that her mother, Metis-first wife of Zeus and "wiser than all gods and mortal men," according to Hesiod-was swallowed by her father and continued to impart her wisdom to him from inside his belly? Recent Spanish novels by women parallel this hypothetical situation based on Greek myth by featuring female protagonists who obsessively re-examine the lives of their mothers, seeking to know and understand them. In Mother and Myth in Spanish Novels, Sandra J. Schumm examines six narratives by Spanish authors published since 2000 that focus on a daughter's search to know more about her matriarchal heritage: Carme Riera's La mitad del alma, Lucía Etxebarria's Un milagro en equilibrio, Rosa Montero's El corazón del tártaro, Cristina Cerezales's De oca a oca, María de la Pau Janer's Las mujeres que hay en mí, and Soledad Purtolas's Historia de un abrigo. In each of these novels, the protagonist realizes that failure to integrate the loss of her mother into her life results in the inability to define her self. Without valorization of the maternal subject, the legacy of the daughter is at risk-she is also objectified and swallowed-and the whole society suffers. The daughters' attention to their mothers in these novels is as if Athena had finally recognized that her mother, Metis, had been ingested by Zeus. The myth of Metis and Athena becomes a metaphor of the daughter's quest toward wholeness and individuation in these works; she begins to understand that her maternal legacy is a source of wisdom that has been obscured. These novels by Spanish women strengthen the mother's voice, rescue her from anonymity, and rewrite the matriarchal archetype.

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JACK LARK: SOLDIER, LEADER, IMPOSTER.The second book in the enthralling military adventure series for fans of Bernard Cornwell, Anthony Riches and Matthew Harffy. 'Brilliant' Bernard Cornwell 'Jack Lark is an unforgettable new hero' Anthony Riches 'Page-turning adventure, a hero with issues yet who's likable, and antagonists you will love to hate... It was hard to put down and a real pleasure to read' Historical Novel SocietyJack Lark barely survived the Battle of the Alma. As the brutal fight raged, he discovered the true duty that came with the officer's commission he'd taken. In hospital, wounded, and with his stolen life left lying on the battlefield, he grasps a chance to prove himself a leader once more. Poor Captain Danbury is dead, but Jack will travel to his new regiment in India, under his name. Jack soon finds more enemies, but this time they're on his own side. Exposed as a fraud, he's rescued by the chaplain's beautiful daughter, who has her own reasons to escape. They seek desperate refuge with the Maharajah of Sawadh, the charismatic leader whom the British Army must subdue. He sees Jack as a curiosity, but recognises a fellow military mind. In return for his safety, Jack must train the very army the British may soon have to fight...THE MAHARAJAH'S GENERAL: JACK LARK BOOK 2 ⭐⭐⭐⭐⭐ READERS CAN'T GET ENOUGH OF JACK LARK: 'Quite simply do yourself a favour and read these books' 'Everything you need in an historical military novel. Intrigue, deception, the horror of combat, revenge...' 'Jack Lark is a hero I'll happily follow' 'Filled with twists and memorable, larger than life characters' 'A delicately balanced formula that is mixed to perfection'

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The Lindsays of Balcarres began with the rediscovery of some dusty photograph albums at the home of the author’s late father in Fife. The wealth of images within, unexplored for over eighty years, provided the perfect way to present the fascinating untold stories of the people who had been brought up at Balcarres. The Lindsay family, which traces its roots back to the time of Charlemagne, almost lost everything after siding with the Stuarts for two hundred years, but fortunate marriages, colonial endeavours and the industrial revolution enabled them to create a new fortune and in 1848 successfully reclaim their position as the Premier Earls of Scotland. This renewal coincided with the birth of photography in the 1840s, which encouraged the family to capture moments of their leisure pursuits and other enthusiasms and the part they played in the events of their time. The collection also serves as a social history, recording the rapidly changing industries they were involved in and the relationships with their staff on which their way of life depended. The reader will encounter a gallery of colourful characters, including Elizabeth Lindsay, who married the 3rd Earl of Hardwicke in 1782 and became Vicereine of Ireland; her great-nephew, Robert, who joined the Guards at the outbreak of the Crimean War and carried the Queen’s Colours to the heights of Alma, earning him the first of two citations for the Victoria Cross; and his brother-in-law, Alexander, the 25th Earl of Crawford and his polymath son Ludovic, who together rebuilt the family library, Bibliotheca Lindesiana, into one of the world’s finest. Some of the earliest daguerreotypes in the family archive point to the enduring affinity that would develop between photography and the country house. It was the perfect medium for a family so deeply involved in both fine art and the latest technology. Ludovic Lindsay’s painstaking restoration of these remarkable family photographs and archival research mean that a chronicle of his forebears’ lives, told through over three hundred hitherto unpublished images, is for the first time possible.

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In this provocative examination of collective identity in Jordan, Linda Layne challenges long-held Western assumptions that Arabs belong to easily recognizable corporate social groups. Who is a "true" Jordanian? Who is a "true" Bedouin? These questions, according to Layne, are examples of a kind of pigeonholing that has distorted the reality of Jordanian national politics. In developing an alternate approach, she shows that the fluid social identities of Jordan emerge from an ongoing dialogue among tribespeople, members of the intelligentsia Hashemite rulers, and Western social scientists.Many commentators on social identity in the Middle East limit their studies to the village level, but Layne's goal is to discover how the identity-building processes of the locality and of the nation condition each other. She finds that the tribes creates their own cultural "homes" through a dialogue with official nationalist rhetoric and Jordanian urbanites, while King Hussein, in turn, maintains the idea of the "homeland" in many ways that are powerfully influenced by the tribespeople. The identities so formed resemble the shifting, irregular shapes of postmodernist landscapes—but Hussein and the Jordanian people are also beginning to use a classically modernist linear narrative to describe themselves. Layne maintains, however, that even with this change Jordanian identities will remain resistant to all-or-nothing descriptions.Linda L. Layne is Alma and H. Erwin Hale Teaching Professor of Humanities and Social Sciences in the Department of Science and Technology Studies at Rensselaer Polytechnic Institute.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash. The Niccolinis’ goal was to illustrate all aspects of life in the antique city. Their publication, Le case ed i monumenti di Pompei (“The Houses and Monuments of Pompeii”), which was issued in installments between 1854 and 1896 in Naples, presented over 400 color plates providing not only views, maps, and groundplans of the city and its public buildings, but also offered unprecedented access to Pompeii’s private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, and the practical utensils of everyday use, conjuring up a vivid picture of each house as a real domestic space. In total, the plates illustrated more than 1,000 items, each extensively specified and located for the first time, making the publication a major reference in Pompeii research. In addition, “animated” representations visualized daily life in Pompeii’s workshops, taverns, and shops, on its public squares, and in its temples, theaters, and baths. This meticulous facsimile revives the Niccolinis’ extraordinary achievement with all color plates and two introductory essays setting the project in its contemporary context and presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art—and by the haunting plaster casts made of victims of the eruption—on the visual arts. Across painting, sculpture, and interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal.

