Search results for ""manchester university press""

Mike Leigh may well be Britain’s greatest living film director; his worldview has permeated our national consciousness. This book gives detailed readings of the nine feature films he has made for the cinema, as well as an overview of his work for television. Written with the co-operation of Leigh himself, this is the first study of his work to challenge the critical privileging of realism in histories of the British cinema, placing the emphasis instead on the importance of comedy and humour: of jokes and their functions, of laughter as a survival mechanism, and of characterisations and situations that disrupt our preconceptions of ‘realism’. Striving for the all-important quality of truth in everything he does, Leigh has consistently shown how ordinary lives are too complex to fit snugly into the conventions of narrative art. From the bittersweet observation of Life is Sweet or Secrets and Lies, to the blistering satire of Naked and the manifest compassion of Vera Drake, he has demonstrated a matchless ability to perceive life’s funny side as well as its tragedies.

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This is a practical, user-friendly guide to researching your family history in Scotland. Its aim is to provide sign-posts to the past and to solve problems faced by those seeking to discover their ancestors and explore their lives. It shows how to make the most of research resources and catalogues of collections held in archives and libraries, both online and on paper. Emphasis is laid on locating, selecting, evaluating and using sources, as well as finding out what is locally available and what is kept in Scottish central archives. Guidance is given on how to keep records and make a research plan. Other sections look at topics such as birth, marriage and death – how to use the core sources of statutory registers, census returns and parish registers, as well as how important information can also be found in other records relating to these ‘facts of life’. A section on profiling the ancestors shows how further research can inform the reader about how they can find out more about their forebears, or ‘how to put flesh on the ancestral bones’. A final section offers help in the often daunting task of understanding Scottish legal documentsThe book is designed to help those who are starting out on the ancestral trail and also to point more experienced researchers, including students on genealogical courses, in new directions.

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This book reveals the ideas behind the Beat vision which influenced the Beat sound of the songwriters who followed on from them. Having explored the thinking of Alan Watts, who coined the term ‘Beat Zen’, and who influenced the counterculture which emerged out of the Beat movement, it celebrates Jack Kerouac as a writer in pursuit of a ‘beatific’ vision. On this basis, the book goes on to explain the relevance of Kerouac and his friends Allen Ginsberg and Gary Snyder to songwriters who emerged in the 1960s. Not only are new, detailed readings of the lyrics of the Beatles and of Dylan given, but the range and depth of the Beat legacy within popular song is indicated by way of an overview of some important innovators: Jim Morrison, Joni Mitchell, Leonard Cohen, Donovan, the Incredible String Band, Van Morrison and Nick Drake.

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‘Realist film theory and cinema’ embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films.The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life.Aitken’s work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.

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The first edition of New challenges for documentary provided a major stimulus for teaching about documentary film and television and fresh encouragement for critical thinking about practice. This second edition brings together many new contributions both from academics and filmmakers, reflecting shifts both in documentary production itself, and in ways of discussing it.Once again, the emphasis has been on clear and provocative writing, sympathetic to the practical challenges of documentary film-making but making connections with a range of work in media and communications analysis.With its wide range of contributors and the international scope of its agenda, New challenges for documentary will be essential reading for general filmmakers and documentary students both of academic and practical inclinations.

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The politics of Englishness provides a digest of the debates about England and Englishness and a unique perspective on those debates. Not only does the book provide readers with ready access to and interpretation of the significant literature on the English Question, it also enables them to make sense of the political, historical and cultural factors which constitute that question.The book addresses the condition of England in three interrelated parts. The first looks at traditional narratives of the English polity and reads them as variations of a legend of political Englishness, of England as the exemplary exception, exceptional in its constitutional tradition and exemplary in its political stability. The second considers how the decay of that legend has encouraged anxieties about English political identity and about how English identity can be recognised within the new complexity of British governance. The third revisits these narratives and anxieties, examining them in terms of actual and metaphorical ‘locations’ of Englishness: the regional, the European and the British.

