Search results for ""Author Fell"

A NEW YORK TIMES BESTSELLER *SELECTED AS ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF 2023*Vividly written and exhaustively researched, Jonathan Eig’s King is the first major biography in decades of the civil rights icon Martin Luther King Jr. – and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family’s origins as well as MLK’s complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became its only modern-day founding father – as well as the nation’s most mourned martyr. In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history’s greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.

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Selected as a Doody's Core Title for 2022!Concise, readable, practical and well-illustrated, the sixth edition of the Handbook of Kidney Transplantation has been thoroughly updated and revised to reflect the most current knowledge and practice in the field. Ideal for physicians, surgeons, fellows, and nurses who manage kidney transplant patients, it covers everything from treatment options for end-stage renal disease to transplantation, post-operative management and transplant immunology, focusing on every key aspect of the clinical practice of kidney transplantation. Includes new chapters on the Allocation of Deceased Donor Organs and Kidney Transplantation in the Developing World, as well as expanded chapters on living donation and immunosuppressive drugs and protocols. Outlines the major concerns surrounding renal transplantation and the most successful approaches to problems arising in short-term and long-term patient care. Covers immunobiology and immunosuppression, as well as surgery, histocompatibility, and short and long-term follow-up. Your book purchase includes a complimentary download of the enhanced eBook for iOS, Android, PC & Mac.Take advantage of these practical features that will improve your eBook experience: The ability to download the eBook on multiple devices at one time — providing a seamless reading experience online or offline Powerful search tools and smart navigation cross-links that allow you to search within this book, or across your entire library of VitalSource eBooks Multiple viewing options that enable you to scale images and text to any size without losing page clarity as well as responsive design The ability to highlight text and add notes with one click

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"For Brooklyn poet Anselm Berrigan, the political arrives in pieces, settling across his sprawling poems like dew or debris. Berrigan has always matched his experimental drive with a personable quality."--Michael Brodeur, Boston Globe "Anselm Berrigan's voice continues be one of the most refreshing in contemporary American poetry." --Virginia Konchan, Galatea Resurrects In Come in Alone, Anselm Berrigan plays with space like a painter with the prosody of a poet. Written as infinitely looping sentences around the page, the poems act as a frame to space, outrunning thought with quickness, openness, humor, and protest. They are simultaneously inviting and impermeable, making familiar language uncanny with every turn around the page. pre-labor stress with all-star fatigue as day glo habit turning exquisite grime into corners Anselm Berrigan is the current poetry editor for the Brooklyn Rail, and co-editor with Alice Notley and Edmund Berrigan of the Collected Poems of Ted Berrigan (U. California, 2005) and the Selected Poems of Ted Berrigan (U. California, 2011). From 2003 to 2007 he was Artistic Director of The Poetry Project at St. Mark's Church, where he also hosted the Wednesday Night Reading Series for four years. He is Co-Chair of Writing at the Milton Avery Graduate School of the Arts interdisciplinary MFA program, and also teaches part-time at Brooklyn College. He was awarded a 2015 Process Space Residency by the Lower Manhattan Cultural Council, and in 2014 he was awarded a Robert Rauschenberg Residency by the Robert Rauschenberg Foundation. He was a New York State Foundation for the Arts fellow in Poetry for 2007, and has received three grants from the Fund for Poetry. He lives in New York City, where he also grew up.

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The latest and greatest in ESPN.com baseball guru Rob Neyer's Big Book series, Legends is a highly entertaining guide to baseball fables that have been handed down through generations.The well-told baseball story has long been a staple for baseball fans. In Rob Neyer's Big Book of Baseball Legends, Neyer breathes new life into both classic and obscure stories throughout twentieth-century baseball—stories that, while engaging on their own, also tell us fascinating things about their main characters and about the sport's incredibly rich history. With his signature style, Rob gets to the heart of every anecdote, working through the particulars with careful research drawn from a variety of primary sources. For each story, he asks: Did this really happen? Did it happen, sort of? Or was the story simply the wild invention of someone's imagination? Among the scores of legends Neyer questions and investigates... -Did an errant Bob Feller pitch really destroy the career of a National League All-Star? -Did Greg Maddux mean to give up a long blast to Jeff Bagwell? -Was Fred Lynn the clutch player he thinks he was? -Did Tommy Lasorda have a direct line to God? -Did Negro Leaguer Gene Benson really knock Indians second baseman Johnny Berardino out of baseball and into General Hospital? -Did Billy Martin really outplay Jackie Robinson every time they met? -Oh, and what about Babe Ruth's “Called Shot”? Rob checks each story, separates the truths from the myths, and places their fascinating characters into the larger historical context. Filled with insider lore and Neyer's sharp wit and insights, this is an exciting addition to a superb series and an essential read for true fans of our national pastime.

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Cantona the legend. Cantona the enigma. Cantona the King. Eric Cantona was at Manchester United for just five years, yet his legacy and influence endure. Over that period, he became the first foreigner to be voted best player by sports journalists, was crowned player of the century by the team’s supporters, and voted the most emblematic player in the Premier League during its opening decade. The Frenchman fascinated both fans of the game and those who knew nothing about football – a hugely popular player who showed mercurial talent on the pitch, but one who remains almost unknown away from it. Claude Boli met Cantona at the very beginning of his playing career in France, when he was a teammate to Boli’s brothers. They shared an apartment, passions for music, literature, art and, of course, football. In 1992 Cantona moved to Manchester, where Boli was studying at the university. They spent virtually all their free time together and Boli attended almost every match Cantona played at Old Trafford, rubbing shoulders with Alex Ferguson, Sir Bobby Charlton, George Best, David Beckham, Roy Keane and others. Boli was there for the aftermath of the infamous kung-fu kick and then the court hearing, to hear Cantona’s thoughts on his fellow players, how the club was run, his relationship with the manager, his hopes and fears. They walked the streets of Manchester together, enjoyed 1990s music and culture together, even learnt the trumpet together and remain close friends to this day. In The King and I Boli gives us unparalleled insight into Cantona the footballer, Cantona the friend, and Cantona the man.

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A study of the British Home Front of the First World War, on a local level, from the perspective of the Lord Lieutenant of Devonshire: the fourth Earl Fortescue. This book is a study of the British Home Front of the First World War, on a local level, from the perspective of the Lord Lieutenant of Devonshire: the fourth Earl Fortescue. As a Lord Lieutenant during the Great War, Hugh Fortescue was a pre-eminent figure in Devon's local elite, to which his involvement with the war effort in the county was significant. This volume considers the wartime experiences of a county's Lord Lieutenant through a presentation ofrecords from Fortescue's private papers. It contains the original typescript that Earl Fortescue wrote in 1924 as a retrospective account of his experiences during the conflict and the diaries that he kept from 1914 to 1918. In particular, the wartime diaries of the fourth Earl Fortescue are a rich, insightful and multifaceted account of Earl Fortescue and the Fortescue family during the war years. Alongside the original typescript and his wartime diaries,this book also presents a selection of documents related to the Great War from the Fortescue family at Castle Hill archive. By presenting these documents from Lord Fortescue, this book raises awareness of his involvement with thewar effort in the county and the momentous challenges that he faced as the Lord Lieutenant of Devon during the First World War. RICHARD BATTEN is an Honorary Research Fellow at the University of Exeter, where he completed a PhD in History. He has contributed to the blog of the Centre of Imperial and Global History at the University of Exeter and was interviewed by BBC Radio Devon in August 2014 and March 2016 as part of the events marking the centenaryperiod of the First World War.

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Eric Dregni’s great-grandfather Ellef fled Norway in 1893 when it was the poorest country in Europe. More than one hundred years later, his great-grandson traveled back to find that—mostly due to oil and natural gas discoveries—it is now the richest. The circumstances of his return were serendipitous, as the notice that Dregni won a Fulbright Fellowship to go there arrived the same week as the knowledge that his wife Katy was pregnant. Braving a birth abroad and benefiting from a remarkably generous health care system, the Dregnis’ family came full circle when their son Eilif was born in Norway. In this cross-cultural memoir, Dregni tells the hair-raising, hilarious, and sometimes poignant stories of his family’s yearlong Norwegian experiment. Among the exploits he details are staying warm in a remote grass-roofed hytte (hut), surviving a dinner of rakfisk (fermented fish) thanks to 80-proof aquavit, and identifying his great-grandfather’s house in the Lusterfjord only to find out it had been crushed by a boulder and then swept away by a river. To subsist on a student stipend, he rides the meat bus to Sweden for cheap salami with a busload of knitting pensioners. A week later, he and his wife travel to the Lofoten Islands and gnaw on klippefisk (dried cod) while cats follow them through the streets. Dregni’s Scandinavian roots do little to prepare him and his family for the year in Trondheim eating herring cakes, obeying the conformist Janteloven (Jante’s law), and enduring the mørketid (dark time). In Cod We Trust is one Minnesota family’s spirited excursion into Scandinavian life. The land of the midnight sun is far stranger than they previously thought, and their encounters show that there is much we can learn from its unique and surprising culture.

