Search results for ""author victoria"

An authoritative and comprehensive account of an important area centred upon Great Driffield. Great Driffield, a thriving market town serving an extensive agricultural hinterland, stands at the junction of the Yorkshire Wolds and Holderness. The centre of an important Anglo-Saxon manor, in royal hands in the early middle ages, the main settlement was transformed from a large village into a boom town following the opening of a canal in 1770 that linked it to the expanding markets of Hull and the West Riding; its social, religious and political lifeflourished in the Victorian period particularly. This volume covers its history and that of its adjoining rural townships of Little Driffield, Elmswell and Kelleythorpe, from the Neolithic period to the beginning of the twenty-first century; it provides the first detailed account of the town's trades and industries, as well as exploring landownership, local government, and social, religious and political life. The editors are former staff of the University of Hull.

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Starting in the 1850s achievement tests became standardized in the British Isles, and were administered on an industrial scale. By the end of the century more than two million people had written mass exams, particularly in science, technology, and mathematics. Some candidates responded to this standardization by cramming or cheating; others embraced the hope that such tests rewarded not only knowledge but also merit. Written with humour, Making a Grade looks at how standardized testing practices quietly appeared, and then spread worldwide. This book situates mass exams, marks, and credentials in an emerging paper-based meritocracy, arguing that such exams often first appeared as "cameras" to neutrally record achievement, and then became "engines" to change education as people tailored their behaviour to fit these tests. Taking the perspectives of both examiners and examinees, Making a Grade claims that our own culture’s desire for accountability through objective testing has a long history.

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Originally published in 1987. The Origins of Agnosticism provides a reinterpretation of agnosticism and its relationship to science. Professor Lightman examines the epistemological basis of agnostics' learned ignorance, studying their core claim that "God is unknowable." To address this question, he reconstructs the theory of knowledge posited by Thomas Henry Huxley and his network of agnostics. In doing so, Lightman argues that agnosticism was constructed on an epistemological foundation laid by Christian thought. In addition to undermining the continuity in the intellectual history of religious thought, Lightman exposes the religious origins of agnosticism.

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Discover Britain's magnificent heritage of country houses in this lavishly illustrated guide to the architectural treasures of the United Kingdom. Spanning the years from 1714 to the start of the 21st century, this book includes the period's finest examples of architecture, such as Blenheim Palace, Arundel Castle and Clarence House. An in-depth guide to the history of every house features information on its design, construction and the stories of its best-known inhabitants, as well as profiles of celebrated architects. Timelines and maps trace the development of Britain's architectural legacy, while a glossary introduces key terms and an A-Z listing make it easy to find every property listed. This complete reference book will delight and inform in equal measure.

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London, 1900. Hester Stanmore watches in disbelief as the jury declares her attacker 'not guilty', and the courtroom erupts into chaos. The man in the dock is being congratulated as if he were a hero, but she has seen he madness in his eyes when he had attacked her and left her for dead. It was only Hester's strength that allowed her to survive. Hester was determined to bring him to justice, but what would happen now? As she endeavours to pick up the pieces of her life, Hester meets the mysterious Daniel Hansen, and perhaps she will find the happy ending she justly deserves .

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First of two volumes covers general history and topography. This is the first of two volumes providing an authoritative and detailed treatment of Chester's history, meticulously researched from the original sources. It provides an account of the city from its Roman foundation to the year 2000, arranged by chronological chapters and covering economic, social, political, administrative, military, religious, and cultural history. Special attention is given to topographical development. Six chronological chapters coverthe history of Chester by period: Roman, Early Medieval (400-1230), Later Medieval (1230-1550), Early Modern (1550-1762), Late Georgian and Victorian (1762-1914), and Twentieth-Century (1914-2000). The topographies of Roman and 20th-century Chester form integral parts of the first and last chapters. A separate chapter deals with Topography 900-1914. The illustrations, many of which have rarely been seen before, are arranged as a pictorial essay.CheshireV.ii: Chester covers individual buildings, institutions, and aspects of Chester's history. There is a full index to the whole volume, including subjects. V.i. contains an index only of persons, places, and buildings mentioned in this part.

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Authoritative account of Cricklade and neighbouring towns, in an area immediately west of Swindon. Cricklade, the Anglo-Saxon borough fortified by Alfred against the Danes, is the market town at the heart of this volume. As a notorious rotten borough, its corruption influenced the passing of the 1832 Parliamentary Reform Act. The town and the surrounding parishes described here are bordered by Gloucestershire to the north and Swindon to the East. They extend along the upper Thames valley and over the Wiltshire claylands to the limestone ridge in the south. The royal forest of Braydon covered much of the area in the middle ages and provided extensive grazing for livestock. Although disafforestation took place under Charles I, agricultural exploitation was limited by poor soils and parts were later returned to woodland or nature reserve. The settlements of traditional limestone buildings were remote until canal and rail transport increased trade in dairy products and the expansion of employment opportunities in Swindon resulted in their residential development, and an annexation of a small part of the area by the growing town.

