Search results for ""Author Elizabeth"

The text of a talk given by renowned theatre director Peter Brook in Berlin in 1998, addressing essential questions about performing Shakespeare today. Brook invites us to consider the actual conditions of the Elizabethan theatre and the actual qualities of Shakespeare's language. Published as part of the Dramatic Contexts series: important statements on the theatre by major figures in the theatre.

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Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.'

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare’s most loved comedy. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Measure for Measure in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are three interviews with a leading director and two actors – Trevor Nunn, Roger Allam and Josette Simon – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare's journey into the Forest of Arden. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of As You Like It in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with important Shakespearean directors (Dominic Cooke and Michael Boyd) and a Shakespearean actor (Naomi Frederick) – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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The collected BBC radio adaptations of Virginia Woolf’s pioneering modernist novelsThe Voyage OutA sea voyage to South America turns into a journey of self-discovery for naïve Rachel Vinrace.Night and DayIn pre-First World War London, aristocrat Katharine Hilbery and suffragette Mary Datchet have their assumptions about love challenged.Mrs DallowayVirginia Woolf’s masterpiece charts one day in the life of Clarissa Dalloway, as she prepares to host an important party.To the LighthouseCentring around a summer home on Skye, Virginia Woolf’s landmark tale follows the Ramsay family and their guests before and after World War I.OrlandoThe adventures of time-travelling, gender-swapping poet Orlando, who is born male in Elizabethan England and dies female over 300 years later.The WavesIn this radical ‘play-poem’, six characters look back on their childhood and first forays into adulthood, and reflect on the loss of their friend Percival.Between the ActsAn eccentric artist devises a pageant celebrating English history – but it is 1939, and the shadow of war hangs over England’s present.Among the stars of these seven poignant, penetrating dramatisations are Bertie Carvel, Kristin Scott-Thomas, Dervla Kirwan, John Lynch, Geraldine James, Anna Massey and Don Warrington.

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The 1950s saw a major shift in the lifestyles of many in Britain. Employment levels rose to new heights, white consumer goods appeared in shop windows for the first time, television replaced the radio in many homes, rock ‘n’ roll was born, the National Health Service provided free healthcare to the nation, families went on holiday, and the new Queen was crowned — bringing in a glorious new Elizabethan age.Including interviews with former Labour leader Lord Neil Kinnock and footballers Bobby Charlton, Wilf McGuinness and Terry Venables, Recollections of the 1950s will appeal to all who grew up in this post-war decade. With chapters on schooldays, television and radio, trips to the seaside, music and fashion, these wonderful stories are sure to jog the memories of all who remember this exciting era.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare’s magnificent tragedy of love, jealousy and explosive racial politics. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Othello in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with two leading directors and an actor – Trevor Nunn, Michael Attenborough and Antony Sher – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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The Annotated Shakespeare series enables readers to fully understand and enjoy the plays of the world’s greatest dramatist “Each volume . . . proves to be a splendid addition to the series.”—Tita French Baumlin, Southwest Missouri State University From the hilarious mischief of the elf Puck to the rough humor of the self-centered Bottom and his fellow players, from the palace of Theseus in Athens to the magic wood where fairies play, Shakespeare’s lyrical A Midsummer Night’s Dream is a play of enchantment and an insightful portrait of the predicaments of love. This extensively annotated edition makes Midsummer completely accessible to readers in the twenty-first century and provides a rich resource for students, teachers, and the general reader. Burton Raffel’s on-page annotations offer generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. In his introduction he explores the complexities of A Midsummer Night’s Dream. And in a concluding essay, Harold Bloom examines the play’s extraordinary mélange of characters.

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Spenser’s extraordinary Shepheardes Calender as first printed in 1579 is arguably the seminal book of the Elizabethan literary renaissance. This volume reassesses it as a material text in relation to book history, and provides the first clearly detailed facsimile of the 1579 Calender available as a book. The editor reconsiders the original book’s development, production, design, and particular characteristics, and demonstrates both its correlations with diverse precursors in print and its significant departures. Numerous illustrations of archival sources facilitate comparison. By reinvestigating the 1579 Calender’s twelve pictures, he shows that Spenser himself probably designed them, that they involve complex symbolism, and that this book’s meaning is thus profoundly verbal-visual. An analyzed facsimile is an essential new resource for study of Spenser’s Calender, Spenser, Elizabethan print and poetics, and early modern English literary history.

