Search results for ""University of Illinois Press""

The youngest of twenty children of sharecroppers in rural Mississippi, Fannie Lou Hamer witnessed throughout her childhood the white cruelty, political exclusion, and relentless economic exploitation that defined African American existence in the Delta. In this intimate biography, Chana Kai Lee documents Hamer's lifelong crusade to empower the poor through collective action, her rise to national prominence as a civil rights activist, and the personal costs of her ongoing struggle to win a political voice and economic self-sufficiency for blacks in the segregated South. Lee looks at Hamer's early work as a field secretary for the Student Nonviolent Coordinating Committee in Mississippi, her dramatic appearance at the 1964 Democratic National Convention, and her ongoing work as a militant grassroots leader in her own community.

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For more than fifty years, Phineas T. Barnum embodied all that was grand and fraudulent in American mass culture. Over the course of a life that spanned the nineteenth century (1810-91), he inflicted himself upon a surprisingly willing public in a variety of guises, from newspaper editor (or libeler) to traveling showman (or charlatan) and distinguished public benefactor (or shameless hypocrite). Barnum deliberately cultivated his ambiguous public image through a lifelong advertising campaign, shrewdly exploiting the cultural and technological capabilities of the new publishing industry. While running his numerous shows and exhibitions, Barnum managed to publish newspaper articles, exposés of fraud (not his own), self-help tracts, and a series of best-selling autobiographies, each promising to give "the true history of my many adventures." Updated editions of The Life of P. T. Barnum appeared regularly, allowing Barnum to keep up with demand and prune the narrative of details that might offend posterity. The present volume is the first modern edition of Barnum's original and outrageous autobiography, published in 1855 and unavailable for more than a century. Brazen, confessional, and immensely entertaining, it immortalizes the showman who hoodwinked customers into paying to hear the reminiscences of a woman presented as George Washington's 161-year-old nurse, the impresario who brought Jenny Lind to America and toured Europe with General Tom Thumb, and the grand entrepreneur of the American Museum of New York. Above all, it ensures that Barnum would be properly remembered . . . exactly as he created himself.

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The internal dynamics of families have altered dramatically as the family has gradually shifted from a unit of economic production to a collection of individuals in pursuit of different goals. Taking examples from the eighteenth through the twentieth centuries, this eclectic reader illuminates changes in the American family and presents some of the methods and approaches used to study families. Linking family patterns with changing social circumstances, Family and Society in American History considers husband-wife and parent-child relationships in light of language usage, gender roles, legal structures, and other contexts. For example, new legal attitudes toward divorce emerged as marriage came to be seen as a site for individual satisfaction. Marital fertility declined as American society modernized and pregnancy and childbirth came to be seen as medical rather than family issues. Schools and other institutions of the state absorbed functions formerly performed by the family, and women's economic contributions to the family disappeared from view as the social values of the early republic divided the male (work) from the female (home) sphere. In the twentieth century, a new domestic role for men--Mr. Do-It-Yourself--developed in the wake of suburbanization. In addition to identifying trends within the dominant culture, contributors consider the experiences of ethnic and immigrant families, reassessing generational conflict in Italian Harlem, comparing the attitudes of male and female Mexican migrant workers in Kansas, and showing how Chinese immigrant women targeted for rescue by Presbyterian mission workers took advantage of the gap between Chinese and American culture to increase their leverage in family and marital relationships. A diverse compendium of family life, Family and Society in American History provides an intriguing commentary on the permeability of social structures and interpersonal behavior.

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The condition of our public discussions about literary and cultural works has much to say about the state of our democracy. Classrooms, newspapers, magazines, Internet forums, and many other places grant citizens a place to hold public discourses—and claim a voice on national artistic matters. Rosa A. Eberly looks at four censorship controversies where professionals asserted their authority to deny citizen critics a voice—and effectively removed discussion of literature from the public sphere. Eberly compares the outrage sparked by the publication of James Joyce's Ulysses and Henry Miller's Tropic of Cancer with the relative quiescence that greeted the much more violent and sexually explicit content of Bret Easton Ellis's American Psycho and Andrea Dworkin's Mercy. Through a close reading of letters to the editor, reviews, media coverage, and court cases, Eberly shows how literary critics and legal experts defused censorship debates—and undercut the authority of citizen critics—by shifting the focus from content to aesthetics and from social values to publicity.

