Search results for ""author kenneth"

Throughout the Civil War, irregular warfare, including the use of hit-and-run assaults, ambushes, and raiding tactics, thrived in localized guerrilla fights within the Border States and the Confederate South. The Guerrilla Hunters offers a comprehensive overview of the tactics, motives, and actors in these conflicts, from the Confederate-authorised Partisan Rangers, a military force directed to spy on, harass, and steal from Union forces, to men like John Gatewood, who deserted the Confederate army in favour of targeting Tennessee civilians believed to be in sympathy with the Union.With a foreword by Kenneth W. Noe and an afterword by Daniel E. Sutherland, this collection represents an impressive array of the foremost experts on guerrilla fighting in the Civil War. Providing new interpretations of this long-misconstrued aspect of warfare, these scholars go beyond the conventional battlefield to examine the stories of irregular combatants across all theaters of the Civil War, bringing geographic breadth to what is often treated as local and regional history. The Guerrilla Hunters shows that instances of unorthodox combat, once thought isolated and infrequent, were numerous, and many clashes defy easy categorisation. Novel methodological approaches and a staggering diversity of research and topics allow this volume to support multiple areas for debate and discovery within this growing field of Civil War scholarship.

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Essays illuminating a complex and sophisticated musical manuscript. The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function. . WOLFGANG FUHRMANN is Professor of Musicology at Leipzig University; CRISTINA URCHUEGUÍA is Professor of Musicology at the University of Bern. Contributors: Bonnie J. Blackburn, Wolfgang Fuhrmann, Leofranc Holford-Strevens, Tess Knighton, Kenneth Kreitner, Honey Meconi, Emilio Ros-Fábregas, Cristina Urchueguía, Rob C. Wegman

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This ground breaking collection of essays is the first to examine the phenomenon of how, in the twenty-first century, Shakespeare has been experienced as a ‘live’ or ‘as-live’ theatre broadcast by audiences around the world. Shakespeare and the 'Live' Theatre Broadcast Experience explores the precursors of this phenomenon and its role in Shakespeare’s continuing globalization. It considers some of the most important companies that have produced such broadcasts since 2009, including NT Live, Globe on Screen, RSC Live from Stratford-upon-Avon, Stratford Festival HD, Kenneth Branagh Theatre Company Live, and Cheek by Jowl, and examines the impact these broadcasts have had on branding, ideology, style and access to Shakespeare for international audiences. Contributors from around the world reflect on how broadcasts impact on actors’ performances, changing viewing practices, local and international Shakespearean fan cultures and the use of social media by audience members for whom “liveness” is increasingly tied up in the experience economy. The book tackles vexing questions regarding the ‘presentness’ and ‘liveness’ of performance in the 21st century, the reception of Shakespeare in a globally-connected environment, the challenges of sustaining an audience for stage Shakespeare, and the ideological implications of consuming theatre on screen. It will be crucial reading for scholars of the ‘live’ theatre broadcast, and enormously helpful for scholars of Shakespeare on screen and in performance more broadly.

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Everything Must Change! brings together prominent commentators from around the world to present a rich and nuanced weighing of progressive possibilities in the wake of the COVID-19 pandemic. In these pages you’ll encounter influential voices across the left, ranging from Roger Waters to Noam Chomsky, Slavoj Žižek to Saskia Sassen. Gael García Bernal, Brian Eno, and Larry Charles examine the pandemic’s more cultural and artistic consequences, touching on topics of love, play, comedy, dreaming, and time. Their words sit alongside analyses of the paradoxes and possibilities of debt, internationalism, and solidarity by Astra Taylor, David Graeber, Vijay Prashad, and Stephanie Kelton. Burgeoning surveillance and control measures in the name of public health are a concern for many of the contributors here, including Shoshana Zuboff and Evgeny Morozov, as are the opportunities presented by the crisis for exploitation by financiers, technocrats, and the far right. Against a return to the normal and, indeed, the notion that there ever was such a thing, these conversations insist that urgent, systemic change is needed to tackle not only the pandemics arising from the human destruction of nature, but also the ceaseless debilitations of contemporary global capitalism. Contributors: Tariq Ali, David Adler, Gael García Bernal, Larry Charles, Noam Chomsky, Brian Eno, Daniel Ellsberg, Kenneth Goldsmith, David Graeber, Johann Hari, Maja Kantar, Stephanie Kelton, Stefania Maurizi, Evgeny Morozov, Maja Pelević, Vijay Prashad , Angela Richter, Saskia Sassen, Saša Savanović, Jeremy Scahill, Richard Sennett, John Shipton, Astra Taylor, Ece Temelkuran, Yanis Varoufakis, Roger Waters, Slavoj Žižek, and Shoshana Zuboff.