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Though Sally Jupp came from the village home for unmarried mothers, she seemed the ideal girl to help Mrs Maxie run a large Elizabethan manor house and look after her invalid husband. But the real Sally, pretty, ambitious and clever, was very different from the docile, repentant character she seemed to be. Murder shattered the tranquillity of her new home and Chief Detective Inspector Adam Dalgliesh arrived in the peace of a country Sunday to solve a case as mysterious as Sally herself. He soon discovers that there is no shortage of motives, and as he investigates, the complex secrets and powerful passions of village and family life come into play. This BBC Radio dramatisation stars Robin Ellis, with Hugh Thomas Grant and Siân Phillips. 2 CDs. 2 hrs.

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Drama Classics: The World's Great Plays at a Great Little Price A rumbustious Elizabethan comedy featuring identity fraud, love triangles and a marriage proposal disguised as a shoe fitting. Thomas Dekker's play The Shoemaker's Holiday was first staged in London in 1599. This edition of the play, in the Nick Hern Books Drama Classics series, is edited and introduced by Peter J. Smith.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare's ambiguous, bittersweet fairy tale. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of All’s Well that Ends Well in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with important directors Gregory Doran, Stephen Fried and the actor Guy Henry – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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Bringing together a series of ingeniously linked myths and legends, Ovid's deliciously witty and poignant Metamorphoses describes a magical world in which men and women are transformed - often by love - into flowers, trees, animals, stones and stars. First published in 1567, this landmark translation by Arthur Golding was the first major English edition of the epic, which includes such tales as the legend of Narcissus; the parable of Icarus; and the passion held by the witch-queen Circe for the great Aeneas. A compelling adaptation that used imagery familiar to English sixteenth-century society, it powerfully influenced Spenser, Shakespeare and the character of Elizabethan literature.

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'A masterful storyteller with an intricate knowledge of his subject.' The Daily Telegraph 'Alan Judd knows more about the secret world than any other writer living. To have him turn his expert eye on the world of Christopher Marlowe – and on Francis Walsingham, the Elizabethan George Smiley – is a special kind of literary treat.' Mick Herron‘Absolutely spellbinding. I gobbled it up in two days and could not stop' Miranda Seymour Danger and dissent stalk the streets and taverns of Elizabethan England. The Queen’s chief spymaster, Francis Walsingham, and his team of agents must maintain the highest levels of vigilance to ward off Catholic plots and the ever-present threat of invasion. One operative in particular - a young Cambridge undergraduate of humble origins, controversial beliefs and literary genius who goes by the name of Kit Marlowe - is relentless in his pursuit of intelligence for the Crown. When he is killed outside an inn in Deptford, his mysterious death becomes the subject of rumours and suspicion that are never satisfactorily resolved. Years later, Thomas Phelippes, a former colleague of Marlowe’s and a man once much valued by Walsingham, finds himself imprisoned in the Tower. When he is visited by an emissary of the new king, however, it becomes clear that his long fall from favour may be reversed if he will furnish his monarch with every detail he is able to recall about his murdered friend’s life and death. But just what is it that so fascinates King James about the famously mercurial playwright-spy, and does Phelippes know enough to secure his own redemption? Virtuosic, gripping and meticulously researched, award-winning writer Alan Judd turns is at the peak of his powers in this remarkable novel about a literary genius whose short-life and violent death composed one of the most fascinating unresolved mysteries of all time.

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A collaboration between writer Jamie Rhodes and the National Trust, A Castle in England is a unique and fascinating graphic fiction project inspired by Scotney Castle in Kent.Using the rich history of this fourteenth-century castle as a starting point, Rhodes has created five short stories that take place over different eras in the castle's past: The Labourer (Medieval), The Priest (Elizabethan), The Smuggler (Georgian), The Widow (Victorian), and The Hunter (Edwardian). Each of these stories has been illustrated by experienced comic and graphic novel artists Isaac Lenkiewicz, Briony May Smith, William Exley, Becky Palmer, and Isabel Greenberg, creating a visually striking graphic collection that is steeped in historical context.

