Search results for ""Author Isabel"

The Gothic tale has been with us for over two hundred years, but this collection is the first to illustrate the continuing strength of this special fictional tradition from its origins in the late eighteenth century. Gothic fiction is generally identified from Horace Walpole's Castle of Otranto and the works of Ann Radcliffe, and with heroes and heroines menaced by feudal villains amid crumbling ruins. While the repertoire of claustrophobic settings, gloomy themes, and threatening atmosphere established the Gothic genre, later writers from Poe onwards achieved an ever greater sophistication, and a shift in emphasis from cruelty to decadence. Modern Gothic is distinguished by its imaginative variety of voice, from the chilling depiction of a disordered mind to the sinister suggestion of vampirism. This anthology brings together the work of writers such as Le Fanu, Hawthorne, Hardy, Faulkner, and Borges with their earliest literary forebears, and emphasizes the central role of women writers from Anna Laetitia Aikin to Isabel Allende and Angela Carter. While the Gothic tale shares some characteristics with the ghost story and tales of horror and fantasy, the present volume triumphantly celebrates the distinctive features that define this powerful and unsettling literary form.

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In the 1880s, through an amendment to the Indian Act of 1876, the government of Canada began to require all Aboriginal children to attend schools administered by churches. Separating these children from their families, removing them from their communities and destroying Aboriginal culture by denying them the right to speak Indigenous languages and perform native spiritual ceremonies, these residential schools were explicitly developed to assimilate Aboriginal peoples into Canadian culture and erase their existence as a people. Daring to break the code of silence imposed on Aboriginal students, residential school survivor Isabelle Knockwood offers the firsthand experiences of forty-two survivors of the Shubenacadie Indian Residential School. In their own words, these former students remember their first day of residential schooling, when they were outwardly transformed through hair cuts and striped uniforms marked with numbers. Then followed years of inner transformation from a strict and regimented life of education and manual training, as well as harsh punishments for speaking their own language or engaging in Indigenous customs. The survivors also speak of being released from their school and having to decide between living in a racist and unwelcoming dominant society or returning to reserves where the Aboriginal culture had evolved. In this newly updated fourth edition, Knockwood speaks to twenty-one survivors of the Shubenacadie Indian Residential School about their reaction to the apology by the Canadian government in 2008. Is it now possible to move forward?"

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Like its predecessors, A Historic Heritage, Series III is designed as an aid for librarians and teachers who are interested in exposing students to the cultures of Hispanic people. The books listed are intended to provide students in kindergarten through high school with an understanding and appreciation of the people, history, and art and political, social, and economic problems of Argentina, Bolivia, Chile, Colombia, Costa Rica, Cuba, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Peru, Puerto Rico, Spain, Venezuela, and the Hispanic heritage people of the United States. The volume is arranged in chapters that explore specific countries and cultures, and chapters on Central and Latin America as a whole. Books are listed in alphabetical order by author surname. An attempt has been made to include most in-print books in English published since 1984 in the U.S. concerning the countries and people listed above, as well as general books on Latin America. Especially noteworthy titles that contain recent information and are also entertaining are marked with an asterisk. The author has assigned tentative grade levels and expresses her personal opinions of the books in the annotations. With author, subject, and title indexes.

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Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in fi lm, either directly as practitioners or in other areas such as curators, festival programme directors or fundraisers. It does not shy away from questioning the relations of power in the practice of filmmaking and the power invested in the gaze itself. Who is looking and who is being looked at, who is telling women’s stories in Africa and what governs the mechanics of making those films on the continent?The interviews with Tsitsi Dangarembga, Taghreed Elsanhouri, Jihan El-Tahri, Anita Khanna, Djo Tunda wa Munga, Rumbi Katedza, Katarina Hedrén, Isabel Noronhe, Arya Lalloo and Shannon Walsh demonstrate the contradictory points of departure of women in film – from their understanding of feminisms in relation to lived-experiences and the realpolitik of women working as cultural practitioners.The disciplines of gender studies, postcolonial theory, and film theory provide the framework for the book’s essays. Beti Ellerson, Jyoti Mistry, Antje Schuhmann, Nobunye Levin, Dorothee Wenner and Christina von Braun are some of the contributors who provide valuable context, analysis and insight into, among other things, the politics of representation, the role of fi lm festivals and the collective and individual experiences of trauma and marginality which contribute to the layered and complex fi lmic responses of Africa’s film practitioners.

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Para ayudarnos a comprender nuestros dilemas contemporáneos más urgentes, William Shakespeare no tiene igual.Mientras Isabel I, cada vez más envejecida y obstinada, se aferraba al poder con uñas y dientes, un brillante dramaturgo exploraba las causas sociales, las raíces psicológicas y los retorcidos efectos de la tiranía. Al analizar la psique (y las psicosis) de personajes de la catadura de Ricardo III, Macbeth, Lear, Coriolano y de las sociedades sobre las que gobernaban, Stephen Greenblatt desvela las formas en las que Shakespeare ahonda en el ansia de poder absoluto y las catastróficas consecuencias que su ejercicio conlleva.Instituciones de fuerte arraigo parecen frágiles, la política y sus representantes sucumben al caos, la miseria económica alimenta la cólera populista, la población acepta que le mientan, el rencor partidista se impone, la indecencia más desvergonzada impera: aspectos como estos de una sociedad en crisis fascinaban a Shakespeare y están presentes en algu

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Philosophers debate the death of philosophy as much as they debate the death of God. Kant claimed responsibility for both philosophy's beginning and end, while Heidegger argued it concluded with Nietzsche. In the twentieth century, figures as diverse as John Austin and Richard Rorty have proclaimed philosophy's end, with some even calling for the advent of "postphilosophy." In an effort to make sense of these conflicting positions--which often say as much about the philosopher as his subject--Isabelle Thomas-Fogiel undertakes the first systematic treatment of "the end of philosophy," while also recasting the history of western thought itself. Thomas-Fogiel begins with postphilosophical claims such as scientism, which she reveals to be self-refuting, for they subsume philosophy into the branches of the natural sciences. She discovers similar issues in Rorty's skepticism and strands of continental thought. Revisiting the work of late-nineteenth and early-twentieth-century philosophers, when the split between analytical and continental philosophy began, Thomas-Fogiel finds both traditions followed the same path--the road of reference--which ultimately led to self-contradiction. This phenomenon, whether valorized or condemned, has been understood as the death of philosophy. Tracing this pattern from Quine to Rorty, from Heidegger to Levinas and Habermas, Thomas-Fogiel reveals the self-contradiction at the core of their claims while also carving an alternative path through self-reference. Trained under the French philosopher Bernard Bourgeois, she remakes philosophy in exciting new ways for the twenty-first century.

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La camisa de Isabel la Católica, el negro inquisitorial de Felipe II, las figuras populares de gitanas, toreros, chulapas y chulos, prendas como la mantilla o nombres como Cristóbal Balenciaga, Amancio Ortega y Zara son algunos de los hitos y tópicos de la historia de la moda española. Sin embargo, su evolución revela un mundo mucho más complejo en el que es posible constatar cómo el fenómeno de la moda nos permite comprender los cambios y pervivencias de las mentalidades, los gustos y las identidades colectivas e individuales, configurándolos y a la vez reflejándolos. Este libro emprende un recorrido por la historia del traje y del vestir desde sus orígenes en la península hasta la actualidad para mostrar su alcance y difusión, sus peculiaridades y tendencias, la influencia internacional de la cultura española y sus estereotipos, así como las tensiones entre los estilos autóctonos y extranjeros, lo tradicional y lo nuevo.

