Search results for ""Author Judith"

A Pulitzer prize-finalist peels back the curtain on an unexplored part of Julia Child's life—the formidable team of six she collaborated with to shape her legendary career.Julia Child's monumental Mastering the Art of French Cooking and iconic television show The French Chef required a team of innovators to bring out her unique presence and personality. Warming Up Julia Child is behind-the-scenes look at this supporting team, revealing how the savvy of these helpers, collaborators, and supporters contributed to Julia's overwhelming success. Julia is the central subject, but Helen Horowitz has her share the stage with those who aided her work. She reveals that the most important element in Julia Child’s ultimate success was her unusual capacity for forming fruitful alliances, whether it was Paul Child, Simone Beck, Avis DeVoto, Judith Jones and William Koshland (at Knopf), and Ruth Lockwood (at WGBH). Without the contribution of these six collaborators Julia could never have accomplished what she did. Filled with vivid correspondance, fascinating characters, and the iconic joie de vivre that makes us come back to Julia again and again, Warming Up Julia Child is essential reading for anyone who adores Julia and her legacy.

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In 2012 and 2013, masses of French citizens took to the streets to demonstrate against a bill on gay marriage. But demonstrators were not merely denouncing its damaging effects; they were also claiming that its origins lay in "gender theory," an ideology imported from the United States. By "gender theory" they meant queer theory in general and, more specifically, the work of noted scholar Judith Butler. Now French opponents to gay marriage, supported by the Vatican, are attacking school curricula that explore male/female equality, which they claim is further proof of gender theory's growing empire. They fear that this pro-homosexual propaganda will not only pervert young people, but destroy the French nation itself. What are the various facets of the French response to queer theory, from the mobilization of activists and the seminars of scholars to the emergence of queer media and the decision to translate this or that kind of book? Ironically, perceiving queer theory as a threat to France means overlooking the fact that queer theory itself has been largely inspired by French thinkers. By examining mutual influences across the Atlantic, Bruno Perreau analyzes changes in the idea of national identity in France and the United States. In the process, he offers a new theory of minority politics: an ongoing critique of norms is not only what gives rise to a feeling of belonging; it is the very thing that founds citizenship.

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What do your colleagues, overlords, underlings, clients, and customers have in common? Not knowing how much they annoy you. Not to mention how much you may be annoying them. The route from cubicle to corner office is strewn with etiquette landmines. And now that the boundaries that once cleanly separated work from personal life are blurred, even polite people don’t recognize the difference between professional and social manners. What do you say to a colleague who has just been fired? How do you maintain a family-friendly office without discriminating against singles? What’s the difference between showing romantic interest and sexual harassment? Which colleagues should be invited to family weddings? When should you be unavailable, at or away from work? Don’t convene a focus group or appeal to Human Resources—consult Miss Manners! With wit and wisdom, Miss Manners restores civility, guiding you around your coworker’s messy cubicle, past your overly prying boss, around the bridal shower for the new temp, and through tedious staff meetings. In Miss Manners Minds Your Business, Judith Martin and her son, executive Nicholas Ivor Martin, equip readers with the practical, pertinent, and utterly correct advice necessary to win the job, keep the job, and leave the job with sanity and dignity intact.

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Building resilience,the ability to bounce back more quickly and effectively,is an urgent social and economic issue. Our interconnected world is susceptible to sudden and dramatic shocks and stresses: a cyber-attack, a new strain of virus, a structural failure, a violent storm, a civil disturbance, an economic blow. Through an astonishing range of stories, Judith Rodin shows how people, organizations, businesses, communities, and cities have developed resilience in the face of otherwise catastrophic challenges: Medellin, Colombia, was once the drug and murder capital of South America. Now it's host to international conferences and an emerging vacation destination. Tulsa, Oklahoma, cracked the code of rapid urban development in a floodplain. Airbnb, Toyota, Ikea, Coca-Cola, and other companies have realized the value of reducing vulnerabilities and potential threats to customers, employees, and their bottom line. In the Mau Forest of Kenya, bottom-up solutions are critical for dealing with climate change, environmental degradation, and displacement of locals. Following Superstorm Sandy, the Rockaway Surf Club in New York played a vital role in distributing emergency supplies. As we grow more adept at managing disruption and more skilled at resilience-building, Rodin reveals how we are able to create and take advantage of new economic and social opportunities that offer us the capacity to recover after catastrophes and grow strong in times of relative calm.

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The pandemic compels us to ask fundamental questions about our place in the world: the many ways humans rely on one another, how we vitally and sometimes fatally breathe the same air, share the surfaces of the earth, and exist in proximity to other porous creatures in order to live in a social world. What we require to live can also imperil our lives. How do we think from, and about, this common bind?Judith Butler shows how COVID-19 and all its consequences—political, social, ecological, economic—have challenged us to reconsider the sense of the world that such disasters bring about. Drawing on the work of Max Scheler, Maurice Merleau-Ponty, and critical feminist phenomenology, Butler illuminates the conditions in which we seek to make sense of our disorientation, precarity, and social bonds. What World Is This? offers a new account of interdependency in which touching and breathing, capacities that amid a viral outbreak can threaten life itself, challenge the boundaries of the body and selfhood. Criticizing notions of unlimited personal liberty and the killing forces of racism, sexism, and classism, this book suggests that the pandemic illuminates the potential of shared vulnerabilities as well as the injustice of pervasive inequalities.Exposing and opposing forms of injustice that deny the essential interrelationship of living creatures, Butler argues for a radical social equality and advocates modes of resistance that seek to establish new conditions of livability and a new sense of a shared world.

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The author offers lyrical, compassionate, and witty observations about turning fifty years old and facing middle age.

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The popular genre of medieval romance explored in its physical, geographical, and literary contexts. The essays in this volume take a representative selection of English and Scottish romances from the medieval period and explore some of their medieval contexts, deepening our understanding not only of the romances concerned but also of the specific medieval contexts that produced or influenced them. The contexts explored here include traditional literary features such as genre and rhetorical technique and literary-cultural questions of authorship, transmission and readership; but they also extend to such broader intellectual and social contexts as medieval understandings of geography, the physiology of swooning, or the efficacy of baptism. A framing context for the volume is provided by Derek Pearsall's prefatory essay, in which he revisits his seminal 1965 article on the development of Middle English romance. Rhiannon Purdie is Senior Lecturer in English, University of St Andrews; Michael Cichon is Associate Professor of English at St Thomas More College in the University of Saskatchewan. Contributors: Derek Pearsall, Nancy Mason Bradbury, Michael Cichon, Nicholas Perkins, Marianne Ailes, John A. Geck, Phillipa Hardman, Siobhain Bly Calkin, Judith Weiss, Robert Rouse, Yin Liu, Emily Wingfield, Rosalind Field

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Twelve essays address a central concern of medieval romance, the matter of identity. Identity is a central concern of medieval romance. Here it is approached through essays on issues of origin and parentage, transformation and identity, and fundamental questions of what constitutes the human. The construction of knightly identity through education and testing is explored, and placed in relation to female identity; the significance of the motif of doubling is studied. Shifting perceptions of identities are traced through the histories of specific texts, and the identity of romance itself is the subject of several essays discussing ideas of genre (the overlap between romance and hagiography is a theme linking a number of articles in the collection). Medieval romanceis shown as a marketable commodity in the printed output of William Copland, and as an opportunity for literary experimentation in the work of John Metham. The texts discussed include: Chevalere Assigne, Sir Gowther, Sir Ysumbras, Beves of Hamtoun, Robert of Cisyle, the Fierabras romances, Breton lays, Thomas's Tristan and Marie de France's Eliduc. Contributors: W.A. DAVENPORT, JOANNE CHARBONNEAU, CORINNE SAUNDERS, AMANDA HOPKINS, MORGAN DICKSON, MARIANNE AILES, JUDITH WEISS, JOHN SIMONS, RHIANNON PURDIE, MALDWYN MILLS, A.S.G. EDWARDS, ROGER DALRYMPLE.

