Search results for ""author michel"

Featuring 73 sharp, new images obtained with state-of-the-art scanning technology, the Second Edition of this popular pocket atlas is a quick, handy guide to interpreting computed tomography images of the brain and calvarium, temporal bone, orbit, nasal cavity, and paranasal sinuses. The book helps readers recognize normal anatomic structures on CT scans and distinguish these structures from artifacts.Each page presents a high-resolution CT scan, with anatomic landmarks clearly labeled. Directly above the scan are a key to the labels and a thumbnail illustration that orients the reader to the plane of view (sagittal, axial, or coronal). This format enables readers to identify features rapidly and accurately. Praise for the previous edition: "[A] splendid, very pocket-sized atlas....[A] very useful basic booklet which will enlighten all clinical trainees and not a few of their mentors."-- Journal of Neurology, Neurosurgery, and Psychiatry "A very useful and uncomplicated pocket-sized reference....This little atlas will be popular among residents in neurology, neurosurgery, ENT, ophthalmology, and internal medicine, and all clinicians who are required to inspect CTs of the head."-- Neurology "The book is most useful for medical students and neophyte radiology, neurology, or neurosurgical residents....Recommended!-- American Journal of Neuroradiology

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Introduction to Dental Materials discusses and explains the science of clinical and laboratory dental materials. It will help you understand the properties, limitations and safe usage of different materials, and how to navigate this rapidly changing field to choose the most appropriate materials for your patients. Written in an engaging and accessible way, and featuring updated images and photographs as well as "clinical relevance" highlights, this book is perfectly tailored to the needs of the busy student of dentistry or dental therapy. Written for the benefit of the developing clinician, not the materials scientist perfect for busy students Covers essential facts relating to chemical bonding, metals, ceramics and polymers Explains the terminology used in the description of material behaviour Explores the use of clinical dental materials including the traditional and contemporary materials and associated techniques Covers issues relating to pulpal protection and endodontic materials Describes the use of laboratory and related dental materials to enable better communication with the laboratory team Updated to include dedicated sections on digital dentistry and digital workflows in particular in relation to crown and bridge Revised structure adopted to demystify contemporary ceramics Fully updated content Covers modern restorative materials, the extensive uses of 3D printing and CAD-CAM in dentistry Covers modern direct and indirect adhesive systems Provides the evidence base in relation to the decline in use of dental amalgam An enhanced eBook version is included with your purchase. The eBook allows you to access all the text, figures, and references, with the ability to search, customise your content, make notes and highlights, and have content read aloud.

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European Union Politics is the most complete and issues-led introductory textbook on the European Union. Written by an expert team of contributors, it fully equips students to understand the European Union and the topical debates that surround it. Alongside rigorous coverage of the theory, institutions, and policies of the EU, the book engages with contemporary debates, and current crises. The seventh edition has been substantially updated, with significantly revised chapters on Brexit and the CJEU, as well as two new chapters covering the EU response to the COVID-19 pandemic, and the European migration and refugee crisis. The text's accessible writing style makes it the ideal starting point for anyone wishing to fully understand the workings of this complex and ever-evolving system. Throughout the book, students are supported by helpful learning features, including key points, questions, and examples. Digital formats and resources The seventh edition is available for students and institutions to purchase in a variety of formats. The e-book offers a mobile experience and convenient access, along with functionality tools, navigation features, and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooks In addition to supportive learning features within the book, the text is accompanied by online resources designed to help students to take their learning further. For students: - Test your knowledge of the chapter material and receive instant feedback with multiple choice questions - Revise key terms and concepts with a flashcard glossary - Prepare for assessments with help from the revision guide - Expand your knowledge of the EU's member states with an interactive timeline of the EU - Conduct further research with relevant web links to additional reliable content For registered adopters of the text: - Reinforce key themes from each chapter with suggested seminar and essay questions - Use the adaptable PowerPoint slides as the basis for lecture presentations or as hand-outs in class

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In Letters of Note: Art, Shaun Usher celebrates extraordinary correspondence about art, from missives on the agony of being overlooked, the ecstasy of producing work that excites, to surprising sources of inspiration and rousing manifestos. Includes letters by:Michelangelo, Salvador Dali,Frida Kahlo, Artemisia Gentileschi,Oscar Howe, Martin Scorsese,Henri Matisse, Mick Jagger,Augusta Savage, Vincent van Gogh& many more

