Search results for ""Author Fell"

Axiom Award Gold Medalist for Business TheoryFinance expert, law professor, and fellow overwhelmed consumer Kathryn Judge investigates the surprising ways that middlemen have taken control of the economy at the expense of the rest of us, and provides practical guidance about how to regain control, find more meaning, and contribute to a more sustainable economy. Over the past thirty years, middlemen have built intricate financial and retail empires capable of moving goods across the country and around the world—transforming the economy and our lives. Because of middlemen, we enjoy an unprecedented degree of choice and convenience. But the rise of the middleman economy comes at a steep price.In Direct, Columbia law professor Kathryn Judge shows how overgrown middlemen became the backbone of modern capitalism and the cause of many of its ailments. Middlemen today shape what people do, how they invest, and what they consume. They use their troves of data to push people to buy more, and more expensive, products. They use their massive profits and expertise to lobby lawmakers, tilting the playing field in their favor. Drawing on a decade of research, Judge shows how to fight back: Go to the source.The process of direct exchange—and the resulting ecosystem of makers and consumers, investors and entrepreneurs—fosters connection and community and helps promote a more just, resilient, and accountable economic system. Direct exchange reminds us that our actions always and inevitably impact others, as it rekindles an appreciation of our inherent interconnectedness. As Judge reveals in this much-needed book, direct exchange is both the cornerstone of the solution and a tool for revealing just how much is at stake in decisions about “through whom” to buy, invest and give.

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An enthralling and comprehensive look into the contemporary state of one of the wealthiest—and most misunderstood—family dynasties in the world, perfect for fans of Succession and House of Gucci. The Gettys are one of the wealthiest—and most misunderstood—family dynasties. Oil magnate J. Paul Getty, once the richest man in the world, is the patriarch of an extraordinary cast of sons, grandchildren, and great-grandchildren. While some have been brought low by mental illness, drug addiction, and one of the most sensational kidnapping cases of the 20th century, many of Getty’s heirs have achieved great success. In addition to Mark Getty, a cofounder of Getty Images, and Anne G. Earhart, an award-winning environmentalist, others have made significant marks in a variety of fields, from music and viniculture to politics and LGBTQ rights. Now, across four continents, a new generation of lively, unique, and even outrageous Gettys is emerging—and not coasting on the dynasty’s still-immense wealth. August Getty designs extravagant gowns worn by Katy Perry, Cher, and other stars; his sibling, Nats—a fellow LGBTQ rights activist who announced his gender transition following his wedding to transgender icon Gigi Gorgeous—produces a line of exclusive streetwear. Their fascinating cousins include Balthazar, a multi-hyphenate actor-director-DJ-designer; and Isabel, a singer-songwriter and MBA candidate. A far-flung yet surprisingly close-knit group, the ascendant Gettys are bringing this iconic family onto the global stage in the 21st century. Through extensive research, including access to J. Paul Getty’s diaries and love letters, and fresh interviews with family members and friends, Growing Up Getty offers an enthralling and revealing look into the benefits and burdens of being part of today’s world of the ultra-wealthy.

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'A multiple biography with overlapping chronology is a tricky feat and Buruma pulls it off magnificently.' Ben Macintyre, The TimesOn the face of it, the three characters here seem to have little in common - aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point. Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmler's indispensable personal masseur - Himmler calling him his 'magic Buddha'. Kersten presented himself after the war as a resistance hero who convinced Himmler to save countless people from mass murder. Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc. Friedrich Weinreb was a Hasidic Jew in Holland who took large amounts of money from fellow Jews in an imaginary scheme to save them from deportation, while in fact betraying some of them to the German secret police. Sentenced after the war as a traitor and a con artist, he is still regarded by supporters as the 'Dutch Dreyfus'. All three figures have been vilified and mythologized, out of a never-ending need, Ian Buruma argues, to see history, and particularly war, and above all World War II, as a neat tale of angels and devils. In telling their often-self-invented stories, The Collaborators offers a fascinating reconstruction of what in fact we can know about these fantasists and what will always remain out of reach. It is also an examination of the power and credibility of history: truth is always a relative concept but perhaps especially so in times of political turmoil, not unlike our own.

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This hefty photographic portrait of Rome brings together hundreds of photographs from the 1840s through to today to explore the extraordinary history, beauty, and art of this incomparable cultural capital. From sepia and black and white to color, these outstanding images dating from the 1840s to the present day allow us — through the eyes of such photographers as Giacomo Caneva, Pompeo Molins, Giuseppe Primoli, Alfred Eisenstaedt, Carlo Bavagnoli, Henri Cartier-Bresson, Pasquale De Antonis, Peter Lindbergh, Slim Aarons, and William Klein — to discover Rome in its many compelling guises: as the center of the Roman Empire, as one of the cradles of the Renaissance, as a favorite destination for travelers and a rich patchwork of varied neighborhoods, as the seat of the Roman Catholic Church, a stage for politics, and as the perfect backdrop for film and fashion shoots. Reaching back into illustrious archives, some of the book’s early images offer us a privileged Grand Tour glimpse of some of Rome’s most treasured landmarks, revealing the Colosseum, Roman Forum, and Spanish Steps almost void of crowds. Later pictures survey the city’s contrasts—from the luxurious homes and leisure activities of the privileged to street stalls and laundry lines in the working class districts of Trastevere and Testaccio. Some documentary-style shots show us the dark power of Mussolini, the city bedecked with his own iconography and imagery of strength, athleticism, and the fatherland. As color photography comes in, the city transitions from a neo-realismo aesthetic to postwar recovery and hedonism: all the glamorous gowns, exotic celebrities, and Via Veneto café culture immortalized by Fellini. Many famous faces are here, including Louis Armstrong, Elizabeth Taylor, Audrey Hepburn, Marcello Mastroianni, Sophia Loren, Pier Paolo Pasolini, Anna Magnani, and Valentino.

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‘Before I ever thought of a project, I began photographing whatever struck me as beautiful, amazing, worth telling about … In all of my work, testimonies have been an important element of the projects.’ Born in Finland, Sirkka-Liisa Konttinen studied in London, founding the Amber Film & Photography Collective with her fellow students, and then moved to North East England in the 1960s. She has been based in Newcastle ever since, deeply rooted in the local community. Focusing on two of her photographic series – Byker (1969–83) and Writing in the Sand (1978–98) – this book captures a working class neighbourhood and reveals the devastating impact that the redevelopment of Newcastle’s East End had on the community, but also the moments of joy of the group outings to the beach. Konttinen’s love for this part of the world is at the heart of these moving but never sentimental pictures. Her photographs and Amber’s films were inscribed in the British section of the UNESCO Memory of the World Register in 2011. The Tate Photography Series is a celebration of international photography in the Tate collection and an introduction to some of the greatest photographers at work today. With the direct involvement of living photographers in collaboration with photography curators, these books showcase the best and most notable images taken across the globe, from city streets to seashores, moving across landscapes and through subcultures, in a visual travelogue of our world. Each book contains a new conversation between curator and photographer and is prefaced with a short introduction. The theme for the first four titles is Community and Solidarity. Also available in this series are: Liz Johnson Artur (978-1-84976-801-6) Sabelo Mlangeni (978-1-84976-802-3) Sheba Chhachhi (978-1-84976-803-0)

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'Dizzying and fragrant . . . truly a captivating achievement!' Aimee Nezhukumatathil'If you read this book you will be changed . . . this book feels like an actual elixir' Kiese Laymon'A fascinating tale of discovery, wonder, and revolution' Matthew StanleyTwo friends in a Parisian perfume shop make a discovery that will transform our understanding of the world and the origins of life on Earth forever.Set amidst the unforgettable sights and smells of 18th and 19th Century Paris, Elixir tells the story of Edouard Laugier and Auguste Laurent, the son of a perfumer and a fellow aspiring chemist, who met on the Left Bank while pursuing their passion for science. Spurned by the scientific establishment, the pair ended up working out of Edouard's family perfume shop, Laugier père et fils. By day they prepared the revitalizing elixirs and rejuvenating eaux it was famous for, but by night using the ingredients of the perfumery and the principles of alchemy, they pursued the secret of life itself.Elixir reads like a novel, brimming with eccentric characters, experimental daring, and the romance of the Bohemian salon. It is the story of a long-standing scientific puzzle and the struggle to gain acceptance for a new way of thinking about the building blocks of living matter long after those who discovered it were both dead. Yet this is also a story of hope and determination. For while the scientific establishment ridiculed their work at the time, teenage lab assistant Louis Pasteur took it seriously and over the course of an exceptional career, was able to show that their work pointed to a deep, inexplicable asymmetry in the molecular arrangement of living things - an unexplained asymmetry which remains one of science's great mysteries.

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For the twentieth anniversary of the start of the Matthew Bartholomew series, Sphere is delighted to reissue all of the medieval monk's cases with beautiful new series-style covers.------------------------------------The winter of 1353 has been appallingly wet, there is a fever outbreak amongst the poorer townspeople and the country is not yet fully recovered from the aftermath of the plague. The increasing reputation and wealth of the Cambridge colleges are causing dangerous tensions between the town, Church and University. Matthew Bartholomew is called to look into the deaths of three members of the University of who died from drinking poisoned wine, and soon he stumbles upon criminal activities that implicate his relatives, friends and colleagues - so he must solve the case before matters in the town get out of hand...It's August, 1354, and physician-monk Matthew Bartholomew jumps at the chance to travel to Ely with his friend and colleague Brother Michael, as it will give him a unique opportunity to study in the richly stocked library of the Benedictine priory. Michael has been summoned to the city by his bishop, but it isn't until they arrive that they discover the reason - the bishop has been accused of murder. The charge seems ludicrous, but Michael takes the investigation seriously and energetically sets about his task. At the same time Bartholomew comes across an underground movement of rebellion against the church and the tithes they demand from the laity, and the two men also learn that there has been a spate of burglaries which are being blamed on a band of travellers. Then a fellow of the priory is murdered almost under their noses. Can this death be connected to the others? Are all the killings linked to the burgeoning rebellion in the city?