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A cultural history of the representations of Sir Francis Drake, from contemporary accounts to the present day. For four hundred years Sir Francis Drake's exploits have fascinated, inspired and entertained. Every age has sought to reconstruct the narrative of the great Elizabethan seafarer: the basis of his fame has shifted continually overthe years, from single-handed victor over the Spanish Armada, to hero of commerce, explorer, and ruthless entrepreneur. In each incarnation, however, he has always been portrayed to answer the demands and anxieties of each new era. Here, for the first time, the history of Drake as a cultural icon, and of his myth, is explored, from his appearances in west-country folklore to Elizabethan poetry, from eighteenth-century garden architecture to Victorianpageants and twentieth-century films. There is a particular focus on the "long" nineteenth century, during which Drake's reputation underwent a rigorous reconstruction to present him as a hero of empire. BRUCE WATHEN gained his PhD from Exeter University.

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Shakespeare's potent use of garden imagery has captivated successive generations of readers and inspired the making of gardens across the globe. Laced with quotations and abounding with illustrations drawn from sources including Elizabethan gardening books, embroidered fabrics and hand-coloured herbals, The Quest for Shakespeare's Garden tells the story of the Bard's own garden at New Place in Stratford-upon-Avon, revealing its place in garden history.

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In 1593 Shakespeare awoke and found himself famous. Lines from his comic, erotic, tragic poem Venus and Adonis were on everyone's lips.The appearance in 1594 of the darkly reflective and richly descriptive Rape of Lucrece confirmed his fame as 'Sweet Master Shakespeare', Elizabethan England's most brilliant non-dramatic poet. Shorter poems in this volume testify further to Shakespeare's versatility and to his poetic fame. Some, like the much-debated 'Phoenix and Turtle', pose problems of meaning; others raise questions about authorship and authenticity. Detailed annotation and a full Introduction seek to resolve such difficulties while also locating Shakespeare's poems in their literary context, which includes his own career as a playwright.

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Selection of correspondence from the house which was once Little Malvern priory, illuminating life at the time. In 1538 John Russell, secretary to the Council of the Welsh Marches, acquired the dissolved priory of Little Malvern, where his descendants, the Beringtons, still live. This selection from the family letters in the WorcestershireRecord Office vividly illustrates the impact on Worcestershire of the Reformation and the Civil War. Among much else, it includes correspondence with Thomas Cromwell and Lord Chancellor Audley (who was John Russell's brother-in-law); Elizabethan medical prescriptions and business letters; correspondence about evading the penal laws against Catholics; a mock-heroic Latin skit on James I; a personal letter from one of the Jesuits executed at the time of theOates Plot, and an official certificate that Little Malvern had been (unsuccessfully) searched for priests. The letters themselves are accompanied by an introduction and explanatory notes. Michael Hodgetts has written extensively on Recusant History and is an acknowledged expert on English Catholic families and their houses.

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It may certainly be said that nothing can be assumed about Shakespeare: on the one hand, the Elizabethan poet seems to be thriving, with more editions, productions, studies, and translations appearing every year; on the other hand, in a time of global crisis and decolonization, the question of why Shakespeare is relevant at all is now more pertinent than ever. Shakespeare in Succession approaches the question of relevance by positioning Shakespeare as a participant as well as an object of adaptive translation, a labour that has always mediated between the foreign and the domestic, between the past and the present, between the arcane and the urgent. The volume situates Shakespeare on a continuum of transfers that can be understood from cultural, spatial, temporal, or linguistic points of view by studying how the text of Shakespeare is transformed into other languages and examining Shakespeare himself as a kind of translator of previous times, older stories, and prior theatrical and linguistic systems. Contending with the poet’s contemporary fate, Shakespeare in Succession asks how Shakespeare’s work can be offered to the multicultural present in which we live, and how we might relate our position to that of the iconic writer.

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One of the most frequently read and performed of all stage works, Shakespeare's Hamlet is unsurpassed in its complexity and richness. Now the most extensively annotated version of Hamlet to date makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind.Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound historical linguistics. In his introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare's achievement. The book also includes a careful selection of items for further reading.

