Search results for ""author joyce"

This collection of essays by renowned literary scholars offers a sustained and comprehensive account of the relation of British and Irish literary modernism to colonialism. Bringing postcolonial studies into dialogue with modernist studies, the contributors move beyond depoliticized appreciations of modernist aesthetics as well as the dismissal of literary modernism as irredeemably complicit in the evils of colonialism. They demonstrate that the modernists were not unapologetic supporters of empire. Many were avowedly and vociferously opposed to colonialism, and all of the writers considered in this volume were concerned with the political and cultural significance of colonialism, including its negative consequences for both the colonizer and the colonized.Ranging over poetry, fiction, and criticism, the essays provide fresh appraisals of Joseph Conrad, T. S. Eliot, Ezra Pound, Virginia Woolf, D. H. Lawrence, Wyndham Lewis, E. M. Forster, W. B. Yeats, James Joyce, Elizabeth Bowen, Hugh MacDiarmid, and Evelyn Waugh, as well as Robert Louis Stevenson and H. Rider Haggard. The essays that bookend the collection connect the modernists to their Victorian precursors, to postwar literary critics, and to postcolonial poets. The rest treat major works written or published between 1899 and 1939, the boom years of literary modernism and the period during which the British empire reached its greatest geographic expanse. Among the essays are explorations of how primitivism figured in the fiction of Lawrence and Lewis; how, in Ulysses, Joyce used modernist techniques toward anticolonial ends; and how British imperialism inspired Conrad, Woolf, and Eliot to seek new aesthetic forms appropriate to the sense of dislocation they associated with empire.Contributors. Nicholas Allen, Rita Barnard, Richard Begam, Nicholas Daly, Maria DiBattista, Ian Duncan, Jed Esty, Andrzej Gąsiorek, Declan Kiberd, Brian May, Michael Valdez Moses, Jahan Ramazani, Vincent Sherry

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The Best Mum in the World is a glorious collection of more than 300 quotes celebrating mothers and motherhood. Mums have deservedly attracted thousands of amazing quotes, thoughts and observations and this unique anthology features contributions from the deeply philosophical to the wonderfully humorous, and is the perfect present to say thank you for all their hard work on your behalf. With witty and wonderful quotes from the stars of stage, screen and literature, the worlds of music, comedy and politics, The Best Mum in the World makes for a delightful book and gift. 'A mother is one to whom you hurry when you are troubled.' Emily Dickinson. 'All I am I owe to my mother.' George Washington. 'Whatever else is unsure in this stinking dunghill of a world a mother's love is not.' James Joyce. 'God could not be everywhere, and therefore he made mothers.' Ruyard Kipling.

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‘Here Comes Everybody’ is a phrase that echoes repeatedly through the shifting dream-narrative of James Joyce’s FinnegansWake. It aptly captures the intense poetry of this new collection of photographs by Chris Killip, taken over repeated trips to Ireland between 1993 and 2005. On each visit Killip attended the annual pilgrimages at Croagh Patrick and Máméan in the west of Ireland, places of wild beauty and ancient spirituality. His poignant photographs convey the dedication and community of the modern pilgrims’ journey as they make their way across shingled mountainsides to take part in age-old rites. Images of the pilgrims’ trek are complemented by landscapes, townscapes and details photographed in the west of Ireland and beyond. Presented as a facsimile of an album of prints from a decade of travels, this book includes the first colour photographs Killip has ever published. This Limited edition features hand-tipped reproductions and a signed and numbered print.

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Pleasure Beach is a queer love story from the North West's saucy seaside paradise, Blackpool, on one day: 16th June 1999. Written in multiple voices and styles, Pleasure Beach follows the interconnecting journeys and thoughts of three young women over the course of 24 hours and over 18 chapters which are structured and themed in the same way as Homer’s Odyssey and James Joyce’s Ulysses.Hedonist and wannabe playwright Olga Adessi, 19, is struggling along the prom to get to her morning shift at the chippy with a monstrous hangover, trying to remember exactly what happened last night with Rachel Watkins, 19, a strange and fragile girl she had an encounter with the night before. Former gymnast and teenage mum Treesa Reynolds, 19, is off to the Sandcastle Waterpark with her mum Lou and daughter Lulu, looking forward to a sausage and egg McMuffin on the way.

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This groundbreaking study explores the deep connections between modern and premodern art, offering a radical reading that reveals the underlying patterns and ideas traversing centuries of artistic practice. Nagel reconsiders from an innovative double perspective some key issues in the history of art, from iconoclasm and illusionism to the status of painting, installation, and the museum as institution. He examines, among other topics, why the medieval workshop was of such importance to the Bauhaus; how the 4th-century Jerusalem Chapel in Rome was a proto-earthwork akin to the projects of Robert Smithson; and the relationship between medieval relics and Duchamp’s readymades. Alongside an analysis of 20th-century medievalist theorists such as Brecht, Joyce and Eco, Nagel considers a wide range of celebrated artists. This is a radical new reading of art that will profoundly broaden our understanding of both premodern practices and the art of the 20th and 21st centuries.

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Part novel, part Pop artwork, Andy Warhol's a is an electrifying slice of life at his Factory studio'A work of genius' NewsweekIn the early 1960s, Andy Warhol set out to turn the novel into pop art. a, the first book he wrote, is the result. Transcribed from audiotapes recorded in and around his legendary art studio, it begins with the actor Ondine popping pills, then follows a cast of thinly-disguised superstars, musicians and prima donnas as they run riot through Manhattan. A knowing response to James Joyce's Ulysses, using the freewheeling, spontaneous techniques as Warhol's visual art, this filthy, funny book is a uniquely creative insight into Factory life.'Hellish hymns from Amphetamine Heaven, the vox populi of the Velvet Underground ... These people are witty and they are grand, they do terrible things and make awful remarks' New York Review of Books

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The friendship between Ezra Pound (1885-1972) and Ford Madox Ford (1873-1939) lasted for thirty years. It began in London in 1909, shortly after Pound’s arrival, continued in Paris, and was afterward maintained without ruptures, quarrels, or serious disagreements, their warm affection and loyalty holding them together through life’s vicissitudes, separation, and exile. Pound/Ford: The Story of a Literary Friendship documents, with letters as well as essays, reviews, and reminiscences––a considerable portion of which is published here for the first time––one of the most significant relationships in the development of modernism. Ford, the London man of letters, and Pound, his younger American contemporary, were united in their love for and knowledge of Mediterranean culture, their fierce dedication to literature, and their unselfish and tireless promotion of other writers––Lawrence, Joyce, Eliot, and Hemingway, to name just a few. Their influence upon each other was always eagerly acknowledged.

