Search results for ""Author Leonard"

Women held more positions of power in the silent film era than at any other time in American motion picture history. Marion Leonard broke from acting to cofound a feature film company. Gene Gauntier, the face of Kalem Films, also wrote the first script of Ben-Hur. Helen Holmes choreographed her own breathtaking on-camera stunt work. Yet they and the other pioneering filmmaking women vanished from memory. Using individual careers as a point of departure, Jane M. Gaines charts how women first fell out of the limelight and then out of the film history itself. A more perplexing event cemented their obscurity: the failure of 1970s feminist historiography to rediscover them. Gaines examines how it happened against a backdrop of feminist theory and her own meditation on the limits that historiography imposes on scholars. Pondering how silent era women have become absent in the abstract while present in reality, Gaines sees a need for a theory of these artists' pasts that relates their aspirations to those of contemporary women. A bold journey through history and memory, Pink-Slipped pursues the still-elusive fate of the influential women in the early years of film.

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Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an "integrated" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and irreverent forms of popular entertainment from which it arose a century ago. Critics and composers have long held the musical to the standards applied to opera, asserting that each piece should work together to create a seamless drama. But McMillin argues that the musical is a different form of theater, requiring the suspension of the plot for song. The musical's success lies not in the smoothness of unity, but in the crackle of difference. While disparate, the dancing, music, dialogue, and songs combine to explore different aspects of the action and the characters. Discussing composers and writers such as Rodgers and Hammerstein, Stephen Sondheim, Kander and Ebb, Leonard Bernstein, and Jerome Kern, The Musical as Drama describes the continuity of this distinctively American dramatic genre, from the shows of the 1920s and 1930s to the musicals of today.

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More than fifty years after it ended, the Holocaust continues to leave survivors and their descendants, as well as historians, philosophers, and theologians, searching for words to convey the enormity of that event. Efforts to express its realities and its impact on successive generations often stretch language to the breaking point--or to the point of silence. Words whose meaning was contested before the Holocaust prove even more fragile in its wake. David Patterson and John K. Roth identify three such "after-words": forgiveness, reconciliation, and justice. These words, though forever altered by the Holocaust, are still spoken and heard. But how should the concepts they represent be understood? How can their integrity be restored within the framework of current philosophical and, especially, religious traditions? Writing in a format that creates the feel of dialogue, the nine contributors to After-Words tackle these and other difficult questions about the nature of memory and forgiveness after the Holocaust to encourage others to participate in similar inter- and intrafaith inquiries. The contributors to After-Words are members of the Pastora Goldner Holocaust Symposium. Led since its founding in 1996 by Leonard Grob and Henry Knight, the symposium’s Holocaust and genocide scholars--a group that is interfaith, international, interdisciplinary, and intergenerational--meet biennially in Oxfordshire, England.

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Sometimes you need to go deep into the past, to make sense of the present. Alice had not expected to spend the first twenty years of the twenty-first century writing about Leonard Woolf. When she stood on Morell Bridge watching fireworks explode from the rooftops of Melbourne at the start of a new millennium, she had only two thoughts. One was: the fireworks are better in Sydney. The other was: was the world’s technology about to crash down around her? The world’s technology did not crash. But there were worse disasters to come: Environmental collapse. The return of fascism. Wars. A sexual reckoning. A plague. Uncertain of what to do she picks up an unfinished project and finds herself trapped with the ghosts of writers past. What began as a novel about a member of the Bloomsbury set, colonial administrator, publisher and husband of one the most famous English writers of the twentieth century becomes something else altogether. Complex, heartfelt, darkly funny and deeply moving, this is Sophie Cunningham’s most important book to date – a dazzlingly original novel about what it’s like to live through a time that feels like the end of days, and how we can find comfort and answers in the past.​

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In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It's almost a cliche that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it's useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson's Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how pureA", abstract forms can be created in time in the same way that they are created in space. Finally, How strange the change looks at sensuous apprehension and the pleasure principle.

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Sisters Vanessa Bell and Virginia Woolf have long been celebrated for their central roles in the development of modernism in art and literature. Vanessa’s experimental work places her at the vanguard of early twentieth-century art, as does her role in helping introduce many key names – Cézanne, Matisse, Picasso – to an unsuspecting public in 1910. Virginia took these artistic innovations and applied them to literature, pushing the boundaries of form, narrative and language to find a voice uniquely her own. Yet their private lives were just as experimental. Vanessa’s marriage to art critic Clive Bell was shaken early on by his flirtation with her sister, and Virginia’s marriage to Leonard Woolf placed him more in the role of carer than husband as he tried to meet the needs of his wife’s fragile mental health. However, forming the core of the Bloomsbury Group, they welcomed into their London and Sussex homes a host of their talented peers, and caused speculation and scandal by following their hearts, not society’s norms, in their continued pursuit of love. In Living in Squares, Loving in Triangles, Amy Licence explores the brave, passionate and innovative lives these remarkable women lived, and discovers where their strength and talent came from.

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In the popular imagination, slavery in the United States ended with Abraham Lincoln's Emancipation Proclamation. The Proclamation may have been limited-freeing only slaves within Confederate states who were able to make their way to Union lines - but it is nonetheless generally seen as the key moment, with Lincoln's leadership setting into motion a train of inevitable events that culminated in the passage of an outright ban: the Thirteenth Amendment. The real story, however, is much more complicated - and dramatic - than that. With Who Freed the Slaves?, distinguished historian Leonard L. Richards tells the little-known story of the battle over the Thirteenth Amendment, and of James Ashley, the unsung Ohio congressman who proposed the amendment and steered it to passage. Taking readers to the floor of Congress and to the back rooms where deals were made, Richards brings to life the messy process of legislation - a process made all the more complicated by the bloody war and the deep-rooted fear of black emancipation. We watch as Ashley proposes, fine - tunes, and pushes the amendment even as Lincoln drags his feet, coming aboard and providing crucial support only at the last minute. Even as emancipation became the law of the land, Richards shows, its opponents were already regrouping, beginning what would become a decades-long - and largely successful-fight to limit the amendment's impact. Who Freed the Slaves? is a masterwork of American history, presenting a surprising, nuanced portrayal of a crucial moment for the nation, one whose effects are still being felt today.