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Carter has been kidnapped. Enslaved. But he's determined to fight to the end.Jacob is a pacifist. His family destroyed. He's about to choose the path of violence to reclaim his son.Their world has changed for ever. Between them, they're going to avenge it.Jacob Carnehan has settled down. He's living a comfortable, quiet life, obeying the law and minding his own business while raising his son Carter ... on those occasions when he isn't having to bail him out of one scrape or another. His days of adventure are - thankfully - long behind him.Carter Carnehan is going out of his mind with boredom. He's bored by his humdrum life, frustrated that his father won't live a little, and longs for the bright lights and excitement of anywhere-but-here. He's longing for an opportunity to escape, and test himself against whatever the world has to offer.Carter is going to get his opportunity. He's caught up in a village fight, kidnapped by slavers and, before he knows it, is swept to another land. A lowly slave, surrounded by technology he doesn't understand, his wish has come true: it's him vs. the world. He can try to escape, he can try to lead his fellow slaves, or he can accept the inevitable and try to make the most of the short, brutal existence remaining to him.... unless Jacob gets to him first and, no matter the odds, he intends to. No one kidnaps his son and gets away with it - and if it come to it, he'll force Kings to help him on his way, he'll fight, steal, blackmail and betray his friends in the name of bringing Carter home.Wars will be started. Empires will fall. And the Carnehan family will be reunited, one way or another ...

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Schumann: The Faces and the Masks is a groundbreaking account of a major composer whose life and works have been the subject of intense controversy ever since his attempted suicide and early death in an insane asylum. Schumann was a key figure in the Romanticism which swept Europe and America in the 19th century, inspiring writers, musicians and painters, delighting their enthralled audiences, and reaching to the furthest corners of the world. All the contradictions of his age enter Schumann's works, from the fantastic disguises of his carnival masquerades and his passionate love songs to his great 'Spring' and 'Rhenish' Symphonies. He was intensely original and imaginative, but he also worshipped the past-especially Shakespeare and Byron, Raphael and Michelangelo, Beethoven and Bach. He believed in political, personal and artistic freedom but struggled with the constraints of artistic form. He turned his tumultuous life into music that speaks directly to the heart, losing none of its power with the passage of time. Drawing on hitherto unpublished archive material, Chernaik sheds new light on Schumann's life and music, his sexual escapades, his fathering of an illegitimate child, the true facts behind his courtship of his wife Clara and the opposition of her monstrous father, and the ways in which the crises of his life, his dreams and fantasies, entered his music. Schumann's troubled relations with his fellow-Romantic composers Mendelssohn and Chopin are freshly explored, and the full medical diary kept at Endenich Asylum, long withheld, enables Chernaik to look again at the mystery of Schumann's final illness. Using her wide experience as a scholar of Romanticism and a novelist, Chernaik vividly brings Schumann's world and his extraordinary artistic achievement to life in all its rich complexity.

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Milton Friedman is widely recognized as one of the most influential economists of the twentieth century. Yet no previous study has distilled Friedman’s vast body of writings into an authoritative account of his research, his policy views, and his interventions in public debate. With this ambitious new work, Edward Nelson closes the gap: Milton Friedman and Economic Debate in the United States is the defining narrative on the famed economist, the first to grapple comprehensively with Friedman’s research output, economic framework, and legacy. This two-volume account provides a foundational introduction to Friedman’s role in several major economic debates that took place in the United States between 1932 and 1972. The first volume, which takes the story through 1960, covers the period in which Friedman began and developed his research on monetary policy. It traces Friedman’s thinking from his professional beginnings in the 1930s as a combative young microeconomist, to his wartime years on the staff of the US Treasury, and his emergence in the postwar period as a leading proponent of monetary policy. The second volume covers the years between 1960 and 1972— years that saw the publication of Friedman and Anna Schwartz’s Monetary History of the United States. The book also covers Friedman’s involvement in a number of debates in the 1960s and 1970s, on topics such as unemployment, inflation, consumer protection, and the environment. As a fellow monetary economist, Nelson writes from a unique vantage point, drawing on both his own expertise in monetary analysis and his deep familiarity with Friedman’s writings. Using extensive documentation, the book weaves together Friedman’s research contributions and his engagement in public debate, providing an unparalleled analysis of Friedman’s views on the economic developments of his day.

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In Abundant Earth, Eileen Crist not only documents the rising tide of biodiversity loss, but also lays out the drivers of this wholesale destruction and how we can push past them. Looking beyond the familiar litany of causes--a large and growing human population, rising livestock numbers, expanding economies and international trade, and spreading infrastructures and incursions upon wildlands--she asks the key question: if we know human expansionism is to blame for this ecological crisis, why are we not taking the needed steps to halt our expansionism? Crist argues that to do so would require a two-pronged approach. Scaling down calls upon us to lower the global human population while working within a human-rights framework, to deindustrialize food production, and to localize economies and contract global trade. Pulling back calls upon us to free, restore, reconnect, and rewild vast terrestrial and marine ecosystems. However, the pervasive worldview of human supremacy--the conviction that humans are superior to all other life-forms and entitled to use these life-forms and their habitats--normalizes and promotes humanity's ongoing expansion, undermining our ability to enact these linked strategies and preempt the mounting suffering and dislocation of both humans and nonhumans. Abundant Earth urges us to confront the reality that humanity will not advance by entrenching its domination over the biosphere. On the contrary, we will stagnate in the identity of nature-colonizer and decline into conflict as we vie for natural resources. Instead, we must chart another course, choosing to live in fellowship within the vibrant ecologies of our wild and domestic cohorts, and enfolding human inhabitation within the rich expanse of a biodiverse, living planet.

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In this reflective and enriching memoir, John Tuomey navigates the places and memories of his life over the scope of twenty-five years. First recognised for the urban regeneration of Dublin’s Temple Bar, which included the construction of the Irish Film Institute, the National Photographic Archive and Gallery of Photography, his life in architecture led him to design social and cultural spaces such as the Lyric Theatre in Belfast, the Glucksman Gallery in UCC and the Victoria & Albert East Museum in London. Imbued with many inter-textual references to poetry, drama and literature and written in limpid prose, this memoir is inherently literary in nature. Tuomey looks back to his early life where he was born in Tralee and lived in different counties around Ireland, from small towns to country landscapes, from schooldays in Dundalk to student activism at University College Dublin. He traces the pathways that led to his formation as an architect, reflecting on the many cultural and social influences on his life. He excels in capturing the social landscape of Dublin in the 1980s and pays particular attention to the many buildings and social hubs of the inner city. His transient years of moving from Dublin to London, and subsequently working in places like Nairobi and Milan, chronicle the international influences on his outlook. The key relationships in his life, including meeting his future wife, Sheila – a fellow student of architecture in UCD – and his pivotal employment by James Stirling in 1976, form the backbone of his personal and professional life. Tuomey’s expertise in his field is unsurpassed, with meticulous detail given to the finer aspects of design and architecture. His thoughts on the challenges facing the encroaching erasure of city life in Dublin are essential reading for anyone with an interest in the future of building in the city.