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What can psychoanalysis, a psychological approach developed more than a century ago, offer us in an age of rapidly evolving, hard-to-categorize ideas of sexuality and the self? Should we abandon Freud's theories completely or adapt them to new findings and the new relationships taking shape in modern liberal societies? In a remarkably prescient series of lectures delivered in the early 1960s, the French philosopher Louis Althusser anticipated the challenges that psychoanalytic theory would face as politics moved away from structuralist frameworks and toward the elastic possibilities of anthropological and sociological thought. Psychoanalysis and the Human Sciences translates Althusser's remarkable seminars into English for the first time, making available to a wider audience the origins and potential future of radical political theory. Althusser takes the important step in these lectures of distinguishing psychoanalysis from psychology and especially psychiatry, which long resisted Freud's analytical concepts of the unconscious and overdetermination. By freeing psychoanalysis from this bind, Althusser can then apply these analytical concepts to the social and the political, integrated with Marxist theory. The result is an enlivened methodology for comprehending social organization and change that had a profound influence on the Frankfurt School and scholars who continue to work at the forefront of radical thought today: Judith Butler, Etienne Balibar, and Alain Badiou.

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Recognition is one of the most debated concepts in contemporary social and political thought. Its proponents, such as Axel Honneth, hold that to be recognized by others is a basic human need that is central to forming an identity, and the denial of recognition deprives individuals and communities of something essential for their flourishing. Yet critics including Judith Butler have questioned whether recognition is implicated in structures of domination, arguing that the desire to be recognized can motivative individuals to accept their assigned place in the social order by conforming to oppressive norms or obeying repressive institutions. Is there a way to break this impasse?Recognition and Ambivalence brings together leading scholars in social and political philosophy to develop new perspectives on recognition and its role in social life. It begins with a debate between Honneth and Butler, the first sustained engagement between these two major thinkers on this subject. Contributions from both proponents and critics of theories of recognition further reflect upon and clarify the problems and challenges involved in theorizing the concept and its normative desirability. Together, they explore different routes toward a critical theory of recognition, departing from wholly positive or negative views to ask whether it is an essentially ambivalent phenomenon. Featuring original, systematic work in the philosophy of recognition, this book also provides a useful orientation to the key debates on this important topic.

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Passing for what you are not--whether it is mulattos passing as white, Jews passing as Christian, or drag queens passing as women--can be a method of protection or self-defense. But it can also be a uniquely pleasurable experience, one that trades on the erotics of secrecy and revelation. It is precisely passing's radical playfulness, the way it asks us to reconsider our assumptions and forces our most cherished fantasies of identity to self-destruct, that is centrally addressed in Passing: Identity and Interpretation in Sexuality, Race, and Religion. Identity in Western culture is largely structured around visibility, whether in the service of science (Victorian physiognomy), psychoanalysis (Lacan's mirror stage), or philosophy (the Panopticon). As such, it is charged with anxieties regarding classification and social demarcation. Passing wreaks havoc with accepted systems of social recognition and cultural intelligibility, blurring the carefully-marked lines of race, gender, and class. Bringing together theories of passing across a host of disciplines--from critical race theory and lesbian and gay studies, to literary theory and religious studies--Passing complicates our current understanding of the visual and categories of identity. Contributors: Michael Bronski, Karen McCarthy Brown, Bradley Epps, Judith Halberstam, Peter Hitchcock, Daniel Itzkovitz, Patrick O'Malley, Miriam Peskowitz, María C. Sánchez Linda Schlossberg, and Sharon Ullman.

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The Burden of Over-representation artfully explores three curious racial moments in sport: Jackie Robinson’s expletive at a Dodgers spring training game; the transformation of a formality into an event at the end of the 1995 rugby World Cup in South Africa; and a spectral moment at the 2010 FIFA World Cup. Grant Farred examines the connotations at play in these moments through the lenses of race, politics, memory, inheritance and conciliation, deploying a surprising cast of figures in Western thought, ranging from Jacques Derrida and Friedrich Nietzsche to Judith Butler, William Shakespeare, and Jesus-the-Christ. Farred makes connection and creates meaning through the forces at play and the representational burdens of team, country and race.Farred considers Robinson’s profane comments at black Dodgers fans, a post-match exchange of “thank yous” on the rugby pitch between white South African captain François Pienaar and Nelson Mandela, and being “haunted” by the ghost of Derrida on the occasion of the first FIFA World Cup on African soil. In doing so, The Burden of Over-representation provides a passionate, insightful analysis of the social, political, racial, and cultural consequences of conciliation at key sporting events.

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The Burden of Over-representation artfully explores three curious racial moments in sport: Jackie Robinson’s expletive at a Dodgers spring training game; the transformation of a formality into an event at the end of the 1995 rugby World Cup in South Africa; and a spectral moment at the 2010 FIFA World Cup. Grant Farred examines the connotations at play in these moments through the lenses of race, politics, memory, inheritance and conciliation, deploying a surprising cast of figures in Western thought, ranging from Jacques Derrida and Friedrich Nietzsche to Judith Butler, William Shakespeare, and Jesus-the-Christ. Farred makes connection and creates meaning through the forces at play and the representational burdens of team, country and race.Farred considers Robinson’s profane comments at black Dodgers fans, a post-match exchange of “thank yous” on the rugby pitch between white South African captain François Pienaar and Nelson Mandela, and being “haunted” by the ghost of Derrida on the occasion of the first FIFA World Cup on African soil. In doing so, The Burden of Over-representation provides a passionate, insightful analysis of the social, political, racial, and cultural consequences of conciliation at key sporting events.

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'A clear, concise, easy-to-read account of the issues between sex, gender and feminism . . . an important book' Evening Standard 'A call for cool heads at a time of great heat and a vital reminder that revolutions don't always end well' Sunday Times Material Girls is a timely and trenchant critique of the influential theory that we all have an inner feeling known as a gender identity, and that this feeling is more socially significant than our biological sex.Professor Kathleen Stock surveys the philosophical ideas that led to this point, and closely interrogates each one, from De Beauvoir's statement that, 'One is not born, but rather becomes a woman' (an assertion she contends has been misinterpreted and repurposed), to Judith Butler's claim that language creates biological reality, rather than describing it. She looks at biological sex in a range of important contexts, including women-only spaces and resources, healthcare, epidemiology, political organization and data collection.Material Girls makes a clear, humane and feminist case for our retaining the ability to discuss reality, and concludes with a positive vision for the future, in which trans rights activists and feminists can collaborate to achieve some of their political aims.