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A collection of the year’s best mystery and suspense short fiction selected by New York Times bestselling author Lisa Unger and series editor Steph Cha.“This form has a special kind of magic, the ability to transport you quickly, intensely, to capture character, time, place, and story with immediacy,” writes guest editor Lisa Unger in her introduction. The transporting stories in this year’s The Best American Mystery and Suspense are populated by those who exist on the fringe of our society and want more than what life has dealt them: A haunted veteran turned career criminal is on the run. An injured fighter turned bouncer seeks vengeance for his lost love. An assassin on his last job finds himself questioning his life choices and breaks all the rules to understand his final victim. By turns thrilling and enlightening, each story, according to Unger, “will have you holding your breath, flipping the pages, will leave you thinking about people and why they do the dark, dangerous, frightening things that they do.”The Best American Mystery and Suspense 2023 includes Ashley-­Ruth M. Bernier • William Boyle • S. A. Cosby • Jacqueline Freimor • James A. Hearn • Ladee Hubbard • A. J. Jacono • Adam Meyer • Silvia Moreno-­Garcia • Walter Mosley • Leigh Newman • Joyce Carol Oates • Margaret Randall • Annie Reed • Anthony Neil Smith • Faye Snowden • Jervey Tervalon • Joseph S. Walker • Thaai Walker • Jess Walter

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A dark collection from one of America's literary giants.A young wife is home alone when the phone rings in 'So Help Me God.' Is the strange voice flirting with her from the other end of the line her jealous husband laying a trap, or a stranger who knows entirely too much about her? In 'Madison at Guignol' an unhappy fashionista discovers a secret door inside her favourite clothing store and insists the staff let her enter. But even her fevered imagination cannot anticipate the horror they have been hiding from her. In these and other gripping and disturbing tales, women are confronted by the evil around them and surprised by the evil they find within themselves. With wicked insight, Joyce Carol Oates demonstrates why the females of the species - be they six-year-old girls, seemingly devoted wives, or aging mothers - are by nature more deadly than the males.

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'The face was quite unfamiliar to her, and yet not strange. She had not known till this moment what face to expect'. A Clergyman's Daughter is George Orwell's least well-known, most unappreciated novel. Drawing on his experiences as a hop-picker, teacher, and urban vagrant, it tells the peculiar story of Dorothy Hare, the daughter of the Rector of St Athelstan's in the fictional town of Knype Hill. Unacknowledged by her absent-minded father and gossiped about by his rheumatic parishioners, Dorothy is suddenly and traumatically catapulted into the unknown. She wakes up in London, her memory temporarily gone; travels to the Kentish countryside; spends a night in Trafalgar Square; works for the authoritarian schoolteacher Mrs Creevy; and then journeys back to her old, limited life. A novel about loss and return, A Clergyman's Daughter charts the course of a young woman's voyage out and circular homecoming. In his introduction to the novel, Nathan Waddell lays out the fantastical elements and socio-political dimensions of A Clergyman's Daughter and examines how it drew inspiration from James Joyce's epic modernist novel Ulysses, a book Orwell deeply admired. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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This book opens up the field of literary studies to the promise of a haptic oriented analysis. This book contends that the haptic sense - combining touch, kinaesthesis and proprioception - was first fully conceptualised and explored in the modernist period, in response to radical new bodily experiences brought about by scientific, technological and psychological change. How does the body's sense of its own movement shift when confronted with modernist film? How might travel by motorcar disorientate one sufficiently to bring about an existential crisis? If the body is made of divisible atoms, what work can it do to slow the fleeting moment of modernist life? The answers to all these questions and many more can be found in the work of four major writers of the modernist canon - James Joyce, Virginia Woolf, D. H. Lawrence and Dorothy Richardson. They suggest that haptic experience is at the heart of existence in the early twentieth century, and each displays a fascination with the elusive sense of touch. Yet these writers go further, undertaking formal experiments which enable their own writing to provoke a haptic response in their readers. By defining the haptic, and by looking at its role in the work of these major names of modernist writing, this book opens up the field of literary studies to the promise of a haptic oriented analysis, identifying a rich seam of literary work we can call 'haptic modernism'. It offers a coherent history of ideas of the haptic, tracing their impact on literary innovation. It analyses the transformations of haptic experience in the modernist period, and its roots in developments in mechanised transport, the cinema, contemporary science and the rapidly modernising city. It provides in depth studies of the work of Joyce, Woolf, Lawrence and Richardson from a new, haptic oriented perspective, shedding new light on familiar figures of the modernist avant garde. It also puts literary experiments with the haptic in the context of work on touch in other fields.

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Through a twist of fate that the author of Labyrinths himself would have relished, these lost lectures given in English at Harvard in 1967–1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony to the life of literature.Though his avowed topic is poetry, Borges explores subjects ranging from prose forms (especially the novel), literary history, and translation theory to philosophical aspects of literature in particular and communication in general. Probably the best-read citizen of the globe in his day, he draws on a wealth of examples from literature in modern and medieval English, Spanish, French, Italian, German, Greek, Latin, Arabic, Hebrew, and Chinese, speaking with characteristic eloquence on Plato, the Norse kenningar, Byron, Poe, Chesterton, Joyce, and Frost, as well as on translations of Homer, the Bible, and the Rubáiyát of Omar Khayyám.Whether discussing metaphor, epic poetry, the origins of verse, poetic meaning, or his own “poetic creed,” Borges gives a performance as entertaining as it is intellectually engaging. A lesson in the love of literature and in the making of a unique literary sensibility, this is a sustained encounter with one of the writers by whom the twentieth century will be long remembered.