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Grand Hotel. My One and Only. Nine. The Best Little Whorehouse in Texas. A Day in Hollywood/A Night in the Ukraine. The Will Rogers Follies. For two decades, Tommy Tune was the maestro presiding over a string of glittering Broadway musicals that took the tradition of complete musical staging by a director-choreographer into a new era defined by spectacle and technology. He was last in a grand lineage led by Jerome Robbins, Gower Champion, Bob Fosse, and Michael Bennett, but also provided a link to a new generation of choreographers-turned-directors like Susan Stroman, Jerry Mitchell, and Casey Nicholaw. Unlike his fellow director-choreographers, Tune also maintained a successful performing career. His nine Tony Awards (plus a tenth, for Lifetime Achievement) were earned across four categories, not only for choreography and direction, but also as both featured and lead actor in a musical, for Seesaw and My One and Only--a distinction no one else can claim. Tune took the musical forward by looking backward, bringing satiric energy and contemporary style to a trove of show business antecedents--from clog dancing to showgirl formations, from precision kick lines to Fred Astaire and Ginger Rogers-style ballroom glides. He did the same with his concert and cabaret performances, drawing on classics from the Gershwins, Irving Berlin, and Cole Porter and performing them not as nostalgia but as vital, immediate statements of personal philosophy. Everything is Choreography: The Musical Theater of Tommy Tune is the first full scale book about the career of this prodigious artist. It celebrates and examines with a critical eye his major projects, and summons for readers a glorious period of dance, performance, and theatrical imagination.

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' How to Grow Plants from Seeds is a great little book - a hand-holding, step-by-step guide with clear pictures and instructions. It demystifies the process and covers flowers as well as vegetables and herbs. A most useful present for anyone wanting to get started on sowing seeds.' Country Living'Whether you want to grow a cutting garden or a harvest of fresh produce, discover the basic rules for success.' The Garden How To Grow Plants From Seeds does away, once and for all, with the idea that there's something difficult about growing direct from seed. There's no need to rely on the professionals to raise seedlings for you: seeds are not only cheap to buy and environmentally friendly but, if you follow a few basic rules, they're also fantastically rewarding, not least because a single packet will usually leave you with plenty of spares to swap with fellow enthusiasts.Whether you're a novice or an experienced gardener, if you want to nurture an impressive cutting garden or aim to have a bounteous harvest of fruit and vegetables, here's what you need to know, presented in a straightforward and accessible way. You'll discover the basic rules for different seeds, their sowing preferences (Indoor, under cover or direct- to-plot? Surface-sow or cover up? Water or spray?), how long they take to germinate, and how to prick out, pot on and raise your infant plants to become sturdy, productive adults.The book opens with a basic primer showing how seeds work, to give every grower the best chance at success. This is followed by extensive chapters on raising food and flowers from seed with plenty of detailed plant profiles included, and finally there's a guide to collecting seeds from your plants and how to save and swap - so that you, too, can become a seed evangelist.

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In this explosive first-person account of swapping the White House for the Big House, Donald Trump aims to Make Prison Great Again.MARCH 31It's been two weeks since they put me in The Hole. Very unfair! No-one is treated as unfairly as Trump. Many people say that solitary confinement is a kind of torture. I'm not so sure. I'm getting to spend a lot of time with my favourite person in the world. I say to him: "Mr President, remember when you met Bo Derek at the PGA Tour Championship? She had the hots for you, believe me." And he'll reply: "I agree, Mr President. Also, I was a better golfer than anyone in the tournament.And that's without cheating, which I would never do, believe me."So I'm doing amazing. Incredibly well. Some would say I'm the best Hole Guy ever. Not like those losers who go nuts...Of course the verdict was VERY UNFAIR - they were meant to be a jury of his peers, but none of them were billionaires. Still, the trial got AMAZING ratings. Now locked up in Smallhand State Prison, our presidential protagonist goes full Samuel Pepys and attempts the first BESTSELLER to be written entirely on toilet paper.Life inside is tough for Trump: he experiences withdrawal symptoms from social media and is no longer able to watch Fox News all day. But he soon realises that incarceration isn't a punishment, it's an OPPORTUNITY, and attempts to conquer the clink as he once conquered AMERICA. Can Donald rise to become prison kingpin, smuggling McDonald's Filet-O-Fish and tutoring fellow inmates in the Art of the Deal?Interspersed with reports from Smallhand's resident psychologist, Trump: The Prison Diaries is a satirical riot - The Apprentice meets The Shawshank Redemption. So brace yourself, because orange is the new orange.

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Equipoise, Kathleen Halme's second book of poems. Based in fact on the North Carolina coastline, the climate of these poems is one abundant with sun, salt water, and the paradoxical shore. Equally at home in formal meter and free verse, Halme explores the balancing pull of forces and discovers a refreshing version of mindfulness in daily life. Despite contemporary trends of cynicism and despair, Halme braves happiness. Even as she acknowledges that "We all live in fear/of shoreless feelings," such anxiety succumbs to her inclusive vision: "We are in the soup, singular/and swimming, roiling/with the isopods and copepods./ . . . We are delicious, surrendered to shells and jellies,/ every one soaking in sun."For readers eager to experience "the ache of paradise," these poems chart consciousness with obvious pleasure: "Are you not a lucky one/you who hear your own mind think." But here is an intellect made lyrical. To celebrate the sensual core of experience, Halme's seemingly spare language is lush with assonance. In these poems, vowels have a cumulative effect, resounding, finally, in a grandiose vocative o of astonishment and joy.Kathleen Halme's first book of poetry, Every Substance Clothed, winner of the 1995 University of Georgia Press Contemporary Poetry Series competition, was awarded the Balcones Poetry Prize. She completed her MFA in Creative Writing at the University of Michigan, where her work was awarded the Hopwood Creative Writing Award. Halme is a 1997-98 recipient of a National Endowment for the Arts Poetry Fellowship. She is associate professor of English at Western Washington University in Bellingham."Here is a volcanically poised and deliciously balanced book of meditative graces, of provisional lyric holdings, of sumptuous meditations shored against the ruins."-Edward Hirsch"Most prominent is Halme's sensual commitment to language; her poems resonate with a phonetic lushness illuminating her intelligent imagery. These poems are enjoyable most notably for the pleasure of pure sound. . . . Gently peppered into her poems are flavors of mysticism, portrayed by an efficient and clever selection of words, which result in a pleasurable and unexpected unfolding. Overall, these poems

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As nativism, xenophobia, vile racism, and assaults on the rule of law threaten the very fabric of our nation, The Corrosion of Conservatism presents an urgent defense of American democracy. Pronouncing Mexican immigrants to be “rapists,” Donald Trump announced his 2015 presidential bid, causing Max Boot to think he was watching a dystopian science-fiction movie. The respected conservative historian couldn’t fathom that the party of Lincoln, Roosevelt, and Reagan could endorse such an unqualified reality-TV star. Yet the Twilight Zone episode that Boot believed he was watching created an ideological dislocation so shattering that Boot’s transformation from Republican foreign policy adviser to celebrated anti-Trump columnist becomes the dramatic story of The Corrosion of Conservatism. No longer a Republican, but also not a Democrat, Boot here records his ideological journey from a “movement” conservative to a man without a party, beginning with his political coming-of-age as a young émigré from the Soviet Union, enthralled with the National Review and the conservative intellectual tradition of Russell Kirk and F. A. Hayek. Against this personal odyssey, Boot simultaneously traces the evolution of modern American conservatism, jump-started by Barry Goldwater’s canonical The Conscience of a Conservative, to the rise of Trumpism and its gradual corrosion of what was once the Republican Party. While 90 percent of his fellow Republicans became political “toadies” in the aftermath of the 2016 election, Boot stood his ground, enduring the vitriol of his erstwhile conservative colleagues, trolled on Twitter by a white supremacist who depicted his “execution” in a gas chamber by a smiling, Nazi-clad Trump. And yet, Boot nevertheless remains a villain to some partisan circles for his enduring commitment to conservative fiscal and national security principles. It is from this isolated position, then, that Boot launches this bold declaration of dissent and its urgent plea for true, bipartisan cooperation. With uncompromising insights, The Corrosion of Conservatism evokes both a president who has traduced every norm and the rise of a nascent centrist movement to counter Trump’s assault on democracy.