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This extraordinary account of a struggling midwestern coal town profiles small-time bootlegger Kelly Wagle, whose mysterious career--and suspected involvement with two unsolved murder cases--had a profound and lasting impact on his community. In unraveling the process by which Colchester, Illinois, lost its grip on the American promise, John Hallwas reveals this remote corner of the Midwest as a true reflection of the quintessential American experience.

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In bunkhouses or rodeo arenas, on the trail or around the campfire, cowboys have been creating and reciting poetry since the 1870s. In this comprehensive overview, folklorists, scholars, and cowboy poets join forces to explore the 125-year history and development of cowboy poetry and to celebrate those who sustain it. Centered around six areas of focus, from historical background to biographical profiles to creative process, Cowboy Poets and Cowboy Poetry approaches the tradition of occupational folk poetry from a variety of perspectives. Contributors trace its history as an extension of the Homeric tradition of storytelling in verse and discuss such topics as the way a text evolves in retelling, how it becomes linked to a tune, and how poetic content fuses with form to generate narrative tension and humor. Personal and telling portraits of cowboy poets and reciters--including D. J. O'Malley, Henry Herbert Knibbs, and a number of contemporary cowboy poets--illuminate the creative process through which individual poets work within a long community tradition, while comparative studies examine poetry by women, Mexican-American vaqueros, loggers, Argentine gauchos, and Australian bush poets. Cowboy Poets and Cowboy Poetry offers the first in-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals. Throughout, the collection shows that cowboy poetry interweaves two thematic strands: a fierce defense of an endangered way of life and a dynamic celebration of organic wholeness, camaraderie, and individualism.

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Langston Hughes called it "a great dark tide from the South": the unprecedented influx of blacks into Cleveland that gave the city the nickname "Alabama North." Kimberley L. Phillips reveals the breadth of working class black experiences and activities in Cleveland and the extent to which these were shaped by traditions and values brought from the South. Migrants' moves north established complex networks of kin and friends and infused Cleveland with a highly visible southern African American culture. Phillips examines the variety of black fraternal, benevolent, social, and church-based organizations that working class migrants created and demonstrates how these groups prepared the way for new forms of individual and collective activism in workplaces and the city. Giving special consideration to the experiences of working class black women, AlabamaNorth reveals how migrants' expressions of tradition and community gave them a new consciousness of themselves as organized workers and created the underpinning for new forms of black labor activism.

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The lyric energy, compassion, humor, and tenderness that characterize Lorna Goodison's work are once again in evidence in Turn Thanks, her seventh collection. Here the Jamaican poet turns to acknowledge her own ancestors and those of her craft: mother and father, aunts and uncles, Africa, William Wordsworth, Vincent Van Gogh, the Wild Woman. "Whether you will receive this letter or not I cannot tell," she writes. "Still, I intend to send it . . . "

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As a "remnant of the remnant," Seventh-day Adventism's early years were distinguished by the leadership of women, most prominently the visionary and prophet Ellen White. However, after 1915 the number of Adventist women in leadership began a dramatic and uninterrupted decline that was not challenged until the 1980s. Tracing the views of the church through its official and unofficial publications and through interviews with dozens of Adventist informants, Laura Vance reveals a significant shift around the turn of the century in women's roles advocated by the church: from active participation in the functioning, spiritual leadership, teaching, and evangelism of Adventism to an insistence on homemaking as a woman's sole proper vocation. These changes in attitude, Vance maintains, are inextricably linked to Adventism's shift from sect to church: in effect, to its maturation as a denomination. Vance suggests that the reemergence of women in positions of influence within the church in recent decades should be viewed not as a concession to secular feminist developments but rather as a return to Adventism's earlier conception of gender roles. By examining changes in the movement's relationship with the world and with its own history, Seventh-day Adventism in Crisis offers a probing examination of how a sect founded on the leadership of women came to define women's roles in ways that excluded them from active public participation and leadership in the church.