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“On Story is film school in a box, a lifetime’s worth of filmmaking knowledge squeezed into half-hour packages.” —Kenneth Turan, film critic for the Los Angeles TimesAustin Film Festival (AFF) is the first organization focused on the writer’s creative contribution to film. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as refreshing veterans with new ideas. To extend the festival’s reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents footage of high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own films.On Story—Screenwriters and Filmmakers on Their Iconic Films presents renowned, award-winning screenwriters and filmmakers discussing their careers and the stories behind the production of their iconic films such as L.A. Confidential, Thelma & Louise, Groundhog Day, Guardians of the Galaxy, The Silence of the Lambs, In the Name of the Father, Apollo 13, and more. In their own lively words transcribed from interviews and panel discussions, Ron Howard, Callie Khouri, Jonathan Demme, Ted Tally, Jenny Lumet, Harold Ramis, and others talk about creating stories that resonate with one’s life experiences or topical social issues, as well as how to create appealing characters and bring them to life. Their insights, production tales, and fresh, practical, and proven advice make this book ideal for film lovers, screenwriting students, and filmmakers and screenwriters seeking inspiration.

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This book offers pragmatic advice for archival researchers. Archival research of any magnitude can be daunting. With this in mind, Alexis E. Ramsey, Wendy Sharer, Barbara L'Eplattenier, and Lisa Mastrangelo have developed an indispensable volume for the first-time researcher as well as the seasoned scholar. ""Working in the Archives"" is a guide to the world of rhetoric and composition archives, from locating an archival source and its materials to establishing one's own collection of archival materials. This practical volume provides insightful information on a variety of helpful topics, such as basic archival theory, processes, and principles; the use of hidden or digital archives; the intricacies of searching for and using letters and photographs; strategies for addressing the dilemmas of archival organization without damaging the provenance of materials; the benefits of seeking sources outside academia; and the difficult (yet often rewarding) aspects of research on the Internet. ""Working in the Archives"" moves beyond the basics to discuss the more personal and emotional aspects of archival work through the inclusion of interviews with experienced researchers such as Lynee Lewis Gaillet, Peter Mortensen, Kathryn Fitzgerald, Kenneth Lindblom, and David Gold. Each shares his or her personal stories of the joys and challenges that face today's researchers. Packed with useful recommendations, this volume draws on the knowledge and experiences of experts to present a well-rounded guidebook to the often winding paths of academic archival investigation. These in-depth yet user-friendly essays provide crucial answers to the myriad questions facing both fledgling and practiced researchers, making Working in the Archives an essential resource.

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"The New Criterion operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism."—Wall Street Journal. Since its founding in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman, The New Criterion has waged a brisk and articulate campaign against facile and often politically motivated assaults on art and greatness. It has brought unparalleled verve, clarity, and wit to the vocation of criticism. But The New Criterion is not only America's foremost voice of critical dissent in culture and the arts; it is also an energetic ally in the battle against cultural and intellectual amnesia. At a moment when many institutions have become willing collaborators in despoiling our intellectual and artistic legacy, The New Criterion has been a standard-bearer for literary and cultural excellence. Drawn from twenty-five years of the magazine, this abundant collection contains a generous sampling of the very best writing from The New Criterion, featuring the judgments of our generation's most astute and entertaining observers. The many contributors include Brooke Allen, Stefan Beck, James Bowman, Anthony Daniels, Guy Davenport, John Derbyshire, Ben Downing, Paul Dean, Daniel Mark Epstein, Joseph Epstein, John Gross, Laura Jacobs, William Logan, Harvey Mansfield, Kenneth Minogue, Jay Nordlinger, Eric Ormsby, Cynthia Ozick, David Pryce-Jones, Mordecai Richler, Roger Scruton, John Simon, Mark Steyn, and David Yezzi.

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Something to Say: William Carlos Williams on Younger Poets collects all of Williams’ known writings—reviews, essays, introductions, and letters to the editor—on the two generations of poets that followed him, from Kenneth Rexroth and Louis Zukofsky to Robert Lowell and Allen Ginsberg. What might have been a random collection of occasional pieces achieves remarkable coherence from the singleness of Williams’ poetic vision: his belief that the secret spirit of ritual, of poetry, was trapped in restrictive molds, and, if these could be broken, the spirit would be able to live again in a new, contemporary form. Only a revived clarity and accuracy in sight and expression would enable the modern world to reform social order which Williams saw in complete disarray. To resuscitate American Poetry, Williams concentrated his efforts on the purification of poetic speech—his American idiom—and on remaking the poetic line in a new measure—his variable foot. And while his battles with his contemporaries on these issues could be heated, he was always a nurturing father to the young, “a useful presence,” “a model and a liberator.” He told Ginsberg to pare down and economize, Roethke to open up, and encouraged Lowell and Levertov to shake off poetic conventions. But in all his emphasis on the poem as a made object of concrete physicality or as a field of action, he would return again and again to this basic advice to young writers: “The only thing necessary is to have something to say when at last the opportunity comes to say it.”