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A handsome coffee table guide to the celebrated collection of the Kimbell Art Museum In celebration of the fiftieth anniversary of the Kimbell Art Museum in Fort Worth, Texas, this deluxe volume showcases its world-renowned collection. The book includes engaging texts by Kimbell curators accompanied by new, full-color photographs of more than 250 works from antiquity to the twentieth century. A jewel among American museums, the Kimbell possesses European masterpieces by artists such as Fra Angelico, Michelangelo, Caravaggio, Gian Lorenzo Bernini, Diego Velázquez, Élisabeth Vigée Le Brun, Claude Monet, Paul Cézanne, Pablo Picasso, and Henri Matisse; important collections of Egyptian and classical antiquities; and outstanding works from Asia, Africa, and the ancient Americas. This new guide also features previously unpublished images of the museum’s architecture by Louis I. Kahn and Renzo Piano.Distributed for the Kimbell Art Museum

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Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.

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This book examines in depth the painter Michelangelo Merisi da Caravaggio (1571–1610) and the sculptor Gian Lorenzo Bernini (1598–1680). Other painters and sculptors gathered around these two geniuses in Rome in the first decades of the 17th century. Together they formulated a new artistic language which later came to be known as Roman Baroque. In a very short period of time, Rome became an international cultural hotspot, the breeding ground of new ideas and initiatives. Artists from all over Europe came to the Eternal City to study the many remnants of Roman Antiquity and to seek the increasing patronage of the popes, cardinals, and the local nobility. More than ever before, painters and sculptors shared ambitions, personal friendships, and worked together, often on large papal projects. Caravaggio, Bernini, and their fellow artists embody this artistic fraternisation. Together, their works tell the story of the birth of this new movement in art, and the radical artistic innovation which would prove to have far reaching influence in Europe.

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This volume focuses on political and social expressions in contemporary art of Ukraine, Estonia, Lithuania, and Latvia. It explores the transformations that art in Ukraine and the Baltic states has undergone since their independence in 1991, discussing how the conflicts and challenges of the last three decades have impacted the reconsideration of identity and fostered resistance of culture against economic and political crises. It analyzes connections between the past and the present as seen by the artists in these countries and looks at their visions of the future. Contemporary Ukrainian art portrays various perspectives, addressing issues from controversial historical topics to the present military conflict in the East of the country. Baltic art speaks out against the erasure of past historical traumas and analyzes the pertinence of its cultural scene to the European community. The contributions in this collection open a discussion of whether there is a single paradigm that describes the contemporary processes of art production in Ukraine and the Baltic countries. With contributions by Ieva Astahovska, Svitlana Biedarieva, Kateryna Botanova, Olena Martynyuk, Vytautas Michelkevičius, Lina Michelkevičė, Margaret Tali, and Jessica Zychowicz.

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Benvenuto Cellini is an artist-craftsman, one of the greatest sculptors in the renaissance, passionately devoted to art, the worshipper and frequenter of the great men of his time, the 'divine' Michelangelo, who came to his studio, the 'marvellous' Titian (the adjectives are Cellini's ). He loathed the sculptor Torregiano because he had broken Michelangelo's nose.His autobiography gives a quite extraordinarily vivid account of daily life in Renaissance Florence and Rome, its studios, its taverns, its violence, his loves, the kings, cardinals and popes who commission his works. At 27 he helps direct the defence of the castello San Angelo; his account of his imprisonment there under a mad castellan (who thought he was a bat), his escape by an improvised rope, his recapture, his confinement in 'a cell of tarantulas and venomous worms' is a chapter of adventure equal to any in fact or fiction. Later he describes burning all his furniture to achieve sufficient heat to cast of one of his most famous works, Perseus and the Head of Medusa. Cellini's Life was translated by Goethe into German. The Everyman translation by Anne Macdonell (1903) is widely recognised as the most faithful to the energy and spirit of the original.