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Roger Williams, founder of the colony of Rhode Island, is famous as an apostle of religious tolerance and a foe of religious establishments. In Separating Church and State, Timothy Hall combines impressive historical and legal scholarship to explore Williams's theory of religious liberty and relate it to current debate. Williams's fierce religious dogmaticism, Hall argues, is precisely what led to his religious tolerance, making him one of the most articulate champions of the argument for the necessary separation of church and state. "Both timely and provocative. . . . Offers Williams's largely overlooked but deeply important perspective on the peaceful coexistence of committed believers of diverse faiths. The book also brings into question crucial tenets of the United States Supreme Court's First Amendment religion clause jurisprudence at a time when many are raising questions about it." -- Marci A. Hamilton, Benjamin N. Cardozo School of Law, New York City "Hall has the entire Williams corpus under his command, and he plays the relevant texts like a master organist. He also has the legal corpus equally at his fingertips. One of the great strengths of his book is that it bridges the too often separate fields of history and jurisprudence." -- Edwin Gaustad, author of Liberty of Conscience: Roger Williams in America

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Sport dominates television and the mass media. Politics and business are a-bustle with sports metaphors. Endorsements by athletes sell us products. "Home run," "slam dunk," and the rest of the vocabulary of sport color daily conversation. Even in times of crisis and emergency, the media reports the scores and highlights. Marky Dyreson delves into how our obsession with sport came into being with a close look at coverage of the Olympic Games between 1896 and 1912. How people reported and consumed information on the Olympics offers insight into how sport entered the heart of American culture as part of an impetus for social reform. Political leaders came to believe in the power of sport to revitalize the "republican experiment." Sport could instill a new sense of national identity that would forge a new sense of community and a healthy political order while at the same time linking America's intellectual and power elite with the experiences of the masses.

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Property ownership has been a traditional means for African Americans to gain recognition and enter the mainstream of American life. This landmark study documents this significant, but often overlooked, aspect of the black experience from the late eighteenth century to World War I.

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Working girls' clubs were a flash-point for class antagonisms yet also provided fertile ground for surprising cross-class alliances. Priscilla Murolo's nuanced study charts the shifting points of conflict and consensus between working women and their genteel club sponsors; working women and their male counterparts; and among working women of differing ethnic backgrounds. The working girls' club movement lasted from the 1880s, when women poured into the industrial labor force, to the 1920s. Upper-class women initially governed the clubs, and activities converged around standards of "respectability" and the defense and uplift of the character of women who worked for wages. Later, the workers themselves presided over the leadership and shifted the clubs' focus to issues of labor reform, women's rights, and sisterhood across class lines. A valuable and lucid study of the club movement, The Common Ground of Womanhood throws new light on broader trends in the history of women's alliances, social reform, gender conventions, and worker organizing.

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Art Criticism and Education completes the Disciplines in Art Education series. In the first section, Theodore Wolff deals with the role of the art critic in education. He gives a practical overview of how the principles and practices of art criticism can be applied to the teaching of art (k-12). In the second, George Geahigan begins with an historical overview of art criticism in education literature and provides a conceptualized approach to critical inquiry, asserting that the most effective form of that inquiry is the pursuit of meaning in works of art. A rare combination of the practical and theoretical, Art Criticism and Education will be an invaluable aid to anyone involved in art education. A volume in the series Disciplines in Art Education: Contexts of Understanding, edited by Ralph Smith Supported by the Getty Foundation