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A filter can hide all manner of secrets…When budding true crime blogger Maggie Shaw is invited to the Influencer of the Year awards, it feels like everything is finally falling into place. The party is held on a glamorous yacht and presents the perfect opportunity for Maggie to network – the first step towards achieving her dream of turning her hobby into a full-time job. But by the end of the night, there’s one question on everybody’s lips: who killed Stella Knight?Stella was beautiful and famous. Her life appeared to be perfect. But behind the façade, Stella had made a number of enemies – and all of them were on board.A page-turning crime thriller, perfect for fans of Catherine Cooper and Lucy Foley.Praise for The Influencers 'I sped through this book at lightning speed. I loved it.' NetGalley review ⭐⭐⭐⭐⭐'OMGGG I knew this book was going to be fabulous after reading Leonard's debut last year, but wow that ending was really something... I sailed through this glamorous, pacy and thrilling ride of a novel.' NetGalley review ⭐⭐⭐⭐⭐'I loved it!!!! I’ve always been invested in books with deal with rich people mystery, murder and suspense and SV delivered everything in this one!' NetGalley review ⭐⭐⭐⭐⭐'A thrilling, glossy, and super fun thriller. The pacing was spot on and it was very engaging. I loved all the different characters and the way the author integrates them. Definitely see this being a popular summer book. Also... THAT ENDING!!!!' NetGalley review ⭐⭐⭐⭐⭐'Glamorous and seductive, The Influencers is a classic whodunit with a brilliant twist. Pure escapism, I loved it.' NetGalley review ⭐⭐⭐⭐⭐'I loved this one. Very fast paced, had me turning pages as I tore through it – I had to see how it would end.' NetGalley review ⭐⭐⭐⭐⭐'An addictive, mysterious thriller which keeps you gripped right until the last page!' NetGalley review ⭐⭐⭐⭐⭐'I absolutely love this sundrenched thriller! A collection of social media stars go on a trip and one ends up dead. An updated classic whodunit! I spent the entire book trying to figure out the mystery and was highly entertained.' NetGalley review ⭐⭐⭐⭐⭐

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For more than a decade, top coaches have turned to one resource time and time again. Collecting the wisdom, insights, and advice from the sport’s legendary instructors, The Swim Coaching Bible immediately established its place in the libraries of swim coaches around the globe. Coaches, it’s time to make room alongside that classic for a new resource! The Swim Coaching Bible, Volume II, picks up where the original left off, providing more instruction, guidance, and expertise on every aspect of the sport. Inside, you’ll learn the secrets, strategies, and philosophies of 27 of today’s most successful coaches, including these legendary leaders: • Jack Bauerle • George Block • Mike Bottom • Bob Bowman • Sid Cassidy • John Urbancheck • Bill Rose • Vern Gambetta • David Durden • Brett Hawke • Gregg Troy • John Leonard • Dick Shoulberg • David Marsh • Teri McKeever • Bill Sweetenham From developing swimmers to building a winning program, teaching the nuances and refining stroke techniques to applying the latest research to training and conditioning programs, it’s all here. Endorsed by the World Swimming Coaches Association, this new collection is another landmark work in competitive swimming. If you coach the sport or want a competitive edge, The Swim Coaching Bible, Volume II, is a must-own.

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Eight years before the French Revolution, the paper mill at Vidalon-le-Haut was the setting for a bitter strike and successful lockout. This labor dispute, resulting from conflicts between master papermakers and skilled journeymen, ultimately benefitted the mill's owners and administrators-the Montgolfier family. They converted the 1781 lockout into an opportunity to train a new kind of worker, a malleable employee, and to fashion a new sort of workplace, a theater of technological experiment. Papermaking in Eighteenth-Century France: Management, Labor, and Revolution at the Montgolfier Mill, 1761-1805, gives us history from the workshop up, offering the most comprehensive exploration available of the historical experience of papermaking. Leonard N. Rosenband explains how paper was made, depicting the tools, techniques, raw materials, and seasonable flows of the craft, and explores the many conflicts and compromises between masters and men. Rosenband provides a compelling account of how technological change affected the papermaking industry, transforming an elaborate, established system of production. The Montgolfier archives are a rich source of information, providing records of daily output and procedures, including complex rules ranging from the precise hours of meals and prayer to matters of propriety and personal sanitation. They also provide insight into the attitudes of the Montgolfier family and their workers-what they made of their trade, their labor, and one another. This case study of the Montgolfier mill, adding details about technological innovation and shopfloor relations during a time of social unrest, enriches the current debate about the nature and impact of capitalism in France during the years leading up to the French Revolution.

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A clear and concise handbook to the TANAKHNamed one of the “Best of the Best from the University Presses: Books You Should Know About” by the Association of American University Presses. This new volume in the acclaimed JPS Guides series is an invaluable companion to the Jewish Bible, providing readers with ready access to important facts and Bible basics: how the Bible became the “Bible”; its origins, content, and organization distinctions between the Jewish Bible (the TANAKH) and Christian Bibles a short history of Bible translations, and how they differ Bible commentaries storytelling, poetry, law, prophecy, and Wisdom literature popular methods of Bible study finding meaning through midrash. In addition, there are summaries of all the biblical books; dozens of text boxes; an extensive glossary of Bible terms, places, and people; maps, charts, and tables; and large foldout timelines and family trees—all in color. Contributions are by leading Bible scholars and educators: Marc Zvi Brettler, Joyce Eisenberg, Michael Fishbane, Michael V. Fox, Leonard Greenspoon, Jill Hammer, Stuart Kelman, Adriane Leveen, David Mandel, Lionel Moses, Shalom Paul, Benjamin Edidin Scolnic, Ellen Scolnic, David E. S. Stein, Barry Dov Walfish, and Andrea Weiss.

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Most macroeconomists agree that we live in the age of microfoundations. The recent worldwide financial crisis may have emboldened critics of this microfoundational orthodoxy, but it remains the dominant view that macroeconomic models must go beyond supply and demand functions to the level of individual decision-making, taking into account the general dynamic environment where agents live. Microfoundations Reconsidered seeks to reassess how the relationship of micro and macroeconomics evolved over time. The highly regarded contributors to the book argue that the standard narrative of microfoundations is likely to be unreliable. They therefore re-examine the history of the relationship of microeconomics and macroeconomics, starting from their emergence as self-consciously distinct fields within economics in the early 1930s. They seek to go beyond the conventional history that is often told and written by practicing economists. From different perspectives they challenge the association of microfoundations with Robert Lucas and rational expectations and offer both a more complete and a deeper reading of the relationship between micro and macroeconomics. Microfoundations Reconsidered is a valuable addition to the macroeconomic research literature. It is ideally suited to students, scholars, researchers, and practitioners with an interest in macro and microeconomics and the history of economics. Contributors: M. De Vroey, P. Garcia Duarte, D.W. Hands, K.D. Hoover, R. Leonard, G.T. Lima, P.E. Mirowski

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Why do painters sometimes wish they were poets--and why do poets sometimes wish they were painters? What happens when Rembrandt spells out Hebrew in the sky or Poussin spells out Latin on a tombstone? What happens when Virgil, Ovid, or Shakespeare suspend their plots to describe a fictitious painting? In Mute Poetry, Speaking Pictures, Leonard Barkan explores such questions as he examines the deliciously ambiguous history of the relationship between words and pictures, focusing on the period from antiquity to the Renaissance but offering insights that also have much to say about modern art and literature. The idea that a poem is like a picture has been a commonplace since at least ancient Greece, and writers and artists have frequently discussed poetry by discussing painting, and vice versa, but their efforts raise more questions than they answer. From Plutarch ("painting is mute poetry, poetry a speaking picture") to Horace ("as a picture, so a poem"), apparent clarity quickly leads to confusion about, for example, what qualities of pictures are being urged upon poets or how pictorial properties can be converted into poetical ones. The history of comparing and contrasting painting and poetry turns out to be partly a story of attempts to promote one medium at the expense of the other. At the same time, analogies between word and image have enabled writers and painters to think about and practice their craft. Ultimately, Barkan argues, this dialogue is an expression of desire: the painter longs for the rich signification of language while the poet yearns for the direct sensuousness of painting.