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The history of Calne, a market and industrial town in north Wiltshire, and the places around it. Calne, a small town in north Wiltshire, stood on a large royal estate, and the witan met there - St Dunstan survived the partial collapse of a building at one meeting. It sent members to parliament from the thirteenth century, andit became a pocket borough in the eighteenth. The town stands on what until 1971 was the main London to Bristol road; markets and fairs were held, and inns flourished. It was also industrial: water-powered mills were used for fulling, and from the sixteenth century to the 1840s it was a centre for cloth making. The topography of the town, its growth, government and cultural life are fully explored, and churches, chapels and schools discussed. In Calne's hinterland most settlement was in small villages with open fields and commonable pastures. Bowood park was inclosed from the forest c.1618 and Bowood House was built in the park c.1727. The house, the changes to it by Robert Adam and others, and the redesigning of its park by 'Capability' Brown are fully described. In the nineteenth century many estate cottages were built. For the places around Calne the history of the settlement and churches in each village, the manorial descents, and the evolution of farming and farms are all traced, and there are architectural descriptions of the churches.D.A.CROWLEY is County Editor, Victorial History of Wiltshire.

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Comprehensive survey of the history of Shrewsbury. This volume examines the county town of Shrewsbury, which boasts a largely unaltered medieval street plan, and over 600 listed buildings, including some of the finest timber-framed buildings in England, Ditheringon flax mill (thefirst iron-framed building in the world), a Norman castle, Shrewsbury abbey and the remains of the medieval town walls. It recounts the history of the town from the early medieval period until the twenty-first century in a seriesof chapters written by experts. They include the archaeologist Dr Nigel Baker and Professor Richard Holt on Shrewsbury before 1200; Alan Thacker, Robert and the late Dorothy Cromarty on the town between 1200 and 1350, when Shrewsbury was of national importance; W.A. Champion on developments between 1350 and 1780 when the town within the walls achieved its current physical shape and character; and Barrie Trinder on modern Shrewsbury, its industrial development and suburban spread. There are also sections on individual religious congregations and their buildings, institutions and their continuity, and topics particular to Shrewsbury such as the common lands, its county institutions,the town walls and castle, and the liberties and municipal boundaries. This is the first of two volumes devoted to Shrewsbury, presenting a survey of its history; the second volume will focus on individual topics and themesin detail.

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The story of European ornament from 1450, from its origins to its relevance in the consumer culture. Ornament has been central to Western culture for thousands of years, and surrounds us every day, whether on buildings, clothes and accessories, cars or corporate products.

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The Littlehampton volume focuses on 12 parishes with particular emphasis on seaside development from the 18th century onwards. Covers the parishes of Angmering, Burpham, Ferring, Goring, Kingston, Littlehampton, Lyminster, Poling, East Preston, Rustington, North Stoke and Warningcamp, assessing their history from the earliest times to the present day. There is a particular emphasis on seaside coastal development from the eighteenth century onwards.

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This book makes use of a privately held archive of the old periodical Illustrated Police News to describe strange, macabre and uncanny episodes from the Victorian era. Dog-Faced Men are exhibited on stage, the doctors congregate around the bed of the Sleeping Frenchman of Soho, Miss Vint demonstrates her Reincarnated Cats, and scantily dressed Female Somnambulists tumble from the roofs. From the spectral world, we have the Haunted Murder House near Chard, the Ghost of Berkeley Square, the Jumping Spectre of Peckham and the Fighting Ghost of Tondu. The White Gorilla takes a swig from its tankard of beer, eagles come swooping from the sky to carry off little children, heroic Newfoundland dogs plunge into the waves to rescue drowning mariners, and the Rat-Killing Monkey of Manchester goes on a rampage in the rat-pit, swinging a hammer. How is it that Britain’s most straitened and sober era produced these most fantastical myths and case studies? For all of its infamous restraint and repression, a seething underworld of urban legend and vice, accompanied by the shadow of unconscious nightmare, stalked Victorian life. Each one of these tales is a window into an era that encapsulated public probity and private hysteria in the strangest of ways. After reading this book, your views on Victorian culture will change forever.

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The book comprises the history of a major part of the Essex coastline in Tendring Hundred before the development of seaside resorts from the mid 19th century onwards (the resorts were covered in VCH Essex Volume XI, to which this is the second part of a companion volume). It includes analyses of how the economy of the coastal communities from agriculture through fishing to smuggling was moulded by proximity to the sea. It includes a major exploration of the history of the Soken, a significant area of special legal jurisdiction (a liberty or soke) and of administrative and social organization. The Soken was owned in the Middle Ages by the Dean and Chapter of St Paul's Cathedral, London, and later passed to lay owners, notably the Catholic-leaning Darcy family of St Osyth priory, the Savage family, and the Earls of Rochford (Nassau de Zuylestein) and their descendants. Additionally, it includes the first full modern accounts of the large parishes of Kirby-le-Soken, Thorpe-le-Soken and Walton-le-Soken (later the site of the seaside resort of Walton on the Naze). Before the Norman Conquest these had once formed a large 'multiple' estate owned by St Paul's Cathedral, and only gradually developed into separate parishes and manors over the course of the Middle Ages. All had coastlines to Hamford Water or the North Sea, and contain many important marshland nature reserves and SSSI. The London Clay cliffs on the open coast at Walton, especially the large promontory known as the Naze with its cap of Red Crag, form a unique coastal landscape of international geological and biological importance. It served as an important coastal landmark for sailors and a Trinity House navigation tower built in 1720 still stands.