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'...a fantastic story that really tugs at your heartstrings as you follow each character in the countdown to Christmas... I adored it.' The BroadbeanYou can't plan for the unexpected... Kate Potter used to know what happiness felt like. A few years ago, she was full of energy, excited by every possibility. But that was back when everything was different, before Kate's husband went away with the army and didn't come home. She can't even remember what it felt like to be in love. Then Kate meets Daniel. Recognising her loneliness reflected in his eyes, Kate vows to try and help bring him out of his shell. But as Kate plans to bring life back to Daniel, she might have stumbled on the secret to happiness... Can one chance meeting change two lives?The perfect Christmas treat for fans of Sue Moorcroft, Trisha Ashley and Isabelle Broom.Reviewers love this wonderful festive romance. Praise for 25 Days in December:'A beautifully crafted Christmas tale, full of 'magic' and the reality of life in equal measure.' MADEUP Book Reviews'Romantic, heart-warming and completely captivating' Book After Book'a beautiful, beautiful story which had my heart under its Christmas tree from the very beginning.' The Writing Garnet

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In 1910 John Merven Carrère, a Paris-trained American architect, wrote, “Learning from Paris made Washington outstanding among American cities.” The five essays in Paris on the Potomac explore aspects of this influence on the artistic and architectural environment of Washington, D.C., which continued long after the well-known contributions of Peter Charles L’Enfant, the transplanted French military officer who designed the city’s plan. Isabelle Gournay’s introductory essay provides an overview and examines the context and issues involved in three distinct periods of French influence: the classical and Enlightenment principles that prevailed from the 1790s through the 1820s, the Second Empire style of the 1850s through the 1870s, and the Beaux-Arts movement of the early twentieth century. William C. Allen and Thomas P. Somma present two case studies: Allen on the influence of French architecture, especially the Halle aux Blés, on Thomas Jefferson’s vision of the U.S. Capitol; and Somma on David d’Angers’s busts of George Washington and the Marquis de Lafayette. Liana Paredes offers a richly detailed examination of French-inspired interior decoration in the homes of Washington’s elite in the late nineteenth and early twentieth centuries. Cynthia R. Field concludes the volume with a consideration of the influence of Paris on city planning in Washington, D.C., including the efforts of the McMillan Commission and the later development of the Federal Triangle complex. The essays in this collection, the latest addition to the series Perspectives on the Art and Architectural History of the United States Capitol, originated in a conference held by the U.S. Capitol Historical Society in 2002 at the French Embassy’s Maison Française.

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'An exquisitely written work of Caledonian gothic' Francine Toon, author of Pine'A darkly sparkling jewel of a book' Kirsty Logan, author of Now She is WitchEdinburgh, 1923.Evelyn Hazard is a young woman living a comfortable and unremarkable middle-class life. One day, her quiet existence is shattered when her steady, reliable husband Robert makes a startling announcement: he can communicate with the dead.As the couple are pulled into the spiritualist movement that emerged following the mass deaths caused by the First World War and the Spanish Flu, Evelyn's life becomes increasingly unsettled as dark secrets from her past threaten to surface.Faced with the prospect of losing all that is dear to her, Evelyn finds herself asking: is the man she loves a fraud, a madman or - most frighteningly - is he telling the truth?A gothic literary mystery, written in sparkling prose, Hazardous Spirits evokes the spirit of 1920s Edinburgh, in all its bohemian vibrancy.'With the literary lyricism and precise historical detail of a Sarah Waters novel . . . Salam injects a wry humour into this tale of secrets, lies, and the power of the ghosts of our pasts' Entertainment Weekly'Full of heart and strangeness' Nell Stevens, author of Briefly, A Delicious Life'A riveting exploration of the unknowable' Tara Isabella Burton, author of Social Creature

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The contributors to Reactivating Elements examine chemicals as they mix with soil, air, water, and fire to shape Earth's troubled ecologies today. They invoke the elements with all their ambivalences as chemical categories, material substances, social forms, forces and energies, cosmological entities, and epistemic objects. Engaging with the nonlinear historical significance of elemental thought across fields—chemistry, the biosciences, engineering, physics, science and technology studies, the environmental humanities, ecocriticism, and cultural studies—the contributors examine the relationship between chemistry and ecology, probe the logics that render wind as energy, excavate affective histories of ubiquitous substances such as plastics and radioactive elements, and chart the damage wrought by petrochemical industrialization. Throughout, the volume illuminates how elements become entangled with power and control, coloniality, racism, and extractive productivism while exploring alternative paths to environmental destruction. In so doing, it rethinks the relationship between the elements and the elemental, human and more-than-human worlds, today’s damaged ecosystems and other ecologies to come. Contributors. Patrick Bresnihan, Tim Choy, Joseph Dumit, Cori Hayden, Stefan Helmreich, Joseph Masco, Michelle Murphy, Natasha Myers, Dimitris Papadopoulos, María Puig de la Bellacasa, Astrid Schrader, Isabelle Stengers

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The masterpiece of one of the most important and overlooked British women writers of the twentieth century, with a new introduction by Melissa Harrison; 'Isabel Colegate has no rival' (The Times) 'If you are curious as to why Britain is still ruled by a tiny cadre of not-very-introspective aristo-capitalists, Orlando King is essential reading’ Sunday Times ‘Colegate’s sharp-eyed trilogy about a young man on the make in 1930s London feels particularly resonant right now, given its acute take on male privilege and power’ i paper, Summer Reading Picks 2020 'An extraordinary achievement' Frances Wilson, Times Literary Supplement, Summer Reading Picks 2020 Orlando King is a trilogy about a beautiful young man, raised in a remote and eccentric wilderness, arriving in 1930s London and setting the world of politics ablaze. In a time of bread riots and hunger marches, with the spectre of Fascism casting an ever lengthening shadow over Europe, Orlando glidingly cuts a swathe through the thickets of business, the corridors of politics, the pleasure gardens of the Cliveden set, acquiring wealth, adulation, a beautiful wife, and a seat in Parliament. But the advent of war brings with it Orlando’s downfall; and his daughter Agatha, cloistered with him in his banishment, is left to pick through the rubble of his smoking, ruined legacy. Elegant and muscular, powerful and razor-sharp, Orlando King is a bildungsroman, Greek tragedy and political saga all in one; a glittering exorcism of the inter-war generation’s demons to rival the work of Evelyn Waugh and Muriel Spark.