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This book, much needed in our public discourse, examines some of the most significant political leaders in American history. With an eye on the elusive qualities of political greatness, this anthology considers the principles and practices of diverse political leaders who influenced the founding and development of the American experiment in self-government. Providing both breadth and depth, this work is a virtual “who’s who” from the founding to modern times. From George Washington to Frederick Douglass and Elizabeth Cady Stanton to FDR and Ronald Reagan, the book’s twenty-six chapters are thematically organized to include a brief biography of each subject, his or her historical context, and the core principles and policies that led to political success or failure. A final chapter considers the rhetorical legacy of Bill Clinton, George W. Bush, Barack Obama, and Donald Trump. Nearly all readers agree that statesmanship makes a crucial difference in the life of a nation and its example is sorely needed in America today. These concise portraits will appeal to experts as well as history buffs. The volume is ideal for leadership and political science classroom use in conjunction with primary sources. Contributors: Kenneth L. Deutsch, Gary L. Gregg II, David Tucker, Sean D. Sutton, Bruce P. Frohnen, Stephanie P. Newbold, Phillip G. Henderson, Michael P. Federici, Troy L. Kickler, Johnathan O’Neill, H. Lee Cheek, Jr., Carey Roberts, Hans Schmeisser, Joseph R. Fornieri, Peter C. Myers, Emily Krichbaum, Natalie Taylor, Jean M. Yarbrough, Christopher Burkett, Will Morrisey, Elizabeth Edwards Spalding, Patrick J. Garrity, Giorgi Areshidze, William J. Atto, David B. Frisk, Mark Blitz, Jeffrey Crouch, and Mark J. Rozell.

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Stalinist Genetics focuses on the rhetoric of T. D. Lysenko, the founder of an agrobiological doctrine (Lysenkoism) in the Stalinist Soviet Union. Using not only scientific but also political and ideological arguments, Lysenko achieved an official ban on Soviet Mendelian genetics. Though the ban was brief and Lysenkoism, as a leading biological doctrine, was eventually deposed in favor of Mendelism, Lysenkoism remains a paradigmatic example of pernicious political interference in science. In this study, the critical orientation for reading Lysenko's major speeches is constitutional rhetoric. It combines Kenneth Burke's dialectic of constitutions and rhetoric of the subject. Painting a nuanced picture of intellectual, economic, ideological, and political life in the Soviet Union of the 1930s and 1940s, the book demonstrates how the rhetorics of Lysenkoism and Mendelism interacted with Stalinist culture in the fight for dominating Soviet science. The reader will learn how Lysenko's constitutional rhetoric created a space where scientific terms transformed into political and ideological ones, and vice versa. The book also shows how, in a dialectical flip, the Lysenkoist rhetoric eventually turned from tool to master. Contrary to Lysenko's intentions, his language gave his opponents, Soviet Mendelians, grounds on which to defend their science and criticize Lysenkoism. Stanchevici forcefully reasserts the blurriness of the boundaries between science and politics, and argues that scientific language reveals more plasticity and adaptability to the political situation than has hitherto been assumed. Intended Audience: Scholars in rhetoric, history, and philosophy of science; graduate or upper-division undergraduate course in the rhetoric of science or technical communication.

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A lively history of the peculiar math of votingSince the very birth of democracy in ancient Greece, the simple act of voting has given rise to mathematical paradoxes that have puzzled some of the greatest philosophers, statesmen, and mathematicians. Numbers Rule traces the epic quest by these thinkers to create a more perfect democracy and adapt to the ever-changing demands that each new generation places on our democratic institutions.In a sweeping narrative that combines history, biography, and mathematics, George Szpiro details the fascinating lives and big ideas of great minds such as Plato, Pliny the Younger, Ramon Llull, Pierre Simon Laplace, Thomas Jefferson, Alexander Hamilton, John von Neumann, and Kenneth Arrow, among many others. Each chapter in this riveting book tells the story of one or more of these visionaries and the problem they sought to overcome, like the Marquis de Condorcet, the eighteenth-century French nobleman who demonstrated that a majority vote in an election might not necessarily result in a clear winner. Szpiro takes readers from ancient Greece and Rome to medieval Europe, from the founding of the American republic and the French Revolution to today's high-stakes elective politics. He explains how mathematical paradoxes and enigmas can crop up in virtually any voting arena, from electing a class president, a pope, or prime minister to the apportionment of seats in Congress.Numbers Rule describes the trials and triumphs of the thinkers down through the ages who have dared the odds in pursuit of a just and equitable democracy.

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The first biography of America's greatest twentieth-century sculptor. In this beautifully written, deeply researched book Jed Perl shows how Alexander Calder became an avant-garde artist with enduring appeal. One of our most beloved modern artists, Calder is celebrated above all as the inventor of the mobile. Only now is the full story of his life being told in a gloriously illustrated biography, which features unseen photographs and is based on scores of interviews and unprecedented access to Calder's papers. Born into a family of artists, Calder forged important friendships with a who's who of twentieth-century creators, including Georges Braque, Marcel Duchamp, Martha Graham, Joan Miró, Piet Mondrian and Virgil Thomson. His early years studying engineering were followed by artistic triumphs in Paris in the late 1920s, and his emergence as a leader in the international abstract avant-garde. His marriage in 1931 to Louisa James—a great-niece of Henry James—is a richly romantic story. This transatlantic life carries readers from New York's Greenwich Village, to the Left Bank of Paris during the Depression, and then to a refugee-filled London just before the War, where Calder's circle of friends included Barbara Hepworth, Ben Nicholson and Kenneth Clark.