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An important contribution to the social, cultural and economic history of seaside resorts and their hinterland in Essex. The nine Essex parishes lying in a coastal district between St Osyth and the Naze headland at Walton encompass a number of distinct landscapes, from sandy cliffs to saltmarshes, recognised as environmentally significant. The landscape has constantly changed in response to changing sea levels, flooding, draining and investment in sea defences. Inland, there was an agriculturally fertile plateau based on London Clay, but with large areas of Kesgrave sands and gravels, loams and brickearths. Parts were once heavily wooded, especially at St Osyth. The district was strongly influenced by the pattern of estate ownership, largely held by St Paul's Cathedral from the mid-10th century.About 1118-19 a bishop of London founded a house of Augustinian canons at St Osyth, which became one of the wealthiest abbeys in Essex. Most other manors and their demesnes in the district were small and their demesne tenants were of little more than local significance. After the Reformation all of the former church lands in the district were granted to the royal servant Thomas Darcy, 1st baron Darcy of Chiche (d. 1558). Darcy built a great mansion, St Osyth Priory, on the site of the former abbey, which became the centre of his new estate. The area's economy was strongly affected by the coast and its many valuable natural resources, including the extraction or manufacture ofsand, gravel, septaria, copperas and salt, and activities such as fishing, tide milling, wrecking and smuggling. However, it remained a largely rural district and its wealth ultimately depended upon the state of farming. Until the eighteenth century it specialised in dairying from both sheep and cattle, but afterwards production shifted towards grain. The coastal area has produced significant evidence of early man and was heavily exploited and settled in prehistory. The medieval settlement pattern largely conformed to a typical Essex model, with a complex pattern of small villages, hamlets and dispersed farms, many located around greens or commons. The largest settlement wasthe nucleated village or small town at St Osyth, located outside the abbey gates, which had a formal market and wool fair in the Middle Ages.In the 19th and 20th centuries the coast witnessed the development of seaside resorts atWalton, Clacton and Frinton. Some overspill affected the surrounding more rural parishes, and from the 1920s new types of resort developed in the form of seaside camps, chalets and caravan parks.

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An authoritative and comprehensive account of an important area centred around the town of Howden. This is the first part to be published of a two-part volume on the East Riding liberty and wapentake of Howdenshire. It deals with the nineteen civil parishes and townships which made up the liberty outside the town of Howden itself. Until 1836 Howdenshire was one of the bishop of Durham's exempt franchises in Yorkshire, enclaves which survived the Reformation and Civil War. Its special nature, which is mostly ancient wetland reclaimed in the twelfth century, is explored via in-depth sections on drainage and river defence, with a reconstruction of the unique medieval and early modern scheme developed to contain the River Ouse and empty the drainage dykes.

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Authoritative account of the history of villages in the western parts of Oxfordshire, including Kelmscott, famous for its pre-Raphaelite associations. Located on Oxfordshire's western fringe between the rivers Leach and Thames, the nine rural settlements covered in this volume are typical Cotswold villages, with their limestone-built farmhouses, their former open fields, and their extensive former sheep pastures. All belonged to a sizeable late Anglo-Saxon estate whose break-up gave rise to the later parish structure: Langford church, with its celebrated late eleventh-century tower, may have begun as a small minster. Excavations at Radcot have revealed much about the settlement's early character, including the discovery of a twelfth-century castle. The area as a whole is predominantly agricultural, though milling, malting and quarrying have all been significant. Woodland at Bradwell Grove was important from the middle ages. In later years the villages developed in diverse ways, displaying contrasting closed and open characteristics. The most famous village is arguably Kelmscott, where the designer William Morris rented Kelmscott Manor as a summer home from 1871; but Filkins was home to the Labour politician Sir Stafford Cripps, who worked with local craftsmen to build severalCotswold-style houses and community buildings there. Gentry houses include the nineteenth-century Gothic mansion at Bradwell Grove, which became the centre of a substantial estate and later of the Cotswold Wildlife Park.

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Like so much of Middlesex, Chelsea was swallowed up by Greater London. Here its history restores its lost identity. Chelsea was a desirable riverside residence for wealthy merchants, lawyers, and courtiers from the fifteenth century, and a pleasure resort for all ranks of society from the eighteenth; it is now one of the most expensive and desirable places to live in London. This new volume relates all this and more, including a re-examination of the location of Sir Thomas More's house, a reassessment of Henry VIII's relationship with the manor house, the history of a major estate not previously identified, and a survey of the farm-gardening which gave prosperity to some local inhabitants. Facets of Chelsea's more recent history covered include the rebuilding of eastern Chelsea, which removed alarge lower middle- and working-class population and replaced their accommodation with houses for the well-off; the artistic community which grew up in the late nineteenth century from which Chelsea derived its bohemian reputation; and the cultural and commercial changes of the Swinging Sixties.

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An exciting factual romp through sexual desire, practises and deviance in the Victorian era. The Victorian Guide to Sex will reveal advice and ideas on sexuality from the Victorian period. Drawing on both satirical and real life events from the period, it explores every facet of sexuality that the Victorians encountered. Reproducing original advertisements and letters, with extracts taken from memoirs, legal cases, newspaper advice columns, and collections held in the Museum of London and the British Museum, this book lifts the veil from historical sexual attitudes.