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LA PATRICIA HIGHSMITH ESPAÑOLAUno de los mejores Libros y Autores delaño (Library Journal, The Times, Oprah Daily, Evening Standard, USA Today y The Independent), libro de la semana en Babelia y en las listas de más vendidos, que sedujo a Elisabeth Moss, quien encarnará a la protagonista en la gran pantallaPREMIO BEST NOVEL VALENCIA NEGRA 2022PREMIO UN AÑO DE LIBROS EL CORTE INGLÉS AL MEJOR DEBUTUNO DE LOS MEJORES LIBROS DE 2022 SEGÚN EL PAÍS, EL CULTURAL, LA VANGUARDIA, ELLE Y TELVAUn personaje inolvidable y una trama de una diabólica complejidad. Esta novela deja una huella imborrable en el lector. Espero con auténtica ansia su siguiente libro.Isabel CoixetUna novela muy seria y muy, muy atractiva. Larga vida literaria a Feito.José María Guelbenzu, BabeliaLa última novela de George March es un gran éxito, y nadie se enorgullece tanto d

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'Witty, Warm, and Wonderful. I loved it!' Milly JohnsonSometimes all it takes to make the world a better place is a small act of kindness...'A truly wonderful and heartwarming read' Heidi Swain'I loved it' Clare MackintoshThe perfect feel-good read for fans of Milly Johnson, Lucy Diamond and Jenny ColganWhen Ceri Price arrives in the small seaside village in West Wales, she only means to stay for a couple of nights - long enough to scatter her mother's ashes, and then go back to her life as a successful make-up entrepreneur.But when a case of mistaken identities means she lands a job as the barmaid in the local pub, she unexpectedly finds friendship, and perhaps a chance at love.But when the plans for a new housing estate put the local woodland under threat, she fears the way of life here could disappear.Then mysterious acts of kindness start springing up around the village - a string of bunting adorns the streets, a new village signpost appears out of nowhere and someone provides paint to spruce up the houses on the seafront. Who is behind these acts of kindness and can they help in the race to save the village from the faceless developers...?Welcome to the Village of Love. Where friendship flourishes and love blossoms...*********Readers are loving this gorgeously feel-good uplifting novel:'An absolute joy. Five stars' Isabelle Broom, Heat 'Heartwarming, wise, funny and romantic...this is a delight' Rachael Lucas, bestselling author of Wildflower Bay'A truly wonderful and heartwarming read' Heidi Swain, Sunday Times bestselling author of Sleigh Rides and Silver Bells at the Christmas Fair 'I absolutely loved it!' Cathy Bramley, Sunday Times bestselling author of The Lemon Tree Cafe'A perfect feel-good read that will lift your spirits no end' The Sun'An adorable life-affirming book' Rowan Coleman'This wonderfully warm, funny and inspirational story from Laura Kemp will have you cheering from first page to last. It's the kind of book that rekindles your hope in good things. I loved it!' Miranda Dickinson'I have completely and utterly fallen in love with this book; with the characters, the setting and the wonderfully written story. Beautifully brilliant. I love this book. Five stars'. Anne, Random Things Through My Letterbox'This really is a wonderful book. With fabulous characters and a beautiful setting. This book will make you want to spread your own acts of kindness and make the lives of people that you meet just that little bit better. Absolutely loved it. Five stars.' Karen, Goodreads reviewer'A beautiful book...I loved it...you can't help but feel better about life once you have read it. It puts a smile on your face. It is uplifting, shares the best of human kindness and makes you appreciate that life is so much more than material possessions. It really is a feel-good book, that is perfect for those cold winter evenings. Five stars.' Jo, Goodreads reviewer'A very entertaining, page-turning book, that was just that little bit different character-wise, and with a lovely ending. Very enjoyable.' Claire, Goodreads reviewer'I really enjoyed this book and highly recommend it as a cosy sit by the fire with a cuppa read, and I defy you to try reading it without the sound of the lovely welsh voices in your head.' Lorraine, Goodreads reviewer

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La obra es el resultado de un intenso proceso de reflexión y debate, entre un grupo cualificado de docentes, sobre las deficiencias de las herramientas pedagógicas tradicionales en los procedimientos de enseñanza-aprendizaje en Educación Superior, y sobre la necesidad de implementar mecanismos alternativos de transmisión del conocimiento entre el alumnado de estos niveles. Presenta varias técnicas docentes y sistemas de evaluación, pero no sólo en términos puramente descriptivos. Junto a la referencia de las características de la técnica concreta -docente o evaluadora- se incide en la determinación de sus ventajas e inconvenientes y, en su caso, en los mecanismos que pueden emplearse a fin de minimizar los aspectos que puedan resultar más disfuncionales.Extracto del Índice:PresentaciónI. TÉCNICAS DOCENTES1. La Lección Magistral. Isabel Zurita Martín.2. Trabajos en grupos: El compromiso contractual. M Paz Sánchez González.3. Aprendizaje basado en problemas (ABP). M

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An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.This book sets out to understand how the meaning of ‘literature’ was transformed in the Global South in the post-1945 era. It looks at institutional contexts in South Africa (mainly Johannesburg), Brazil (São Paulo), Senegal (Dakar) and Kenya (Nairobi), and engages with critical writing in English, Portuguese and French. Critics studied in the book include Antonio Candido, Tim Couzens, Isabel Hofmeyr, Es’kia Mphahlele, Léopold Senghor, Taban Lo Liyong and Ngugi wa Thiong’o. By reading these intellectuals of the Global South as producers of theory and practice in their own right, the book attempts to demonstrate the contingency of what is her called the worlding of the concept of literature. ‘Decolonisation’ itself is seen as a contingent, non-linear process that unfolds in a recursive dialogue with the past. In a bid to offer a more grounded approach to world literature, a key objective of this study is therefore to investigate the accumulation of temporalities in institutional histories of critical practice. To reach this objective, it engages the method of conceptual history as developed by Reinhart Koselleck and David Scott, demonstrating how the concept of ‘literature’ is resemanticised in ways that dialectically both challenge and consolidate literature as a concept and practice in post-colonised societies.

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'This humane, accessible and lucid work will enlighten any voter, and remind any would-be – or currently serving – politician of the pitfalls to avoid' - TLSBarely a week goes by without another government U-turn and with the cost of living crisis and rising mortgage rates we really need those in charge to get it right. In this timely book Cambridge Professor Dennis C. Grube explores the pitfalls, failures and successes of those in power around the world.'A must-read' - Sebastian Payne'Convincing' - David Lammy MPWe live in an era when we really need governments to be effective – the economy, our health and the future of the planet are at stake – but so often they can seem clueless, and their decisions leave us confused. With insight and wit, Grube explains how governments can improve their decision-making and by examining fascinating case studies he highlights the key factors that make for effective government. With the stakes higher than ever before, this original and important book is an essential read for any concerned citizen who wants to understand why governments make the wrong decisions and, crucially, what can be done about it.‘Highly original and very entertaining' - Gavin Esler'There is a real gap for this book' - Isabel Hardman

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'Perfect for fans of Lemony Snicket' – a Book of the Year in the i News'A whirligig of adventure' – The Telegraph_______________Bronte Mettlestone is ten years old when her parents are killed by pirates.This does not bother her much: her parents ran away to have adventures when she was a baby. She has been raised by her Aunt Isabelle, with assistance from the Butler, and has spent a pleasant childhood of afternoon teas and riding lessons. Now, however, her parents have left detailed instructions for Bronte in their will. (Instructions that, annoyingly, have been reinforced with faery cross-stitch, which means that if she doesn't complete them, terrible things could happen) She must travel the kingdoms alone, delivering gifts to ten other aunts: a farmer aunt who owns an orange orchard, a veterinarian aunt who specializes in dragon care, a pair of aunts who captain a cruise ship, and a former rock star aunt who is now the reigning monarch of a small kingdom.But as she travels from aunt to aunt, Bronte suspects there might be more to this journey than the simple delivery of treasure; though little does she suspect that she will have to play such a big part in the extraordinary events that follow.Fans will also love book II in the series:9781913101107 The Slightly Alarming Tale of the Whispering Wars

