Search results for ""author jacob"

When Shabtai Zvi of Smyrna, a 17th Century man of piety, if eccentric and unruly, proclaims himself Messiah, euphoria and devotion ripple through Jewish communities worldwide. Imprisoned for sedition by the Ottomans, Shabtai converts to Islam to escape the death penalty, but his story doesn’t end there, as true believers follow their messiah into conversion, creating a unique hybrid religion that survived in secret for centuries, and inspiring Jacob Frank to claim, a century later, to be Shabtai’s reincarnation (the subject of Olga Tokarczuk’s Nobel Prize in Literature 2018 winner, The Books of Jacob). A work of fiction that melds poetry, prose and play, Unbridled Messiah is constructed from eyewitness accounts (real and imaginary), letters and historical sources, delivering an extraordinary and spell-binding narrative enlivened by Shinebourne’s chorus of Heavenly Sisters, who play with the ‘facts’, adding irreverent and mischievous interpretations. Long-listed for the Lucy Cavendish Fiction Prize 2020, Unbridled Messiah, is an ambitious, intelligent and inventive exploration of the multiple ways we approach and find salvation.

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This Norton Critical Edition includes: The first edition (1861), with the editors’ explanatory annotations, introduction, and glossary of the people of Incidents in the Life of a Slave Girl. Three illustrations. Key public statements by Harriet Jacobs, William C. Nell, the Reverend Francis J. Grimke, and others. A rich selection of correspondence by Harriet Jacobs, Lydia Maria Child, and John Greenleaf Whittier, suggesting Incidents’s initial reception. Ten major critical essays, six of them new to the Second Edition. A Chronology and a Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

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When a father can't decide who should wed his daughter, Jacob makes a dangerous pact to ensure that he can marry Gretchen. Should a father have a favourite child? An African dilemma puts the question another way. A wise judge concocts a plan to reveal who really is guilty in a tale from China. This varied collection from around the word is complemented with fabulous illustrations which children will love. TreeTops Greatest Stories offers children some of the worlds best-loved tales in a collection of timeless classics. Top children's authors and talented illustrators work together to bring to life our literary heritage for a new generation, engaging and delighting children. The books are carefully levelled, making it easy to match every child to the right book. Each book contains inside cover notes to help children explore the content, supporting their reading development. Teaching notes on Oxford Owl offer cross-curricular links and activities to support guided reading, writing, speaking and listening.

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Vuelven la magia, el misterio, los viajes en el tiempo y los personajes excéntricos que pueblan la imaginación de millones de lectores en el mundo.Tras haber vencido a la amenaza monstruosa que casi destruyó el mundo peculiar, Jacob Portman está de vuelta donde comenzó su historia, en Florida. Excepto que ahora la señorita Peregrine, Emma y sus amigos peculiares están con él, tratando de pasar desapercibidos. Pero los días en la playa de pronto se ven interrumpidos por un descubrimiento: un búnker subterráneo que pertenecía al abuelo Abe.Secretos ocultos durante mucho tiempo comienzan a emerger, y Jacob tendrá que aprender sobre el peligroso legado que formaba parte de él mucho antes de que descubriera el hogar de Miss Peregrine.

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"Another recent volume of the Gothic Fantasy series is Haunted House Short Stories, which offers another selection of excellent fiction." - Kirkus Following the great success of our Gothic Fantasy deluxe edition short story compilations, Supernatural Horror, Murder Mayhem, Lost Souls and many others, this latest title takes housebound trapped spirits and creepy gothic mansions as its chilling subject. Contains a potent mix of classic and brand new writing, with authors from the US, Canada, and the UK. Oh, what is that sound within the walls? The creaking floorboards, the children hiding in the mirror, the spirits that rake across the flesh of the mind – all find a home in this anthology of spine-tingling tales. New, contemporary and notable writers featured are: Rebecca Buchanan, Ramsey Campbell, H.B. Diaz, Tom English, John Everson, Marina Favila, Shannon Fay, Adele Gardner, Gwendolyn Kiste, Bill Kte'pi, John M. McIlveen, Kurt Newton, M. Regan, Zandra Renwick, Zach Shephard, Morgan Sylvia, and Mikal Trimm. Classic authors include E.F. Benson, Sheridan Le Fanu, Elizabeth Gaskell, W.W. Jacobs, M.R. James, Edith Wharton and more.

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This collection is a facsimile reprint of the initial publication of the Tonson miscellanies (in the first four of which Dryden played a prominent role as contributor, editorial adviser, and recruiter of contributors).In 1679 the enterprising young publisher Jacob Tonson entered into a business relationship with John Dryden, the most eminent English poet of the late seventeenth century. This was to last until Dryden's death in 1700, by which time Tonson was well established as the major English literary publisher of his day. Jacob Tonson (the Elder) has been called the first modern publisher'. One of the keystones of his publishing enterprises was the series of verse miscellanies of which the first editions appeared between 1684 and 1709. Unlike some later collections, these were not compilations of previously-published material, but of new work commissioned or collected expressly for these volumes by Tonson and until his death Dryden. As the label implies, their appea

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The sequel to Jason Offutt's award-winning novel, The Girl in the Corn, which critics have raved is an outstanding blend of horror, speculative fiction, and apocalyptic fantasy topped with madness (HorrorDNA) and a haunting, unsettling, gripping novel (Richard Thomas, a Bram Stoker and Shirley Jackson nominee).Evil comes in pretty packages. Thomas Cavanaugh's life is now a blur, a blend of foggy memories and hidden horrors. When his fae girlfriend Jillian begins to act strangely, he wonders whether he should put an end to their relationship. Then Jillian does the unthinkable and vanishes with four-year-old Jacob Jenkins, a boy with terrifying supernatural powers. Suddenly, years later, Jacob reappears unaged, claiming to have been in another world. Sheriff Glenn is called in to investigate a series of violent murders, all with evidence pointing toward the boy from two worlds. Someone with dark magic is devouring souls but for what purpose? Thomas and his allies must prepare for a b

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Thinking back on over fifty years' experience as a therapist and supervisor, Michael Jacobs invites you to pause and reflect with him on some of the fascinating and crucial aspects of the therapeutic relationship. A book to be savoured like a fine wine, full of wisdom from a life in the field, offering space for thought in today's frenetic world.

