Search results for ""Author Paul"

In 1968, Conn Curran summed up his life-long companionship with Joyce, including the 1904 photograph he took of his friend in his family's back garden. With this re-issue of Curran's book, another group of University College Dubliners takes a new look at his work, delving into the Curran-Laird collection at the James Joyce Library. Side by side with Joyce, Curran, arts critic, and Helen Laird Curran, his activist partner, come into clearer view; writer-critic adventurers Padraic and Mary Maguire Colum return again; savant Paul Leon, in Paris, takes his place too. The literary, cultural, and political context widens: the Irish wars, erupting again in 1922 as Ulysses begins circulating; the Paris-Dublin rescue operation of this group's papers at Joyce's death, suspended - and accomplished - in this time of violence. The 2022 collective edition offers an uncommon picture of this inventive and committed cohort, their work, and their worlds. With essays by Hugh Campbell, Diarmaid Ferriter, Anne Fogarty, Margaret Kelleher and Helen Solterer. The UCD Curran-Laird collection presented by Eugene Roche and Evelyn Flanagan. This is a full colour, highly illustrated book with special edition design features throughout.

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This volume explores in detail the theme of change within the major political traditions of Ireland. It adopts a dual approach, in which a set of leading politicians examines the theme of change within particular traditions, followed by a corresponding set of contributions from academic observers. Change has been especially marked in the constitutional nationalist tradition within Northern Ireland, which is examined from different perspectives by Alban Maginess and Jennifer Todd. It has been even more pronounced in the republican tradition, however, which is discussed from the standpoints of politician and academic commentator by Mitchel McLaughlin and Paul Arthur. Two strands of unionism are analysed using the same formula. Thus Dermot Nesbit and Richard English focus on the complex and fascinating pattern of change within Ulster unionism. Then the even more remarkable shift in direction within militant loyalism is assessed by one of its main architects, David Ervine, and by academic analyst James McAuley. Finally, Desmond O'Malley and Tom Garvin examine the pattern of change in the south. John Coakley provides a detailed introduction to constitutional innovation and political change in 20th-century Ireland, and the appendix contains selected political documents outlining the various perspectives on the future of Northern Ireland.

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2023 Selah Awards Finalist She's always longed for more, but what if the path she's chosen requires more than she's willing to give? Aya, daughter of Zebulun of Tarsus, does not want a traditional life. After years of being overshadowed by her brilliant brother Sha'ul, she wants a chance to use her own gifts beyond being a wife and mother. When her father insists that she marry a Torah student, she reluctantly agrees. A dedicated scholar, Sha'ul, or Paul, returns to Tarsus to follow the instructions of the Law and wed the woman his father has chosen to raise his profile and help him earn a seat on the Great Sanhedrin--the highest religious court in the land. But when the Nazarene, Yeshua, and his followers bring trouble to the Holy City, Sha'ul will stop at nothing to silence them. After moving to Jerusalem with her husband, Aya expects to be bored in her role as wife to a Torah student. Instead, she finds herself fascinated by his studies. Then her brother makes a life-altering decision, and she must face a troubling question: Can she remain true to her beliefs and still love her blasphemous brother?

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A delicious, sharp novel about a woman who jets off to France after her perfect marriage collapses, putting the broken pieces of herself back together while rediscovering her own joie de vivre – a lust for life, art, and steamy sex.Sophie Bloom's forty-second birthday promises a night of celebration with Gabe, her devoted husband, and her two besties and their spouses. Dinner is served with a side of delicious gossip: after a secret dating site for married and committed couples was hacked, thirty-two million cheaters worldwide have been exposed... including Sophie's 'perfect' husband.Humiliated and directionless, Sophie flees to Paris, where her teenage daughter is studying abroad and nursing her own heartbreak. Heading further south to the artist enclave of Saint-Paul-de-Vence, Sophie begins to acknowledge her own desires and rediscover her essence with painful honesty and humour, reawakening both her sensuality and ambitions as a sculptor.Surrounded by the postcard beauty of Provence, Sophie Bloom is determined to blossom. As she allows her true self to emerge, Sophie must decide what is broken forever... and what it means to be truly unbreakable.

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Autobiography of champion jockey and much-loved sports personality Ruby Walsh.A much-loved sports personality throughout Ireland and Great Britain, Ruby has had a career of outstanding success, which includes having won all four of the home Grand Nationals. This new edition brings his story right up-to-date to include all of the races over the busy Christmas period as well as last year's astonishing triumph against the odds. With many doubting that he could be race-fit following a broken leg in November 2010, Ruby competed at Cheltenham Festival in March 2011 and won five races, finishing as the leading jockey.Ruby also talks openly about the three key working relationships in his life - with Paul Nicholls, Willie Mullins and his father, the legendary Ted Walsh - as well as laying bare the relationship that exists between him and jockey Tony McCoy - both great friends and professional rivals. With his intimate knowledge of the two greatest horses of our time, he also provides valuable insight into what it is like to ride Kauto Star and Denman. Ruby charts the rise of an immensely talented and unstoppable force in the world of sport.

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Simone Weil, the great mystic and philosopher for our age, shows where anyone can find God.Why is it that Simone Weil, with her short, troubled life and confounding insights into faith and doubt, continues to speak to today’s spiritual seekers? Was it her social radicalism, which led her to renounce privilege? Her ambivalence toward institutional religion? Her combination of philosophical rigor with the ardor of a mystic?Albert Camus called Simone Weil “the only great spirit of our time.” André Gide found her “the most truly spiritual writer of this century.” Her intense life and profound writings have influenced people as diverse as T. S. Eliot, Charles De Gaulle, Pope Paul VI, and Adrienne Rich.The body of work she left—most of it published posthumously—is the fruit of an anguished but ultimately luminous spiritual journey.After her untimely death at age thirty-four, Simone Weil quickly achieved legendary status among a whole generation of thinkers. Her radical idealism offered a corrective to consumer culture. But more importantly, she pointed the way, especially for those outside institutional religion, to encounter the love of God – in love to neighbor, love of beauty, and even in suffering.

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Tell Me No Lies is a celebration of the very best investigative journalism, and includes writing by some of the greatest practitioners of the craft: Seymour Hersh on the My Lai massacre; Paul Foot on the Lockerbie cover-up; Wilfred Burchett, the first Westerner to enter Hiroshima following the atomic bombing; Israeli journalist Amira Hass, reporting from the Gaza Strip in the 1990s; Gunter Wallraff, the great German undercover reporter; Jessica Mitford on 'The American Way of Death'; Martha Gelhorn on the liberation of the death camp at Dachau. The book - a selection of articles, broadcasts and books extracts that revealed important and disturbing truths - ranges from across many of the critical events, scandals and struggles of the past fifty years. Along the way it bears witness to epic injustices committed against the peoples of Vietnam, Cambodia, East Timor and Palestine. John Pilger sets each piece of reporting in its context and introduces the collection with a passionate essay arguing that the kind of journalism he celebrates here is being subverted by the very forces that ought to be its enemy. Taken as a whole, the book tells an extraordinary 'secret history' of the modern era. It is also a call to arms to journalists everywhere - before it is too late.