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Heiresses is a glorious book, endlessly entertaining and about much more than its stated subject. Thompson is a fabulous writer' Caroline O'Donoghue 'Witty, insightful, deliciously gossip-laden and slightly scandalous... Heiresses makes for an entertaining, occasionally sad and never less than gripping read' Anne Sebba 'Excellent... [A] wonderfully entertaining book' Sunday Times 'Exquisite and gossipy... Thompson, a gifted storyteller, obviously delighted in the writing of this book' TLS '[A] deeply empathetic study of heiresses through the ages' The Times 'Life is less sad with money', said Emerald Cunard; Barbara Hutton was the 'Poor Little Rich Girl', but which is true? Laura Thompson explores the phenomenon of the heiress from the seventeenth to the twenty-first centuries. Take Mary Davies, a child bride at the age of twelve, and her thousand-acre dowry of today's Mayfair and Belgravia, which gave the Grosvenors their stupendous wealth. Or Consuelo Vanderbilt, Duchess of Marlborough, whose American railroad fortune helped sustain Blenheim Palace. Winnaretta Singer showcased the work of Debussy in her Parisian salon; Daisy Fellowes enjoyed parties, fashion – and other people's husbands – without shame or conscience. Alice de Janzé shot one of her lovers and was suspected of murdering a second; Woolworth heiress, Barbara Hutton, married seven times. Money should mean power and opportunity, but in the hands of these women it was so often absent. Why did so many struggle to live with so much? Did the removal of need render their life meaningless? Were they riven with guilt at all they had, knowing they really should be happy? With her signature intelligence and wit, Laura Thompson tells these women's stories – glittering and fascinating but often sad and scandalous – on a gripping search for the answer.

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Germany, 1945. Eighteen-year-old Zofia Lederman is alive, but not whole. Her body is just beginning to heal from the trauma of the Holocaust, her mind is broken, and her life is shattered. She knows that she will never see her beloved parents, grandmother, or aunt again-she watched as they were all sent to the left, to the gas chambers, at Auschwitz-Birkenau. Only she and her younger brother Abek were sent to the right, and her last words to him were a promise: Abek to Zofia, A to Z. When I find you again, we will fill our alphabet. And we will be whole, and everything will be fine. I promise I will find you. Desperate to find Abek, fulfill her vow, and rebuild their lives, Zofia's search brings her to their hometown in Poland and then deep into a displaced persons camp in Germany. There, Zofia meets fellow Holocaust survivors, each battling with their painful pasts and working towards different futures. There's Briene, eager to marry her new beau and start a new life; Miriam, searching far and wide for the twin she was separated from at liberation, who was the victim of horrible experiments; and Josef, who picks fights with bullies and refuses to talk about his past, but whose good looks and unexpected honesty draw Zofia in. The deeper Zofia digs, the more impossible her search seems. How can she find one boy in a sea of the missing? And if she does find him, how can she know that it's her Abek? After surviving unimaginable horrors, Zofia must now delve into a mystery whose answers could break her--or help her rebuild her world.

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DISCOVER THE GRIPPING AND ELECTRIFYING THRILLER IN THE DETECTIVE INSPECTOR MCLEAN SERIES'A gripping tale of mystery and intrigue' 5***** Reader Review'Holds your attention and builds towards an excellent climax' 5***** Reader Review'Enthralling . . . you won't be disappointed' 5***** Reader Review________ Every year for ten years, a young woman's body was found in Edinburgh at Christmas time: naked, throat slit, body washed clean. Ten years, ten women. The final victim, Kirsty Summers, was Detective Constable Tony McLean's fiancée. But the Christmas Killer made a mistake. In a cellar under a shop, McLean found a torture chamber and put an end to the brutal killing spree. Twelve years later, and a fellow prisoner has just murdered the incarcerated Christmas Killer. But with the arrival of the festive season comes a body. A young woman: naked, washed, her throat cut. Is this a copycat killer? Was the wrong man behind bars all this time? Or is there a more sinister, frightening explanation? McLean must revisit the most disturbing case of his life and discover what he missed before the killer strikes again . . . ________ Praise for James Oswald: 'A star of Scotland's burgeoning crime fiction scene' Daily Record 'Crime fiction's next big thing' The Sunday Telegraph 'Literary sensation...James' overnight success has drawn comparisons with the meteoric rise of EL James and her Fifty Shades of Grey series' Daily Mail 'Fifty Shades of Hay' The Times 'Oswald is among the leaders in the new batch of excellent Scottish crime writers' Daily Mail 'The new Ian Rankin' Daily Record 'The hallmarks of Val McDermid or Ian Rankin: it's dark, violent, noirish' The Herald 'A good read' The Times 'An excellent start to what promises to be a fine series' Guardian

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An autobiographical work that describes firsthand the great tectonic shifts in English society following the First World War, Robert Graves's Goodbye to All That is a matchless evocation of the Great War's haunting legacy, published in Penguin Modern Classics.In 1929 Robert Graves went to live abroad permanently, vowing 'never to make England my home again'. This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and covers his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and the critical study of myth and poetry The White Goddess. His autobiography, Goodbye to All That, was published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubáiyát of Omar Khayyám (with Omar Ali-Shah) is also published in Penguin Classics.If you enjoyed Goodbye to All That, you might like Ford Madox Ford's Parade's End, also available in Penguin Modern Classics.'His wonderful autobiography'Jeremy Paxman, Daily Mail

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The delightful adventures of a visually impaired barn cat and his annoying flea, as they set off to experience the world and find themselves participants in some of the most remarkable events of the early twentieth century.Pudding Tat is born on the Willoughby Farm in 1901 — just another one of Mother Tat’s kittens. But it turns out that Pudding is anything but ordinary. He is pure white with pink eyes that, though beautiful, do not see well, and hearing that is unusually acute. He finds himself drawn to the sweet sounds of the world around him — the pattering heartbeat of a nearby mouse, the musical tinkling of a distant stream.Soon the sounds of adventure call to Pudding, too. But before he can strike out into the wide world on his own, he hears a voice — coming from right inside his own ear. A flea has claimed Pudding as his host. The bossy parasite demands that Pudding take him away from the lowly barn and the drunken singing of his fellow fleas. He doesn’t want adventure but a finer life — one where he can enjoy a warm bed and blood flavored not with mice, but with beef tenderloin and cream.Fortunately for this mismatched pair, the world is an extremely interesting place in 1901. Over the next decade and a half, Pudding and his flea find themselves helping to make history — a journey over Niagara Falls in a barrel, a visit to the Pan-American Exposition on the day President McKinley is shot, a luxurious stay in Manhattan with songwriter Vincent Bryan, a terrifying trip on the airship America, and a voyage on the ill-fated Titanic.Through each narrow escape, the call to adventure for the cat, and luxury for his disgruntled flea, beckons them on, right to the devastation of a World War I battlefield. Then Pudding is filled with a new longing, one that brings him, with his flea’s help now, full circle and back home.Correlates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.4.3Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).CCSS.ELA-LITERACY.RL.5.2Determine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.CCSS.ELA-LITERACY.RL.5.7Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).CCSS.ELA-LITERACY.RL.6.3Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.

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Brash and idealistic, they were rebels without a cause in a world governed by science, reason . . . and immortality. Banished for their troubles to the starship Newhope, they now face a bold future: to settle the worlds of Barnard’s Star. Now King Bascal Edward de Towaji Lutui, former prince of the Queendom of Sol, together with Captain Xiomara “Xmary” Li Weng and her lover, first mate Conrad Mursk, face a perilous voyage with thousands of their fellow exiles. The journey will last a century, but with Queendom technology it’s no problem to step into a fax machine and “print” a fresh, youthful version of yourself. But what this crew of rebels will find is far from the paradise they seek. Before long, their optimistic young colony has started to show signs of strain. And worst of all, death itself has returned with a vengeance.About Wil McCarthy:“McCarthy is an entertaining, intelligent, amusing writer, with Heinlein's knack for breakneck plotting and, at the same time, Clarke's thoughtfulness.”—Booklist“‘Imagination really is the only limit.’”—The New York Times“The future as McCarthy sees it is a wondrous place.”—Publishers Weekly“A bright light on the SF horizon.”—David Brin “Wil McCarthy demonstrates that he has a sharp intelligence, a galaxy-spanning imagination, and the solid scientific background to make it all work.”—Connie Willis “In nearly every passage, we get another slice of the science of McCarthy’s construction, and a deeper sense of danger and foreboding . . . McCarthy develops considerable tension.”—San Diego Union-Tribune“An ingenious yarn with challenging ideas, well-handled technical details, and plenty of twists and turns.”—Kirkus