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''Gorgeous, escapist...with a romance to make you swoon'' Becky Hunter''Heartwarming and heartwrenching'' Beth Reekles''Full of warmth and hope'' Jo Lovett_________________She likes to be in control.Olivia Jackson's life is one big to-do list. But after her sister tragically dies and leaves her a ticket to go travelling, Olivia has to leave her perfectly ordered world albeit with a meticulously organised itinerary.He throws caution to the wind. Jacob Green couldn't be more different. He's been travelling the world for five years and lets destiny decide where he goes next with a roll of a dice.Do opposites really attract? When the two first meet, Olivia finds Jacob's laid-back attitude infuriating. Not to mention her unanswered question as to why he's been travelling for so long without going back home. But as they part ways, she can't help but wish her carefully laid plans

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In Jinnie, the sequel to The Woman Who Left, Josephine Cox weaves an unforgettable and dramatic tale of the lingering power of past betrayals.Ten years ago, Louise Hunter's life was torn apart by tragedy. Her husband, Ben, killed himself; her brother-in-law, Jacob, was murdered; and her sister, Susan, abandoned her new-born daughter, revealing the baby is Ben's child. Louise remains haunted by guilt over the one night she spent with Ben's friend Eric, and refuses to return Eric's love. But after adopting Jinnie, she finds new happiness - until Susan decides she wants Jinnie back.Meanwhile, Adam and Hannah, whose mother was killed with Jacob, are on the run. What Adam witnessed on that dreadful night has put them all in danger, but their beloved grandmother knows that one day they must return to the place where it all began . . .

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The #1 New York Times bestselling author of the Lucas Davenport novels delivers “a page-turner with a new hero, [and a] breakneck pace" (Minneapolis Star Tribune).“Former Sen. Lincoln Bowe, a Republican, has been missing for several days, setting off alarms on both sides of the political aisle. Finally, he is discovered in the remote Virginia woods, barb-wired to a tree, burned almost beyond recognition and missing his head. Democratic ‘research assistant’ (read: fixer) Jacob Winter, ex-Army Intelligence, wounded in Afghanistan, is called in by the Democratic president to unravel an extremely messy situation and shield his office from any hint of scandal. As this runaway train picks up speed, innocents are murdered, and the guilty come to Jesus… "…Sandford is a master at creating believable, indelible characters like Winter…[He] is peerless when it comes to economical, taut plotting, most notably at building tension. Dead Watch is anything but politics as usual.”—San Antonio Express-News

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#1 New York Times bestselling author Victoria Schwab invites readers to New Orleans in this instalment of her thrillingly spooky City of Ghosts series! Where there are ghosts, Cassidy Blake follows ... unless it's the other way around? Cass might have this ghost hunting thing down. After all, she and her ghost best friend Jacob have survived two haunted cities while travelling for her parents' TV show. But nothing can prepare Cass for New Orleans, a city bursting with old magic, secret societies, and scary séances. And the biggest surprise? An enemy she never expected to face: a messenger of Death itself. Is Cass up to the challenge - and what will she have to lose to win? A spooky, page-turning story combining ghostly hauntings, friendship and history Perfect for fans of Neil Gaiman and Laini Taylor Don't miss City of Ghosts (Book 1) and Tunnel of Bones (Book 2) by Victoria Schwab.

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Is the Torah true? Do the five books of Moses provide an accurate historical account of the people of ancient Israel’s origins? In The Original Torah, S. David Sperling argues that, while there is no archeological evidence to support much of the activity chronicled in the Torah, a historical reality exists there if we know how to seek it. By noting the use of foreign words or mentions of technological innovations scholars can often pinpoint the date and place in which a text was written. Sperling examines the stories of the Torah against their historical and geographic backgrounds and arrives at a new conclusion: the tales of the Torah were originally composed as allegories whose purpose was distinctly and intentionally political. The book illustrates how the authors of the Pentateuch advanced their political and religious agenda by attributing deeds of historical figures like Jeroboam and David to ancient allegorical characters like Abraham and Jacob. If “Abraham“ had made peace with Philistines, for example, then David could rely on a precedent to do likewise. The Original Torah provides a new interpretive key to the foundational document of both Judaism and Christianity.

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From the author of A Daughter''s Wish comes a gritty tale of one woman''s determination to find a home to call her own, perfect for fans of Dilly Court, Anna Jacobs and Ellie Dean.Having been given up as a baby, Lorna Robson spends her days working long and tiring hours in her aunt''s hat shop in County Durham. But when she inherits a large property in the city from the grandfather she never knew, her aunt is furious at her for leaving, and tells Lorna not to come back.Arriving at Snow Hall, Lorna can''t help but fall in love with the dilapidated old house she''s been given. However, with her grandfather''s disreputable family willing to do anything to take the house from her, and no help or money of her own, will Lorna be able to keep Snow Hall and turn this house into a home?

