Search results for ""author caroline"

Quotations - or snippets from them - are commonly used in everyday speech, most often without the speaker knowing where they came from. From words of comfort to advice for the lovelorn, you can bet that someone, somewhere has come up with phraseology that perfectly sums up whatever situation you find yourself in - and put it more succinctly than you could ever dream of.In All That Glisters … Caroline Taggart presents some of the pithiest, wisest and most fascinating quotations we should all know, detailing where the quotation has come from and why it may be useful when searching for an elegant or informed line to illustrate a point, spice up conversation or impress one’s friends.Part of the pleasure of this book is to reveal the provenance of the well-worn quote (or misquote) - my cup runneth over, ay, there’s the rub, to err is human, the spice of life - but also to introduce some less familiar ones. Most of the q

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'A working-class woman inside the walls of Westminster? If that is not espionage, I do not know what is.' Forever on the right side of history, but on the wrong side of life, Labour MP Ellen Wilkinson is caught between revolutionary and parliamentary politics as she fights for a better world. Battling to save Jewish refugees in Nazi Germany; campaigning for Britain to aid the fight against Franco's Fascists in Spain; leading two hundred workers in the Jarrow Crusade against unemployment and poverty... she pursues each cause with a passionate, reckless conviction. And yet – despite a life spent running into the likes of Albert Einstein and Ernest Hemingway, serving in Churchill's cabinet, having affairs with communist spies and government ministers – she still finds herself, somehow, on the outside looking in. Caroline Bird's play Red Ellen is the remarkable true story of an inspiring and brilliant woman. It was first produced by Northern Stage, Nottingham Playhouse and the Royal Lyceum Theatre Edinburgh in 2022.

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Experimental fashion has a dark side, a preoccupation with representations of death, trauma, alienation and decay. This seminal publication offers an unexpected discussion of cutting-edge fashion in the 1990s, exploring what its disturbing themes tell us about consumer culture and contemporary anxieties. Caroline Evans analyses the work of innovative designers, the images of fashion photographers and the spectacular fashion shows that developed in the final decade of the twentieth century to arrive at a new understanding of fashion’s dark side and what it signifies.Fashion at the Edge considers a range of ground- breaking fashion in unprecedented depth and detail, including the work of such designers as John Galliano, Alexander McQueen, Hussein Chalayan and Viktor & Rolf, and photographers such as Steven Meisel, Nick Knight and Juergen Teller.Drawing on diverse perspectives from Marx to Walter Benjamin, Evans shows that fashion stands at the very centre of the contemporary, and that it voices some of Western culture’s deepest concerns.

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Raised on its banks and an avid sailor, Caroline Crampton sets out to rediscover the enigmatic pull of the Thames by following its course from the river's source in a small village in Gloucestershire, through the short central stretch beloved of Londoners and tourists alike, to the point where it merges with the North Sea. As she navigates the river's ever-shifting tidal waters, she seeks out the stories behind its unique landmarks, from the vast Victorian pumping stations that carried away the capital's waste and the shiny barrier that holds the sea at bay, to the Napoleonic-era forts that stand on marshy ground as eerie relics of past invasions. In spellbinding prose, she reveals the histories of its empty warehouses and arsenals; its riverbanks layered with Anglo-Saxon treasures; and its shipwrecks, still inhabited by the ghosts of the drowned. The Way to the Sea is at once a fascinating portrait of an iconic stretch of water and a captivating introduction to a new voice in British non-fiction.

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'The Forgotten Third' is a provocative collection of essays which poses the fundamental question: 'Do a third of school students have to fail so that two-thirds can pass?'Roy Blatchford has brought together a group of leading thinkers and influencers in UK education to address this question - and pose some answers.Featuring contributions from: Caroline Barlow, Geoff Barton, Rebecca Boomer-Clark, Peter Collins, Tim Coulson, Kiran Gill, Miranda Green, Peter Hyman, David Laws, Rachel Macfarlane, Rupert Moreton, Harmer Parr, Marc Rowland, Catherine Sezen, Richard Sheriff, Nic Taylor-Mullins and Iain Veitch.'The Forgotten Third' challenges orthodoxies to shape a 'levelled up' education system.

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Drawing on a wide context of bookmaking, this sweeping study traces fundamental changes in books made to support musical practice during the Carolingian Renaissance. During the late eighth and ninth centuries, there were dramatic changes in the way European medieval scribes made books for singers, moving from heavy reliance on unwritten knowledge to the introduction of musical notation into manuscripts. Well-made liturgical books were vital to the success of the Carolingian fight for Christian salvation: these were the basis for carrying out worship correctly, rendering it most effective in petitions to the Christian God. In Sounding the Word of God, Susan Rankin explores Carolingian concern with the expression and control of sound in writing—discernible through instructions for readers and singers visible in liturgical books. Her central focus is on books made for singers, including those made for priests. The emergence of musical notations for ecclesiastical chant and of books designed to accommodate those notations, Rankin concludes, are important aspects of the impact of Carolingian reforming zeal on material culture. The book has three sections. Part 1 considers late antique and early medieval texts, which deal with the value of singing and its necessary regulation. Part 2 describes and investigates techniques used by Carolingian scribes to provide instructions for readers and singers. The extant books themselves are the focus of part 3. Rankin’s analysis of over two hundred manuscripts and extensive supporting images represents the work of a scholar who has spent a lifetime with the sources; her explication of the images, particularly those of the earlier manuscripts, changes the way in which musicologists and liturgical scholars will view the images. Indeed, it will change the way in which they approach the unfolding history of chant and liturgy in the Carolingian period.