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In 1990, Dr. Kenneth Krackow wrote The Technique of Total Knee Arthroplasty to teach the basics of TKA for end-stage arthritis-everything from nonsurgical to surgical intervention and postoperative rehabilitation. Now completely revised for a new generation of surgeons, the 2nd Edition of this classic text continues its original goal of helping advanced practitioners acquire more knowledge and skill in primary and revision total knee arthroplasty. This fully updated volume, revised by Dr. Krackow and his former fellows Drs. William M. Mihalko and Michael A. Mont, keeps you current with major changes and advances in field, including patient optimization, outpatient procedures, robotics and new technology, difficult decisions during surgery, and more. Offers comprehensive and expert coverage of both inpatient and outpatient primary TKA, now fully revised with new chapters on Patient Considerations, Modifications, Optimizing the Important Comorbidities, TKA Balancing, and more. Addresses key issues of patient optimization such as obesity, diabetes, heart disease, rheumatoid arthritis, and peripheral vascular disease. Provides evidence for TKA outcomes and complications: "What do I tell my patient?” Focuses on the latest and best techniques and surgical approaches, including computer and robotic assisted surgery, uncemented TKA, assessing and planning for the difficult TKA, outpatient TKA considerations, and preventing readmissions post-surgery. Discusses how to handle all deformity aspects of the lower extremity, bone defects, and ligamentous insufficiency during surgery. Includes numerous illustrations, line art, radiographs, and clinical photos for optimal visualization of each procedure. Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures, and references from the book on a variety of devices.

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Described by Kenneth Clark as 'one of the most brilliant books of art criticism that I have ever read', Art and Illusion is a classic study of image-making. It seeks to answer a simple question: why is there such a thing as style? The question may be simple but there is no easy answer, and Professor Gombrich's brilliant and wide-ranging exploration of the history and psychology of pictorial representation leads him into countless crucial areas. Gombrich examines, questions and re-evaluates old and new ideas on such matters as the imitation of nature, the function of tradition, the problem of abstraction, the validity of perspective and the interpretation of expression: all of which reveal that pictorial representation is far from being a straightforward matter. First published more than 40 years ago, Art and Illusion has lost none of its vitality and importance. In applying the findings of experimental science to a nuanced understanding of art and in tackling complex ideas and theoretical issues, Gombrich is rigorous. Yet he always retains a sense of wonder at the inexhaustible capacity of the human brain, and at the subtlety of the relationships involved in seeing the world and in making and seeing art. With profound knowledge and his exceptional gift for clear exposition, he advances each argument as an hypothesis to be tested. The problems of representation are forever fundamental to the history of art: Art and Illusion remains an essential text for anyone interested in understanding the complexities of art. For the sixth edition Professor Gombrich has written an entirely new 12-page preface, in which he makes use of the distinction between an image and a sign, so as to clarify his intentions in writing the book in the first place.

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Study of the critical reception of one of the most famous and widely read works of modern literature. Thomas Mann's 1912 novella Death in Venice is one of the most famous and widely read texts in all of modern literature, raising such issues as beauty and decadence, eros and irony, and aesthetics and morality. The amount and variety of criticism on the work is enormous, and ranges from psychoanalytic criticism and readings inspired by Mann's own homosexuality to inquiries into the place of the novella in Mann's oeuvre, its structure and style, and its symbolism and politics. Critics have also drawn connections between the novella and works of Plato, Euripides, Goethe, Schopenhauer, Platen, Wagner, Nietzsche, Gide, and Conrad. Ellis Shookman surveys the reception of Deathin Venice, analyzing several hundred books, articles, and other reactions to the novella, proceeding in a chronological manner that allows a historical perspective. Critics cited include Heinrich Mann, Hermann Broch, D. H. Lawrence, Karl Kraus, Kenneth Burke, Georg Lukàcs, Wolfgang Koeppen, Mario Vargas Llosa, and Thomas Mann himself. Particular attention is paid to Luchino Visconti's film, Benjamin Britten's opera, and to other more recent creative adaptations, both in Germany and throughout the world. Ellis Shookman is associate professor of German at Dartmouth College.

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The eighth book in the Anne Shirley series. Anne Shirley's children are almost all grown up - except for pretty, high-spirited Rilla, who is now almost fifteen years old. No one can resist Rilla's bright hazel eyes and dazzling smile, and Rilla herself can think no further ahead than going to her very first dance at the Four Winds lighthouse - and getting her first kiss from handsome Kenneth Ford! But at the dance, news is brought that England has declared war on Germany. At first, this means little to Rilla, on the threshold of so many new excitements. But as her brothers go off to fight in the Great War and Rilla brings home an orphaned newborn baby in a soup tureen, she is swept into a drama that tests her courage and will leave her changed for ever...A collection will be coveted by children and adults alike, this list is the best in children's literature, curated by Virago. These are timeless tales with beautiful covers, that will be treasured and shared across the generations. Some titles you will already know; some will be new to you, but there are stories for everyone to love, whatever your age. Our list includes Nina Bawden (Carrie's War, The Peppermint Pig), Rumer Godden (The Dark Horse, An Episode of Sparrows), Joan Aiken (The Serial Garden, The Gift Giving) E. Nesbit (The Psammead Trilogy, The Bastable Trilogy, The Railway Children), Frances Hodgson Burnett (The Little Princess,The Secret Garden) and Susan Coolidge (The What Katy Did Trilogy). Discover Virago Children's Classics.