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Authoritative and comprehensive history of the town of Tamworth and its environs. In the centre of a parish with several townships, Tamworth was important for the rulers of pre-Viking Mercia and became a burh in 913 under Æthelflæd, "lady of the Mercians", who may also have installed relics of St Edith in the church there. Although a castle was built after the Norman Conquest, its lords did not control the town, which became a corporation under Elizabeth I and is now the head of a district council. Throughout its history Tamworth has functioned as a market centre, with some cloth-working and paper-making, although cotton mills, opened by Robert Peel (the later Prime Minster's father), just outside the town in the 1790s were soon moved to a canal junction to the south in Fazeley, where tape-making survived (as also in the town) until the late twentieth century. Deposits of coal and clay exploited from the nineteenth century resulted in mining villages at Glascote and Wilnecote inthe eastern half of the parish, which lay in Warwickshire, as did half the town until transferred to Staffordshire in 1890. The Warwickshire part of the parish was added in 1965 in connection with the decision to take in a Birmingham overspill population, which together with private developments created vast housing estates, the population of "greater Tamworth" more than doubling by the early 21st century. The volume also includes the adjoining parish of Drayton Bassett, which had close links with the town and where Peel built a mansion house, demolished in the earlier twentieth century: its site is now part of a major amusement park.

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Reform Acts offers a new approach to prominent questions raised in recent studies of the novel. By examining social agency from a historical rather than theoretical perspective, Chris R. Vanden Bossche investigates how particular assumptions involving agency came into being. Through readings of both canonical and noncanonical Victorian literature, he demonstrates that the Victorian tension between reform and revolution framed conceptions of agency in ways that persist in our own time. Vanden Bossche argues that Victorian novels sought to imagine new forms of social agency evolving from Chartism, the dominant working-class movement of the time. Novelists envisioned alternative forms of social agency by employing contemporary discourses from Chartism's focus on suffrage as well as the means through which it sought to obtain it, such as moral versus physical force, land reform, and the cooperative movement. Each of the three parts of Reform Acts begins with a chapter that analyzes contemporary conversations and debates about social agency in the press and in political debate. Succeeding chapters examine how novels envision ways of effecting social change, for example, class alliance in Barnaby Rudge; landed estates as well as finely graded hierarchy and politicians in Coningsby and Sybil; and reforming trade unionism in Mary Barton and North and South. By including novels written from a range of political perspectives, Vanden Bossche discovers patterns in Victorian thinking that are easily recognized in today's assumptions about social hierarchy.

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The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of “the people.” In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm, and late-Victorian controversies over philanthropy and moral reform, scholar Barry Faulk argues that discourse on music-hall entertainment helped consolidate the identity and tastes of an emergent professional class. Critics and writers legitimized and cleaned up the music hall, at the same time allowing issues of class, respect, and empowerment to be negotiated. Music Hall and Modernity offers a complex view of the new middle-class, middlebrow mass culture of late-Victorian London and contributes to a body of scholarship on nineteenth-century urbanism. The book will also interest scholars concerned with the emergence of a professional managerial class and the genealogy of cultural studies.

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Winner of the James Tait Black Memorial Prize, this is the biography of celebrated nineteenth-century artist Edward Burne-Jones, who - with William Morris - connects Victorian and modern art.'A triumph of biographical art.' Independent'Magnificent.' Guardian 'Rarely are biographies both as authoritative and engaging as this.' Literary Review The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones's work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became an iconic 'Burne-Jones look'. Widely recognised as the bridge between Victorian and modern art, he influenced not just his immediate circle but European artists such as Klimt and Picasso.In this gripping book, award-winning biographer Fiona MacCarthy dramatically re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his work but ruin his marriage, his ill health and depressive sensibility, and the devastating rift with his great friend and collaborator, William Morris, when their views on art and politics diverged. Blending new research with a fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary story of Burne-Jones: a radical artist, landmark of Victorian society - and peculiarly captivating man.

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Narratives of the modern history of Palestine/Israel often begin with the collapse of the Ottoman Empire and Britain’s arrival in 1917. However, this work argues that the contest over Palestine has its roots deep in the 19th century, with Victorians who first cast the Holy Land as an area to be possessed by empire, then began to devise schemes for its settler colonization. The product of historical research among almost forgotten guidebooks, archives and newspaper clippings, this book presents a previously unwritten chapter of Britain’s colonial desire, and reveals how indigenous Palestinians began to react against, or accommodate themselves to, the West’s fascination with their ancestral land. From the travellers who tried to overturn Jerusalem’s holiest sites, to an uprising sparked by a church bell and a missionary’s tragic actions, to one Palestinian’s eventful visit to the heart of the British Empire, Palestine in the Victorian Age reveals how the events of the nineteenth century have cast a long shadow over the politics of Palestine/Israel ever since.