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Twelve-year-old Karl (a friend of Achim's from the orphanage) is really strong but can't cope without his timid friend, who has been adopted by a nice couple and now lives far away. What's the use in being strong, thinks Karl, if you don't have anyone to protect? He is relentlessly teased by the other kids at school, so Karl starts beating them up and is eventually expelled. Spending time alone in his room, Karl daydreams about his father, who he believes is a sea captain who has somehow lost Karl as a baby, but who will one day come and fetch him. But when Maria, who works at the orphanage, admits to Karl that she made up this story to soothe him when he was younger, he decides to run away from his teachers, his peers who tease him, and the people in his life who tell him lies. Thus he embarks on a journey to reach the ocean, become a sailor, and find his father.On his journey he meets the Tiny Ones, a tribe of adventurers and sailors not much bigger than Karl's little finger. They've lost their ship and would like to borrow the model ship Karl has brought with him on his escape. Karl is magically changed into one of the Tiny Ones and they set sail on an adventure to the Twelfth Continent. On a previous journey here, the children of the Tiny Ones vanished while on a walk one evening. Now, with Karl's help, the Tiny Ones want to find their children again. Throughout his adventures, Karl not only finds the solution to an old riddle on the Twelfth Continent, but also discovers traces of his real father on this very peculiar island with more than one surprise in store for him and his fellow sailors. Full of wit and surprises, The Secret of the Twelfth Continent is sure to captivate children while reinforcing the importance of family and friendship.

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A different look at heterosexuality in the twenty-first century A straight white girl can kiss a girl, like it, and still call herself straight—her boyfriend may even encourage her. But can straight white guys experience the same easy sexual fluidity, or would kissing a guy just mean that they are really gay? Not Gay thrusts deep into a world where straight guy-on-guy action is not a myth but a reality: there’s fraternity and military hazing rituals, where new recruits are made to grab each other’s penises and stick fingers up their fellow members’ anuses; online personal ads, where straight men seek other straight men to masturbate with; and, last but not least, the long and clandestine history of straight men frequenting public restrooms for sexual encounters with other men. For Jane Ward, these sexual practices reveal a unique social space where straight white men can—and do—have sex with other straight white men; in fact, she argues, to do so reaffirms rather than challenges their gender and racial identity. Ward illustrates that sex between straight white men allows them to leverage whiteness and masculinity to authenticate their heterosexuality in the context of sex with men. By understanding their same-sex sexual practice as meaningless, accidental, or even necessary, straight white men can perform homosexual contact in heterosexual ways. These sex acts are not slippages into a queer way of being or expressions of a desired but unarticulated gay identity. Instead, Ward argues, they reveal the fluidity and complexity that characterizes all human sexual desire. In the end, Ward’s analysis offers a new way to think about heterosexuality—not as the opposite or absence of homosexuality, but as its own unique mode of engaging in homosexual sex, a mode characterized by pretense, dis-identification and racial and heterosexual privilege. Daring, insightful, and brimming with wit, Not Gay is a fascinating new take on the complexities of heterosexuality in the modern era.

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The botched robbery didn’t do it. Neither did the three gunshots. It wasn’t until he was administered last rites that David Borkowski realized he was about to die, at age fifteen. A Shot Story: From Juvie to Ph.D. is a riveting account of how being shot saved his life and helped a juvenile delinquent become an esteemed English professor. Growing up in a working-class section of Staten Island, David and his friends thought they had all the answers: They knew where to hang out without being hassled, where to get high, and what to do if the cops showed up. But when David and his friend called in a pizza order so they could rob the delivery man, things didn’t turn out as they’d planned. Staring down the barrel of a gun, David and his friend panicked and took off as the cop fired. Convinced the cop was shooting harmless “salt” bullets, David darted through lawns as the cop gave chase. Much later, when David was bleeding to death, did the cops realize they had hit one of their own—the son of a fellow cop. Borderline illiterate at the time of the shooting, David took his future into his own hands and found salvation in books. But his attempts to improve his life were stymied by lack of familial support. Bound on all sides by adults who had no faith in his ability to learn or to succeed, David persevered and earned his Ph.D.. Funny and poignant, but always honest and reflective, A Shot Story tracks David Borkowski’s life before and after the “accident” and tells how his having been a rather unremarkable student may have been a blessing in disguise. A wonderful addition to the working-class narrative genre, A Shot Story presents a gripping account of the silences of working-class culture as well as the male subculture of Staten Island. Through his heartfelt memoir, Borkowski explores the universal lesson of turning a wrong into a rite of passage.

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In 1573, the alchemist Anna Zieglerin gave her patron, the Duke of Braunschweig-Wolfenbüttel, the recipe for an extraordinary substance she called the lion's blood. She claimed that this golden oil could stimulate the growth of plants, create gemstones, transform lead into the coveted philosophers' stone—and would serve a critical role in preparing for the Last Days. Boldly envisioning herself as a Protestant Virgin Mary, Anna proposed that the lion's blood, paired with her own body, could even generate life, repopulating and redeeming the corrupt world in its final moments. In Anna Zieglerin and the Lion's Blood, Tara Nummedal reconstructs the extraordinary career and historical afterlife of alchemist, courtier, and prophet Anna Zieglerin. She situates Anna's story within the wider frameworks of Reformation Germany's religious, political, and military battles; the rising influence of alchemy; the role of apocalyptic eschatology; and the position of women within these contexts. Together with her husband, the jester Heinrich Schombach, and their companion and fellow alchemist Philipp Sommering, Anna promised her patrons at the court of Wolfenbüttel spiritual salvation and material profit. But her compelling vision brought with it another, darker possibility: rather than granting her patrons wealth or redemption, Anna's alchemical gifts might instead lead to war, disgrace, and destruction. By 1575, three years after Anna's arrival at court, her enemies had succeeded in turning her from holy alchemist into poisoner and sorceress, culminating in Anna's arrest, torture, and public execution. In her own life, Anna was a master of self-fashioning; in the centuries since her death, her story has been continually refashioned, making her a fitting emblem for each new age. Interweaving the history of science, gender, religion, and politics, Nummedal recounts how one resourceful woman's alchemical schemes touched some of the most consequential matters in Reformation Germany.

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In A Town In-Between, Judith Ridner reveals the influential, turbulent past of a modest, quiet American community. Today Carlisle, Pennsylvania, nestled in the Susquehanna Valley, is far from the nation's political and financial centers. In the eighteenth century, however, Carlisle and its residents stood not only at a geographical crossroads but also at the fulcrum of early American controversies. Located between East Coast settlement and the western frontier, Carlisle quickly became a mid-Atlantic hub, serving as a migration gateway to the southern and western interiors, a commercial way station in the colonial fur trade, a military staging and supply ground during the Seven Years' War, American Revolution, and Whiskey Rebellion, and home to one of the first colleges in the United States, Dickinson. A Town In-Between reconsiders the role early American towns and townspeople played in the development of the country's interior. Focusing on the lives of the ambitious group of Scots-Irish colonists who built Carlisle, Judith Ridner reasserts that the early American west was won by traders, merchants, artisans, and laborers—many of them Irish immigrants—and not just farmers. Founded by proprietor Thomas Penn, the rapidly growing town was the site of repeated uprisings, jailbreaks, and one of the most publicized Anti-Federalist riots during constitutional ratification. These conflicts had dramatic consequences for many Scots-Irish Presbyterian residents who found themselves a people in-between, mediating among the competing ethnoreligious, cultural, class, and political interests that separated them from their fellow Quaker and Anglican colonists of the Delaware Valley and their myriad Native American trading partners of the Ohio country. In this thoroughly researched and highly readable study, Ridner argues that interior towns were not so much spearheads of a progressive and westward-moving Euro-American civilization, but volatile places situated in the middle of a culturally diverse, economically dynamic, and politically evolving early America.

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'To construct a civilization around the nostrum that the public realm is morally, economically and socially inferior to the private realm is to submit to an alien barbarism in which what we hold in common is permanently placed as second best. David Marquand has constructed a masterly and highly readable plea for the idea of the public once again to be celebrated in British life. His re-entry into the national conversation could not be better timed or more important. Let's hope our fellow citizens take arms in the battle he invites us to join.' --Will Hutton, Columnist, Observer Newspaper 'A profound analysis of the decline of the public realm and the growth of unaccountable government in Britain. The summation of a life's work by one of Britain's leading political thinkers.' --John Gray, The London School of Economics The public domain of citizenship, equity and service is crucial for individual fulfilment and social well-being. But it has been under attack for thirty years – first from the market fundamentalists of the New Right, and then from their New Labour imitators. The results are everywhere – resource-starved public services; the marketization of the public sector; the soul-destroying targets and audits that go with it; the denigration of professionalism and the professional ethic; and the erosion of public trust. More damaging still are the hollowing out of citizenship, the manipulative populism that now pervades British government and a slide towards a new version of the 'Old Corruption' that our Victorian ancestors thought they had banished. David Marquand traces the growth of the public domain from Gladstone to Attlee, analyses the forces that began to undermine it in its post-war heyday and exposes the campaign that the Thatcher and Blair governments have waged against it. He ends with a call for a counter-attack, based on a re-statement of the civic ideal in a twenty-first century idiom. This book will appeal to all those who take an interest in current political events as well as those studying politics and social policy.