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An exciting, fresh look at one of the most important questions of medieval scholarship - the decline of serfdom and its implications. Scholars from various disciplines have long debated why western Europe in general, and England in particular, led the transition from feudalism to capitalism. The decline of serfdom between c.1300 and c.1500 in England is centralto this "Transition Debate", because it transformed the lives of ordinary people and opened up the markets in land and labour. Yet, despite its historical importance, there has been no major survey or reassessment of decline of serfdom for decades. Consequently, the debate over its causes, and its legacy to early modern England, remains unresolved. This dazzling study provides an accessible and up-to-date survey of the decline of serfdom in England, applying a new methodology for establishing both its chronology and causes to thousands of court rolls from 38 manors located across the south Midlands and East Anglia. It presents a ground-breaking reassessment, challenging many of the traditional interpretations of the economy and society of late-medieval England, and, indeed, of the very nature of serfdom itself. Mark Bailey is High Master of St Paul's School, and Professor of Later Medieval History at the University of East Anglia. He has published extensively on the economic and social history of England between c.1200 and c.1500, including Medieval Suffolk (2007).

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‘Brilliant. Each story takes us into a new world but the collection is bound together by a unified sensibility and a belief in the power of adaptability.’ Michael Billington ‘A fox could be a shape-shifter, a spirit being. It could appear in human form if this suited its purposes; it could come and go as it pleased, play tricks, lead men astray.’ In Hackney, gigging filmmaker Nina has a fox problem in her garden. Actress Holly is implicated in the fallout of a scandal. Paul, an English tutor, gets too close to an oligarch. And Sebastian, a freelance journalist, hides a devastating secret. Portraying the young and mobile in a world of hustle, In the Time of Foxes takes the fox as its spirit animal. Gritty and surprising, the stories range from London to Spain, Moscow to Hong Kong, revealing the shapeshifting that goes on in modern life. Showing the short story collection at its most compelling and rewarding, In the Time of Foxes is deeply insightful about the times in which we live. It introduces Jo Lennan as an irresistible new storyteller. ‘A commanding debut.’The Sunday Times New Zealand ‘Lennan is a master at creating worlds. Above all, she is able to make the small details stick.’ The Saturday Paper ‘Stunning.’Australian Book Review ‘A writer to watch.’ The Australian ‘Lennan crafts each story as a complete world … an assured debut.’ Sydney Morning Herald

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What is poetry? Often it is understood as a largely self-enclosed verbal system - "suspended from any mutual interaction with alien discourse," in the words of Mikhail Bakhtin. But in Poetry and Its Others, Jahan Ramazani reveals modern and contemporary poetry's animated dialogue with other genres and discourses. Poetry generates rich new possibilities, he argues, by absorbing and contending with its near verbal relatives. Exploring poetry's vibrant exchanges with other forms of writing, Ramazani shows how poetry assimilates features of prose fiction but differentiates itself from novelistic realism; metabolizes aspects of theory and philosophy but refuses their abstract procedures; and recognizes itself in the verbal precision of the law even as it separates itself from the law's rationalism. But poetry's most frequent interlocutors, he demonstrates, are news, prayer, and song. Poets such as William Carlos Williams and W. H. Auden refashioned poetry to absorb the news while expanding its contexts; T. S. Eliot and Charles Wright drew on the intimacy of prayer though resisting its limits; and Paul Muldoon, Rae Armantrout, and Patience Agbabi have played with and against song lyrics and techniques. Encompassing a cultural and stylistic range of writing unsurpassed by other studies of poetry, Poetry and Its Others shows that we understand what poetry is by examining its interplay with what it is not.

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In Statu Nascendi is a peer-reviewed journal that aspires to be a world-class scholarly platform encompassing original academic research dedicated to the circle of Political Philosophy, Cultural Studies, Theory of International Relations, Foreign Policy, and the political Decision-making process. The journal investigates specific issues through a socio-cultural, philosophical, and anthropological approach to raise a new type of civic awareness about the complexity of contemporary crisis, instability, and warfare situations, where the stage-of-becoming plays a vital role. Issue 2020:1 comprises, amongst others, the following interviews & articles: Zoran Kojcic & Piotr Pietrzak: Interview with Dr. Zoran Kojcic on his unique form of philosophical counselling. Dimitris M. Moschos: Paul Tillich's Critical and Political Theology and his Critique of Modernity. Venera Russo: The Phenomenology of Women. On Female Discourse in Julia Kristeva's and Simone de Beauvoir's work. Venera Russo: Cross-language Relation. The Implications of Relativity in Translation and vice versa. Anastasia Pranindita & Anak Agung Banyu Perwita: The Republic of Korea United States of Americas Strategic Patience: A counter measurement of the Alliance in Responding to Democratic Peoples Republic of Korea Nuclear Development Program (2013 2017). Eliza Campbell: Dueling with Disinformation: Disinformation and Information and Communication Technologies in the Middle East. Piotr Pietrzak: How would Realists Interpret People Republic of China's wish to cultivate the image of a responsible great power?

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In this invaluable and thought-provoking book, Vladimir Belogolovsky reflects on nearly 20 years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito, Glenn Murcutt, Renzo Piano, Moshe Safdie, Ric Scofido, Richard Serra, Frank Stella, Michael Sorkin, Stanley Tigerman, Bernard Tschumi, Lin Utzon, Massimo Vignelli, Madelon Vriesendorp, and so many others. He exposes the complexity of their thought processes, while comparing and contrasting them to one another to distill more than 101 ideas. His engaging narrative captures the stories behind every project and every personality while exploring many important questions, including what makes a building architecture? How would a Futurist solve problems vs those whose focus is on nostalgia? The selection of interviews gathers many answers and intentions, but inevitably, also many more questions. Imagine Buildings Floating Like Clouds represents a diverse group of multitalented, creative people who work in disparate places culturally and climatically and came of age in very different times—from the revolutionary 1960s to our own time, when the future, for many, is being more feared than desired.