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John Wyclif (d. 1384) was among the leading schoolmen of fourteenth-century Europe. He was an outspoken controversialist and critic of the Church, and, in his last days at Oxford, the author of the greatest heresy that England had known. This volume offers new translations of a representative selection of his Latin writings on theology, the Church and the Christian life. It provides a comprehensive view of the life of this charismatic but irascible medieval theologian, and of the development of the most prominent dissenting mind in pre-Reformation England. This collection will be of interest to undergraduate and graduate students of medieval history, historical theology and religious heresy, as well as scholars in the field.

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The first in-depth assessment of ‘re-vision’ as a phenomenon in women’s drama, examining the diverse ways in which classical myth narratives have been reworked by women playwrights for the European stage. This study explores the ideological and aesthetic potential of such practice and silmultaneously exposes the tensions inherent in attempts to challenge narratives that have fundamentally shaped western thought.From tracing the persistence of classical myths in contemporary culture and the significance of this in shaping gendered identities and opportunities, through to analysis of individual plays and productions, Babbage reveals how myths have served in the theatre as ‘pretexts’ for ideological debate; enabling exploration of the fragile borders between mythic and the everyday and how revision has been regarded, not unproblematically, as a route towards restructuring the self.This makes compelling reading for anyone interested in women’s writing for the theatre or wider practices of adaptation in literature and performance.

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This pioneering study of migrant journeys to Britain begins with Huguenot refugees in the 1680s and continues to asylum seekers and east European workers today. Analyzing the history and memory of migrant journeys, covering not only the response of politicians and the public but also literary and artistic representations, then and now, Kushner’s volume sheds new light on the nature and construction of Britishness from the early modern era onwards. It is an essential tool for those wanting to understand why people come to Britain (or are denied entry) and how migrants have been viewed by state and society alike. The journeys covered vary from the famous (including the Empire Windrush in 1948) to the obscure, such as the Volga German transmigrants passing through Britain in the 1870s. While employing a broadly historical approach, Kushner incorporates insights from many other disciplines and employs a comparative methodology to highlight the importance of the symbolic as well as the physical nature of such journeys.

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This original and fresh approach to the emotions of adolescence focuses on the leisure lives of working-class boys and young men in the inter-war years. Being Boys challenges many stereotypes about their behaviour. It offers new perspectives on familiar and important themes in interwar social and cultural history, ranging from the cinema and mass consumption to boys’ clubs, personal advice pages, street cultures, dancing, sexuality, mobility and the body. It draws on many autobiographies and personal accounts and is particularly distinctive in offering an unusual insight into working-class adolescence through the teenage diaries of the author’s father, which are interwoven with the book’s broader analysis of contemporary leisure developments. Being Boys will be of interest to scholars and students across the humanities and social sciences and is also relevant to those teaching and studying in the fields of child development, education, and youth and community studies.

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Forever fluid is a rich feast of literary and philosophical insight. It provides the first English commentary on Luce Irigaray’s poetic text, Elemental Passions, setting it within its context within continental thought. It explores Irigaray’s images and intentions, developing the gender drama that takes place within her book, and draws the reader into the conversation in the text between ‘I-woman’ and ‘you-man’.But the book is also much more than this, as it uses the exploration of sexual difference as a means to challenge the system of binary logic which has pervaded western thought since Aristotle. It develops the exciting idea of a fluid logic which can move beyond oppositions to multiple subjects and creativity of thought and action. While challenging Irigaray’s refusal to move beyond sexual difference, the book shows how her representation of sexual difference enables appreciation of difference of all kinds.

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Turkey's involvement in the Gulf War in 1991 paved the way for the country's acceptance into the European Union. This book, newly available in paperback, traces that process and in the first part looks at Turkey's foreign policy in the 1990s, considering the ability of the country to withstand the repercussions of the fall of communism. It focuses on Turkey's achievement in halting and minimising the effects of the temporary devaluation in its strategic importance that resulted from the waning of the Cold War and the disintegration of the Soviet Union, the skilful way in which Turkey avoided becoming embroiled in the ethnic upheavals in Central Asia, the Balkans and the Middle East, and the development of a continued policy of closer integration into the European and western worlds.Internal politics are the focus of the second part of the book, addressing the curbing of the Kurdish revolt, the economic gains made, and the strengthening of civil society. Nachmani goes on to analyse the prospects for Turkey in the twenty-first century, in the light of the possible integration into Europe, which may leave the country's leadership free to deal effectively with domestic issues.This book will make crucial reading for anyone studying Turkish politics, or indeed European or European Union politics.