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La primera biografía de la autodenominada baronesa de Wilson basada en lo que realmente fue y no en lo que dijo ser.Cómo se puede perder el rastro histórico de una mujer que se codeó con Lamartine o Gertrudis Gómez de Avellaneda, que fue la agente literaria de Alejandro Dumas para los países de habla hispana, que frecuentó la corte de Isabel II, que fue protegida del presidente mexicano Porfirio Díaz y que vio cómo se publicaron en vida dos biografías sobre sus andanzas?Pura Fernández ha sabido manejarse con destreza en el laberinto de documentos, hechos, dudas y contradicciones que rodean a Emilia Serrano García, autodenominada Baronesa de Wilson, y nos revela, con gran pulso narrativo, su verdadero rostro. A través de su vida reconstruye también el relato de las mujeres emprendedoras que, relegadas a un segundo plano de la historia, reformularon todos los estereotipos tradicionales de la sociedad decimonónica.Esta trama novelesca no solo revela cómo se puede

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Para escapar del calor de un día de agosto en Madrid, Maite Zubiaurre buscó refugio en una tienda de antigüedades, y allí, deambulando entre globos terráqueos y viejos pergaminos, se topó de pronto con un curioso álbum de fotos. Las fotografías oficiales del rey Alfonso XIII y la reina Isabel II llenaban las primeras páginas, pero rápidamente vino a sustituirlas una riquísima y sabrosa colección de postales eróticas. En ellas, hombres y mujeres alegremente desnudos desafiaban por igual los preceptos de la Iglesia católica y se entregaban con abierto deleite a los placeres de la carne y a las muchas variantes del amor. Abundaban entre estas las " fellatio " , los " cunnilingus " , los " ménage à trois " , el sadomasoquismo, el tribadismo y la zoofilia, y no faltaban tampoco los curas salaces y las monjas retozonas." Culturas del erotismo en España, 1898-1939 " es el primer volumen académico dedicado al estudio de esa sensualidad irreverente y procaz, tal y como se manifiesta en la c

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A pesar de ser uno de los personajes que más ha influido en la Historia, hay muchos detalles de la vida de Cristóbal Colón que continúan velados por el misterio. Cuál fue su verdadera patria? En qué pruebas se basan los investigadores que lo hacen gallego, extremeño, catalán o balear? Era Colón judío? Si nació en Génova, cómo se explica que conociese imperfectamente el italiano? Supo de la existencia de América por un náufrago predescubridor al que dio cobijo en su casa? Cuáles fueron sus verdaderas relaciones con Isabel la Católica? Realizó exploraciones secretas a espaldas de la Corona para descubrir yacimientos de perlas y minas de oro? Dónde se encuentra la verdadera tumba de Colón?Este libro examina además los otros misterios que rodean el descubrimiento de América: cuándo y por qué caminos llegaron allí sus primeros pobladores? Conocieron América los fenicios? Extrajeron del Perú los templarios sus fabulosos tesoros? En qué circunstancia llegaron los vikingos al Canadá quinien

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This inspirational guide introduces you to the locals behind thirty-five of Paris’s unique shops, studios, and more. Through beautifully illustrated spreads, immerse yourself in the daily practices of diverse creatives including fashion designer Isabel Marant; baker Apollonia Poilâne, whose sourdough loaves are the toast of the city; fourth-generation art supplier Sophie Sennelier; Palais-Royal shoe designer Pierre Hardy; jet-setting street artist and hotelier André Saraiva; bookseller Sylvia Whitman who continues her father’s literary heritage with flair; French cocktail expert Franck Audoux; the duo behind ecological sneaker brand Véja; the inventor of the bistronomy movement Yves Camdeborde; plus a host of chocolatiers, florists, cheesemakers, patissiers, stationers, and more. Each maker links to the next with a personal introduction that adds insight to how these interconnected communities thrive and grow together. You’ll get to know each maker—their tools, practices, passions, histories, inspirations, and work environments. 'Makers Paris' takes you inside their businesses to show you how they invent, craft, and sell their wares, and demonstrates in the process how each maker’s own passions and talents splendidly intersect with their city’s hunger for quality, style, and substance. Whether you’re planning a trip to Paris, looking for inspiration, or just wondering what’s hot in the City of Lights, this thrilling tour will leave you inspired, satisfied . . . and hungry for more.

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Si los parisinos caminan por su ciudad acompañados por Balzac y los londinenses van de la mano de Dickens, nosotros nos planteamos pasear por nuestro Madrid con Galdós al lado. Y eso no será todo, ya que también lo haremos con Isabel II, con Carlos María de Castro o con el marqués de Salamanca, entre otros.A través de las obras de este gran novelista, que también fue dramaturgo, cronista y político, es fácil introducirse en ese Madrid en construcción, sentirse inmerso en la sociedad decimonónica y verse rodeado por rentistas, especuladores, marqueses arruinados y endeudados hasta las cejas, burgueses enriquecidos, inmigrantes procedentes de otras provincias y en busca de una vida mejor o mujeres que buscan su sitio en aquel nuevo ámbito urbano.Leyendo fragmentos de sus obras, nos sentiremos dentro de los cafés llenos de humo de aquel Madrid del siglo xix; sufriremos el bullicio de las calles sin semáforos ni pasos de cebra. Mientras, quizá veamos a Galdós yendo de aquí para all

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A groundbreaking look at Gaia theory’s intersections with neocybernetic systems theory Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems is a pioneering exploration of the dynamic and complex evolution of Gaia’s many variants, with special attention to Margulis’s foundational role in these developments.Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis’s work—including multiple pieces of her unpublished Gaia correspondence—he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia’s systems description and extends his own systems-theoretical synthesis under what he terms “metabiotic Gaia.” This study illuminates current issues in neighboring theoretical conversations—from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making.

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Essays on the development of the post-medieval house, its contents and decoration. During the last forty years, South-West England has been the focus of some of the most significant work on the early modern house and household in Britain. Its remarkable wealth of vernacular buildings has been the object of muchattention, while the area has also seen productive excavations of early modern household goods, shedding new light on domestic history. This collection of papers, written by many of the leading specialists in these fields, presents a number of essays summarizing the overall understanding of particular themes and places, alongside case studies which publish some of the most remarkable discoveries. They include the extraordinary survival of wall-hangings in a South Devon farm, the discovery of painted rooms in an Elizabethan town house, and a study of a table-setting mirrored on its ceiling. Also considered are forms of decoration which seem specific to particular areas of the West Country houses. Taken together, the papers offer a holistic view of the household in the early modern period. John Allan is Consultant Archaeologist to the Dean & Chapter of Exeter Cathedral; Nat Alcock is EmeritusReader in the Department of Chemistry, University of Warwick; David Dawson is an independent archaeologist and museum and heritage consultant. Contributors: Ann Adams, Nat Alcock, John Allan, James Ayres, Stuart Blaylock, Peter Brears, Tania Manuel Casimiro, Cynthia Cramp, Christopher Green, Oliver Kent, Kate Osborne, Richard Parker, Isabel Richardson, John Schofield, Eddie Sinclair, John R.L. Thorp, Hugh Wilmott,