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Fandom, Now in Color gathers together seemingly contradictory narratives that intersect at the (in)visibility of race/ism in fandom and fan studies. This collection engages the problem by undertaking the different tactics of decolonization - diversifying methodologies, destabilizing canons of 'must-read' scholarship by engaging with multiple disciplines, making whiteness visible but not the default against which all other kinds of racialization must compete, and decentering white fans even in those fandoms where they are the assumed majority. These new narratives concern themselves with a broad swath of media, from cosplay and comics to tabletop roleplay and video games, and fandoms from Jane the Virgin to Japan's K-pop scene. Fandom, Now in Color asserts that no one answer or approach can sufficiently come to grips with the shifting categories of race, racism, and racial identity.Contributors: McKenna Boeckner, Angie Fazekas, Monica Flegel, Elizabeth Hornsby, Katherine Anderson Howell, Carina Lapointe, Miranda Ruth Larsen, Judith Leggatt, Jenni Lehtinen, joan miller, Swati Moitra, Samira Nadkarni, Indira Neill Hoch, Sam Pack, Rukmini Pande, Deepa Sivarajan, Al ValentÍn

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The Reification of Desire takes two critical perspectives rarely analyzed together—formative arguments for Marxism and those that have been the basis for queer theory—and productively scrutinizes these ideas both with and against each other to put forth a new theoretical connection between Marxism and queer studies. Kevin Floyd brings queer critique to bear on the Marxian categories of reification and totality and considers the dialectic that frames the work of Georg Lukács, Herbert Marcuse, and Fredric Jameson. Reading the work of these theorists together with influential queer work by such figures as Michel Foucault and Judith Butler, and alongside reconsiderations of such texts as The Sun Also Rises and Midnight Cowboy, Floyd reformulates these two central categories that have been inseparable from a key strand of Marxist thought and have marked both its explanatory power and its limitations. Floyd theorizes a dissociation of sexuality from gender at the beginning of the twentieth century in terms of reification to claim that this dissociation is one aspect of a larger dynamic of social reification enforced by capitalism. Developing a queer examination of reification and totality, Kevin Floyd ultimately argues that the insights of queer theory require a fundamental rethinking of both.

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Shoshana Felman ranks as one of the most influential literary critics of the past five decades. Her work has inspired and shaped such divergent fields as psychoanalytic criticism, deconstruction, speech-act theory and performance studies, feminist and gender studies, trauma studies, and critical legal studies. Shoshana Felman has not only influenced these fields: her work has opened channels of communication between them. In all of her work Felman charts a way for literary critics to address the ways in which texts have real effects in the world and how our quest for meaning is transformed in the encounter with the texts that hold such a promise. The present collection gathers the most exemplary and influential essays from Felman’s oeuvre, including articles previously untranslated into English. The Claims of Literature also includes responses to Felman’s work by leading contemporary theorists, including Stanley Cavell, Judith Butler, Julia Kristeva, Cathy Caruth, Juliet Mitchell, Winfried Menninghaus, and Austin Sarat. It concludes with a section on Felman as a teacher, giving transcripts of two of her classes, one at Yale in September 2001, the other at Emory in December 2004.

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"Welcome to the European family!" When East European countries joined the European Union under this banner after 1989, they agreed to the free movement of goods, services, capital, and persons. In this book, Anca Parvulescu analyzes an important niche in this imagined European kinship: the traffic in women, or the circulation of East European women in West Europe in marriage and as domestic servants, nannies, personal attendants, and entertainers. Analyzing film, national policies, and an impressive range of work by theorists from Giorgio Agamben to Judith Butler, she develops a critical lens through which to think about the transnational continuum of "women's work." Parvulescu revisits Claude Levi-Strauss' concept of kinship and its rearticulation by second-wave feminists, particularly Gayle Rubin, to show that kinship has traditionally been anchored in the traffic in women. Reading recent cinematic texts that help frame this, she reveals that in contemporary Europe, East European migrant women are exchanged to engage in labor customarily performed by wives within the institution of marriage. Tracing a pattern of what she calls Americanization, Parvulescu argues that these women thereby become responsible for the labor of reproduction. A fascinating cultural study as much about the consequences of the enlargement of the European Union as women's mobility, The Traffic in Women's Work questions the foundations of the notion of Europe today.

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For courses in Beginning Algebra. Trusted author content. Thoughtful innovation. Math hasn’t changed, but students — and the way they learn — have. In this revision of the Bittinger Worktext Series, the Bittinger author team brings their extensive experience to developmental math courses, paired with thoughtful integration of technology and content. The Bittinger Series enables students to get the most out of their course through their updated learning path, and new engaging exercises to support various types of student learning. Bittinger offers respected content written by author-educators, tightly integrated with MyLab™ Math — the #1 choice in digital learning. Bringing the authors’ voices and their approach into the MyLab course gives students the motivation, engagement, and skill sets they need to master algebra. Also available with MyLab Math MyLab™ is the teaching and learning platform that empowers instructors to reach every student. By combining trusted author content with digital tools and a flexible platform, MyLab personalizes the learning experience and improves results for each student. Note: You are purchasing a standalone product; MyLab Math does not come packaged with this content. Students, if interested in purchasing this title with MyLab Math, ask your instructor to confirm the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information. If you would like to purchase both the physical text and MyLab Math, search for: 0134697383 / 9780134697383 Introductory Algebra Plus NEW MyLab Math with Pearson eText - Access Card Package, 13/e Package consists of: 0134689631 / 9780134689630 Introductory Algebra 0135115639 / 9780135115633 MyLab Math - Standalone Access Card - for Introductory Algebra

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For courses in Beginning & Intermediate Algebra. Trusted author content. Thoughtful innovation. Math hasn’t changed, but students – and the way they learn – have. In this revision of the Bittinger Worktext Series, the Bittinger author team brings their extensive experience to developmental math courses, paired with thoughtful integration of technology and content. The Bittinger Series enables students to get the most out of their course through their updated learning path, and new engaging exercises to support various types of student learning. Bittinger offers respected content written by author-educators, tightly integrated with MyLabTM Math – the #1 choice in digital learning. Bringing the authors’ voices and their approach into the MyLab course gives students the motivation, engagement, and skill sets they need to master algebra. Also available with MyLab Math MyLabTM is the teaching and learning platform that empowers instructors to reach every student. By combining trusted author content with digital tools and a flexible platform, MyLab personalizes the learning experience and improves results for each student. Note: You are purchasing a standalone product; MyLab Math does not come packaged with this content. Students, if interested in purchasing this title with MyLab Math, ask your instructor to confirm the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information. If you would like to purchase both the physical text and MyLab Math, search for: 0134697413 / 9780134697413 Introductory and Intermediate Algebra Plus NEW MyLab Math with Pearson eText - Access Card Package, 6/e Package consists of: 0134686489 / 9780134686486 Introductory and Intermediate Algebra 0135115752 / 9780135115756 MyLab Math with Pearson eText - Standalone Access Card - for Introductory and Intermediate Algebra