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A formidable collection of studies on religious conversion and converts in Jewish history Theodor Dunkelgrün and Pawel Maciejko observe that the term "conversion" is profoundly polysemous. It can refer to Jews who turn to religions other than Judaism and non-Jews who tie their fates to that of Jewish people. It can be used to talk about Christians becoming Muslim (or vice versa), Christians "born again," or premodern efforts to Christianize (or Islamize) indigenous populations of Asia, Africa, and the Americas. It can even describe how modern, secular people discover spiritual creeds and join religious communities. Viewing Jewish history from the perspective of conversion across a broad chronological and conceptual frame, Bastards and Believers highlights how the concepts of the convert and of conversion have histories of their own. The volume begins with Sara Japhet's study of conversion in the Hebrew Bible and ends with Netanel Fisher's essay on conversion to Judaism in contemporary Israel. In between, Andrew S. Jacobs writes about the allure of becoming an "other" in late Antiquity; Ephraim Kanarfogel considers Rabbinic attitudes and approaches toward conversion to Judaism in the Middles Ages; and Paola Tartakoff ponders the relationship between conversion and poverty in medieval Iberia. Three case studies, by Javier Castaño, Claude Stuczynski, and Anne Oravetz Albert, focus on different aspects of the experience of Spanish-Portuguese conversos. Michela Andreatta and Sarah Gracombe discuss conversion narratives; and Elliott Horowitz and Ellie Shainker analyze Eastern European converts' encounters with missionaries of different persuasions. Despite the differences between periods, contexts, and sources, two fundamental and mutually exclusive notions of human life thread the essays together: the conviction that one can choose one's destiny and the conviction that one cannot escapes one's past. The history of converts presented by Bastards and Believers speaks to the possibility, or impossibility, of changing one's life. Contributors: Michela Andreatta, Javier Castaño, Theodor Dunkelgrün, Netanel Fisher, Sarah Gracombe, Elliott Horowitz, Andrew S. Jacobs, Sara Japhet, Ephraim Kanarfogel, Pawel Maciejko, Anne Oravetz Albert, Ellie Shainker, Claude Stuczynski, Paola Tartakoff.

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Gli autori, basandosi sulla loro esperienza di ricerca, propongono in due volumi un testo di riferimento per acquisire una solida formazione specialistica nella logica.Nei due volumi vengono presentati in maniera innovativa e rigorosa temi di logica tradizionalmente affrontati nei corsi universitari di secondo livello.Questo primo volume è dedicato ai teoremi fondamentali sulla logica del primo ordine e alle loro principali conseguenze.Il testo è rivolto in particolare agli studenti dei corsi di laurea magistrale.

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The Mansion on Turtle Creek—the winner of James Beard, Forbes Five-Star, and AAA Five-Diamond Awards—is a luxury resort in Dallas that houses one of the finest restaurants in the country. This book allows visitors and home cooks everywhere to learn how to re-create its signature dishes, from accessible favorites such as tortilla soup and turtle pie to refined showstoppers like grilled gulf snapper with tomatillo-serrano vinaigrette and roasted rib eye with gorgonzola fritters.Royalty, rock stars, presidents, athletes, and visitors from all over the world have been lured to this 1920s-era Italianate villa by a confident and intelligent menu that has never been traditional in concept or execution. The restaurant gained renown in the 1980s when chef Dean Fearing took a regional cliché—Tex-Mex food—and transformed it into an appreciation of fresh, local ingredients. New Southwestern cuisine was born, and it went on to revolutionize American fine dining. This tradition of culinary excellence thrives today at the Mansion, with the current chef Bruno Davaillon whose past work earned a Michelin star. This book profiles how a regional cooking style has been refined to the highest art through a world-class resort restaurant.

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The most up-to-date research in the period from the Anglo-Saxons to Angevins. This volume of the Haskins Society Journal furthers the Society's commitment to historical and interdisciplinary research on the early and central Middle Ages, especially in the Anglo-Saxon, Anglo-Norman, and Angevin worldsbut also on the continent. The topics of the essays it contains range from the curious place of Francia in the historiography of medieval Europe to strategies of royal land distribution in tenth-century Anglo-Saxon England to the representation of men and masculinity in the works of Anglo-Norman historians. Essays on the place of polemical literature in Frutolf of Michelsberg's Chronicle, exploration of the relationship between chivalryand crusading in Baudry of Bourgeuil's History, and Cosmas of Prague's manipulation of historical memory in the service of ecclesiastical privilege and priority each extend the volume's engagement with medieval historiography, employing rich continental examples to do so. Investigations of comital personnel in Anjou and Henry II's management of royal forests and his foresters shed new light on the evolving nature of secular governance in the twelfth centuries and challenge and refine important aspects of our view of medieval rule in this period. The volume ends with a wide-ranging reflection on the continuing importance of the art object itself in medieval history and visual studies. Contributors: H.F. Doherty, Kathryn Dutton, Kirsten Fenton, Paul Fouracre, Herbert Kessler, Ryan Lavelle, Thomas J.H. McCarthy, Lisa Wolverton, Simon Yarrow.