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First survey of the religious history of Cornwall, from the county's Romano-British origins to the sixteenth century. Religious history is the focus of this volume, which covers the development of Christianity in the county from its Romano-British origins up to the Elizabethan Church Settlement of 1559; it provides the first ever in-depth study of the county's religious history during the Middle Ages and the Reformation. The story it tells is a highly distinctive one, full of interest, covering the uniquely numerous local saints and founders, their legends and the parish churches, chapels, holy wells and religious sites associated with them, as well as the larger religious communities. The Cornish clergy are placed in a national context and the impact of their scholarship on the wider word is emphasised. Five general chapters are followed by detailed histories of the 35 monasteries, friaries, collegiate churches, and hospitals in the county. The book is well-illustrated throughout, with numerous maps, plans,and photographs. NICHOLAS ORME is Emeritus Professor of History at Exeter University and an honorary canon of Truro Cathedral. He has written some twenty books on English religious, cultural, and social history, including Medieval Children, Medieval Schools, and The Saints of Cornwall.

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Shakespeare's Theater: A Sourcebook brings together in one volume the most significant Elizabethan and Jacobean texts on the morality of the theater. A collection of the most significant Elizabethan and Jacobean texts on the morality of the theater. Includes attacks on the stage by moralists, defences by actors and playwrights, letters by magistrates, mayors and aldermen of London, and extracts from legislation. Demonstrates just how heated debates about the theater became in the late sixteenth and early seventeenth centuries. A general introduction and short prefaces to each piece situate the writers and debates in the literary, social, political and religious history of the time. Brings together in one volume texts that would otherwise be hard to locate. Student-friendly - uses modern spelling and includes vocabulary glosses and annotation.

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This anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies.

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This book is a complete edition of the authentic poems, English and Latin, of the Elizabethan priest, poet and martyr S. Robert Southwell, offering new texts based on the very manuscripts which were circulated in secret among English Catholics in the years after the poet's death. This edition, by drawing its texts directly from a complete re-examination of these contemporary manuscripts, makes these poems more than items of literature; it allows them to regain some of their original purpose of communicating forbidden theologies and doctrines amongst a criminalised and near-silenced readership of secret, persecuted groups. These are the poems of those Catholics who did not or could not flee the country as the Elizabethan State bore down upon their faith in the last two decades of the sixteenth century. Southwell's new visions and visualisations in English bear their fruit a generation later in the works of Donne and Herbert. His rare Latin verses (here widely available for the first time, accompanied by a new translation) show also that that the Augustans, even Milton, owe him a creative debt.

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Essays exploring medieval castration, as reflected in archaeology, law, historical record, and literary motifs. Castration and castrati have always been facets of western culture, from myth and legend to law and theology, from eunuchs guarding harems to the seventeenth- and eighteenth-century castrati singers. Metaphoric castration pervadesa number of medieval literary genres, particularly the Old French fabliaux - exchanges of power predicated upon the exchange or absence of sexual desire signified by genitalia - but the plain, literal act of castration and its implications are often overlooked. This collection explores this often taboo subject and its implications for cultural mores and custom in Western Europe, seeking to demystify and demythologize castration. Its subjects includearchaeological studies of eunuchs; historical accounts of castration in trials of combat; the mutilation of political rivals in medieval Wales; Anglo-Saxon and Frisian legal and literary examples of castration as punishment; castration as comedy in the Old French fabliaux; the prohibition against genital mutilation in hagiography; and early-modern anxieties about punitive castration enacted on the Elizabethan stage. The introduction reflects on these topics in the context of arguably the most well-known victim of castration in the middle ages, Abelard. LARISSA TRACY is Associate Professor of Medieval Literature at Longwood University. Contributors: Larissa Tracy, Kathryn Reusch, Shaun Tougher, Jack Collins, Rolf H. Bremmer Jr, Jay Paul Gates, Charlene M. Eska, Mary A. Valante, Anthony Adams, Mary E. Leech, Jed Chandler, Ellen Lorraine Friedrich, Robert L.A. Clark, Karin Sellberg, LenaWånggren