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The literature on modernist and postmodernist urban development is abundant, yet few researchers have taken up the challenge of studying the areas hi which marginalized people live as sources of resistance to continued modernization. In Marginal Spaces, Michael Smith has assembled case studies combining structural and historical analyses of the moves of powerful social interests to dominate social space, and the tactics and strategies various marginalized social groups employ to reclaim dominated space for their own use. The marginal spaces embodied in the title of this fifth volume of the Comparative Urban and Community Research series include five sites of domination and resistance. A squatters' movement in Ann Arbor, Michigan, resists the adverse consequences of four decades of urban development. A homeless encampment in Chicago engages hi "guerilla architecture" and other moves designed to reconstitute prevailing social constructions of the problem of "homelessness." An antigentrification movement hi the East Village of New York engages hi an ongoing struggle to resist efforts by developers to market their neighborhood as space for luxury condominium development. There is a Public Housing Council organized by African American women hi New Orleans that is resisting both the material regulation of their daily lives and the dominant social construction of public housing as a racially gendered space suitable only for "dependent" women and children of color. Finally, there is a subordinate labor market niche hi California agriculture where indigenous Mixtec peasants from Oaxaca are displacing the more traditional mestizo farm workers, but who are also politically organizing as a transnational grassroots movement, pursuing a binational strategy to alleviate then- economic, political, and cultural marginality. Contributions and contributors include: "House People, Not Cars!" by Corey Dolgon, Michael Kline, and Laura Dresser; "Tranquillity City" by Tahnadge Wright; "Private Redevelopment and the Changing Forms of Displacement hi the East Village of New York" by Christopher Mele; "Resisting Racially Gendered Space" by Alma Young and Jyaphia Christos-Rodgers; and "Mixtecs and Mestizos hi California Agriculture" by Carol Zabin. This volume will be of interest to urban planners, sociologists, and political scientists, especially those with strong interests hi local ethnography and concrete policy.

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A dazzling new spy thriller about a female CIA agent whose extraordinary powers lead her into the dangerous heart of the collapsing Soviet Union – and the path of a killer that shouldn't exist. Minsk, 1990. The Soviet Union is crumbling. The scavengers and predators are gathering, eager to pick the meat off the bones of a dying empire. THE SPY: Melvina Donleavy is part of a US trade delegation... and on her first undercover mission with the CIA. Mel has a secret skill: she is a 'super recognizer', someone who never forgets a face. She is the CIA's early warning system, on watch for hostile agents trying to extract fissionable materials from the moribund USSR. THE SERIAL KILLER: On the streets of Minsk, women are being strangled. Many more have disappeared. The Soviet Union is not a gentle place for women and too many men are capable of such violence, but the truth is worse: just one man is responsible. Worse still, the authorities will never admit to his existence – serial killers, after all, are a symptom of capitalist decadence. And now he has a new target... THE SPY HUNTER: Chairman of the BSSR's KGB, recipient of the Hero of the Soviet Union medal, the Order of Lenin, the Medal for Valour, the Order of the Patriotic War and the Order of the Red Star. They say you never hear his footsteps until he's carrying your coffin. And now he has a new target... The Cold War may be coming to a close, but Mel is in danger of being obliterated by its fallout. Whichever way she turns, the wolves are gathering. Reviews for Black Wolf: 'Kathleen Kent slays it with Black Wolf, a propulsive page-turner chock full of juicy spy game goodies. Simply masterful.' Lisa Barr 'Black Wolf is a superlative read, rich in atmospherics and authenticity. Kathleen Kent knows the territory firsthand, and deftly guides us across the harrowing terrain.' Dan Fesperman 'A razor-sharp, whip-smart, beautifully written thriller. Combines the plotting of Frederick Forsyth with the chills of Thomas Harris. Highly recommended.' Christopher Reich 'A gritty depiction of the spy game during the dissolution of the Soviet Union. Perfect for fans of The Americans.' Alma Katsu

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In a world that requires knowledge and wisdom to address developing crises around us, The Gatherings shows how Indigenous and non-Indigenous peoples can come together to create meaningful and lasting relationships. Thirty years ago, in Wabanaki territory – a region encompassing the state of Maine and the Canadian Maritimes – a group of Indigenous and non-Indigenous individuals came together to explore some of the most pressing questions at the heart of Truth and Healing efforts in the United States and Canada. Meeting over several years in long-weekend gatherings, in a Wabanaki-led traditional Council format, assumptions were challenged, perspectives upended, and stereotypes shattered. Alliances and friendships were formed that endure to this day. The Gatherings tells the moving story of these meetings in the words of both Indigenous and non-Indigenous participants. Reuniting to reflect on how their lives were changed by their experiences and how they continue to be impacted by them, the participants share the valuable lessons they learned. The many voices represented in The Gatherings offer insights and strategies that can inform change at the individual, group, and systems levels. These voices affirm that authentic relationships between Indigenous and non-Indigenous peoples – with their attendant anxieties, guilt, anger, embarrassments, and, with time, even laughter and mutual affection – are key to our shared futures here in North America. Now, more than ever, it is critical that we come together to reimagine Indigenous-settler relations. Mawopiyane: Gwen Bear Shirley Bowen Alma H. Brooks gkisedtanamoogk JoAnn Hughes Debbie Leighton Barb Martin Miigam’agan T. Dana Mitchell Wayne A. Newell Betty Peterson Marilyn Keyes Roper Wesley Rothermel Afterword by Dr. Frances Hancock To reflect the collaborative nature of this project, the word Mawopiyane is used to describe the full group of co-authors. Mawopiyane, in Passamaquoddy, literally means "let us sit together," but the deeper meaning is of a group coming together, as in the longhouse, to struggle with a sensitive or divisive issue – but one with a very desirable outcome. It is a healing word and one that is recognizable in all Wabanaki languages.