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Working Out Egypt is both a rich cultural history of the formation of an Egyptian national subject in the late nineteenth century and early twentieth and a compelling critique of modern Middle Eastern historiography. Wilson Chacko Jacob describes how Egyptian men of a class akin to the cultural bourgeoisie (the effendiyya) struggled to escape from the long shadow cast by colonial depictions of the East as degenerate, feminine, and temporally behind an active and virile Europe. He argues that during British colonial rule (1882–1936), attempts to create a distinctively modern and Egyptian self free from the colonial gaze led to the formation of an ambivalent, performative subjectivity that he calls “effendi masculinity.” Jacob traces effendi masculinity as it took hold during the interwar years, in realms from scouting and competitive sports to sex talk and fashion, considering its gendered performativity in relation to a late-nineteenth-century British discourse on masculinity and empire and an explicitly nationalist discourse on Egyptian masculinity. He contends that as an assemblage of colonial modernity, effendi masculinity was simultaneously local and global, national and international, and particular and universal. Until recently, modern Egyptian history has not allowed for such paradoxes; instead, Egyptian modernity has been narrated in the temporal and spatial terms of a separate Western modernity.

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Working Out Egypt is both a rich cultural history of the formation of an Egyptian national subject in the late nineteenth century and early twentieth and a compelling critique of modern Middle Eastern historiography. Wilson Chacko Jacob describes how Egyptian men of a class akin to the cultural bourgeoisie (the effendiyya) struggled to escape from the long shadow cast by colonial depictions of the East as degenerate, feminine, and temporally behind an active and virile Europe. He argues that during British colonial rule (1882–1936), attempts to create a distinctively modern and Egyptian self free from the colonial gaze led to the formation of an ambivalent, performative subjectivity that he calls “effendi masculinity.” Jacob traces effendi masculinity as it took hold during the interwar years, in realms from scouting and competitive sports to sex talk and fashion, considering its gendered performativity in relation to a late-nineteenth-century British discourse on masculinity and empire and an explicitly nationalist discourse on Egyptian masculinity. He contends that as an assemblage of colonial modernity, effendi masculinity was simultaneously local and global, national and international, and particular and universal. Until recently, modern Egyptian history has not allowed for such paradoxes; instead, Egyptian modernity has been narrated in the temporal and spatial terms of a separate Western modernity.

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An intellectually stimulating and personally uplifting exploration of Genesis. Genesis: the Beginning of Desire breathes new life into the stories of Adam and Eve, Noah, Abraham and Sarah, Isaac, Jacob and Esau, Rachel, and Joseph. Zornberg brings biblical, midrashic, and literary sources together, weaving them into a seamless tapestry and illuminating the tensions that grip human beings as they search for and encounter God.

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Ten slaves—all under the age of 19—tell stories of enslavement, brutality, and dreams of freedom in this collection culled from full-length autobiographies. These accounts, selected to help teenagers relate to the horrific experiences of slaves their own age living in the not-so-distant past, include stories of young slaves torn from their mothers and families, suffering from starvation, and being whipped and tortured. But these are not all tales of deprivation and violence; teenagers will relate to accounts of slaves challenging authority, playing games, telling jokes, and falling in love. These stories cover the range of the slave experience, from the passage in slave ships across the Atlantic—and daily life as a slave both on large plantations and in small-city dwellings—to escaping slavery and fighting in the Civil War. The writings of Olaudah Equiano, Frederick Douglass, William Wells Brown, Harriet Jacobs, Elizabeth Keckley, and other lesser-known slaves are included.

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At Kingdom's Edge investigates how life in a conquered colony both revealed and shaped what it meant to be English outside of the British Isles. Considering the case of Jeronimy Clifford, who rose to become one of Suriname's richest planters, Jacob Selwood examines the mutual influence of race and subjecthood in the early modern world. Clifford was a child in Suriname when the Dutch, in 1667, wrested the South American colony from England soon after England seized control of New Netherland in North America. Across the arc of his life—from time in the tenuous English colony to prosperity as a slaveholding planter to a stint in debtors' prison in London—Clifford used all the tools at his disposal to elevate and secure his status. His English subjecthood, which he clung to as a wealthy planter in Dutch-controlled Suriname, was a ready means to exert political, legal, economic, and cultural authority. Clifford deployed it without hesitation, even when it failed to serve his interests. In 1695 Clifford left Suriname and, until his death, he tried to regain control over his abandoned plantation and its enslaved workers. His evocation of international treaties at times secured the support of the Crown. The English and Dutch governments' responses reveal competing definitions of belonging between and across empires, as well as the differing imperial political cultures with which claimants to rights and privileges had to contend. Clifford's case highlights the unresolved tensions about the meanings of colonial subjecthood, Anglo-Dutch relations, and the legacy of England's seventeenth-century empire.

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The world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature.Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.

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In her heart-warming new Backshaw Moss series, Anna Jacobs takes us through the joys and the trials of life in 1930s Lancashire.1935. At thirty-six, Bella Porter is dependent on her abusive cousin, acting as an unpaid servant. When a kind relative leaves her a house in the village of Backshaw Moss, Thomas tries to take it from her, but she defies him and grasps this chance of a new start in Lancashire.It is not going to be easy, though. The house is on the edge of a slum and in a state of disrepair, let out as flats. As kind people help her find her feet, however, her confidence grows and when she meets struggling, widowed father-of-three Ryan, she begins to hope she may find the happy family she's always dreamed of.She's offered partial help with her renovations by the local council who are planning to clear up the slums, but other landlords will do anything to avoid costly improvements and protect their profits. And when Thomas follows her, still after the inheritance, not only is Bella's newfound happiness threatened but also her life. Can her new friends help her rid herself of her tormenter once and for all and finally achieve her valley dream?The perfect heart-warming read for fans of Dilly Court, Lyn Andrews and Maureen Lee.Readers love Anna Jacobs' Birch End Series!'Amazing' - 5 STARS'Thank you, Anna, for the pleasure you give in all your books' - 5 STARS'Another brilliant, hard-to-put-down book' - 5 STARS'Can't wait for the next instalment' - 5 STARS'A real page turner, I can't wait to read the next one' - 5 STARS'Another triumph for Anna Jacobs' - 5 STARS'BRILLIANT READ' - 5 STARS