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Essays on the development of the post-medieval house, its contents and decoration. During the last forty years, South-West England has been the focus of some of the most significant work on the early modern house and household in Britain. Its remarkable wealth of vernacular buildings has been the object of muchattention, while the area has also seen productive excavations of early modern household goods, shedding new light on domestic history. This collection of papers, written by many of the leading specialists in these fields, presents a number of essays summarizing the overall understanding of particular themes and places, alongside case studies which publish some of the most remarkable discoveries. They include the extraordinary survival of wall-hangings in a South Devon farm, the discovery of painted rooms in an Elizabethan town house, and a study of a table-setting mirrored on its ceiling. Also considered are forms of decoration which seem specific to particular areas of the West Country houses. Taken together, the papers offer a holistic view of the household in the early modern period. John Allan is Consultant Archaeologist to the Dean & Chapter of Exeter Cathedral; Nat Alcock is EmeritusReader in the Department of Chemistry, University of Warwick; David Dawson is an independent archaeologist and museum and heritage consultant. Contributors: Ann Adams, Nat Alcock, John Allan, James Ayres, Stuart Blaylock, Peter Brears, Tania Manuel Casimiro, Cynthia Cramp, Christopher Green, Oliver Kent, Kate Osborne, Richard Parker, Isabel Richardson, John Schofield, Eddie Sinclair, John R.L. Thorp, Hugh Wilmott,

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In the family of passions none is more patient than hate. This masterpiece of the Elizabethan stage, first published in 1607, is a study of debauchery, deep offense, and the high cost of revenge. It is often compared to Hamlet for its relentless tension and its lecherous royalty. Its protagonist, Vindice, is one of the most memorable characters in all of Renaissance theater, a murderer who will not let a single enemy remain alive.

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'Intricate and crisp, witty and solemn: a book with special and dangerous properties' Hilary Mantel on Rotherweird'Baroque, Byzantine and beautiful - not to mention bold' - M.R. Carey on RotherweirdWELCOME BACK TO ROTHERWEIRD For four hundred years, the town of Rotherweird has stood alone, made independent from the rest of England to protect a deadly secret. But someone is playing a very long game. An intricate plot, centuries in the making, is on the move. Everything points to one objective - the resurrection of Rotherweird's dark Elizabethan past - and to one date: the Winter Equinox. Wynter is coming . . .

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A Short History of Early Modern England presents the historical and cultural information necessary for a richer understanding of English Renaissance literature. Written in a clear and accessible style for an undergraduate level audience Gives an overview of the period’s history as well as an understanding of the historiographic issues Explores key historical and literary events, from the Wars of the Roses to the publication of John Milton’s Paradise Regained Features in depth explanations of key terms and concepts, such as absolutism and the Elizabethan Settlement

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Stephen Warbeck's Oscar-winning music from the hit film 'Shakespeare in Love' has been skillfully arranged by Tony Osbourne into a four-movement suite for intermediate string ensemble.The suite perfectly encapsulates all the passion, romance and wit of this delightful love story, which traces the footsteps of the young Shakespeare. With an exciting opening, sighing love-themes and two rhythmic dances, which capture the atmosphere of the vibrant Elizabethan court, this contrasted suite will stir players' and audiences' imagination and take flight.

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‘A lively book that captures the essence of a modern monarchy and a new Elizabethan era’ - Lyndsy Spence, The Lady‘Down-to-earth and insightful’ - Daily MailIt is 1952 and Britain is changing. The Second World War is over, but the country is still scarred, recovering from six years of horror and still in the grip of food rationing. The British Empire is crumbling as countries fight for their independence both literally and physically. And George VI, the king who had refused to abandon London, is dead.Thorns in the Crown is the story of a country on the precipice, divided between those who held firm to old values and traditions and those who were fighting for modernity and progression. Featuring memories and reflections of those who were part of the coronation, Barry Turner presents a unique look at Britain as it came to terms with the second Elizabethan age.

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Shakespeare's Gardens is a highly illustrated, informative book about the gardens that William Shakespeare knew as a boy and tended as a man, published to coincide with the 400th anniversary of his death in April 2016. This anniversary will be the focus of literary celebration of the life and work throughout the English speaking world and beyond. The book will focus on the gardens that Shakespeare knew, including the five gardens in Stratford upon Avon in which he gardened and explored. From his birthplace in Henley Street, to his childhood playground at Mary Arden’s Farm, to his courting days at Anne Hathaway’s Cottage and his final home at New Place – where he created a garden to reflect his fame and wealth. Cared for by the Shakespeare Birthplace Trust, these gardens are continually evolving to reflect our ongoing knowledge of his life.The book will also explore the plants that Shakespeare knew and wrote about: their use in his work and the meanings that his audiences would have picked up on – including mulberries, roses, daffodils, pansies, herbs and a host of other flowers. More than four centuries after the playwright lived, whenever we think of thyme, violets or roses, we are reminded of a line from his work.Shakespeare’s Gardens brings together specially commissioned photography of the gardens with beautiful archive images of flowers, old herbals, and 16th century illustrations. It tells the story of Shakespeare’s journey – from glove maker’s son to national bard – and how he came to know so much about plants, flowers and gardens of the Elizabethan era.