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More than 600 women and girls have been murdered and more than 1,000 have disappeared in the Mexican state of Chihuahua since 1993. Violence against women has increased throughout Mexico and in other countries, including Argentina, Costa Rica, Guatemala, and Peru. Law enforcement officials have often failed or refused to undertake investigations and prosecutions, creating a climate of impunity for perpetrators and denying truth and justice to survivors of violence and victims’ relatives. Terrorizing Women is an impassioned yet rigorously analytical response to the escalation in violence against women in Latin America during the past two decades. It is part of a feminist effort to categorize violence rooted in gendered power structures as a violation of human rights. The analytical framework of feminicide is crucial to that effort, as the editors explain in their introduction. They define feminicide as gender-based violence that implicates both the state (directly or indirectly) and individual perpetrators. It is structural violence rooted in social, political, economic, and cultural inequalities. Terrorizing Women brings together essays by feminist and human rights activists, attorneys, and scholars from Latin America and the United States, as well as testimonios by relatives of women who were disappeared or murdered. In addition to investigating egregious violations of women’s human rights, the contributors consider feminicide in relation to neoliberal economic policies, the violent legacies of military regimes, and the sexual fetishization of women’s bodies. They suggest strategies for confronting feminicide; propose legal, political, and social routes for redressing injustices; and track alternative remedies generated by the communities affected by gender-based violence. In a photo essay portraying the justice movement in Chihuahua, relatives of disappeared and murdered women bear witness to feminicide and demand accountability. Contributors: Pascha Bueno-Hansen, Adriana Carmona López, Ana Carcedo Cabañas, Jennifer Casey, Lucha Castro Rodríguez , Angélica Cházaro, Rebecca Coplan, Héctor Domínguez-Ruvalcaba, Marta Fontenla, Alma Gomez Caballero, Christina Iturralde, Marcela Lagarde y de los Ríos, Julia Estela Monárrez Fragoso, Hilda Morales Trujillo, Mercedes Olivera, Patricia Ravelo Blancas, Katherine Ruhl, Montserrat Sagot, Rita Laura Segato, Alicia Schmidt Camacho, William Paul Simmons, Deborah M. Weissman, Melissa W. Wright

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In this provocative examination of collective identity in Jordan, Linda Layne challenges long-held Western assumptions that Arabs belong to easily recognizable corporate social groups. Who is a "true" Jordanian? Who is a "true" Bedouin? These questions, according to Layne, are examples of a kind of pigeonholing that has distorted the reality of Jordanian national politics. In developing an alternate approach, she shows that the fluid social identities of Jordan emerge from an ongoing dialogue among tribespeople, members of the intelligentsia Hashemite rulers, and Western social scientists.Many commentators on social identity in the Middle East limit their studies to the village level, but Layne's goal is to discover how the identity-building processes of the locality and of the nation condition each other. She finds that the tribes creates their own cultural "homes" through a dialogue with official nationalist rhetoric and Jordanian urbanites, while King Hussein, in turn, maintains the idea of the "homeland" in many ways that are powerfully influenced by the tribespeople. The identities so formed resemble the shifting, irregular shapes of postmodernist landscapes—but Hussein and the Jordanian people are also beginning to use a classically modernist linear narrative to describe themselves. Layne maintains, however, that even with this change Jordanian identities will remain resistant to all-or-nothing descriptions.Linda L. Layne is Alma and H. Erwin Hale Teaching Professor of Humanities and Social Sciences in the Department of Science and Technology Studies at Rensselaer Polytechnic Institute.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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More than 600 women and girls have been murdered and more than 1,000 have disappeared in the Mexican state of Chihuahua since 1993. Violence against women has increased throughout Mexico and in other countries, including Argentina, Costa Rica, Guatemala, and Peru. Law enforcement officials have often failed or refused to undertake investigations and prosecutions, creating a climate of impunity for perpetrators and denying truth and justice to survivors of violence and victims’ relatives. Terrorizing Women is an impassioned yet rigorously analytical response to the escalation in violence against women in Latin America during the past two decades. It is part of a feminist effort to categorize violence rooted in gendered power structures as a violation of human rights. The analytical framework of feminicide is crucial to that effort, as the editors explain in their introduction. They define feminicide as gender-based violence that implicates both the state (directly or indirectly) and individual perpetrators. It is structural violence rooted in social, political, economic, and cultural inequalities. Terrorizing Women brings together essays by feminist and human rights activists, attorneys, and scholars from Latin America and the United States, as well as testimonios by relatives of women who were disappeared or murdered. In addition to investigating egregious violations of women’s human rights, the contributors consider feminicide in relation to neoliberal economic policies, the violent legacies of military regimes, and the sexual fetishization of women’s bodies. They suggest strategies for confronting feminicide; propose legal, political, and social routes for redressing injustices; and track alternative remedies generated by the communities affected by gender-based violence. In a photo essay portraying the justice movement in Chihuahua, relatives of disappeared and murdered women bear witness to feminicide and demand accountability. Contributors: Pascha Bueno-Hansen, Adriana Carmona López, Ana Carcedo Cabañas, Jennifer Casey, Lucha Castro Rodríguez , Angélica Cházaro, Rebecca Coplan, Héctor Domínguez-Ruvalcaba, Marta Fontenla, Alma Gomez Caballero, Christina Iturralde, Marcela Lagarde y de los Ríos, Julia Estela Monárrez Fragoso, Hilda Morales Trujillo, Mercedes Olivera, Patricia Ravelo Blancas, Katherine Ruhl, Montserrat Sagot, Rita Laura Segato, Alicia Schmidt Camacho, William Paul Simmons, Deborah M. Weissman, Melissa W. Wright