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Lines from a Canvas offers the public one of the best kept secrets in the world of poetry for years, the work of Jacob Miller. His poems uniquely traverse the cultural territory from Homer to the Grateful Dead, taking the reader from ancient Greece and Rome to the Holocaust to the Cold War to Vietnam to 9/11. In short, the expansive canvas of his content presents a compelling spectrum mixing classical and modern brush strokes, all while exploring experiences of love and loss, isolation and separation, as well as mortality. Consistent with his content, though perhaps of even greater importance, the crowning achievement shown in this collection is Jacob Miller’s new poetic technique, which delivers the reader to an expertly constructed and long-needed bridge between classical traditions (such as rhyme and meter, or even hidden slant rhymes or assonance connections), and imagistic free-verse. Additionally, this collection contains the poet’s free-verse libretto to the modern opera Manhattan in Charcoal, (recently released on CD). The title poem, Lines from a Canvas, offers the point of view of a canvas, not the painter, and this launches the operative conceit in this collection: each poem explores the perspective of the canvas of life and death, more than the poet himself. Each poem truly brings something new to the page.

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'With more than 50 mostly romance books under her belt, the author is more than adept at spinning a yarn and her characters, surprisingly enough, are a particularly engaging lot... As romantic fiction goes, this one's a winner' Daily Telegraph Singapore in the 1860s is exotic and yet terrifying for a penniless Englishwoman, alone and vulnerable after her mother's death. Too pretty to obtain a governess's job, Isabella Saunders accepts an offer from Singapore merchant Mr Lee to teach him English and live with his family.Two years later Bram Deagan arrives in Singapore, determined to make his fortune as a trader. Mr Lee sees a way to expand his business connections and persuades Isabella to marry Bram.Bravely, she sets sail for a new land and life. But the past casts a long shadow and together she and Bram face unexpected dangers. Will they find a way to achieve their dreams of a successful trading business?And will their marriage turn out to be more of a love match than they ever could have dreamed?THE TRADER'S WIFE is the first novel in much-loved author Anna Jacobs' wonderful Traders Series, set between the Orient and Australia's Swan River Colony. Perfect for fans of Catherine Cookson.

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The UK housing market is in crisis. House-prices are spiralling out of control, rents are rising faster than wages, and there is a serious shortage of new affordable homes. But what caused this crisis and what can we do about it? In this book, established housing policy experts Rowland Atkinson and Keith Jacobs expose the true economic forces behind Britain’s housing crisis. Urging readers to see the crisis as a result of the ‘property machine’; a financial system made up of banks and investors, developers, landlords, and real estate agencies that prioritises the interests of capital over social need. An unequal system that has been routinely protected by the policy decisions of successive governments. To overcome this troubling system and alleviate the crisis, the authors outline a series of innovative proposals that would improve housing conditions and tackle the inequalities expressed in relation to personal housing wealth. Allowing for the establishment of a fairer, more equal society, and a more stable economic future. ABOUT THE SERIES: The ‘What Do We Know and What Should We Do About...?′ series offers readers short, up-to-date overviews of key issues often misrepresented, simplified or misunderstood in modern society and the media. Each book is written by a leading social scientist with an established reputation in the relevant subject area. The Series Editor is Professor Chris Grey, Royal Holloway, University of London

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In this unique text, Dr. Brenda Jacobs brings together two important ideas that have become central to learning and development in education, demonstrating the core relationship between self-regulation and inquiry-based learning in primary classrooms.The author compellingly shows that inquiry-based learning can empower children and is vital to becoming self-regulated learners. Drawing on real-life classroom examples, the volume outlines four key insights: that children learn self-regulation during inquiry-based learning in the same way they do during play; that teachers can use scaffolding strategies to support this development; that inquiry-based learning promotes the positive emotions essential for the development of social and emotional learning; and, finally, that during inquiry-based learning, children use oral language as a self-regulatory tool. These insights are applied to the four components of emergent curriculum—inquiry design, classroom environment, conversation, and documentation—to show how educators can help children become self-regulated learners. Considering how COVID-19 has exacerbated children's social, emotional, behavioural, physical, and mental health problems, this timely volume also provides guidance about how to do inquiry-based learning in virtual classrooms.Concise and practical, Self-Regulation and Inquiry-Based Learning in the Primary Classroom is an invaluable foundational text for students in Education and Early Childhood Education and for pre-service and in-service teachers alike.

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The second instalment in the best-selling Rivenshaw series, by beloved saga author Anna Jacobs. In the wake of World War Two, the whole country is desperate for houses, with very little money available to rebuild. In the town of Rivenshaw in Lancashire, Mayne Esher has no choice but to turn Esherwood, the war-damaged stately home which has been in his family for generations, into flats. Rebuilding Esherwood won't be easy but with Judith Crossley by his side, Mayne hopes to restore it to its former glory. First, he must open it up to some of his long-suffering army friends... and it soon becomes clear that the house isn't the only thing which needs rebuilding.Victor is fighting his late wife's rich and arrogant mother for custody of his daughter Betty. Ros has been cheated out of her money and has nowhere to go now she's been demobbed from the army. Daniel is still unsettled after his wartime experiences. He's waiting for his divorce to go through and has family problems that take him away from Rivenshaw. Francis hasn't even been in touch. On top of these troubles, saving Esherwood proves to be a difficult undertaking for Mayne and Judith. And certain people will stop at nothing to prevent it happening. In this time of renewal, will the group find a way to rebuild their lives, and the old house, as planned?A heartwarming saga of strong-spirited, resilient women in post-war Lancashire.