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Noah’s Flood is one of the Bible’s most popular stories, and flood myths survive in many cultures today. This book presents the first comprehensive examination of the incorporation of the Flood myth into the Anglo-Saxon imagination. Focusing on literary representations, it contributes to our understanding of how Christian Anglo-Saxons perceived their place in the cosmos. For them, history unfolded between the primeval Deluge and a future – perhaps imminent – flood of fire, which would destroy the world. This study reveals both an imaginative diversity and shared interpretations of the Flood myth. Anglo-Saxons saw the Flood as a climactic event in God’s ongoing war with his more rebellious creatures, but they also perceived the mystery of redemption through baptism. Anlezark studies a range of texts against their historical background, and discusses shifting emphases in the way the Flood was interpreted for diverse audiences. The book concludes with a discussion of Beowulf, relating the epic poem’s presentation of the Flood myth to that of other Anglo-Saxon texts.

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This is an authoritative account of the career of Sydney Box, one of British cinema’s most successful and significant producers. Concentrating on the period 1940-65, it highlights the crucial but often misunderstood role that the producer plays in the film making process and, using largely unpublished material, affords an exceptional insight into the workings of the film industryBox’s career was exceptionally varied and this study analyses the work of his company Verity Films which wartime produced over 100 short propaganda films during the Second World War, as well as Box’s work as a feature film producer and as managing director of Gainsborough Pictures (1946-49). It encompasses the difficulties he experienced as an independent producer in the 1950s and the formation of Sydney Box Associates, his role in early television history, and his imaginative if unsuccessful bids for British Lion and London Weekday Television in the early sixties.This study will be essential reading for scholars and students interested in British cinema and television history, but its focus on the frequently misrepresented or misunderstood role of the producer will make it valuable for students of film generally.

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Chartism, the mass movement for democratic rights, dominated British domestic politics in the late 1830s and 1840s. It mobilised over three million supporters at its height. Few modern European social movements, certainly in Britain, have captured the attention of posterity to quite the extent it has done. Encompassing moments of great drama, it is one of the very rare points in British history where it is legitimate to speculate how close the country came to revolution. It is also pivotal to debates around continuity and change in Victorian Britain, gender, language and identity. Chartism: A New History is the only book to offer in-depth coverage of the entire chronological spread (1838-58) of this pivotal movement and to consider its rich and varied history in full. Based throughout on original research (including newly discovered material) this is a vivid and compelling narrative of a movement which mobilised three million people at its height. The author deftly intertwines analysis and narrative, interspersing his chapters with short ‘Chartist Lives’, relating the intimate and personal to the realm of the social and political. This book will become essential reading for anyone with an interest in early Victorian Britain, specialists, students and general readers alike.

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R.K. Narayan’s reputation as one of the founding figures of Indian writing in English is re-examined in this comprehensive study of his fiction, which offers detailed readings of all his novels. Arguing against views that have seen Narayan as a chronicler of “authentic” Indianness, John Thieme locates his fiction in terms of its specific South Indian contexts and cultural geography and its non-Indian intertexts. The study also considers the effect that Narayan’s writing for overseas publication had on novels such as Swami and Friends, The Guide and The Man-Eater of Malgudi.Narayan’s imaginary small town of Malgudi has often been seen as a metonym for India. Thieme draws on recent thinking about the ways in which place and space are constructed to demonstrate that Malgudi is always a fractured and transitional site, an interface between older conceptions of Indianness and contemporary views that stress the ubiquitousness and inescapability of change in the face of modernity. The study also shows that Malgudi is seen from varying angles of vision and with shifting emphases at different points in Narayan’s career. As well as offering fresh insights into the influences that went into the making of Narayan’s fiction, this is the most wide-ranging and authoritative guide to his novels to have appeared to date. It provides a unique account of his development as a writer.