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One of the most remarkable education leaders of the late nineteenth century and the creator of the modern American research university finally gets his due.Daniel Coit Gilman, a Yale-trained geographer who first worked as librarian at his alma mater, led a truly remarkable life. He was selected as the third president of the University of California; was elected as the first president of Johns Hopkins University, where he served for twenty-five years; served as one of the original founders of the Association of American Universities; and—at an age when most retired—was hand-picked by Andrew Carnegie to head up his eponymous institution in Washington, DC.In Daniel Coit Gilman and the Birth of the American Research University, Michael T. Benson argues that Gilman's enduring legacy will always be as the father of the modern research university—a uniquely American invention that remains the envy of the entire world. In the past half-century, nothing has been written about Gilman that takes into account his detailed journals, reviews his prodigious correspondence, or considers his broad external board service. This book fills an enormous void in the history of the birth of the "new" American system of higher education, especially as it relates to graduate education. The late 1800s, Benson points out, is one of the most pivotal periods in the development of the American university model; this book reveals that there is no more important figure in shaping that model than Daniel Coit Gilman.Benson focuses on Gilman's time deliberating on, discussing, developing, refining, and eventually implementing the plan that brought the modern research university to life in 1876. He also explains how many university elements that we take for granted—the graduate fellowships, the emphasis on primary investigations and discovery, the funding of the best laboratory and research spaces, the scholarly journals, the university presses, the sprawling health sciences complexes with teaching hospitals—were put in place by Gilman at Johns Hopkins University. Ultimately, the book shows, Gilman and his colleagues forced all institutions to reexamine their own model and to make the requisite changes to adapt, survive, thrive, compete, and contribute.

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NATIONAL JEWISH BOOK AWARD FINALIST"Raw, vibrant, and full of love" --Kirkus Reviews"A moving work that encourages solidarity . . . reflect(s)on race, gender, family, religious practice, and culture" --The Jewish Book CouncilIn 78 vibrant works by 62 gifted contributors, Jewish girls, young women, and nonbinary teens voice their celebrations and challenges, their anger and their eagerness in essays, poetry, and visual art. And their themes are universal, touching on childhood, spirituality, sexuality, race, family, friends, and the world around us.We are writers, editors, photographers, and artists. We are multiethnic, multiracial, and multifaceted. We are nourished by the sweet honey and harsh salt of our lives. Although we are often misunderstood, we find strength within ourselves and our communities. This book elevates our stories as we honor the past, explore the present, and look toward the future. Through poetry, fiction, essays, and art, we make our voices heard. "Within these pages is a representation of the Jewish community at its best: a diversity of voices and experiences; a rigorous commitment to challenging the status quo; creativity; humor and heartbreak; suffering and joy. That such an invigorating and affirming work was produced by the teens of jGirls Magazine is proof that they've learned a very important lesson early in life: nobody can tell your story but you." --Molly Tolsky, from the Foreword to Salt & Honey.The award-winning Salt & Honey and was created by a team of writers and artists brought together as part of jGirls Magazine, including editors Elizabeth Mandel, Emanuelle Sippy, Maya Savin Miller, and Michele Lent Hirsch. Includes works by: Aliza Abusch-Magder; Lauren Alexander; Gertie Angel; Yael Beer; Alex Berman; Alyx Bernstein; Leah Bogatie; Isabella Brown; Aydia Caplan; Whitney Cohen; Emilia Cooper; Tesaneyah Dan; Denae; Alexa Druyanoff; Emily Duckworth; Elena Eisenstadt; Tali Feen; Abigail Fisher; Leah Fleischer; Lily Gardner; Abigael Good; Sequoia Hack; Madison Hahamy; Samara Haynes; Ahava Helfenbaum; Dalia Heller; Sascha Hochman; Audrey Honig; Alexa Hulse; Liel Huppert; Noa Kalfus; Alma Kastan; Rachel Kaufman; Maya Keren; Naomi Kitchen; Gavi Klein; Jamie Klinger; Emily Knopf; Aidyn Levin; Sonja Lippmann; Shoshana Maniscalco; Liora Meyer; Maya Savin Miller; Becca Norman; Juliet Norman; Dina Ocken; Zoe Oppenheimer; Lily Pazner; Annie Poole; Ofek Preis; Maya Rabinowitz; Emma Rosman; Artie Ross; Sydney Schulman; Eliana Shapere; Emanuelle Sippy; Michal Spanjer; Frankie Vega; Molly Voit; Abigail Winograd; Sarah Young; Makeda Zabot-Hall.The included Reader's Guide by teen educator and award-winning author Michelle Shapiro Abraham, RJE makes this an outstanding resource for book groups and for teen programming in a variety of contexts.