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In this major new book, Mary Hamer offers a new perspective on incest, making a link with the scandal of sexual abuse on the part of priests. She places sexual abuse in the context of the whole social order. Hamer's novel and innovative approach challenges the taboo on clear thinking around the subject of incest. She demonstrates the inherent contradictions in official accounts of the subject, from genetics and anthropology to law. Drawing on the work of American psychotherapist Judith Herman, she invites readers to focus on the neurological damage caused by traumatic experience, arguing that it is the overwhelming of one person by another that constitutes abuse, and it is this which causes the damage, not the fact of a close relationship. She brings together, in accessible form, key descriptions of the effects of abuse from analysts Sandor Ferenczi, Estela Welldon and Valerie Sinason She revisits the two real-life cases of Father Porter from Massachusetts and Sappho Durrell, daughter of the British writer Lawrence Durrell. She also draws on the work of artists and filmmakers to explain the way film and literature have helped to preserve our understanding of abuse and of its place in the world Films and novels featured: Murmur of the Heart, Art for Teachers of Children, Suddenly Last Summer, Through a Glass Darkly, Lolita, The Bluest Eye, The God of Small Things. Includes 16 film stills

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In this major new book, Mary Hamer offers a new perspective on incest, making a link with the scandal of sexual abuse on the part of priests. She places sexual abuse in the context of the whole social order. Hamer's novel and innovative approach challenges the taboo on clear thinking around the subject of incest. She demonstrates the inherent contradictions in official accounts of the subject, from genetics and anthropology to law. Drawing on the work of American psychotherapist Judith Herman, she invites readers to focus on the neurological damage caused by traumatic experience, arguing that it is the overwhelming of one person by another that constitutes abuse, and it is this which causes the damage, not the fact of a close relationship. She brings together, in accessible form, key descriptions of the effects of abuse from analysts Sandor Ferenczi, Estela Welldon and Valerie Sinason She revisits the two real-life cases of Father Porter from Massachusetts and Sappho Durrell, daughter of the British writer Lawrence Durrell. She also draws on the work of artists and filmmakers to explain the way film and literature have helped to preserve our understanding of abuse and of its place in the world Films and novels featured: Murmur of the Heart, Art for Teachers of Children, Suddenly Last Summer, Through a Glass Darkly, Lolita, The Bluest Eye, The God of Small Things. Includes 16 film stills

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This accessible book explores the creative uses of photography with political purpose, both in terms of subject matter and of the political perspectives that have driven attitudes to viewing photographs. The shorter Part I reviews twentieth-century thinking that has influenced attitudes to photography and the political. Part II identifies the political ideas that drive practical strategies in the twenty-first century. It considers the politics of photography by looking at what affects people’s lives and agency: attitudes to difference and identity; power relations between institutions, individuals, and communities; the impact of trauma and global change. With a focus on the exchange of ideas between visual practice and theories, a selection of projects are examined from a range of perspectives, such as post-colonial and feminist thinking, post-humanism, and cultural and social theory, with references ranging from Michel Foucault and Judith Butler to Achille Mbembe, Bruno Latour, and Chantal Mouffe. The pursuit of ‘political aesthetics’ borrows from Jacques Rancière’s ideas about cultural production. Photography and Political Aesthetics identifies photography as politically productive when positioned within political movements, and champions practices that perform, investigate, or give attention to presentation and public dissemination. This book is ideally suited to students studying photography, art and aesthetics, visual politics, and cultural studies, and researchers across the fields of photography, media, art, and politics.

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This book focuses on Michel Foucault's late work on rights in order to address broader questions about the politics of rights in the contemporary era. As several commentators have observed, something quite remarkable happens in this late work. In his early career, Foucault had been a great critic of the liberal discourse of rights. Suddenly, from about 1976 onward, he makes increasing appeals to rights in his philosophical writings, political statements, interviews, and journalism. He not only defends their importance; he argues for rights new and as-yet-unrecognized. Does Foucault simply revise his former positions and endorse a liberal politics of rights? Ben Golder proposes an answer to this puzzle, which is that Foucault approaches rights in a spirit of creative and critical appropriation. He uses rights strategically for a range of political purposes that cannot be reduced to a simple endorsement of political liberalism. Golder develops this interpretation of Foucault's work while analyzing its shortcomings and relating it to the approaches taken by a series of current thinkers also engaged in considering the place of rights in contemporary politics, including Wendy Brown, Judith Butler, and Jacques Rancière.

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Jewish Self-Determination beyond Zionism examines the liberal Zionist and Jewish anti-Zionist perspectives that developed in the decades following Israeli statehood. In his timely book, Jonathan Graubart. advances a non-statist vision of Jewish self-determination to be realized in a binational political arrangement that rejects Apartheid practices and features a just and collaborative coexistence of Israeli Jews and Palestinian Arabs. The book’s vision advances a distinct Jewish self-determination committed to cultural enrichment and emancipation, internationalism, and the fostering of new political, social, and economic channels for attaining genuine reconciliation between Israelis and Palestinians. Jewish Self-Determination beyond Zionism also engages a Humanist Zionist vision to confront the Zionist movement’s foundational sins and demands a full reckoning with the Palestinians. Graubart focuses on two of Humanist Zionism’s most insightful thinkers, Martin Buber and Hannah Arendt, putting them “in conversation” with each other, and synthesizing their collective insights and critical Jewish perspectives alongside the ideas of Noam Chomsky, Judith Butler, Ella Shohat, Edward Said, and other philosophers and academics. Jewish Self-Determination beyond Zionism concludes that an updated, binational program is the best path forward.

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For three decades after the Second World War, the ‘Butcher of the Balkans’ lived an idyllic life with his family in a Los Angeles suburb. Andrija Artuković was a senior member of the Ustasha, a Croatian fascist and nationalist movement, and was responsible for the wartime murders of hundreds of thousands of men, women and children. Wanted in Yugoslavia to stand trial for war crimes, he had illegally entered and claimed political asylum in the United States – and his powerful supporters sought to keep him there.Meanwhile, just 10 miles away, David Whitelaw lived with his mother, Judith, who fled Germany in 1938. Seventy-six of her relatives were killed in the Holocaust. When David learned Artuković was living comfortably nearby, he vowed to ensure his deportation to stand trial as a war criminal. But when a firebomb, thrown with the sole intention of causing fear, saw the young man sent to jail, a battle began for his own freedom, while the war criminal remained at large.A true David-versus-Goliath battle, The Fierce is the story of the teenager who helped take down the worst mass murderer and war criminal in America.