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From The Birth of Tragedy on, Nietzsche worked to comprehend the nature of the individual. Richard White shows how Nietzsche was inspired and guided by the question of personal "sovereignty" and how through his writings he sought to provoke the very sovereignty he described. White argues that Nietzsche is a philosopher our contemporary age must therefore come to understand if we are ever to secure a genuinely meaningful direction for the future. Profoundly relevant to our era, Nietzsche's philosophy addresses a version of individuality that allows us to move beyond the self-dispossession of mass society and the alternative of selfish individualism--to fully understand how one becomes what one is. A volume in the International Nietzsche Studies series, edited by Richard Schacht

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Hemmed in by "women's work" much less than has been thought, women in the late 1800s and early 1900s were the primary entrepreneurs in the millinery and dressmaking trades. The Female Economy explores that lost world of women's dominance, showing how independent, often ambitious businesswomen and the sometimes imperious consumers they served gradually vanished from the scene as custom production gave way to a largely unskilled modern garment industry controlled by men. Wendy Gamber helps overturn the portrait of wage-earning women as docile souls who would find fulfillment only in marriage and motherhood. She combines labor history, women's history, business history, and the history of technology while exploring topics as wide-ranging as the history of pattern-making and the relationship between entrepreneurship and marriage.A volume in the series The Working Class in American History, edited by David Brody, Alice Kessler-Harris, David Montgomery, and Sean Wilentz, and in the series Women in American History, edited by Anne Firor Scott, Nancy A. Hewitt, and Stephanie Shaw

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From the Edsel to Eisenhower, from Mau Mau to Doris Day, and from Ayn Rand to Elvis, contributors to The Other Fifties topple the decade's already weakened image as a time of unprecedented peace, prosperity, and conformity. Representing the fifties as a period of cultural transformation, contributors reveal the gradual "unmaking" of traditions and value systems that took place as American culture prepared itself for the more easily observed cultural turbulence of the 1960s. Well known contributors demonstrate how television, the novel, the Hollywood movie, the Broadway musical, and rock and roll assaulted midcentury American attitudes toward sexuality, race, gender, and class, so altering public sensibilities that what was novel or shocking in the fifties seems tame or even downright difficult to grasp today. They also rebut the widely held view that 1950s consumerism led to cultural homogeneity, replacing this view with a picture of robust popular markets that defied conservative controls and actively subverted conventional norms and values. Brushing away the haze of an era, The Other Fifties will help readers understand the decade not as placid or repressed, but as a time when emancipatory desires struggled to articulate themselves.

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In this collection, sixteen scholars explore topics as diverse as the historical debate over black athletic superiority, the selling of sport in society, the eroticism of athletic activity, sexual fears of women athletes, and the marketing of the marathon. In line with the changing nature of sport history as a field of study, the essays focus less on traditional topics and more on themes of class, gender, race, ethnicity, and national identity, which also define the larger parameters of social and cultural history. It is the first anthology to situation sport history within the broader fields of social history and cultural studies. Contributors are Melvin L. Adelman, William J. Baker, Pamela L. Cooper, Mark Dyreson, Gerald R. Gems, Elliott J. Gorn, Allen Guttmann, Stephen H. Hardy, Peter Levine, Donald J. Mrozek, Michael Oriard, S. W. Pope, Benjamin G. Rader, Steven A. Riess, Nancy L. Struna, and David K. Wiggins.

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"Truly remarkable portraits of courage." -- John van Amerongen, editor, Alaska Fisherman's Journal "These little-known tales of women working in Alaska's commercial fishing industry make for great reading. . . . Readers will be amazed by their stories." -- Laine Welch, Alaska Fish Radio "A richly textured story, a multi-genre text that invites readers to witness women's conversation with America's last frontier, Alaska." -- Patricia Foster, University of Iowa Why do women choose an occupation that has been ranked the most dangerous in the nation? What do women give up--and get in return--when they take on the tasks of fishermen? The Entangling Net explores these issues through the stories of twenty women who have chosen to work in this extremely risky, male-dominated profession. Leslie Leyland Fields lyrically weaves their stories with her own experiences as a fishing woman. She tells of long, exhausting days in skiffs, catching fish in brutally cold weather on waters that are often violent. Her words and those of the women she interviews convey the paradoxical relationship the women have with commercial fishing: they face extraordinarily difficult working conditions made more difficult and dangerous by male crews and skippers who don't welcome women, yet they feel impelled by the challenge of the work to return to their jobs season after season.