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In this latest volume of the Critical Perspectives on International Public Sector Management series, Professors John Diamond and Joyce Liddle have gathered leading scholars and new research to help discern some immediate areas of public policy making that have been impacted by the Covid-19 pandemic. With this new profoundly different context, “business as normal” is seen as no longer viable. Reimagining Public Sector Management delves into the crisis and emergency management of the pandemic, exploring the ways in which different agencies responded to the pandemic and the lessons learnt in terms of disaster planning and co-ordination. Chapters analyse the ways in which health services and the associated work linked to vaccine development provided significant lessons for those involved in public policy making and analysis before highlighting the emergence of a new consensus on the role of public agencies and institutions could play in the post pandemic environment as captured in the slogan “Build Back Better”.

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Winner of the inaugural 2022 Joyce Rothschild Book Prize from the Institute for the Study of Employee Ownership and Profit Sharing at the Rutgers University School of Management and Labor Relations. Our everyday lives are structured by the rhythms, values, and practices of various organizations, including schools, workplaces, and government agencies. These experiences shape common-sense understandings of how 'best' to organize and connect with others. Today, for-profit managerial firms dominate society, even though their practices often curtail information-sharing and experimentation, engender exploitation, and exclude the interests of stakeholders, particularly workers and the general public. This Research in the Sociology of Organizations volume explores an expansive array of organizational imaginaries, or conceptions of organizational possibilities, with a focus on collectivist-democratic organizations that operate in capitalist markets but place more authority and ownership in the hands of stakeholders other than shareholders. These include worker and consumer cooperatives and other enterprises that, to varying degrees: Emphasize social values over profit Are owned not by shareholders but by workers, consumers, or other stakeholders Employ democratic forms of managing their operations Have social ties to the organization based on moral and emotional commitments Organizational Imaginaries explores how these enterprises generate solidarity among members, network with other organizations and communities, contend with market pressures, and enhance their larger organizational ecosystems. By ensuring that organizations ultimately support and serve broader communities, collectivist-democratic organizing can move societies closer to hopeful 'what if' and 'if only' futures. This volume is essential for researchers and students seeking innovative and egalitarian approaches to business and management.

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A passionate, wry, and personal book about how the greatest works of literature illuminate our livesWhy do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature changes us by giving us intimate access to an astonishing variety of other lives, experiences, and places across the ages. Reflecting on a lifetime of reading, teaching, and writing, The Lives of Literature explores, with passion, humor, and whirring intellect, a professor’s life, the thrills and traps of teaching, and, most of all, the power of literature to lead us to a deeper understanding of ourselves and the worlds we inhabit.As an identical twin, Weinstein experienced early the dislocation of being mistaken for another person—and of feeling that he might be someone other than he had thought. In vivid readings elucidating the classics of authors ranging from Sophocles to James Joyce and Toni Morrison, he explores what we learn by identifying with their protagonists, including those who, undone by wreckage and loss, discover that all their beliefs are illusions. Weinstein masterfully argues that literature’s knowing differs entirely from what one ends up knowing when studying mathematics or physics or even history: by entering these characters’ lives, readers acquire a unique form of knowledge—and come to understand its cost.In The Lives of Literature, a master writer and teacher shares his love of the books that he has taught and been taught by, showing us that literature matters because we never stop discovering who we are.

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Black is dazzling and distinctive, like toasted wheat berry bread; snowberries in the fall; rich, red cranberries; and the bronzed last leaves of summer. In this lyrical and luminous poetry collection, Coretta Scott King honorees Joyce Carol Thomas and Floyd Cooper celebrate these many shades of Black beautifully.Included in Brightly's list of recommended diverse poetry picture books for kids. "Highly recommended for home and school libraries," commented Brightly's Charnaie Gordon. "Each melodic poem eloquently conveys the beauty of different skin tones and complexions. There are also themes of family, traditions, feelings, self-love, and acceptance echoed throughout this book."“Evocative, colorful poetry. An essential picture book.”—Kirkus (starred review)We are color struck The way an artist strikesHis canvas with his brush of many huesLook closely at these mirrorsthese palettes of skinEach color is richin its own right

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This innovative book aims to examine the crucial role played by the spaces of the city in the construction of modernism. By focusing upon a number of key cities the book is able to consider the influence of the urban landscape upon the various modernisms that appeared in the period from c.1890 to 1940. The book takes a distinctive approach to the topic by focusing upon the interactions between the literary texts and the institutions of cultural production found in London, Paris, Berlin and New York. As well as exciting analyses of key modernist texts, each chapter considers the sites in which modernism emerged: publishing houses, bookshops, discussion circles, salons, and cafes. Clearly argued throughout, it demonstrates how particular geographies marked the nature of modernism by analysing new urban features such as underground transport systems; the growth of the suburbs; and architectural forms such as the skyscraper. Particular attention is given to the transnational qualities of modernist writing by examining writers whose view of the cities considered is that of migrants, exiles or strangers (e.g. Joyce, Stein and Barnes in Paris; Eliot, James and Pound in London; Isherwood in Berlin; Kafka on New York). This book will be of major interest to all those studying modernism and also to those working in related fields, such as urban studies and cultural geography. Key Features * Wide ranging coverage of authors, texts and films in the period * Interdisciplinary analysis of the social and technological contexts of modernist production * Clear focus upon four cities of central significance to modernism * Introduces via key examples the theory of a critical literary geography

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The Black Power movement has often been portrayed in history and popular culture as the quintessential "bad boy" of modern black movement-making in America. Yet this impression misses the full extent of Black Power's contributions to U.S. society, especially in regard to black professionals in social work. Relying on extensive archival research and oral history interviews, Joyce M. Bell follows two groups of black social workers in the 1960s and 1970s as they mobilized Black Power ideas, strategies, and tactics to change their national professional associations. Comparing black dissenters within the National Federation of Settlements (NFS), who fought for concessions from within their organization, and those within the National Conference on Social Welfare (NCSW), who ultimately adopted a separatist strategy, she shows how the Black Power influence was central to the creation and rise of black professional associations. She also provides a nuanced approach to studying race-based movements and offers a framework for understanding the role of social movements in shaping the non-state organizations of civil society.