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Premodern Buddhists are sometimes characterized as veritable "mind scientists" whose insights anticipate modern research on the brain and mind. Aiming to complicate this story, Dan Arnold confronts a significant obstacle to popular attempts at harmonizing classical Buddhist and modern scientific thought: since most Indian Buddhists held that the mental continuum is uninterrupted by death (its continuity is what Buddhists mean by "rebirth"), they would have no truck with the idea that everything about the mental can be explained in terms of brain events. Nevertheless, a predominant stream of Indian Buddhist thought, associated with the seventh-century thinker Dharmakirti, turns out to be vulnerable to arguments modern philosophers have leveled against physicalism. By characterizing the philosophical problems commonly faced by Dharmakirti and contemporary philosophers such as Jerry Fodor and Daniel Dennett, Arnold seeks to advance an understanding of both first-millennium Indian arguments and contemporary debates on the philosophy of mind. The issues center on what modern philosophers have called intentionality-the fact that the mind can be about (or represent or mean) other things. Tracing an account of intentionality through Kant, Wilfrid Sellars, and John McDowell, Arnold argues that intentionality cannot, in principle, be explained in causal terms. Elaborating some of Dharmakirti's central commitments (chiefly his apoha theory of meaning and his account of self-awareness), Arnold shows that despite his concern to refute physicalism, Dharmakirti's causal explanations of the mental mean that modern arguments from intentionality cut as much against his project as they do against physicalist philosophies of mind. This is evident in the arguments of some of Dharmakirti's contemporaneous Indian critics (proponents of the orthodox Brahmanical Mimasa school as well as fellow Buddhists from the Madhyamaka school of thought), whose critiques exemplify the same logic as modern arguments from intentionality. Elaborating these various strands of thought, Arnold shows that seemingly arcane arguments among first-millennium Indian thinkers can illuminate matters still very much at the heart of contemporary philosophy.

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Rural Development is a deliberate transformation towards the advancement of the financial and societal standard of living of the rural poor through amplified production, impartial delivery of possessions, and empowerment. In general, a deliberate transformation towards rural institution building and progression in technology. Bangladesh, nearly 50 years into its liberation, stays on the route to development and the country is looking forward to transitioning into a developed state by 2041. There is global pressure also. Rural development plays a key role in attaining the targets. The Bangladesh Academy for Rural Development (BARD) is a pioneer institute for attaining rural development in Bangladesh. The academy is acknowledged as a center of excellence regarding training, research and action research. The institute was established in 1959 with the intention of provide training to the public officials and representatives of the local government and village institutions on diverse matters concerning to rural development. Still, the institution provides training to diverse stakeholders. Moreover, a large quantity of international clientele comprising scholars, research fellows, experts, government bureaucrats, affiliates of diplomatic corps and global organizations visit the academy. The academy has been steering socio-economic study from the time of its beginning. Research outcomes are used as training resources and contributions for introducing action research by the Academy itself. It also works as data resources and policy ideas for the policy makers, Ministries, and Planning Commission. In certain circumstances, these are also dispersed among the global organizations and institutes. BARD conducts investigational projects to progress models of better-quality institution, managerial arrangements in addition to harmonization and approaches of production. The project events generally include the villagers' development institutes, local bodies and public officials. To this point the Academy has directed more than 50 investigational projects on different facets of rural development. Finally, in the era of globalization and pressure of implementation of Sustainable Development Goals (SDGs), the book provides an immense knowledge on "Rural Development" issue in Bangladesh perspective.

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I can't believe that out of every person I could have kissed . . . I chose McKee's new quarterback. 'Sparkling prose and delicious tension . . . Grace Reilly is the queen of sports romance!' STEPHANIE ARCHER -----'One of my very favourite sports romance books' ⭐ ⭐ ⭐ ⭐ ⭐ 'James and Bex had red-hot chemistry' ⭐ ⭐ ⭐ ⭐ ⭐ 'Light-hearted, sweet and spicy . . . amazing' ⭐ ⭐ ⭐ ⭐ ⭐ 'Just perfect . . . if you are in the mood for a super swoony hero and a super relatable female lead then you'll want to pick this one up' ⭐ ⭐ ⭐ ⭐ ⭐ Discover your new TikTok obsession, a SPICY fake dating college football sports romance - perfect for fans of Hannah Grace, Lucy Score and Elsie Silver.-----JamesFootball is my everything. But when I transfer to McKee University to escape the distractions that nearly cost me my future in the NFL, I'm faced with another consequence: retake the writing class I failed at my last college, or lose any chance I have at making it big. That's where fellow senior Beckett Wood - gorgeous, stubborn, and just my type - comes in. She's the key to my success in this class . . . but the price of her help is a fake relationship, and I never do things halfway.BexI don't mess around with athletes, and handsome, self-assured James Callahan is no exception. He wants me to help him pass the writing class we're both stuck taking, but I'm too busy to take on yet another responsibility. But when his teammate - my cheating ex - won't leave me alone, I realize I need to convince him I've moved on . . . and what better way than by pretending to be with James, who wants nothing to do with a real relationship?But with every fake kiss, why does James pull me deeper into a place that thrills me?And why don't I want it to end?READERS ARE OBSESSED WITH BEYOND THE PLAY:'THE SPICE!!!!! Top tier' ⭐ ⭐ ⭐ ⭐ ⭐ 'There's spice. There's cuteness. There's a man who knows what he's doing' ⭐ ⭐ ⭐ ⭐ ⭐ 'If you want spice and two stubborn college students this is it!' ⭐ ⭐ ⭐ ⭐ ⭐ 'This book was EVERYTHING I needed' ⭐ ⭐ ⭐ ⭐ ⭐

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Thousands of women and children were among those who struggled to leave Singapore just before capitulation on February 15 1942; their hope was to reach safety. For many that hope was never realised; countless numbers drowned as ships were bombed and sunk on their way to safety'. The lucky' ones who survived the onslaught of the ships would become guests of the Japanese; many of these would not live to see the end of the war. Two very different women fleeing on those last ships and subsequently interned in camps throughout Sumatra were Margaret Dryburgh, a missionary and teacher, and Shelagh Brown, a secretary at the Singapore Naval Base. Their paths crossed briefly prior to the catastrophic events of 1942 and met again in internment. The Captives Hymn' composed by Margaret Dryburgh was initially sung by herself along with Shelagh Brown and friend Dorothy MacLeod on 5 July 1942. It has since been sung at services throughout internment and continues to be sung at services all over the world. Music and faith were fundamental to both their lives and Margaret's creative talents lifted the spirits of everyone during those dark and difficult days. In a remarkable partnership, when the women were struggling to find something new that would lift their flagging spirits, Margaret and fellow internee Norah Chambers produced a Vocal Orchestra' using women's voices in place of instruments. The first performance stunned the entire camp; they had never heard anything so beautiful and momentarily made them feel that they were free and floating away with the music. This true account, using personal diaries and family documents traces Margaret Dryburgh and Shelagh Brown's journey from childhood through to adulthood and internment. Early life shapes adult life and perhaps contributed to their response to captivity which showed courage, tenacity, perseverance and surprisingly, given the appalling conditions, a good deal of humour. May the Day of Freedom Dawn'

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'Unflinching, forthright and full of wry humour as the man himself, and there's little praise greater than that' CLASSIC ROCK'Wall's vision of Lemmy as a Rock'n'Roll stalwart who made no concessions is vivid to the last' GUARDIANIn 'The Ace of Spades', Motörhead's most famous song, Lemmy, the born-to-lose, live-to-win frontman of the band sang, 'I don't want to live forever'. Yet as he told his friend of 35 years, former PR and biographer Mick Wall, 'Actually, I want to go the day before forever. To avoid the rush...'. This is his strange but true story. Brutally frank, painfully funny, wincingly sad, and always beautifully told, LEMMY: THE DEFINITIVE BIOGRAPHY is the story of the only rock'n'roller never to sell his soul for silver and gold, while keeping the devil, as he put it, 'very close to my side'. From school days growing up in North Wales, to first finding fame in the mid-60s with the Rockin' Vicars; from being Jimi Hendrix's personal roadie ('I would score acid for him'), to leading Hawkwind to the top of the charts in 1972 with 'Silver Machine' ('I was fired for taking the wrong drugs'); from forming Motörhead ('I wanted to call the band Bastard but my manager wouldn't let me'), whose iconoclastic album NO SLEEP 'TIL HAMMERSMITH entered the UK charts at No. 1.Based on Mick's original interviews with Lemmy conducted over numerous years, along with the insights of those who knew him best - former band mates, friends, managers, fellow artists and record business insiders - this is an unputdownable story of one of Britain's greatest characters. As Lemmy once said of Wall, 'Mick Wall is one of the few rock writers in the world who can actually write and seems to know anything about rock music. I can and do talk to him for hours - poor bastard.' With the hard part of his journey now over, Lemmy is set to become a legend. LEMMY: THE DEFINITIVE BIOGRAPHY explains exactly how that came to be.

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When the first rumblings of the coming financial crisis were heard in August 2007, three men who were never elected to public office suddenly became the most powerful men in the world. They were the leaders of the world's three most important central banks: Ben Bernanke of the U.S. Federal Reserve, Mervyn King of the Bank of England, and Jean-Claude Trichet of the European Central Bank. Over the next five years, they and their fellow central bankers deployed trillions of dollars, pounds and euros to try and contain the waves of panic that threatened to bring down the global financial system.Neil Irwin's The Alchemists is both a gripping account of the most intense exercise in economic crisis management we've ever seen, and an insightful examination of the role and power of the central bank. It begins in Stockholm, Sweden, in the seventeenth century, where central banking had its rocky birth, and then progresses through a brisk but dazzling tutorial on how the central banker came to exert such vast influence over our world. It is the story of how these figures and institutions became what they are - the possessors of extraordinary power over our collective fate. What they chose to do with those powers is the heart of the story Irwin tells.Irwin covered the financial crisis for the Washington Post, enjoying privileged access to leading central bankers and the people close to them. His account, based on reporting that took place in 27 cities in 11 countries, is the holistic, truly global story of the central bankers' role in the world economy we have been missing. It is a landmark reckoning with central bankers and their power, with the great financial crisis of our time, and with the history of the relationship between capitalism and the state. Definitive, revelatory, and riveting, The Alchemists shows us where money comes from--and where it may well be going.