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One of the best novels ever to portray the lives of American Communist activists, The Great Midland is a story of love and radical politics set just before World War II. It was published in 1948, when cold-war hysteria engulfed the United States; the publisher subsequently tried to pretend the book did not exist, and review media and bookstores ignored it. The book vividly depicts the multiracial and multiethnic alliances that developed as Chicago railroad workers struggled to organize. It presents some of its narrative through the complex consciousness of Stephanie Koviak, a young, first-generation Polish-American.

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The work and times of the Black writer, editor, and intellectual John Cullen Gruesser edits essays that explore the literary and journalistic career of Pauline Elizabeth Hopkins. A Black woman writer at the turn of the twentieth century, Hopkins worked as the unacknowledged editor-in-chief of the Colored American Magazine but also wrote short fiction, novels, nonfiction articles, and a play believed to be the first by a Black woman. Versatile and politically committed, she was fired when her strong editorial stands and non-conciliatory politics offended the new owner of Colored American Magazine. A rare examination of an overlooked figure in Black letters, The Unruly Voice explores Hopkins’s writing and her significance for contemporary readers. Contributors: Elizabeth Ammons; Kristina Brooks; Lois Lamphere Brown; C. K. Doreski; John Cullen Gruesser; Jennie A. Kassanoff; Kate McCullough; Nelly Y. McKay; and Cynthia D. Schrager

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The book to consult on principal women poets of modern Spain

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Selected by Yusef Komunyakaa as one of five volumes published in 1996 in the National Poetry Series "Marcus Cafagña is a poet who shies at nothing, who will not turn away from what he sees--ordinary people struggling against, and sometimes breaking on, the wheel of their fate. The Broken World is a deeply humane and accomplished first book--probing, watchful, compassionate, and necessary." -- Edward Hirsch "I challenge anyone to be unmoved by The Broken World. Cafagña never gives up in these difficult, heart-rending poems." -- Jim Daniels, editor of Letters to America: Contemporary American Poetry on Race The Broken World, the powerful debut of a poet of great depth and maturity, begins with narratives of individuals caught up in circumstance--a distressed girl on a Detroit overpass, a boy shooting baskets at a crisis center. By the end of the slim volume, Marcus Cafagña has led us through the postwar New York of Jewish Holocaust survivors to his native Michigan, where his marriage ended tragically with his wife's suicide, a death that has come to symbolize for Cafagña the confusion and madness of the twentieth century.

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W. Avon Drake and Robert D. Holsworth focus on the landmark case of Richmond v. Croson. In that case, the Supreme Court ruled against the city of Richmond's set-aside program requiring that thirty percent of the money in municipal construction contracts go to minority-owned firms. The authors describe the politics that gave rise to the set-aside program, investigate its actual operation, explore its effects, and detail responses to it in both black and white communities. As they show, the program served important political purposes but produced limited economic benefits for the Black community. Drake and Holsworth conclude by examining the politics of development as an alternative to the set-aside framework. Insightful and path-breaking, Affirmative Action and the Stalled Quest for Black Progress examines the accomplishments and limitations of the set-aside programs once at the center of political debates about affirmative action in the United States.

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The Dutch scholar Rob Kroes argues that American culture is "modular," continually fragmenting, disassembling, and reassembling itself--and in the process creating something new. In a series of topical essays that show why he is one of Europe's leading authorities on American culture, Kroes probes trends in American advertising, the image of the Vietnam war in American films, the implications of American vernacular culture as represented in rap music, and other topics.