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NOTE: Before purchasing, check with your instructor to ensure you select the correct ISBN. Several versions of the MyLabTM and MasteringTM platforms exist for each title, and registrations are not transferable. To register for and use MyLab or Mastering, you may also need a Course ID, which your instructor will provide. Used books, rentals, and purchases made outside of Pearson If purchasing or renting from companies other than Pearson, the access codes for the MyLab platform may not be included, may be incorrect, or may be previously redeemed. Check with the seller before completing your purchase. For courses in Intermediate Algebra. This package includes MyLab Math. Trusted author content. Thoughtful innovation. Math hasn’t changed, but students – and the way they learn – have. In this revision of the Bittinger Worktext Series, the Bittinger author team brings their extensive experience to developmental math courses, paired with thoughtful integration of technology and content. The Bittinger Series enables students to get the most out of their course through their updated learning path, and new engaging exercises to support various types of student learning. Bittinger offers respected content written by author-educators, tightly integrated with MyLabTM Math – the #1 choice in digital learning. Bringing the authors’ voices and their approach into the MyLab course gives students the motivation, engagement, and skill sets they need to master algebra. Reach every student by pairing this text with MyLab Math MyLabTM is the teaching and learning platform that empowers instructors to reach every student. By combining trusted author content with digital tools and a flexible platform, MyLab personalizes the learning experience and improves results for each student. 0134679385 / 9780134679389 Intermediate Algebra Plus NEW MyLab Math with Pearson eText - Access Card Package Package consists of: 0134707362 / 9780134707365 Intermediate Algebra 013511571X / 9780135115718 MyLab Math - Standalone Access Card - for Intermediate Algebra

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The fascinating stories of these fifty girls who were used by God will inspire young readers. The stories of Helen Roseveare, Corrie Ten Boom, Joni Eareckson and many others are brought to life by award–winning author Irene Howat. Each book contains the stories of ten girls who grew up to be used by God in amazing ways. Readers will not only be amazed at the bravery, cleverness and faith of these girls, but will be inspired to look to the God who worked through each of them. The books contain ten easy to read chapters of equal length. Each character’s chapter begins with an incident or memory from their childhood, reminding the reader that people who grew up to do amazing things were once children just like them. The chapters have a fact file, a keynote, a think spot and a prayer to help think through and apply what has been learned in the chapter. The books also conclude with a quiz to see how much the reader remembers. This box set contains all five Ten Girls books in a cardboard slipcase. The set includes Ten Girls Who Changed the World (Isobel Kuhn; Mary Slessor; Joni Eareckson; Corrie Ten Boom; Evelyn Brand; Gladys Aylward; Jackie Pullinger; Amy Carmichael; Elizabeth Fry; and Catherine Booth) Ten Girls Who Used Their Talents (Anne Lawson; Selina Countess of Huntingdon; Mildred Cable; Katie Ann Mackinnon; Sarah Edwards; Patricia St John; Helen Roseveare; Harriet Beecher Stowe; Mary Verghese; and Maureen McKenna) Ten Girls Who Made History (Mary Jane Kinnaird; Emma Dryer; Florence Nightingale; Lottie Moon; Ida Scudder; Jeanette Li; Henrietta Mears; Bessie Adams; Betty Greene; and Elisabeth Elliot) Ten Girls Who Didn’t Give In (Blandina; Perpetua; Lady Jane Grey; Anne Askew; Lysken Dirks; Marion Harvey; Margaret Wilson; Judith Weinberg; Betty Stam; and Esther John) Ten Girls Who Made a Difference (Monica of Thagaste; Katherine Luther; Susanna Wesley; Ann Judson; Maria Taylor; Susannah Spurgeon; Bethan Lloyd–Jones; Edith Schaeffer; Sabina Wurmbrand; and Ruth Bell Graham) The Lightkeepers introduces readers aged 8–12 to the enjoyment of reading Christians biographies. The series also includes Ten Boys Who Changed the World; Ten Boys Who Used Their Talents; Ten Boys Who Made History; Ten Boys Who Didn’t Give In; Ten Boys Who Made a Difference; and Lightkeepers Boys Box Set.

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Offers fresh perspectives on the function of nationalist thought in the cosmopolitan opera world, with particular emphasis on the idea of "Russianness" in four nineteenth-century operas by Glinka, Serov, Tchaikovsky, and Rimsky-Korsakov. In the nineteenth century, Russian composers and critics were encouraged to cultivate a national style to distinguish their music from the dominant Italian, French, and German traditions. Not Russian Enough? explores this aspiration for a nationalist musical tradition as it was carried out in the cosmopolitan world of opera. Rutger Helmers analyzes the cultural context, music, and reception of four important operas: Glinka's A Life for the Tsar (1836), Serov's Judith (1863), Tchaikovsky's The Maid of Orléans (1881), and Rimsky-Korsakov's The Tsar's Bride (1899). He discusses such issues as the influence of Italian and French opera, the use of foreign subjects, the application of local color, and the adherence to the classics, and considers how these related to a sense of "Russianness." Besides yielding new insights for each of these works, this study offers a fresh perspective on the function of nationalist thought in the nineteenth-century Russian opera world.. Rutger Helmers is Assistant Professor in Historical Musicology at the University of Amsterdam and lectures in literary and cultural studies at Radboud University Nijmegen.

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'WOW I was blown away by this thriller... This book had me guessing right up to the very end. An exceptional book' Just One More Page, 5 starsShe can give you everything you want . . . But can you trust her?Kat and her husband Nick have tried everything to become parents. All they want is a child to love but they are beginning to lose hope. Then a chance encounter with Kat's childhood friend Lisa gives them one last chance. Kat and Lisa were once as close as sisters. The secrets they share mean their trust is for life . . . Or is it?Just when the couple's dream seems within reach, Kat begins to suspect she's being watched and Nick is telling her lies. Are the cracks appearing in Kat's perfect picture of the future all in her head, or should she be scared for the lives of herself and her family?How far would you go, to protect everything you love?From the no. 1 bestselling author of The Sister and The Gift, this is an unputdownable psychological thriller which asks how far we will go to create our perfect family. Fans of The Girl on the Train and Gone Girl will be utterly hooked.What readers are saying about The Surrogate:'This novel was paced perfectly and I actually finished it in one day because I couldn't put it down... so addictive! The Surrogate is a 5-star novel that is a 2017 must read! I am already looking forward to reading what Louise Jensen comes out with next!' Steph and Chris Book Reviews'The thriller queen returns - her best yet!' Judith Collins Consulting'Wow, that was a page-turner, from the first page to the last. I wish I could give this review 6 stars.' Goodreads reviewer'This book had more twists and turns than a rollercoaster, with the heart thumping feeling to go with it! If you like psychological thrillers, then definitely read this one... you will not regret it! Five Stars!' Stardust Book Reviews'All I can say is wow! I rarely give a book 5 stars... I really could not put it down.' Goodreads reviewer'A suspenseful read, very twisty-turny. Lots of really shocking scenes too. There were a lot of secrets and lies. I was suspicious of everyone, wondering if they would be the missing link. As the conclusion was reached I was gobsmacked, I never guessed at all.' StefLoz Book Reviews'Oh, baby, what a wild ride! This one's a winner, and I recommend it to anyone who enjoys psychological thrills.' Book Reviews by Monnie'An awesome page turner! We alternate bet