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Based on the popular and revolutionary PBS multiplatform documentary project, an inspiring and striking photographic portrait that brilliantly captures the tumultuous, historic year that was 2020, offering an intimate look at the heart and soul of our national life and what it means to be an American today, revealed through the stories of ordinary people from sea to shining sea.Everyone has a story . . . In January 2020, in celebration of its 50th anniversary, PBS launched an ambitious national storytelling project, American Portrait, inviting people across the country to participate in a national conversation about what it means to be an American today. The multiplatform experience, including a television series that will air on PBS stations nationwide in January 2021, has created a communal voice through the individual stories of participants—each one a unique stitch in the beautiful, diverse quilt that is America. A vivid yet nuanced snapshot of who we are, this visually striking companion volume features more than 400 entries and photographs, all which began with an answer to a simple cue: My American story started when . . .You don’t know what it’s like to . . .My greatest challenge is . . . The tradition I carry on is . . . I was raised to believe . . . What keeps me up at night is . . .I took a risk when . . .When I step outside my door . . . Most days I feel . . . Told by people of all ages, orientations, and walks of life, these unique stories of joy, adversity, love, sacrifice, grief, sharing, triumph, and grace, centered on the themes of family, work, fun, faith, and community, illuminate the struggles, hopes, dreams, and convictions of Americans today. The more we share with our fellow citizens, the more we can see a real, complex, and fascinating representation of our country that is far richer and deeper than headlines and elections tell us. As intriguing, thoughtful, and distinct as the nation it embodies, American Portrait is a photographic manifestation of Walt Whitman’s immortal words, “I am large. I contain multitudes”—and a vital and ultimately hopeful reminder that what we all share is much greater and enduring than what may divide us.

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Based on the popular and revolutionary PBS multiplatform documentary project, an inspiring and striking photographic portrait that brilliantly captures the tumultuous, historic year that was 2020, offering an intimate look at the heart and soul of our national life and what it means to be an American today, revealed through the stories of ordinary people from sea to shining sea.Everyone has a story . . . In January 2020, in celebration of its 50th anniversary, PBS launched an ambitious national storytelling project, American Portrait, inviting people across the country to participate in a national conversation about what it means to be an American today. The multiplatform experience, including a television series that will air on PBS stations nationwide in January 2021, has created a communal voice through the individual stories of participants—each one a unique stitch in the beautiful, diverse quilt that is America. A vivid yet nuanced snapshot of who we are, this visually striking companion volume features more than 400 entries and photographs, all which began with an answer to a simple cue: My American story started when . . .You don’t know what it’s like to . . .My greatest challenge is . . . The tradition I carry on is . . . I was raised to believe . . . What keeps me up at night is . . .I took a risk when . . .When I step outside my door . . . Most days I feel . . . Told by people of all ages, orientations, and walks of life, these unique stories of joy, adversity, love, sacrifice, grief, sharing, triumph, and grace, centered on the themes of family, work, fun, faith, and community, illuminate the struggles, hopes, dreams, and convictions of Americans today. The more we share with our fellow citizens, the more we can see a real, complex, and fascinating representation of our country that is far richer and deeper than headlines and elections tell us. As intriguing, thoughtful, and distinct as the nation it embodies, American Portrait is a photographic manifestation of Walt Whitman’s immortal words, “I am large. I contain multitudes”—and a vital and ultimately hopeful reminder that what we all share is much greater and enduring than what may divide us.

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An award-winning biologist and writer applies queer feminist theory to developmental genetics, arguing that individuals are not essentially male or female. The idea that gender is a performance—a tenet of queer feminist theory since the nineties—has spread from college classrooms to popular culture. This transformative concept has sparked reappraisals of social expectations as well as debate over not just gender, but sex: what it is, what it means, and how we know it. Most scientific and biomedical research over the past seventy years has assumed and reinforced a binary concept of biological sex, though some scientists point out that male and female are just two outcomes in a world rich in sexual diversity. In Performance All the Way Down, MacArthur Fellow and Pulitzer Prize finalist Richard O. Prum brings feminist thought into conversation with biology, arguing that the sexual binary is not essential to human genes, chromosomes, or embryos. Our genomes are not blueprints, algorithms, or recipes for the physical representation of our individual sexual essences or fates. In accessible language, Prum shows that when we look closely at the science, we see that gene expression is a material action in the world, a performance through which the individual regulates and achieves its own becoming. A fertilized zygote matures into an organism with tissues and organs, neurological control, immune defenses, psychological mechanisms, and gender and sexual behavior through a performative continuum. This complex hierarchy of self-enactment reflects the evolved agency of individual genes, molecules, cells, and tissues. Rejecting the notion of an intractable divide between the humanities and the sciences, Prum proves that the contributions of queer and feminist theorists can help scientists understand the human body in new ways, yielding key insights into genetics, developmental biology, physiology. Sure to inspire discussion, Performance All the Way Down is a book about biology for feminists, a book about feminist theory for biologists, and a book for anyone curious about how our sexual bodies grow.

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This is the first full-length biography of the Civil War general who saved the Union army from catastrophic defeat at the Battle of Chickamauga, and went on to play major roles in the Chattanooga and Mobile campaigns. Immediately after the war, as commander of U.S. troops in Texas, his actions sparked the "Juneteenth" celebrations of slavery's end, which continue to this day.Granger's first battle was at Wilson’s Creek, Missouri, and he soon thereafter rose through the ranks - cavalry, then infantry - in early 1863 vying with Forrest and Van Dorn for control of central Tennessee. The artillery platform he erected at Franklin, dubbed Fort Granger, would soon overlook the death knell of the main Confederate army in the west.Granger's first fame, however, came at Chickamauga, when the Rebel Army of Tennessee came within a hair’s-breadth of destroying the Union Army of the Cumberland. Without orders - even defying them - Granger marched his Reserve Corps to the scene of the hottest action, where Thomas was just barely holding on with the rump of Rosecrans' army. Bringing fresh ammunition and hurling his men against Longstreet’s oncoming legions, Granger provided just enough breathing space to prevent that Union defeat from becoming the worst open-field battle disgrace of the war.Granger was then given command of a full infantry corps, but just proved too odd a fellow to promote further. At Chattanooga he got on the nerves of U.S. Grant for going off to shoot cannon instead of commanding his troops (he’d actually indulged this impulse also at Chickamauga) and Sherman had no use for him either. So he went down to join Farragut in the conquest of Mobile, Alabama, leading land operations against the Confederate forts.This long-overdue biography sheds fascinating new light on a colourful commander who fought through the war in the West from its first major battles to its last, and even left his impact on the Reconstruction beyond.

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For at least two decades the career of Edward Said has defined what it means to be a public intellectual today. Although attacked as a terrorist and derided as a fraud for his work on behalf of his fellow Palestinians, Said’s importance extends far beyond his political activism. In this volume a distinguished group of scholars assesses nearly every aspect of Said’s work—his contributions to postcolonial theory, his work on racism and ethnicity, his aesthetics and his resistance to the aestheticization of politics, his concepts of figuration, his assessment of the role of the exile in a metropolitan culture, and his work on music and the visual arts. In two separate interviews, Said himself comments on a variety of topics, among them the response of the American Jewish community to his political efforts in the Middle East. Yet even as the Palestinian struggle finds a central place in his work, it is essential—as the contributors demonstrate—to see that this struggle rests on and gives power to his general "critique of colonizers" and is not simply the outgrowth of a local nationalism. Perhaps more than any other person in the United States, Said has changed how the U.S. media and American intellectuals must think about and represent Palestinians, Islam, and the Middle East. Most importantly, this change arises not as a result of political action but out of a potent humanism—a breadth of knowledge and insight that has nourished many fields of inquiry. Originally a special issue of boundary 2, the book includes new articles on minority culture and on orientalism in music, as well as an interview with Said by Jacqueline Rose. Supporting the claim that the last third of the twentieth century can be called the "Age of Said," this collection will enlighten and engage students in virtually any field of humanistic study. Contributors. Jonathan Arac, Paul A. Bové, Terry Cochran, Barbara Harlow, Kojin Karatani, Rashid I. Khalidi, Sabu Kohsu, Ralph Locke, Mustapha Marrouchi, Jim Merod, W. J. T. Mitchell, Aamir R. Mufti, Jacqueline Rose, Edward W. Said, Gayatri Chakravorty Spivak, Lindsay Waters

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Black Elk of the Sioux has been recognized as one of the truly remarkable men of his time in the matter of religious belief and practice. Shortly before his death in August, 1950, when he was the ""keeper of the sacred pipe,"" he said, ""It is my prayer that, through our sacred pipe, and through this book in which I shall explain what our pipe really is, peace may come to those peoples who can understand, and understanding which must be of the heart and not of the head alone. Then they will realize that we Indians know the One true God, and that we pray to Him continually.""Black Elk was the only qualified priest of the older Oglala Sioux still living when The Sacred Pipe was written. This is his book: he gave it orally to Joseph Epes Brown during the latter's eight month's residence on the Pine Ridge Reservation in South Dakota, where Black Elk lived. Beginning with the story of White Buffalo Cow Woman's first visit to the Sioux to give them the sacred pip~, Black Elk describes and discusses the details and meanings of the seven rites, which were disclosed, one by one, to the Sioux through visions. He takes the reader through the sun dance, the purification rite, the ""keeping of the soul,"" and other rites, showing how the Sioux have come to terms with God and nature and their fellow men through a rare spirit of sacrifice and determination.The wakan Mysteries of the Siouan peoples have been a subject of interest and study by explorers and scholars from the period of earliest contact between whites and Indians in North America, but Black Elk's account is without doubt the most highly developed on this religion and cosmography. The Sacred Pipe, published as volume thirty-six in the Civilization of the American Indian Series, will be greeted enthusiastically by students of comparative religion, ethnologists, historians, philosophers, and everyone interested in American Indian life.