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'The terror's exquisite. Fracassi's got his hand on the chisel going into your chest' Stephen Graham Jones, author of The Only Good Indians'THE MOST FRIGHTENING NOVEL OF THE YEAR' EsquireThe Exorcist meets Lord of the Flies, by way of Midnight Mass, Boys in the Valley is a chilling folk horror set in a remote orphanage in turn of the century Pennsylvania.St. Vincent's Orphanage for Boys. Turn of the century, in a remote valley in Pennsylvania. Here, under the watchful eyes of several priests, thirty boys work, learn, and worship. Peter Barlow, orphaned as a child by a gruesome murder, has made a new life here. As he approaches adulthood, he has friends, a future. . . a family. Then, late one stormy night, a group of men arrive at their door, one of whom is badly wounded, occult symbols carved into his flesh. His death releases an ancient evil that spreads like sickness, infecting St. Vincent's and the children within. Soon, boys begin acting differently, forming groups. Taking sides. Others turn up dead. Now Peter and those dear to him must choose sides of their own, each of them knowing their lives - and perhaps their eternal souls - are at risk.Praise for Boys in the Valley:'Fracassi makes terror read so damn beautifully' Victor LaValle, author of The Changeling'An unrelenting and highly entertaining show of horrors' Thomas Olde Heuvelt, author of Hex'A smart and deftly-written tale instilled with the kind of creeping, claustrophobic horror I enjoy' Nick Cutter, author of The Troop'As poignant as it is chilling, with a fast-paced, unflinching ending' Alma Katsu, author of The Hunger'The most unsettling novel I have read all year. Cold dread clings to every page' Ronald Malfi, author of Black Mouth'Harrowing and claustrophobic' Christopher Golden, author of Road of Bones'Fracassi. . . builds his horrific tales slowly and carefully...he's especially skilful at creating, and sustaining, suspense' The New York Times'Gut-wrenching, heart breaking, and terrifying' Andy Davidson, author of The Boatman's Daughter'Horror readers will be hooked' Publishers Weekly'A riveting, and horrifying, tale of survival set against a punishing and vivid backdrop.' Victor LaValle'Fracassi. . . brings a depth of understanding to his monsters, human and otherwise' Guardian'Fracassi's storytelling is. . . horror with a big, broken heart' Esquire'His range, prolific output, and fast-paced prose are all set to put him on the shelf next to names such as King, Straub, and Thomas Harris' Signal Horizon

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Este devocional de 365 días del querido autor y pastor Dr. Charles Stanley te inspirará para ver cómo Dios transforma nuestros corazones y nuestras vidas cuando confiamos en Él con un futuro desconocido. Confiar en Dios en tiempos difíciles puede ser un reto, pero trabajar para hacer crecer esa confianza día a día nos proporciona una alegría y una paz mayores de las que jamás podríamos encontrar apoyándonos en nuestro propio entendimiento. En Confía en Dios en todo momento, el Dr. Charles Stanley nos anima a creer en el amor de Dios y a descansar en Su propósito para nosotros.Cada entrada de este devocional diario incluye un versículo bíblico, una oración y una enseñanza inspiradora. Página a página, tu alma encontrará descanso al recordar que: No importa lo que ocurra en el mundo o en tu vida, Dios es fiel Puedes liberarte de la ansiedad y descansar en Dios cuando dejes de intentar resolverlo todo por ti mismo Confiar en Dios día a día te lleva al contentamiento y la satisfacción mientras Él endereza tus caminos Confía en Dios en todo momento es un regalo maravilloso para Navidad, Pascua, cumpleaños y graduaciones, o para cualquiera que anhele confiar en Dios más profundamente en un mundo incierto hoy y todos los días.Trusting God With TodayThis 365-day devotional from beloved author and pastor Dr. Charles Stanley will inspire you to see how God transforms our hearts and lives when we trust Him with an unknown future.Trusting God in difficult times can be a challenge, but working to grow that trust day by day brings greater joy and peace than we could ever find leaning on our own understanding. In Trusting God with Today, Dr. Charles Stanley encourages us to believe in God's love and rest in His purpose for us.Each entry in this daily devotional includes a Bible verse, a prayer, and inspirational teaching. Page by page, your soul will find rest as you remember that: No matter what is happening in the world or in your life, God is faithful You can release anxiety and embrace God's rest as you stop trying to figure it all out yourself Trusting God one day at a time leads to contentment and satisfaction as He makes your paths straight Trusting God with Today makes a wonderful gift for Christmas, Easter, birthdays, and graduations, or for anyone who longs to trust God more deeply in an uncertain world today and every day.

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“A haunted work, full of voices old and new. It is about a family’s reckoning with loss and injustice, and it is about a people trying for the same. The journey of this family’s way home is full—in equal measure—of melancholy and love.” —Tommy Orange, author of There ThereA RECOMMENDED BOOK FROMUSA Today * O, the Oprah Magazine * Entertainment Weekly * TIME * Harper's Bazaar * Buzzfeed * Washington Post * Elle * Parade * San Francisco Chronicle * Good Housekeeping * Vulture * Refinery29 * AARP * Kirkus * PopSugar * Alma * Woman's Day * Chicago Review of Books * The Millions * Biblio Lifestyle * Library Journal * Publishers Weekly * LitHub Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago—from National Book Award finalist Brandon HobsonIn the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer’s in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.With the family’s annual bonfire approaching—an occasion marking both the Cherokee National Holiday and Ray-Ray’s death, and a rare moment in which they openly talk about his memory—Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest’s mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite—or perhaps because of—his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo.Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma—a meditation on family, grief, home, and the power of stories on both a personal and ancestral level.“The Removed is a marvel. With a few sly gestures, a humble array of piercingly real characters and an apparently effortless swing into the dire dreamlife, Brandon Hobson delivers an act of regeneration and solace. You won’t forget it.” —Jonathan Lethem, author of The Feral Detective