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Offering life- and career-changing moments in nurses’ lives, the 80 true stories in Reflections on Nursing reveal nursing at its most demanding and fulfilling.Written mainly by nurses offering care at home, hospital, or hospice, these first-person stories convey the professional burdens, personal growth, and inner realizations found in the course of patient care. Whether you are a new or experienced practitioner, or just fascinated by nursing care in action, these inspiring true stories show nursing as both professional and life experience, and often, as an inspired journey.Experience the challenges and hard-earned wisdom of these real-life nursing moments:· Written by or about nurses of all experience levels and in numerous care settings , including stories about memorable nurses written by patients, family members, and doctors· Dive into these engrossing short stories, and go on a journey with: the nurse who inspires dignity and strength in a young soldier who is losing his wife the young nurse who stands up to a bullying preceptor the nurse who realizes her best friend, a fellow nurse, is stealing drugs from their unit the nurse struggling to give adequate care to seven patients at once on an understaffed unit the retired doctor who recalls the nurse who saved him, as a young intern, from mishandling a crucial situation with a dying patient the nurse who takes on an angry patient with a challenging case, to offer special help and encouragement nurses who become a patientThe nurse/administrator who pushes hard for administrative decisions that will support nurses and improve patient carethe inspiring patients who help nurses remember why they became a nurse

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R.F. Foster's Luck and the Irish: A Brief History of Change, 1970-2000 examines how the country has weathered thirty years of rapid transformation, and what these changes may mean in the long run. From 1970, things were changing in Ireland - the Celtic Tiger had finally woken, and the rules for everything from gender roles and religion to international relations were being entirely rewritten. By the end of the twentieth century, Ireland had become a global brand, and the almost completely unexpected wave of prosperity had brought with it upheavals in economics, sexual mores and culture, as well as a shift in North-South attitudes. Roy Foster also looks at how characters as diverse as Gerry Adams, Mary Robinson, Charles Haughey and Bob Geldof have contributed to Ireland's altered psyche, and uncovers some of the scandals, corruption and marketing masterminds that have transformed Ireland - and its luck. 'Examines our society with fierce intelligence and insight' Colm Tóibín, Irish Times Books of the Year 'Occasionally angry, sometimes whimsical and frequently hilarious ... Appeals both to those who know nothing and those who think they know everything' Conor Gearty, Financial Times 'The brilliance of the writing places him as a historian in a league of his own ... A balanced work offering his own distinctive, original and elegant insights' Diarmaid Ferriter, Times Literary Supplement R. F. Foster is Carroll Professor of Irish History at the University of Oxford and a Fellow of Hertford College, Oxford. His books include Modern Ireland: 1600-1972, The Irish Story and W. B. Yeats: A Life.

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Top rhinoplasty techniques from world-renowned experts Rhinoplasty: The Experts' Reference is a comprehensive text that provides guidance from world-renowned experts on every aspect of rhinoplasty, from the functional to the cosmetic. The book opens with a section on initial patient assessment and consultation, moves on to such topics as surgery of the septum, with separate sections on the nuances of functional nasal surgery and revision rhinoplasty, and concludes with a section on avoiding and managing surgical complications. Each chapter is written by an expert on a specific topic and presents tried-and-true rhinoplasty techniques that can be readily implemented by facial plastic surgeons. Key Features: Includes a section on ethnic rhinoplasty with chapters written by Drs. Tae-Bin Won, Russell W.H. Kridel, and Roxana Cobo Written by over 100 of the most well-known surgeons in the world, including Yong Ju Jang (Asia), Ira Papel, Stephen Park, Peter Adamson, and Rollin K. Daniel (North America), Wolfgang Gubisch, Charles East, Gilbert Nolst Trenite, and Pietro Palma (Europe), and Simon Robinson (Australia) Offers expert solutions to a particular problem in each chapter Practicing plastic surgeons and facial plastic surgeons, as well as residents and fellows in these fields, will consult this excellent desk reference whenever they are faced with a particularly challenging case.

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A remarkable, personal glimpse of Black student life at Indiana University in the early 1960s. In 1961, a skinny African American boy from Indianapolis arrived at Indiana University Bloomington determined to become a doctor. For the next three years, Lester Thompson kept a detailed, intimate diary of his journey to graduation. In Lucky Medicine, Lester returns to his long-ago journal and, with honesty, humor, and a healthy dose of rueful self-reflection, shares stories from his college years at Indiana University. Fascinating glimpses emerge of Black Greek life at the time, including the building of the Kappa Alpha Psi fraternity house and the successes, struggles, and social lives of its members. Lester's student years were driven by hard work, but also bustled with fun and drama. He recalls his time studying at the university library, falling in and out of love many times, becoming friends with fellow fraternity brother Booker T. Jones, a truly memorable invitation extended to meet with George Wallace, and an epic, no-holds-barred brawl with limestone cutters at the 24-Hour Grill. Lucky Medicine offers a closeup, unforgettable look at IU student life just before the sweeping social changes of the 1960s, when students of color accounted for less than 2 percent of the Indiana University's student body.

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A remarkable, personal glimpse of Black student life at Indiana University in the early 1960s. In 1961, a skinny African American boy from Indianapolis arrived at Indiana University Bloomington determined to become a doctor. For the next three years, Lester Thompson kept a detailed, intimate diary of his journey to graduation. In Lucky Medicine, Lester returns to his long-ago journal and, with honesty, humor, and a healthy dose of rueful self-reflection, shares stories from his college years at Indiana University. Fascinating glimpses emerge of Black Greek life at the time, including the building of the Kappa Alpha Psi fraternity house and the successes, struggles, and social lives of its members. Lester's student years were driven by hard work, but also bustled with fun and drama. He recalls his time studying at the university library, falling in and out of love many times, becoming friends with fellow fraternity brother Booker T. Jones, a truly memorable invitation extended to meet with George Wallace, and an epic, no-holds-barred brawl with limestone cutters at the 24-Hour Grill. Lucky Medicine offers a closeup, unforgettable look at IU student life just before the sweeping social changes of the 1960s, when students of color accounted for less than 2 percent of the Indiana University's student body.

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From its Broadway debut to the Oscar-winning film to countless amateur productions, West Side Story is nothing less than an American touchstone an updating of Shakespeare located in a vividly realized, rapidly changing postwar New York. That vision of postwar New York is at the heart of Julia L. Foulkes's A Place for Us. A lifelong fan of the show, Foulkes became interested in its history when she made an unexpected discovery: parts of the iconic film version were shot on the demolition site of what would ultimately be part of the Lincoln Center redevelopment a crowning jewel of postwar urban renewal. Foulkes interweaves the story of the creation of the musical and film with the remaking of the Upper West Side and the larger tale of New York's postwar aspirations. Making unprecedented use of Jerome Robbins's revelatory papers, she shows the crucial role played by the political commitments of Robbins and his fellow gay, Jewish collaborators, Leonard Bernstein and Arthur Laurents: their determination to evoke life in New York as it was actually lived helped give West Side Story its unshakable sense of place even as it put forward a vision of a new, vigorous, determinedly multicultural American city. Beautifully written and full of surprises for even the most dedicated West Side Story fan, A Place for Us is a powerful new exploration of an American classic.

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Pepón Osorio is an internationally recognized artist whose richly detailed installations challenge the stereotypes and misconceptions that shape our view of social institutions and human relationships. Osorio’s colorful, often riotous installations are constructed from found objects and things that he customizes or creates. With a wry sense of humor, he probes sober topics, including prison life, domestic violence, AIDS, and poverty.Osorio’s collaborative site-based works develop from his immersion into a community—residents of urban ethnic neighborhoods, employees who provide social services, children in foster care—and the discussions that result. As he addresses difficult themes such as race and gender, death and survival, and alienation and belonging, Osorio asks his audience to reconsider their assumptions and biases. In this book, Jennifer A. González shows that although Osorio draws on his Puerto Rican background and the immigrant experience for inspiration, his artistic statements bridge geographical barriers and class divides. Osorio’s installations have been exhibited internationally, and his work is represented at the Smithsonian American Art Museum in Washington, D.C., the Museo de Arte de Puerto Rico in San Juan, the Whitney Museum of American Art in New York, and other major museums. He has received numerous awards, including a MacArthur Foundation Fellowship in 1999.