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Marwa al Sabouni was a little-known architect, living in battle-ravaged Homs, unable to practice her profession as the buildings and the lives around her and across Syria were reduced to rubble. Rather than flee her country, like so many of her compatriots, she remained, committed to the belief that the multilayered and multifaceted society she grew up in was worth rebuilding. She turned her fierce intelligence to chronicling how her city and country were undone through decades of architectural mismanagement and mistakes. The result was The Battle for Home. Published in 2016, the book and her story attracted the attention of international news media and received critical acclaim around the world. She became a TED fellow; some suggested she be nominated for architecture’s highest honour, the Pritzker Prize. Until the book was published, al Sabouni had rarely travelled outside of her native country, but The Battle for Home gained her invitations to speak to audiences, institutes and experts across the world. Her travels, combined with her deep understanding of the Middle Eastern heritage and values, provided al Sabouni with insights into a wide range of cities, which informed her views on how cities best work, how they might fail, and what can be done to enrich and harmonize the lives of all their inhabitants. This is a rich journey, drawing together several narratives: her personal observations of some of the world’s most fascinating cities, from Detroit to Helsinki, from Bristol to Amsterdam; the lessons that Western societies might learn from Islamic culture; and philosophical reflections, drawing on a range of thinkers, on how our personal and communal spaces can provide the basic foundations for happiness. Through this rich tapestry of personal experience, unblinking perspective, and unsettling insight, al Sabouni offers the reader real-world solutions – and hope – for how the conditions for enduring peace might be created in an increasingly polarizing world.With 24 illustrations

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David Ogilvy spent more than a full working life in aviation. As a schoolboy he was sent out with a bugle and binoculars to blow a warning if a V1 flying bomb appeared. Soon after this, he joined the Royal Air Force and served for six years as a pilot, flying types ranging from the Tiger Moth to the Mosquito and Meteor. As a civilian he spent fourteen years involved in pilot training and became Chief Instructor of the Air Schools group, with responsibility for three establishments. He was a keen display and racing pilot and competed in many events, flying several historic types. At an early age David realised the need for owners and operators of flyable pre-war machines to have a representative organisation to look after their concerns and interests, so, in 1951, when 22 and still serving in the RAF, he was a co-founder of the Vintage Aeroplane Club. He was also a founding member, and until his death in July 2023 a Vice President, of the Historic Aircraft Association. In 1966 David was appointed general manager of the famous Shuttleworth Collection at Old Warden. During this time, he brought in several historic aircraft, including initiating the retrieval of a 1935 Hawker Hind from Afghanistan. He flew many of the Collection's remarkable aeroplanes, organising and participating in the displays. As well as outlining his remarkable career, the main focus of this book is on David Ogilvy's descriptions of many of the historic aircraft he helped rescue and preserve and what it was like to be at their controls. It therefore provides a unique compendium of the flying characteristics of a range of historic aircraft, for one or two of which, he unashamedly admitted, he was possibly the last man alive to have flown. Away from the cockpit, David was associated with many organisations, including being a founder member of the UK Aircraft Owners and Pilots Association, serving for 45 years in the roles of editor, Executive Chairman and President. He was also President of today's Vintage Aircraft Club and a Fellow of the Royal Aeronautical Society. David was awarded the OBE 'for services to aviation' in 1996.

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The follow-up to the BBC Radio 4 Book of the Week Other Minds A Times and Sunday Times Book of the Year A Waterstones Best Book of 2020 The scuba-diving philosopher explores the origins of animal consciousness. Dip below the ocean’s surface and you are soon confronted by forms of life that could not seem more foreign to our own: sea sponges, soft corals and flower-like worms, whose rooted bodies and intricate geometry are more reminiscent of plant life than anything recognisably animal. Yet these creatures are our cousins. As fellow members of the animal kingdom – the Metazoa – they can teach us about the evolutionary origins of not only our bodies, but also our minds. In his acclaimed book, Other Minds, Peter Godfrey-Smith explored the mind of the octopus – the closest thing to an intelligent alien on Earth. In Metazoa, he expands his inquiry to animals at large, investigating the evolution of experience with the assistance of far-flung species. Godfrey-Smith shows that the appearance of the first animal body form well over half a billion years ago was a profound innovation that set life upon a new path. He charts the ways that subsequent evolutionary developments – eyes that track, for example, and bodies that move through and manipulate the environment – shaped the lives of animals. Following the evolutionary paths of a glass sponge, soft coral, banded shrimp, octopus and fish, then moving onto land and the world of insects, birds and primates like ourselves, Metazoa gathers these stories together to bridge the gap between matter and mind and address one of the most important philosophical questions: what is the origin of consciousness? Combining vivid animal encounters with philosophy and biology, Metazoa reveals the impossibility of separating the evolution of our minds from the evolution of animals themselves.

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'A must for fans and rock buffs' The Sun'Fascinating read' PowerplayJudas Priest formed in Birmingham in 1969. With its distinctive twin-guitar sound, studs-and-leather image, and international sales of over 50 million records, Judas Priest became the archetypal heavy metal band in the 1980s. Iconic tracks like 'Breaking the Law', 'Living after Midnight', and 'You've Got Another Thing Coming' helped the band achieve extraordinary success, but no one from the band has stepped out to tell their or the band's story until now.As the band approaches its golden anniversary, fans will at last be able to delve backstage into the decades of shocking, hilarious, and haunting stories that surround the heavy metal institution. In Heavy Duty, guitarist K.K. Downing discusses the complex personality conflicts, the business screw-ups, the acrimonious relationship with fellow heavy metal band Iron Maiden, as well as how Judas Priest found itself at the epicentre of a storm of parental outrage that targeted heavy metal in the '80s. He also describes his role in cementing the band's trademark black leather and studs image that would not only become synonymous with the entire genre, but would also give singer Rob Halford a viable outlet by which to express his sexuality. Lastly, he recounts the life-changing moment when he looked at his bandmates on stage during a 2009 concert and thought, 'This is the last show'. Whatever the topic, whoever's involved, K.K. doesn't hold back.From the band at the very beginning until his retirement in 2011 (and even still as a member of the band's board of directors), Downing has seen it all and is now finally at a place in his life where he can also let it all go. Even if you're a lifelong fan, if you think you know the full story of Judas Priest, well, you've got another thing coming.

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Este libro muestra que Gabriel Miró no ha sido olvidado, sino que ha influido en la literatura hispánica posterior, en particular la novela de postguerra. ENGLISH VERSION This book shows that Gabriel Miró has been undervalued and how he has influenced Hispanic literature, particularly the novel of the post-Civil War period. ¿Qué ha hecho que la obra de Gabriel Miró parezca haberse relegado a un lugar marginal de la historia de la literatura española, con cada vez menos lectores? La pregunta no es baladí. Puede que Miró no fuera un escritor de maEn efecto, en concordancia con la estética de vanguardia, fue un autor difícil. Pero fue una figura clave de la llamada edad de plata. Sus obras, además, suscitaron un interés de repercusiones mediáticas, como las polémicas eno a su retrato del clero o la presunta inmoralidad de su prosa y su heterodoxa visión de Cristo. En este libro, se sugieren las razones que han podido llevar a este injusto olvido literario y se muestra que, a pesar de todo, su obra nunca ha dejado de ser relevante, y ha influido en autores de postguerra tan importantes como Camilo José Cela y Francisco Umbral, en la obra narrativa de un filólogo de tanto prestigio como Antonio Prieto y en otros novelistas como Pedro de Lorenzo, Antonio Zoido y Adolfo Lizón. Guillermo Laín Corona es profesor de lengua y literatura españolas en University College London. ENGLISH VERSION Why does it seem that Gabriel Miró has been neglected as a secondary writer in the literary history of Spain, with fewer and fewer readers? Miró might not have had a mass readership, as, according to the aesthetics of the Avant-Garde, he was a difficult writer. However, hisworks attracted the kind of attention that fascinated the media, including the controversies surrounding his portrayals of the clergy, the supposed immorality of his prose and his heterodox view of Christ. This book tackles the reasons for this unfair neglect and shows that, despite it, his work was never completely overlooked. Indeed, Miró influenced relevant writers of the post-Civil War period, such as Camilo José Cela and Francisco Umbral, as well as the prose fiction of an important philologist like Antonio Prieto and other novelists such as Pedro de Lorenzo, Antonio Prieto and Adolfo Lizón. Guillermo Laín Corona is a Teaching Fellow in Spanish Language and Literature at University College London.