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‘An Irishman will always soften bad news, so that a major coronary is no more than "a bad turn" and a near hurricane that leaves thousands homeless is "good drying weather"’ – Hugh LeonardThe people of Ireland are renowned for their wit, and they have migrated from Ireland to most corners of the world, taking that famous sense of humour with them. Modern comedians and comic writers as varied as Dylan Moran, Sharon Horgan, Tommy Tiernan, Alison Spittle, Graham Linehan and Ed Byrne have their own distinctive ways of celebrating and mocking their origins while still occasionally acknowledging the traditional ‘paddywackery’ (meaning the rain-soaked, Guinness-sodden Oirish stereotype of old). The roots of Irish humour are much more complex: for centuries classic Irish writers have used black humour and sarcasm, ranging from the satires of Jonathan Swift, George Bernard Shaw and Oscar Wilde through to the hilarity of J.P. Donleavy and the sublime nonsense of Flann O’Brien and Spike Milligan (‘Many people die of thirst but the Irish are born with one.’) This collection combines a pinch of traditional Irish humour, from shamrocks to limericks, and blarney stones to drinking stories, mixed with distinctly modern one-liners, quips and quotes from the best of the current crop of humorists, along with sections on the Irish mammy, literary feuds and putdowns and epitaphs.

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Molly and her friends take on giant mutant creatures in this second book in the hilarious and poignant Far Flung Falls middle grade sci-fi series set in 1980s Ohio—perfect for fans of Stuart Gibbs and James Ponti!The mystery of the giant brother-stealing robot may have been solved, but a new set of troubles for Molly and her friends has just begun. Strange things are happening once again in Far Flung Falls. Where have all the pets gone? And who—or what—is behind the disappearances? Naturally, everyone is looking to Molly for answers. Only this time, she’s as clueless as anybody else. What’s more, between dad’s new girlfriend, fifth grade homework, and her friend Margo’s wild schemes, Molly’s already got more than enough to deal with. Still, she feels the pressure of everyone’s expectations, and that pressure only mounts when the list of vanished pets grows to include her beloved cat, Crank. Determined to find her, Molly hops back on her revamped bike, Pink Lightning, and together with Arvin, Leonard, and a few new faces, Molly sets off in search of answers. But nothing can prepare them for what they find…or what to do when it finds them.

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Murder Most Puzzling is a gorgeous and witty book that invites readers to play detective and solve a series of absorbing, murder-mystery-themed puzzles. Readers are cast as the faithful sidekick to amateur sleuth Medea Thorne in order to solve 20 puzzling cases. Meet a cast of colorful characters—from ghost hunter extraordinaire Augustin Artaud, to Leonard Fanshawe, a competitor in the Annual Perfect Pickled Foods Festival. • A witty riff on the classic whodunit that brings out everyone's inner detective • Each mystery is sumptuously illustrated. • The mysteries require different deductive tactics, making them a good brain exercise A body in the topiary garden, a death at a clairvoyants' convention, and the mysterious accident of the boating lake—prepare for a whirlwind adventure, laced with humor and a dash of the macabre. This book will delight fans of Agatha Christie, Arthur Conan Doyle, and Edward Gorey. • This is a collection of darkly humorous puzzles. • Features a clever die-cut cover, and illustrated in a gorgeous gothic style by Stephanie von Reiswitz • Perfect gift for Edward Gorey fans, mystery buffs, puzzle addicts, and fans of true crime podcasts and TV shows • Add it to the shelf with books like The Gashlycrumb by Edward Gorey, File Under: 13 Suspicious Incidents by Lemony Snicket, and The Composer Is Dead by Lemony Snicket.

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From the author of stunning historical fiction books comes a Sunday Times bestselling new story of crime, deceit, and murder, set in the early 1920s… In the summer of 1914 a boy vanishes, never to be seen again. Now, in 1920, the once esteemed Stilwell family of Darkacre Hall find themselves struggling with the legacy of the First World War. Leonard bears the physical scars, while his brother Maurice has endured more than his mind can take. Maurice’s wife Ida yearns for the lost days of privilege and pleasure and family friend Victor seems unwilling to move on. But their lives are thrown into further disarray when the missing boy’s case is reopened – and this time they themselves are under police scrutiny. As the dead return to haunt the living, old resentments resurface and loyalties are tested, while secrets risk being unearthed that could destroy them all. Praise for The Good Liars: ‘Ingenious’ Sunday Times ‘The Good Liars is not only a superb book, it’s a clever book… claustrophobic, addictive and utterly compelling; I absolutely loved it. Highly recommended’ MW Craven ‘Exquisitely written, this haunting tale of guilt and grief treads a perfect line between chilling ghost story and gripping mystery’ Tom Hindle ‘A modern classic… I couldn’t put it down’ Claire Dyer ‘A compelling, WW1 tale of deceit, lies and the damages of war. Dripping with claustrophobic tension and absolutely unputdownable. I loved it' Rebecca Netley ‘Anita Frank has created a range of characters alternately agreeable and repellent, and yet all entirely readable, in a blend of history and mystery. A real page-turner’ Mandy Robotham ‘A fabulous book… full of twists and turns and heartbreaking revelations with a sprinkling of spookiness on top’ Laura Shepherd-Robinson ‘A real page-turner… Layers upon layers of secrets and lies… Bravo!’ Liz Hyder ‘A cleverly structured story, with twist after twist… Excellent’ Ragnar Jonasson ‘An absolute gulp of a read… it grabs hold and doesn’t let go’ Fíona Scarlett ‘This clever claustrophobic page-turner delivers in spades’ Carolyn O’Brien 'Engrossing and beautifully written' Victoria Selman

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The Life of Captain Cipriani (1932) is the earliest full-length work of nonfiction by the Trinidadian writer C. L. R. James, one of the most significant historians and Marxist theorists of the twentieth century. It is partly based on James's interviews with Arthur Andrew Cipriani (1875–1945). As a captain with the British West Indies Regiment during the First World War, Cipriani was greatly impressed by the service of black West Indian troops and appalled at their treatment during and after the war. After his return to the West Indies, he became a Trinidadian political leader and advocate for West Indian self-government. James's book is as much polemic as biography. Written in Trinidad and published in England, it is an early and powerful statement of West Indian nationalism. An excerpt, The Case for West-Indian Self Government, was issued by Leonard and Virginia Woolf's Hogarth Press in 1933. This volume includes the biography, the pamphlet, and a new introduction in which Bridget Brereton considers both texts and the young C. L. R. James in relation to Trinidadian and West Indian intellectual and social history. She discusses how James came to write his biography of Cipriani, how the book was received in the West Indies and Trinidad, and how, throughout his career, James would use biography to explore the dynamics of politics and history.

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The Life of Captain Cipriani (1932) is the earliest full-length work of nonfiction by the Trinidadian writer C. L. R. James, one of the most significant historians and Marxist theorists of the twentieth century. It is partly based on James's interviews with Arthur Andrew Cipriani (1875–1945). As a captain with the British West Indies Regiment during the First World War, Cipriani was greatly impressed by the service of black West Indian troops and appalled at their treatment during and after the war. After his return to the West Indies, he became a Trinidadian political leader and advocate for West Indian self-government. James's book is as much polemic as biography. Written in Trinidad and published in England, it is an early and powerful statement of West Indian nationalism. An excerpt, The Case for West-Indian Self Government, was issued by Leonard and Virginia Woolf's Hogarth Press in 1933. This volume includes the biography, the pamphlet, and a new introduction in which Bridget Brereton considers both texts and the young C. L. R. James in relation to Trinidadian and West Indian intellectual and social history. She discusses how James came to write his biography of Cipriani, how the book was received in the West Indies and Trinidad, and how, throughout his career, James would use biography to explore the dynamics of politics and history.