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In this revealing memoir of childhood, the author shows not only what affected his family, but also reveals a large slice of social history concerning the lives of all ordinary working-class people struggling to live in the slums of the East End of London in those pre-Welfare State days. He writes with sympathy, and sometimes anger, of the overcrowded houses with families of anything up to eight children, as his own had, living in just two or three rooms with outside W.C. and water tap; of the reliance on charity and the soup kitchen for food; of trying to eke out what little income they had by buying stale bread and cracked eggs or other cheap food from the many itinerant street sellers.Yet this is also a chronicle of what was a turbulent time in British history, and especially in the East End, with its then still large Jewish and Irish populations. So here too is an eyewitness account of the Depression, and of the provocative marches by Sir Oswald Mosley's British Union of Fascists through the area, culminating in the Battle of Cable Street that saw the marchers turned back by the efforts of Jewish, Irish, communist and socialist protestors. Above all, however, Norman Jacobs writes with affection of the area and its extraordinary mix of peoples, as well as the now-vanished aspects of everyday life, such as the music hall, the two-valve radio, and the first Cup Final to be played at Wembley.

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Contains four new adventures: 12.3 The Wizard of Time by Roy Gill (2 parts). It’s time for a story. Jacob Harmer was one of the greats. His fantasy novels for children entranced a generation. But how much of their stories were fantasy and how much of them was the truth? At last he’s ready to tell the tale of what really happened. 12.4 The Friendly Invasion by Chris Chapman (2 parts). It’s 1943 and the village of Westbourne has been invaded… not by the enemy, but by the allies. The American troops are ‘over here’ and enjoying themselves mightily. Except there’s someone else visiting the village. And not just the new barmaid, Margaret. Or her unusual friends, Leela and the Doctor. Something with a sinister agenda all its own. 12.5 Stone Cold by Roland Moore (4 parts). The TARDIS lands on a rocky, volcanic planet and its crew soon find they are not alone. A pleasure cruiser has recently crashed on this world… but survival has proved rather dangerous. Because there’s something out on the surface snatching people away. Something made of stone. And with wings. Don't blink. 12.6 The Ghost of Margaret by Tim Foley (2 parts). The journey has been long, but it’s time for Margaret to come home. Or is it a different time entirely? Reunited with a ghost from her past, she’s finds herself in a whole new world. The Doctor and Leela are about to discover that people don’t always leave easily...CAST: Tom Baker (The Doctor), Louise Jameson (Leela), Nerys Hughes (Margaret Hopwood), Guy Adams (Garlon Dees), Sam Benjamin (Attendant / Halfway Men), Chase Brown (Sergeant Ray Hunter), Barnaby Edwards (Stan Trubshaw / Private Massey / Edie’s Dad / Old Reg), Holly Jackson Waters (Alice), Joe Jameson (Jacob Harmer (16) / Jacob Harmer (35)), Kenneth Jay (Captain Ray Hunter), Evie Killip (Edie Carter), Shvorne Marks (Mia Valarna), Victor McGuire (Huthro), Jackson Milner (Private Joe Powell), Paul Panting (Nate Duffy / Mr Fennec), Ronald Pickup (Jacob Harmer), Olivia Poulet (Felsa Mavelock), Sara Powell (Moira Tenaka), Joe Sims (Tench). Other parts played by members of the cast.

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Jürek Becker (1937–97) is best known for his novel Jacob the Liar, which follows the life of a man, who, like Becker, lived in the Lódz ghetto during the German occupation of Poland in World War II. Throughout his career, Becker also wrote nonfiction, and the essays, lectures, and interviews collected in My Father, the Germans and I share a common thread in that they each speak to Becker’s interactions with and opinions on the social, political, and cultural conditions of twentieth-century Germany. Becker, who had lived in both German states and in unified Germany, was passionately and humorously active in the political debates of his time. Becker never directly aligned himself with either the political ideology of East Germany or the capitalist market forces of West Germany. The remains of fascism in postwar Germany, and the demise of Socialism, as well as racism and xenophobic violence, were topics that perpetually interested Becker. However, his writings, as evidenced in this collection, were never pedantic, but always entertaining, retaining the sense of humor that made his novels so admired. My Father, the Germans and I gives expression to an exceptional author’s perception of himself and the world and to his tireless attempt to bring his own unique tone of linguistic brevity, irony, and balance to German relations.

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Futures of the Contemporary explores different notions and manifestations of "the contemporary" in music, visual arts, art theory, and philosophy. In particular, the authors in this collection of essays scrutinise the role of artistic research in critical and creative expressions of contemporaneity. When distinguished from "the contemporaneous" of a given historical time, "the contemporary" becomes a crucial concept, promoting or excluding objects and practices according to their ability to diagnose previously unnoticed aspects of the present. In this sense, the contemporary gains a critical function, involving particular modes of relating to history and one's own time. Written by major experts from fields such as music performance, composition, art theory, visual arts, art history, critical studies, and philosophy, this book offers challenging perspectives on contemporary art practices, the temporality of artistic works and phenomena, and new modes of problematising the production of art and its public apprehension. Contributors: Andrew Prior (University of Plymouth), Babette Babich (Fordham University), Geoff Cox (Fine Art at Plymouth University / Aarhus University), Heiner Goebbels (Justus Liebig University), Jacob Lund (Aarhus University), Michael Schwab (Orpheus Institute), Pal Capdevila (Autonomous University of Barcelona), Paulo de Assis (Orpheus Institute), Peter Osborne (Kingston University London), Ryan Nolan (University of Plymouth), Zsuzsa Baross (Trent University)