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The name Mrs Beeton has endured for well over a century, synonymous with all things reassuringly culinary, while her contemporary Agnes Bertha Marshall remains somewhat of an enigma. Both Isabella Beeton and Agnes Bertha Marshall lived within a short distance of each other in Pinner, worked in London, wrote about, and shared a passion for food, all just a couple of decades apart. While Isabella Beeton compiled one successful book of collected recipes, Agnes built a cookery empire, including a training school, the development of innovative kitchen equipment, a range of cooking ingredients, an employment agency and a successful weekly journal, as well as writing three incredibly popular recipe books. Mrs Beeton and Mrs Marshall: A Tale Of Two Victorian Cooks intrudes on the private lives of both these women, whose careers eclipsed two very different halves of the Victorian era. While there are similarities between the two, their narratives explore class and background, highlight the social and economic contrasts of the nineteenth century, the ascension of the cookery industry in general and the burgeoning power of suffragism.

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Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.

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Stories are the backbone of ethnographic research. During fieldwork, subjects describe their lives through stories. Afterward ethnographers come home from their journeys with stories of their own about their experiences in the field. Storytime in India is an exploration of the stories that come out of ethnographic fieldwork. Helen Priscilla Myers and Umesh Chandra Pandey examine the ways in which their research collecting Bhojpuri wedding songs became interwoven with the stories of their lives, their work together, and their shared experience reading The Eustace Diamonds by Anthony Trollope. Moving through these intertwined stories, the reader learns about the complete Bhojpuri wedding tradition through songs sung by Gangajali and access to the original song recordings and their translations. In the interludes, Pandey reads and interprets The Eustace Diamonds, confronting the reader with the ever-present influence of colonialism, both in India and in ethnographic fieldwork. Interwoven throughout are stories of the everyday, highlighting the ups and downs of the ethnographic experience.Storytime in India combines the style of the Victorian novel with the structure of traditional Indian village tales, in which stories are told within stories. This book questions how we can and should present ethnography as well as what we really learn in the field. As Myers and Pandey ultimately conclude, writers of scholarly books are storytellers themselves and scholarly books are a form of art, just like the traditions they study.

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This ambitious study traces the strategies of human rights activists to show how world-changing reform movements were shaped by women and men from modest backgrounds who were deeply attuned to the power of performance. Tracy C. Davis explores nineteenth-century reform campaigns through the pioneering work of a family of activists – prominent anti-slavery lecturer George Thompson, his daughter Amelia (the first female theatre and music critic for a British daily newspaper) and her husband, the political organizer Frederick Chesson. Engaging in some of the most important social struggles of the late Georgian and Victorian periods – including abolition, enfranchisement, and anti-genocide - this book reveals how two generations' insights into performance consolidated into activist tactics that persist today. Characterised by a skilful deployment of performance theory alongside deep and wide-ranging historical knowledge, this ground-breaking work demonstrates what 'dramaturgy' can teach us about 'history'.

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Victorian Women's Travel Writing on Meiji Japan: Hospitable Friendship examines forgotten stories of cross-cultural friendship and intimacy between Victorian female travel writers and Meiji Japanese. Drawing on unpublished primary sources and contemporary Japanese literature hithero untranslated into English it highlights the open subjectivity and addective relationality of Isabella Bird, Mary Crawford Fraser, and Marie Stopes in their interactions with Japanese hosts. Victorian Women's Travel Writing on Meiji Japan demonstates how travel narratives and literary works about non-colonial Japan complicate and challenge Oriental stereotypes and imperial binaries. It traces the shifts in the representation of Japan in Victorian discourse from obsequious mousmé to virile samurai alongside transitions in the Anglo-Japanese bilateral relationship and global geopolitical events. Considering the ethical and political implications of how Victorian women wrote about their Japanese friends, it examines how female travellers created counter discourses. It charts the unexplored terrain of female interracial and cross-cultural friendship and love in Victorian literature, emphasizing the agency of female travellers against the scholarly tendency to depoliticize their literary praxis. It also offers parallel narratives of three Meiji women in Britain - Tsuda Umeko, Yasui Tetsu, and Yosano Akiko -and transnational feminist alliance. The book is a celebration of the political possibility of female friendship and literature, and a reminder of the ethical responsibility of representing racial and cultural others.

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The wickedly funny feminist historian who brought you Unmentionable: A Victorian Lady's Guide to Sex, Marriage, and Manners is back, to educate you on what to expect when you're expecting . . . a Victorian baby.Twenty-first century parents are drowning in theories and advice and guilt, with maybe one in a hundred managing some façade of success. What can we learn from our foremothers? Is it possible that the rather draconian methods of Victorian childrearing worked? Better than the ones we bend our backs to today?Ungovernable will address parents' concerns about raising a model Victorian child, advising you on:- How much lager to consume while pregnant- How to select the best peasant teat for your child- How to choose an appropriately homely governess- Which toys are most likely to turn your child into a sexual deviant- And moreConsulting actual advice manuals from the 19th century, Oneill takes us on a shocking and hilarious tour through the backwards, pseudoscientific, downright bizarre childrearing fashions of the Victorians, giving us some much-needed perspective on contemporary parenting fads.