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On the evening of May 16, 1958, architecture alumni of the University of Washington converged on Seattle from all over the country. The event was a banquet to celebrate the founding of their alma mater's new College of Architecture and Urban Planning. One by one, the dean introduced the college's faculty members. At the name of Lionel “Spike” Pries, one alumnus recalled, “there was a special charge in the air. . . . Everyone rose and cheered and clapped; it appeared to go on forever.” But within six months, Lionel Pries was abruptly and mysteriously gone from the university. After thirty years of service, he lost his job, his major source of income, and, just four years short of retirement, his pension. The official explanation was illness; friends “sensed a large injustice,” in what they believed was a dismissal based on Pries's sexual orientation. With Lionel H. Pries, Architect, Artist, Educator: From Arts and Crafts to Modern Architecture, Jeffrey Karl Ochsner redresses that injustice. Pries (1897-1968) was one of the most influential teachers of architecture and design at the University of Washington. Minoru Yamasaki, A. Q. Jones, Fred Bassetti, Wendell Lovett, Victor Steinbrueck, and many other prominent twentieth-century architects were trained by Pries, whose highly artistic style of design helped shape the development of American Modernism in architecture. Ochsner offers an erudite celebration of Pries's professional legacy, tracing his evolution as a designer, architect, teacher, and artist. He shows how Pries absorbed and synthesized disparate influences and movements in design--the California Arts and Crafts and Mission Revival movements, the Ecole des Beaux-Arts tradition, Art Nouveau and Art Deco, Mexican and Japanese motifs, and the International Style and other permutations of the Modern movement. Ochsner paints a vivid portrait of Pries as a teacher and mentor: an unapologetic elitist, one who challenged weak students by openly fostering stronger ones; a classroom autocrat who would fling one student's radio out a second-story window but offer rent-free lodging to another in need. This is a nuanced character study that offers a clear but sympathetic view of a major talent who sometimes clashed with his colleagues and was often in conflict with himself. For some readers, it will be an introduction to Lionel Pries. For others, it will be an occasion to remember him with warmth and gratitude. This comprehensive, lavishly illustrated work will appeal not only to architects and architectural historians, but also to those interested in American studies, the decorative arts, and Northwest history and culture. Its depth of research broadens our understanding of twentieth-century Modernism and of the history of architectural education.

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It’s hardly a secret that mobility has always been limited, if not impossible, for African Americans. Before the Civil War, masters confined their slaves to their property, while free black people found themselves regularly stopped, questioned, and even kidnapped. Restrictions on movement before Emancipation carried over, in different forms, into Reconstruction and beyond; for most of the 20th century, many white Americans felt blithely comfortable denying their black countrymen the right to travel freely on trains and buses. Yet it became more difficult to shackle someone who was cruising along a highway at 45 miles per hour. In Driving While Black, the acclaimed historian Gretchen Sorin reveals how the car—the ultimate symbol of independence and possibility—has always held particular importance for African Americans, allowing black families to evade the many dangers presented by an entrenched racist society and to enjoy, in some measure, the freedom of the open road. She recounts the creation of a parallel, unseen world of black motorists, who relied on travel guides, black only businesses, and informal communications networks to keep them safe. From coast to coast, mom and pop guest houses and tourist homes, beauty parlors, and even large hotels—including New York’s Hotel Theresa, the Hampton House in Miami, or the Dunbar Hotel in Los Angeles—as well as night clubs and restaurants like New Orleans’ Dooky Chase and Atlanta’s Paschal’s, fed travelers and provided places to stay the night. At the heart of Sorin’s story is Victor and Alma Green’s famous Green Book, a travel guide begun in 1936, which helped grant black Americans that most basic American rite, the family vacation. As Sorin demonstrates, black travel guides and black-only businesses encouraged a new way of resisting oppression. Black Americans could be confident of finding welcoming establishments as they traveled for vacation or for business. Civil Rights workers learned where to stay and where to eat in the South between marches and protests. As Driving While Black reminds us, the Civil Rights Movement was just that—a movement of black people and their allies in defiance of local law and custom. At the same time, she shows that the car, despite the freedoms it offered, brought black people up against new challenges, from segregated ambulance services to unwarranted traffic stops, and the racist violence that too often followed. Interwoven with Sorin’s own family history and enhanced by dozens of little known images, Driving While Black charts how the automobile fundamentally reshaped African American life, and opens up an entirely new view onto one of the most important issues of our time.

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This is the story of the destruction of a talented Jewish family, and of the survival against all the odds of two young sisters. It is one of the most moving stories to emerge from the Second World War. Anita and her elder sister Renate defied death at the hands of the Gestapo and the SS over a period of two and a half years when they were sucked into the whirlpool of Nazi mass extermination, being first imprisoned as 'criminals' and then being transferred, separately, to Auschwitz, and finally to Belsen when the Russians approached. They were saved by their exceptional courage, determination and ingenuity, and by several improbable strokes of luck. At Auschwitz, Anita escaped annihilation through her talents as a cellist when she was co-opted into the camp orchestra directed by Alma Rose, niece of Gustav Mahler. Her book is especially remarkable because of the many documents she has managed to preserve, most of them now lodged in the archives of the Imperial War Museum in London. In a sequence of family letters to her sister Marianne, who was marooned in England, from just before the war to 1942 when her parents were deported and liquidated, an atmosphere of happy normality gradually gives way to latent terror and foreboding. The appalling predicament of the Lasker family, and of Anita and Renate in particular when the rest of their relations had been deported and they were left totally alone in Breslau, could not be more poignantly conveyed. They were caught by the Gestapo trying to flee to Paris, and sent to prison: another piece of 'luck', as it turned out, since they were spared the worse horrors of Auschwitz for a crucial year. After the liberation of Belsen in April 1945, the correspondence with Marianne in England resumed. Anita was seconded to the British Army, and she quotes first-hand material about the early days of the occupation, including a transcript of part of the Luneburg trial in late 1945 when she gave evidence about Nazi atrocities at Auschwitz and Belsen, and was confronted in court by her tormentors. In 1946 she and Renate were both finally permitted to emigrate to England. Three years later, Anita became a founder member of the English Chamber Orchestra, in which she continued to play the cello until recently. Anita's book featured in BBC Radio 4's 'Desert Island Discs' programme on 25th August 1996. She had also told her story in a series of five BBC Radio 4 programmes in 1994; and a BBC 2 TV film about her experiences, Playing to Survive, was screened in October 1996.