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Mark Goldie's authoritative and highly readable introduction to the political and religious landscape of Britain during the turbulent era of later Stuart rule. An exceptionally significant monograph, and without doubt one of the most important to appear in the field of Restoration history in the last twenty years. Mark Goldie has done more than anyone else to illuminate the political and religious assumptions of late seventeenth-century Englishmen.' Dr Grant Tapsell, University of Oxford. Roger Morrice and the Puritan Whigs explains a movement, illuminates the world of its emblematic representative, and explores one of the most remarkable documents of the seventeenth century. Morrice's Entring Book was supremely well-informed, passionately committed, and relentlessly opinionated. Chronicling the years 1677 to 1691, nearly a million words in length, it is the fullest surviving record of the tumultuous final years of the Stuart regime, from the Popish Plot and Exclusion Crisis to the Glorious Revolution. Morrice was a Puritan clergyman turned confidential reporter for leading Whig politicians, a barometer of opinion, for whom reliable information was vital for public action. Just twenty years after Pepys's Diary, the Entring Book depicts a darker England, gripped by a new crisis of 'popery and arbitrary government'. Mark Goldie's deeply considered book examines the fortunes of Puritanism in the later Stuart age. It offers a story of disillusion and diminuendo, ofstruggles for survival in the face of intolerance, and of self-understanding among those who hoped to transform England through 'Godly rule'. Yet the book also tells a countervailing story of revitalized and transformed Puritanism. Puritans worked through parliament, the royal court, and the households of gentry, merchants, lawyers, and clergy. Setting out to galvanize civil society, they mobilized public opinion, organized electorates, and deployedthe arts of journalism, influence, and persuasion. This book has been adapted, with a new substantial introduction and updated bibliography, from the first volume of the Entring Book of Roger Morrice. Mark Goldie is Professor of Intellectual History at the University of Cambridge and a Fellow of Churchill College.

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In the early 1920s, when the New York Yankees’ first dynasty was taking shape, they were outplayed by their local rival, the New York Giants. Led by manager John McGraw the Giants won four consecutive National League pennants and two World Series, both against the rival Yankees. Remarkably, the Giants succeeded despite a dysfunctional and unmanageable front office. And at the center of the turmoil was one of baseball’s more improbable figures: club president Charles A. Stoneham, who had purchased the Giants for $1 million in 1919, the largest amount ever paid for an American sports team. Short, stout, and jowly, Charlie Stoneham embodied a Jazz Age stereotype—a business and sporting man by day, he led another life by night. He threw lavish parties, lived extravagantly, and was often chronicled in the city tabloids. Little is known about how he came to be one of the most successful investment brokers in what were known as “bucket shops,” a highly speculative and controversial branch of Wall Street. One thing about Stoneham is clear, however: at the close of World War I he was a wealthy man, with a net worth of more than $10 million. This wealth made it possible for him to purchase majority control of the Giants, one of the most successful franchises in Major League Baseball. Stoneham, an owner of racehorses, a friend to local politicians and Tammany Hall, a socialite and a man well placed in New York business and political circles, was also implicated in a number of business scandals and criminal activities. The Giants’ principal owner had to contend with federal indictments, civil lawsuits, hostile fellow magnates, and troubles with booze, gambling, and women. But during his sixteen-year tenure as club president, the Giants achieved more success than the club had seen under any prior regime. In Jazz Age Giant Robert Garratt brings to life Stoneham’s defining years leading the Giants in the Roaring Twenties. With its layers of mystery and notoriety, Stoneham’s life epitomizes the high life and the changing mores of American culture during the 1920s, and the importance of sport, especially baseball, during the pivotal decade.

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The Darker Vision of the Renaissance explores political, literary, social, religious, medical, and artistic events between 1300 and 1670 that led beyond the bounds of reason into the nonrational, irrational, and suprarational phenomena of the European Renaissance. Robert S. Kinsman’s introduction examines Renaissance uses of ratio, “fancy” and “folly,” melancholy, anxietas, and alienation. Lynn White Jr. presents the essential thesis of the collection in his view that the years 1300–1650 constituted one of the most psychically disturbed eras ever in European history. The “world-alienation” of the period is analyzed by Donald R. Howard, illustrated by two poems of the late fourteenth century: Gawain and the Green Knight and Toilus and Criseyde. The flourishing of hermetic, magical, cabalistic, and astrological practices in the Renaissance is described by John G. Burke. The gentleman and courtier’s physical and psychological tensions resulting from literal exile or from psychic alienation from his lesser fellows are investigated by Lauro Martines. An analysis of the “structures” of Renaissance mysticism is provided by Kees W. Bolle. Gilbert Reaney’s essay examines ratio as the basis for the “measured” music of the fourteenth century, against which the newer duple and triple rhythms that came into prominence in the later half of the century were assessed. An essay by Marc Bensimon concerns itself with Renaissance modes of perception—as illustrated in works of art, of literature, and of philosophic speculation—that seem shaped by primordial anxieties caused by the passing of time and the fear of death. The reflections of theological notions about the “dreadful hidden will of God” in such pieces as Marlowe’s Dr. Faustus are given full background and perceptive treatment by Paul R. Sellin. Robert Kinsman concludes with his study “Folly, Melancholy, and Madness: Shifting Styles of Medical Analysis and Treatment, 1450–1675.” This title is part of UC Press’s Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

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Today's echocardiography continues to be a widely available, minimal-risk procedure with the potential to yield a vast amount of detailed, precise anatomic and physiologic information. Dr. Catherine Otto's Textbook of Clinical Echocardiography, 7th Edition, clearly outlines how to master the core principles of echocardiographic imaging in order to make an initial diagnosis and integrate this data in clinical decision making for patients with a wide range of cardiovascular diseases. Ideal for cardiology fellows, medicine residents, and cardiac sonography students, this bestselling text teaches all the essential elements of ultrasound physics, tomographic and 3D anatomy, image acquisition, advanced imaging modalities, and application in specific disease categories-all with a practical, problem-based approach. Concentrates on the foundational concepts you need to know to perform and interpret echocardiographic studies and to pass your board exams. Incorporates new clinical knowledge, new guidelines, and recent innovations in echocardiographic imaging, including advances in handheld devices, specialized echo applications, and technical aspects of image collection. Covers all advanced echo techniques, including contrast echo, 3D echo, and myocardial mechanics, as well as intraoperative and intra-procedural transesophageal echocardiography (TEE). Provides an updated understanding of the clinical applications of specific echocardiographic findings, and discusses what alternative diagnostic approaches to initiate when echocardiography does not provide a definitive answer. Offers a thorough, must-know explanation of the physics behind echocardiography and its applications in the clinical setting; Echo Math boxes in each chapter for quick review and greater comprehension; updated evidence tables validating echo parameters; and an Echo Exam summary at the end of each chapter. Matches full-color anatomic drawings of heart structures with the 2D and 3D echocardiographic views, and includes dozens of new illustrations throughout the text. Pairs state-of-the-art echo images with more than 360 videos that illustrate the full range of cardiac disease diagnosed with this powerful imaging approach. An eBook version is included with purchase. The eBook allows you to access all of the text, figures and references, with the ability to search, customize your content, make notes and highlights, and have content read aloud.

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In December 1788, in the northern Peruvian city of Trujillo, fifty-one-year-old Spanish Bishop Baltasar Jaime Martínez Compañón stood surrounded by twenty-four large wooden crates, each numbered and marked with its final destination of Madrid. The crates contained carefully preserved zoological, botanical, and mineral specimens collected from Trujillo's steamy rainforests, agricultural valleys, rocky sierra, and coastal desert. To accompany this collection, the Bishop had also commissioned from Indian artisans nine volumes of hand-painted images portraying the people, plants, and animals of Trujillo. He imagined that the collection and the watercolors not only would contribute to his quest to study the native cultures of Northern Peru but also would supply valuable information for his plans to transform Trujillo into an orderly, profitable slice of the Spanish Empire. Based on intensive archival research in Peru, Spain, and Colombia and the unique visual data of more than a thousand extraordinary watercolors, The Bishop's Utopia recreates the intellectual, cultural, and political universe of the Spanish Atlantic world in the late eighteenth century. Emily Berquist Soule recounts the reform agenda of Martínez Compañón—including the construction of new towns, improvement of the mining industry, and promotion of indigenous education—and positions it within broader imperial debates; unlike many of his Enlightenment contemporaries, who elevated fellow Europeans above native peoples, Martínez Compañón saw Peruvian Indians as intelligent, productive subjects of the Spanish Crown. The Bishop's Utopia seamlessly weaves cultural history, natural history, colonial politics, and art into a cinematic retelling of the Bishop's life and work.

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The forgotten story of the nineteenth-century freethinkers and twentieth-century humanists who tried to build their own secular religionIn The Church of Saint Thomas Paine, Leigh Eric Schmidt tells the surprising story of how freethinking liberals in nineteenth-century America promoted a secular religion of humanity centered on the deistic revolutionary Thomas Paine (1737–1809) and how their descendants eventually became embroiled in the culture wars of the late twentieth century.After Paine’s remains were stolen from his grave in New Rochelle, New York, and shipped to England in 1819, the reverence of his American disciples took a material turn in a long search for his relics. Paine’s birthday was always a red-letter day for these believers in democratic cosmopolitanism and philanthropic benevolence, but they expanded their program to include a broader array of rites and ceremonies, particularly funerals free of Christian supervision. They also worked to establish their own churches and congregations in which to practice their religion of secularism.All of these activities raised serious questions about the very definition of religion and whether it included nontheistic fellowships and humanistic associations—a dispute that erupted again in the second half of the twentieth century. As right-wing Christians came to see secular humanism as the most dangerous religion imaginable, small communities of religious humanists, the heirs of Paine’s followers, were swept up in new battles about religion’s public contours and secularism’s moral perils.An engrossing account of an important but little-known chapter in American history, The Church of Saint Thomas Paine reveals why the lines between religion and secularism are often much blurrier than we imagine.