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'A master-class in bringing history to life, in all its creepy, twisted glory' - Karen Kilgariff, co-host of My Favorite Murder podcast'Every true crime fan will be riveted by Kate's master story-telling of this unforgettable tale' - Paul Holes, author of Unmasked: Crime Scenes, Cold Cases and My Hunt for the Golden State Killer The thrilling story of Edward Rulloff - a serial murderer who was called 'too intelligent to be killed' - and the array of 19th-century investigators who were convinced his brain held the key to finally understanding the criminal mind. Rulloff was a brilliant yet utterly amoral murderer - some have called him a 'Victorian-era Hannibal Lecter' - whose crimes spanned decades, but by 1871 he was captured, chained in a cell - a psychopath holding court while curious 19th-century 'mindhunters' got to work.From alienists (early psychiatrists who tried to analyse the source of his madness) to neurologists (who wanted to dissect his brain) to phrenologists (who analysed the bumps on his head to determine his character), each one thought he held the key to understanding the essential question: is evil born or made? Expanding on her hit podcast, Tenfold More Wicked, acclaimed crime historian Kate Winkler Dawson draws on hundreds of source materials and never-before-shared historical documents to present one of the first glimpses into the mind of a serial killer - a century before the term was coined - through the scientists whose work would come to influence criminal justice for decades to come.

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Bradshaw’s Guide of 1863 was the staple book on what’s what and where’s where for the mid-Victorians and it gives the modern reader a unique insight into the world of the nineteenth-century railway travellers. The guide introduced the notion of seaside holidays to the general public and thanks to the railways it became possible for a town or city dweller to catch a train for a day-trip to the coast and still be home in time for supper. ‘Oh! I do like to be beside the seaside, I do like to be beside the sea! I do like to stroll upon the Prom, Prom, Prom! Where the brass bands play: Tiddely-om-pom-pom!’ Using Bradshaw’s Guide illustrated with contemporary images and seaside postcards, John Christopher and Campbell McCutcheon take us on a tour of Britain’s Victorian resorts.

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Authoritative and detailed account of the history of important Somerset parishes, from prehistory to the present day. This volume, the twelfth in the Somerset series, describes the history of the eastern part of Carhampton Hundred. Bounded by the Bristol Channel and Exmoor with steep hills forming a backdrop to a coastal plain, the area is now dominated by the seaside town of Minehead whose port overtook its neighbour, Dunster, from the early 15th century. The picturesque village of Dunster is one of the county's most enduring tourist attractions, with its castle formerly home to the Mohuns and their successors the Luttrells, the area's dominant landowners. Earlier, the royal estate of Carhampton dominated the whole area and in the Iron Age, the uplands were controlled by a grouping of defensive enclosures. Minehead thrived on trade with Wales, Ireland, Europe and the West Indies and -from the 19th century - tourists, brought to the area first by steamer and from 1871 by the railway. In the early 21st century Minehead, the genteel seaside resort enlarged in 1962 following the construction of its holiday camp, serves as the commercial hub of the area. Carhampton includes the small resort of Blue Anchor and on the higher ground to the south, the parishes of Timberscombe, and most of Rodhuish and Withycombe lie within the boundaries of Exmoor National Park.

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An important contribution to the social, cultural and economic history of seaside resorts. From the 1820s the Essex seaside towns of Walton, and later Clacton and Frinton, were promoted as high-class residential and holiday resorts. After a slow start, hampered by poor communications and low demand, growth was stimulated by steam-ship companies which landed visitors on newly built piers in Walton and Clacton and by the railways that reached Walton in 1867, Clacton in 1882 and Frinton in 1888. The contemporary emphasis upon the health advantagesof the seaside also led to the establishment of many convalescent homes. However, working-class excursionists newly attracted to Clacton, and to a lesser extent Walton, then irrevocably changed the social tone of the resorts. By the 1920s and 1930s Clacton was a commercialized holiday destination and the funfair-style facilities of its pier rivalled those of any other resort. Nearby Jaywick was established as a cheap and cheerful chalet development. While Walton remained popular with families, Frinton continued as a "select" resort, with building development and commerce strictly controlled. The town remains famous for its wide unspoilt greensward facing the sea and its resistance to any threats to its exclusive character. Camping, caravanning and holiday camps replaced the traditional seaside holiday after 1945, but from the later 1960s the increase in overseas holidays led to a steep decline ofthe seaside resorts. The economy has, however, since diversified with large dormitory-style housing developments, light industry and new shopping centres, and the coast becoming increasingly popular for retirement homes. Thisvolume presents an authoritative account of the growth and development of these towns on the so-called "Sunshine Coast".

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A fascinating account of the life of one of the most famous women of the Victorian era. For more than a decade in the second half of the nineteenth century Georgina Weldon (1837-1914) was one of the most famous women in England. Weldon was an exceptional self-publicist, intelligent and utterly convinced that she was always in the right. A semi-professional singer, she came to prominence as a friend of the composer Charles Gounod. Her husband's unsuccessful attempt to have her carried off to a lunatic asylum caused a public scandal, and her subsequent efforts to drag her enemies through the law courts were widely reported. Weldon's resistance to being certified insane and her unceasing legal claims for defamation and/or loss of earnings contributed to changes in laws relating to private asylums and vexatious litigation. Weldon sang in drawing rooms and concert halls, and on the music hall stage. She lectured on women's rights and law reform. The most notorious female plaintiff, and probably the first married women to represent herself in court, she advised many of her fellow litigants at a time when women were not permitted to practise law professionally. Her campaigns brought her notoriety and two gaol sentences. Joanna Martin expertly retells the story of that notorious Victorian eccentric who suffered many bouts of delusion and was an ardent supporter of spiritualism. Martin's account manages to negotiate a biography situated between crazed behaviour and the pursuit of admirable causes. Weldon's story offers a wide canvas introducing phenomena such as celebrity culture and major and marginal characters of Dickensian quality. This biography of Weldon, based on primary sources including Weldon's own diaries and letters, therefore touches upon a wide variety of issues; Victorian society, nineteenth-century's women's history, the context of a social and cultural history of madness and marriage (law), and nineteenth-century British musical culture.