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Ah, the Wild West! Wide open plains, beautiful sunsets, and thundering herds. Days when the cowboy was king, and good guys always wore white. The love affair with the American West has stood the test of time and survived competition from sports, electronic gadgets, and reality.Wanted Dead or Alive presents the first-ever comprehensive look at how the American West has been depicted in popular culture. Following Richard Aquila's introduction, which examines the birth and growth of the pop culture West in the context of American history, noted experts explore developments in popular Western fiction, major forms of live Western entertainment, trends in Western movies and television shows, images of the West in popular music, and visual images of the West in popular art and advertising. For the reader on the trail of even more information, each section of the book concludes with suggestions for further reading.

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Whether they're decorating Easter trees or celebrating Wagner's birthday by playing recordings of his Ring cycle operas and incinerating a model of Valhalla on an outdoor barbecue to the closing strains of "Gotterdämerung," Americans know both how to create and how to celebrate holidays. Jack Santino's guide to such frivolity is a wonderfully readable exploration of holidays, periods of festivity, and life-cycle rituals and celebrations. Santino draws on history, anthropology, popular culture, and folklore to show the intricate relationships between holidays and the roles that celebrations and rituals play in people's lives.

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Writing in The Hudson Review, David Mason has characterized Lorna Goodison's work as a "revelation to me, much of it beautiful for its simple negotiation of the line between life and art." One of the most distinguished contemporary poets of the Caribbean, Goodison draws on both African and European inheritances in her finely crafted poems, which often carry a sense of language's healing power in the face of the pain of the past. She deals thematically with the struggle of Caribbean women and writes in a fashion that has developed from conversational to more ritualistic. From reviews of Goodison's earlier works: "The evocative power of Lorna Goodison's poetry derives its urgency and appeal from the heart-and-mind concerns she has for language, history, racial identity, and gender." Andrew Salkey -- World Literature Today "A marvelous poet, one to savor and to chant aloud." -- Pat Monaghan, Booklist

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During an era of extreme Sinophobia, the Eurasian Sui Sin Far (1865-1914) courageously wrote of the Chinese in North America as humorous, tragic, charming, and loving—in short, as human. Her stories sympathetically portrayed a group caught between worlds, inheritors of traditional Chinese values who found themselves thrust into booming mercantile and extremely race-conscious cities like San Francisco, Seattle, New York, and Montreal at the turn of the last century. Amy Ling and Annette White-Parks select from Mrs. Spring Fragrance (1914) two dozen of the author's finest stories, including "In the Land of the Free," "The Story of One White Woman Who Married a Chinese," "Her Chinese Husband," and "The Wisdom of the New." They also delve into Children's stories like "The Story of a Little Chinese Seabird" and "What about the Cat?" A second section offers previously uncollected writings, including journalism and fiction that appeared in the Montreal Daily Witness, Los Angeles Express, New York Independent, The Westerner, and New England Magazine. The final piece, "Sui Sin Far, the Half Chinese Writer, Tells of Her Career," was printed in the Boston Globein 1912, two years before her death.

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"Rolfe's voice is one that many of us feared was buried forever. . . . He stands in the forefront of an entire 'lost generation' of left-wing writers who fused artistic craft with irrepressible political commitment." -- Alan Wald, author of The Responsibility of Intellectuals: Selected Essays on Marxist Traditions in Cultural Commitment "[Rolfe's] Spanish Civil War poems may be the best written by an American writer, and his McCarthy era poems brilliantly counteract the often apolitical, rather socially aseptic poetry of their time." -- Reginald Gibbons, editor of TriQuarterly The radical journalist and poet Edwin Rolfe wrote eloquently of the hardships of the Great Depression, the experience of war, and McCarthy era witch-hunts. More than fifty of his best poems--some beautifully lyrical and some devastatingly satiric--are included in Trees Became Torches. Rolfe was widely known as the poet laureate of the Abraham Lincoln Battalion, the Americans who volunteered to help defend the elected Spanish government during the 1936-39 civil war.