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During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical views of compassion. These Jewish artists, including Gustav Mahler, Siegfried Lipiner, Richard Beer-Hofmann, Stefan Zweig, and Arnold Schoenberg, reimagined biblical stories through the lens of the modern Jewish subject to plead for justice and compassion toward the Jewish community. By tracing responses to antisemitic discourses of compassion, Kita reflects on the explicitly and increasingly troubled political and social dynamics at the end of the Habsburg Empire.

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The origins of the large estate of Carolingian Europe and the role it played in the evolution of Frankish society and economy are the themes of this volume. The first group of articles focus on documentary evidence, especially the polyptychs and their interpretation. Though there is insufficient material for any true quantitive history, Professor Devroey argues that the evidence points to demographic expansion, coupled with the exploitation of new agricultural methods and crops, and a reliance on the family as the unit of production. Further studies relate these estates to the commercial networks of the area, from a local to an international level. A final concern is to demonstrate that the large estate formed a key component of the Carolingian rulers’ aim to establish the ’bonum commune’ and a stable society, with assured food supplies, regulated markets and a just system of weights and measures. L’origine du grand domaine de l’Europe carolingienne et le rôle qu’il jouait dans l’évolution de la société et de l’économie du monde franc sont les thèmes de ce volume. Le premier groupe d’articles se concentre sur des documents et plus spécialement sur les polyptyques et leur interprétation. Bien qu’il n’y ait pas de matériel suffisant pour une histoire quantitative, le professeur Devroey soutient que tout indique une expansion démographie, à laquelle viennent s’ajouter l’exploitation de nouvelles méthodes agricoles et de récoltes, ainsi qu’une dépendance vis-à -vis de la famille en tant qu’unité de production. Des études supplémentaires font le lien entre ces propriétés et les réseaux commerciaux de cette partie du monde, du niveau local au niveau international. L’auteur s’efforce finalement de démontrer que le grand domaine était un des facteurs à la base de la volonté des dirigeants carolingiens d’instaurer le ’bonum commune’ et une société stable avec des approvisionnements assurés, des march

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The Fall of a Carolingian Kingdom investigates how the first royal divorce scandal led to the collapse of a kingdom, changing the fate of medieval Europe. Through a set of annotated translations of key contemporary sources, the book presents the downfall of the Frankish kingdom of Lotharingia as a case study in early medieval politics, equipping readers to develop their own independent interpretations. The book tracks the twists and turns of the scandal as it unfolded over a crucial decade and a half in the ninth century. Drawing on primary sources such as letters, material culture, and secret treaties, The Fall of a Carolingian Kingdom offers readers a sharply defined window into one of the most dramatic episodes in Carolingian history, rich with insights on the workings of early medieval society.

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Embodying the Soul explores the possibilities and limitations of human intervention in the body's health across the ninth-century Carolingian Empire. Early medieval medicine has long been cast as a superstitious, degraded remnant of a vigorous, rational Greco-Roman tradition. Against such assumptions, Meg Leja argues that Carolingian scholars engaged in an active debate regarding the value of Hippocratic knowledge, a debate framed by the efforts to define Christian orthodoxy that were central to the reforms of Charlemagne and his successors. From a subject with pagan origins that had suspicious links with magic, medical knowledge gradually came to be classified as a sacred art. This development coincided with an intensifying belief that body and soul, the two components of individual identity, cultivated virtue not by waging combat against one another but by working together harmoniously. The book demonstrates that new discussions regarding the legitimacy of medical learning and the merits of good health encouraged a style of self-governance that left an enduring mark on medieval conceptions of individual responsibility. The chapters tackle questions about the soul's material occupation of the body, the spiritual meaning of illness, and the difficulty of diagnosing the ills of the internal bodily cavity. Combating the silence on "dark-age" medicine, Embodying the Soul uncovers new understandings of the physician, the popularity of preventative regimens, and the theological importance attached to dietary regulation and bloodletting. In presenting a cultural history of the body, the book considers a broad range of evidence: theological and pastoral treatises, monastic rules, court poetry, capitularies, hagiographies, biographies, and biblical exegesis. Most important, it offers a dynamic reinterpretation of the large numbers of medical manuscripts that survive from the ninth century but have rarely been the focus of historical study.

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In A Saving Science, Eric Ramírez-Weaver explores the significance of early medieval astronomy in the Frankish empire, using as his lens an astronomical masterpiece, the deluxe manuscript of the Handbook of 809, painted in roughly 830 for Bishop Drogo of Metz, one of Charlemagne’s sons. Created in an age in which careful study of the heavens served a liturgical purpose—to reckon Christian feast days and seasons accurately and thus reflect a “heavenly” order—the diagrams of celestial bodies in the Handbook of 809 are extraordinary signifiers of the intersection of Christian art and classical astronomy.Ramírez-Weaver shows how, by studying this lavishly painted and carefully executed manuscript, we gain a unique understanding of early medieval astronomy and its cultural significance. In a time when the Frankish church sought to renew society through education, the Handbook of 809 presented a model in which study aided the spiritual reform of the cleric’s soul, and, by extension, enabled the spiritual care of his community. An exciting new interpretation of Frankish painting, A Saving Science shows that constellations in books such as Drogo’s were not simple copies for posterity’s sake, but functional tools in the service of the rejuvenation of a creative Carolingian culture.

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The Dolphin Letters offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell’s life, a time of personal crisis and creative innovation for both writers. Lowell’s controversial sonnet sequence, The Dolphin (for which he used Hardwick’s letters as a source), and Hardwick’s Sleepless Nights were written during this period. Centered on the letters they exchanged with each other and with other members of their circle - writers, intellectuals, friends, and publishers, including Elizabeth Bishop, Caroline Blackwood, Mary McCarthy, and Adrienne Rich - the book has the narrative sweep of a novel, telling the story of the dramatic breakup of their twenty-one-year marriage and their extraordinary, but late, reconciliation. Lowell and Hardwick are acutely intelligent observers of marriages, children, and friends, and of the feelings that their personal crises gave rise to. The Dolphin Letters, masterfully edited by Saskia Hamilton, is a debate about the limits of art - what occasions a work of art, what moral and artistic license artists have to make use of their lives as material, what formal innovations such debates give rise to. The crisis of Lowell’s The Dolphin was profoundly affecting to everyone surrounding him, and Bishop’s warning to Lowell - “art just isn’t worth that much” - haunts.