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Without a consideration of periodical poetry, Victorian poetry studies is quite simply anachronistic

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London, 1877. A petite young woman stands before an all-male jury, about to risk everything. She takes a breath, and opens her defence.Annie Besant and her confidant Charles Bradlaugh are on trial for the sordid crime of publishing and selling a birth control pamphlet. Remarkably – forty-five years before the first woman will be admitted to the English bar – Annie is defending herself. Before Britain’s highest judge she declares it is a woman’s right to choose when, and if, to have children. At a time when women were legally and socially subservient to men, Annie’s defiant voice was a sensation. The riveting trial scandalised newspapers, captivated the British public and sparked a debate over morals, censorship and sex.Drawing on unpublished archives, private papers and courtroom transcripts – and featuring an incredible cast including Queen Victoria, George Bernard Shaw and London itself – A Dirty, Filthy Book tells the gripping story of a forgotten pioneer who refused to accept the role the Establishment assigned to her. Instead, she chose to resist.

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The aura and romance of Old California lives on in this treasury of inviting homes. The California House presents the magic of the "golden state," that land of infinite promise and dreams, the most tangible expression of which can be found in the homes built by early California dreamers. Here domestic visions of tranquility and repose were inventively realized—in stucco or stone, wood and wrought iron, plaster, and glass and tile. Spanish Colonial Revival–style homes with elaborate wrought-iron window grilles, romantic, shadowy interiors, and lush courtyard gardens stand beside other particularly Californian architectural wonders such as the San Francisco Victorian Painted Lady, the Monterey Colonial, Eurekan Queen Anne, and the homey California Arts & Crafts. Including houses designed by luminaries George Washington Smith, Stanford White, Greene & Greene, and Reginald Johnson, this book will fascinate both the architecture aficionado and interior design enthusiasts, as well as the everyday lover of homes. Including, but going beyond, the much-adored Spanish style (in its many manifestations) and Mission Revival, the book features as well the Victorian of San Francisco's Painted Lady and Eureka's Queen Anne, Monterey Colonial, California Arts & Crafts, French Chateau, classic Colonial farm house, and more. All new color photography of 25 houses in California ranging in style from Spanish Colonial Revival, Mission, Victorian, Queen Anne, California Arts & Crafts, Monterey, French Chateau, Colonial Farm House. The book includes little known California work by well known architect Stanford White, known primarily for his East Coast work (designer of the original Penn Station with McKim, Mead & White, and original Madison Square Garden, and many others); as well as the Magdelena Zanone House (Queen Anne late Victorian style home in Eureka, CA); the Murphy House, San Francisco (Classic French Chateau); a Gothic Victorian 1860s home in Sonoma; Casa Amesti (Monterey style home); "El Cerrito" designed by Russel Ray and Winsor Soule and built in 1913 in Santa Barbara (an amalgam of Mission and Spanish Colonial Revival); the Frothingham House designed by George Washington Smith in 1922 (Spanish Colonial Rev.); Cuartro Ventos House by Reginald Johnson, 1929 in Santa Barbara; William Edwards House by Roland E. Coate, Sr. in San Marino, 1926; Robinson House by Greene and Greene in Pasadena, 1905; Sack House in Berkeley (California Arts & Crafts) Brune-Reutlinger House in San Francisco (classic Painted Lady Victorian); a colonial mid-19th cent farm house in Sonoma; "Mariposa," classic Spanish style in Montecito; The Marston House in San Diego (Arts & Crafts/Tudoresque); Rancho Los Alamos De Santa Elena in Los Alamos (Span. Col. Rev.); Pepper Hill Farm in Balard.

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The latest volume for Oxfordshire is devoted to eight parishes between the market towns of Burford and Witney in the west of the county. The area is predominantly rural, the only urban centre being Carterton. Founded in 1900 as acolony of smallholders, it became one of the county's fastest growing towns after World War II due to its proximity to Brize Norton's military airbase. Oxfordshire: Volume XV is a richly detailed history of these parishes, covering everything from Anglo-Saxon settlement to 20th-century urbanisation, agriculture to rural industry, religious influences to famous residents.

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It's the 1840s in a Victorian mining town and disaster is about to strike. For young John Elliot and his family, life in the shadow of the grinding colliery wheel has always been hard, but there is no alternative for them. The risks are huge and the rewards are few. Part of a unique collection of fictional stories about young people caught up in real-life conflicts and disasters. Through their eyes we experience the day-to-day hardships and dangers of living through troubled times from throughout history.