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This third edition, newly revised and updated, includes comprehensive and all-new annotations (over 9,000 notes) by Joyce scholar Sam Slote, Trinity College, Dublin, and Marc A. Mamigonian and John Turner. A lively repository of literary allusion and colloquial realism, this dazzlingly innovative, ambitious novel is here presented in its 1939 version, which contains notable textual differences from the standard editions currently in print. Controversial, scandalous, erudite and funny, Ulysses is undisputedly a landmark of twentieth-century Modernism. It charts one day - 16th June 1904 - in the lives of three inhabitants of Dublin, the advertising salesman Leopold Bloom, the artist Stephen Dedalus and Bloom's wife Molly. Their peregrinations, thoughts and encounters form the basis of the narrative, which becomes a celebration of all human experience through the lives of specific individuals in a specific place at a specific time. Ulysses is both an experimental novel and a book intimately concerned with the events of modern life.

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Value-Based Health Care Linking Finance and Quality Yosef D. Dlugacz Value-Based Health Care? Value-Based Health Care?concisely explains the mandate to successfully link health care quality and finance and describes the tools to implement strategies for organizational success. Yosef Dlugacz provides many illustrative real-world examples of process and outcomes of the value-based approach, taken from a wide range of health care settings. Perfect for students preparing to enter health care management or for practicing health care leaders and professionals, this book is a vital guide to approaches that ensure the health of patients and health care organizations alike. Praise for Value-Based Health Care "Value-Based Health Care provides leaders and quality experts with the much needed roadmap for linking cost and quality. This book will help your organization thrive in today's ultra-competitive environment." —Patrice L. Spath, health care quality specialist and author of Leading Your Health Care Organization to Excellence and Error Reduction in Health Care: A Systems Approach to Improving Patient Safety "Yosef Dlugacz provides an essential overview of how staff, administrators, and clinicians can create not just a culture but a gestalt of quality health care delivery. . . .given the national debate over access, cost, and quality, the book could not be more timely." —Theodore J. Joyce, PhD, professor of economics and finance, academic director of the Baruch/Mt. Sinai MBA Program in Health Care Administration, and research associate, National Bureau of Economic Research "Dr. Dlugacz's?case studies and action plans provide great insights and workable solutions to provide safe and effective patient care. It is a welcome resource as we sit on the?advent of health reform." —Kathy Ciccone, executive director, Quality Institute of the Healthcare Association of New York State

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The most popular anthology of Jorge Luis Borges's short stories, Fictions is a wildly original and influential collection of fantastic tales, translated from the Spanish with an afterword by Andrew Hurley in Penguin Modern Classics.Jorge Luis Borges's Fictions introduced an entirely new voice into world literature. It is here that we find the astonishing accounts of 'Funes the Memorious', the man who can forget nothing; 'Pierre Menard, Author of the Quixote', who recreates Miguel de Cervantes's epic word-for-word; a society run on the basis of an all-encompassing game of chance in 'The Lottery in Babylon'; the mysterious world of 'Tlön, Uqbar, Orbis Tertius' which seems to be supplanting our own ; and the 'Library of Babel', which contains every possible book in the whole universe. Here too are the philosophical detective stories and the haunting tales of Irish revolutionaries, gaucho knife fights and dreams within dreams which proved so influential (and yet impossible to imitate). This collection was eventually to bring Borges international fame; over fifty years later, it remains endlessly intriguing.Jorge Luis Borges (1899-1986) was born in Buenos Aires, Argentina. A poet, critic and short story writer, he received numerous awards for his work including the 1961 International Publisher's Prize (shared with Samuel Beckett). He has a reasonable claim, along with Kafka and Joyce, to be one of the most influential writers of the 20th century.If you enjoyed Fictions, you might like Italo Calvino's The Complete Cosmicomics, also available in Penguin Modern Classics.'Hurley's efforts at retranslating Borges are not anything but heroic. His visions are clear, elegant, crystalline'Ilan Savans, The Times Literary Supplement'One of the most memorable artists of our age'Mario Vargas Llosa

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En esta colección de cuentos, Ali Smith muestra una original inventiva y un enorme talento para el lenguaje. En el relato que da título, un joven viaja por el campo británico comprando ediciones de El gran Gatsby para su hermana; y ella tiene la intención de usar los libros para construir un barco. A veces cómicas, a veces perturbadoras, estas doce historias nos desconciertan y, a la vez, nos atraen. Su escritura nos sorprende con su intimidad e imaginación, su agudeza y precisión. Su trabajo ha sido definido como ?una carta de amor al mundo?, y realmente lo parece. Joyce Carol Oates