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Men in political theory builds on feminist re-readings of the traditional canon of male writers in Political Philosophy by turning the 'gender lens' on to the representation of men in widely studies texts. It explains the distinction between 'man' as an apparently de-gendered 'individual' or 'citizen', and 'man' as an overtly gendered being in human society. Both these representations of 'man' are crucial to a clearer understanding of the operation of gender.Newly available in paperback, the book is the first to use the 'men's studies' and 'masculinities' literatures in re-thinking the political problems that students and specialists in the social sciences and humanities must encounter: consent, obligation, patriarchy, gender, sexuality, life-cycle, and discriminatory disadvantage related to sex, age, class, race/ethnicity and disability. It does this by re-examining the historical materials from which present-day concepts of citizenship, individuality, identity, subjectivity, normativity and legitimacy arise.The ten chapters on Plato, Aristotle, Jesus, Augustine, Machiavelli, Hobbes, Locke, Rousseau, Marx and Engels show the operation of the 'gender lens' in different ways, depending on how the philosopher deploys concepts of men and masculinity to pose and solve classic problems. They can all be read independently and are as suitable for those just making the acquaintance of these classic writers as for those with specialist knowledge and interests.

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There is an urgent need for a book of this nature which provides students with all the essential information required and a full definition of terms. A perfect companion to European politics today, written by the same authors, this book presents past events, prominent personalities, important dates, organisations and electoral information in an accessible, easy-to-read format. The book is split into five sections for ease of use: a dictionary of significant political events, a chronology of major events in Europe since 1945, a biographical dictionary, a dictionary of political organisations and electoral data. In addition to being a comprehensive reference tool, this book is intended to provide a sound historical background to the development of Western European politics.

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A fully-rounded anthology of women's writing from World War One containing the known and unknown biographers and fiction writers of the period.. Explores the impact of the war on ideology, gender, genre and society and is a perfect complimentary text to Trudi Tate's Women Men and the Great War.. Aims to re-read the First World War as a female experience by drawing on the public and private sources of a wide range of different women.. Uses diaries, letters, articles and essays many of which have not been published.. Invaluable source document for scholars in many disciplines.

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This is the first collection of translated sources on towns in medieval England. It draws on the great variety of written evidence for this significant and dynamic period of urban development, and invites students to consider for themselves the challenges and opportunities presented by a wide range of primary written sources. The introduction and editorial commentary situate the extracts within the larger context of European urban history, against a longer chronological backdrop and in relation to the most up-to-date research. Suggestions for further reading enable the student to engage critically with the materials and encourage new work in the field. Collectively, the texts and commentary provide an overview of English medieval urban history, while the emphasis throughout is on the particular character and potential of each type of written evidence, from legal and administrative records to inventories of shops, and from letters and poetry to legendary civic histories.

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Provides students with a clear narrative overview of the period which will enable them to form critical opinions. Introduces students to the historical controversies of the period and communicates the results of recent specialist studies to a student readership in an easily understood manner. An accessible, clearly written account accompanied by useful bibliography, chronology, tables and maps, and written by an author teaching in the field.

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Documentary is a controversial and important area of media production. The art of record is a fascinating insight into the function of documentary in film and television. Its attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of public culture, have increased its interest and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary as both artefact and as reference. The book provides a valuable detailed analysis of specific examples of powerful documentary films and programmes such as Cathy Come Home, Life and Times of Rosie the Rivetter and When the Dog Bites.

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Completed only two months before the author's execution in Granada at the age of thirty-eight, La casa de Bernarda Alba marks the completion of Lorca's 'trilogia de la tierra española' and is commonly held to be his greatest play. The theme of vitality and repression that runs as a leitmotif through his writings takes on a clearer social dimension in the 'drama de mujeres en los pueblos de España', with the presentation of a household of five unmarried daughters tyrannised by their mother's excessive concern with social class and obscurantist village morality.

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"This excellent edition is most welcome. A select bibliography, a brief vocabulary, several footnotes to explain points of difficulty, fourteen long endnotes... and even the music of the songs, make the edition an extremely valuable and interesting volume, offering the reader the text of the play itself and important new insights into its structure, its significance and indeed its success."Professor Leo Hickey, 'Modern Languages'Bodas de sangre is arguably the best-known work by the most celebrated of all twentieth-century Spanish writers. A passionate story of family feud and tragic elopement is played out in the setting of a poor country village, building up to a dramatic ending full of the intensely poetic symbolism characteristic of Lorca.