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A New Scientist best book of 2021 Shortlisted for the 'Sports Performance Book of the Year' Award for 2022 Did you know that walking can improve your cognitive skills? That strengthening your muscular core reduces anxiety? That light stretching can combat a whole host of mental and bodily ailments, from stress to inflammation? We all know that exercise changes the way you think and feel. But scientists are just starting to discover exactly how it works. Hailed as a 'delight' by The New York Times and 'fascinating' by Women's Health, Caroline Williams explores the emerging science of how movement opens up a hotline to our minds. Interviewing researchers and practitioners around the world, Move! reveals how you can work your body to improve your mind. As we emerge from over a year's worth of lockdowns, there is no better time to take control of how you think and feel.

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Brooklyn has all the features of a "global borough": It is a base of immigrant labor and ethnically diverse communities, of social and cultural capital, of global transportation, cultural production, and policy innovation. At once a model of sustainable urbanization and overdevelopment, the question is now: What will become of Global Brooklyn? Tracing the emergence of Brooklyn from village outpost to global borough, Brooklyn Tides investigates the nature and consequences of global forces that have crossed the East River and identifies alternative models for urban development in global capitalism. Benjamin Shepard and Mark Noonan provide a unique ethnographic reading of the literature, social activism, and changing tides impacting this ever-transforming space. Cover and interior images of a rapidly transforming global borough by photographer Caroline Shepard.

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Calls for the provision of group rights are a common part of politics in Canada. Many liberal theorists consider identity claims a necessary condition of equality, but do these claims do more harm than good?To answer this question, Caroline Dick engages in a critical analysis of liberal identity-driven theories and their application in cases such as Sawridge Band v. Canada, which sets a First Nation’s right to self-determination against indigenous women’s right to equality. She contrasts Charles Taylor’s theory of identity recognition, Will Kymlicka’s cultural theory of minority rights, and Avigail Eisenberg’s theory of identity-related interests with an alternative rights framework that account for both group and in-group differences. Dick concludes that the problem is not the concept of identity itself but the way in which prevailing conceptions of identity and group rights obscure intragroup differences. Instead, she proposes a politics of intragroup difference that has the power to transform rights discourse in Canada.

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In this new, thoroughly updated third edition of Bradt''s The Cotswolds, part of Bradt''s distinctive ''Slow Travel'' series of guides to UK regions, local resident and experienced travel writer Caroline Mills shares her favourite places in a region that remains as popular as ever. Drawing on more than 50 years'' living in the Cotswolds, and combining engaging first-person narrative with authoritative advice, Mills slows readers down and helps them delve deeply into a range of regions: the Cotswolds National Landscape Area of Outstanding Natural Beauty (AONB); the Cotswold escarpment, hills and valleys; the Wiltshire Cotswolds and the area known as the Four Shires; three Cotswold ''gateways'' (Stratford-upon-Avon, Bath and Oxford); the lesser-known ''hidden'' fringes of the Cotswolds, including the Oxfordshire Cotswolds, which follow much of the youthful Thames Valley, and the Cotswold Way National Trail. The Cotswolds'' rich manmade heritage includes Oxford University (the world''s ol

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In the eighteenth century, the palace's most elegant assembly room was in fact a bloody battlefield. This was a world of skulduggery, politicking, wigs and beauty-spots, where fans whistled open like flick-knives...Ambitious and talented people flocked to court of George II and Queen Caroline in search of power and prestige, but Kensington Palace was also a gilded cage. Successful courtiers needed level heads and cold hearts; their secrets were never safe. Among them, a Vice Chamberlain with many vices, a Maid of Honour with a secret marriage, a pushy painter, an alcoholic equerry, a Wild Boy, a penniless poet, a dwarf comedian, two mysterious turbaned Turks and any number of discarded royal mistresses.

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‘The perfect book for the summer!’ – Karen Whittard (NetGalley Reviewer) Love happens when you least expect it… Jodi is panicking. It’s only weeks until her little village in Devon holds its first ever festival and everything is falling apart. Desperate to avoid disaster, she brings in notorious party planner Christian to save the day. Although she wasn’t prepared for just how gorgeous he wuold be! Men are off the cards for Jody and surely Christian is the last man she would ever date? But with tensions rising – along with the bunting and homemade scones – she’s about to find out… Perfect for fans of Caroline Roberts, Cathy Bramley and Heidi Swain.