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'In international and domestic law water has a widely multifaceted relevance. This book addresses the multifarious water issues from the perspective of a wide range of bodies of law, especially those on foreign investment, international trade and human rights. Its various contributions consistently follow a multi-layered methodological approach encompassing legal, policy, economic, financial, international and comparative domestic analysis. That makes this book a precious tool for international and domestic water policy makers, managers, practitioners and arbitrators.'- Attila M. Tanzi, Bologna University Alma Mater Studiorum, Italy 'Charting the Water Regulatory Future is a multifaceted review of contemporary issues concerning development and conservation of water resources. Divided in three parts, this book contains excellent articles that grapple with salient legal, economic and ethical problems that the world will face in the not-too-distant future.'- Thomas J. Schoenbaum, George Washington University Law School, US Water is an essential resource for mankind, yet many countries around the world are currently facing mounting freshwater management challenges, with climate change and new regional imbalances threatening to aggravate this situation further. This timely book offers a unique interdisciplinary inquiry into the issues and challenges water regulation will face in the coming years. The book brings together economists, political scientists, geographers and legal scholars to offer a number of proposals for the future of water regulation. The contributions in this book are grouped around specific themes. In the Part I, the contributions address the challenges which water poses to public international law. In the Part II, the authors explore the most pressing ethical, legal, and social issues. Finally, the discussion in Part III covers the economic drivers shaping the future of water. This discerning book cov‘This book, examining the issues, challenges and directions in water regulation, is very timely. . . (It) contributes to this gigantic endeavour by identifying some of the most pressing legal and economic issues and challenges, and pointing toward some possible future directions. It is written in a technically accurate yet accessible language and will surely prove useful to scholars, policymakers, and practitioners alike.’– Fernando Dias Simões, European Yearbook of International Economic Law 2018‘In international and domestic law water has a widely multifaceted relevance. This book addresses the multifarious water issues from the perspective of a wide range of bodies of law, especially those on foreign investment, international trade and human rights. Its various contributions consistently follow a multi-layered methodological approach encompassing legal, policy, economic, financial, international and comparative domestic analysis. That makes this book a precious tool for international and domestic water policy makers, managers, practitioners and arbitrators.’– Attila M. Tanzi, Bologna University Alma Mater Studiorum, Italy‘Charting the Water Regulatory Future is a multifaceted review of contemporary issues concerning development and conservation of water resources. Divided in three parts, this book contains excellent articles that grapple with salient legal, economic and ethical problems that the world will face in the not-too-distant future.’ – Thomas J. Schoenbaum, George Washington University Law School, US‘This excellent book addresses urgent global water issues: scarcity of clean water as population grows and the climate changes, balancing incentives for investment in infrastructure with human rights to basic needs, jurisdiction and management of international watersheds, and the role of trade and international trade agreements. Individual chapters are sophisticated but accessible and documented rigorously but unobtrusively. The authors are reputed scholars from diverse disciplines, representing a wide range of countries in terms of geography and economic status.’– Alan Randall, The Ohio State University, US and University of Sydney, Australia‘There is no greater challenge in the 21st century than meeting the demand for water amid global climate change. Rapid urbanization, a growing global population projected to hit nine billion in the coming decades, combined with rising demands for water intensive agri-foods, is creating enormous stresses on global water resources. This volume brings together an outstanding collection of global experts to examine the regulatory challenges of water management, addressing topics as diverse as regulating trade in water, global institutions and water conservation, cross border investment in water utilities, as well as ethical, social and legal issues associated with equity and access to water. The volume represents an original and immensely valuable collection of papers for anyone concerned with the future of this most essential resource.’– Darryl Jarvis, Hong Kong Institute of Education‘Pollution, population growth, climate change and regional imbalances make water management a central challenge for governments. New problems about water have arisen, which include inefficient sanitation services, the depletion of groundwater, unstable water supply networks and the use of water carriers. This excellent edited collection brings us a fresh and broad understanding on the future of water regulation from trade, investment, sustainable development, human rights and economics perspectives. This book is highly recommended for anyone interested in international rule-making and regulatory development for public goods in the era of globalization.’– Tsai-yu Lin, National Taiwan University‘Overall, this edited volume has certainly succeeded in analysing a highly technical topic from a wide variety of disciplines and in an array of jurisdictions. Its interdisciplinary nature, together with its consistency and clarity, makes it a welcome and timely addition to the literature. It constitutes a useful reference for both academics and practitioners who seek guidance in the intricate and vitally important realm of water regulation.'– Chinese Journal of Environmental Lawers all of the primary actors in the actors of the water world, including governments, companies, international organizations, and citizens. With an original introduction by the editor and bringing a diverse collection of perspectives into a single collection, the book will be an essential resource for scholars and practitioners in legal and policy fields such as trade and investment, human rights and the environment as well as in international relations.Contributors include: M. Ahmad, T. Ancev, S. Azad, A.P. Barcellos, R. Bates, D. Chakraborty, C. Emeziem, S. Hamamoto, F. Hernandez-Sancho, M. Hirano, J. Lassa, P. Mahadevan, T. McDonnell, S. Mukherjee, S.A. Shah, V.J.M. Tassin, C. Titi, P. Turrini

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A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition A New York Magazine 2021 holiday gift guide pick What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever. Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright.