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So many works of golfing history focus on the greats: the best players, the most prestigious championships, the hardest courses, and the like. But most avid golfers are average players, relishing in the joy of the sport itself. In Golf’s Iron Horse, celebrated golf writer John Sabino chronicles the previously untold story of Ralph Kennedy, a golf amateur whose love of the game set him on par to play more courses than anyone before.A founding member of Mamaroneck, New York’s prestigious Winged Foot Golf Club, Kennedy had long been an avid golfer when he met Charles Leonard Fletcher in 1919. When the Englishman told Kennedy that he had played more than 240 courses in his lifetime, Kennedy took it as a challenge and became determined to play more.In a feat that caused the New York Sun to declare him “golf’s Lou Gehrig” in 1935, Kennedy succeeded in beating Fletcher’s record, and then some. He played golf on more than 3,165 different courses in all forty-eight states, nine Canadian provinces, and more than a dozen different countries during his forty-three year love affair with the game. In addition to the 3,165 unique courses he played, the unrelenting Ralph also played golf a total of 8,500 times over his lifetime, the equivalent of teeing it up every day for twenty-three straight years. Lou Gehrig’s seventeen years in professional baseball pales in comparison.This intriguing story includes details of the special conditions under which he was able to play the Augusta National Golf Club and the unique circumstances of his visits to Pebble Beach and the Old Course at St. Andrews. Perfect for golf aficionados, Golf’s Iron Horse will inspire every reader to tee off at a new course.Skyhorse Publishing, as well as our Sports Publishing imprint, is proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team.In addition to books on popular team sports, we also publish books for a wide variety of athletes and sports enthusiasts, including books on running, cycling, horseback riding, swimming, tennis, martial arts, golf, camping, hiking, aviation, boating, and so much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.

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How a generation of women artists is transforming photography with analogue techniques. Beginning in the 1990s, a series of major artists imagined the expansion of photography, intensifying its ideas and effects while abandoning many of its former medium constraints. Simultaneous with this development in contemporary art, however, photography was moving toward total digitalization. Lateness and Longing presents the first account of a generation of artists—focused on the work of Zoe Leonard, Tacita Dean, Sharon Lockhart, and Moyra Davey—who have collectively transformed the practice of photography, using analogue technologies in a dissident way and radicalizing signifiers of older models of feminist art. All these artists have resisted the transition to the digital in their work. Instead—in what amounts to a series of feminist polemics—they return to earlier, incomplete, or unrealized moments in photography’s history, gravitating toward the analogue basis of photographic mediums. Their work announces that photography has become—not obsolete—but “late,” opened up by the potentially critical forces of anachronism. Through a strategy of return—of refusing to let go—the work of these artists proposes an afterlife and survival of the photographic in contemporary art, a formal lateness wherein photography finds its way forward through resistance to the contemporary itself.

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When Lisa Leonard said her marriage vows, she was determined to be the best wife she could be. When her first son was born with a severe disability, Lisa promised herself she would always be the mother he needed. When she began her jewelry business, Lisa committed to giving it her all.Over the years, the exhaustion of trying to be the perfect wife, mother, and businesswoman took its toll. Lisa knew it wasn’t working. She wanted to change things, but how? Everyone depended on her. So she kept going, kept pushing, kept trying to prove she could do it all.Until one evening, in tears and desperation, Lisa realized that she could no longer be everything to everyone. Somewhere along the way, she had lost herself.In Brave Love, Lisa shares her story of finding truth and wholeness in the midst of life’s competing demands. Brave Love is about what it means to be human, how it feels to be broken and afraid, and what happens when we dare to love deeply. Join Lisa on a journey where you will discover you are worthy and lovable just as you are. You don’t have to try harder or be better. You don’t have to prove yourself and you don’t have to make others okay. In this freedom you will find more peace and more joy. Most importantly, you will learn that as you stop trying to be everything to everyone, you will love others better.

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Pervasive violence against hospitals, patients, doctors, and other health workers has become a horrifically common feature of modern war. These relentless attacks destroy lives and the capacity of health systems to tend to those in need. Inaction to stop this violence undermines long-standing values and laws designed to ensure that sick and wounded people receive care.Leonard Rubenstein—a human rights lawyer who has investigated atrocities against health workers around the world—offers a gripping and powerful account of the dangers health workers face during conflict and the legal, political, and moral struggle to protect them. In a dozen case studies, he shares the stories of people who have been attacked while seeking to serve patients under dire circumstances including health workers hiding from soldiers in the forests of eastern Myanmar as they seek to serve oppressed ethnic communities, surgeons in Syria operating as their hospitals are bombed, and Afghan hospital staff attacked by the Taliban as well as government and foreign forces. Rubenstein reveals how political and military leaders evade their legal obligations to protect health care in war, punish doctors and nurses for adhering to their responsibilities to provide care to all in need, and fail to hold perpetrators to account.Bringing together extensive research, firsthand experience, and compelling personal stories, Perilous Medicine also offers a path forward, detailing the lessons the international community needs to learn to protect people already suffering in war and those on the front lines of health care in conflict-ridden places around the world.

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Metastatic cancer and costly precision medicines generate extremely complex problems of health care justice. Targeted cancer therapies yield only very marginal gains in life expectancy for most patients at very great cost, thereby threatening the just allocation of limited health care resources. Philosophers have high hopes for the utility of their theories of justice in addressing the challenges of resource allocation; however, none of these theories can address adequately the "wicked" ethical problems that have resulted from these targeted therapies. What we need instead, bioethicist Leonard M. Fleck argues, is a political conception of health care justice, following Rawls, and a fair and inclusive process of rational democratic deliberation governed by public reason. His account makes the basic assumption that we have only limited health care resources to meet unlimited health care needs generated by emerging medical technologies. The primary ethical and political virtue of rational democratic deliberation is that it allows citizens to fashion autonomously shared understandings of how to fairly address the complex problems of health care justice generated by precision medicine. While ideally just outcomes are a moral and political impossibility, "wicked" problems can metastasize if rationing decisions are made invisibly--in ways effectively hidden from those affected by those decisions. As Fleck demonstrates, a fair and inclusive process of democratic deliberation could make these "wicked" problems visible, and subject, to public reason.