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****PRE-ORDER THE NEW CAROLINE SCOTT NOVEL, GREENFIELDS, COMING FEBRUARY 2025**** England, 1932, and the country is in the grip of the Great Depression. To lift the spirits of the nation, Stella Douglas is tasked with writing a history of food in England. It’s to be quintessentially English and will remind English housewives of the old ways, and English men of the glory of their country. The only problem is –much of English food is really from, well, elsewhere . . .Good taste is in the eye of the beholder... So, Stella sets about unearthing recipes from all corners of the country, in the hope of finding a hidden culinary gem. But what she discovers is rissoles, gravy, stewed prunes and lots of oatcakes. Longing for something more thrilling, she heads off to speak to the nation’s housewives. But when her car breaks down and the dashing and charismatic Freddie springs to her rescue, she is led in a very different direction . . . Full of wit and vim, Good Taste is a story of discovery, of English nostalgia, change and challenge, and one woman’s desire to make her own way as a modern woman.Praise for Good Taste & Caroline Scott: 'A delicious treat of a book! The book sings with gorgeous period details that take the reader into 1930s England, and stir a sense of nostalgia. Lively, poignant, witty and beautifully written, and all driven by a wonderful character in Stella Douglas, I couldn't stop turning the pages.' Hazel Gaynor ‘A fascinating, immersive, and delicious treat of a book’ heat (book of the week) ‘Evocatively written and laugh-out-loud funny, it’s guaranteed to make you smile’ Woman’s Weekly ‘Beautifully written, this sparkling novel is packed with wit and warmth’ S Magazine ‘Scott has done an amazing job of drawing on real stories to craft a powerful novel’ Good Housekeeping ‘. . . the perfect antidote to these darker days when the news is bleak and the weather bleaker . . . This is a nicely paced yarn shot through with nostalgia but with themes which nevertheless resonate today... A tasty treat' Mirror, The Friday Book Club ‘A fun, colourful read . . . laugh-out-loud funny, it’s guaranteed to make you smile’ Woman & Home 'Wonderful on nostalgia, doing things your own way and maintaining faith. I raced through it' Daily Mail

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Now in its 48th year, Best Canadian Stories has long championed the short story form and highlighted the work of many writers who have gone on to shape the Canadian literary canon. Caroline Adderson, Margaret Atwood, Clark Blaise, Tamas Dobozy, Mavis Gallant, Douglas Glover, Norman Levine, Rohinton Mistry, Alice Munro, Leon Rooke, Diane Schoemperlen, Kathleen Winter, and many others have appeared in its pages over the decades, making Best Canadian Stories the go-to source for what’s new in Canadian fiction writing for close to five decades. Selected by guest editor Russell Smith, the 2018 edition draws together both newer and established writers to shape an engaging and luminous mosaic of writing in this country today—a continuation of not only a series, but a legacy in Canadian letters. Best Canadian Stories 2018 features work by: Shashi Bhat, Tom Thor Buchanan, Lynn Coady, Deirdre Simon Dore, Alicia Elliott, Bill Gaston, Liz Harmer, Brad Hartle, David Huebert, Reg Johanson, Amy Jones, Michael LaPointe, Stephen Marche, Lisa Moore, Kathy Page, and Alex Pugsley.

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Embroiled in war, Alan Lewrie is in for the fight of his life After being shipped off to the navy, Alan Lewrie has found his sea legs. Although a stark contrast to the social whirl of London, his rise in status to naval officer rather suits him.When, alongside the crew of the Desperate, he finds himself entangled in the siege of Yorktown, he is forced to fight for his life. But rescuing a loyalist family, along with their attractive daughter Caroline, gets Lewrie in even hotter water…The second action-packed instalment of The Alan Lewrie Naval Adventures is perfect for fans of Philip McCutchan, Julian Stockwin and Patrick O’Brian.‘You could get addicted to this series. Easily.’ New York Times Book Review‘The best naval series since C. S. Forester . . . Recommended.’ Library Journal‘Fast-moving. . . A hugely likeable hero, a huge cast of sharply drawn supporting characters: there's nothing missing. Wonderful stuff.’ Kirkus ReviewsThe Alan Lewrie Naval Adventures The King's Coat The French Admiral The King's Commission The King's Privateer The Gun Ketch H.M.S. Cockerel The King’s Commander Jester’s Fortune The King’s Captain Sea of Grey

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‘Extraordinary’ Heidi Swain‘Life-affirming’ Hazel Prior‘Big-hearted’ Caroline Day‘Beautiful’ Julietta Henderson‘Heartwarming’ Daily Mail‘Unputdownable’ My Weekly‘A joy’ Good Housekeeping  Joe loves predictability. But his life is about to become a surprising adventure. Joe-Nathan likes the two parts of his name separate, just like his dinner and dessert. Mean Charlie at work sometimes calls him Joe-Nuthin. But Joe is far from nothing. Joe is a good friend, he’s good at his job, good at making things and good at following the rules, and he’s learning how to do lots of things by himself. Joe’s mother knows there are a million things in life he isn’t

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An argument that humanists have the tools—and the responsibility—to mobilize political power to tackle climate changeAs climate catastrophes intensify, why do literary and cultural studies scholars so often remain committed to the separation of aesthetic study from the nitty-gritty of political change? In this thought-provoking book, Caroline Levine makes the case for an alternative view, arguing that humanists have the tools to mobilize political power—and the responsibility to use those tools to avert the worst impacts of global warming. Building on the theory developed in her award-winning book, Forms, Levine shows how formalist methods can be used in the fight for climate justice.Countering scholars in the environmental humanities who embrace only “modest gestures of care”—and who seem to have moved directly to “mourning” our inevitable environmental losses—Levine argues that large-scale, practical environmental activism should be integral to humanists’ work. She identifies three major infrastructural forms crucial to sustaining collective life: routines, pathways, and enclosures. Crisscrossing between art works and public works—from urban transportation to television series and from food security programs to rhyming couplets—she considers which forms might support stability and predictability in the face of growing precarity. Finally, bridging the gap between academic and practical work, Levine offers a series of questions and exercises intended to guide readers into political action. The Activist Humanist provides an essential handbook for prospective activist-scholars.

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Winner of the 2019 Financial Times and McKinsey Business Book of the Year Award Winner of the 2019 Royal Society Science Book Prize Data is fundamental to the modern world. From economic development, to healthcare, to education and public policy, we rely on numbers to allocate resources and make crucial decisions. But because so much data fails to take into account gender, because it treats men as the default and women as atypical, bias and discrimination are baked into our systems. And women pay tremendous costs for this bias, in time, money, and often with their lives. Celebrated feminist advocate Caroline Criado Perez investigates the shocking root cause of gender inequality and research in Invisible Women?, diving into women&;s lives at home, the workplace, the public square, the doctor&;s office, and more. Built on hundreds of studies in the US, the UK, and around the world, and written with energy, wit, and sparkling intelligence, this is a groundbreaking, unforgettable exposé that will change the way you look at the world.