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Contemporary biographies of Galilei emphasize, in several places, that he was a masterful draughtsman. In fact, Galilei studied at the art academy, which is where his friendship with Ludovico Cigoli developed, who later became the official court artist. The book focuses on this formative effect – it tracks Galilei’s trust in the epistemological strength of drawings. It also looks at Galilei’s activities in the world of art and his reflections on art theory, ending with an appreciation of his fame; after all, he was revered as a rebirth of Michelangelo. For the first time, this publication collects all aspects of the appreciation of Galilei as an artist, contemplating his art not only as another facet of his activities, but as an essential element of his research.

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When Michelangelo, a young autistic child, goes missing, Commissario Sergio Striggio is put in charge of the investigation. Searches turn up nothing, but there is an interesting connection with the mother's past: when she was a child, her twin brother also went missing, never to be found. However, Striggio is finding it difficult to concentrate on the case. He is waiting for his father, Pietro, to come and stay. The idea of the visit is torturing him. He fears having to reveal that he is gay - most of all he fears that his partner, Leo, will reveal his sexuality to his father. Pietro, however, has other matters on his mind: he has news of a devastating diagnosis to share with his son.And when his life with Leo unexpectedly collides with his investigation into Michelangelo's disappearance, it seems that in the complicated web of the small town of Bolzano, the truth behind the mystery cannot hide for long.Valse Triste is one of those rare novels in which the quality of the writing is matched by the pace of the narrative. Fois' language is precise and poetic, and the reader is kept guessing by twist after twist.Translated from the Italian by Richard DixonRichard Dixon is a former barrister, and a literary translator from Italian. His previous translations include works by Umberto Eco and Giacomo Leopardi, and poetry by Franco Buffoni and Eugenio De Signoribus.With the support of the Creative Europe Programme of the European Union

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John Caudwell is one of Britain's wealthiest, most successful - and most colourful - businessmen. He was just six years old when he made a promise to himself that he would make enough money to give huge sums of it away to help his family and others who were struggling with poverty. Born in a terraced house in Stoke-on-Trent, Caudwell went from bullied child to insecure trainee engineer at a local Michelin plant to self-made billionaire, befriending Sir Elton John, Eva Longoria, Hugh Grant and Robbie Williams, who have all taken part in his charity balls to raise money for Caudwell Children. It was at a car auction in 1987, the height of Mrs Thatcher's booming Britain,that he spotted the future. A mobile phone that came in an unwieldy suitcase. Within two decades Caudwell sold his Phones 4u business for GBP1.46 billion. Love, Pain & Money retraces the inspirational journey, from the very shaky beginnings of his phone empire to owning yachts, private planes, a fleet of top flight cars, a Jacobean mansion in the Midlands and London's most expensive home (featured in a Channel 4 documentary). It's a fascinating insight into the drive, ambition, focus and vision required to become a billionaire. It is also a very British story. Caudwell is a man who - despite his vast wealth - still knows the price of a pint of milk, buys his clothes from Marks & Spencer and despite having swapped the Michelin plant for Michelin-starred restaurants and hotels, can often be found in a roadside B&B, eating home-made sandwiches after one of his many cycling expeditions. And it is more than merely a rags to riches story. It is a tale of battling endless career misfortunes and overcoming a series of personal tragedies to rise to the top. Failure, disaster and horrendous private heartbreaks are all part of this tale of a troubled child who never won the approval of his father who died when John was a teenager. Love, Pain & Money - The Making of a Billionaire is a tale of our times, full of humour, grit, lessons in business and an understanding of what it takes to succeed against all odds. John Caudwell will be donating all his profits from the book to the Caudwell Children charity.

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The Teenage Mutant Ninja Turtles come to the big screen in a major summer 2023 theatrical event!Producer Seth Rogen and his partners at Point Grey Pictures take Leonardo, Michelangelo, Raphael, and Donatello back to their DNA in this animated boys-to-men origin story. Boys and girls ages 3 to 7 will thrill to this full-color activity book that includes over 50 stickers!

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A lively collection populated by historical icons, each poem a story about the potency of imagination, territories, border-crossings of the mind – among them: the madness of a king who wants to be a swan, Michelangelo chiselling a heart that beats into his David, Tsar Peter with his three pet dwarfs acting as generals in the army, Vera Zasulich who became the world’s first woman terrorist, Robinson Crusoe hunting for the footprints of Friday, Michael Jackson pretending he is Marcel Marceau as he woos Marlene Dietrich in Paris.