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In this magisterial volume, first published in 1932, Eliot gathered his choice of the miscellaneous reviews and literary essays he had written since 1917 when he became assistant editor of The Egoist. In his preface to the third edition in 1951 he wrote: 'For myself this book is a kind of historical record of my interests and opinions.' The text includes some of his most important criticism, especially parts of The Sacred Wood, Homage to John Dryden, the essays on Elizabethan and Jacobean dramatists, For Lancelot Andrewes and Essays Ancient and Modern.

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William Shakespeare's Henry VIII is a compelling history play, recreating a crucial moment in the Tudor dynasty, and the events that marked the beginning of the English Reformation. This Penguin Shakespeare edition is edited by A.R. Humphreys, with an introduction by C.M.S. Alexander.'O, how wretchedIs that poor man that hangs on princes' favours!'Conspiracies and intrigue are rife in the court of Henry VIII as the Duke of Buckingham is executed for treason, having been tricked by his enemy Cardinal Wolsey. And when the King falls in love with Anne Boleyn and decides to divorce his wife, Katherine of Aragon, he causes an irrevocable rift with the Catholic Church. After the King's secret marriage to Anne, courtiers fall in and out of favour and deaths abound, with far-reaching consequences.This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to Henry VIII, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.If you enjoyed Henry VIII, you might like Richard II, also available in Penguin Shakespeare.'If we wish to know the force of human genius we should read Shakespeare'William Hazlitt

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The fictional portrait of Woolf's close friend and lover Vita Sackville-West, the hero Orlando is a young nobleman in Elizabethan England, a dreamy and romantic youth who wakes up one day to find himself transformed, astonishingly, into a woman. Over the span of three centuries, Orlando will fall in love many times and rub shoulders with the great artists and writersand observe how differently history treats men than women. Bold and tender, Orlando is a truly multi-faceted work that has been hailed as a satire of biography, a queer classic, and a loving portrait of an irrepressible spirit.

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The culminating drama of the Wars of the Roses, Henry VI Part Three plays out the final breakdown of political and family affiliations. This Penguin Shakespeare edition is edited by Norman Sanders with an introduction by Gillian Day.'There, take the crown, and with the crown my curse'Threatened by the Duke of York, King Henry makes a deal to disinherit his own son and make the Duke his heir. Queen Margaret is so angered by her husband's weakness that she declares war on the House of York. As conflict rages throughout England, political and family ties break down with tragic consequences. Can the vulnerable King hold out against the growing menace of the Duke's son, the future Richard III, to keep his throne - and his life?This book includes a general introduction to Shakespeare's life and the Elizabethan theatre, a separate introduction to Henry VI, Part III, a chronology, suggestions for further reading, an essay by Rebecca Brown discussing performance options on both stage and screen, and a commentary. William Shakespeare was born some time in late April 1564 in Stratford-upon-Avon and died in 1616. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. Stanley Wells is Emeritus Professor of the University of Birmingham and Honorary President of the Shakespeare Birthplace Trust.

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A one-off collection of twelve Shakespearean-themed murder mysteries set in Elizabethan London.

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Exam board: Pearson EdexcelLevel: GCSE (9-1)Subject: HistoryFirst teaching: September 2016First exams: Summer 2018Target success in Pearson Edexcel GCSE (9-1) History with this proven formula for effective, structured revision.Key content coverage is combined with exam-style questions, revision tasks and practical tips to create a revision guide that students can rely on to review, strengthen and test their knowledge.With My Revision Notes every student can:> Plan and manage a successful revision programme using the topic-by-topic planner> Enjoy an interactive approach to revision, with clear topic summaries that consolidate knowledge and related activities that put the content into context> Build, practise and enhance exam skills by progressing through activities set at different levels> Improve exam technique through exam-style questions and sample answers with commentary> Get exam ready with extra quick quizzes and answers to the activities available onlineThis revision guide covers the following options:> Medicine in Britain c1250-present and The British sector of the Western Front, 1914-18> Early Elizabethan England, 1558-88> Superpower relations and the Cold War, 1941-91> Weimar and Nazi Germany, 1918-39