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Delivering E-Learning describes a new and better way of understanding e-learning. The author looks at overcoming objections to e-learning and acknowledging poor past practice before presenting a new strategic approach. It places the emphasis firmly on learning, not the technology, de-mystifying the jargon and de-bunking industry myths. The current way most people look at e-learning is flawed, and this means they are missing its full potential. This book provides a clear framework to better understand e-learning. Proposing a strategic approach to implementing e-learning, the author demonstrates how to align e-learning strategy with learning and business strategies. It offers a complete resource for applying e-learning to any organization.

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In a career spanning 41 years in the Irish diplomatic service, Ambassador Dónal Denham has lived among nine very different societies, spanning three continents. With stops in France, Zambia, the USA, Lithuania, Belarus, Finland and finally the Holy See, Dónal has a few choice tales to tell. He opened two Irish embassies, served in all seven Irish Presidencies and had thought-provoking conversations with some fascinating people, including Ronald Reagan in the White House, Kenneth Kaunda in the State House and Mary Robinson in our own President's House. Dónal was inspired by is his grandfather, Eamonn Tuke, a volunteer in the Irish Citizen Army and a footsoldier of the Irish Rebellion of 1916 and War of Independence. And Dónal’s other hero, John F. Kennedy, famously said, "Ask not what your country can do for you but what you can do for your country." With those words in his ear and his partner Siobhan at his side, Dónal served his country under many different guises to make its presence known in international settings and to offer the legendary Irish hospitality to fellow world citizens, and along the way made many enduring friendships. There were some tears, but much laughter too. With a focus on funny incidents, happy moments and some achievements for Ireland Inc., Nine Lives is a refreshing and enjoyable read by a diplomat who thoroughly enjoyed his years as Ireland’s envoy.

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Michael Kenneth Moore was probably New Zealand’s last working-class Prime Minister and while the book is inevitably political, it is also a remarkable New Zealand story about an ordinary kiwi achieving extraordinary things. This book is based on conversations held with Mike Moore over the past 12 months and reflections on his life and career involving people who were part of it. The chapters focus on key moments in his life – growing up partially crippled in poverty in rural Northland, moving to Auckland and becoming a trade unionist and New Zealand’s youngest MP, losing his seat and fighting the Labour Party to get another one only to be diagnosed with cancer, helping make David Lange Prime Minister and beating Muldoon, the turmoil of the fourth Labour Government including becoming Prime Minister for only 59 days, taking Labour to within two seats of Government and being cruelling deposed as leader by Helen Clark in 1993, the years in wilderness when he came close to setting up a new party and not participating in a coup against Clark, his audacious campaign to become Director General of the World Trade Organisation, becoming New Zealand’s Ambassador to the US and the stroke that cut it short, and his hopes for the future. In a country that celebrates sporting success Moore’s story is also heroic because he has the same traits of smarts, hard work and determination to achieve at the highest levels – despite numerous setbacks – that all New Zealanders admire in the successful.

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The Second World War put an end to America's historical isolation from international power politics, and so also to the long-standing American defiance of the Realist ideology that shaped Old World affairs. The advent of transoceanic military technologies, now wielded by menacing states such as Nazi Germany and the Soviet Union, made Americans more receptive to the Realist idea that international relations is about fear and survival. The American Realists Reinhold Niebuhr, Hans Morgenthau, and Kenneth Waltz developed a modern strategic framework that sought to introduce American leaders and the educated public to these harsher realities of international politics. They emphasized a clear-eyed, cold approach to the play of interests, egotism, and the drive for power in world affairs-a struggle in which the threat of major war remained, in the end, the only legitimate currency. Yet even as Americans began to accept this new Realism, thermonuclear weaponry threatened to make it absurd. A major war to defend the nation might result in its total destruction; a thermonuclear war leading to the death of hundreds of millions of citizens seemed an unusual way to preserve American survival. This dilemma became central to the Realist understanding of Niebuhr, Morgenthau, and Waltz. How could a Realist approach to international politics and war be sustained in the face of possible global annihilation? Glimmer of a New Leviathan is the engrossing story of how the three chief architects of an influential ideology struggled with the implications of their own creation. It offers crucial historical context for contemporary debates about weapons of mass destruction and the post-Cold War international order.

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New insights into the nature of the seventeenth-century English revolution - one of the most contested issues in early modern British history. The nature of the seventeenth-century English revolution remains one of the most contested of all historical issues. Scholars are unable to agree on what caused it, when precisely it happened, how significant it was in terms of political, social, economic, and intellectual impact, or even whether it merits being described as a "revolution" at all. Over the past twenty years these debates have become more complex, but also richer. This volume brings together new essays by a group of leading scholars of the revolutionary period and will provide readers with a provocative and stimulating introduction to current research. All the essays engage with one or more of three themes which lieat the heart of recent debate: the importance of the connection between individuals and ideas; the power and influence of religious ideas; and the most appropriate chronological context for discussion of the revolution. STEPHEN TAYLOR is Professor in the History of Early Modern England at the University of Durham. GRANT TAPSELL is Lecturer in Early Modern History, University of Oxford and Fellow and Tutor at Lady Margaret Hall. Contributors: Philip Baker, J. C. Davis, Kenneth Fincham, Rachel Foxley, Tim Harris, Ethan H. Shagan, John Spurr, Grant Tapsell, Stephen Taylor, Tim Wales, John Walter, Blair Worden