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A vacationing family becomes pawns in an ancient ritual designed to bring about the apocalypse in a riveting thriller by Wall Street Journal bestselling author Jeff Wheeler. A prophecy has waited for five centuries to be fulfilled. That time has come. Sacrifices will be made. Let the games begin. When Jonathon Roth and his family are invited by their neighbors, the Beasleys, to join them at a luxury retreat in Cozumel, who can refuse? It’s the perfect winter getaway. Relaxing on the beach, gourmet food, sightseeing, and free accommodations. But if it sounds too good to be true, it is. Villa Sara de Calakmul, owned by mysterious tycoon Jacob Calakmul, is more isolated compound than private resort. Armed guards patrol the jungle perimeters. Pictures of previous guests—long disappeared—adorn the walls. And there are whispers of something coming called “the game.” Even in the sweltering heat, the Roths feel a chill—and the fear that they haven’t been invited to Villa Sara. They’ve been lured. But for what purpose? And to what end? From the ruins, a death cult is reborn. A prophecy to bring down Western civilization is being realized. As a legendary blood sport is engaged, the Roths themselves may need to call upon ancient powers if they’re to survive, escape, and save the world from annihilation.

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The third novel in the brand new Backshaw Moss series by beloved million-copy bestselling author Anna JacobsLancashire, 1936. With her son Gabriel finally married, and her youngest following his dreams of becoming a doctor, Gwynneth Harte finds herself with an empty nest - until a fire forces her to move in with Gabriel and his wife Maisie at their home on Daisy Street. Arthur Chapman has been at a low ebb ever since the death of his wife. Turning to drink in his grief, he lost both his job and contact with his grandchild, Beatie - but now the inheritance of a house from a distant relative is the fresh start he needs. When Beatie runs away from her cruel grandmother and takes refuge with Gwynneth, she and Arthur are thrown together - and find themselves growing closer. But trouble is brewing in the valley, from the ambitions of the bullying local landlord to rumours of a Fascist spy. Can the residents of Backshaw Moss band together to keep each

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"A revelatory A-to-Z teaching on the prophetic gift."--Dr. James W. Goll For more than four decades Cindy Jacobs has delivered penetrating, accurate prophetic words to the Church. Now she delivers a powerful, practical, and hands-on training resource for this much-needed spiritual gift. Discover how to hear God's words correctly and accurately, how to follow the protocols--and avoid the pitfalls--of delivering a prophetic word, and how to use your gift with wisdom, maturity, and love. You will be challenged, changed, and ready to become a resilient, life-giving conduit of God's transforming love. "I encourage you to study this book, learn how to exercise your gift, and become an integral part of God's solution to healing our world."-- Rev. Samuel Rodriguez, president, NHCLC; author, Persevere with Power "The Holy Spirit will leap off the page to quicken the essentials for hearing the voice of God in your life."--Dr. Chuck D. Pierce, president, Global Spheres and Glory of Zion International Ministries

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Master storyteller Jakob Streit retells stories from the Old Testament, including the stories of Abraham, Isaac, Jacob, Joseph, Moses, Joshua, Saul and David.This book is perfect for use in Year 3 (age 9-10) in the Steiner-Waldorf curriculum, or as a reader in Year 4.This is the second of Jakob Streit's three books of Bible stories, along with And There Was Light and We Will Build a Temple.

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Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation Victoria Howard was born around 1865, a little more than ten years after the founding of the Confederated Tribes of Grand Ronde in western Oregon. Howardʼs maternal grandmother, Wagayuhlen Quiaquaty, was a successful and valued Clackamas shaman at Grand Ronde, and her maternal grandfather, Quiaquaty, was an elite Molalla chief. In the summer of 1929 linguist Melville Jacobs, student of Franz Boas, requested to record Clackamas Chinook oral traditions with Howard, which she enthusiastically agreed to do. The result is an intricate and lively corpus of linguistic and ethnographic material, as well as rich performances of Clackamas literary heritage, as dictated by Howard and meticulously transcribed by Jacobs in his field notebooks. Ethnographical descriptions attest to the traditional lifestyle and environment in which Howard grew up, while fine details of cultural and historical events reveal the great consideration and devotion with which she recalled her past and that of her people. Catharine Mason has edited twenty-five of Howard’s spoken-word performances into verse form entextualizations, along with the annotations provided by Jacobs in his publications of Howard’s corpus in the late 1950s. Mason pairs performances with biographical, family, and historical content that reflects Howardʼs ancestry, personal and social life, education, and worldview. Mason’s study reveals strong evidence of how the artist contemplated and internalized the complex meanings and everyday lessons of her literary heritage.

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WTF is renowned cartoonist Zapiro's account of the Zuma years in 400 brilliant cartoons and the stories behind them. It is much more than a collection of cartoons, it's also a definitive personal record from a man uniquely positioned to reflect the serious craziness and the crazy seriousness of this bewildering time in our history. Zapiro's career has been tightly entwined with the tale of Jacob Zuma for more than twenty years. He has sharply charted his rise and fall, and everything in between, including the corrupting presence of the Guptas and the destructive cancer of state capture. And he created the iconic showerhead which has become a nationally known symbol of Zuma.WTF recounts the many times the cartoonist was threated by senior political figures because of his caustic and brilliant work, as well as the two lawsuits totaling R22m he was served with by Zuma. Zapiro's cartoons stand as an essential, bitter-sweet testimonial which captures Jacob Zuma and the wild ride he took the nation on. It also reflects and explains the significant presence Zuma still has in our politics.