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The year 1910 marks an astonishing, and largely unrecognized, juncture in Western history. In this perceptive interdisciplinary analysis, Thomas Harrison addresses the extraordinary intellectual achievement of the time. Focusing on the cultural climate of Middle Europe and paying particular attention to the life and work of Carlo Michelstaedter, he deftly portrays the reciprocal implications of different discourses - philosophy, literature, sociology, music, and painting. His beautifully balanced and deeply informed study provides a new, wider, and more ambitious definition of expressionism and shows the significance of this movement in shaping the artistic and intellectual mood of the age. "1910" probes the recurrent themes and obsessions in the work of intellectuals as diverse as Egon Schiele, Georg Trakl, Vasily Kandinsky, Georg Lukacs, Georg Simmel, Dino Campana, and Arnold Schoenberg. Together with Michelstaedter, who committed suicide in 1910 at the age of 23, these thinkers shared the essential concerns of expressionism: a sense of irresolvable conflict in human existence, the philosophical status of death, and a quest for the nature of human subjectivity. Expressionism, Harrison argues provocatively, was a last, desperate attempt by the intelligentsia to defend some of the most venerable assumptions of European culture. This ideological desperation, he claims, was more than a spiritual prelude to World War I: it was an unheeded, prophetic critique.

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Master culinary skills and prepare for assessment with the book which professional chefs have relied on for over 50 years to match the qualification and support their training and careers.With 460 recipes covering both classic dishes and the latest methods used in real, Michelin-starred kitchens, this book is structured exactly around the units and requirements of the Level 2 Professional Cookery Diploma (VRQ) to make perfecting culinary techniques, meeting the qualification requirements and preparing for assessments easier than ever before.- Break down key techniques with 50 step-by-step photo sequences- Hone your presentation skills with photos of each recipe- Test your understanding with questions at the end of each unit- Prepare for assignments, written tests and synoptic assessments with the new assessment section- Access professional demonstration videos with links throughout the book

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Herbert von Einem (1905–1983) war ein bedeutender deutscher Kunsthistoriker im 20. Jahrhundert. Er legte zahlreiche stark rezipierte Bücher vor und knüpfte mit einer Michelangelo-Biographie an die Tradition der deutschen Italienforschung an. Im Kaiserreich geboren, verbrachte er Jugend und Studium in der Weimarer Republik, seine ersten Schritte der Universitätskarriere im Dritten Reich und wurde in der Nachkriegszeit zur zentralen Integrationsfigur des Faches zwischen Emigranten und deutschen Kollegen. Als Wissenschaftler angesehen, spiegelt seine Karriere nicht nur Fachgeschichte, sondern auch ein Gelehrtenleben in den Widersprüchen politischer Umstände. Die aus seinem Nachlass herausgegebenen Erinnerungen sind ein Dokument der Fachgeschichte und schildern den beruflichen Werdegang sowie persönliche Reflexionen.

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A sourcebook, reader and document of the MoMA PS1 exhibition gathering an intergenerational and international group of 47 artists and collectives with deep ties to New York Through images, artist writings, roundtable conversations and oral histories highlighting key artists from the fifth edition of Greater New York at MoMA PS1, this book expands core themes in the exhibition, such as the interrelation of the surrealistic and the documentary; New York as site of Indigenous and diasporic cultural production; and the everyday challenges of living as an artist in a rapidly changing city. Central to the book is a wide selection of primary source materials: writings, poetry, notes, sketches and scripts by exhibition artists—offering, in their own words, a window into their interdisciplinary processes and approaches. Artists include: Yuji Agematsu, Nadia Ayari, BlackMass Publishing, Diane Burns, Kristi Cavataro, Curtis Cuffie, Hadi Fallahpisheh, Rotimi Fani-Kayode, Raque Ford, Luis Frangella, Dolores Furtado, Julio Galán, Doreen Garner, Emilie Louise Gossiaux, Robin Graubard, Milford Graves, Bettina Grossman, Avijit Halder, Bill Hayden, Steffani Jemison, G. Peter Jemison, E’wao Kagoshima, Marie Karlberg, Matthew Langan-Peck, Las Nietas de Nonó, Athena LaTocha, Carolyn Lazard, Sean-Kierre Lyons, Hiram Maristany, Servane Mary, Rosemary Mayer, Alan Michelson, Ahmed Morsi, Nicolas Moufarrege, Marilyn Nance, Tammy Nguyen, Shelley Niro, Kayode Ojo, Paulina Peavy, Freya Powell, Raha Raissnia, Andy Robert, Diane Severin Nguyen, Shanzhai Lyric, Regina Vater, Stanley Wolukau-Wanambwa and Lachell Workman.