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Few transportation maps can boast the pedigree that London's iconic Tube' map can. Sported on t-shirts, keyrings, duvet covers, and most recently, downloaded an astonishing twenty million times in app form, the map remains a long-standing icon of British design and ingenuity. Hailed by the art and design community as a cultural artefact, it has also inspired other culturally important pieces of artwork, and in 2006 was voted second in BBC 2's Great British Design Test. But it almost didn't make it out of the notepad it was designed in. The story of how the Underground map evolved is almost as troubled and fraught with complexities as the transport network it represents. Mapping the Underground was not for the faint-hearted - it rapidly became a source of frustration, and in some cases obsession - often driving its custodians to the point of distraction. The solution, when eventually found, would not only revolutionise the movement of people around the city but change the way we visualise London forever. Caroline Roope's wonderfully researched book casts the Underground in a new light, placing the world's most famous transit network and its even more famous map in its wider historical and cultural context, revealing the people not just behind the iconic map, but behind the Underground's artistic and architectural heritage. From pioneers to visionaries, disruptors to dissenters - the Underground has had them all - as well as a constant stream of (often disgruntled) passengers. It is thanks to the legacy of a host of reformers that the Tube and the diagram that finally provided the key to understanding it, have endured as masterpieces of both engineering and design.

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“This book showcases the breadth and value of online pedagogy for applied linguistics. The chapters offer informative, practical and inspirational insights into teaching and learning used at the Open University, and how these approaches extend to the wider Higher Education context. A genuinely engaging and instructive book, written by experienced and innovative practitioners.”Dr Mel Evans, University of Leeds, UK“This timely collection on online pedagogy from an applied linguistics perspective offers an impressive range of important issues that educators need to constantly reflect on in this day and age. All chapters are written in a highly accessible manner and illustrated with ample examples. I am sure readers will find the book an enjoyable read.”Dennis Chau, Hong Kong Metropolitan University, Hong KongThis book is an essential guide to providing quality online and distance learning. As the educational landscape becomes increasingly digital, this book is designed to help readers embrace this transition and support their students. Written by a team of online experts at the Open University, the book skillfully combines core theories and principles with practical examples and student insights. Online Pedagogy and the Student Experience covers an expansive range of topics including blended learning, online social presence, dialogic learning and digital literacy. All chapters are illustrated with practical examples and supplemented with engaging exercises. The book:• Provides educators with tried and tested online pedagogical techniques• Integrates the student voice to highlight their perspective• Contains illuminative case studies and reflective exercisesThe authors do not assume access to specific technologies or platforms, making the book accessible for all. Perfect for educators and postgraduate students contemplating their future in the world of digital education, this book supports teachers in developing their online learning strategies.Maria Leedham is Senior Lecturer in Applied Linguistics and English Language at the Open University, UK. She has worked there for over 15 years, writing material for modules at under- and postgraduate level in applied linguistics and English language as well as running modules in presentation.Caroline Tagg is Senior Lecturer in Applied Linguistics and English Language, and has taught across The Open University’s undergraduate and postgraduate programmes since 2015. Her research focuses on the role of mobile technologies in shaping language and communication. She is currently Secretary of the British Association of Applied Linguistics (BAAL).Jackie Tuck is Senior Lecturer in Applied Linguistics and English Language at the Open University, UK. She has been involved in teaching in English Language and Applied Linguistics (module design, materials writing and delivery) at the Open University for 25 years. Jackie also co-ordinates the University’s Professional Academic Communication in English programme for postgraduate research students.

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‘An absolute *blinder* … so so funny and sexy. So excited now to read everything by Crystal Jeans’ Caroline O’Donoghue, author of Scenes of a Graphic Nature ‘A glorious celebration of queer friendship and all kinds of love. Funny, outrageous, heartbreaking and so much fun’ Kate Davies, winner of the Polari Prize ‘Hilarious, fresh and sexy, with a tale that takes the reader from Egypt to Hollywood’ Irish Independent ‘Funny, filthy and phenomenally good’ Matt Cain ‘Filthy and hilarious, this is a gloriously naughty romp of a read that also has something serious to say about queer love. I didn’t want it to end’ S.J. Watson ‘Perfect for fans of Tipping the Velvet and Gentleman Jack… a delicious and diligent piece of fiction that will provide you with enough great comebacks to last a lifetime… This is a delightful book I wish to fling at my friends with affectionate abandon' DIVA ‘By turns raucous and poignant, hilarious and shattering this is a wonder of a story’ Jess Kidd ‘This delicious romp is the sort of thing Nancy Mitford might have written if she’d been gay… wonderfully blithe, witty and moving’ Rowan Pelling, DAILY MAIL 1921: a boy, a girl, a moonlit midnight kiss. A terrible, repulsive kiss. Bettina and Bart have grown up as best friends, so surely they will end up together? After all, Bettina is young, rich, headstrong…. and gay. Bart is young, rich, charismatic… and also, definitely, gay. Any doubts are dispelled by, in short order: that ghastly kiss; a torrid encounter for Bettina in the school boiler-rooms; and an eye-opening Parisian visit for Bart. Society will never stand for it. What else can they do but enter into a ‘lavender marriage’ and carry on indulging their true natures in secret? As the ’20s and ’30s whizz past in a haze of cigarettes, champagne and casual sex, Bart and Bettina have no idea that they are hurtling, via Hollywood and Egypt, Paris and London, towards tragedy and bloodshed…