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In his fascinating new book, based on the Conway Lectures he delivered at Notre Dame in 2016, William Courtenay examines aspects of the religious life of one medieval institution, the University of Paris, in the thirteenth and fourteenth centuries. In place of the traditional account of teaching programs and curriculum, however, the focus here is on religious observances and the important role that prayers for the dead played in the daily life of masters and students. Courtenay examines the university as a consortium of sub-units in which the academic and religious life of its members took place, and in which prayers for the dead were a major element. Throughout the book, Courtenay highlights reverence for the dead, which preserved their memory and was believed to reduce the time in purgatory for deceased colleagues and for founders of and donors to colleges. The book also explores the advantages for poor scholars of belonging to a confraternal institution that provided benefits to all members regardless of social background, the areas in which women contributed to the university community, including the founding of colleges, and the growth of Marian piety, seeking her blessing as patron of scholarship and as protector of scholars. Courtenay looks at attempts to offset the inequality between the status of masters and students, rich and poor, and college founders and fellows, in observances concerned with death as well as rewards and punishments in the afterlife. Rituals for the Dead is the first book-length study of religious life and remembrances for the dead at the medieval University of Paris. Scholars of medieval history will be an eager audience for this title.

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How should changes in plasma creatinine be interpreted?What is a fractional excretion, and how does measuring it help in clinical practice?Is it helpful to diagnose a triple acid-base disturbance, or is it just a mental exercise?Focusing on the areas that are particularly challenging for trainees, Dr. David Leehey presents 20 of the most perplexing and clinically relevant nephrology questions faced by medical students, residents, and nephrology fellows and attendings. His three decades of teaching experience provide real-world perspective on topics such as complex acid base disturbances, sodium concentration disorders, and the utility of urine anion and osmolal gaps. This concise title is an excellent teaching and learning tool for anyone who needs expert insight on this often-difficult subspecialty of medicine. Provides accurate, concise answers to 20 of today’s most difficult questions in nephrology. Pays particular attention to the principal concepts involved with each challenging nephrology question. Includes questions that involve controversy in treatment, such as the use of bicarbonate to treat metabolic acidosis and phosphorus binders to treat hyperphosphatemia. Now with the print edition, enjoy the bundled interactive eBook edition, which can be downloaded to your tablet and smartphone or accessed online and includes features like: Complete content with enhanced navigation Powerful search tools and smart navigation cross-links that pull results from content in the book, your notes, and even the web Cross-linked pages, references, and more for easy navigation Highlighting tool for easier reference of key content throughout the text Ability to take and share notes with friends and colleagues Quick reference tabbing to save your favorite content for future use

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Since the deployment of the first atomic weapons, people everywhere have lived with the possibility that everything they hold dear their lives, their families, their careers and even the human species itself could be extinguished in a few moments of devastation. Such consequences would be so overwhelming that, for many, the only defense is a hope it will never happen. Yet as the number of countries with atomic and nuclear weapons has risen and an international black market actively trades nuclear materials, action is likely to prove a far stronger deterrent than hope. To be effective, that action would have to address the real source of the danger. Does it lie in the awesome destructive power of modern weapons? Is it the damaging effects of the radiation that would creep across continents? Or does the actual cause lie elsewhere? In a message of compelling urgency, L. Ron Hubbard not only answers these questions, but also shows how to resolve the situation at its very core. For the most fundamental danger of all lies not in the weapons themselves, but in the barbarity that would drive men to deploy them against their fellows. To assist both individuals and governments not only to maintain stability, but to defeat their real enemies disease, the elements and Man s own unreason Mr. Hubbard sets out a humanitarian program vital to all. Applied broadly, it could raise Man to a high enough level of understanding that individuals could live their lives free not only from war and the fear of war, but free even from the possibility that a war could ever again occur.

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Selected as a Doody's Core Title for 2022!Derived from Sam W. Wiesel and Todd J. Albert’s four-volume Operative Techniques in Orthopaedic Surgery, this single-volume resource contains a comprehensive, authoritative review of operative techniques in trauma surgery. In one convenient place, you’ll find the entire Trauma section, as well as relevant chapters from the Hand, Wrist, and Forearm; Oncology; Shoulder and Elbow; and Sports Medicine sections of Operative Techniques in Orthopaedic Surgery. Superb full-color illustrations and step-by-step explanations help you master surgical techniques, select the best procedure, avoid complications, and anticipate outcomes. Written by global experts from leading institutions, Operative Techniques in Orthopaedic Trauma Surgery, Third Edition, clearly demonstrates how to perform the techniques, making this an essential daily resource for residents, fellows, and practitioners. Includes new procedures and comprehensive updates throughout with visually stunning, consistently rendered medical illustrations and intraoperative photographs that present how to perform each technique step by step. Provides new procedural videos and a newly streamlined eBook for on-the-go reference. Uses consistent, easy-to-follow chapter templates and extensive bulleted lists and tables for quick reference and review. Discusses each clinical problem using the same concise format: definition, anatomy, physical exams, pathogenesis, natural history, physical findings, imaging and diagnostic studies, differential diagnosis, nonoperative management, surgical management, pearls and pitfalls, postoperative care, outcomes, and complications. Enrich Your eBook Reading ExperienceRead directly on your preferred device(s), such as computer, tablet, or smartphone.Easily convert to audiobook, powering your content with natural language text-to-speech.

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COMPARATIVE URBANISM ‘Comparative Urbanism fully transforms the scope and purpose of urban studies today, distilling innovative conceptual and methodological tools. The theoretical and empirical scope is astounding, enlightening, emboldening. Robinson peels away conceptual labels that have anointed some cities as paradigmatic and left others as mere copies. She recalibrates overly used theoretical perspectives, resurrects forgotten ones long in need of a dusting off, and brings to the fore those often marginalised. Robinson’s approach radically re-distributes who speaks for the urban, and which urban conditions shape our theoretical understandings. With Comparative Urbanism in our hands, we can start the practice of urban studies anywhere and be relevant to any number of elsewheres.’ Jane M. Jacobs, Professor of Urban Studies, Yale-NUS College, Singapore ‘How to think the multiplicity of urban realities at the same time, across different times and rhythmic arrangements; how to move with the emergences and stand-stills, with conceptualisations that do justice to all things gathered under the name of the urban. How to imagine comparatively amongst differences that remain different, individualised outcomes, but yet exist in-common. No book has so carefully conducted a specifically urban philosophy on these matters, capable of beginning and ending anywhere.’ AbdouMaliq Simone, Senior Research Fellow, Urban Institute, University of Sheffield The rapid pace and changing nature of twenty-first century urbanisation as well as the diversity of global urban experiences calls for new theories and new methodologies in urban studies. In Comparative Urbanism: Tactics for Global Urban Studies, Jennifer Robinson proposes grounds for reformatting comparative urban practice and offers a wide range of tactics for researching global urban experiences. The focus is on inventing new concepts as well as revising existing approaches. Inspired by postcolonial and decolonial critiques of urban studies she advocates for an experimental comparative urbanism, open to learning from different urban experiences and to expanding conversations amongst urban scholars across the globe. The book features a wealth of examples of comparative urban research, concerned with many dimensions of urban life. A range of theoretical and philosophical approaches ground an understanding of the radical revisability and emergent nature of concepts of the urban. Advanced students, urbanists and scholars will be prompted to compose comparisons which trace the interconnected and relational character of the urban, and to think with the variety of urban experiences and urbanisation processes across the globe, to produce the new insights the twenty-first century urban world demands.

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'In what is the most comprehensive biography of the group to date, Browne compiles a fun and fast-paced music history.... an authoritative chronicle.' --Publishers WeeklyThe first and most complete narrative biography of Crosby, Stills, Nash and Young, by acclaimed music journalist and Rolling Stone senior writer David Browne Even in the larger-than-life world of rock and roll, it was hard to imagine four more different men. David Crosby, the opinionated hippie guru. Stephen Stills, the perpetually driven musician. Graham Nash, the tactful pop craftsman. Neil Young, the creatively restless loner. But together, few groups were as in sync with their times as Crosby, Stills, Nash and Young. Starting with the original trio's landmark 1969 debut album, the group embodied much about its era: communal musicmaking, protest songs that took on the establishment and Richard Nixon, and liberal attitudes toward partners and lifestyles. Their group or individual songs--'Wooden Ships,' 'Suite: Judy Blue Eyes,' 'After the Gold Rush,' 'For What It's Worth' (with Stills and Young's Buffalo Springfield), 'Love the One You're With,' 'Long Time Gone,' 'Just a Song Before I Go,' 'Southern Cross'--became the soundtrack of a generation. But their story would rarely be as harmonious as their legendary and influential vocal blend. In the years that followed, these four volatile men would continually break up, reunite, and disband again--all against a backdrop of social and musical change, recurring disagreements and jealousies, and self-destructive tendencies that threatened to cripple them both as a group and as individuals. In Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup, longtime music journalist and Rolling Stone writer David Browne presents the ultimate deep dive into rock and roll's most musical and turbulent brotherhood on the occasion of its 50th anniversary. Featuring exclusive interviews with David Crosby and Graham Nash along with band members, colleagues, fellow superstars, former managers, employees, and lovers-and with access to unreleased music and documents--Browne takes readers backstage and onstage, into the musicians' homes, recording studios, and psyches, to chronicle the creative and psychological ties that have bound these men together--and sometimes torn them apart. This is the sweeping story of rock's longest-running, most dysfunctional, yet pre-eminent musical family, delivered with the epic feel their story rightly deserves.

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The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by.Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse."Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts," Wade shows how a single artist can make a difference within a democracy.Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.

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