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Human rights and humanitarian diplomacy provides an up to date and accessible overview of the field, and serves as a practical guide to those seeking to engage in human rights work. Pease argues that while human rights are internationally recognised, important disagreements exist on definition, priority and implementation. With the help of human rights diplomacy, these differences can be bridged, and a new generation of human rights professionals will build better relationships.

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The Autonomous Life? is an ethnography of the squatters' movement in Amsterdam written by an anthropologist who lived and worked in a squatters' community for over three years. During that time she resided as a squatter in four different houses, worked on two successful anti-gentrification campaigns, was evicted from two houses and jailed once. With this unique perspective, Kadir systematically examines the contradiction between what people say and what they practice in a highly ideological radicalleftcommunity. The squatters' movement defines itself primarily as anti-hierarchical and anti-authoritarian, and yet is perpetually plagued by the contradiction between this public disavowal and the maintenance of hierarchy and authority within the movement. This study analyses how this contradiction is then reproduced in different micro-social interactions, examining the methods by which people negotiate minute details of their daily lives as squatter activists in the face of a fun house mirror of ideological expectations reflecting values from within the squatter community, that, in turn, often refract mainstream, middle-class norms.Using a unique critical perspective informed by gender and subaltern studies, this study contributes to social movements literature through a meticulous analysis of the production of power and hierarchy in a social movement subculture.

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The Conservative Private Members (1922) Committee is an important but elusive force in British politics. Despite becoming almost a household name during the leadership crises of 2022, it remains little understood beyond the corridors of Westminster.Established in 1923 by a group of Conservative MPs elected the year before, the Committee offers backbenchers an opportunity to discuss their views and coordinate independently of the frontbench. Over time it has become the kingmaker of the Conservative Party, overseeing leadership elections and confidence votes such as that faced by Boris Johnson over ‘partygate’.How did the Committee come together? How is it structured and how much power does it really wield? These are among the questions the book considers. Providing unprecedented insights into this long-standing institution, it is essential reading for anyone who cares about the integrity of our political system.

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The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery’s outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art.Artworks and artefacts examined here expose understudied aspects of Dürer’s art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.

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Jane Austen, widely acclaimed as one of the greatest English novelists, possessed another talent that enriched her life and work - music. She played and sang draws on the newly digitised music books of the Austen family, granting us a deeper understanding of the writer's artistic prowess and the influences that shaped her literary masterpieces. --

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Art + Archive provides an in-depth analysis of the connection between art and the archive at the turn of the twenty-first century. The book examines how the archive emerged in art writing in the mid-1990s and how its subsequent ubiquity can be understood in light of wider social, technological, philosophical and art-historical conditions and concerns. Deftly combining writing on archives from different disciplines with artistic practices, the book clarifies the function and meaning of one of the most persistent artworld buzzwords of recent years, shedding light on the conceptual and historical implications of the so-called archival turn in contemporary art.

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The definitive guide to the world’s most contested region.The Indo-Pacific is both a place and an idea. It is the region central to global prosperity and security. It is also a metaphor for collective action. If diplomacy fails, it will be the theatre of the first general war since 1945. But if its future can be secured, the Indo-Pacific will flourish as a shared space, the centre of gravity in a connected world.What we call different parts of the world – Asia, Europe, the Middle East – seems innocuous. But the name of a region is totemic, guiding the decisions of leaders and the story of international order, war and peace. In recent years, the label ‘Indo-Pacific’ has suddenly gained wide use. But what does it really mean?Written by a globally-renowned expert, Indo-Pacific Empire is the definitive guide to tensions in the region. It deftly weaves together history, geopolitics, cartography, military strategy, economics, games and propaganda to address a vital question: how can China’s dominance be prevented without war?