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An uninhibited human document, this book reveals the inner workings of two very different minds struggling to meet the high standards of authorship they had set for themselves. Each served as a mentor to the other. Everson, known later as Brother Antoninus, a poet of the Beat Generation, comments trenchantly on Powell's novels (not published until the late 1970s) and Powell persuades Everson to reconsider words and images in his poems and give them titles. The letters include many insights on music as the two writers grow and develop emotionally and intellectually. Robinson Jeffers is the leitmotif for the book: Powell had written the first critical study of the poet and Jeffer's poems inspired Everson. Other writers appear-M.F.K. Fisher, Theodore Dreiser, Robert Duncan, Kenneth Rexroth, Henry Miller, and Archibald MacLeish, to name a few. Also sculptors Gordon Newell and Clayton James; painters Morris Graves amd Dillwyn Parrish; publishers James Laughlin and Ward Richie. Everson's draft board sent him to a conscientious objectors camp i Oregon, where he founded The Fine Arts at Waldport. The enforced separation of his internment, 1943-46, led to the dissolution of his marriage. Powell's unprecedented leap from junior librarian at UCLA to university librarian took place during these years, and his progress as a writer of columns, book reviews, and books is revealed.

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Regulation by public and private organizations can be hijacked by special interests or small groups of powerful firms, and nowhere is this easier than at the global level. In whose interest is the global economy being regulated? Under what conditions can global regulation be made to serve broader interests? This is the first book to examine systematically how and why such hijacking or "regulatory capture" happens, and how it can be averted. Walter Mattli and Ngaire Woods bring together leading experts to present an analytical framework to explain regulatory outcomes at the global level and offer a series of case studies that illustrate the challenges of a global economy in which many institutions are less transparent and are held much less accountable by the media and public officials than are domestic institutions. They explain when and how global regulation falls prey to regulatory capture, yet also shed light on the positive regulatory changes that have occurred in areas including human rights, shipping safety, and global finance. This book is a wake-up call to proponents of network governance, self-regulation, and the view that technocrats should be left to regulate with as little oversight as possible. In addition to the editors, the contributors are Kenneth W. Abbott, Samuel Barrows, Judith L. Goldstein, Eric Helleiner, Miles Kahler, David A. Lake, Kathryn Sikkink, Duncan Snidal, Richard H. Steinberg, and David Vogel.

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De sobra es conocido el extraño caso de J. D. Salinger, quien, tras publicar en 1951 El guardián entre el centeno, pasó el resto de su vida ocultándose de los medio de comunicación y eludiendo el fervor de los admiradores. En esta biografía, Kenneth Slawenski desmenuza las claves vitales y literarias del enigmático novelista: las vivencias de sus años juveniles en colleges elitistas; su experiencia como combatiente en la Segunda Guerra Mundial, o la evolución espiritual que lo condujo a abrazar el budismo zen y abrió un abismo entre sus anhelos de retiro y meditación y la presión de los medios. Slawenski analiza y expone las conflictivas relaciones del escritor con los editores, su difícil vida familiar y sentimental, sus períodos de silencio y escritura secreta, así como sus querellas contra el mundo editorial y gigantes mediáticos con objeto de defender su obra frente a manipulaciones.Este relato veraz y libre de sentimentalismos de la vida de Salinger constituye un apasionante recor

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Finding Equilibrium explores the post-World War II transformation of economics by constructing a history of the proof of its central dogma--that a competitive market economy may possess a set of equilibrium prices. The model economy for which the theorem could be proved was mapped out in 1954 by Kenneth Arrow and Gerard Debreu collaboratively, and by Lionel McKenzie separately, and would become widely known as the "Arrow-Debreu Model." While Arrow and Debreu would later go on to win separate Nobel prizes in economics, McKenzie would never receive it. Till Duppe and E. Roy Weintraub explore the lives and work of these economists and the issues of scientific credit against the extraordinary backdrop of overlapping research communities and an economics discipline that was shifting dramatically to mathematical modes of expression. Based on recently opened archives, Finding Equilibrium shows the complex interplay between each man's personal life and work, and examines compelling ideas about scientific credit, publication, regard for different research institutions, and the awarding of Nobel prizes. Instead of asking whether recognition was rightly or wrongly given, and who were the heroes or villains, the book considers attitudes toward intellectual credit and strategies to gain it vis-a-vis the communities that grant it. Telling the story behind the proof of the central theorem in economics, Finding Equilibrium sheds light on the changing nature of the scientific community and the critical connections between the personal and public rewards of scientific work.