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Perfect for residents to use during rotations, or as a quick review for practicing radiologists and fellows, Musculoskeletal Imaging: The Essentials is a complete, concise overview of the most important knowledge in this complex field. Each chapter begins with learning objectives and ends with board-style questions that help you focus your learning. A self-assessment examination at the end of the book tests your mastery of the content and prepares you for exams. Follows the proven Essentials Series format to provide a comprehensive yet concise overview of clinical musculoskeletal imaging. Features image-rich, case-based multiple-choice questions with answers that provide self-assessment and mimic what you’re likely to see on exams. Emphasizes a conceptual approach to understanding imaging findings of bone, joint, and soft tissue conditions on all modalities used for musculoskeletal imaging. Helps you successfully absorb key ideas and facts through behaviorally based learning objectives that support the most current residency curriculum from the Society of Skeletal Radiology. Puts indispensable information at your fingertips in a compact and practical, high-yield format. Enhance Your eBook Reading Experience: Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech.

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Now airing as the three-part documentary series The Other Mrs Jordan on ITVX. In 2006, Mary Turner Thomson’s world shattered when she discovered her husband Will was a bigamist, con man and convicted sex offender. Unbeknownst to her, this would be the start of a bold new chapter in her life, fighting to protect other women from his heartless gaslighting campaigns—and putting a stop to his endless deception. Mary thought her story would end with the revelation that Will in fact had several families—and numerous children. But when she discovered that he had continued to prey on new victims, she vowed to turn his betrayal into a force for good. On her mission to protect these women and others, Mary also learned more about the psychopathy behind Will’s duplicitous behaviour. Teaming up with his newest fiancée in the US, Mary attempts to put an end to Will’s devastating activities. But will she and her fellow victims succeed in their ultimate goal: to bring down Will Jordan forever? Mary Turner Thomson began telling her story in her first book, The Bigamist. Now, in The Psychopath, she delves deeper into Will's betrayal, telling an entirely new story of how she moved on, and helped others do the same.

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In the reign of Edward I, when asked Quo Warranto - by what warrant he held his lands - John de Warenne, the 6th earl of Surrey, is said to have drawn a rusty sword, claiming 'My ancestors came with William the Bastard, and conquered their lands with the sword, and I will defend them with the sword against anyone wishing to seize them'. John's ancestor, William de Warenne, 1st Earl of Surrey, fought for William the Conqueror at the Battle of Hastings in 1066. He was rewarded with enough land to make him one of the richest men of all time. In his search for a royal bride, the 2nd earl kidnapped the wife of a fellow baron. The 3rd earl died on crusade, fighting for his royal cousin, Louis VII of France... For three centuries, the Warennes were at the heart of English politics at the highest level, until one unhappy marriage brought an end to the dynasty. The family moved in the highest circles, married into royalty and were not immune to scandal. Defenders of the Norman Crown tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III.

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A spellbinding concoction of crime, history and horror, perfect for fans of Sherlock Holmes and Jonathan Creek'A hugely entertaining Victorian mystery' NEW YORK TIMES'I enjoyed this - properly creepy and Gothic' IAN RANKIN_______New Year's Day, 1889.In Edinburgh's lunatic asylum, a patient escapes as a nurse lays dying. Leading the manhunt are legendary local Detective 'Nine-Nails' McGray and Londoner-in-exile Inspector Ian Frey. Before the murder, the suspect was heard in whispered conversation with a fellow patient - a girl who had been mute for years.What made her suddenly break her silence? And why won't she talk again? Could the rumours about black magic be more than superstition?McGray and Frey track a devious psychopath far beyond their jurisdiction, through the worst blizzard in living memory, into the shadow of Pendle Hill - home of the Lancashire witches - where unimaginable danger awaits . . ._______Praise for The Strings of Murder:'This is wonderful. A brilliant, moving, clever, lyrical book - I loved it' Manda Scott'One of the best debuts so far this year - a brilliant mix of horror, history, and humour. Genuinely riveting with plenty of twists, this will keep you turning the pages. It's clever, occasionally frightening and superbly written. Everything you need in a mystery thriller' Crime Review

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Concentrate Q&A Human Rights and Civil Liberties guides you through how to structure a successful answer to a legal problem. Whether you are preparing for a seminar, completing assessed work, or in exam conditions, each guide shows you how to break down each question, take your learning further, and score extra marks. The Concentrate Q&A series has been developed in collaboration with hundreds of law students and lecturers across the UK. Each book in this series offers you better support and a greater chance to succeed on your law course than any other Q&A guide. 'A sure-fire way to get a 1st class result' - Naomi M, Coventry University 'I can't think of better revision support for my study' - Quynh Anh Thi Le, University of Warwick 'My grades have dramatically improved since I started using the OUP Q&A guides' - Glen Sylvester, Bournemouth University 'My fellow students rave about this book' - Octavia Knapper, Lancaster University 'These first class answers will transform you into a first class student' - Ali Mohamed, University of Hertfordshire 'The best Q&A books that I've read; the content is exceptional' - Wendy Chinenye Akaigwe, London Metropolitan University Take it online: The 3rd edition is available in paperback, or e-book. Visit www.oup.com/lawrevision/ for multimedia resources to help you with revision and assessment.

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"Precisely the dimension of our heritage that most needs to be recovered...I cannot imagine a more timely publishing venture." Huston Smith Thomas J. Watson Professor Religion & Adjunct Professor of Philosophy Syracuse University Jacob Boehme: The Way to Christ translation, introduction and notes by Peter Erb, preface by Winifred Zeller "For the source in light and the source in darkness is but a single source. Nevertheless they are one nature just as fire and light are one nature." Jacob Boehme, 1575-1624 Evelyn Underhill called the German Lutheran Mystic Jacob Boehme "one of the most astonishing cases in history of a natural genius for the transcendent," Nicolas Beryaev described Boehme as "Beyond a doubt...one of the greatest of Christian gnostics. I am using the word not in the sense of heresies...but to indicate a wisdom grounded in revelation and employing myths and symbols rather than concepts-a wisdom much more contemplative than discursive." Boehme was the son of a farmer who lived the first part of his life as a shepherd and later became a shoemaker. He claimed that his writings reflect only what he was taught through the direct experience of God. A truly giant figure in the spiritual tradition, he has greatly influenced Angelus Silesius, William Blake, John Milton, Isaac Newton, William Law and many others. As the editor of this volume, Peter Erb, says, "The Way to Christ provides the best introduction to his thought and spirituality. A collection of nine separate treatises, its parts were written late in his career and reflect his final theological position, a position established not aside from his earlier work, but on it...The book was intended to serve as a meditation guide. Boehme believed that his writing had come from the Spirit. It was intended to direct his fellow-believers back to the Spirit as he had been directed." †

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Andrés Canché became the cacique, or indigenous leader, of Cenotillo, Yucatán, in January 1834. By his retirement in 1864, he had become an expert politician, balancing powerful local alliances with his community's interests as early national Yucatán underwent major political and social shifts. In Maya Caciques in Early National Yucatán, Rajeshwari Dutt uses Canché's story as a compelling microhistory to open a new perspective on the role of the cacique in post-independence Yucatán. In most of the literature on Yucatán, caciques are seen as remnants of Spanish colonial rule, intermediaries whose importance declined over the early national period. Dutt instead shows that at the individual level, caciques became more politicized and, in some cases, gained power. Rather than focusing on the rebellion and violence that inform most scholarship on post-independence Yucatán, Dutt traces the more quotidian ways in which figures like Canché held onto power. In the process, she presents an alternative perspective on a tumultuous period in Yucatán's history, a view that emphasizes negotiation and alliance-making at the local level. At the same time, Dutt's exploration of the caciques' life stories reveals a larger narrative about the emergence, evolution, and normalization of particular forms of national political conduct in the decades following independence. Over time, caciques fashioned a new political repertoire, forming strategic local alliances with villagers, priests, Spanish and Creole officials, and other caciques. As state policies made political participation increasingly difficult, Maya caciques turned clientelism, or the use of patronage relationships, into the new modus operandi of local politics. Dutt's engaging exploration of the life and career of Andrés Canché, and of his fellow Maya caciques, illuminates the realities of politics in Yucatán, revealing that seemingly ordinary political relationships were carefully negotiated by indigenous leaders. Theirs is a story not of failure and decline, but of survival and empowerment.