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Image of Britain 2, originally published in 1961, was the second of two special numbers of The Texas Quarterly devoted to Britain. This volume comprises some three dozen selections—essays, fiction, poetry, and illustrations, most of them specially commissioned. The editorial aim has been to achieve scope and variety.The articles, essays in criticism on British themes, for the most part survey literature and the fine arts: poetry, theater, intellectual review, then-recent translations into English, the flood of military memoirs, British humor, architecture, painting and sculpture, and music. Other essays treat individual authors, among them Shakespeare, Trollope, Galsworthy, Forster, Wells, Yeats, Pound, Shaw, Muir, Green, Snow, Waugh, Amis, and Pinter.All except a handful of the essayists are British. There is much to be said for inviting the forthright and brilliantly self-critical to comment extensively on their own literature and art. Stephen Spender and John Lehmann, two of Britain’s most distinguished editors, deal with British literary matters, both international and domestic; the novelist David Garnett discusses George Moore, Galsworthy, Forster, and H. G. Wells—the men and their works; and the poet Kathleen Raine appraises the verse of Edwin Muir.Like the essayists, the contributors of fiction and poetry include the emerging and already noteworthy—Ted Hughes, Peter Redgrove, and Andrew Sinclair, for example—as well as the firmly established and celebrated, such as Angus Wilson, Stephen Spender, and Joyce Cary. Cary’s short story “The Ball” appeared here in print for the first time.The photographer Hans Beacham, who visited England at the Quarterly’s invitation, contributed a gallery of portraits of important British painters and sculptors. The photographs complement David Sylvester’s article on contemporary British art. In addition, Edward Bawden’s drawings of the British scene run like a charming frieze throughout this number.

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Few contemporary artists before the 1990s explored the negative impact of the Spanish in the Southwest, but unreflective celebrations of the Columbus Quincentennial brought about portrayals of a more complicated legacy of Columbus's arrival in the Americas--especially by Indigenous artists. Through a series of etchings, Floyd Solomon of Laguna and Zuni heritage undertook a visual recounting of Pueblo history using Indigenous knowledge positioned to reimagine a history that is known largely from non-Native records. While Solomon originally envisioned more than forty etchings, he ultimately completed just twenty. From nightmarish visions of the Spanish that preceded their arrival to the subsequent return of the Spanish and their continuing effects on the Pueblo people, Solomon provides a powerful visual record. These insightful, probing etchings are included in this important full-color volume showcasing Solomon's work and legacy. In Reimagining History from an Indigenous Perspective, Joyce M. Szabo positions Solomon among his contemporaries, making this vibrant artist and his remarkable vision broadly available to audiences both familiar with his work and those seeing it for the first time.

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Many Filipino Americans feel obligated to give charitably to their families, their communities, or social development projects and organizations back home. Their contributions provide relief to poor or vulnerable Filipinos, and address the forces that maintain poverty, vulnerability, and exploitative relationships in the Philippines. This philanthropy is a result of both economic globalization and the migration of Filipino professionals to the United States. But it is also central to the moral economies of Filipino migration, immigration, and diasporic return. Giving-related practices and concerns—and the bonds maintained through giving—infuse what it means to be Filipino in America.Giving Back shows how integral this system is for understanding Filipino diaspora formation. Joyce Mariano “follows the money” to investigate the cultural, social, economic, and political conditions of diaspora giving. She takes an interdisciplinary approach to reveal how power operates through this charity and the ways the global economic and cultural dimensions of this practice reinforce racial subordination and neocolonialism. Giving Back explores how this charity can stabilize overlapping systems of inequality as well as the contradictions of corporate social responsibility programs in diaspora.

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An intimate and readable account, filled with interesting and amusing anecdotes, of a highly creative period in English musical history Hubert J. Foss (1899-1953) is best known for his work as founder and first music editor for Oxford University Press. Foss promoted composers in England between the World Wars, most notably Ralph Vaughan Williams, William Walton, Constant Lambert, and Peter Warlock. The first part of this book is based on the memoirs of his wife Dora, who was herself a professional singer. The book - through the presentation of memoirs and letters - recreates a vivid picture of the musical world during the inter-war period when there was a renaissance of English music. Foss's work for OUP saw the music department expand from publishing a limited number of sheet music items to a comprehensive inventory of operas, orchestral compositions, chamber and vocal works, and piano pieces. Foss also greatly expanded the press's publication of books on music, music analysis, and music appreciation. Leaving OUP's music department in1941, Foss pursued a number of freelance musical occupations, serving as critic, reviewer, journalist, author and frequent broadcaster. The book includes letters sent to and received from such luminaries as Hamilton Harty,Constant Lambert, Edith Sitwell, Donald Tovey, Ralph Vaughan Williams, William Walton, Henry J. Wood, Arthur Bliss, Benjamin Britten, Roger Quilter, Percy Scholes, Leopold Stokowski, Michael Tippett, Thomas Hardy, James Joyce andWalter de la Mare. Many of the letters presented here have never been published before. An authoritative introduction by Simon Wright (Head of Rights & Contracts, Music, OUP) provides a detailed overview of Hubert Foss and his place in music publishing. STEPHEN LLOYD is the author of William Walton: Muse of Fire and Constant Lambert: Beyond the Rio Grande (both published by Boydell). DIANA SPARKES is the daughter of Hubert and Dora Foss. BRIAN SPARKES is her husband and an Emeritus Professor of Classical Archaeology.

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The second novel in the Great Plains trilogy, this is a passionate portrait of the artist as a young womanThea Kronberg, a young girl from a small town in Colorado has a great gift - her beautiful singing voice. Her talent takes her to the great opera houses of Europe, and through ambition and hard work, she forges a life as an artist. But if she can never go home again, nor can she leave behind her past. At last, in a desert canyon in Arizona, Thea has a revelation that will allow her to attain a new state of spirituality and become a truly great artist.'Willa Cather makes a world which is burningly alive, sometimes lovely, often tragic' Helen Dunmore'The Song of the Lark illuminates all her work' A. S. Byatt'Lingers long in the memory' Joyce Carol Oates

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June 1849: Dr William Wilde, passing a wretched hovel in Dublin's Liberties, discovers James Clarence Mangan in a state of indescribable misery and squalor. Aged just 46, the man dubbed Ireland's National Poet' is about to succumb to the cholera epidemic that is gripping famine ravaged Ireland.August 2008: Writer Bridget Hourican encounters Mangan during a Liberties lock-in with that other great Irish poet, Shane MacGowan, who found inspiration in Mangan's poetry.Alcoholic, opium addict, Romantic, Famine poet, Dublin street character and hero of James Joyce, the mercurial Mangan begins to obsess Bridget. The surviving biographical material - scant, subjective, sometimes falsified - both fascinates and frustrates her and she determines to find him. Who was this Baudelaire of The Liberties this lurker in Irish history whose enigmatic presence helped determine its course?As the lines between r