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Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fifth and final volume in the series focuses on the identity, nature, and future of visual studies, discussing critical questions about its history, objects, and methods. The contributors question the canon of literature of visual studies and the place of visual studies with relation to theories of vision, visuality, epistemology, politics, and art history, giving voice to a variety of inter- and transdisciplinary perspectives. Rather than dismissing visual studies, as its provocative title might suggest, this volume aims to engage a critical discussion of the state of visual studies today, how it might move forward, and what it might leave behind to evolve in productive ways.The contributors are Emmanuel Alloa, Nell Andrew, Linda Báez Rubí, Martin A. Berger, Hans Dam Christensen, Isabelle Decobecq, Bernhard J. Dotzler, Johanna Drucker, James Elkins, Michele Emmer, Yolaine Escande, Gustav Frank, Theodore Gracyk, Asbjørn Grønstad, Stephan Günzel, Charles W. Haxthausen, Miguel Á. Hernández-Navarro, Tom Holert, Kıvanç Kılınç, Charlotte Klonk, Tirza True Latimer, Mark Linder, Sunil Manghani, Anna Notaro, Julia Orell, Mark Reinhardt, Vanessa R. Schwartz, Bernd Stiegler, Øyvind Vågnes, Sjoukje van der Meulen, Terri Weissman, Lisa Zaher, and Marta Zarzycka.

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THE INTERNATIONALLY BESTSELLING NOVEL. A TOP TEN SUNDAY TIMES BESTSELLER. HALF A MILLION COPIES SOLD IN THE UK.'If you love The Kite Runner you'll love The Little Coffee Shop of Kabul' Look magazineIn a little coffee shop in one of the most dangerous places on earth, five very different women come together . . .SUNNY, the proud proprietor, who needs an ingenious plan - and fast - to keep her café and customers safe.YAZMINA, a young pregnant woman stolen from her remote village and now abandoned on Kabul's violent streets.CANDACE, a wealthy American who has finally left her husband for her Afghan lover, the enigmatic Wakil.ISABEL, a determined journalist with a secret that might keep her from the biggest story of her life.And HALAJAN, the sixty-year-old den mother, whose long-hidden love affair breaks all the rules.As these five women discover there is more to each other than meets the eye, they form a unique bond that will change their lives forever. Because even in a place rife with conflict, love, friendship and hope will always survive . . .The Little Coffee Shop of Kabul is the heart-warming and life-affirming fiction sensation that captured the hearts of readers across the globe. The final chapter in Sunny and friends' heart-wrenching and uplifting story is available now. Order Farewell to the Little Coffee Shop of Kabul to find out what happens next...

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Learn to create a nonprofit organization and society in which Black people can thrive In Building A Pro-Black World: A Guide To Creating True Equity in The Workplace and In Life, a team of dedicated nonprofit leaders delivers a timely roadmap to building pro-Black nonprofit organizations. Refreshingly moving the conversation beyond stale DEI cliches, editors Cyndi Suarez and the NPQ staff have included works from leading racial justice voices that show you how to create an environment—and society—in which Black people can thrive. You’ll also learn how building such a world will benefit all of society, from the most marginalized to the least. The book explains how to shift from simply critiquing white supremacist culture and calling out anti-Blackness to actively designing for pro-Blackness. It offers you: Incisive and engaging work from leading voices in racial justice, Cyndi Suarez, Dax-Devlon Ross, Liz Derias, Kad Smith, and Isabelle Moses Explorations of topics ranging from restorative leadership strategies for staff wellbeing to Black politics and policymaking Discussions of new language for pro-Black social change, racial equity in healthcare and health communications, and antiracist succession planning A can’t-miss resource for civil society and nonprofit leaders, including directors, executives, grant makers, philanthropic donors, and social movement leaders, Building Pro-Black World will also benefit communicators, organizers, and consultants who work with nonprofit organizations.

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Roberto es un hombre acostumbrado a hacer lo que le da la gana. Un hombre independiente. Se jubiló hace seis años, pero, a sus setenta y un años, sigue traduciendo. Y cada mañana se sienta delante del ordenador, y traduce durante horas. La señora Dolores, la portera, sube a limpiar el piso un par de veces por semana pero cuando sufre una embolia y ya no puede volver a trabajar, Isabel, la hija de Roberto, insiste en que su padre pida una asistenta. Un lunes, Jacinta llama a la puerta. Su belleza y su carácter impresionan a Roberto, y enseguida surge algo entre ellos. Entre esa mujer, que sabe que siempre será una extranjera que genera una sorda desconfianza entre los locales, y ese hombre culto, aún ávido de vida, surge una relación que subvierte sus vidas y las de los que les rodean. Porque su goce suscita odios y revela prejuicios que nadie cree tener, pone en cuestión el limbo terrible al que los hijos condenan a los padres, los jóvenes a los viejos, los iguales a los diferentes. Un

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Hay momentos en los que una imagen no solamente lo dice todo, sino que también puede cambiarlo todo. Isabel Sterling ni siquiera sabía que la habían inscrito en el concurso "Haz tus sueños realidad", de la revista Sophisticated Women, de modo que para ella es toda una sorpresa enterarse de que ha ganado un cambio de imagen que ni desea ni necesita, además de la oportunidad de aparecer en la portada de una revista de ámbito nacional que nunca ha leído, junto con un viaje con todos los gastos pagados para dos personas a ciudades muy lejanas. La fotógrafa Natasha Kashnikova es una cínica y famosa rompecorazones que está cayendo a toda velocidad en la crisis de la mediana edad cuando acepta ocuparse de las sesiones fotográficas para Sophisticated Women como favor personal a una amiga. Kash está convencida de que todas las mujeres que se interesan por ella tienen motivos ocultos, de modo que el amor no está entre sus planes. Y mucho menos, desde luego, con una ingenua romántica y durante un

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Natural Designs chronicles the life and work of the earliest and most influential Spanish historian of the New World, Gonzalo Fernández de Oviedo (1478–1557). Through a combination of biography and visual and textual analysis, Elizabeth Gansen explores how Oviedo, in his writings, brought the European Renaissance to bear on his understanding of New World nature. Oviedo learned much from the humanists with whom he came into contact in the courtly circles of Spain and Italy, including Giovanni Battista Ramusio and Pietro Bembo, and witnessed Christopher Columbus regaling Queen Isabel and King Ferdinand with news from his inaugural voyage to the Indies. Fascinated by the Caribbean flora and fauna Oviedo encountered on his arrival to the Caribbean in 1514, he made them the protagonists of his writings on the Indies. From his consumption of the prickly pear cactus, which led him to believe his death was imminent, to the behavior of the iguana, which defied his efforts to determine if the lizard was fish or flesh, his works reveal the challenges at the heart of Spain’s encounter with the biological wonders of the Americas. Natural Designs foregrounds Oviedo’s role as a writer, illustrator, and editor of New World nature. As much as Oviedo is credited as a pioneer in the literary genre of American natural history, his contributions to early modern conceptions of the flora and fauna of the Indies are still not widely understood and appreciated. Gansen situates us in the early sixteenth century to reappraise the works of the Spanish historian who first shaped these realities.