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The acclaimed debut novel from the author of The Pear Affair and The Accidental Stowaway! Abandoned children running wild on the moors, evil child catchers, cunning cats and mysterious ballet shoes abound in this incredible first novel.Clara has lived a life of solitude, home schooled under her mean uncle's strict regime . . . until now!The day that Uncle abandons Clara, leaving her with nothing but a wedge of 'guilt money' and a half empty, crumbling manor house, she is determined to do things her way for a change. And when streetwise Peter turns up, with his rescue cat and a surprising array of knowledge, she is sure that between them they have everything they need to survive.But the house is to be sold . . . and Uncle has lied to Clara . . . and nothing, NOTHING is as it seems.'A riveting adventure.' The Guardian'An absolute delight.' Hilary McKay, author of The Skylarks' War'Thrilling.' Telegraph'An absolute joy of a read.' Emma Carroll, author of Letters from the Lighthouse'A sweeping adventure.' The Bookseller'Should also appeal to fans of Emma Carroll.' Michelle Harrison, author of A Pinch of Magic'A great mystery adventure.' The Bookbag'Gripping.' Golden Books Girl'Wonderfully compelling.' Book Lover Jo'A cracking pacey novel.' MinervaReads'Superb storytelling.' BookTrust'Wonderful.' Bellis Does Books'A treat.' Bookanista

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The Soviet Gulag was one of the largest, most complex, and deadliest systems of incarceration in the 20th century. What lessons can we learn from its network of labor camps and prisons and exile settlements, which stretched across vast geographic expanses, included varied institutions, and brought together inmates from all the Soviet Union's ethnicities, professions, and social classes?Drawing on a massive body of documentary evidence, Rethinking the Gulag: Identities, Sources, Legacies explores the Soviet penal system from various disciplinary perspectives. Divided into three sections, the collection first considers "identities"—the lived experiences of contingents of detainees who have rarely figured in Gulag histories to date, such as common criminals and clerics. The second section surveys "sources" to explore the ways new research methods can revolutionize our understanding of the system. The third section studies "legacies" to reveal the aftermath of the Gulag, including the folk beliefs and traditions it has inspired and the museums built to memorialize it. While all the chapters respond to one another, each section also concludes with a reaction by a leading researcher: geographer Judith Pallot, historian Lynne Viola, and cultural historian and literary scholar Alexander Etkind.Moving away from grand metaphorical or theoretical models, Rethinking the Gulag instead unearths the complexities and nuances of experience that represent a primary focus in the new wave of Gulag studies.

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Muchas de las opiniones comunes sobre la religión y la vida pública son mitos que tienen poco que ver con la realidad política y social o con la experiencia cotidiana. Por ejemplo, la religión no es ni meramente privada ni puramente irracional. Y la esfera pública tampoco es un ámbito de franca deliberación racional ni un espacio pacífico de acuerdo libre de coacción.En los últimos años, en medio de una extendida recuperación del interés por la relevancia pública de la religión, son las categorías mismas de lo religioso y lo secular las que se reexaminan, reelaboran y replantean. Es lo que hacen, en este libro, cuatro destacados pensadores y representantes de la filosofía política y social contemporánea: Jürgen Habermas, Charles Taylor, Judith Butler y Cornel West.Se recogen aquí sus intervenciones en un coloquio sobre el poder de la religión en la esfera pública, tanto sus propias exposiciones como su posterior diálogo mutuo. Cada uno de ellos en su peculiar estilo intelectual y

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Forty years after their first ground breaking work of feminist literary theory, The Madwoman in the Attic, award-winning collaborators Sandra M. Gilbert and Susan Gubar map the literary history of feminism’s second wave. From its stirrings in the midcentury—when Sylvia Plath, Betty Friedan and Joan Didion found their voices and Diane di Prima, Lorraine Hansberry and Audre Lorde discovered community in rebellion—to a resurgence in the new millennium in the writings of Alison Bechdel, Claudia Rankine and N. K. Jemisin, Gilbert and Gubar trace the evolution of feminist literature. They offer lucid, compassionate and piercing readings of major works by these writers and others, including Adrienne Rich, Ursula K. Le Guin, Maxine Hong Kingston, Susan Sontag, Gloria Anzaldúa and Toni Morrison. Activists and theorists like Nina Simone, Gloria Steinem, Andrea Dworkin, Eve Kosofsky Sedgwick and Judith Butler also populate these pages as Gilbert and Gubar examine the overlapping terrain of literature and politics in a comprehensive portrait of an expanding movement. As Gilbert and Gubar chart feminist gains—including creative new forms of protests and changing attitudes toward gender and sexuality—they show how the legacies of second wave feminists and the misogynistic culture they fought, extend to the present. In doing so, they celebrate the diversity and urgency of women who have turned passionate rage into powerful writing.

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Materialist Feminisms investigates the crucial theoretical and political debates that have determined the course of British and American feminism over the last thirty years. As intellectual terrain has shifted during these decades from Marxism to cultural materialism and poststructuralist literary theory, questions of race and ethnicity, sexuality, postcoloniality, and green politics have converged and sometimes collided with the categories within feminism, but analyze many of the most important texts and movements of contemporary cultural theory. Offering not so much a unified history as an analysis of important moments within these debates, this book examines the work of such feminist theorists as MichUle Barrett, Judith Butler, Rosalind Coward, Donna Haraway, bell hooks, the m/f collective, Tania Modleski, Jacqueline Rose, Gayle Rubin, Hortense Spillers, and Gayatri Spivak. Materialist Feminisms includes new, exemplary readings of feminist detective, African-American, and postcolonial fiction, three kinds of textures commodity currently fetishized in the literary marketplace. What might the success of these kinds of writing signify about politics and desire in contemporary Anglo-American culture? Demonstrating how the poststructuralis critique of essences and identities need not end in a complete paralysis of political action, as has sometimes been claimed, Materialist Feminisms argues that feminism, soicalism, and deconstruction are not theoretical dead ends, but names for unfinished business.

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Resurrección, reencarnación y vida eterna. Aquel que logre vencer tres veces a la muerte será digno de sus dones, y Judith aspira a lograr mucho más de lo que se espera de ella.Elías es un nigromante que teme a la muerte... y a todo, en realidad. Por eso, cuando debe abandonar la comodidad de la tienda de antigüedades familiar para participar en una subasta de Londres, sabe que el plan va a salir mal. La muerte está muy presente en su vida, pero lo que a él le inquieta son sus sueños: en ellos siempre experimenta los momentos más dolorosos de las vidas de otras personas. O al menos eso creía hasta que una noche ve algo muy distinto: a alguien que parece intentar comunicarse con él.Una estatua embrujada, una combativa activista y un viejo amigo (o enemigo?) de la infancia desbaratarán su tranquilidad y lo acompañarán hasta Grecia, donde los aguarda algo más que el misterio de los dones de la muerte.

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What Is the Difference Between Having Empathy and Being an Empath? "Having empathy means our heart goes out to another person in joy or pain," says Dr. Judith Orloff. "But for empaths, it goes much further. We actually feel others’ emotions, energy, and physical symptoms in our own bodies, without the usual defenses that most people have." The Empath’s Survival Guide is an invaluable resource for empaths who want to develop coping skills in a high-stimulus world while embracing their gifts of intuition, compassion, creativity, and spiritual connection. In this unabridged recording of The Empath’s Survival Guide read by Pam Tierney, Dr. Orloff shares practical, empowering, and loving advice for supporting empaths through their unique challenges—and for loved ones to better understand an empath’s needs and gifts. Here listeners will discover crucial practices, including: • Exercises to identify where you are on the empathy spectrum • Tools for protecting yourself from sensory overload, exhaustion, addictions, and compassion fatigue • Effective strategies to stop absorbing stress and physical symptoms from others and protect yourself from narcissists and other energy vampires • How to find the right work that feeds you • How to navigate intimate relationships without feeling overwhelmed • Guidance for parenting empathic children • Awakening the empath’s gift of intuition and deepening your spiritual connection to all living beings For any sensitive person who’s been told to "grow a thick skin," here is a guide for staying open while building resilience, exploring your singular gifts, and feeling welcomed by a world that desperately needs what you have to offer.