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Lose yourself in this tale of young love by the 'best-loved English poet of the past 100 years.' (Sunday Times)Katherine Lind is a refugee who has become a librarian in a wartime Northern town. One winter's day, she receives a telegram: and her thoughts drift back to falling in love with her pen-pal, Robin Fennel, on a glorious summer exchange. But on his return from the army, their reunion is not what they imagined ...'Beautiful.' Nina Stibbe'Remarkable . Diffused poetry.' Simon Garfield'Highly sensitive . Reminiscent of Virginia Woolf.' Joyce Carol Oates'Funny and profoundly sad.' Andrew Motion'Strange and beautiful ... Short, intense and obsessed with the tiny ballets of social interaction, they could only have been written by someone very young (the writer they most remind me of is Sally Rooney) ... Weird but brilliant ... Zingily contemporary.' Sunday Times

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In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans' excavation and its long-term effects on Western culture. After World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth - pacifist and matriarchal, pagan and cosmic - seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.

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Debates about Irish culture have long been plagued by neat oppositions between conquering England and colonized Erin, Protestant and Catholic, stolid Saxon and dreamy Celt. Yet the greatest Irish poets have scorned such simplicities. In this avowedly interpretative anthology of Irish verse, W.J. McCormack traces creativity of contradiction through several centuries, finding poets productively at odds with their forebears, their contemporaries—even with themselves. From Yeats's tragic laughter to the quieter ironies of Seamus Heaney, from the rambunctious narratives of Merriman and Joyce to the pathos of Wilde's Reading Gaol, the same sparring spirit is found. This exciting anthology brings together the very best in Irish poetry to reveal a broad yet sharply-focused tradition of diversity and dissidence. W.J. McCormack's compelling collection provokes a wide-ranging reconsideration of one of the world's richest literatures.

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Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. Well, thought Belacqua, it's a quick death, God help us all.It is not.'Dante and the Lobster' is the first of the linked short stories in Samuel Beckett's first book, More Pricks Than Kicks. Published in 1934, its style was recognisably indebted to that of his mentor, James Joyce, and crammed with linguistic texture and allusion that Beckett later shed. The book baffled many critics and sold so few copies that several batches were pulped.Decades later, this story was hailed as the Nobel Prize-winner's earliest important work.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

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Winter is a withdrawal: quiet and dark and cold. But in the dim light frost shimmers, stars twinkle and hearths blaze as we come together to keep out the chill. In spite of the season, life persists: visiting birds fill our skies, familiar creatures find clever ways to survive, and the world reveals winter riches to those willing to venture outdoors.In prose and poetry spanning seven hundred years, Winter delights in the brisk pleasures and enduring beauty of the year's turning. Featuring new writing from Patrick Barkham, Satish Kumar and Anita Sethi, extracts from the work of Robert Macfarlane, James Joyce and Kathleen Jamie, and a range of exciting new voices from across the UK, this invigorating collection evokes the joys and the consolations of this magical time of year.

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V. S. Pritchett, one our greatest short-story writers, has chosen forty-one stories written in the English language for this volume, producing a collection that successfully displays the wealth and variety of an art that spans some 200 years. Great Britain, America, and especially Eire have fine traditions of short-story writing that have developed from the time of Sir Walter Scott and Nathaniel Hawthorne, while in the last century the art was perfected by Ernest Hemingway, D. H. Lawrence, W. Somerset Maugham, John Updike, and V. S. Pritchett himself. The Irish contribution includes such masters as James Joyce, Frank O'Connor, and Liam O'Flaherty, and stories by Canadian, Indian, New Zealand, and Australian writers show the full range of invention and ability in a genre that continues to flourish.

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Barely acknowledged in his lifetime, the New Science of Giambattista Vico (1668-1744) is an astonishingly perceptive and ambitious attempt to decipher the history, mythology and laws of the ancient world. Discarding the Renaissance notion of the classical as an idealised model for the modern, it argues that the key to true understanding of the past lies in accepting that the customs and emotional lives of ancient Greeks and Romans, Egyptians, Jews and Babylonians were radically different from our own. Along the way, Vico explores a huge variety of topics, ranging from physics to poetics, money to monsters, and family structures to the Flood. Marking a crucial turning-point in humanist thinking, New Science has remained deeply influential since the dawn of Romanticism, inspiring the work of Karl Marx and even influencing the framework for Joyce's Finnegan's Wake.

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Many Filipino Americans feel obligated to give charitably to their families, their communities, or social development projects and organizations back home. Their contributions provide relief to poor or vulnerable Filipinos, and address the forces that maintain poverty, vulnerability, and exploitative relationships in the Philippines. This philanthropy is a result of both economic globalization and the migration of Filipino professionals to the United States. But it is also central to the moral economies of Filipino migration, immigration, and diasporic return. Giving-related practices and concerns—and the bonds maintained through giving—infuse what it means to be Filipino in America.Giving Back shows how integral this system is for understanding Filipino diaspora formation. Joyce Mariano “follows the money” to investigate the cultural, social, economic, and political conditions of diaspora giving. She takes an interdisciplinary approach to reveal how power operates through this charity and the ways the global economic and cultural dimensions of this practice reinforce racial subordination and neocolonialism. Giving Back explores how this charity can stabilize overlapping systems of inequality as well as the contradictions of corporate social responsibility programs in diaspora.