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París, 1885. Los exiliados de la Comuna ya vuelven a la capital, pero la insurrección de las clases proletarias y su violenta represión han dejado profundas huellas en la sociedad. Klervi, una joven bretona recién llegada a París, encuentra en Clara un apoyo y una mentora en aquella época convulsa.Tras las ediciones integrales de 'Los pasajeros del viento' (Astiberri, 2015) y 'La niña Bois-Caïman' (Astiberri, 2016), François Bourgeon inicia con 'La sangre de las cerezas', cuarenta años después del comienzo de su serie de culto, un tercer y último arco de dos tomos donde se cruzan el destino de dos mujeres en el corazón de un Montmartreensangrentado.Para resituar la serie más popular del autor francés, conviene recordar que si en el primer arco ('Los pasajeros del viento'), la joven y rebelde Isabel de Marnaye embarcaba de incógnito en un buque de la Armada francesa en el siglo VXIII, con la trata de esclavos como telón de fondo, en el segundo arco ('La niña Bois-Caïman'), seg

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Hacia 1492 aparece en Sevilla; cuando aún no está acuñado el término novela, y menos el de romántico, un texto titulado Cárcel de amor al que su autor Diego de San Pedro le da el nombre de Tratado. En él se narra la historia apasionada de un enamorado, Leriano, por Laureola, la hija del rey, comprometida con su elección de la fama y la honra para alcanzar la gloria sobre la efímera realidad.El argumento novelesco se enriquece con la presencia ficcional de la alegoría, el testimonio histórico y la acción de unas cartas que juegan en función de diálogo entre los personajes; con lo que ello anima las interpretaciones políticas, religiosas o amorosas del texto por un lector que aquí es un Auctor, impertinentemente atraído por la belleza de Laureola, con lo que se anima la presencia de textos como el De amore, de A. Capellán, y una cronología de intrigas, desafíos, juicios de Dios, adulterios y una guerra cuya animada acción justifica que la princesa Isabel de Este, que encarnaba el ide

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Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed—for various purposes and intentions—the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it. Contributors. Crystal Mun-hye Baik, Jasmyn R. Castro, Nadine Chan, Mark Garrett Cooper, Dino Everett, Allyson Nadia Field, Walter Forsberg, Joshua Glick, Tanya Goldman, Marsha Gordon, Noelle Griffis, Colin Gunckel, Michelle Kelley, Todd Kushigemachi, Martin L. Johnson, Caitlin McGrath, Elena Rossi-Snook, Laura Isabel Serna, Jacqueline Najuma Stewart, Dan Streible, Lauren Tilton, Noah Tsika, Travis L. Wagner, Colin Williamson

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Discover how 40 influential Latinas became the women we celebrate today! In this collection of short biographies from all over Latin America and across the United States, Juliet Menéndez explores the first small steps that set the Latinitas off on their journeys. With gorgeous, hand-painted illustrations, Menéndez shines a spotlight on the power of childhood dreams. From Supreme Court Justice Sonia Sotomayor to singer Selena Quintanilla to NASA’s first virtual reality engineer, Evelyn Miralles, this is a book for aspiring artists, scientists, activists, and more. These women followed their dreams - and they just might encourage you to follow yours! The book features Sor Juana Inés de la Cruz, Juana Azurduy de Padilla, Policarpa Salavarrieta, Rosa Peña de González, Teresa Carreño, Zelia Nuttall, Antonia Navarro, Matilde Hidalgo, Gabriela Mistral, Juana de Ibarbourou, Pura Belpré, Gumercinda Páez, Frida Kahlo, Julia de Burgos, Chavela Vargas, Alicia Alonso, Victoria Santa Cruz, Claribel Alegría, Celia Cruz, Dolores Huerta, Rita Moreno, Maria Auxiliadora da Silva, Mercedes Sosa, Isabel Allende, Susana Torre, Julia Alvarez, Sandra Cisneros, Sonia Sotomayor, Rigoberta Menchú Tum, Mercedes Doretti, Sonia Pierre, Justa Canaviri, Evelyn Miralles, Selena Quintanilla, Berta Cáceres, Serena Auñon, Wanda Díaz Merced, Marta Vieira da Silva, Alexandria Ocasio-Cortez, and Laurie Hernandez.

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Surveys the thought and literary work of a towering figure in twentieth-century Spanish cultural and political life. As a novelist, dramatist, essayist, poet and public intellectual, Miguel de Unamuno (1864-1936) was a strikingly energetic and prolific writer, and a towering figure in twentieth-century Spanish cultural and political life. His work explored fundamental questions about existence and identity (both individual and national).Widely recognised and translated during his lifetime, he was an inescapably canonical figure on university syllabi across Europe and the Americas for many years after his death, and still appears on many curricula. In this Companion, a range of distinguished scholars with very different approaches both survey Unamuno's work chronologically, analysing major developments and turning points or breaks as well as continuities, and further study key themes and preoccupations across his prolific narrative, theatrical and essay output. All contributors offer not just incisive discussion of the texts or topics studied, but also a balanced overview of issues and debates arising in Unamuno studies. Julia Biggane is senior lecturer in Hispanic Studies at the University of Aberdeen. She is a general editor of theBulletin of Spanish Studies, and director of the Sir Herbert Grierson Centre for Textual Criticism and Comparative Literary History at the University of Aberdeen. John Macklin was Professor of Hispanic Studies and Head of the School of Modern Languages and Cultures at the University of Glasgow. In 1994, he was made a Commander of the Order of Isabel la Católica by King Juan Carlos of Spain.

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Escape to Greece for sunshine, music, laughter and a sprinkling of romance.... The feel-good novel you need in 2021!***One summer... One dream... One chance to make it happen.Laurel hasn't taken a risk her whole life. Now as summer dawns, she's going to do something that nobody expects of her. Laurel turns to her ABBA albums and her favourite film, Mamma Mia! She grabs her passport, dons her dungarees, and jets off to Skopelos for her own Meryl-inspired adventure...Laurel books into the faded but charming Villa Athena and befriends its eccentric owner. As she explores the island's famous sights, Laurel finds herself feeling strangely at home. So should she return to her life in London, or could this be where she truly belongs?This summer dust off your passport, pack your best dancing shoes, and escape to Greece on your own Mamma Mia! adventure! The perfect read for fans of Karen Swan, Holly Hepburn and Isabelle Broom.Don't miss Annie Robertson's next feel-good romantic comedy, Four Weddings and a Festival!****Readers are loving My Mamma Mia Summer:'I LOVED it...this book filled me with joy''Full of hope and sunshine...a fun read which has you reaching for the ABBA CDs and booking holidays to Greece!''I loved this book...just the thing to get me in the mood for my holiday''A vibrant, warm and satisfying read'

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'A beautifully written magical novel about life, love and family' Cathy Kelly From the million-copy Sunday Times bestseller comes a compelling and engrossing story of hidden lives and secret pastsLondon, present day: Emily Gordon has found her dream job, as an editor at a small publishing house. When the biography of a late great English novelist crosses her desk, she discovers, buried beneath the history, a story that simply has to be told…London, 1948: Isabel Barber has barely arrived in the city when a chance meeting leads to a job offer, and a fascinating career beckons. But as she develops a close working relationship with a charismatic young debut novelist the professional soon becomes personal, and she finds herself fighting for her very survival… Secrets from the past, unravelling in the present… Uncovering secrets that span generations, Rachel delivers intriguing, involving and emotive narrative reading group fiction like few other writers can.Praise for Rachel Hore's novels: 'Compelling, engrossing and moving' SANTA MONTEFIORE 'Simply stunning . . . I savoured every moment’ DINAH JEFFERIES 'A story that stirs the deepest emotions' WOMAN & HOME ‘An emotive and thought-provoking read’ ROSANNA LEY ‘Hore tackles difficult subjects with a clever, light touch and a sunny positivity. Her women are brave and good and you desperately want them to win’ DAILY MAIL ‘A novel thatstirs the deepest emotions’ WOMAN ‘An elegiac tale of wartime love and secrets’ TELEGRAPH ‘A tender and thoughtful tale' SUNDAY MIRROR