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This volume covers the town of Burton-upon-Trent on the county's eastern boundary, along with its suburbs and satellite villages on either side of the river, including Stapenhill which was formerly in a separate parish in Derbyshire. Best known as a major centre for brewing beer from the earlier nineteenth century, Burton first came to prominence in the early eleventh century as the site of a Benedictine monastery which later promoted the cult of its own saint, the legendary St Modwen. Part of the monastic infirmary survives in the present Abbey inn, and a house called Sinai Park on the high ground to the west of the town was used by the monks as a rest home and hunting lodge. Alabaster carving developed as a specialist industry in the middle ages, and clothworking was important until the nineteenth century, with fulling and then cotton mills on the river Trent. The breweries were concentrated in the historic town centre near the river, and in the later nineteenth century a more respectable centre was created to the west around the imposing St Paul's church and the present town hall, both paid for by members of the Bass family. Other Anglican churches built by leading brewers in the town and its suburbs remain a major feature in the landscape. NIGEL TRINGHAM is VCH county editor for Staffordshire, and lecturer in history at the University of Keele.

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The unquenchable thirst of Dracula. The animal lust of Mr. Hyde. The acquiescence of Lewis Carroll's Alice. Victorian literature--with its overtones of prudishness, respectability, and Old World hypocrisy--belies a subverted eroticism. The Victorian Gothic is monstrous but restrained, repressed but perverse, static but transformative, and preoccupied by gender and sexuality in both regressive and progressive ways. Laura Helen Marks investigates the contradictions and seesawing gender dynamics in Victorian-inspired adult films and looks at why pornographers persist in drawing substance and meaning from the era's Gothic tales. She focuses on the particular Victorianness that pornography prefers, and the mythologies of the Victorian era that fuel today's pornographic fantasies. In turn, she exposes what porning the Victorians shows us about pornography as a genre.A bold foray into theory and other forbidden places, Alice in Pornoland reveals how modern-day Victorian Gothic pornography constantly emphasizes, navigates, transgresses, and renegotiates issues of gender, sexuality, and race.

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Outrageously handsome, witty and clever, Harry Cust was reputed to be one of the great womanisers of the late Victorian era. In 1893, while a Member of Parliament, he caused public scandal by his affair with artist and poet Nina Welby Gregory. When she revealed she was pregnant, horror swept through their circle known as ‘the Souls', a cultured, mostly aristocratic group of writers, artists and politicians who also rubbed shoulders with luminaries such as Oscar Wilde and H. G. Wells. For the rest of their lives, Harry and Nina would fight to rebuild their reputations and maintain the marriage they were pressurised to enter. In Tangled Souls, acclaimed biographer Jane Dismore tells the tumultuous story of the romance which threatened to tear apart this distinguished group of friends, revealing pre-war society at its most colourful and most conflicted.

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During a tumultuous period when financial speculation began rapidly to outpace industrial production and consumption, Victorian financial journalists commonly explained the instability of finance by criticizing its inherent artifice—drawing persistent attention to what they called “fictitious capital.” In a shift that naturalized this artifice, this critique of fictitious capital virtually disappeared by the 1860s, replaced by notions of fickle investor psychology and mental equilibrium encapsulated in the fascinating metaphor of “psychic economy.” In close rhetorical readings of financial journalism, political economy, and the works of Dickens, Eliot, and Trollope, Kornbluh examines the psychological framing of economics, one of the nineteenth century’s most enduring legacies, reminding us that the current dominant paradigm for understanding financial crisis has a history of its own. She shows how novels illuminate this displacement and ironize ideological metaphors linking psychology and economics, thus demonstrating literature’s unique facility for evaluating ideas in process. Inheritors of this novelistic project, Marx and Freud each advance a critique of psychic economy that refuses to naturalize capitalism.

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First published in 1879, this book has been identified as a lost publication by Peter Waterman, who is writing the introduction to the reprint.The book, which was published in the year of the Tay Bridge Disaster and the Zulu War in South Africa, looks in to the history and development of the steam Locomotive, from 1804-1879. It shows examples of famous types of machines, from the past and the then most up to date pieces of railway Locomotive technology. With a Selection of quality drawings and engineering diagrams, as well as rare photographs of locomotives from this remarkable period of industial change, The Victorian Steam Locomotive is a timely and long-overdue insight into the thinking of Victorian Engineers, written as a contemporary text.

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This book explores the lasting cultural and political impact of the events of this remarkable year. Oscar Wilde's disastrous libel suit against the Marquess of Queensberry dominated British newspapers during the spring of 1895. Now, Nicholas Freeman shows that the Wilde scandal was just one of many events to capture the public's imagination that year. Had Jack the Ripper returned? Did the Prime Minister have a dreadful secret? Were Aubrey Beardsley's drawings corrupting the nation? Were overpaid foreign players ruining English football? Could cricket save a nation from moral ruin? Freak weather, flu, a General Election, industrial unrest, New Women, fraud, accidents, anarchists, balloons and bicycles all stirred up interest and alarm. 1895 shows how this turbulent year is at the same time far removed from our own day and strangely familiar. It interweaves literature, politics and historical biography with topics such as crime, the weather, sport, visual art and journalism to give an overarching view of everyday life in 1895. It draws on strikingly diverse primary sources, from the Aberdeen Weekly Journal to the Women's Signal Budget, and from the Illustrated Police News to The Yellow Book. It is eclectically illustrated with stills from plays and reproductions of newspaper front pages to bring Victorian culture to life.

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