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Índice: Estudio introductorio: Crítica límite / El límite de la crítica, por Manuel Asensi. I. Fronteras de la literatura. Procesos. J. Derrida: Ulises gramófono: El oui-dire de Joyce. Ph. Lacoue-Labarthe: La fábula (literatura y filosofía). II. las deconstrucciones. Lecturas. J. Hillis Miller: El crítico como anfitrión. P. de Man: Retórica de la ceguera: Derrida, lector de Rousseau. G. Hartman: El destino de la lectura. III. Sobre la deconstrucción. R. Gasché: La deconstrucción como crítica. C. Nicolás: Entre la deconstrucción. M. Ferraris: Jacques Derrida. Deconstrucción y ciencias del espíritu.

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Like John Updike, Martin Amis is the pre-eminent novelist-critic of his generation. The War Against Cliché is a selection of his reviews and essays over the past quarter-century. It contains pieces on Cervantes, Milton, Donne, Coleridge, Jane Austen, Dickens, Kafka, Philip Larkin, Joyce, Waugh, Lowry, Nabokov, F. R. Leavis, V. S. Pritchett, William Burroughs, Anthony Burgess, Angus Wilson, Saul Bellow, Philip Roth, Shiva and V. S. Naipaul, Kurt Vonnegut, Iris Murdoch, Norman Mailer, Gore Vidal, Don DeLillo, Elmore Leonard, Michael Crichton, Thomas Harris - and John Updike. Other subjects include chess, nuclear weapons, masculinity, screen censorship, juvenile violence, Andy Warhol, Hillary Clinton, and Margaret Thatcher.

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Like few of his contemporaries, Norman Feder helped shape the study of American Indian art. In a career spanning four decades as hobbyist craftsman, author, curator, and editor, Feder contributed to the theoretical and methodological foundation of a discipline about to emerge from the narrow interests of museum anthropologists and devoted amateurs into public prominence and widespread appreciation. Feder entered the field without the benefit of academic training, but with a profound firsthand knowledge of the importance of techniques for an understanding of Native American visual forms of expression. Among his lasting contributions is the explicit recognition of the historical nature of these art forms, of the resulting significance of documented collections and information contained in early drawings and photographs for a placement of artifact styles in time and space, and of the usefulness of studies of artifact types or genres in Native American art. In this volume a group of American, Canadian, and European anthropologists, art historians, and collectors explore topics relating to Feder’s far-ranging interests in Native American art and shed light on his background and achievements. Essays by Arthur C. Einhorn, Joyce Herold, Tilly Laskey, Roanne P. Goldfein, Christian F. Feest, Steven C. Brown, Colin F. Taylor, Bill Holm, Arni Brownstone, Imre Nagy, Molly Lee, Marvin Cohodas, Ruth B. Phillips, Sally McLendon, William C. Sturtevant, and Sylvia S. Kasprycki deal with works from different regions, time periods, and traditional forms of expression of Native North America.

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''A mesmeric, enrapturing read'' Eimear McBride''Beautiful and original'' Colm Tóibín''In startling language filled with the flavor of Yiddish''s combination words, [Before All the World] moves forward and back and forward again in a dreamlike trance that acknowledges how the worst suffering exists side by side with the tender beauty of memory, friendship, words and the silences of recognition'' Ilana Masad, NPR''Before All the World is poetry as it should be: deliberate while feeling casual, a game with words that is at once playful and deadly serious (sometimes by turns, sometimes truly simultaneously) . . . It swallowed me up, and then all at once, a word or a phrase would reach me like a bolt of lightning, charring and electrifying me all through'' Jo Niederhoff, Seattle Book Review''Resembles something by Joyce or Samuel Beckett . . . A highly original and powerfu

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In this third volume of a planned five-volume series, David Roy provides a complete and annotated translation of the famous Chin P'ing Mei, an anonymous sixteenth-century Chinese novel that focuses on the domestic life of His-men Ch'ing, a corrupt, upwardly mobile merchant who maintains a harem of six wives and concubines. This work, known primarily for its erotic realism, is also a landmark in the development of narrative art--not only from a specifically Chinese perspective but also in a world-historical context. Written during the second half of the sixteenth century and first published in 1618, The Plum in the Golden Vase is noted for its surprisingly modern technique. With the possible exception of The Tale of Genji (ca. 1010) and Don Quixote (1605, 1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in earlier Chinese fiction, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth. Replete with convincing portrayals of the darker side of human nature, it should appeal to anyone interested in a compelling story, compellingly told.

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In her New York Times bestselling book Living Beyond Your Feelings, Joyce Meyer examines the gamut of emotions that human beings experience and explains how we can manage our reactions to those emotions. This journal offers a safe place to explore those feelings while being encouraged and inspired by quotes from the book. Whether you are dealing with anger, resentment, sadness, loss, grief, or fear, this journal can help you work through those emotions and replace them with actions that lead to lasting happinessEllie Claire's LeatherLuxe® material is paired with detailed burnishing plus a four-color interior design to create this stunning journal. The rich feel of leather is finished with rounded corners and intricate stitching to make this journal an extraordinary gift for any time of year.FEATURES:Acid free paper and inkPremium, thick, non-bleed paperPrinted and burnished orange and gray LeatherLuxe® coverPresentation page for personalizationRibbon marker Rounded corners Intricate stitching on cover

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''An absolutely perfect rom-com! Laugh-out-loud funny, and packed to the brim with Jennifer Joyce''s wit, humour, and warmth. I loved every second of this gorgeous book!' Jaimie AdmansHer friends are bossing life - is she being left behind?25-year-old Cleo is happy enough. She likes her job in the fish and chip shop in the North West seaside town where she grew up. But her world has become very small - all her friends couldn't wait to leave home and are off, apparently crushing life. They have shiny careers and creative side-hustles, while she is still living with her mum and dad.But when she learns that her dream childhood boyfriend is coming back to town for a party in three months, she decides she needs to start adulting to win him.But what does being a grown-up really mean? And can she become one in three months?A funny, life-affirming romcom perfect for fans of Emily Henry, Beth O'Lear

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Labour's octogenarian powerhouse weaves together eighty years of fascinating personal, social and political history in her memoirs.From Boots Girl to Baroness, Joyce Gould boasts an impressive list of experiences and accomplishments. Through sixty-four years as a Labour Party member, she has fought for universal equality, for the right to a good standard of life for all, and for the spirit of her beloved party.The Witchfinder General is the political autobiography of the woman who notoriously made Labour electable again - nicknamed the Witchfinder General for her determination to end the debilitating discord of the 1980s by uncovering and removing the Militant Tendency - and as such it is a tender and frank depiction of the party over the past six decades. But more than that, it is a social history as seen through the eyes of someone who lived it, and a personal history of a pharmacist's apprentice turned political warrior, who has dedicated her life to making the world a better place.These memoirs document a long career in the fight for equality, the building of the modern Labour Party and the creation of the Britain we know today.