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Through attuned close readings, this volume brings out the imaginative and formal brilliance of Percy Bysshe Shelley's writing as it explores his involvement in processes of dialogue and influence. Shelley recognizes that poetic individuality is the reward of connectedness with other writers and cultural influences. 'A great Poem is a fountain forever overflowing with the waters of wisdom and delight', he writes, 'and after one person and one age has exhausted all its divine effluence which their peculiar relations enable them to share, another and yet another succeeds, and new relations are ever developed, the source of an unforeseen and an unconceived delight' (A Defence of Poetry). He is among the major Romantic poetic exponents and theorists of influence, because of his passionately intelligent commitment to the onward dissemination of ideas and feelings, and to the unpredictable ways in which poets position themselves and are culturally positioned between past and future. The book has a tripartite structure. The first three chapters seek to illuminate his response to representative texts, figures, and themes that constitute the triple pillars of his cultural inheritance: the classical world (Plato); Renaissance poetry (Spenser and Milton); Christianity and, in particular, the concept of deity and the Bible. The second and major section of the book explores Shelley's relations and affinities with, as well as differences from, his immediate predecessors and contemporaries: Hazlitt and Lamb; Wordsworth; Coleridge; Southey; Byron; Keats (including the influence of Dante on Shelley's elegy for his fellow Romantic) and the great painter J. M. W. Turner, with whom he is often linked. The third section considers Shelley's reception by later nineteenth-century writers, figures influenced by and responding to Shelley including Beddoes, Hemans, Landon, Tennyson, and Swinburne. A coda discusses the body of critical work on Shelley produced by A. C. Bradley, a figure who stands at the threshold of twentieth-century thinking about Shelley.

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Duchess of Cork Street is the autobiography of a remarkable woman who, educated in the culturally unsophisticated milieu of South Africa, managed by charm, determination and good judgment to establish herself as a doyenne of the London art world between about 1950 and the late 1970s. Although Lillian Browse had originally had ambitions to become a ballet-dancer, she joined the staff of the well known Leger Gallery in the early 1930s, and in 1945 she set up a new art gallery called Roland, Browse and Delbanco in Cork Street in the west end of London together with two fellow art dealers, thus coming to know through her varied experiences many of the most distinguished people of her time as clients and friends. She had worked with Sir Kenneth Clark on planning exhibitions in the National Gallery during the war. Her gallery soon acquired a reputation for quality and integrity and, with her distinctive and influential taste, she pioneered the study of important French and English painters and sculptors, among them Degas, Rodin, Sickert, William Nicholson and Augustus John, and she also gave consistent support to an expanding group of living artists. She was active in the world of art-dealing for over fifty years. During that period the character of the profession changed out of all recognition. Although the spotlight has now moved from London to New York for a variety of reasons, she is by no means despairing of the future. The number of galleries is growing fast, especially away from central London. Above all, there is a much wider interest in art and appreciation of living artists in Britain than ever before. She played a significant role in helping to bring that about. Lillian Browse, who was awarded the CBE in 1998, remains a popular and revered personality in the art world. Her book has been eagerly awaited.

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An essential book for scholars and students of renaissance music, as well as the history of music publishing and print. The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities at a time when a market for recreational music was beginning to emerge. His entrepreneurial drive combinedwith an astute assessment of his market resulted in a successful and influential publishing business. The turning point came with a visit to the Low Countries in 1591, which gave him the opportunity to see a thriving music printpublication business at first hand. Contemporary records provide a detailed picture of the processes involved in early modern music publishing and enable the construction of a financial model of Morley's business. Morley died too young to reap the full rewards of his enterprise, but his success inspired the publication by his contemporaries of a significant corpus of readily available recreational music for the public. Critical to Morley's successwas his identification of the sort of music, notably the Italianate lighter style of madrigal, that would appeal to amateur musicians. Surviving copies of the original prints show that this music continued to be used for severalgenerations: new editions in modern notation started to appear from the mid eighteenth century onwards, suggesting that Morley truly had the measure of the market for recreational music. Thomas Morley: Elizabethan Music Publisher will be of particular interest to scholars and students of renaissance music, as well as the history of music publishing and print. Tessa Murray is an honorary research fellow at the University of Birmingham.

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An October 2022 IndieNext pick”[An] engaging and beautifully narrated quest for personal fulfillment and musical recognition...This is a fast-paced tale in which music and love always take center stage...A truly gifted musician, Price writes about her journey with refreshing candor.”—Kirkus, starred review”Brutally honest…a vivid and poignant memoir.”—The GuardianCountry music star Margo Price shares the story of her struggle to make it in an industry that preys on its ingenues while trying to move on from devastating personal tragedies. When Margo Price was nineteen years old, she dropped out of college and moved to Nashville to become a musician. She busked on the street, played open mics, and even threw out her TV so that she would do nothing but write songs. She met Jeremy Ivey, a fellow musician who would become her closest collaborator and her husband. But after working on their craft for more than a decade, Price and Ivey had no label, no band, and plenty of heartache. Maybe We’ll Make It is a memoir of loss, motherhood, and the search for artistic freedom in the midst of the agony experienced by so many aspiring musicians: bad gigs and long tours, rejection and sexual harassment, too much drinking and barely enough money to live on. Price, though, refused to break, and turned her lowest moments into the classic country songs that eventually comprised the debut album that launched her career. In the authentic voice hailed by Pitchfork for tackling "Steinbeck-sized issues with no-bullshit humility," Price shares the stories that became songs, and the small acts of love and camaraderie it takes to survive in a music industry that is often unkind to women. Now a Grammy-nominated “Best New Artist,” Price tells a love story of music, collaboration, and the struggle to build a career while trying to maintain her singular voice and style.

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"I do not know whether I dozed off or passed out, but the nextthing I remember is gradually becoming aware of a blunt objectstriking my body over and over. Just as I realized it was a bootkicking me in the side, I felt my arm being grabbed roughly, and Ireturned to full consciousness. "One GI had hold of my right arm, and another had his rifle pointedat me, nearly touching me. "'Don't move. We're taking you prisoner,' the one with the riflesaid." On January 25, 1945, Private Ooka Shohei of the Japanese ImperialArmy was captured by American forces in the Philippines. Near deathfrom starvation and acute malaria, he was nursed back to health byhis captors and shipped off to a POW camp. Taken Captive is hispowerful and poignant account of life as a prisoner of war. Longregarded as a literary classic in Japan, this extraordinary memoiris appearing in English for the first time. There are no epic battles or grand scale heroics. This is anintimate, gripping, and ultimately enlightening true story of asophisticated, middle-aged scholar thrown into a primitive strugglefor survival. It is filled with moments of sublimeordinariness--prisoners passing time by playing "20 Questions"--andheartstopping encounters--a lone soldier decides whether or not toshoot an unsuspecting enemy soldier. The harsh conditions, the daily routines that occupy a prisoner'stime, and above all, the psychological struggles and behavioralquirks of captives forced to live in close confinement are conveyedwith devastating simplicity and candor. Throughout, the authorconstantly probes his own conscience, questioning motivations anddecisions. What emerges is a multileveled portrait of an individualdetermined to retain his humanity in an uncivilizedenvironment. In Taken Captive, Ooka Shohei provides much more than anunprecedented look at the POW experience from a Japanese point ofview. His stirring account offers a penetrating exploration ofJapanese society, and its values, as embodied by the microcosm ofhis fellow POWs. Recalling his wartime experiences, Ooka Shohei hascreated a brilliant work of rare honesty, insight, and emotionalsubtlety.

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The alarming history of the British, and European, aristocracy - from Argyll to Wellington and from Byron to Tolstoy, stories of madness, murder, misery, greed and profligacy.From Regency playhouses, to which young noblemen would go simply in order to insult someone to provoke a duel that might further their reputation, to the fashionable gambling clubs or 'hells' which were springing up around St James's in the mid-eighteenth century, the often bizarre doings of aristocrats. An eighteenth-century English gentleman was required to have what was known as 'bottom', a shipping metaphor that referred to stability. Taking part in a duel was a bold statement that you had bottom. William Petty, 2nd Earl of Shelburne certainly had bottom, if not a complete set of gonads following his duel with Colonel Fullarton, MP for Plympton. Both men missed with their first shots, but the colonel fired again and shot off Shelborne's right testicle. Despite being hit, Shelborne deliberately discharged his second shot in the air. When asked how he was, the injured Earl coolly observed his wound and said, 'I don't think Lady Shelborne will be the worse for it.' The cast of characters includes imperious, hard-drinking and highly volatile Danish astronomer Tycho Brahe, who is remembered today as much for his brilliant scientific career as his talent for getting involved in bizarre mishaps, such as his death as a result of his burst bladder; the Marquess of Queensberry, a side-whiskered psychopath, who, on a luxury steamboat in Brazil, in a row with a fellow passenger over the difference between emus and ostriches, and knocked him out cold; and Thomas, 2nd Baron Lyttelton, a Georgian rake straight out of central casting, who ran up enormous gambling debts, fought duels, frequented brothels and succumbed to drug and alcohol addiction.Often, such rakes would be swiftly packed off on a Grand Tour in the hope that travel would bring about maturity. It seldom did.