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Since her death in 2011, the legendary Surrealist Leonora Carrington has been reconstructed and reinvented many times over. In this book, Gabriel Weisz Carrington draws on remembered conversations and events to demythologise his mother, revealing the woman and the artist behind the iconic persona.He travels between Leonora’s native England and adopted homeland of Mexico, making stops in New York and Paris and meeting some of the remarkable figures she associated with, from Max Ernst and André Breton to Remedios Varo and Alejandro Jodorowsky. At the same time, he strives to depict a complex and very real Surrealist creator, exploring Leonora not simply in relation to her romantic partners or social milieus but as the artist she always was.A textured portrait emerges from conversations, memories, stories and Leonora’s engagement with the books that she read.

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Beginning theory has been helping students navigate through the thickets of literary and cultural theory for over two decades. This new and expanded fourth edition continues to offer readers the best single-volume introduction to the field. The bewildering variety of approaches, theorists and technical language is lucidly and expertly unravelled. Unlike many books which assume certain positions about the critics and the theories they represent, Beginning theory allows readers to develop their own ideas once first principles and concepts have been grasped. The book has been updated for this edition and includes a new introduction, expanded chapters, and an overview of the subject ('Theory after "Theory"') which maps the arrival of new 'isms' since the second edition appeared in 2002 and the third edition in 2009.

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Mother Bombie is unique among Lyly’s comedies in its urban setting and focus upon middle and lower class concerns. The play turns on the tissue of misconceptions surrounding the efforts of four fathers to secure socially advantageous marriages for their heirs, and the determination of their young servants to exploit their masters’ misguided aspirations for their own advantage. A theatrical success in its own day, the play is of particular interest to twenty-first century criticism for its focus upon those situated on the margins of the social group, notably Mother Bombie herself, thought by some to be a witch, and the two simpletons whose marital prospects lie at the heart of the action.This fully annotated, modern-spelling edition of the play, now available in paperback, is re-edited from the earliest witnesses; the quartos of 1594 and 1598, and incorporates the songs first published by Blount in his collected edition of Lyly’s works in 1632

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This book is the first comprehensive survey of women in the Weimar Republic, exploring the diversity and multiplicity of women’s experiences in the economy, politics and society. Taking the First World War as a starting point, this book explores the great changes in the lives, expectations and perceptions of German women, with new opportunities in employment, education and political life and greater freedoms in their private and social life, all played out in the media spotlight. Engaging with the most recent research and debates, this book portrays the Weimar Republic as a period of progressive change for young, urban women, to be stalled in 1933.This book will be essential reading for students and researchers of German women in the early twentieth century and will also appeal to anyone interested in the Weimar Republic and women’s history.

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Heresy and inquisition in France, 1200–1300 is an invaluable collection of primary sources in translation, aimed at students and academics alike. It provides a wide array of materials on both heresy (Cathars and Waldensians) and the persecution of heresy in medieval France. The book is divided into eight sections, each devoted to a different genre of source material. It contains substantial material pertaining to the setting up and practice of inquisitions into heretical wickedness, and a large number of translations from the registers of inquisition trials. Each source is introduced fully and is accompanied by references to useful modern commentaries. The study of heresy and inquisition has always aroused considerable scholarly debate; with this book, students and scholars can form their own interpretations of the key issues, from the texts written in the period itself.

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Is parents’ power over their children legitimate? And what role does theoretical analysis play when we make such normative evaluations? While this book adds to the growing literature on parents, children, families, and the state, it does so by focusing on one issue, the legitimacy of parents’ power. It also takes seriously the challenge posed by moral pluralism, and considers the role of both theoretical rationality and practical judgement in resolving moral dilemmas associated with parental power.The primary intended market for this book is advanced undergraduate and postgraduate students and established academics, in particular those with an interest in practical and applied ethics, contemporary political theory, moral theory, social theory, the sociology of childhood, political sociology, social work, and social policy.

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Since her death in 2011, the legendary Surrealist Leonora Carrington has been reconstructed and reinvented many times over. In this book, Gabriel Weisz Carrington draws on remembered conversations and events to demythologise his mother, revealing the woman and the artist behind the iconic persona.He travels between Leonora’s native England and adopted homeland of Mexico, making stops in New York and Paris and meeting some of the remarkable figures she associated with, from Max Ernst and André Breton to Remedios Varo and Alejandro Jodorowsky. At the same time, he strives to depict a complex and very real Surrealist creator, exploring Leonora not simply in relation to her romantic partners or social milieus but as the artist she always was.A textured portrait emerges from conversations, memories, stories and Leonora’s engagement with the books that she read.