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The man Barron's dubbed "the ultimate Wall Street pro" returns witha stunning follow-up to his bestselling Trader Vic--Methods of aWall Street Master ("The best investment book of 1992"--The StockTrader's Almanac). Take an advanced class in his patented tradingand investment philosophy and learn how the master makes betterinvestment decisions . . . deciphers economic theories and usesthem to predict investment outcomes . . . cuts through the lies,fallacies, and distortions that muddle and confound trading andinvestment decision making . . . and much more! What the experts said about Trader Vic--Methods of a Wall StreetMaster . . . "Victor Sperandeo is gifted with one of the finest minds I know. Nowonder he's compiled such an amazing record of success as a moneymanager. Every investor can benefit from the wisdom he offers inhis new book. Don't miss it!" --Paul Tudor Jones, Tudor InvestmentCorporation. "Here's a simple review in three steps: 1. Buy this book! 2. Readthis book! 3. See step 2. For those who can't take a hint, VictorSperandeo with T. Sullivan Brown has written a gem, a book of valuefor everyone in the markets, whether egghead, novice, or seasonedspeculator." --John Sweeney, Technical Analysis of Stocks andCommodities. "Get Trader Vic--Methods of a Wall Street Master by VictorSperandeo, read it over and over and you'll never have a losingyear again." --Yale Hirsch, Smart Money.

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A penetrating inquiry into the motives, moral dilemmas, and compromises of Walter Gropius, Emil Nolde, and other celebrated artists who chose to remain in Nazi Germany “What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?” Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany’s darkest period, Petropoulos shows how individuals variously dealt with the regime’s public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Gründgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions.

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But before Whitesnake-and life on the road with former Deep Purple singer David Coverdale-became a chaotic reality, Moody had already formed a teenaged band with Free's Paul Rodgers, played with Juicy Lucy, been a founder member of Snafu and worked as an in-demand session musician. This saw him play with performers whose egos, neuroses-and, in some cases, supreme talent-led to some memorable encounters, giving him the opportunity to contribute, with some gusto, to the hedonism of the Seventies. His musical footprint has been nothing short of epic. But how did such a party-loving, excess-fueled outfit as Whitesnake conquer the mighty world of hard rock-and at what cost? Outrageous stories about catastrophic narcotic mix-ups and infamous groupies come as thick and fast as the band's musical output itself. However, with success comes a price, and as global domination, commercial success and late-night carousing began to give way to suspicion, greed and the repercussions of excess on the road, serious fallout was inevitable. In his memoirSnakes and Ladders, Micky relates his musical odyssey with fondness and a wry sense of humour. From, guitar lessons to guitar hero, this is his story of climbing the ladder-and surviving the 'Snake.

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Invisible Genealogies is a landmark reinterpretation of the history of anthropology in North America. During the past two decades, theorizing by many American anthropologists has called for an "experimental moment" grounded in explicit self-reflexive scholarship and experimentation with alternate forms of presentation. Such postmodern anthropology has effectively downplayed connections with past luminaries in the field, whose scholarship is perceived to be uncomfortably colonialist and nonreflexive. Ironically, as the American Anthropological Association nears its one hundredth anniversary and interest in the history of the discipline is at an all-time high, that history has been effectively presented as removed from and irrelevant to the new generation. Invisible Genealogies offers an alternative, compelling vision of the development of anthropology in North America, one that emphasizes continuity rather than discontinuity from legendary founder Franz Boas to the present. Regna Darnell identifies key interpretive assumptions and practices that have persisted, sometimes in modified form, since the groundbreaking work of A. L. Kroeber, Boas, Ruth Benedict, Edward Sapir, Elsie Clews Parsons, Paul Radin, Benjamin Lee Whorf, and A. Irving Hallowell during the founding decades of anthropology. Also highlighted are the Americanist roots of postmodern anthropology and the work of innovative recent scholars like Claude Lévi-Strauss and Clifford Geertz.

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In Radical Utopianism and Cultural Studies, John Storey looks at the concept of utopianism from a cultural studies perspective and argues that radical utopianism can awaken the political promise of cultural studies. Between the Preface and the Postscript, there are seven chapters that explore different aspects of radical utopianism. The book begins with a definition of what radical utopianism means, with its productive combination of defamiliarization and desire. From there, it considers Thomas More’s invention of the concept of utopia with its double articulation of what is and what could be, Herbert Marcuse’s utopian rereading of Sigmund Freud’s concept of repression, Gerrard Winstanley and the Diggers, the Paris Commune, and the Haight-Ashbury counterculture. In the final chapter, Storey examines two versions of utopian capitalism: retro and post. Although the main focus here is on Donald Trump’s presidential election campaign and Paul Mason’s recent bestseller Postcapitalism, the chaper begins with a brief discussion of Karl Marx on capitalism. Each chapter, in a different way, argues that radical utopianism defamiliarizes the manufactured naturalness of the here and now, making it conceivable to believe that another world is possible.This book provides an ideal introduction to utopianism for students of cultural studies as well as students within a number of related disciplines such as sociology, literature, history, politics, and media studies.

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This is a stunning tour through eight centuries of manuscript illumination. Known for their stunning displays of artistry and technique, Italian illuminated manuscripts have long been coveted by collection around the world. The J. Paul Getty Museum holds the most recently formed institutional collection of its kind in the United States, yet it spans more than eight centuries and reflects many of the extraordinary achievements of the Italian tradition. Made up of whole manuscripts as well as leaves and cuttings, the Getty collection of Italian illumination contains nearly sixty works and includes the Montecassino Breviary, the Ferrarese Gualenghi-d'Este Hours, and the Roman gradual illuminated by Antonio da Monza for Santa Maria in Aracoeli. Other important acquisitions are one of the finest Bolognese Bibles of the thirteenth century; three leaves from the Laudario of Sant'Agnese, the most ambitious Florentine manuscript from the first half of the fourteenth century; and a missal once owned by the antipope John XXIII. This beautifully illustrated volume presents many splendid examples of Italian painting and illumination. Some are by noted artists such as Girolamo da Cremona, Pacino de Bonaguida, and Pisanello; others are attributed to artists known only by their works, such as the Master of Gerona, who is credited with one of the finest miniatures in the collection.

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London, 1716. Revenge is a dish best served ice-cold…’An immersive, action-packed thriller with intrigue in the air and threats around every corner’ The Herald’Great fun ... the language is colourful and the action never stops’ Laura Shepherd-RobinsonThe city is caught in the vice-like grip of a savage winter. Even the Thames has frozen over. But for Jonas Flynt – thief, gambler, killer – the chilling elements are the least of his worries…Justice Geoffrey Dumont has been found dead at the base of St Paul’s cathedral, and a young male sex-worker, Sam Yates, has been taken into custody for the murder. Yates denies all charges, claiming he had received a message to meet the judge at the exact time of death.The young man is a friend of courtesan Belle St Clair, and she asks Flynt to investigate. As Sam endures the horrors of Newgate prison, they must do everything in their power to uncover the truth and save an innocent life, before the bodies begin to pile up.But time is running out. And the gallows are beckoning...A totally enrapturing portrayal of eighteenth-century London, and a rapier-like crime thriller, perfect for fans of Laura Shepherd-Robinson, Antonia Hodgson and Ambrose Parry.