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"The highlights of my extraordinary journey with Mr Clarkson included pizza with Harry and Wills; dancing with Mick Jagger on the private island of Mustique (Mick had to pull me up after, shamefully, I could not recover from the twist!); and having happy birthday sung to me by Brian Ferry and Richard E. Grant. I was asked out by Hugh Grant (and went!); partied at what I called Jimmy Carr’s celebtastic weekly house parties attended by Sir Elton John, James Corden and the like; and, at Jerry Hall and Rupert Murdoch’s engagement party, I received the ultimate compliment on my outfit from the Dame Joan Collins. The adventures, laughter, drama and excitement were neverending. Party after party, celeb after celeb, private villas, palaces, MPs and royalty adorned our crazy life on this road less travelled. From the low-budget, dark, smoke- and fume-filled halls of Earls Court Exhibition Centre and the NEC in Birmingham, where the highlights of our nights out were a good curry and gallons of beer followed by ridiculous games of girl-on-girl arm wrestling and the Celebrity Loo Roll Challenge – this entailed Clarkson, Hammond, May or The Stig having to return from the bathroom with loo roll tucked down their trousers, trailing a length of loo paper from cubicle to table without it breaking – Jeremy ascended to great heights, both in his professional career and his personal life. So too did our relationship, leading us both into a social circle that most can only dream of." In The Wonderful World of Jeremy Clarkson, Phillipa Sage shares her continuing adventures – the ongoing highs, lows and constant mayhem – she shared for so many years with Clarkson and his fellow presenters, Hammond and May, some of which she had begun to detail in her first book, Off Road with Clarkson, Hammond and May.

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Silver Medal Winner for Poetry at the 2022 Nautilus Book Awards.A powerful new anthology depicting how love over the past two-and-a-half millennia has found its expression in the words of the world's greatest poets.No, Love Is Not Dead is a timely affirmation of the great linguistic diversity of poetry and its ability to express passionate love, the most extreme of human emotions. With influential, award-winning poets including Kim Hyesoon, Laura Tohe and Warsan Shire, and languages ranging from Amharic, Akkadian and Ancient Greek to Yankunytjatjara, Yiddish and Yoruba, this unique anthology engages the reader in reflective tales of unlikely love stories and impossible love, love in a time of politics, surrealist love, visual love and free love, offering an intuitive insight into both historical and present-day perceptions of love across cultures. Including over 50 poets, writing on each of the world's continents, this new anthology of poems about love features a diverse range of original poems written in a variety of languages - modern, ancient, endangered and constructed -, accompanied by English translations and commentaries.Poets included in the book: Apollinaire; Nicole Brossard; Augusto de Campos; Catullus; Chaucer; Dante; Robert Desnos; Ali Cobby Eckermann; Goethe; Kim Hyesoon; Louise Labé; Federico Garcia Lorca; Vladimir Mayakovsky; Miklós Radnóti; Kutti Ravathi; Sappho; Warsan Shire; Laura Tohe; Marina Tsvetaeva.Languages included in the book: Akkadian; Amharic; Ancient Greek; Faroese; French; German; Hungarian; Italian; Japanese; Latvian; Maori; Persian; Polari; Portuguese; Russian; Sanskrit; Scots; Scottish Gaelic; Serbian; Spanish; Welsh; Yoruba.Foreword by Laura Tohe, the current Navajo Nation Poet Laureate and Professor Emeritus with Distinction at Arizona State University, who has won awards including the 2020 Academy of American Poetry Fellowship, the 2019 American Indian Festival of Writers Award, and the Arizona Book Association's Glyph Award for Best Poetry.

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'A great read. I am honoured to have worked with such a legend' David Nott'A role model for women' Independent'A wonderful read' Julian Fellowes'Remarkable' Lauren Laverne'Charming' GuardianWe were occasionally expected to travel by ambulance to a serious case and would always have a kit of tools and drugs ready for emergency calls. On one occasion, we were responding to a man who had fallen into the hold of a grain ship and broken his leg. I was expected to go down a pole into the ship to administer analgaesia before he could be rescued. The 'audience' of shipworkers delighted in telling me that there were rats the size of dogs down in the grain. The other problem was that this was the era of the mini skirt, and you can imagine what that meant. Following the incident, I instituted the purchase of some 'Casualty Officers Emergency Dungarees' as an addition to the kit.Averil Mansfield established herself as a pioneer in every sense of the word when she qualified as a surgeon in the early 1970s. At the time just two per cent of her colleagues were female, and she was often met with surprise, bordering on disbelief and amusement, when telling people what she did. But time and again, Averil proved herself more than capable of the role which had been her greatest dream since the age of eight. After a formidable operating career in Liverpool and London, during which she made many enduring friendships, she went on to became the UK's first ever female professor of surgery.Life in Her Hands is the remarkable story of a truly trailblazing woman. Averil's account shines light on a medical and societal world that has changed beyond measure, but which - as she shows through her experiences - still has a long way to go for the women finding their place within it.

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***** Utterly hysterical - NetGalley Reader***** Brilliant... Funny, touching and modern... just amazing - NetGalley ReaderRemember when the kids were still at school?!The kids are back at school after a long summer. Gemma and Becky can finally breathe a huge sigh of relief and reach for the gin bottle.Except it seems that Becky is accidentally a little bit pregnant...But that's not the first shock for the parents in the playground. Over the summer, part of their beloved Redcoats Primary has burned down. The school needs to raise thousands of pounds to stay open - and Gemma and Becky have been forced on to the fundraising committee (just to add to the millions of messages from their online parent groups).In year that will see new babies for Becky, new schools and a whole new business for Gemma, can they keep their heads above water and find that they're #winningatlife?Readers love Kathryn Wallace:***** I have been a mum at the school gates and the observations in this book are spot on. I shall be recommending it to all the school mums I know - NetGalley Reader**** A perfect read to snort with laughter over whilst lying in a bath with a glass of bubbles (if you can get the kids to stay out of the bathroom for long enough)! - NetGalley Reader**** Kathryn Wallace has Absolutely Smashed It with this novel. I loved it and couldn't put it down... had me properly laughing out loud several times - NetGalley Reader**** This will make you giggle about life as a parent where we are all spinning plates of different sizes and at different speeds. I would recommend wholeheartedly to fellow friends who are also spinning their own plates! - NetGalley Reader***** A hilariously, honest, open, recognisable and highly relatable story - NetGalley Reader***** A light hearted but honest look at mummies, yummy mummies and can't quite manage everything mummies - NetGalley Reader