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Oates's imagination is as unique, dystopian and vivid as Lewis Carroll's' ROSE TREMAIN''A master storyteller'' THE TIMES''Electric'' NEW YORK TIMES BOOK REVIEWZero-sum games are played for lethal stakes in these arresting stories by one of America's most acclaimed writers.A brilliant young philosophy student bent on seducing her famous philosopher-mentor finds herself outmaneuvered; diabolically clever high school girls wreak a particularly apt sort of vengeance on sexual predators in their community; a woman stalked by a would-be killer may be confiding in the wrong former lover; a young woman is morbidly obsessed by her unfamiliar new role as mother. In the collection's longest story, a much-praised cutting-edge writer cruelly experiments with drafts of his own suicide.In these powerfully wrought stories that hold a mirror up to our time, Joyce Carol Oates has created a world of erotic obsession, thwarted idealism, and ever-shifting identities. Provocative and stunning, Zero-Sum rein

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In one affordable polytunnel, kitchen-garden guru Joyce Russell shows you how to grow vegetables easily, organically and abundantly so that you have something to eat every month of the year. Whether you are a beginner or more experienced, this comprehensive, practical, month-by-month guide to polytunnel gardening has got everything you need, telling you exactly what to do and when to do it, in order to grow the best fruit and vegetables all-year-round. From preparing the site to making a hotbed, from composts and organic feeds to identifying and coping with pests, plus information on how to get the best from each crop and month-to-month planting plans for year-round growing, The Polytunnel Book provides a wealth of practical tips and techniques as well as celebrating what can be achieved. Illustrated with 300 stunning colour photographs, this practical guide to polytunnels hand guides you through each month of the year, ensuring the best results all year round.

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***The instant Sunday Times bestseller***'Love, mess, secrets; this story of four generations of women is shot through with Ruth Jones's warmth and wisdom.' JOJO MOYES'A hug in a book' Prima'Her best book yet' Woman & Home'Compassionate, wise and life-affirming' The ObserverThe funny, moving and uplifting new novel from Ruth Jones, co-creator of Gavin & Stacey and author of the Sunday Times bestsellers Never Greener and Us Three.Grace is about to turn ninety and she doesn't want parties or presents or fuss. She just wants a quiet celebration: her daily swim in the sea and a cup of tea with granddaughter Elin and great-granddaughter Beca. More than anything, she wants to heal the family rift that's been breaking her heart for decades.And to do that she must find her daughter, Alys - the only person who can help to put things right.But thirty years is a long time.And many words have been left unsaid.So is it too late now to heal the pain of the past?This is a story about mothers and daughters: the love inherent in that bond and the heartache that miscommunication can bring. More than anything, it's about the importance of being true to oneself. Meet Grace, Alys, Elin and Beca - a family you'll come to know, and to love.PRAISE FOR RUTH JONES'Heartfelt, joyful, brave, utterly compelling' RACHEL JOYCE'I adored it' JOANNA CANNON'Joyful, life-affirming' ADELE PARKS'Beautifully warm and totally absorbing. I cried and I laughed. I adored it' JANE FALLONWHAT READERS ARE SAYING*'Good grief. This is truly a novel that pulled on every last emotion.'*'Warm-hearted, beautiful and heartbreaking.'*'Ruth's best book yet... entertaining and incredibly moving.'*'A gorgeous, emotional read that I was completely immersed in.'*'I'm absolutely gutted it's over... loved every single page.'** Sunday Times bestseller July 2023 **

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Renowned for his sparse yet powerful prose, J. M. Coetzee is unquestionably among the most influential—and provocative—authors of our time. With characteristic insight and a “brittle wit that forces our attention on the common terrors we don’t want to think about” (Washington Post), Coetzee here challenges us to interrogate our preconceptions not only of love, but of truth itself. Exacting yet unpredictable, pithy yet complex, Coetzee’s The Pole tells the story of Wittold Walccyzkiecz, a vigorous, extravagantly white-haired pianist and interpreter of Chopin who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his concert in Barcelona. Although Beatriz, a married woman, is initially unimpressed by Wittold and his “gleaming dentures,” she soon finds herself pursued and ineluctably swept into his world. As the journeyman performer sends her countless letters, extends invitations to travel, and even visits her husband’s summer home in Mallorca, their unlikely relationship blossoms, though only on Beatriz’s terms. The power struggle between them intensifies, eventually escalating into a full-fledged battle of the sexes. But is it Beatriz who limits their passion by paralyzing her emotions? Or is it Wittold, the old man at his typewriter, trying to force into life his dream of love? Reinventing the all-encompassing love of the poet Dante for his Beatrice, Coetzee exposes the fundamentally enigmatic nature of romance, showing how a chance meeting between strangers—even “a Pole, a man of seventy, a vigorous seventy,” and a stultified “banker’s wife who occupies her days in good works”—can suddenly change everything. Reminiscent of James Joyce’s “The Dead” in its exploration of love and loss, The Pole, with lean prose and surprising feints, is a haunting work, evoking the “inexhaustible palette of sensations, from blind love to compassion” (Berna González Harbour, El País) typical of Coetzee’s finest novels.

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