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Join Katie as she steps into some of the most famous paintings in the world for an exciting art adventure! On a hot, sunny day, a painting of some bathers in a cool river proves too tempting for Katie, and so she dives straight into the picture! But Katie doesn't just cause a splash - she causes a flood! Paddling with new friends might be fun, but how will Katie stop the water pouring into the gallery?'A wonderful way to engage children with art. A brilliant combination of education and storytelling' - Parents in Touch (Katie's Picture Show)This first introduction to Pointillism features five great masterpieces: Bathers at Asnieres, Sunday Afternoon on the Island of La Grande Jatte and Port of Honfleur by Georges Seurat, Woman Hanging up the Washing by Camille Pissarro and Portrait of Felix Feneon by Paul Signac.Classic picture book character, Katie, has been delighting children for over 25 years. Why not collect all 13 titles in the series?Katie's Picture ShowKatie and the ImpressionistsKatie and the Mona LisaKatie and the SunflowersKatie and the British ArtistsKatie and the Waterlily PondKatie and the Starry NightKatie and the Spanish PrincessKatie in LondonKatie's London ChristmasKatie in ScotlandKatie and the Dinosaurs

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The Posthuman is the new paradigm of architecture. Encompassing related topics such as the post-Anthropocene, more-than-human, non-human, trans-human, anti-human and meta-human, this AD presents a synthesis of the architectural Posthuman. Proliferating and diversifying, the Posthuman is now as planetary as it is everyday, and as disruptive, contested and contradictory as it is sublime. From the detail to the interplanetary, and from real and fictional designs and spaces to more proleptic universe-building futures, the issue describes and speculates on these spectacular and shocking new species. It envisions the Posthuman through the array of emerging technologies, and features original contributions from academics, professionals, design studios and related disciplines and domains. These new spaces include the full electromagnetic spectrum and present new entanglements of Posthuman theories and technologies. Contributors: Mario Carpo; Paul Dobraszczyk; Alberto Fernandez; Ariane Harrison; Sandra Häuplik-Meusburger and Olga Bannova; Steven Hutt; Xavier de Kestelier, Levent Ozruh and Jonathan Irwan; Sylvia Lavin; Jacopo Leveratto; Tyson Hosmer, Roberto Bottazzi and Mollie Claypool; Colbey Reid and Dennis Weiss; Andrew Witt; and Brent Sherwood. Featured designers and architects: Blue Origin, Christian Rex van Minnen, Harrison Atelier, and Hassell.

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Studies of one of the foremost 20c Austrian writers, as a critic and as a novelist and dramatist. The Austrian novelist Hermann Broch ranks with Kafka and Musil among the three greatest 20th-century Austrian novelists and belongs to the century's most gifted novelists in German from whatever country. He established his reputation with The Sleepwalkers, a trilogy of political and philosophical novels. His best-known work is The Death of Virgil, a long, challenging work in a lyrical, exuberant, and sometimes nearly incomprehensible style, akind of cerebral stream-of-consciousness of the dying Virgil. Broch also wrote extensively about modern art and architecture, Hofmannsthal, and mass psychology. He has a special connection to Yale, as he lived the last years of his life there after having escaped Austria in 1938. The participants in the Yale Symposium of April 2001 are among the world's most prominent Broch scholars. Fourteen of their presentations have been extensively revised for this volume, which focuses on Broch as critic and as novelist and dramatist. Topics include Broch's views on kitsch and art, and on drama; his cultural criticism; his cooperation with Borgese and Arendt; his theory of mass psychology; history in his works, Ernst Kretschmer's influence on him; Virgil and Celan's Atemwende; Jean Starr Untermeyer's translation of Virgil; guilt and the fall in Those without Guilt; and Broch reception in Japan. Paul Michael Lützeler is Distinguished University Professor of German at Washington University St. Louis and editor of Broch's collected works. MATTHIAS KONZETT is associate professor of German at Yale; WILLY RIEMER is associate professor of German at the University of Delaware, and CHRISTA SAMMONS is curator of the German collections of the Beinecke Library at Yale.

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Featuring interviews with nineteen leading U.S. literary and cultural critics, Critics at Work offers a unique picture of recent developments in literary studies, critical theory, American studies, gay and lesbian studies, philosophy, and other fields. It provides informative, timely, and often provocative commentary on a broad range of topics, from the state of theory today and the prospects for cultural studies to the role of public intellectuals and the place of political activism. These conversations also elicit illuminating and sometimes surprising insights into the personal and professional lives of its contributors. Individually, each interview gives a significant overview of a critic's work. Taken together, they provide an assessment of literary and cultural studies from the establishment of theory and its diffusion, in recent years, into various cultural and identity studies. In addition to the interviews themselves, the volume includes useful short introductions to each critic's work and biography. Interviewees: K. Anthony Appiah, Lauren Berlant, Cathy Davidson, Morris Dickstein, Stanley Fish, Barbara Foley, Nancy Fraser, Gerald Graff, Alice Kaplan, E. Ann Kaplan, Robin D.G. Kelley, Paul Lauter, Louis Menand, Richard Ohmann, Andrew Ross, Eve Kosofsky Sedgwick, Jane Tompkins, Marianna Torgovnick, and Alan Wald.

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The Corncrake's Welcome continues the story of William Hanna’s family, introduced in Voyages with my Grandfather. Spanning a hundred years, these memoirs delve into the turbulent birth of Northern Ireland, wartime Belfast, and the 1960s, when Hanna was growing up in Windsor Manse, next to the Presbyterian Church where his father was the Minister. Join the young boy, enthralled by both the orange sashes of Belfast and the green rugby jerseys of Dublin. See the teenager confronted by the Troubles, beginning to question his religious and national inheritance. Follow Hanna’s coming-of-age journey, from Ireland to Scotland, Switzerland, and France, and watch him set out on a diplomatic career in Dublin and in Brussels. Share his joy and sorrow when he returns to Ireland, after many years serving as EU Ambassador around the world; recalls his father’s historic meeting with Pope John Paul II; and makes poignant discoveries about events a century ago. Praise for Voyages with my Grandfather: ‘Beautifully written. Very moving’ Alexander McCall Smith ‘Extraordinary insight into life of Northern Ireland Presbyterians’ Gail Walker, Belfast Telegraph ‘Wonderful book. A remarkable family story very well told’ Sir Jonathan Faull