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From yaks and vultures to whales and platypuses, animals have played central roles in the history of British imperial control. The contributors to Animalia analyze twenty-six animals—domestic, feral, predatory, and mythical—whose relationship to imperial authorities and settler colonists reveals how the presumed racial supremacy of Europeans underwrote the history of Western imperialism. Victorian imperial authorities, adventurers, and colonists used animals as companions, military transportation, agricultural laborers, food sources, and status symbols. They also overhunted and destroyed ecosystems, laying the groundwork for what has come to be known as climate change. At the same time, animals such as lions, tigers, and mosquitoes interfered in the empire's racial, gendered, and political aspirations by challenging the imperial project’s sense of inevitability. Unconventional and innovative in form and approach, Animalia invites new ways to consider the consequences of imperial power by demonstrating how the politics of empire—in its racial, gendered, and sexualized forms—played out in multispecies relations across jurisdictions under British imperial control. Contributors. Neel Ahuja, Tony Ballantyne, Antoinette Burton, Utathya Chattopadhyaya, Jonathan Goldberg-Hiller, Peter Hansen, Isabel Hofmeyr, Anna Jacobs, Daniel Heath Justice, Dane Kennedy, Jagjeet Lally, Krista Maglen, Amy E. Martin, Renisa Mawani, Heidi J. Nast, Michael A. Osborne, Harriet Ritvo, George Robb, Jonathan Saha, Sandra Swart, Angela Thompsell

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A Western that is as haunting as it is thrilling, THE ENFIELD GANG MASSACRE tells the dark origin of THAT TEXAS BLOOD''s Ambrose County as only Jacob Phillips and Chris Condon can!Montgomery Enfield and his gang of outlaws find themselves in the crosshairs of an aging Texas Ranger and a newborn county that’s hungry for law - by any means necessary. Collects THE ENFIELD GANG MASSACRE #1-6

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As national political fights are waged at the state level, democracy itself pays the priceOver the past generation, the Democratic and Republican parties have each become nationally coordinated political teams. American political institutions, on the other hand, remain highly decentralized. Laboratories against Democracy shows how national political conflicts are increasingly flowing through the subnational institutions of state politics—with profound consequences for public policy and American democracy.Jacob Grumbach argues that as Congress has become more gridlocked, national partisan and activist groups have shifted their sights to the state level, nationalizing state politics in the process and transforming state governments into the engines of American policymaking. He shows how this has had the ironic consequence of making policy more varied across the states as red and blue party coalitions implement increasingly distinct agendas in areas like health care, reproductive rights, and climate change. The consequences don’t stop there, however. Drawing on a wealth of new data on state policy, public opinion, money in politics, and democratic performance, Grumbach traces how national groups are using state governmental authority to suppress the vote, gerrymander districts, and erode the very foundations of democracy itself.Required reading for this precarious moment in our politics, Laboratories against Democracy reveals how the pursuit of national partisan agendas at the state level has intensified the challenges facing American democracy, and asks whether today’s state governments are mitigating the political crises of our time—or accelerating them.

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'A profoundly beautiful novel that infolds the political with the personal in unexpected and new ways . . . An extraordinary book' Neel Mukherjee, New Statesman, 'Books of the Year 2016''His stories take the reader into the labyrinth that is the mind . . . The Angel of History is digressive and daring' the Economist'Alameddine has created a scintillating, original work whose moral complexity and detail of observation are wholly contemporary and entirely his own' SpectatorSet over the course of one night in the waiting room of a psych clinic, The Angel of History follows Yemeni-born poet Jacob as he revisits the events of his life, from his maternal upbringing in an Egyptian whorehouse to his adolescence under the aegis of his wealthy father and his life as a gay Arab man in San Francisco at the height of AIDS. Hovered over by the presence of alluring, sassy Satan who taunts Jacob to remember his painful past and dour, frigid Death who urges him to forget and give up on life, Jacob is also attended to by 14 saints. Set in Cairo and Beirut; Sana'a, Stockholm, and San Francisco; Alameddine gives us a charged philosophical portrait of a brilliant mind in crisis. This is a profound, philosophical and hilariously winning story of the war between memory and oblivion we wrestle with every day of our lives.'Here is a book, full of story, unrepentantly political at every level. At a time when many western writers seem to be in retreat from saying anything that could be construed as political, Alameddine says it all, shamelessly, gloriously and, realised like his Satan, in the most stylish of forms' the Guardian

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Encuadernación: RústicaColección: NefelibataJacob de Zoet se encuentra en Deshima, el único enclave comercial japonés que durante la era Edo permite la presencia extranjera. Este joven holandés espera poder reunir en cinco años el dinero suficiente para casarse con la bella Anne. Sin embargo, su estancia se complica cuando conoce a Orito, una hermosa e inteligente comadrona que tras la muerte de su padre, el prestigioso doctor Aibagawa, desaparece misteriosamente. En medio de las intrigas de comerciantes, timadores y colegas cuyo proceder parece haberse contagiado del oscuro clima de la isla, Jacob intentará descifrar el contenido de un misterioso pergamino que parece contener la clave para comprender la desaparición de Orito, su amor prohibido, y los secretos que rodean a la enigmática Hermandad del monte Shiranui.

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When she receives a mysterious crown for her birthday, Pistachio realizes that she is really an abducted princess. But this only makes her parents sigh, her friends laugh, and her baby sister Penny insist on "playing princess," too. When Pistachio's angry wish makes Penny disappear, she needs a princess's courage to get her back. Pistachio has always known she was a princess. When a mysterious gift turns up on her birthday, she’s sure it’s only a matter of time before her real parents, the king and queen of Papua, arrive to take her away. In the meantime, though, she still has to eat her spinach and get up for school. Her friends still laugh when she wears her new gold crown to class. And her annoying baby sister insists on “Pwaying pwincess,” too. When Pistachio’s angry wish makes Penny disappear, she will need the courage of a true princess to get her back. Princess Pistachio was translated from French by Jacob Homel, the son of award-wining author and illustrator Marie-Louise Gay. As Pistachio and Penny learn, great things happen when family sticks together.