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In 1934, Joseph Stalin enacted sodomy laws, unleashing a wave of brutal detentions of homosexual men in large Soviet cities. Rustam Alexander recounts the compelling stories of people whose lives were directly affected by those laws, including a naïve Scottish journalist based in Moscow who dared to write to Stalin in an attempt to save his lover from prosecution, and a homosexual theatre student who came to Moscow in pursuit of a career amid Stalin’s harsh repressions and mass arrests. We also meet a fearless doctor in Siberia who provided medical treatment for gay men at his own peril, and a much-loved Soviet singer who hid his homosexuality from the secret police. Each vignette helps paint the hitherto unknown picture of how Soviet oppression of gay people originated and was perpetuated from Stalin’s rule until the demise of the USSR. This book comes at a time when homophobia is again rearing its ugly head under Putin’s rule.

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Backed by Brazil’s wealthy agribusiness groups, a growing evangelical movement, and an emboldened military and police force, Jair Bolsonaro took office in 2019. Driven by the former army captain’s brand of controversial, aggressive rhetoric, the divisive presidential campaign saw fake news and misinformation shared with Bolsonaro’s tens of millions of social media followers.Bolsonaro promised simple solutions to Brazil’s rising violent crime, falling living standards and widespread corruption, but what has emerged is Latin America's most right-wing president since the military dictatorships of the 1970s. Famous for his racist, homophobic and sexist beliefs and his disregard for human rights, he has established a reputation based on his polemical, sensationalist statements. Written by a journalist with decades of experience in the field, Beef, Bible and bullets is a compelling account of the origins of Brazil's unique brand of right-wing populism.

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This book offers a nuanced and detailed examination of two of the most important current debates about contemporary Russia's international activity: is Moscow acting strategically or opportunistically, and should this be understood in regional or global terms? The book addresses core themes of Russian activity – military, energy and economic - but it offers an unusual multi-disciplinary analysis to these themes. Monaghan incorporates both regional and thematic specialist expertise to give a fresh perspective to each of these core themes.Underpinned by detailed analyses of the revolution in Russian geospatial capabilities and the establishment of a strategic planning foundation, the book includes chapters on military and maritime strategies, energy security and economic diversification and influence. This serves to highlight the connections between military and economic interests that shape and drive Russian strategy.

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A brilliant polymath and part of the 'first wave' of British Romanticism, Thomas Manning was one of the first Englishmen to study Chinese language and culture. Like famous friends including Samuel Taylor Coleridge and Charles Lamb, Manning was inspired by the French Revolution and had ambitious plans for making a better world. While his contemporaries turned to the poetic imagination and the English countryside, Manning looked further afield – to China, one of the world’s most ancient and sophisticated civilizations. His travels included the salons of Napoleonic Paris, a period as a prisoner of war, a dramatic shipwreck and, disguised as a Buddhist pilgrim, a trek through the Himalayas to Tibet, where he met the Dalai Lama. Manning’s extraordinary story sheds a new light on English Romanticism.

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What did it mean for painter Lee Krasner to be an artist and a woman if, in the culture of 1950s New York, to be an artist was to be Jackson Pollock and to be a woman was to be Marilyn Monroe? With this question, Griselda Pollock begins a transdisciplinary journey across the gendered aesthetics and the politics of difference in New York abstract, gestural painting. Revisiting recent exhibitions of Abstract Expressionism that either marginalised the artist-women in the movement or focused solely on the excluded women, as well as exhibitions of women in abstraction, Pollock reveals how theories of embodiment, the gesture, hysteria and subjectivity can deepen our understanding of this moment in the history of painting co-created by women and men. Providing close readings of key paintings by Lee Krasner and re-thinking her own historic examination of images of Jackson Pollock and Helen Frankenthaler at work, Pollock builds a cultural bridge between the New York artist-women and their other, Marilyn Monroe, a creative actor whose physically anguished but sexually appropriated star body is presented as pathos formula of life energy.Monroe emerges as a haunting presence within this moment of New York modernism, eroding the policed boundaries between high and popular culture and explaining what we gain by re-thinking art with the richness of feminist thought.