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David Clarke, winner of the Michael Marks Poetry Award 2013, returns with his second collection, The Europeans. Simultaneously close to home and looking outward beyond these shores, these wry and perceptive poems revel with form and encompass journeys, ideas of nationhood and national identity, and the optimism of a time when Europe and the UK enjoyed a quite different entente cordiale. They are a warning against nostalgia, a lucid and prescient exploration of how we see ourselves and how we are seen."A document for our times. A protest against bigotry and smuggery. A thesis for open borders and equality. In its cumulative effect, The Europeans is a comparative cultural analysis, a social satire and political commentary, a portrait of us and them, here and there, home and away." Paul Stephenson "Clarke’s authoritative new collection offers profound pleasures, and deepening regrets, in a poetic continent where every reader must confront ‘your own untruth’. The Europeans is certainly a book for the present. It is also a book for our uncertain future." - Alison Brackenbury"It includes the best gathering of found Brexit similes I expect to see in my lifetime, and a poem on stately homes that needs to be broadcast before every re-run of Downton Abbey. With targeted humour, an eye for the mobile and the sedentary, repurposing the mundane, David Clarke takes us to estates of all kinds, to both Leeds Central and Milano Centrale."– Alistair Noon

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At a time when "sexy" can be an adjective for anything, when sexual awareness is declared to be advancing faster in months than in the past half century, and when pundits warn of sexual overload, the actual representation of sex is still deemed confrontational, aggressive, "in your face." While critics accuse the academy of an obsession with sexuality, they also complain that nothing that appears to refer to sex really does. In readings ranging across film, drama, opera, fine art, and critical theory, Mandy Merck considers these phenomena as well as the role of the dog in anti-porn propaganda, the unacknowledged significance of the lesbian hand, and the early retirement of the phallus. Other topics include the relationship of women's tennis and prostitution, the gendering of the wild and the tame in the age of AIDS, and the sexlessness of postmodern criticism. In Your Face ends with the face and its alleged desecration by fellatio. Germaine Greer's condemnation of Bill Clinton for "fucking the faces of little girls" is examined in the light of one of Monica Lewinsky's endearments for the President--"fuckface." In a country whose last great Presidential scandal revolved around a key witness known only as "Deep Throat" and whose current Chief Executive works in the "Oral Office," giving head is going down in history. Analyzing the strange relationship of Linda Lovelace, Camille Paglia, and Paul de Man, In Your Face concludes by considering desire and disgust in high and low places.

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Jean-Paul Sartre's famous question, "For whom do we write?" strikes close to home for francophone writers from the Maghreb. Do these writers address their compatriots, many of whom are illiterate or read no French, or a broader audience beyond Algeria, Morocco, and Tunisia? In Experimental Nations, Reda Bensmaia argues powerfully against the tendency to view their works not as literary creations worth considering for their innovative style or language but as "ethnographic" texts and to appraise them only against the "French literary canon." He casts fresh light on the original literary strategies many such writers have deployed to reappropriate their cultural heritage and "reconfigure" their nations in the decades since colonialism. Tracing the move from the anticolonial, nationalist, and arabist literature of the early years to the relative cosmopolitanism and diversity of Maghrebi francophone literature today, Bensmaia draws on contemporary literary and postcolonial theory to "deterritorialize" its study. Whether in Assia Djebar's novels and films, Abdelkebir Khatabi's prose poems or critical essays, or the novels of Nabile Fares, Abdelwahab Meddeb, or Mouloud Feraoun, he raises the veil that hides the intrinsic richness of these artists' works from the eyes of even an attentive audience. Bensmaia shows us how such Maghrebi writers have opened their nations as territories to rediscover and stake out, to invent, while creating a new language. In presenting this masterful account of "virtual" but veritable nations, he sets forth a new and fertile topography for francophone literature.

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Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of the geographical entity into which they had been born: in 1918, the empire was dissolved overnight, leaving Austria a small, fragile republic that would last only twenty years before being annexed by Hitler's Third Reich. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of Vienna and other former Habsburg territories--an "Austro-Modernism" that produced a major body of drama, fiction, poetry, and autobiography. Perloff explores works ranging from Karl Kraus's drama The Last Days of Mankind and Elias Canetti's memoir The Tongue Set Free to Ludwig Wittgenstein's notebooks and Paul Celan's lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers.

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A New York Public Library Best Book of 2017Perfect for aspiring coders everywhere, Girl Code is the story of two teenage tech phenoms who met at Girls Who Code summer camp, teamed up to create a viral video game, and ended up becoming world famous. The book also includes bonus content to help you start coding! Fans of funny and inspiring books like Maya Van Wagenen’s Popular and Caroline Paul’s Gutsy Girl will love hearing about Andrea “Andy” Gonzales and Sophie Houser’s journey from average teens to powerhouses.Through the success of their video game, Andy and Sophie got unprecedented access to some of the biggest start-ups and tech companies, and now they’re sharing what they’ve seen. Their video game and their commitment to inspiring young women have been covered by the Huffington Post, Buzzfeed, CNN, Teen Vogue, Jezebel, the Today show, and many more.Get ready for an inside look at the tech industry, the true power of coding, and some of the amazing women who are shaping the world. Andy and Sophie reveal not only what they’ve learned about opportunities in science and technology but also the true value of discovering your own voice and creativity.A Junior Library Guild selectionA Children's Book Council Best STEM Trade Book for Students K-12

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A young African American millennial filmmaker’s funny, sometimes painful, true-life coming-of-age story of trying to make it in New York City—a chronicle of poverty and wealth, creativity and commerce, struggle and insecurity, and the economic and cultural forces intertwined with "the serious, life-threatening process" of gentrification.Making Rent in Bed-Stuy explores the history and sociocultural importance of Bedford-Stuyvesant, Brooklyn’s largest historically black community, through the lens of a coming-of-age young American negro artist living at the dawn of an era in which urban class warfare is politely referred to as gentrification. Bookended by accounts of two different breakups, from a roommate and a lover, both who come from the white American elite, the book oscillates between chapters of urban bildungsroman and a historical examination of some of Bed-Stuy’s most salient aesthetic and political legacies.Filled with personal stories and a vibrant cast of iconoclastic characters— friends and acquaintances such as Spike Lee; Lena Dunham; and Paul MacCleod, who made a living charging $5 for a tour of his extensive Elvis collection—Making Rent in Bed-Stuy poignantly captures what happens when youthful idealism clashes head-on with adult reality.Melding in-depth reportage and personal narrative that investigates the disappointments and ironies of the Obama era, the book describes Brandon Harris’s radicalization, and the things he lost, and gained, along the way.