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Rona Jaffe's frank, scandalous and thrilling 1958 novel, The Best of Everything follows a group of young women as they negotiate office romances, workplace politics, broken engagements, tiny apartments, lecherous bosses, heartbreak and lasting friendship, published in Penguin Modern Classics.New York, 1952: Four young women have come to the city: to find love, to build their careers and to savour the indefinable optimism of the times. Caroline is the college graduate, determined to escape the typing pool and become an editor. April is the beautiful country girl with a penchant for disastrous romances. Aspiring actress Gregg is tangled in a dangerous love affair with a playwright; and divorcée Barbara writes about lipsticks by day and cares alone for her daughter by night. Famously bedtime reading for Mad Men's Don Draper, The Best of Everything portrays the lives and passions of these ambitious young women with intelligence, affection, and prose as sharp as a paper cut.Rona Jaffe (1931-2005) was born in Brooklyn, New York, and grew up in the affluent Upper East Side of Manhattan. Jaffe wrote her first book, The Best of Everything, while working as an associate editor at Fawcett Publications in the 1950s. Published in 1958, it was later made into a movie, starring Joan Crawford. During the 1960s she wrote cultural pieces for Cosmopolitan magazine. Jaffe wrote sixteen novels during her career, including the controversial Mazes and Monsters (1981), adapted into a film starring Tom Hanks.If you enjoyed The Best of Everything, you might like John Dos Passos' Manhattan Transfer, also available in Penguin Modern Classics.'It harks back to a saner time when choosing progress and modernity was as straightforward as ordering dinner - "Two Scotches with water on the side, and two steaks"' Julie Burchill, author of Ambition'Decades before Sex and the City, Jaffe recorded the minutiae of women's lives and broke powerful taboos'Joan Smith, Independent

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"There's only ever been two English rock 'n' roll singers," Ian Dury said, "Johnny Rotten and Billy Fury." Butter adverts have tainted Johnny's status, but Billy's combination of beauty, sex, innocence, talent, charisma and vulnerability has never been matched. The Sound of Fury, his first L.P., is still widely revered as the best British rock'n'roll record ever made. When he first appeared on TV, a generation of teenagers found true love, and his post-rock'n'roll heartbreak ballads were the essential soundtrack to adolescent angst. In 1973, he was brought out of semi-retirement to play Stormy Tempest - to some extent a parody of himself - in the movie That'll Be The Day. The magic rose above the parody. He never knew how not to be magnificent. David and Caroline Stafford guide the reader through Billy's troubled childhood in Liverpool, via gold and silver lame, to his later years as a farming ornithologist, and his comeback cut short by his premature death. Billy Fury was a key figure on that watershed between post-war privations and sixties excess. He knew everybody, auditioned the Beatles to be his backing band, met and outhandsomed Elvis, partied with Keith Moon and hosted acid parties. Yet, throughout the mayhem, he always remained true to himself- diffident and amused. Halfway To Paradise tells the full story with the compassion and affection due to an artist who, decades after his death, still has the power to command admiration and adoration.

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Through his foreign conquests and internal reforms, Charlemagne is a defining figure of both Western Europe and the Middle Ages. Crowned king of the Franks in 768, he expanded their kingdoms into an empire that incorporated much of western and central Europe, recreating a single Christian imperium in the heartlands of the old Western Roman empire for the first time since the decline and fall of that polity in the late fifth century AD. After his imperial coronation Charlemagne was seen as a rival, in power and majesty, of the Byzantine Emperor in Constantinople. Charlemagne's empire, and the cultural golden age that is associated with it, encouraged the formation of a common European identity. In this magisterial new study, Hywel Williams explores every facet of the rule and legacy of one of the most remarkable rulers in European history. Emperor of the West is a major contribution to early medieval history, and is essential reading for anyone interested in the wider history of Europe.

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The new scholarly series, "Van Gogh Studies" offers an international platform for research into nineteenth century, West European art history. The contributions focus on Vincent van Gogh and his contemporaries and are written by internationally acclaimed scholars and provide a richly variegated impression of this area of study. The first issue reveals the diversity of the Eminence grise series. Robert Herbert presents a major study about decorative arts; the nineteenth century French art market and the Salon system is the centrepiece of Robert Jensen and David Galenson's contribution, while Elise Eckermann, June Hargrove and Caroline Boyle-Turner provide remarkable monographs about Gauguin as a painter and sculptor. Joan Greer elucidates in great detail on the publication of Van Gogh's letters in the Flemish journal "Van Nu en Straks" ("Today and Tomorrow") in 1893, while Louis van Tilborgh researches and dates Van Gogh's stay in French painter Fernand Cormon's studio.

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The Two Kingdoms treats a major achievement of the Carolingian "Renaissance," Frankish ecclesiology, and the influence of 9th-century ecclesiology upon contemporary political thought. Dr. Morrison focuses particularly on the argument that, in this world, government was divided between the earthly kingdom and the kingdom of the Church. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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I believe you. I hear you. I see you. And I''m here to help you find your power to heal and thrive, not just survive. Somatic trauma therapist and positive psychology coach Caroline Strawson wants to show you that your past is not your life sentence. No matter what's happened in your life, you can find joy, light, and happiness again. Integrating her own lived experience of narcissistic abuse with trauma-informed practices and positive psychology interventions, this book will help you heal and begin to feel like yourself again. You will learn: to understand your core emotional wounds and begin to heal from your past practical tools and exercises for engaging with the impact of narcissistic abuse, such as nervous system regulation, internal family systems theory, and the SELF Navigation Map techniques to mitigate any potential triggers and develop compassion and kindness towards your inner child, such as grounding practices, somat