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In this compelling study, Jacob Neusner argues that economics is an active and generative ingredient of the system of the Mishnah. The Mishnah directly addresses such economic concerns as the value of work, agronomics, currency, commerce and the marketplace, and correct management of labor and of the household. In all its breadth, the Mishnah poses the question of the critical place occupied by the economy in society under God's rule. The Economics of the Mishnah is the first book to examine the place of economic theory generally in the Judaic system of the Mishnah. Jacob Neusner begins by surveying previous work on economics and Judaism, the best known being Werner Sombart's The Jews and Modern Capitalism. The mistaken notion that Jews have had a common economic history has outlived the demise of Sombart's argument, and it is a notion that Neusner overturns before discussing the Mishnaic economics. Only in Aristotle, Neusner argues, do we find an equal to the Mishnah's accomplishment in engaging economics in the service of a larger systemic statement. Neusner shows that the framers of the Mishnah imagined a distributive economy functioning through the Temple and priesthood, while also legislating for the action of markets. The economics of the Mishnah, then, is to some extent a mixed economy. The dominant, distributive element in this mixed economy, Neusner contends, derives from the belief that the Temple and its designated castes on earth exercise God's claim to the ownership of the holy land. He concludes by considering the implications of the derivation of the Mishnah's economics from the interests of the undercapitalized and overextended farmer.

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Soon no one on Earth will have a place to hide in this novel about fears known and unknown by #1 New York Times bestselling master of suspense Dean Koontz. In retreat from a devastating loss and crushing injustice, Katie lives alone in a fortresslike stone house on Jacob’s Ladder island. Once a rising star in the art world, she finds refuge in her painting. The neighboring island of Ringrock houses a secret: a government research facility. And now two agents have arrived on Jacob’s Ladder in search of someone—or something—they refuse to identify. Although an air of menace hangs over these men, an infinitely greater threat has arrived, one so strange even the island animals are in a state of high alarm. Katie soon finds herself in an epic and terrifying battle with a mysterious enemy. But Katie’s not alone after all: a brave young girl appears out of the violent squall. As Katie and her companion struggle across a dark and eerie landscape, against them is an omnipresent terror that could bring about the end of the world.

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Soon no one on Earth will have a place to hide in this novel about fears known and unknown by #1 New York Times bestselling master of suspense Dean Koontz. In retreat from a devastating loss and crushing injustice, Katie lives alone in a fortresslike stone house on Jacob’s Ladder island. Once a rising star in the art world, she finds refuge in her painting. The neighboring island of Ringrock houses a secret: a government research facility. And now two agents have arrived on Jacob’s Ladder in search of someone—or something—they refuse to identify. Although an air of menace hangs over these men, an infinitely greater threat has arrived, one so strange even the island animals are in a state of high alarm. Katie soon finds herself in an epic and terrifying battle with a mysterious enemy. But Katie’s not alone after all: a brave young girl appears out of the violent squall. As Katie and her companion struggle across a dark and eerie landscape, against them is an omnipresent terror that could bring about the end of the world.

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The extraordinary sequel to The Balloon Thief: an epic journey into a world of shadows and trickery where the stakes are even higher ... After the epic battle of The Balloon Thief, Khadija, Jacob and Darian are heroes. But then Khadija learns that her sister, Talia, has been kidnapped and taken to the jinn realm of Al-Ghaib. Khadija and Darian go to her rescue. But Darian is strangely changed since the battle that cost him his heart. Khadija will need all her wits about her if she's to outfox her sister's captor - and perhaps, save the boy she loves . . . The fiery sequel to the celebrated YA fantasy romance The Balloon Thief A dual narrative split between Khadija’s magical quest to rescue her sister, and Jacob’s embroilment in a political mystery Full of ancient djinn, epic adventure and heartrending romance Explores love, politics, equality and racism in a highly original South Asian-inspired fantasy world PRAISE FOR THE BALLOON THIEF: 'An exhilarating adventure' OBSERVER 'Highly relevant yet utterly original' LAUREN JAMES 'A thrilling fantasy' IRISH EXAMINER

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In this powerful, poignant and distinctively South African collection of short stories, Rayda Jacobs - leaving suddenly for Canada at the age of 21, to return for good only 27 years later - seeks to understand the deep marks that South Africa has left upon her. Frequently funny, often serious, always deceptively simple - these 'postcards' are the compassionate yet challenging creation of a gifted storyteller.

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The first in a gripping new mystery series introducing Detective Tess Fox and her con-artist sister Sarah Jacobs ’A tasty whodunnit’ The Sun ’Three deviously clever impossible crimes’ Gigi Pandian, Edgar-award winning author ’A real puzzle box of a story’ J.M. Hall, author of a A Spoonful of Murder ’An ending I never saw coming’ Faith Martin, multi-million-copy selling author DI Tess Fox’s first murder scene has two big problems. One, the victim was thrown from the balcony of a flat locked from the inside. Two, Tess knows him. But the biggest problem of all is Tess’s half-sister, Sarah. She has links to the deceased and has the skills and criminal background to mastermind a locked-room murder. But she’s a con-artist, not a killer. When two more bodies turn up, Tess now has three locked room mysteries to solve and even more reason to be suspicious of Sarah. Can she trust someone who breaks the law for a living, even if she is family? Tropes🔒🚪 Locked room🤷 Impossible crime☠️☠️☠️ Multiple murders🤼 Family feuds🕵️‍♀️ Sherlockian detective Readers LOVE Three Card Murder ‘Incredibly ingenious’ ⭐⭐⭐⭐⭐ ‘One of the few authors where the twists leave me speechless’ ⭐⭐⭐⭐⭐ ‘From the first sentence to the end I was hooked’ ⭐⭐⭐⭐⭐ ‘This book was so much fun!’⭐⭐⭐⭐⭐ ‘Has a narrative which is unique and one that you won't see coming’ ⭐⭐⭐⭐⭐

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