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Best of 2000 AD is a landmark series from the cult comic, bursting with our greatest stories for a new generation of readers. Every Best of 2000 AD contains a mix of modern classics and gems from the vault. In each edition you'll find an explosive new Judge Dredd adventure, fresh essays by prominent popular culture writers, a graphic novel-length feature presentation by global legends and a vintage Dredd case. In this volume: When Judge Dredd investigates a potential whistleblower, it’s hard to avoid paranoia when information is this Mega-City Confidential; from medieval Prague to the streets of Elizabethan London, Kek-W and John Burns sound the call to battle extra-dimensional Wurms and join The Order; a rolling stone gathers no mousse as Pete Milligan and Jamie Hewlett tangle you in Hewligan’s Haircut, a shear reality-warping victory roll that’s just the tonic; quake to the Cry of the Werewolf with an all-time Dredd classic by Alan Grant and Steve Dillon. Boasting brand new covers from an all-star line-up of artists including Marguerite Sauvage (Archie) and Glyn Dillon (The Batman) with designer Tom Muller (X-Men), Best of 2000 AD is the essential gateway into the Galaxy’s Greatest Comic.

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The second play in Shakespeare's tetralogy dealing with the Hundred Years War and the Wars of the Roses, Henry VI Part Two is arguably the best introduction to the playwright's genius as a writer of history plays. This Penguin Shakespeare edition is edited by Norman Saunders with an introduction by Michael Taylor.'My mouth shall be the parliament of Enland'Henry VI is tricked into marrying Margaret - lover of the Earl of Suffolk, who hopes to rule the kingdom through her influence. There is one great obstacle in Suffolk's path, however - the noble Lord Protector, whom he slyly orders to be murdered. Discovering this betrayal, Henry banishes Suffolk, but with his Lord Protector gone the unworldly young King must face his greatest challenge: impending civil war and the rising threat of the House of York.This book includes a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to Henry VI, Part Two, a chronology, suggestions for further reading, an essay by Rebecca Brown discussing performance options on both stage and screen, and a commentary.William Shakespeare (1564-1616) was born to John Shakespeare and Mary Arden some time in late April 1564 in Stratford-upon-Avon. He wrote about 38 plays (the precise number is uncertain), many of which are regarded as the most exceptional works of drama ever produced, including Romeo and Juliet (1595), Henry V (1599), Hamlet (1601), Othello (1604), King Lear (1606) and Macbeth (1606), as well as a collection of 154 sonnets, which number among the most profound and influential love poetry in English.'We go to Shakespeare to find out about ourselves' Jeanette Winterson

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Volume I of the Oxford History of the British Empire explores the origins of empire. It shows how and why England, and later Britain, became involved with transoceanic navigation, trade, and settlement during the sixteenth and seventeenth centuries. The chapters, by leading historians, both illustrate the interconnections between developments in Europe and overseas and offer specialist studies on every part of the world that was substantially affected by British colonial activity. As late as 1630 involvement with regions beyond the traditional confines of Europe was still tentative; by 1690 it had become a firm commitment. series blurb The Oxford History of the British Empire is a major new assessment of the Empire in the light of recent scholarship and the progressive opening of historical records. It deals with the interaction of British and non-western societies from the Elizabethan era to the late twentieth century, aiming to provide a balanced treatment of the ruled as well as the rulers, and to take into account the significance of the Empire for the peoples of the British Isles. It explores economic and social trends as well as political.

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Selected by Anne Harvey, an experienced actress, director, writer and adjudicator, these dramatic monologues are suitable for performance at auditions, solo acting classes, festivals and examinations. Ranging from early Elizabethan to contemporary literature, the pieces are varied in content, tone and style and are equipped with an introduction setting the context. Writers include: Alan Ayckbourn, Enid Bagnold, David Campton, William Congreve, Sarah Daniels, Charles Dickens, Athol Fugard, Lucy Gannon, Graham Greene, John Godber, David Hare, Stanley Houghton, Henrik Ibsen, Shaman Macdonald, David Mercer, Iris Murdoch, Dennis Potter, Tom Stoppard, CP Taylor, Hugh Whitemore and many more.