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Paul Gemignani is one of the titans of the modern musical theater industry. Serving as musical director for more than forty Broadway productions since 1971, his collaborations with Stephen Sondheim, Andrew Lloyd Webber, John Kander, Fred Ebb, Hal Prince, Michael Bennett, and Alan Menken have led to countless accolades for his collaborators, but due to the near invisible position of the musical director in the Broadway industry, Gemignani's story is often overlooked. GEMIGNANI seeks to not only bring the reader into the orchestra pit to learn Gemignani's story, but also to educate the reader about the crucial role a music director plays in bringing some of the most iconic musicals in Broadway history to life.Born into a second-generation Italian American family during the aftershocks of the Great Depression, Gemignani worked his way up from playing percussion in USO bands to conducting before Leonard Bernstein, all before becoming a pivotal player in the team that brought some of the most successful musicals of the late twentieth century to the stage. Sweeney Todd, Evita, Merrily We Roll Along, Sunday in the Park with George, and Into the Woods would be quite different without his key contributions, and many of the sonic markers we now associate with the postmodern musical theater can be traced to Gemignani's careful curiosity to expand the bounds of what was possible.

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Visit the world’s most comprehensive and compelling museum in a single book – the ultimate gallery in your own home Housing the finest art collection ever assembled, this classic format of Phaidon’s bestselling The Art Museum offers the ultimate museum experience without the boundaries of space and time. The rooms and galleries that live within this volume display more than 1,600 artworks, expertly selected from the original collection, including paintings, sculpture, textiles, photographs, installations, performances, videos, prints, ceramics, manuscripts, metalwork, and jewelwork. The artworks included were carefully selected by a team of 28 curators, critics, art historians and artists who contributed their expertise to create this revolutionary 'virtual' museum. These experts came from such institutions as: the Metropolitan Museum of Art, New York; The British Museum, London; the Museum of Fine Art, Boston; the J. Paul Getty Museum, Malibu; the University of California, Berkley; LaTrobe University, Melbourne; the School of African and Oriental Studies, University of London; and the Courtauld Institute of Art, London. Works originate from the Palaeolithic era to the present and come from all around the globe and include both iconic and lesser-known pieces. This extraordinary book takes the reader on a tour around the world and through the ages, presenting the finest examples of human creativity within its covers – a dream museum without the boundaries of walls.

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***ONE OF THE TIMES BEST CRIME BOOKS OF 2021*** *** WINNER OF THE NED KELLY AWARD FOR BEST CRIME NOVEL *** *** THE SUNDAY TIMES CRIME CLUB STAR PICK *** 'A superb chronicler of cop culture' - SUNDAY TIMES 'The greatness of Garry Disher' IAN RANKIN 'The equal of Joseph Wambaugh and James Lee Burke' - THE TIMES ________________________________________ SMALL CRIMES CAN HAVE TERRIBLE CONSEQUENCES Winter in Tiverton, and Constable Paul Hirschhausen has a snowdropper on his patch. Someone is stealing women's underwear, and Hirsch knows how that kind of crime can escalate. Then two calls come in: a child abandoned in a caravan, filthy and starving. And a man on the rampage at the primary school. Hirsch knows how things like that can escalate, too. An absent father who isn't where he's supposed to be; another who flees to the back country armed with a rifle. Families under pressure can break. But it's always a surprise when the killing starts. A hugely atmospheric police procedural set in the dust of the Australian outback. Perfect for readers of Jane Harper, Chris Hammer and Dervla McTiernan. ________________________________________ 'Disher is the gold standard for rural noir' - CHRIS HAMMER 'The Hirsch novels are Disher's finest work' - DOMINIC NOLAN 'This is a book that cannot be praised enough. Read it' - HERALD SUN 'Peter Temple and Garry Disher will be identified as the crime writers who redefined Australian crime fiction' - SYDNEY MORNING HERALD

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The next phase of the DC Universe begins here! Dark Nights: Death Metal presented the darkest threats of the Multiverse. DC Future State revealed what may lie ahead. Now it's time to look into the Infinite Frontier of the present-day DC Universe. When our heroes saved the Multiverse from Perpetua in DARK NIGHTS: DEATH METAL, everything was put back where it belonged...and we do mean everything. All the damage from all the Crises were undone, and heroes long thought gone returned from whatever exile they had been in. Most of them, at least. Alan Scott, the Green Lantern from the Justice Society of America, has noticed some of his allies are still missing in action, and he's determined to find them. There are others, though, who would rather remain hidden than explain themselves, like Roy Harper, a.k.a. Arsenal, a man who should be dead but is not. Plus, what does all this mean for the DCU's place in the Multiverse? On opposite sides of a dimensional divide, both Barry Allen and President Superman ponder this question. Not to mention the Darkseid of it all! Or a team of Multiversal heroes called Justice Incarnate! Includes INFINITE FRONTIER #0-6 and INFINITE FRONTIER: SECRET FILES #1 written by JOSHUA WILLIAMSON (The Flash) with striking art by XERMANICO, JESUS MERINO, PAUL PELLETIER, and more!

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No Man's Land by David Baldacci is an exciting thriller featuring special investigator John Puller, who is pursuing a case that will send him deep into his own troubled past.One man demands justice . . .John Puller is the US Army's most tenacious investigator, but he is not equipped to face the truth about his mother's disappearance thirty years ago. New evidence has come to light suggesting that Puller's father – a highly decorated army veteran – may have murdered his wife.When Puller's friend, intelligence operative Veronica Knox, arrives on the scene, he realizes that there is far more to this case than he first thought. Puller knows that nothing will prevent him from discovering what really happened to his mother – even if it means proving that his father is a killer.. . . the other seeks revengePaul Rogers has just been paroled after spending ten years in a high-security prison for murder. And with his freedom comes a desire to pay back old debts. Harbouring a dark past that changed him in unimaginable ways, Rogers embarks on a journey across the country, set on a path of revenge against the people who took away his humanity.As both men uncover a trail of deception that stretches back decades, they soon realize that the truth will bind them together in ways they could never have imagined.

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Christopher Neve’s classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? ‘Painting’, says Neve, ‘is a process of finding out, and landscape can be its thesis.’ What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 20th-century art, Neve is well equipped for such a journey. Few writers have conveyed more vividly the mixture of motives, emotions, unconscious forces and contradictions which culminate in the creative act of painting. Each of the thirteen chapters has a theme and explores its significance for one or more of the artists. The problem of time, for instance, is considered in relation to Paul Nash, God in relation to David Jones, music to Ivon Hitchens, hysteria to Edward Burra, abstraction to Ben Nicholson, ‘the spirit in the mass’ to David Bomberg. There are also chapters about painters’ ideas on specific types of country: about Eric Ravilious and the chalk landscape, Joan Eardley and the sea, and Cedric Morris and the garden.