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A Deep, Thought-Provoking Novel of Love, Loss, Civil Unrest, and BasketballIt is 1989, and Jim Keating has hit rock bottom. He’s lost his wife to cancer, his house to near bankruptcy, and his job as a college basketball coach to an extreme misunderstanding. He has also just about lost his mind, having slipped into a bout of serious depression. In an attempt to start life over, Jim returns home to Worcester. In high school and college, Jim had been a star athlete and went on to become a successful basketball coach. Throughout the years, Jim’s passion for basketball and commitment to the players never faltered. Recognizing this, an old friend makes Jim an offer designed to help him restart his career—and take hold of his life.Jim soon arrives in Burundi, Africa, where he has been asked to create a basketball initiative that will bring the warring Hutu and Tutsi tribes together peacefully. While scouting for possible players, Jim discovers fourteen-year-old Leonard Tangishaka, an extraordinary seven-foot athlete with an unlimited potential for basketball. Jim envisions future success against the Rwandan National Team and maybe even an Olympic appearance. Unfortunate and mysterious events soon shatter Jim’s dreams of success and simultaneously increase the probability of violence escalating in Burundi. With the help of those around him, Jim must move forward and stay positive if he is to bring peace to the nation and inner peace to himself. An African Rebound is a deep, thought-provoking novel of love, loss, civil unrest, and basketball.Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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In the years between 1930 and 1980, some of the best-known photographers from around the world came to London and made its streets, buildings and communities their subject. For some, the British capital was to become home; for others it remained a foreign city, as enigmatic perhaps as any they had visited. Each brought their own distinctive perspective,subverting or perpetuating national stereotypes, seeking out the typical or the exotic, attempting to penetrate the fabled British reserve with their lens. Together their work creates a portrait of a great world city, changing and mutating, a restless and fascinating muse. This remarkable book, accompanying a major exhibition at Tate Britain in London's Olympic year, demonstrates the breadth and variety of the responses London provoked from visiting photographers during the period, from portraits to reportage, from social realism to whimsy and humour, the changes in their technique and attitude demonstrating developments in photography itself. Essays by selected critics will address both the photographers' contributions and the history of London. Artists represented feature some of the greatest names in twentieth century photography, including Eve Arnold, Dorothy Bohm, Bill Brandt, Henri-Cartier Bresson, Bruce Davidson, Elliot Erwitt, Robert Frank, Leonard Freed, Emil Hoppe,Inge Morath, Dora Maar, Irving Penn, Willy Ronis and Al Vandenberg.

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This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory. As the contributors bring affect theory to bear on photography, some interpret the work of contemporary artists, such as Catherine Opie, Tammy Rae Carland, Christian Boltanski, Marcelo Brodsky, Zoe Leonard, and Rea Tajiri. Others look back, whether to the work of the American Pictorialist F. Holland Day or to the discontent masked by the smiles of black families posing for cartes de visite in a Kodak marketing campaign. With more than sixty photographs, including twenty in color, this collection changes how we see, think about, and feel photography, past and present.Contributors. Elizabeth Abel, Elspeth H. Brown, Kimberly Juanita Brown, Lisa Cartwright, Lily Cho, Ann Cvetkovich, David L. Eng, Marianne Hirsch, Thy Phu, Christopher Pinney, Marlis Schweitzer, Dana Seitler, Tanya Sheehan, Shawn Michelle Smith, Leo Spitzer, Diana Taylor

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In the past decade, heroes and villains spawned from the pages of comic books have upended popular culture and revolutionised the entertainment industry. The narratives weave together a multitude of complementary and sometimes competing storylines, spun across decades, generations, and mediums, forming a complex tapestry that simultaneously captures the imagination and captivates the mind. These stories reveal our own vulnerabilities while casting an ideal to which we aspire. They pull at our deepest emotions and push us to the cusp of reality, and bring us back to Earth with a renewed hope of a better tomorrow. They are an endless source of powerful metaphors to help us learn and develop, then be the best versions of ourselves possible.Through the lens of the superhero genre, each chapter explores contemporary challenges in leadership, team building, and conflict, while emphasising the role of humanity and human nature in our own world.Contributors: Ian Boley; Jo Brick; Mitch Brian; Max Brooks; Mike Burke; Kelsey Cipolla; Amelia Cohen-Levy; Mick Cook; Jeff Drake; Clara Engle; Candice Frost; Ronald Granieri, PhD; Heather S. Gregg, PhD; James Groves; Geoff Harkness, PhD; Theresa Hitchens; Kayla Hodges; Cory Hollon, PhD; Joshua Huminski; Erica Iverson; Alyssa Jones; Mathew Klickstein; Jonathan Klug; Matt Lancaster; Steve Leonard; Karolyn McEwen; Eric Muirhead; Jon Niccum; Kera Rolsen; Mick Ryan; Julie Still; Patrick Sullivan; Aaron Rahsaan Thomas; Dan Ward; and Janeen Webb, PhD.

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Ride into danger with Hal and Uncle Nat on the fifth breathtaking Adventures on Trains Mystery, Sabotage on the Solar Express, from bestselling award-winners M. G. Leonard and Sam Sedgman. Perfect for readers of 8 to 12 and brilliantly illustrated in black and white throughout by Elisa Paganelli.'A thrilling and hugely entertaining adventure story' – David Walliams on The Highland Falcon Thief, the first book in the series.Billionaire train enthusiast August Reza has invited Harrison Beck and Uncle Nat on the maiden voyage of the Solar Express – the winning design of his Reza’s Rocket competition. But during the journey, they discover the train has been sabotaged, hurtling passengers into a heart-stopping, action-packed, thrill ride across the Australian Outback. Can Hal find the saboteur and stop the runaway train before disaster strikes?Sabotage on the Solar Express can be read as a stand-alone novel, or enjoyed as part of the Adventures on Trains series. Join Hal and Uncle Nat on more stops in this thrilling series with: The Highland Falcon Thief, Kidnap on the California Comet, and Murder on the Safari Star.Praise for the Series:'Like Murder on the Orient Express but better!' – Frank Cottrell-Boyce on The Highland Falcon Thief'A first class choo-choo-dunnit!' – David Solomons on Kidnap on the California Comet'A high-speed train journey worth catching . . .The best yet' – The Times on Murder on the Safari Star'This series just gets better and better' – Maz Evans on Danger at Dead Man's Pass

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You long to escape the daily grind, buy a boat and sail away. This book will inspire your dreams and show you how to turn them into a reality – be it an extended cruise or years away. Written by a yachting journalist who has sailed away for 8 years, together with the contributions of 100 other blue-water cruisers, there are tales a plenty of what it is like to do it from around the world – west, east, north and south. There is also practical advice on everything from choosing a boat to crossing oceans. You’ll be guided through each step of the preparation before casting off on your adventure of a lifetime. There’s information on everything the would-be blue-water sailor needs to consider, including safety, communications, children, ocean passages and budgeting. Learn about routes and destinations around Europe, the Caribbean, the Pacific and beyond to help you cruise the Mediterranean or Baltic, cross the Atlantic or circumnavigate the world. Colour photographs and charts will inspire and inform in this essential guide for the 21st century blue-water sailor. Fully updated for 2019 with new sections on visiting the Baltic and high and low latitudes. Contributors include John Ridgway, Jeanne Socrates, Tom Cunliffe, Ellen Massey Leonard, Behan Gifford, Nigel Wollen, Andrew Wilkes, Jane Russell and Jeremy Wyatt.