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WINNER OF THE LONDON HELLENIC PRIZESHORTLISTED FOR THE ANGLO-HELLENIC RUNICMAN AWARD A SUNDAY TIMES AND SPECTATOR BOOK OF THE YEAR''A gloriously intimate tour of the body in antiquity'' Gavin Francis''A triumph ... an extraordinary book that stopped me in my tracks'' Peter FrankopanThe Greek and Roman body is often seen as flawless - cast from life in buff bronze and white marble, to sit upon a pedestal. But this, of course, is a lie.Here, classicist Caroline Vout reaches beyond texts and galleries to expose Greek and Roman bodies for what they truly were: anxious, ailing, imperfect, diverse, and responsible for a legacy as lasting as their statues. Taking us on a gruesome, thrilling journey, she taps into the questions that those in the Greek and Roman worlds asked about their bodies - where do we come from? What makes us different from gods and animals? What happens to our bodies, and the forces that govern them, when we die?You''ve seen the paintings, read the philosophers and heard

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What is the Gulen Movement and why is Turkey's President Erdogan so convinced that the organisation and its charismatic leader were behind the failed military coup of 15th July 2016? The Gulen, or Hizmet, movement in Turkey was until recently the country's most powerful and affluent religious organisation. At its head is the exiled Muslim preacher Fethullah Gulen, who leads from a gated compound in the Pocono Mountains of the USA.The movement's central tenet is that Muslims should engage positively with modernity, especially through mastering the sciences. At hundreds of Gulen-run schools and universities, not only in Turkey but also worldwide and particularly in the United States, instructors have cultivated the next generation of Muslim bankers, biologists, software engineers and entrepreneurs. In this groundbreaking study, Caroline Tee, an expert on the Gulen Movement, analyses the complex attitudes of Gulen and his followers towards secular modernity. Considered against the backdrop of Turkish politics, Gulenist engagement with modern science is revealed as a key source of the influence the movement has exerted.

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Caroline George once again transports readers with lush, evocative prose, leading them to ask the question: what happens when we can’t even trust ourselves?Some memories are better left forgotten.Darby and Morgan haven’t spoken for two years, and their friend group has splintered. But when the body of their former science teacher is found in the marsh where they attended camp that summer, they realize they have more questions than answers . . . and even fewer memories.No one remembers—or no one is talking.The group of reunited friends suspects that a murderer is stalking the coastal highway 30A, and they are desperate to recover their memories as quickly as possible . . . before their history they can’t remember repeats itself.Everyone has a secret.As tensions rise and time runs out, Darby and Morgan begin to wonder if they can believe one another . . . or if they can even trust themselves. Young Adult suspense with romance Stand-alone novel Book length: 95,000 words Includes discussion questions for book clubs

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First comprehensive look at how today's German literary fiction deals with questions of German victimhood. In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety ofthese texts. An opening section on the 1950s -- a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration -- provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Karina Berger holds a PhD in German from the University of Leeds.

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First comprehensive look at how today's German literary fiction deals with questions of German victimhood. In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety ofthese texts. An opening section on the 1950s -- a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration -- provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Karina Berger holds a PhD in German from the University of Leeds.

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Over fifty years ago, with the release of The Curse of Frankenstein and Christopher Lee in Dracula, Hammer ushered in a whole new era of blood and barely restrained cleavage in glorious colour, mixing sex and horror with a style and panache that made the small British company world famous. Bursting at the seams with rare and previously unpublished photographs from Hammer’s archive and private collections worldwide, and featuring many new interviews, Hammer Glamour is a lavish, full colour celebration of Hammer’s female stars, including Ingrid Pitt, Martine Beswick, Caroline Munro, Barbara Shelley, Joanna Lumley, Nastassja Kinski, and of course Raquel Welch (who can forget her fur bikini in One Million Years B. C.?)

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Theatricality in Early Modern Art and Architecture offers the first systematic investigation of exchanges between the arts, architecture and the theatre. The authors present many new instances of the interaction between the arts, providing a theoretical and historiographical context for these interactions. Offers the first systematic investigation of exchanges between the arts, architecture and the theatre, not simply the influence of the theatre on the arts, and vice versa Develops a theoretical and methodological model to study such exchanges and interactions Presents many new, hitherto unknown instances of the interaction between the arts, particularly architecture, and the theatre, and provides such interactions with a theoretical and historiographical context Authors have opened up new ways of analyzing theatricality both in the arts, architecture and the theatre

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"A Monastery in Time" is the first book to describe the life of a Mongolian Buddhist monastery - the Mergen Monastery in Inner Mongolia - from inside its walls. From the Qing occupation of the eighteenth and nineteenth centuries through the Cultural Revolution, Caroline Humphrey and Hurelbaatar Ujeed tell a story of religious formation, suppression, and survival over a history that spans three centuries. Often overlooked in Buddhist studies, Mongolian Buddhism is an impressively self-sustaining tradition whose founding lama, the Third Mergen Gegen, transformed Tibetan Buddhism into an authentic counterpart using the Mongolian language. Drawing on fifteen years of fieldwork, Humphrey and Ujeed show how lamas have struggled to keep Mergen Gegen's vision alive through tremendous political upheaval, and how such upheaval has inextricably fastened politics to religion for many of today's practicing monks. Exploring the various ways Mongolian Buddhists have attempted to link the past, present, and future, Humphrey and Ujeed offer a compelling study of the interplay between the individual and the state, tradition and history.

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Exclusive Memory: A Perceptual History of the Future is a compendium of descriptive, speculative prose and text-images by the Governor General’s Award-winning artist, Tom Sherman. Its contents sweep across five decades, describing radically different periods and environments — from Sherman’s early experiments in Toronto in the 1970s to his recent explorations of text and image in Nova Scotia’s South Shore. At the core of this volume is “The Faraday Cage,” a text that delivers a vivid cascade of images of the art scene in Toronto at the onset of the video era in the early 1970s. This opening chapter expands into a series of essays in which Sherman pictures a vast horizon of contexts: urban, rural, social, political, economic, and in some cases, simply a beach along the coast of the Atlantic Ocean. His ongoing and rigorous investigation into the intersections of art, technology, and life itself is grounded in the converging terrains of mediaspheres and landscapes. And then, in a quick shift of perspective enter Peggy Gale and Caroline Seck Langill, who charge the book with wide-sweeping conversations about Sherman’s practice: his use of written language and dynamic, critically engaged “pictures,” the expansive reach of his text-based visual works, and the distinctive character of his voice. The result is a provocative retrospective in book form that both demonstrates and expands upon Tom Sherman’s clear, forward-looking vision.