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Blending fact with fiction and written in diary form, this unique biography of Shakespeare captures his life as never before, from his views on daily events to vivid impressions of the Elizabethan era and his role within such a world. Delightfully whimsical, Wearing's distinctive life story provides possible answers to such questions as: What was Shakespeare thinking when he wrote Hamlet? What did he and Ben Jonson talk about when they were having a drink together? Incorporates lines and fragments from Shakespeare's plays and poems.

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Longford Castle is a fine Elizabethan country house, home to a world-class collection of art built up in the eighteenth and nineteenth centuries by the Bouverie family and still owned today by their descendants. Until now, it has been relatively little known amongst the pantheon of English country houses. This book, richly illustrated and based on extensive scholarly research into the family archive, tells a comprehensive story of the collectors who amassed these treasures. It explores the acquisition and commission of works of art from Holbein’s Erasmus and The Ambassadors, to exquisite landscapes by Claude and Poussin, and family portraits by Thomas Gainsborough and Sir Joshua Reynolds. It explores how Longford, an unusual triangular-shaped castle that inspired Sir Philip Sidney’s Arcadia and Disney’s The Princess Diaries, was decorated and furnished to house these works of fine art, and how the Bouverie family patronised the best craftsmen and furniture makers of the day. The book brings the story up to the present day, with an introduction and conclusion by the current owner, the 9th Earl of Radnor, himself a keen collector of art, to celebrate this remarkable house and collection in the tercentenary year of its purchase by the Bouverie family.

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It was not so long ago that the belief in witchcraft was shared by members of all levels of society. In the sixteenth and seventeenth centuries, diseases were feared by all, the infant mortality rate was high, and around one in six harvests was likely to fail. In the small rural communities in which most people lived, affection and enmity could build over long periods. When misfortune befell a family, they looked to their neighbours for support - and for the cause. During the sixteenth century, Europe was subject to a fevered and pious wave of witch hunts and trials. As the bodies of accused women burnt right across the Continent, the flames of a nationwide witch hunt were kindled in England. In 1612 nine women were hanged in the Pendle witch trials, the prosecution of the Chelmsford witches in 1645 resulted in the biggest mass execution in England, and in the mid-1640s the Witch finder General instigated a reign of terror in the Puritan counties of East Anglia. Hundreds of women were accused and hanged. It wasn't until the latter half of the seventeenth century that witch-hunting went into decline.In this book, Andrew and David Pickering present a comprehensive catalogue of witch hunts, arranged chronologically within geographical regions. The tales of persecution within these pages are testimony to the horror of witch-hunting that occurred throughout England in the hundred years after the passing of the Elizabethan Witchcraft Act of 1563.

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The Golden Treasury is one of the most loved anthologies of English poetry ever published. The book was meticulously compiled by poet and scholar Francis Turner Palgrave, in collaboration with Alfred Tennyson, who was then poet laureate.It is arranged chronologically in four books which each celebrate a different era in the evolution of English poetry, from Elizabethan to the 19th century. All the greats are here, including Shakespeare and Milton, Marvell and Pope, Wordsworth and Keats. First published in 1861, it became the standard anthology for over 100 years.This Macmillan Collector’s Library edition includes a foreword by Poet Laureate Carol Ann Duffy, and is published to mark Macmillan’s 175th anniversary.

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The first comprehensive dictionary of everyone of importance in the creation of English architecture during the Elizabethan and Jacobean ages This long-awaited work of scholarship provides a comprehensive dictionary of everyone of importance in the creation of English architecture in the Elizabethan and Jacobean ages. With characteristically deft prose, Mark Girouard draws on a lifetime of experience in the study of architectural history to assess the impact of some six hundred master craftsmen, surveyors, designers and patrons at work between 1540 and 1640. Surveying a period not covered by other dictionaries, this book is a key text for students and scholars of British architecture and its allied arts between the sixteenth and seventeenth centuries. Mark Girouard’s lively comments and felicitous style also make it an enjoyable browse for anyone interested in the magnificent buildings that formed the background to the music of Dowland, Wilbye and Byrd; the fascinating political intrigues of the Tudor court; and the writings of Sidney, Shakespeare, Donne, Campion and Jonson.Distributed for the Paul Mellon Centre for Studies in British Art

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