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It began with Magic, Bird, and Dr. J. Then came Michael. The Dream Team. The WNBA. And, most recently, "Spree" Latrell Sprewell--American Dream or American Nightmare?--the embodiment of everything many believe is wrong--and others believe is exciting--about the game. Today, despite the NBA strike, despite home run derbies, despite football's headlock on network television ratings, despite the much-heralded return of baseball, basketball has assumed a role in American culture and consciousness impossible to imagine 20 years ago, when arenas were empty and the NBA finals were broadcast via tape delay in the wee hours. So what happened? How did a "black sport," plagued by drug scandal and decimated by white flight, come to achieve such prominence? What are the subtle and not-so-subtle racial codes that define how the game is played and perceived, and the reception of its high-profile stars? What does the shift in popularity from the predominantly white, working-class ethos of baseball to the black, urban ethos of basketball suggest about contemporary life in America? What linkages exist between basketball and hip-hop culture and how did these develop? How has the arrival of women on the scene changed the equation? Bringing together journalists, cultural critics, and academics, this wide-ranging anthology has something for everyone, from hard-core fan to casual observer. Contributors: Todd Boyd, Kenneth L. Shropshire, Gerald Early, James Peterson, Susan J. Rayl, Davis W. Houck, Mark Conrad, Charles J. Ogletree, Jr., Earl Smith, Sohail Daulatzi, Larry Platt, Tina Sloan Green, Alpha Alexander, Tara McPherson, Aaron Baker.

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A fascinating exploration of the philosophy behind NBC’s hit TV series, 30 Rock With edgy writing and a great cast, 30 Rock is one of the funniest television shows on the air—and where hilarity ensues, philosophical questions abound: Are Liz Lemon and Jack Donaghy ethical heroes? Kenneth redefines "goody two shoes", but what does it really mean to be good? Dr. Leo Spaceman routinely demonstrates that medicine is not a science, so what is the role of the incompetent professional in America today? In 30 Rock and Philosophy, Tina Fey and her fellow cast members are thrust onto the philosophical stage with Plato, Aristotle, Kantand other great thinkers to examine these key questions and many others that involve the characters and plotlines of 30 Rock and its fictional TGS with Tracy Jordan comedy show. Takes an entertaining, up-close look at the philosophical issues behind 30 Rock's characters and storylines, from post-feminist ideals to workaholism and the meaning of life Equips you with a new understanding of Liz Lemon, Jack Donaghy, Tracy Jordan, Jenna Maroney, Dr. Spaceman, and other characters Gives you deep and meaningful new reasons (who knew?) for watching Tina Fey and your other favorites on 30 Rock Ideal for both casual and diehard fans, this book is the essential companion for every 30 Rock­-watcher.

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Classic Blunder - After a noticeably happy day I sleep - and wake at dawn to a sudden sense of having erred. What have I done? I've made the classic blunder the blunder of living onward forwardly toward some disappointing future - what a fool - I should have lived not forwardly but sideways or circularly to stay in days like (what now has to be called) yesterday. Instead I've allowed the sun already to start pouring through the curtains the diminishments and inferiorities of a crude and unsentimental next day. To keep that train from leaving the station must call for some incredible level of concentration. In his sixth collection, Mark Halliday continues to seek ways of using the smart playfulness of such poets as Frank O'Hara and Kenneth Koch to explore life's emotional mysteries - both dire and hilarious - from the perpetual dissolving of our past to the perpetnal frustration of our cravings for ego triumph, for sublime connection with an erotically idealized Other, and for peace of spirit. Animated by belief in the possible truths to be reached in interpersonal speech, Halliday's voice-driven poetry wants to find insight - or at least a stay against confusion - through personality without being trapped in personality. History will leave much of what we are on the threshing floor, Halliday notes, but in the meantime we do what we can: let posterity (if any) say we rambled truly.

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Janet Stone’s photograph albums feature informal portraits from the mid-twentieth century of many of the leading cultural figures and personalities of the day. The wife of the distinguished engraver Reynolds Stone established a kind of literary salon in the idyllic setting of the Old Rectory at Litton Cheney in West Dorset. Here their wide circle of friends could visit, work and flourish as Janet photographed them. Included between these pages are portraits of Benjamin Britten, Peter Pears, John Piper, Iris Murdoch, John Bayley, C. Day-Lewis, Jill Balcon, Kenneth Clark, Freya Stark, Siegfried Sassoon, Willa Muir, Sylvia Townsend Warner and Frances Partridge as well as Janet’s husband Reynolds and her family. Although not a technical photographer, Janet instinctively knew the best moment to click the shutter, thus often capturing her subjects off-guard and at their most informal. In this way we see picnics by the tennis court, John Bayley trying on a headscarf, or a young Daniel Day-Lewis dressed up as a knight. Others are portrayed reading or relaxing in the gardens, drink in hand. These unique portraits give a beguiling insight into a special set of circumstances: an idyllic place and time and a group of people drawn together by two contrasting but complimentary personalities, the shy genius of Reynolds and the outgoing style and glamour of Janet Stone.