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The retrospective on the work of couturier Thierry Mugler (1948-2022) at the Brooklyn Museum includes more than 150 costumes designed between 1977 and 2014, along with many unpublished archive documents and sketches. It showcases the multiple worlds of this one-of-a-kind artistic figure—a visionary fashion designer, director, photographer and perfumer—through a display of his prêt-à-porter and haute couture silhouettes. Thierry Mugler staged the most spectacular fashion shows of his time. He dressed many celebrities, including Diana Ross, David Bowie, Lady Gaga, Liza Minnelli, Céline Dion and Kim Kardashian. He created the costumes for many of Mylène Farmer’s and Beyoncé’s tours and videos. A photographer and director, he filmed clips as well as short films starring actresses like Isabelle Huppert and Juliette Binoche. This book was published in conjunction with the exhibition and is organised into several main sections. It reproduces a selection of full-page photographs, most of which have not been published before, by the greatest artists who worked with Mugler throughout his career—Helmut Newton, Peter Knapp, Jacques-Henri Lartigue, David LaChapelle, Stéphane Sednaoui, Jean-Baptiste Mondino, Jean-Paul Goude, Pierre & Gilles, Patrice Stable, Inez & Vinoodh, to name just a few. It also includes views of the exhibition layout and displays. Prior tour dates and locations: Kunsthal Rotterdam, Netherlands - 10.13.2019 - 03.08.2020 Hypo-Kunsthalle Munich, Germany - 05.25.2020 - 04.13.2021 Musée des Arts Décoratifs, Paris - 09.30.2021 - 04.24.2022 Text in English and French.

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En el reinado de Felipe II, en cuyos territorios "nunca se ponía el sol", surge la figura y la obra de de Félix Lope de Vega, un clásico de la literatura española, tanto por su excelencia en el manejo del idioma como por su fecunda imaginación creadora. Lope de Vega es un escritor en quien es imposible separar los hechos de la vida y las manifestaciones artísticas. Si Lope de Vega llevó su vida a su obra fue porque, en buena parte, su vida era ya novelesca. Fue autor del rapto de una dama principal de Madrid, Isabel de Urbina. En 1611 le intentaron asesinar. Siendo ya sacerdote, entabla relaciones amorosas ilícitas con Marta de Nevares. Su hogar madrileño recogió los distintos hijos habidos de Lope, tanto legítimos como ilegítimos...Lope, aunque adelantado, fue un hombre de su tiempo que encarnó perfectamente el tópico de armas y letras. Si pudo representar tan bien el carácter nacional de España fue porque poesía un dilatado conocimiento de su geografía. Convive con gentes de toda

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Las novelas que forman el ciclo de " El ruedo ibérico " , proyecto del que Valle-Inclán solo llegó a publicar los tres tomos de la primera serie, constituyen un retrato de la época que abarca desde las clases altas de la corte hasta las clases bajas de la sociedad; con el claroscuro en el dibujo de los protagonistas de la revolución de 1868; con referencias al estamento clerical y su influencia en la política española de todos los tiempos; con el retrato de una reina, Isabel II, que es vista como una mujer populachera, aunque intrigante y lasciva, rendida a la supersticiosa manera de entender la religión; con el retrato de los militares de la época, a veces de modo despiadado; con el hálito vivo de los pobres diablos, los bandidos, los marginales, el lumpen, las prostitutas... Esta edición incluye las cuatro novelas de " El ruedo ibérico " publicadas ( " La corte de los milagros " , " La rosa de oro " , " Viva mi dueño " y " Baza de espadas " ) y un Apéndice con los textos " Fin de un

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Precocious, a poet, a philosopher's daughter, Maitreyi Devi was sixteen years old in 1930 when Mircea Eliade came to Calcutta to study with her father. More than forty years passed before Devi read Bengal Nights, the novel Eliade had fashioned out of their encounter, only to find small details and phrases, even her given name, bringing back episodes and feelings she had spent decades trying to forget. It Does Not Die is Devi's response. In part a counter to Eliade's fantasies, the book is also a moving account of a first love fraught with cultural tensions, of false starts and lasting regrets.Proud of her intelligence, Maitreyi Devi's father had provided her with a fine and, for that time, remarkably liberal education — and encouraged his brilliant foreign student, Eliade, to study with her. "We were two good exhibits in his museum," Devi writes. They were also, as it turned out, deeply taken with each other. When their secret romance was discovered, Devi's father banished the young Eliade from their home. Against a rich backdrop of life in an upper-caste Hindu household, Devi powerfully recreates the confusion of an over-educated child simultaneously confronting sex and the differences, not only between European and Indian cultures, but also between her mother's and father's view of what was right. Amid a tangle of misunderstandings, between a European man and an Indian girl, between student and teacher, husband and wife, father and daughter, she describes a romance unfolding in the face of cultural differences but finally succumbing to cultural constraints. On its own, It Does Not Die is a fascinating story of cultural conflict and thwarted love. Read together with Eliade's Bengal Nights, Devi's "romance" is a powerful study of what happens when the oppositions between innocence and experience, enchantment and disillusion, and cultural difference and colonial arrogance collide. "In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide."—Isabel Colegate, New York Times Book Review"Recreates, with extraordinary vividness, the 16-year-old in love that she had been. . . . Maitreyi is entirely, disarmingly open about her emotions. . . . An impassioned plea for truth."—Anita Desai, New Republic"Something between a reunion and a duel. Together they detonate the classic bipolarities: East-West, life-art, woman-man."—Richard Eder, New York Newsday"One good confession deserves another. . . . Both books gracefully trace the authors' doomed love affair and its emotional aftermath."—Nina Mehta, Chicago Tribune