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In May and June 1940 almost four million people fled Paris and its suburbs in anticipation of a German invasion. On June 14, the German Army tentatively entered the silent and eerily empty French capital. Without one shot being fired in its defence, the Occupation of Paris had begun. When Paris Went Dark tells the extraordinary story of Germany's capture and Occupation of Paris, Hitler's relationship with the City of Light, and its citizens' attempts at living in an environment that was almost untouched by war, but which had become uncanny overnight. Beginning with the Phoney War and Hitler's first visit to the city, acclaimed literary historian and critic Ronald Rosbottom takes us through the German Army's almost unopposed seizure of Paris, its bureaucratic re-organization of that city, with the aid of collaborationist Frenchmen, and the daily adjustments Parisians had to make to this new oppressive presence. Using memoirs, interviews and published eye-witness accounts, Rosbottom expertly weaves a narrative of daily life for both the Occupier and the Occupied. He shows its effects on the Parisian celebrity circles of Pablo Picasso, Simone de Beauvoir, Colette, Jean Cocteau, and Jean-Paul Sartre, and on the ordinary citizens of its twenty arrondissements. But Paris is the protagonist of this story, and Rosbottom provides us with a template for seeing the City of Light as more than a place of pleasure and beauty.

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In this era of lavish box sets and extravagant vinyl reissues, the sheer economy of Talk Talk's output feels terrific, refreshing and just right. During the group's ten-year lifespan, they released just five studio albums, but in the process, redefined contemporary music and spawned a whole new movement that would come to be known as 'post rock', influencing legions of bands in their wake, including the likes of Elbow, Mogwai and Sigur Ros. Leader Mark Hollis's determination to carry out his musical vision would see the group mutate from a synth-pop/new romantic outfit moulded in the shadow of Duran Duran, into the most determinedly unique and unclassifiable art pop act of the late 20th century. More than 30 years later, the group's astonishing last three albums are still blowing minds and being studiously examined by those who seek to break their mysterious code. This book examines the whole of Talk Talk's oeuvre song by song, telling their bizarre and somewhat unlikely story along the way as we cast light on the essence of the group through their work. While a book on this compelling band necessarily discusses the tortured genius of singer/guitarist/writer Mark Hollis, it also casts light on the surprising apres-Talk Talk careers of foundational members Lee Harris and Paul Webb as well as that of producer/keyboardist Tim Friese-Greene.

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We have all experienced disappointment in relationships. Sometimes we wonder if it's even possible to have enduring, positive relationships in our homes, our work, and our communities.In The Connection Code, trusted Bible teacher O. S. Hawkins digs deep into the biblical book of Philemon to give us a blueprint for building life-giving relationships in every sphere of our lives. This tiny book in the New Testament is a letter the apostle Paul wrote to a wealthy businessman named Philemon on behalf of his escaped bond servant, Onesimus. Containing only 22 sentences, the book of Philemon unlocks the code to forging interpersonal connections that stand the test of time.With the practical and thoughtful Bible teaching he's known for, Dr. Hawkins reflects on every verse in Philemon in light of our relationships today. Following the style of the bestselling Code Series, The Connection Code explores: The three critical relationships each of us need How to let others know we believe in them Why a win-win perspective is crucial for friendships How true commitment always includes forgiveness Why finding our self-worth in Christ empowers us to love others well If you long for deep, authentic friendships in a superficial world, discover what God's plan has always been for building relationships that last in The Connection Code.

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Social and political change is impossible in the absence of gifted male charismatic leadership—this is the fiction that shaped African American culture throughout the twentieth century. If we understand this, Erica R. Edwards tells us, we will better appreciate the dramatic variations within both the modern black freedom struggle and the black literary tradition.By considering leaders such as Marcus Garvey, Martin Luther King Jr., Malcolm X, and Barack Obama as both historical personages and narrative inventions of contemporary American culture, Edwards brings to the study of black politics the tools of intertextual narrative analysis as well as deconstruction and close reading. Examining a number of literary restagings of black leadership in African American fiction by W. E. B. Du Bois, George Schuyler, Zora Neale Hurston, William Melvin Kelley, Paul Beatty, and Toni Morrison, Edwards demonstrates how African American literature has contested charisma as a structuring fiction of modern black politics. Though recent scholarship has challenged top-down accounts of historical change, the presumption that history is made by gifted men continues to hold sway in American letters and life. This may be, Edwards shows us, because while charisma is a transformative historical phenomenon, it carries an even stronger seductive narrative power that obscures the people and methods that have created social and political shifts.

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Hegel’s Phenomenology of Spirit exerts a unique influence on contemporary philosophy. Major figures from Jacques Derrida and Luce Irigaray to Jean-Paul Sartre and Judith Butler were shaped in large part through their engagement with Hegel’s challenging masterwork. It unfolds a grand narrative of the ways of thinking and acting that comprise human experience. Along the way, Hegel seeks to incorporate all the fundamental structures of human life—from political community to consciousness to selfhood—into a whole that encompasses the total movement of human knowledge and culture.Mary C. Rawlinson offers a critical reading of the Phenomenology of Spirit that exposes three crucial elisions: Hegel’s effacements of sexual difference, human mortality, and literary style. In attempting to arrive at an “absolute knowing” that would transcend all differences, Hegel discounts specificity in each of these areas in favor of a generic subject. Rawlinson turns Hegel’s critique of abstraction against him, showing how his own phenomenological analysis undermines his attempt to master difference. Rawlinson’s critique reveals Hegel’s attempt to erase the difference of his own style, highlighting his images, tropes, and rhetorical strategies. Demonstrating how the power of Hegel’s phenomenological method goes beyond even Hegel’s own project of a pure logic, The Betrayal of Substance is a magisterial rereading of the Phenomenology of Spirit that encompasses crucially overlooked sites of complexity and difference.

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Paper is older than the printing press, and even in its unprinted state it was the great network medium behind the emergence of modern civilization. In the shape of bills, banknotes and accounting books it was indispensible to the economy. As forms and files it was essential to bureaucracy. As letters it became the setting for the invention of the modern soul, and as newsprint it became a stage for politics. In this brilliant new book Lothar Müller describes how paper made its way from China through the Arab world to Europe, where it permeated everyday life in a variety of formats from the thirteenth century onwards, and how the paper technology revolution of the nineteenth century paved the way for the creation of the modern daily press. His key witnesses are the works of Rabelais and Grimmelshausen, Balzac and Herman Melville, James Joyce and Paul Valéry. Müller writes not only about books, however: he also writes about pamphlets, playing cards, papercutting and legal pads. We think we understand the ?Gutenberg era?, but we can understand it better when we explore the world that underpinned it: the paper age. Today, with the proliferation of digital devices, paper may seem to be a residue of the past, but Müller shows that the humble technology of paper is in many ways the most fundamental medium of the modern world.