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The ABC of the projectariat contributes new thinking on and practical responses to the widespread problem of precarious labour in the field of contemporary art. It works as both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide.In an accessible ABC format, the book strikes a unique balance between the practical and the theoretical: the analysis is backed up by lived experience, the arguments are rooted in concrete examples and there are suggestions for constructive action. Roughly half of the entries expose the structural underpinnings of projects and circulation, isolating traits such as opportunism, neoliberalism, inequality, fear and cynicism at the root of the condition of the projectariat. This discussion is paired with a practical account of different modes of action, such as art strikes, productive withdrawals, political struggles and better social time machines. Just as proletarians had nothing to lose but their chains, the projectarians have nothing to miss but their deadlines.

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Delving into a hitherto unexplored aspect of Irish art history, Painting Dublin, 1886–1949 examines the depiction of Dublin by artists from the late-nineteenth to the mid-twentieth century. Artists’ representations of the city have long been markers of civic pride and identity, yet in Ireland such artworks have been overlooked in favour of the rural and pastoral. Framed by the shift from city of empire to capital of an independent republic, this book examines artworks by Walter Osborne, Rose Barton, Jack B. Yeats, Harry Kernoff, Estella Solomons and Flora Mitchell, encompassing a variety of urban views and artistic themes. While Dublin is already renowned for its representation in literature, this book will demonstrate the many attractions it held for Ireland’s artists, offering a vivid visualisation of the city’s streets and inhabitants at a crucial time in its history.

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The first account of one of the world’s most pressing humanitarian catastrophes.This eye-opening book reveals how China has used the US-led Global War on Terror as cover for its increasingly brutal suppression of the Uyghur people. China’s actions, it argues, have emboldened states around the globe to persecute ethnic minorities and severely repress domestic opposition in the name of combatting terrorism.Within weeks of the September 11 attacks on New York and Washington, the Chinese government announced that it faced a serious terrorist threat from its largely Muslim Uyghur ethnic minority. Nearly two decades later, of the 11 million Uyghurs living in China today, more than 1 million have been detained in so-called re-education camps, victims of what has become the largest program of mass incarceration and surveillance in the world.Drawing on extensive interviews with Uyghurs in Xinjiang, as well as refugee communities and exiles, Sean Roberts tells a story that is not just about state policies, but about Uyghur responses to these devastating government programs. Providing a lucid and far-reaching analysis of China’s cultural genocide, The War on the Uyghurs allows the voices of those caught up in the human tragedy to be heard for the first time.

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In recent decades, the global wealth of the rich has soared to leave huge chasms of wealth inequality. This book argues that we cannot talk about inequalities in Britain today without talking about the monarchy.Running the Family Firm explores the postwar British monarchy in order to understand its economic, political, social and cultural functions. Although the monarchy is usually positioned as a backward-looking, archaic institution and an irrelevant anachronism to corporate forms of wealth and power, the relationship between monarchy and capitalism is as old as capitalism itself. This book frames the monarchy as the gold standard corporation: The Firm. Using a set of case studies – the Queen, Prince Charles, Prince Harry, Kate Middleton and Meghan Markle – it contends that The Firm’s power is disguised through careful stage management of media representations of the royal family. In so doing, it extends conventional understandings of what monarchy is and why it matters.

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Brilliant, volatile and invariably male, the surgeon stereotype is a widespread and instantly recognisable part of western culture. Setting out to anatomise this stereotype, Cold, hard steel offers an exciting new history of modern and contemporary British surgery. The book draws on archival materials and original interviews with surgeons, analysing them alongside a range of fictional depictions, from the Doctor in the House novels to Mills & Boon romances and the pioneering soap opera Emergency Ward 10. Presenting a unique social, cultural and emotional history, it sheds light on the development and maintenance of the surgical stereotype and explains why it has proved so enduring. At the same time, the book explores the more candid and compassionate image of the surgeon that has begun to emerge in recent years, revealing how a series of high-profile memoirs both challenge the surgical stereotype and simultaneously confirm it.

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