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Theirs was the love of a lifetime. Now they have one night to save it.'Wonderfully romantic' KEIRA KNIGHTLEY'Relatable. Funny. Glorious' DEBORAH FRANCES-WHITE'Heartbreaking yet life-affirming' HEAT magazine_________________________Whir, beep, click, breath. Whir, beep, click, breath. Pippa Gallagher is rushed in to hospital following a traffic accident.As Pippa lies unconscious, fragments of the past flash through her mind. The day she met Steve Gallagher, the man who would become the love of her life. The heartbreak she felt tonight as she got into her car, her eyes blurry from tears. Meanwhile Steve sits at her bedside, his eyes fixed on her pale, still face. He has no idea where his wife was going when she crashed. No clue as to why she became distracted behind the wheel. All he knows is that she is his world. And that he wasn't there when she needed him most. For the next twelve hours, Steve tells Pippa all the reasons he loves her. But is it too late? Can Pippa find her way back to him?_________________________'Witty, tender and compulsively readable' DIANA GABALDON, bestselling author of OUTLANDER'Such a brilliant, poignant and wonderfully romantic story' ISABELLE BROOM'Smart, moving and fun... A cleverly conceptual love story' METRO'Hilarious and heartbreaking' SARA PASCOE'Beautifully tender' TOM ALLEN'Captivating. I loved it' REBECCA HALL'This drowns in love. Beautiful' SIOBHÁN MCSWEENEY________________________Real readers adore this beautiful novel:'Moving, poignant and so very real. Explores the beautiful, messy chaos that is falling in and staying in love' 'Oh my gosh, I can't even with this book. It was stunningly beautiful and emotive. I laughed, I cried and I felt totally heartbroken. A beautiful story that both made me hopeful and emotionally destroyed at the same time. I loved it. *****''An absolute joy to read. A book for anyone who is in love, has loved or been loved *****''Oh my gosh, this book nearly broke me. It was so romantic and funny and real and relatable. I loved every page. That ending is amazing. Highly recommend *****''The connection between them was so real that my heart broke for them with every page, and it felt as though we've lived through their relationship alongside them. A truly heartbreakingly stunning story about love and loss, fans of If I Stay will definitely love this story ****' 'This is such a beautiful love story. Although it is quite heartbreaking... there are quite a lot of funny moments. Such a great cast of characters. Great storyline and quite emotional. Thoroughly entertaining *****''This was a tender, emotional read. It was romantic as you would expect, yet not schmaltzy or unrealistic. I found it to be a beautiful and thought-provoking book. I really enjoyed it ****''Both heartbreaking and heartwarming. Celebrating the beauty and imperfections of true love... a funny, romantic book that you'll need the tissues for ****'

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"Elegantly written, Tears We Cannot Stop is powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish." -Toni Morrison "Here's a sermon that's as fierce as it is lucid. It shook me up, but in a good way. This is how it works if you're black in America, this is what happens, and this is how it feels. If you're black, you'll feel a spark of recognition in every paragraph. If you're white, Dyson tells you what you need to know-what this white man needed to know, at least. This is a major achievement. I read it and said amen." -Stephen King As the country grapples with racist division at a level not seen since the 1960s, one man's voice is heard above the rest. In his New York Times op-ed piece "Death in Black and White," Michael Eric Dyson moved a nation. Isabel Wilkerson called it "an unfiltered Marlboro of black pain" and "crushingly powerful," and Beyonce tweeted about it. Now he continues to speak out in Tears We Cannot Stop-a provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted. Short, emotional, literary, powerful-this is the book that all Americans who care about the current and long-burning crisis in race relations will want to read.

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This anthology, the fifth from Nick Hern Books, comprises five of the best plays from VAULT Festival 2020, London's biggest and most exciting arts festival. Something Awful by Tatty Hennessy is a thrilling play inspired by the true-crime story of the Slenderman. Soph and her best friend Jel love scary stories and hunt for the best online. But then new girl Ellie turns up at school with one of her own. Second Home by Charlotte Chimuanya explores the experiences of growing up mixed-race in twenty-first century Ireland. Naomi is trying to mend her broken heart. But will tackling grief and racism in a place she calls home prove to be the final betrayal? Madame Ovary by Rosa Hesmondhalgh tells the heartbreaking and hilarious true story of Rosa's own ovarian cancer. This five-star sell-out Edinburgh hit is a life-affirming monologue exploring the typical struggles of staying relevant, with the less typical struggles of staying alive. Take Care by Zoë Templeman-Young and Sam McLaughlin follows the real-life story of Pam, a woman struggling to move her mother into a care home that's closer to her. An award-winning Edinburgh smash, it is an astonishing, tragic and uplifting verbatim play about the care system in the UK today. Heroes by Isabel Dixon is a poignant exploration of fallen idols, family secrets and the human price of forgiveness. Set across two timelines, it is the tense and sensitive story of a family torn apart by an unforgiveable act.

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Raise one last glass with the Quinn Family at the Winter Street Inn.It's been too long since the entire Quinn family has been able to celebrate the holidays under the same roof, but that's about to change. With Bart back safe and sound from Afghanistan, the Quinns are preparing for a holiday more joyous than any they've experienced in years.And Bart's safe return isn't the family's only good news: Kevin is enjoying married life with Isabelle; Patrick is getting back on his feet after paying his debt to society; Ava thinks she's finally found the love of her life; and Kelly is thrilled to see his family reunited at last. But it just wouldn't be a Quinn family gathering if things went smoothly.A celebration of everything we love - and some of the things we endure - about the holidays, WINTER SOLSTICE is Elin Hilderbrand at her festive best.**************Praise for Winter Solstice'A holiday package filled with humor, romance, and realism' - Jocelyn McClurg'The holidays wouldn't be complete without a little family dysfunction, and Hilderbrand writes it well' - Library Journal'A page-turner' - Coastal Living'A series only works when the characters are worth following over the long haul, and Hilderbrand is a master, making for a satisfying conclusion to her Christmas at the Inn story' - Kirkus'[Hilderbrand] expertly meshes everything together so that peace exists within each character and within the family dynamic . . . The queen of the romance novel is on top of her game, and she won't let you down' - Book Reporter

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Publisher to the Decadents chronicles the experiences of Leonard Smithers (1861–1907), a key figure in the literary culture of late Victorian England. In his day he was known primarily for publishing books of upscale pornography. He became the publisher of choice for the Decadents, including most notably Oscar Wilde and Audrey Beardsley.While a young solicitor in his native Sheffield, Smithers established a correspondence with the famed explorer and translator of exotic texts, Captain Sir Richard Burton. Burton translated The Thousand Nights and a Night (popularly known as The Arabian Nights), which was published by Smithers in 1885. Smithers collaborated with Burton in the publication of two Latin texts, the Priapeia and the Carmina of Catullus, both of erotic cast. After the death of Burton in 1890, Smithers continued a significant involvement with his work, serving as an adviser to Lady Isabel Burton. During this time Smithers formed a partnership with Harry Sidney Nichols, and together they produced a series of pornographic books under the imprint of the Erotika Biblion Society.The years between 1895 and 1900 were Smithers’s glory years when he managed to publish a number of books illustrated by Beardsley, a magazine known as the Savoy, and books of verse by Ernest Dowson and Arthur Symons that have proved to be the finest expression of the Decadent Movement. Throughout his career Smithers sought to produce attractive, well-made books that were tastefully designed and printed.This book provides expansive insight into the prizes and pitfalls of an early English publisher of the decadent Nineties.

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Morris is a little boy who loves using his imagination. But most of all, Morris loves his classroom’s dress-up center and its tangerine dress. Morris is a little boy who loves using his imagination. He dreams about having space adventures, paints beautiful pictures and sings the loudest during circle time. But most of all, Morris loves his classroom’s dress-up center — he loves wearing the tangerine dress. But the children in Morris’s class don’t understand. Dresses, they say, are for girls. And Morris certainly isn’t welcome in the spaceship some of his classmates are building. Astronauts, they say, don’t wear dresses. One day when Morris feels all alone, and sick from the taunts of his classmates, his mother lets him stay home from school. Morris reads about elephants, and puts together a puzzle, and dreams of a fantastic space adventure with his cat, Moo. Inspired by his dream, Morris paints the incredible scene he saw, and brings it with him to school. He builds his own spaceship, hangs his painting on the front of it and takes two of his classmates on an outer space adventure. With warm, dreamy illustrations Isabelle Malenfant perfectly captures Morris’s vulnerability and the vibrancy of his imagination. This is a sweetly told story about the courage and creativity it takes to be different. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.3 Describe characters, settings, and major events in a story, using key details. CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.

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