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Cézanne’s Bathers: Biography and the Erotics of Paint discusses an epochal shift in the representation of sexuality in modern art with the images of nudes made by Paul Cézanne. Cézanne was the first painter of the twentieth century who, through careful study of avant-garde precedents including Manet and Courbet, would transform the material qualities of his art into an erotics of paint—that is to say, an eroticization of medium, of the liquidity of paint and the resistance of the canvas, of the trembling of the contour, of the oiliness of the pigment, and of countless other painterly effects. By dislocating the erotics of his subject from the bodies he depicted and transposing it onto these formal qualities, Cézanne set the stage for the explorations of a number of later artists, including Henri Matisse, who saw in Cézanne the possibilities of the modern painting of the nude. Cézanne’s Bathers: Biography and the Erotics of Paint proposes a new way of reading Cézanne’s biography not simply as a form of myth-making but also as a form of art criticism; at the same time, it proposes a reading of Cézanne’s images of bathers that accounts for their strangenesses and for the pleasures they produce. It is a book that is fiercely engaged with arguments about these paintings that have come before, mining the writings of figures such as Meyer Schapiro, Tamar Garb, and T. J. Clark to discover a new way of looking at these strange works.

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Reinforce and improve your students' quantitative skills with this write-in workbook, which includes exam-style practice questions. · Prepare for the new assessment model with exam-style questions that are broken down to help students understand the question as a whole and the way they will need to tackle it.· Questions are presented in the chronological order of the syllabus, to aid knowledge and understanding of the new course (first exams 2022).· Provides lots of opportunities to practice quantitative skills, techniques and methods with exam-style questions.· Detailed mark schemes are provided to support students' assessment success, from a highly experienced author, IB workshop leader and teacher.· Answers available to download for free: www.hoddereducation.co.uk/ib-extras

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Art and Mourning explores the relationship between creativity and the work of self-mourning in the lives of 20th century artists and thinkers. The role of artistic and creative endeavours is well-known within psychoanalytic circles in helping to heal in the face of personal loss, trauma, and mourning. In this book, Esther Dreifuss-Kattan, a psychoanalyst, art therapist and artist - analyses the work of major modernist and contemporary artists and thinkers through a psychoanalytic lens. In coming to terms with their own mortality, figures like Albert Einstein, Louise Bourgeois, Paul Klee, Eva Hesse and others were able to access previously unknown reserves of creative energy in their late works, as well as a new healing experience of time outside of the continuous temporality of everyday life.Dreifuss-Kattan explores what we can learn about using the creative process to face and work through traumatic and painful experiences of loss. Art and Mourning will inspire psychoanalysts and psychotherapists to understand the power of artistic expression in transforming loss and traumas into perseverance, survival and gain.Art and Mourning offers a new perspective on trauma and will appeal to psychoanalysts and psychotherapists, psychologists, clinical social workers and mental health workers, as well as artists and art historians.

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Why did Hans Memling paint everything in such minute detail? How did Rubens, in just a few brushstrokes, create special effects that Steven Spielberg would envy? And why was the Southern Netherlands the artistic centre of the world for three centuries? From Memling to Rubens: The Golden Age of Flanders tells the story of Flemish art from the 15th, 16th and 17th centuries, as you've never read it before. It's a rollercoaster ride through 300 years of cultural history. Leading the charge are breathtaking masterpieces from the collection of The Phoebus Foundation, unknown gems by the likes of Hans Memling, Quinten Metsys, Peter Paul Rubens and Anthony Van Dyck that plunge you into a world full of folly and sin, fascination and ambition. Along the way you'll bump into dukes and emperors, rich citizens and poor saints, picture galleries like wine cellars, and Antwerp as Hollywood on the Scheldt. This is a stirring tale about the image and its meaning, and the link between culture and society. Above all, it's about us, and about who we are today - as people. Published on the occasion of the exhibition From Memling to Ruben - The Golden Age of Flanders,during Autumn 2020, in the Kadriorg Palace in Tallinn (Estonia).

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As today's preeminent doomsday investor Mark Spitznagel describes his Daoist and roundabout investment approach, “one gains by losing and loses by gaining.” This is Austrian Investing, an archetypal, counterintuitive, and proven approach, gleaned from the 150-year-old Austrian School of economics, that is both timeless and exceedingly timely. In The Dao of Capital, hedge fund manager and tail-hedging pioneer Mark Spitznagel—with one of the top returns on capital of the financial crisis, as well as over a career—takes us on a gripping, circuitous journey from the Chicago trading pits, over the coniferous boreal forests and canonical strategists from Warring States China to Napoleonic Europe to burgeoning industrial America, to the great economic thinkers of late 19th century Austria. We arrive at his central investment methodology of Austrian Investing, where victory comes not from waging the immediate decisive battle, but rather from the roundabout approach of seeking the intermediate positional advantage (what he calls shi), of aiming at the indirect means rather than directly at the ends. The monumental challenge is in seeing time differently, in a whole new intertemporal dimension, one that is so contrary to our wiring. Spitznagel is the first to condense the theories of Ludwig von Mises and his Austrian School of economics into a cohesive and—as Spitznagel has shown—highly effective investment methodology. From identifying the monetary distortions and non-randomness of stock market routs (Spitznagel's bread and butter) to scorned highly-productive assets, in Ron Paul's words from the foreword, Spitznagel “brings Austrian economics from the ivory tower to the investment portfolio.” The Dao of Capital provides a rare and accessible look through the lens of one of today's great investors to discover a profound harmony with the market process—a harmony that is so essential today.

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Nobel Prize winner James Tobin has made outstanding contributions to modern macroeconomics. In this final collection of his work he examines the economic policies of the United States and its relations with other major economies after 1990. In James Tobin's view, the welfare of populations depends uniquely on these policies and it is important to be aware of their impact.This book brings together James Tobin's recent work, both published and unpublished, on finance and globalization, currency crises and bailouts. Emphasis is placed on international economic relations and policies, and on the IMF and World Bank. In particular, economic and monetary relations among nations, exchange rate problems and policies and the 'Tobin Tax' - popular in Europe but much misunderstood - are discussed.Professor Tobin also examines the impact of his earlier work on recent US fiscal policy. The Clinton administration followed a tight fiscal policy leading to budget surpluses, and this enabled Alan Greenspan at the Federal Reserve to follow an 'easy', low interest rate, monetary policy. This mix was advocated back in the 1950s and 1960s by Paul Samuelson and James Tobin. The memo Professor Tobin wrote for the J.F. Kennedy campaign of 1960 is published for the first time. The policy was not applied until 30-35 years later. Presenting a framework for understanding monetary and fiscal policies and how they determine full employment and growth, the book will prove invaluable to students and scholars of macroeconomics, as well as economists wishing to gain an insight into Professor Tobin's unique contribution to economics.

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