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It is a powerful story: the relationship between the 1960s New Left and organized labor was summed up by hardhats confronting students and others over US involvement in Vietnam. But the real story goes beyond the "Love It or Leave It" signs and melees involving blue-collar types attacking protesters. Peter B. Levy challenges these images by exploring the complex relationship between the two groups. Early in the 1960s, the New Left and labor had cooperated to fight for civil rights and anti-poverty programs. But diverging opinions on the Vietnam War created a schism that divided these one-time allies. Levy shows how the war, combined with the emergence of the black power movement and the blossoming of the counterculture, drove a permanent wedge between the two sides and produced the polarization that remains to this day.

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Cecilia, a fifteenth-century Christian martyr, has long been considered the patron saint of music. In this pathbreaking volume, ten of the best known scholars in the newly emerging field of feminist musicology explore both how gender has helped shape genres and works of music and how music has contributed to prevailing notions of gender. The musical subjects include concert music, both instrumental and vocal, and the vernacular genres of ballads, salon music, and contemporary African American rap. The essays raise issues not only of gender but also of race and class, moving among musical practices of the courtly ruling class and the elite discourse of the twentieth-century modernist movement to practices surrounding marginal girls in Renaissance Venice and the largely white middle-class experiences of magazine and balladry.

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Widely acclaimed for its comprehensive and sensitive picture of one of America's most renowned writers, The Unfinished Quest of Richard Wright received the Anisfield-Wolf Award on Race Relations when it was first published. This first paperback edition contains a new preface and bibliographic essay, updating changes in the author's approach to his subject and discussing works published on Wright since 1973.

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Anticipating contemporary deconstructive readings of philosophical texts, Georg Simmel pits the two German masters of philosophy of life against each other in a play of opposition and supplementation. This first English translation of Simmel's work includes an extensive introduction, providing the reader with ready access to the text by mapping its discursive strategies.

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"A lively, readable narrative, informative to general readers and scholars alike. In its closely documented pages, one of the boldest and most iconoclastic women in Jacksonian America lives again." -- New York Times Book Review

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Born into a male-dominated society, southern women often chose to support patriarchy and their own celebrated roles as mothers, wives, and guardians of the home and humane values. George C. Rable uncovers the details of how women fit into the South's complex social order and how Southern social assumptions shaped their attitudes toward themselves, their families, and society as a whole. He reveals a bafflingly intricate social order and the ways the South's surprisingly diverse women shaped their own lives and minds despite strict boundaries. Paying particular attention to women during the Civil War, Roble illuminates their thoughts on the conflict and the threats and challenges they faced and looks at their place in both the economy and politics of the Confederacy. He also ranges back to the antebellum era and forward to postwar South, when women quickly acquiesced to the old patriarchal system but nonetheless lived lives changed forever by the war.

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In this important and wide-ranging critique of Rosa Luxemburg (1871-1919) Raya Dunayevskaya examines the life, political thought, and action of one of the most critical revolutionary figures of our time. Dunayevskaya sheds new light on the questions of socialist democracy after the revolution, disclosing both the unprobed feminist dimension of Rosa Luxemburg and the previously unrecognized new moments in Marx's last decade concerning the role of women and the peasantry. As the founder of Marxist-Humanism in the United States, Dunayevskaya (1910-87) was an internationally respected writer, philosopher, and revolutionary. This new and expanded edition includes two previously unpublished articles by Dunayevskaya, including her "Challenge to all Post-Marx Marxists."