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Some sacrifices must never be revealed... In 1914, despite the threat of war in Europe, Pearl Gibson’s future is bright. She has secured a desirable position as a lady’s maid for Lady Ottoline Campbell. Her new role sees her transported from a life of drudgery to the Campbell’s vast Scottish estate. Pearl is quickly drawn into a whirlwind of intrigue, glamour and scandal, as she realises her job requires her to become her lady’s confidante as well as her maid. In the confusing world of the upper classes it is Ottoline’s cousin, Ralph, who Pearl comes to rely on, trust – and love.But when violence erupts in Europe, Pearl and Ottoline’s world is irrevocably changed. As the men in their lives are called to the front line, shocking events unfold at home that both Pearl and Ottoline vow never to reveal. They share a secret that will test their loyalty to one another to breaking point, and will bind them together forever…A captivating story of love and loss set on the eve of the First World War, perfect for fans of Rachel Hore and Penny Vincenzi.Praise for The Echo of Twilight ‘An enchanting, atmospheric work of historical fiction that is a rich blend of Downton Abbey and Jane Eyre. The Echo of Twilight is a wonderful novel to curl up with this winter’ Booklist ‘Kinghorn carefully weaves a story of love and self-discovery... to tell this immersive and historically sound coming-of-age tale’ Publishers WeeklyPraise for Judith Kinghorn‘A sumptuous absorbing tale of love in a time of war’ Rachel Hore ‘An enchanting story of love and war, and the years beyond’ Penny Vincenzi‘An epic and enthralling love story set against the backdrop of the Great War’ Fanny Blake

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This book of tightly woven dialogues engages prominent thinkers in a discussion about the role of culture-broadly construed-in contemporary society and politics. Faced with the conceptual inflation of the notion of 'culture,' which now imposes itself as an indispensable issue in contemporary moral and political debates, these dynamic exchanges seek to rethink culture and critique beyond the schematic models that have often predominated, such as the opposition between "mainstream multiculturalism" and the "clash of civilizations." Prefaced by an introduction relating current cultural debates to the critical theory tradition, this book examines the politics of culture and the spirit of critique from three different vantage points. To begin, Gabriel Rockhill and Alfredo Gomez-Muller provide a stage-setting dialogue, followed by discussions with two major representatives of contemporary critical theory: Seyla Benhabib and Nancy Fraser. Working at the horizons of this tradition, Judith Butler, Immanuel Wallerstein, and Cornel West then provide important critical perspectives on cultural politics. The book's concluding section engages with Michael Sandel and Will Kymlicka, who work out of the Rawlsian tradition yet are uniquely concerned with the issue of culture, broadly understood. The epilogue, an interview with Axel Honneth, returns to the core issue of critical theory in cultural politics. Ranging from recent developments and progressive interventions in critical theory to dialogues that incorporate its insights into larger discussions of social and political philosophy, this book sharpens old critical tools while developing new strategies for rethinking the role of 'culture' in contemporary society.

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This book of tightly woven dialogues engages prominent thinkers in a discussion about the role of culture-broadly construed-in contemporary society and politics. Faced with the conceptual inflation of the notion of 'culture,' which now imposes itself as an indispensable issue in contemporary moral and political debates, these dynamic exchanges seek to rethink culture and critique beyond the schematic models that have often predominated, such as the opposition between "mainstream multiculturalism" and the "clash of civilizations." Prefaced by an introduction relating current cultural debates to the critical theory tradition, this book examines the politics of culture and the spirit of critique from three different vantage points. To begin, Gabriel Rockhill and Alfredo Gomez-Muller provide a stage-setting dialogue, followed by discussions with two major representatives of contemporary critical theory: Seyla Benhabib and Nancy Fraser. Working at the horizons of this tradition, Judith Butler, Immanuel Wallerstein, and Cornel West then provide important critical perspectives on cultural politics. The book's concluding section engages with Michael Sandel and Will Kymlicka, who work out of the Rawlsian tradition yet are uniquely concerned with the issue of culture, broadly understood. The epilogue, an interview with Axel Honneth, returns to the core issue of critical theory in cultural politics. Ranging from recent developments and progressive interventions in critical theory to dialogues that incorporate its insights into larger discussions of social and political philosophy, this book sharpens old critical tools while developing new strategies for rethinking the role of 'culture' in contemporary society.

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How should social workers adapt to a time of widespread instability and uncertainty? How can social work practice account for the ever-increasing infiltration of technology and media images into our daily lives and mental states? In this book, Ken Moffatt turns to postmodern philosophy’s grappling with late capitalism and the omnipresence of technology in order to develop a new approach to reflective social work practice and critical pedagogy.Postmodern Social Work attempts to reconcile postmodern thinkers with the realities of teaching social work to diverse student populations in a precarious era. Moffatt advocates an ideal of reflective practice that allows social workers to combine direct experience, social welfare, and social justice. Through a series of interlocking essays focused on the theoretical underpinnings of reflective practice in the context of social work education, he explores the implications of postmodern theory for social work practice. Drawing on thinkers such as Michel Foucault, Judith Butler, Julia Kristeva, Gilles Deleuze, and Félix Guattari, Moffatt lays out a path forward for reflective social work, providing new ways of thinking that collapse old categories and integrate direct practice with community engagement and social analysis. Postmodern Social Work offers an approach to practice and teaching that considers the shifting landscape of social change while remaining true to social work’s primary concerns of inclusion and justice.

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In the United States, there exists increasing uneasiness about the predominance of self-interest in both public and private life, growing fear about the fragmentation and privatization of American society, mounting concerns about the effects of institutions—ranging from families to schools to the media—on the character of young people, and a renewed tendency to believe that without certain traditional virtues neither public leaders nor public policies are likely to succeed. In this thirty-fourth volume in The American Society of Legal and Political Philosophy, a distinguished group of international scholars from a range of disciplines examines what is meant by virtue, analyzing various historical and analytical meanings of virtue, notions of liberal virtue, civic virtue, and judicial virtue, and the nature of secular and theological virtue. The contributors include: Jean Baechler (University of Paris-Sorbonne), Annette C. Baier (University of Pittsburgh), Ronald Beiner (University of Toronto), Christopher J. Berry (University of Glasgow), J. Budziszweski (University of Texas), Charles Larmore (Columbia University), David Luban (University of Maryland), Stephen Macedo (Harvard University), Michael J. Perry (Northwestern University), Terry Pinkard (Georgetown University), Jonathan Riley (Tulane University), George Sher (University of Vermont), Judith N. Shklar (Harvard University), Rogers M. Smith (Yale University), David A. Strauss (University of Chicago), and Joan C. Williams (American University).