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Mariele Neudecker is a German-born, Bristol-based artist working at the crossover of art and science. Her multimedia practice, which incorporates sculpture, video, painting and sound, explores the processes and effects of perception, the complexities and contradictions of landscapes and visuality, and the politics of representation and territorialisation. The influence of the nineteenth-century German romantic sublime is interwoven alongside inspiration from Neudecker’s work with scientists, as a guest artist on the Arts at CERN programme, her trips to the Arctic and travel elsewhere.This major monograph, published following an exhibition of the same name at Limerick City Gallery of Art – Neudecker’s first comprehensive solo exhibition in Ireland - presents more than 200 works from a 35-year-long career. In addition to a foreword by Úna McCarthy, the gallery's Director and Curator, essays by distinguished academics and curators from across the fields of art and science address diverse areas of Neudecker’s practice. A 'timeline' that Neudecker made specially for 'SEDIMENT' concludes the publication.Greer Crawley, an Honorary Research Fellow in the Department of Drama, Theatre and Dance at Royal Holloway, University of London, considers Neudecker’s archive, studio and her working processes, while Ariane Koek, an international expert in the field of arts, science and technology, suggests that the contemporary sublime Neudecker is so often described as seeking is, for her, the very process of perception itself. Her comprehensive introduction to Neudecker’s practice also discusses the tank works, for which the artist is best known, in which fibreglass landscapes are suspended in chemical solutions.James Peto, from the Wellcome Collection, London, focuses on issues of representation, post-colonialism and ‘time’, while Alice Sharp, Artistic Director of Invisible Dust, looks at Neudecker’s work and collaborations concerning the deep sea.Klaus Dodds, Professor of Geopolitics at Royal Holloway, University of London, returns to questions of territorialisation in and around the Arctic, and Professor Kerstin Mey, Interim President of the University of Limerick, considers the genre of still life in Neudecker’s photographic series 'Plastic Vanitas' (2015).Dominic Gray, Projects Director at Opera North, offers insight into Neudecker’s work with sound and music, addressing issues of performance, translation and scale; while Pontus Kyander, an independent writer and curator based in Helsinki, returns to the motif of the forest, arguing that any reading of Neudecker's work might be taken beyond an interest in landscape and the sublime to incorporate contemporary ecological questions. Finally, Crawley's second offering returns to Neudecker's use of sound - its juxtaposition and superimposition, alongside the notion of the window as a device, considering how each creates 'temporal turbulences' and 'an entanglement of materiality, space, form and position,' foregrounding the artist’s desire for viewers to see everything as eternally in flux.The publication, which is released to coincide with a new iteration of Neudecker's exhibition 'SEDIMENT' at Hestercombe, Somerset, in summer 2021, has been edited by Greer Crawley, designed by Herman Lelie and Stefania Bonelli, and printed by EBS Verona. It is published by Anomie Publishing, London.Mariele Neudecker (b. 1965, Dusseldorf, Germany) undertook a BA at Goldsmiths College, London (1987–90), and an MA in sculpture at Chelsea College of Art and Design, London (1990-1). She has shown widely in international solo and group exhibitions. Neudecker is Professor of Fine Art at Bath School of Art, where she runs the research cluster Making | Art | Science | Environment. She is on the Arts at CERN’s guest programme, the European Commission’s JRC SciArt advisory panel and the steering committee of Centre of Gravity, UK. Neudecker works with Pedro Cera, Lisbon; In Camera Gallery, Paris; and Thomas Rehbein Galerie, Cologne.

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The forgotten story of the nineteenth-century freethinkers and twentieth-century humanists who tried to build their own secular religionIn The Church of Saint Thomas Paine, Leigh Eric Schmidt tells the surprising story of how freethinking liberals in nineteenth-century America promoted a secular religion of humanity centered on the deistic revolutionary Thomas Paine (1737–1809) and how their descendants eventually became embroiled in the culture wars of the late twentieth century.After Paine’s remains were stolen from his grave in New Rochelle, New York, and shipped to England in 1819, the reverence of his American disciples took a material turn in a long search for his relics. Paine’s birthday was always a red-letter day for these believers in democratic cosmopolitanism and philanthropic benevolence, but they expanded their program to include a broader array of rites and ceremonies, particularly funerals free of Christian supervision. They also worked to establish their own churches and congregations in which to practice their religion of secularism.All of these activities raised serious questions about the very definition of religion and whether it included nontheistic fellowships and humanistic associations—a dispute that erupted again in the second half of the twentieth century. As right-wing Christians came to see secular humanism as the most dangerous religion imaginable, small communities of religious humanists, the heirs of Paine’s followers, were swept up in new battles about religion’s public contours and secularism’s moral perils.An engrossing account of an important but little-known chapter in American history, The Church of Saint Thomas Paine reveals why the lines between religion and secularism are often much blurrier than we imagine.

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A religious studies scholar argues that in antebellum America, evangelicals, not Transcendentalists, connected ordinary Americans with their spiritual roots in the natural world.We have long credited Emerson and his fellow Transcendentalists with revolutionizing religious life in America and introducing a new appreciation of nature. Breaking with Protestant orthodoxy, these New Englanders claimed that God could be found not in church but in forest, fields, and streams. Their spiritual nonconformity had thrilling implications but never traveled far beyond their circle. In this essential reconsideration of American faith in the years leading up to the Civil War, Brett Malcolm Grainger argues that it was not the Transcendentalists but the evangelical revivalists who transformed the everyday religious life of Americans and spiritualized the natural environment.Evangelical Christianity won believers from the rural South to the industrial North: this was the true popular religion of the antebellum years. Revivalists went to the woods not to free themselves from the constraints of Christianity but to renew their ties to God. Evangelical Christianity provided a sense of enchantment for those alienated by a rapidly industrializing world. In forested camp meetings and riverside baptisms, in private contemplation and public water cures, in electrotherapy and mesmerism, American evangelicals communed with nature, God, and one another. A distinctive spirituality emerged pairing personal piety with a mystical relation to nature.As Church in the Wild reveals, the revivalist attitude toward nature and the material world, which echoed that of Catholicism, spread like wildfire among Christians of all backgrounds during the years leading up to the Civil War.

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In his fascinating new book, based on the Conway Lectures he delivered at Notre Dame in 2016, William Courtenay examines aspects of the religious life of one medieval institution, the University of Paris, in the thirteenth and fourteenth centuries. In place of the traditional account of teaching programs and curriculum, however, the focus here is on religious observances and the important role that prayers for the dead played in the daily life of masters and students. Courtenay examines the university as a consortium of sub-units in which the academic and religious life of its members took place, and in which prayers for the dead were a major element. Throughout the book, Courtenay highlights reverence for the dead, which preserved their memory and was believed to reduce the time in purgatory for deceased colleagues and for founders of and donors to colleges. The book also explores the advantages for poor scholars of belonging to a confraternal institution that provided benefits to all members regardless of social background, the areas in which women contributed to the university community, including the founding of colleges, and the growth of Marian piety, seeking her blessing as patron of scholarship and as protector of scholars. Courtenay looks at attempts to offset the inequality between the status of masters and students, rich and poor, and college founders and fellows, in observances concerned with death as well as rewards and punishments in the afterlife. Rituals for the Dead is the first book-length study of religious life and remembrances for the dead at the medieval University of Paris. Scholars of medieval history will be an eager audience for this title.

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The 1960s marked a transformation of human rights activism in the United States. At a time of increased concern for the rights of their fellow citizens—civil and political rights, as well as the social and economic rights that Great Society programs sought to secure—many Americans saw inconsistencies between domestic and foreign policy and advocated for a new approach. The activism that arose from the upheavals of the 1960s fundamentally altered U.S. foreign policy—yet previous accounts have often overlooked its crucial role.In From Selma to Moscow, Sarah B. Snyder traces the influence of human rights activists and advances a new interpretation of U.S. foreign policy in the “long 1960s.” She shows how transnational connections and social movements spurred American activism that achieved legislation that curbed military and economic assistance to repressive governments, created institutions to monitor human rights around the world, and enshrined human rights in U.S. foreign policy making for years to come. Snyder analyzes how Americans responded to repression in the Soviet Union, racial discrimination in Southern Rhodesia, authoritarianism in South Korea, and coups in Greece and Chile. By highlighting the importance of nonstate and lower-level actors, Snyder shows how this activism established the networks and tactics critical to the institutionalization of human rights. A major work of international and transnational history, From Selma to Moscow reshapes our understanding of the role of human rights activism in transforming U.S. foreign policy in the 1960s and 1970s and highlights timely lessons for those seeking to promote a policy agenda resisted by the White House.

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Despite his promising start as a young man, by his early fifties Chester A. Arthur was known as the crooked crony of New York machine boss Roscoe Conkling. For years Arthur had been perceived as unfit to govern, not only by critics and the vast majority of his fellow citizens but by his own conscience. As President James A. Garfield struggled for his life, Arthur knew better than his detractors that he failed to meet the high standard a president must uphold.And yet, from the moment President Arthur took office, he proved to be not just honest but brave, going up against the very forces that had controlled him for decades. He surprised everyone--and gained many enemies--when he swept house and took on corruption, civil rights for blacks, and issues of land for Native Americans.A mysterious young woman deserves much of the credit for Arthur's remarkable transformation. Julia Sand, a bedridden New Yorker, wrote Arthur nearly two dozen letters urging him to put country over party, to find "the spark of true nobility" that lay within him. At a time when women were barred from political life, Sand's letters inspired Arthur to transcend his checkered past--and changed the course of American history.This beautifully written biography tells the dramatic, untold story of a virtually forgotten American president. It is the tale of a machine politician and man-about-town in Gilded Age New York who stumbled into the highest office in the land, only to rediscover his better self when his nation needed him.

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