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When The Other Tongue appeared in 1982, it was called "required reading for all those concerned with English teaching in non-native situations, from the classroom teacher to the policy planner", Jowhn Platt, English World-Wide) and "an extremely useful and stimulating collection" (William C. Ritchie, Language). It introduced refreshingly new perspectives for understanding the spread and functions of English around the world. This dramatically revised volume contains eight new chapters, replacing or updating more than half of the first edition. The Other Tongue is the first attempt to integrate and address provocative issues relevant to a deeper understanding of the forms and functions of English within different sociolinguistic, cross-cultural, and cross-linguistic contexts. The volume discusses linguistic, literary, pedagogical, and attitudinal issues related to world Englishes.

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In this pioneering study, David Emmons tells the story of Butte's large and assertive population of Irish immigrants. He traces their backgrounds in Ireland, the building of an ethnic community in Butte, the nature and hazards of their work in the copper mines, and the complex interplay between Irish nationalism and worker consciousness. From a treasure trove of "Irish stuff," the reports, minutes, and correspondence of the major Irish-American organizations in Butte, Emmons shows how the stalwart supporters of the RELA and the Ancient Order of Hiberians marched and drilled for Irish freedom---and how, as they ran the town, the miners' union, and the largest mining companies, they used this tradition of ethnic cooperation to ensure safe and steady work, Irish mines taking care of Irish miners. Butte was new, overwhelmingly Irish, and extraordinarily dangerous---the ideal place to test the seam between class and ethnicity.

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As art educators consider the relevance of a wide range of disciplines to the teaching of art, Aesthetics and Arts Education (a successor to the 1971 volume Aesthetics and the Problems of Education) offers an international look at the role aesthetics can play in teaching all the arts. Thirty-two articles by American and English scholars address the philosophical and educational theories underlying aesthetics, aesthetics as a field of study, curriculum design and evaluation, and the problems and purposes of aesthetic education.

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"There is no single phenomenon in our time so important for us to understand as the one which identified itself in Germany during the 1920's, 30's and 40's as National Socialism. By the time this movement was swept from the stage it had destroyed the lives of at least thirty million and perhaps as many as forty million people. . . . The realization that some men will construct a factory in which to kill other men raises the gravest questions about man himself. We have entered an age which we cannot avoid labeling ‘After Auschwitz.' If we are to begin to understand ourselves we must somehow come to to grips with the reality of Auschwitz. The study which follows is an attempt to come to grips with a part of that reality. . . . an examination of the period which immediately precedes Auschwitz, the period from 1933, when Hitler came to power, until late 1938 and early 1939, when the machinery which eventually administered a Final Solution was established."--From the introduction

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This paperback bestseller presents a series of case studies and thought-provoking essays arguing for a radical approach to history and providing a revisionist interpretation of the historian's role. In a new introduction written for this edition, Howard Zinn responds to critics of the 1970 edition and comments further on the radicalization of history.

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From the depression of the 1890s through World War I, construction tradesman held an important place in San Francisco's economic, political, and social life. Michael Kazin's award-winning study delves into how the city’s Building Trades Council (BTC) created, accumulated, used, and lost their power. He traces the rise of the BTC into a force that helped govern San Francisco, controlled its potential progress, and articulated an ideology that made sense of the changes sweeping the West and the country. Believing themselves the equals of officeholders and corporate managers, these working and retired craftsmen pursued and protected their own power while challenging conservatives and urban elites for the right to govern. What emerges is a long-overdue look at building trades as a force in labor history within the dramatic story of how the city's 25,000 building workers exercised power on the job site and within the halls of government, until the forces of reaction all but destroyed the BTC.

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The Gothic novel emerged out of the romantic mist alongside a new conception of the home as a separate sphere for women. Looking at novels from Horace Walpole's Castle of Otranto to Mary Shelley's Frankenstein, Kate Ferguson Ellis investigates the relationship between these two phenomena of middle-class culture--the idealization of the home and the popularity of the Gothic--and explores how both male and female authors used the Gothic novel to challenge the false claim of home as a safe, protected place. Linking terror -- the most important ingredient of the Gothic novel -- to acts of transgression, Ellis shows how houses in Gothic fiction imprison those inside them, while those locked outside wander the earth plotting their return and their revenge.

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