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In The Art and Thought of the Beowulf Poet, Leonard Neidorf explores the relationship between Beowulf and the legendary tradition that existed prior to its composition. The Beowulf poet inherited an amoral heroic tradition, which focused principally on heroes compelled by circumstances to commit horrendous deeds: fathers kill sons, brothers kill brothers, and wives kill husbands. Medieval Germanic poets relished the depiction of a hero's unyielding response to a cruel fate, but the Beowulf poet refused to construct an epic around this traditional plot. Focusing instead on a courteous and pious protagonist's fight against monsters, the poet creates a work that is deeply untraditional in both its plot and its values. In Beowulf, the kin-slayers and oath-breakers of antecedent tradition are confined to the background, while the poet fills the foreground with unconventional characters, who abstain from transgression, display courtly etiquette, and express monotheistic convictions. Comparing Beowulf with its medieval German and Scandinavian analogues, The Art and Thought of the Beowulf Poet argues that the poem's uniqueness reflects one poet's coherent plan for the moral renovation of an amoral heroic tradition. In Beowulf, Neidorf discerns the presence of a singular mind at work in the combination and modification of heroic, folkloric, hagiographical, and historical materials. Rather than perceive Beowulf as an impersonally generated object, Neidorf argues that it should be read as the considered result of one poet's ambition to produce a morally edifying, theologically palatable, and historically plausible epic out of material that could not independently constitute such a poem.

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Fast track route to mastering the art of competitor intelligence Covers the fundamentals of competitor intelligence, from securing CEO buy-in and making sure the right people are in place to creating an internal intelligence system and setting up a war room Examples and lessons from some of the world's most intelligent businesses, including Motorola and Apple, and ideas from the smartest thinkers including Jan Herring, Ben Gilad and Leonard Fuld Includes a glossary of key concepts and a comprehensive resources guide ExpressExec is a unique business resource of one hundred books. These books present the best current thinking and span the entire range of contemporary business practice. Each book gives you the key concepts behind the subject and the techniques to implement the ideas effectively, together with lessons from benchmark companies and ideas from the world's smartest thinkers. ExpressExec is organised into ten core subject areas making it easy to find the information you need: 01 Innovation 02 Enterprise 03 Strategy 04 Marketing 05 Finance 06 Operations and Technology 07 Organizations 08 Leading 09 People 10 Life and Work ExpressExec is a perfect learning solution for people who need to master the latest business thinking and practice quickly.

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Prine on Prine definitively presents the iconic American songwriter’s songwriter across the many eras of his celebrated life, career, and songs in his own words. John Prine hated giving interviews, but he said much when he talked. Embarrassed by fame, delighted by the smallest things, the first songwriter to read at the Library of Congress, and winner of the Pen Award for Literary Excellence, Prine saw the world unlike anyone else. The songs from 1971’s John Prine remain spot-on takes of the human condition today, and his writing only got richer, funnier, and more incisive. The interviews in Prine on Prine trace his career evolution, his singular mind, his enduring awareness of social issues, and his acute love of life, from Studs Terkel’s radio interviews from the early ’70s to Mike Leonard’s Today Show packages from the ’80s, Cameron Crowe's early encounter to Ronni Lundy's Shuck Beans, Stack Cake cookbook, and Hot Rod magazine to No Depression’s cover story, through today. Editor Holly Gleason enjoyed a longstanding relationship with Prine and his longtime co-manager, and she often traveled with him on tours in the late 1980s and represented him in the 2000s.

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A contemporary of Soane, Nash and Pugin, Decimus Burton (1800–1881) was one of the most prolific architects of his day and is best known for his work in London’s Royal Parks, including: the Wellington Arch and the Serpentine pavilion in Hyde Park; villas and terraces in Regent’s Park and the London Zoo; the Temperate house at the Royal Botanic Gardens, Kew; and the layout and architecture of the seaside towns of Fleetwood and St Leonards-on-Sea, and the spa town of Tunbridge Wells. Other projects include the Atheneum Club, Pall Mall, Adelaide Crescent in Brighton, and Phoenix Park in Dublin. Despite his success, little is known about Burton and this book is the first to fully examine his work, from his early years and his father’s influence, through his apprenticeship with John Nash, his works in private practice and his growing reputation, to his exploits in town planning and glass houses. This is set within a fascinating social and political context, with stories of conflict and heated dispute amongst the key players which paint a vivid portrait of the architectural profession and construction industry during this period. It reappraises Burton’s legacy and summarises his significant achievements and reveals how he contributed to the birth of the picturesque style that was to develop into the Arts and Crafts movement.

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Combining fact and fiction, each of the one hundred and two tales of Alexander Kluge’s Temple of the Scapegoat (dotted with photos of famous operas and their stars) compresses a lifetime of feeling and thought: Kluge is deeply engaged with the opera and an inventive wellspring of narrative notions. The titles of his stories suggest his many turns of mind: “Total Commitment,” “Freedom,” “Reality Outrivals Theater,” “The Correct Slowing-Down at the Transitional Point Between Terror and an Inkling of Freedom,” “A Crucial Character (Among Persons None of Whom Are Who They Think They Are),” and “Deadly Vocal Power vs. Generosity in Opera.” An opera, Kluge says, is a blast furnace of the soul, telling of the great singer Leonard Warren who died onstage, having literally sung his heart out. Kluge introduces a Tibetan scholar who realizes that opera “is about comprehension and passion. The two never go together. Passion overwhelms comprehension. Comprehension kills passion. This appears to be the essence of all operas, says Huang Tse-we.” He also comes to understand that female roles face the harshest fates: “Compared to the mass of soprano victims (out of 86,000 operas, 64,000 end with the death of the soprano), the sacrifice of tenors is small (out of 86,000 operas 1,143 tenors are a write-off).”

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Nominated for the CWA Dagger Award 2023 ‘A wonderful book’ - Guardian Truth, murder and the birth of the lie detector Henry Wilkens burst through the doors of the emergency room covered in his wife’s blood. But was he a grieving husband, or a ruthless killer who’d conspired with bandits to have her murdered? To find out, the San Francisco police turned to technology, and a new machine that had just been invented in Berkeley by a rookie detective, a visionary police chief, and a teenage magician with a showman’s touch. John Larson, Gus Vollmer and Leonarde Keeler hoped the lie detector would make the justice system fairer – but the flawed device soon grew too powerful for them to control. It poisoned their lives, turned fast friends into bitter enemies, and as it conquered America and the world, it transformed our relationship with the truth in ways that are still being felt. As new forms of lie detection gain momentum in the present day, Tremors in the Blood reveals the incredible truth behind the creation of the polygraph, through gripping true crime cases featuring explosive gunfights, shocking twists and high-stakes courtroom drama. Touching on psychology, technology and the science of the truth, Tremors in the Blood is a vibrant, atmospheric thriller, and a warning from history: be careful what you believe.

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Nominated for the CWA Dagger Award 2023 ‘A wonderful book’ - Guardian Truth, murder and the birth of the lie detector Henry Wilkens burst through the doors of the emergency room covered in his wife’s blood. But was he a grieving husband, or a ruthless killer who’d conspired with bandits to have her murdered? To find out, the San Francisco police turned to technology, and a new machine that had just been invented in Berkeley by a rookie detective, a visionary police chief, and a teenage magician with a showman’s touch. John Larson, Gus Vollmer and Leonarde Keeler hoped the lie detector would make the justice system fairer – but the flawed device soon grew too powerful for them to control. It poisoned their lives, turned fast friends into bitter enemies, and as it conquered America and the world, it transformed our relationship with the truth in ways that are still being felt. As new forms of lie detection gain momentum in the present day, Tremors in the Blood reveals the incredible truth behind the creation of the polygraph, through gripping true crime cases featuring explosive gunfights, shocking twists and high-stakes courtroom drama. Touching on psychology, technology and the science of the truth, Tremors in the Blood is a vibrant, atmospheric thriller, and a warning from history: be careful what you believe.