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Raphael (1483–1520) is considered the most important artist of the Italian High Renaissance alongside Michelangelo and Leonardo. In his short lifetime he created around one hundred paintings and numerous frescoes, including nine fresco cycles, on an unsurpassed variety of themes – from sensual female beauties, antique myths and portraits of wealthy Romans and church dignitaries to history cycles and biblical scenes. He produced altarpieces, as well as designing tapestries for the Sistine Chapel and directing the construction of St Peter’s Basilica. His Sistine Madonna is one of the most frequently reproduced religious paintings of all time. Raphael was a tireless learner, for whom there could be no standing still, no repetition of tried and tested solutions, but only the constant forward thrust of an inexhaustible imagination. He transformed his central theme, the visionary experience of divine grace, into visible pictorial reality. It was his mature work in Rome, and above all the frescoes in the Vatican Palace, that secured him his place in art history. Admired even during his own lifetime as the most modern artist of his day, Raphael’s mastery would pave the way for Mannerism and the Baroque era. This XXL edition is the most comprehensive work published on Raphael. The volume encompasses in total 112 paintings and all the frescoes, architectural projects and tapestries in many new photographs and numerous details, as well as the most extensive catalogue raisonné of the artist’s oeuvre. A team of Raphael experts introduces the reader also to the fascinating interplay of art and power in the High Renaissance.

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The Beverley Gem Collection at Alnwick Castle is one of the most distinguished in Great Britain still in private hands. Alnwick Castle, ancestral seat of the Earls of Northumberland - and the House of Percy - was built as a border fortress against the Scots in the twelfth century, if not earlier. Substantially enlarged in the fourteenth and fifteenth centuries, and remaining in Percy family hands to this day, it stands now as a prime example of robust stone defensive architecture. Much visited and admired for its impressive exterior, this dramatic stronghold and stately home is the setting for this collection. The Beverley Collection reflects the longstanding interest of the English nobility in both accumulating and commissioning gemstones. The Collection was begun by the First Duchess of Northumberland in the early eighteenth century; but the greater part of it was made later in the century by Algernon Percy, First Earl of Beverley, during a tour of Europe while in the company of his mentor, Louis Dutens. Their success in France and Italy was such that it incited the jealousy of the Empress Catherine of Russia, herself a passionate collector. The range of objects - cameos, intaglios and finger rings of the highest quality - is considerable: Greek, Roman and Etruscan, as well as a notable assemblage of neoclassical signed gems by British artists. One jewel clearly provided inspiration for Michelangelo's painting of Adam on the Sistine Chapel ceiling. The Collection has been little known, except by connoisseurs, but this volume brings to the attention of a broader audience many of the finest products of one of the oldest arts of the western world.

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The first comprehensive account in English of Renaissance Spain’s preeminent sculptor Alonso Berruguete (c. 1488–1561) revolutionized the arts of Renaissance Spain with a dramatic style of sculpture that reflected the decade or more he had spent in Italy while young. Trained as a painter, he traveled to Italy around 1506, where he interacted with Michelangelo and other leading artists. In 1518, he returned to Spain and was appointed court painter to the new king, Charles I. Eventually, he made his way to Valladolid, where he shifted his focus to sculpture, opening a large workshop that produced breathtaking multistory altarpieces (retablos) decorated with sculptures in painted wood. This handsomely illustrated catalogue is the first in English to treat Berruguete’s art and career comprehensively. It follows his career from his beginnings in Castile to his final years in Toledo, where he produced his last great work, the marble tomb of Cardinal Juan de Tavera. Enriching the chronological narrative are discussions of important aspects of Berruguete’s life and practice: his complicated relationship with social status and wealth; his activity as a draftsman and use of prints; how he worked with his many assistants to create his wood sculptures; and his legacy as an artist.Published in association with the National Gallery of Art, WashingtonExhibition Schedule:National Gallery of Art, Washington (October 13, 2019–February 17, 2020)Meadows Museum, SMU, Dallas (March 29–July 26, 2020)

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101 profiles of social justice leaders that changed the world, made accessible for younger students.

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