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White Fang is the story of a half dog, half wolf. It is told from White Fang's point of view as he learns to fend for himself and interact with other animals and with humans. His story is one of survival in the snowy wilderness of North America, but can he ever be tamed? Exciting and powerful classic stories to enrich and extend your children's reading experiences. TreeTops Classics are carefully adapted versions of must-read stories which introduce your readers to significant authors, powerful plots and characters that have stood the test of time. These abridged versions of classics have been sensitively adapted by top children's authors to ensure that language and content is appropriate, but remain faithful to the original. These enchanting stories will appeal to all your junior readers and introduce them to a rich literary heritage. Each book includes author biographies and notes to help with historical and social context and any challenging vocabulary, ensuring the books are easily accessible. Books contain inside cover notes to support children in their reading. Help with children's reading development also available at www.oxfordowl.co.uk. The books are finely levelled, making it easy to match every child to the right book.

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** Pre-order SECOND CHANCES AT THE BOARD GAME CAFE, the new cosy, uplifting romance in the Board Game Cafe series, now! ** Scrabble fan Jo always seems to pick the wrong guys. Now she’s moved to the Yorkshire village of Hebbleswick, and decided to give dating one last chance. This time, there’s a catch: she will only date men whose names would score highly in her beloved word game. After Tarquin (16 points) proves just as disappointing as the rest, she meets low-scoring local doctor Ras (3 points). Her rules mean she can’t date him – but when he asks her to organise a Scrabble festival with him, she can’t say no. As the event draws nearer and Jo and Ras grow closer, will Jo ignore her rule and let true love blossom over the triple letter scores? Praise for Love Letters on Hazel Lane: 'An absolute delight from the very first page to the delicious end!' Faith Hogan 'Word perfect! I loved it!' Heidi Swain 'Another cracker from Jennifer Page! This is a hug of a book.' Caroline James 'A heart-warming romance perfect for curling up with. I absolutely loved it.' Kitty Wilson

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She's accused of four murders. She's only guilty of three...When Ruby was a child growing up in Miami, she saw a boy from her school struggling against the ocean waves while his parents were preoccupied. Instead of helping him, Ruby dove under the water and held his ankle down until he drowned. She waited to feel guilty for it, but she never did. And, as Ruby will argue in her senior thesis while studying psychology at Yale, guilt is sort of like eating ice cream while on a diet - if you're already feeling bad, why not eat the whole carton? And so, the bodies start to stack up. Twenty-five years later, Ruby's in an interrogation room under suspicion of murder, being shown four photographs. Each is a person she once knew, now deceased. The line-up includes her husband Jason. She is responsible for three of the four deaths... but it might be the crime that she didn't commit that will finally ensnare her.From the Emmy Award-winning Executive Producer of The Bold Type, this darkly funny and compulsively page-turning novel is perfect for fans of Caroline Kepnes' You and Oyinkan Braithwaite's My Sister the Serial Killer.

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Having played host to the A-list and beau monde from Atlanta to Park Avenue to Beverly Hills, Alex Hitz is a consummate entertainer and bon vivant who can really cook. Elegance, comfort, and wit (and always a little decadence) suffuse every detail of every delightful and delicious occasion. Defying diets and trends, Alex treats guests like family with rich, Southern-inspired food and the generous traditions of Southern hospitality. Conceived as full menus, each occasion offers recipes and tips for ultimate success, from his always-perfect-every-time Thanksgiving table and epic Boxing Day buffet to a bright Easter brunch and an intimate Valentine s Day supper. In addition to twelve expertly curated menus, Hitz provides can t-fail recipes for his essential dishes, classic recipes every confident cook should have in their back pocket, from perfect vinaigrettes and homemade mayonnaise to Bel-Air Onion Puffs, Risotto alla Milanese, To-Die-For Ale-Braised Brisket, and Caroline s Tipsy Ambrosia. Ever the raconteur, Hitz delivers common-sense rules for the art of the guest and what always or never to do as a thoughtful host, providing readers with the skills and confidence to establish their own signature style.

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The book that redefines economics for a world in crisis.Relentless financial crises. Extreme inequalities in wealth. Remorseless pressure on the environment. Anyone can see that our economic system is broken. But can it be fixed?In Doughnut Economics, Oxford academic Kate Raworth identifies the seven critical ways in which mainstream economics has led us astray - from selling us the myth of 'rational economic man' to obsessing over growth at all costs - and offers instead an alternative roadmap for bringing humanity into a sweet spot that meets the needs of all within the means of the planet. Ambitious, radical and provocative, she offers a new cutting-edge economic model fit for the challenges of the 21st century._____________________________________________________*The Sunday Times Bestseller**A Financial Times and Forbes Book of the Year**Winner of the Transmission Prize 2018**Longlisted for the FT/McKinsey Business Book of the Year Award 2017*'The John Maynard Keynes of the 21st century.' George Monbiot, Guardian'This is sharp, significant scholarship . . . Thrilling.' Times Higher Education'Raworth's magnum opus . . . Fascinating.' Books of the Year, Forbes'[Raworth's] biggest question . . . is one that terrifies all mainstream economists: is 'growth' endless?' Andrew Marr, Spectator'A compelling and timely intervention.' Caroline Lucas MP, Books of the Year, The Ecologist

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