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This collection of essays by American philosopher Alain Locke (1885-1954) makes readily available for the first time his important writings on cultural pluralism, value relativism, and critical relativism. As a black philosopher early in this century, Locke was a pioneer: having earned both undergraduate and doctoral degrees at Harvard, he was a Rhodes scholar at Oxford, studied at the University of Berlin, and chaired the Philosophy Department at Howard University for almost four decades. He was perhaps best known as a leading figure in the Harlem Renaissance. Locke’s works in philosophy—many previously unpublished—conceptually frame the Harlem Renaissance and New Negro movement and provide an Afro-American critique of pragmatism and value absolutism, and also offer a view of identity, communicative competency, and contextualism. In addition, his major works on the nature of race, race relations, and the role of race-conscious literature are presented to demonstrate the application of his philosophy. Locke’s commentaries on the major philosophers of his day, including James, Royce, Santayana, Perry, and Ehrenfels help tell the story of his relationship to his former teachers and his theoretical affinities. In his substantial Introduction and interpretive concluding chapter, Leonard Harris describes Locke’s life, evaluates his role as an American philosopher and theoretician of the Harlem Renaissance, situates him in the pragmatist tradition, and outlines his affinities with modern deconstructionist ideas. A chronology of the philosopher’s life and bibliography of his works are also provided. Although much has been written about Alain Locke, this is the first book to focus on his philosophical contributions.

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Most macroeconomists agree that we live in the age of microfoundations. The recent worldwide financial crisis may have emboldened critics of this microfoundational orthodoxy, but it remains the dominant view that macroeconomic models must go beyond supply and demand functions to the level of individual decision-making, taking into account the general dynamic environment where agents live. Microfoundations Reconsidered seeks to reassess how the relationship of micro and macroeconomics evolved over time. The highly regarded contributors to the book argue that the standard narrative of microfoundations is likely to be unreliable. They therefore re-examine the history of the relationship of microeconomics and macroeconomics, starting from their emergence as self-consciously distinct fields within economics in the early 1930s. They seek to go beyond the conventional history that is often told and written by practicing economists. From different perspectives they challenge the association of microfoundations with Robert Lucas and rational expectations and offer both a more complete and a deeper reading of the relationship between micro and macroeconomics. Microfoundations Reconsidered is a valuable addition to the macroeconomic research literature. It is ideally suited to students, scholars, researchers, and practitioners with an interest in macro and microeconomics and the history of economics. Contributors: M. De Vroey, P. Garcia Duarte, D.W. Hands, K.D. Hoover, R. Leonard, G.T. Lima, P.E. Mirowski

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Scandinavian societies have historically, and problematically, been understood as homogeneous, when in fact they have a long history of ethnic and cultural pluralism due to colonialism and territorial conquest. After World War II, Sweden, Denmark, and Norway all became destinations for an increasingly diverse stream of migrants and asylum seekers from war-torn countries around the globe, culminating in the 2015–16 “refugee crisis.” This multidisciplinary volume opens with an overview of how the three countries’ current immigration policies developed and evolved, then expands to address how we might understand the current contexts and the social realities of immigration and diversity on the ground. Drawing from personal experiences and theoretical perspectives in such varied fields as sociology, political science, literature, and media studies, nineteen scholars assess recent shifts in Scandinavian societies and how they intertwine with broader transformations in Europe and beyond. Chapters explore a variety of topics, including themes of belonging and identity in Norway, the experiences and activism of the Nordic countries’ Indigenous populations, and parallels between the racist far-right resurgence in Sweden and the United States. Contributors: Ellen A. Ahlness, Julie K. Allen, Grete Brochmann, Eric Einhorn, Sherrill Harbison, Anne Heith, Markus Huss, Peter Leonard, Barbara Mattsson, Kelly McKowen, Andreas Önnerfors, Elisabeth Oxfeldt, Tony Sandset, Carly Elizabeth Schall, Ryan Thomas Skinner, Admir Skodo, Benjamin R. Teitelbaum, Sayaka Osanami TÖrngren, Ethelene Whitmire

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Philosophy as a Way of Life This unique collection of essays on the late Pierre Hadot’s revolutionary methodological approach to studying and practicing philosophy explores Hadot’s primary conviction that philosophy itself goes beyond solving puzzles and analyzing abstract arguments. Hadot believed that philosophy is a key part of humanity’s search for happiness, that it can transform our perception of the world, and thus can alter our very mode of being. His argument that the goal of philosophy is to shift our focus away from our habitual obsession with individuality, and to embrace universality and objectivity, has resonated with thinkers across the Academy – and outside it. Offering genuinely interdisciplinary analysis of Hadot’s work and philosophical practice, this volume includes papers written from a gamut of philosophical, historical, and geographical perspectives. Articles address issues in the history of philosophy from Pythagoras to Descartes, by way of Islamic thought, thus corresponding to Hadot’s view of the importance of philologically based analysis of ancient texts and historical contexts. Others study the presence of ideas related to, or influenced by, Hadot in contemporary thought, from Wittgenstein to Leonard Nelson, analytic philosophy, and French postmodernism. The result is a wide-ranging publication pointing to an additional “third way” alongside the traditional approaches of Continental and analytic philosophy, one that expands our horizons with secular spiritual exercises designed to enable us to be in a fuller, more authentic way.

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***Winner of The Fortnum & Mason Cookery Book of the Year Award 2017'This is everything I want from a cookbook: inspiration, intelligent company, great good-mood food, and beautiful writing.'Nigella Lawson'No one writes about food so beautifully with recipes which are, as the title says, simple to prepare yet always enticing. A treasure both to give and receive.' Julia Leonard, London Evening Standard'Her latest book, Simple, is destined to become a classic.'Daily Telegraph'Diana Henry's latest release is packed with tasty recipes we want to make again and again'.Jamie Magazine'I have always been a fan of this author for her good basics and sensible recipes that taste delicious. She writes well and gets the gastric juices going'.Irish Examiner'It's the next best thing to going to a favourite friend's for dinner and knowing that the food will be delicious, you're going to love and be nourished by everything, there won't be a weird fancy table placement and there is no risk that you'll ever run out of wine. Reading her recipes is almost as satisfying as making and eating them.' Daisy Buchanan, The Pool'A book to adore'Tom Parker Bowles, Mail on Sunday'Simple is her 10th book, and one of her very best; beautifully written and endlessly inventive, it would make a great gift for anyone interested in good food with minimal effort (i.e. just about anyone).'Felicity Cloake, The Guardian'Another outstanding collection of recipes for getting lunch or dinner on the table "quickly and easily, but with pizzazz". It's also a fascinating look at how eating habits have changed over the past decade"Sunday TimesAs featured in Glamour's 'best cookbooks ever written, to help inspire your daily cooking at home'No-one is better than Diana Henry at turning the everyday into something special. Here is a superb collection of recipes that you can rustle up with absolutely no fuss, but which will knock your socks off with their flavour.Peppered throughout the book are ingenious ideas such as no-hassle starters and sauces that will lift any dish. From Turkish Pasta with Caramelized Onions, Yoghurt and Dill and Paprika-baked Pork Chops with Beetroot, Caraway and Sour Cream to Parmesan-roasted Cauliflower with Garlic and Thyme, Diana takes the kind of ingredients we are most likely to find in our cupboard and fridge - or be able to pick up on the way home from work - and provides recipes that will become your friends for life.