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The story of Depo-Provera joins the national struggle over the drug's FDA approval to the state legal issues raised by its contraceptive and criminal justice uses. Depo-Provera is known as an injectable hormonal birth control method, but few are familiar with its dark and complicated history. Depo-Provera was tested on women since the mid-1960s without their informed consent until it was FDA-approved in 1992, but never FDA-approved as chemical castration for male sex offenders. Contraceptive Risk is William Green's landmark study of Depo-Provera. Based on a fascinating combination of archival materials and interviews, the book is framed as three interconnected stories told by Judith Weisz, who chaired the FDA's Public Board of Inquiry on Depo-Provera, a scientific court; by Anne MacMurdo who brought a products liability suit against Upjohn, the drug's manufacturer, for the deleterious side effects she suffered from the drug's use; and by Roger Gauntlett, an Upjohn heir who, when he was convicted of sexual assault, refused to take a dose of his family's own medicine as a probation condition. Together these three stories of Depo-Provera's convoluted fifty year odyssey call for a paradigm shift in pharmaceutical drug development. Contraceptive Risk is a thoroughly researched and engrossing approach to the scientific, political and institutional forces involved in health law and policy, as well as the multifaceted politics of measuring risk.

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Jung: A Feminist Revision explores the relationship between feminist theory and Jungian studies. It combines an original student-friendly introduction to Jung, his life and work, his treatment of gender and the range of post-Jungian gender theory, with new research linking Jung to deconstruction, post-Freudian feminism, postmodernism, the sublime, and the postmodern body. Feminism has neglected Jung to its own detriment. While evaluating the reasons for this neglect, Jung: A Feminist Revision uses the diversity of feminist critical tools from historical analysis to poststructuralism. In a fresh and illuminating study, this book provides both a critique of Jung and demonstrates his positive potential for future feminisms. New theories are explored which develop relationships between the work of Jung and Jacques Lacan, Luce Irigaray, Hélène Cixous, Julia Kristeva and Judith Butler. Particular attention is paid to the growth of post-Jungian studies of gender. This includes a cogent study of the tradition of Jungian feminism that looks to ‘the feminine principle' and narratives of goddesses. Jungian 'goddess' feminism's enduring appeal is re-examined in the context of postmodern re-thinking of subjectivity and gender. The book proposes a re-orientation of Jungian studies in its relationship to feminism. The result is an accessible text that introduces Jung and sets out his relevance to contemporary feminisms. This book will be essential reading for undergraduates and postgraduates studying feminist theory, psychoanalytical theory, literature and psychology.

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This book reassesses theories of agency and gender identity against the backdrop of changing relations between men and women in contemporary societies. McNay argues that recent thought on the formation of the modern subject offers a one-sided or negative account of agency, which underplays the creative dimension present in the responses of individuals to changing social relations. An understanding of this creative element is central to a theory of autonomous agency, and also to an explanation of the ways in which women and men negotiate changes within gender relations. In exploring the implications of this idea of agency for a theory of gender identity, McNay brings together the work of leading feminist theorists - such as Judith Butler and Nancy Fraser - with the work of key continental social theorists. In particular, she examines the work of Pierre Bourdieu, Paul Ricoeur and Cornelius Castoriadis, each of whom has explored different aspects of the idea of the creativity of action. McNay argues that their thought has interesting implications for feminist ideas of gender, but these have been relatively neglected partly because of the huge influence of the work of Michel Foucault and Jacques Lacan in this area. She argues that, despite its suggestive nature, feminist theory must move away from the ideas of Foucault and Lacan if a more substantive account of agency is to be introduced into ideas of gender identity. This book will appeal to students and scholars in the areas of social theory, gender studies and feminist theory.

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Is fashion that is out of order and doesn't seem to follow any obvious rules truly accidental? Or has dissonance in fashion always been a guiding principle? Can coincidence therefore be predictable and controllable? A publication which defies all boundaries of categorisation has been created out of the workings of fashion that almost inevitably has to be out of order, so as to increase its attractive power and generate attention with its interruptions of the ordinary. The contributions, on the border between art and fashion and residing within the realms of literary theory, design theory, cultural history and technology, demonstrate in manifold ways processes, images and ideas that are striving for innovation and transgressing established parameters. The publication is dedicated to the constructive side of the development of fashion, whereby the theme of Out of Order is combined with the concept of dissonance as a creative formula. If one starts from the premise that fashion is no longer fashion when it can be generalised, categorised, repeated and described, then the process of dissonance constitutes the significant impulse for everything new. With contributions from: Pamela Church Gibson, Annette Geiger, Judith Gerdsen, Hanna Heilmann on Vibskov & Emenius, Iris Maria vom Hof in conversation with Oliver Sieber, Verena Kuni, Isabell Lizardi & Matt Johnson, Thomas Oláh, Andrea Sick, Bitten Stetter & Daniel Späi, Terre Thaemlitz, Barbara Vinken, Harry Walter and Gundula Wolter.

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A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II—from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael—Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study of this multitalented artist. She sets Belafonte’s compelling story within a history of American race relations, black theater and film history, McCarthy-era hysteria, and the challenges of introducing multifaceted black culture in a moment of expanding media possibilities and constrained political expression. Smith traces Belafonte’s roots in the radical politics of the 1940s, his careful negotiation of the complex challenges of the Cold War 1950s, and his full flowering as a civil rights advocate and internationally acclaimed performer in the 1960s. In Smith’s account, Belafonte emerges as a relentless activist, a questing intellectual, and a tireless organizer. From his first national successes as a singer of Calypso-inflected songs to the dedication he brought to producing challenging material on television and film regardless of its commercial potential, Belafonte stands as a singular figure in American cultural history—a performer who never shied away from the dangerous crossroads where art and politics meet.

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This comprehensive new book celebrates over 550 top quality handbags by leading and unknown designers the world over, dating from 1759 to 2004, with detailed information to describe their outstanding qualities. These carefully selected handbags are arranged by their primary materials and chronologically within each chapter, for easy reference and interesting comparisons. Here fine leather, fabric, metal, beaded, skin, and plastic handbags from all over Europe, England, Canada, The United States, and Asia appear in over 600 beautiful color photographs. Examples appear from the design houses of Adele Handbags, Asprey, Bergdorf Goodman, Bonnie Cashin for Coach, Cartier, Chanel, Coblentz, Collins of Texas, deLillo, Elizabeth Arden, Emilio Pucci, Fendi, Givenchy, Gucci, Halston, Hermes, I. Miller, Joret, Judith Lieber, Keiselstein-Cort, Llewellen, Mandalian, Mark Cross, Marvel, Nettie Rosenstein, Patricia of Miami, Pierre Cardin, Raoul Calabro, Rialto, Roger Van S., Ronay, Rosenfeld, sydney love, Tiffany, Tropic, Tyrolean, Virginia Merrill, Viva, Whiting & Davis Co., Wilardy Original, Zandra Rhodes, and many more. An extensive Glossary, informative Resources section, Bibliography, and Index make this book friendly while instructional, securing an important place in the libraries of fashion historians, vintage clothing buffs, antique dealers, and accessories collectors alike.

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