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Almost everything that landscape architects design is ultimately for a community. Community can be the boon or bane of a project, and oftentimes both. LA+ COMMUNITY aims to explore how, over time, each of us moves in and out of multiple communities, shaping them as they shape us, and in turn shaping our landscapes and cities. We ask how different disciplines construct different ideas of community and how those communities are anchored in space and time, whose interests they serve, and what traces they leave. And we examine how — in this pluralistic, fragmented, and fluid world — designers can meaningfully engage with communities. Contributions from: Anne Whiston Spirn reflects upon her personal and professional journey through her long-term engagement with the Mill Creek community in the West Philadelphia Landscape Project. Architect and cofounder of the DisOrdinary Architecture Project Jocelyn Boys discusses how designers and policy-makers make assumptions about the "ordinary user" of public space and explores ways of understanding and improving how people with disabilities engage with such spaces. Historical geographer Garrett Dash Nelson contemplates the conceptual and practical slippages between understanding community in both its geographical and sociological forms, and what this means for designers seeking to give spatial form to the concept of community. A multi-perspective Q+A with BIPOC designers, educators, and artists Kofi Boone, Julian Agyeman, Hanna Kim, Alma du Solier, Jeffrey Hou, Melissa Guerrero, and Kat Engleman confronts the enduring practices of spatial injustice and the need for new processes, engagement, and outcomes for a racially and culturally inclusive future. Philosopher and author Mark Kingwell considers the literal ins and outs of the question “What is community?” in the midst of a global pandemic. Landscape architect Kate Orff speaks about the ways in which she uses community activism and different practices of engagement to drive better design outcomes. Criminologists James Petty + Alison Young open our eyes to the rise of hostile architecture and criminalisation of homelessness in public space. Designer Chrili Car reflects on lessons learned from working with a self-organised community in a remote village in northern Ghana to masterplan long-term local sustainability and greenbelt projects. Ecologist Jodi Hilty, President and Chief Scientist of the Yellowstone to Yukon Initiative, speaks about the realisation of this visionary wildlife-corridor project spanning 3,200 km, two countries, and hundreds of different communities and interests. Historic preservationist and planner Francesca Russello Ammon teases out the contradictions in the canonical urban renewal success story of Philadelphia’s Society Hill. Landscape architect Jessica Henson gives us the inside story on the intractably complex socio-political and ecological task of master planning a 51-mile swath of the Los Angeles River with a diverse range of user communities. Michael Schwarze-Rodrian recounts the extraordinary achievements of the Emscher Landscape Park in Germany’s Ruhrgebiet, where over the last 30 years a working-class community facing the trauma of transition to a post-industrial economy has been sustained by the medium of landscape, without the forms of displacement or gentrification typically associated with high-end greening. Urban planner and author of Just Sustainabilities Julian Agyeman elucidates what the culturally inclusive design of public space entails. Architect Mario Matamoros delivers a stinging critique of the way in which developers and designers in the Honduran city of Tegucigalpa dupe the public with cynical community consultation so as to anesthetise the possibility of dissent, and Sara Padgett Kjaersgaard interviews the CEO of the Federation of Traditional Owner Corporations, Paul Paton and landscape architect Anne-Marie Pisani about working with Indigenous communities in Australia to help facilitate self-determination and connection to their lands.

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When the University of Notre Dame announced that President Barack Obama would speak at its 2009 Commencement and would receive an honorary doctor of laws degree, the reaction was more than anyone expected. Students, faculty, alumni, and friends of Notre Dame denounced the honoring of Obama, who is the most relentlessly pro-abortion public official in the world. Beyond abortion, Obama has taken steps to withdraw from health-care professionals the right of conscientious objection. Among them are thousands of Notre Dame alumni who will be forced to choose between continuing their profession and participating in activities they view as immoral, including the execution of the unborn. And they will be forced to that choice by the politician upon whom their alma mater confers its highest honors. (Mary Ann Glendon, distinguished Harvard law professor and former ambassador to the Vatican, felt obliged to turn down the prestigious Laetare Medal because of this.) Notre Dame’s honoring of Obama is not merely a “Catholic” thing. Many thousands of citizens with no Catholic or Notre Dame connections have protested it. They see it as a capitulation of faith to expedience and the pursuit of vain prestige. Obama’s record and stated purposes are hostile to the most basic truths of faith and the natural law affirmed by the Catholic Church and by many others. Four decades ago, in 1967, the major “Catholic” universities declared their “autonomy” from the Catholic Church in the Land O’Lakes Declaration. The honoring of Obama reflects the replacement by those universities of the benign authority of the Church with the politically correct standards of the secular academic establishment and, especially, of the government. There is a lesson here for all Americans. Notre Dame fell into relativism and expediency because it rejected the Church as the authentic interpreter of the moral law. In this post-Christian era, American culture is following a similar path by reducing morality to the unguided consensus of individual choices. If no code of right and wrong has moral authority – not even the Ten Commandments – then society is ruled by the conflict of interests, and might makes right. The jurisprudence of such relativism is legal positivism in which no law can be criticized as unjust because no one can know what is “just.” What Happened to Notre Dame? by Charles E. Rice, with an Introduction by Alfred Freddoso – two of Notre Dame’s most distinguished scholars, who together have served the University for over 70 years – first recounts the details of Notre Dame’s honoring of President Obama. It then examines the succession of fall-back excuses offered by the Notre Dame President Rev. John I. Jenkins, c.s.c., and University publicists to justify Notre Dame’s defiance of the nation’s bishops and of Catholic teaching. But Rice is not content with mere reportage. What Happened to Notre Dame?diagnoses the problem’s roots by first providing an overview of the Land O’Lakes Declaration, its inception and its aftermath, including the ways in which its false autonomy from the Church has led to an erosion of the Catholic identity of Notre Dame and other Catholic universities. Then, it offers a cure. Christ, who is God, is the author of the divine law and the natural law. The book presents reasons why an acknowledged interpreter of these laws is necessary, and why that interpreter has to be the Pope exercising the Magisterium, or teaching authority of the Church. And it shows why it is so important that we have such a moral interpreter for all citizens and not just for Catholics. The alternative is what Pope Benedict XVI calls the “dictatorship of relativism,” which the book analyzes. Even for those who do not share the Catholic faith, our reason leads us to conclude that the natural law is the only moral code that makes entire sense and points to the conclusion that the Vicar of Christ is uniquely suited to give authoritative interpretation to that law. In the final chapter Rice shows why great good can come out of Notre Dame’s blunder in rendering its highest honors to such an implacable foe. Notre Dame got itself into such a mess because it attempted to be Catholic without the Church and ended up defying the Church and disgracing itself. But good can result from the lesson here that roll-your-own morality is no more tenable than roll-your-own Catholicism. * * * * * Rice shows why what happened to Notre Dame is symptomatic of what’s happening in other Catholic colleges, indeed colleges with non-Catholic religious affiliations. He shows how the abandonment of principle at the college level spills over to the general culture, with devastating effect, as religious standards get pushed out of the public square. And, finally, he shows why people who have never seen the Golden Dome, never rooted for the Fighting Irish, and never graced a Catholic Church, also have a stake in what happened to Notre Dame.

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