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Through a series of penetrating conversations originally published in the New York Times and the Los Angeles Review of Books, Brad Evans and Natasha Lennard talk with a wide range of cutting edge thinkers--including Oliver Stone, Simon Critchley, and Elaine Scarry--to explore the problem of violence in everyday life, politics, culture, media, language, memory, and the environment. "To bring out the best of us," writes Evans, "we have to confront the worst of what humans are capable of doing to one another. In short, there is a need to confront the intolerable realities of violence in this world."These lively, in-depth exchanges among historians, theorists, and artists offer a timely and bracing look at how the increasing expression and acceptance of violence--in all strata of society--has become a defining feature of our times."Many of us live today with a pervasive sense of unease, worried that our own safety is at risk, or that of our loved ones, or that of people whose bad circumstances appear to us through networked media. Violence feels ever-present. Natasha Lennard and Brad Evans help us to analyze those feelings, talking with a wide range of thinkers in order to gain insight into the worst of what humans do, and challenging us to imagine a world in which violence is no longer a given. Their book is full of surprising insights and intelligent compassion."--Sarah Leonard, co-editor of The Future We Want: Radical Ideas for the New Century"In Violence, Brad Evans and Natasha Lennard have created, alongside their interview subjects, a kaleidoscopic exploration of the concept of violence, in terrains expected and not, in prose taut and unexpectedly gorgeous. Their philosophical rigor provides the reader with an intellectual arsenal against the violence of the current moment."--Molly Crabapple, author of Drawing Blood"We would be wise to read this collection with a similar eye toward service, and in so doing, open ourselves up to the rare mercy of no longer having to stand on our own."--Alana Massey, author of All The Lives I Want"The range of interviews with leading academics, to filmmakers and artists, is impressive, at once immediate and relevant, but also profoundly philosophical. More essentially, though, the conversations underline the need and suggest ways to resist and organize in a visionary way, in the extraordinary times we live in."--Razia Iqbal, BBC News"Notable contemporary thinkers and creators give their individual perspectives in this compelling look at violence. . . . A provocative volume that challenges humanity to correct its runaway course toward an increasingly violent future by learning from its violent past."--Kirkus Reviews"The purpose of the work is to challenge humanity to create more meaningful solutions when it comes to these kinds of violence--or at least to name violence without inadvertently inciting even more anger. . . . passion roars through every chapter . . . This book delivers on what it promises, which is an achievement. "--Alison Gately, The Los Angeles Review of Books"If you wish to read the intellectualization of violence, Violence is a phenomenal anthology. . . . Brad Evans and Natasha Lennard, the interviewers and the 'authors' of the anthology, have done a remarkable job in bringing together perceptive and intelligent contributors from various fields to scout the reaches of violence. Their piercing questions brought out brilliant responses from the interviewees."--L. Ali Khan, New York Journal of Books"Violence: Humans in Dark Times is an intriguing beginning to a much-needed sustained intellectual and aesthetic response to the horrors of modern times."—Zoe Vorsino

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Durante décadas, Leonard Fife se ha labrado una prestigiosa reputación como autor de documentales en Canadá, adonde huyó a finales de los años sesenta como desertor y prófugo tras negarse a combatir en Vietnam. Esa es al menos la versión oficial, la que desde siempre conocen sus admiradores, para quienes el cineasta es un referente moral irreprochable. Ahora, a sus setenta y ocho años, gravemente enfermo, aturdido por la medicación y ante la inminencia de la muerte, Fife acepta la propuesta de responder a una entrevista para un documental centrado en su figura a modo de homenaje dirigido por un antiguo discípulo. Inesperadamente, la entrevista tomará la forma de una larga y desgarradora confesión íntima. Porque Fife necesita, antes del fundido en negro final, sincerarse ante Emma ?su esposa, su compañera durante los últimos cuarenta años? y contarle todo aquello que sería incapaz de decir sin una cámara de por medio: la verdad de cómo se convirtió en el hombre que ella cree que es.

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The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship. Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson

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A captivating account of the NBA’s strangest season ever, from shutdown to championship, from a prominent national basketball writer living inside the bubble When NBA player Rudy Gobert tested positive for COVID-19 in March 2020, the league shut down immediately, bringing a shocking, sudden pause to the season. As the pandemic raged, it looked like it might be the first year in league history with no champion. But four months later, after meticulous planning, play resumed in a “bubble” at Disney World—a restricted, single-site locale, where teams could only bring limited staff and the outside world was largely cut off. Due to health concerns, the league invited only a handful of reporters to the show. Everyone who attended would need to sacrifice medical privacy, live in a simple hotel room for months on end, and submit to daily coronavirus testing in hopes of keeping the Bubble from bursting. Ben Golliver, the national NBA writer for the Washington Post, is one of them. Bubbleball is his account of the season and life inside, telling the story of how basketball shut down and how superstars like LeBron James, Giannis Antetokounmpo, and Kawhi Leonard battled for the throne once play resumed in unconventional circumstances and empty gyms. Based on months of reporting in the exclusive, restricted environment, this is an entertaining record of an extraordinary season.

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The Derveni Papyrus is the oldest known European "book." It was meant to accompany the cremated body in Derveni Tomb A but, by a stroke of luck, did not burn completely. Considered the most important discovery for Greek philology in the twentieth century, the papyrus was found accidentally in 1962 during a public works project in an uninhabited place about 10 km from Thessaloniki, and it is now preserved in the Archaeological Museum of Thessaloniki.The papers in Poetry as Initiation discuss a number of open questions: Who was the author of the papyrus? What is the date of the text? What is the significance of burying a book with a corpse? What was the context of the peculiar chthonic ritual described in the text? Who were its performers? What is the relationship of the author and the ritual to the so-called Orphic texts?

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In his time his revolutionary ideas appealed to women and he was surrounded by more than a generation of clever and forceful women. One who could say that ‘life is not really a gladiators’ show; it is rather a vast mothers’ meeting!’ could not fail to attract followers. WALTER STEPHENPatrick Geddes – Sociologist, Town Planner, Biologist, Peace Warrior. It is well known that this extraordinary Scot shaped the cityscape of Edinburgh, but for the first time Walter Stephen turns the lens onto the strong, wilful women who influenced the revolutionary man – and who were in turn influenced by him.From his wife and mother in Scotland, to a nun in India and a Marchioness in Ireland, this insightful volume shows the wide range of women across the globe whose lives intertwined with Geddes’s, whether professionally or personally.Delving deeper into Geddes’s personal life than ever before, Walter Stephen and his fellow Modern Geddesians go beyond the surface of the Scotsman’s acclaimed works to reveal the female characters that shaped him throughout his life. Contributors include: Veronica Burbridge, Siân Reynolds, Anne-Michelle Slater, Kenny Munro, Swami Narasimhananda, Sofia Leonard, Kenneth MacLean, Robert Morris and Kate Henderson.A well-researched and thoughtfully written book. SCOTTISH REVIEW OF BOOKS on The Evolution of Evolution[The book] makes the reader realise in what esteem Geddes should be held, not just in Scotland, but across the globe. LALLANS MAGAZINE on A Vigorous Institution

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