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This collection brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism. While the “politics of representation” has been the focus of much previous gay and lesbian film criticism, the contributors to Out Takes employ the approaches of queer theory to move beyond conventional readings and to reexamine aspects of the cinematic gaze in relation to queer desire and spectatorship.The essays examine a wide array of films, including Calamity Jane, Rear Window, The Hunger, Heavenly Creatures, and Bound , and discuss such figures as Doris Day, Elizabeth Taylor, and Alfred Hitchcock. Divided into three sections, the first part reconsiders the construction of masculinity and male homoerotic desire—especially with respect to the role of women—in classic cinema of the 1940s and 1950s. The second section offers a deconstructive consideration of lesbian film spectatorship and lesbian representation. Part three looks at the historical trajectory of independent queer cinema, including works by H.D., Kenneth Anger, and Derek Jarman.By exploring new approaches to the study of sexuality in film, Out Takes will be useful to scholars in gay and lesbian studies, queer theory, and cinema studies.Contributors. Bonnie Burns, Steven Cohan, Alexander Doty, Lee Edelman, Michelle Elleray, Jim Ellis, Ellis Hanson, D. A. Miller, Eric Savoy, Matthew Tinkcom, Amy Villarejo, Jean Walton

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Culture, 1922 traces the intellectual and institutional deployment of the culture concept in England and America in the first half of the twentieth century. With primary attention to how models of culture are created, elaborated upon, transformed, resisted, and ignored, Marc Manganaro works across disciplinary lines to embrace literary, literary critical, and anthropological writing. Tracing two traditions of thinking about culture, as elite products and pursuits and as common and shared systems of values, Manganaro argues that these modernist formulations are not mutually exclusive and have indeed intermingled in complex and interesting ways throughout the development of literary studies and anthropology. Beginning with the important Victorian architects of culture--Matthew Arnold and Edward Tylor--the book follows a number of main figures, schools, and movements up to 1950 such as anthropologist Franz Boas, his disciples Edward Sapir, Ruth Benedict, and Zora Neale Hurston, literary modernists T. S. Eliot and James Joyce, functional anthropologist Bronislaw Malinowski, modernist literary critic I. A. Richards, the New Critics, and Kenneth Burke. The main focus here, however, is upon three works published in 1922, the watershed year of Modernism--Eliot's The Waste Land, Malinowski's Argonauts of the Western Pacific, and Joyce's Ulysses. Manganaro reads these masterworks and the history of their reception as efforts toward defining culture. This is a wide-ranging and ambitious study about an ambiguous and complex concept as it moves within and between disciplines.

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"Eyes To See Otherwise" is the first extensive selection of poems by leading Mexican poet Homero Aridjis to appear in English. The range and quality of the translations, by some of America's finest poets, mark the centrality of his work on the map of modern poetry. W.S. Merwin writes, "In his early books, it was immediately clear that Homero Aridjis was a poet of great vitality and originality ...[his] range grew with astonishing vigour in one book after another ...Poems of his have been published in English translation for decades but it is more than time to have a large, widely representative selection of his poems available in English". Charles Tomlinson recalls, "When I first met Homero Aridjis, he was a youthful poet. He has carried that sense of youth with him throughout his life and it has left a mark on all his work. Born in a Mexican village, near which the monarch butterflies swarm yearly after their flight from Canada, he experienced early life in a profound relationship with the cycles of nature. This lies at the root of his two principal concerns, poetry and ecology. He not only writes of the whale, but has long fought for the protection of its breeding places in Baja California". Kenneth Rexroth calls him "a visionary poet of lyrical bliss, crystalline concentrations and infinite spaces". He adds, "These are words for a new "Magic Flute"".

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This book advances Post-Keynesian Institutional economics, an integrative tradition - inspired by keen economic observers such as John Kenneth Galbraith, Joan Robinson, and Hyman Minsky - that bridges Institutional and Post Keynesian economics. The tradition proved its worth by addressing the global financial crisis of 2007-2009, as well as by analyzing long-term trends accompanying the evolution of investor-driven (“money manager”) capitalism, including financialization, spreading worker insecurity, and rising inequality. This Modern Guide begins with the history and contours of Post-Keynesian Institutionalism, and then breaks new ground, extending recent analyses of contemporary economic problems, sharpening concepts and methods, sketching new theories, and synthesizing ideas across research traditions. Written by leading scholars, this authoritative collection identifies policy-relevant frontiers—on matters ranging from social capital and economic democracy to feminism and environmental sustainability—thereby setting an ambitious agenda for further Post-Keynesian Institutionalist research.In addition to being useful as a statement of current Post-Keynesian Institutionalist issues and research, the book serves as both a valuable reference volume and a source of material appropriate for course adoption for undergraduate and graduate students. Policymakers and policy analysts dissatisfied with the status quo should also find the book of interest. It will likely be especially relevant to those concerned with financial instability, worker insecurity, and inequality, problems that in recent years have had considerable economic and political consequences.

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Muhammad Reconsidered rectifies the failures of scholarly attempts to understand Islam in the West and to take Islamic theology seriously. Engaging Islam from deep within the Christian tradition by addressing the question of the prophethood of Muhammad, Anna Bonta Moreland calls for a retrieval of Thomistic thought on prophecy. Without either appropriating the prophet as an unwitting Christian or reducing both Christianity and Islam to a common denominator, Moreland studies Muhammad within a Christian theology of revelation. This lens leads to a more sophisticated understanding of Islam, one that honors the integrity of the Catholic tradition and argues for the possibility in principle of Muhammad as a religious prophet. Moreland sets the stage for this inquiry through an intertextual reading of the key Vatican II documents on Islam and on Christian revelation. She then uses Aquinas's treatment of prophecy to address the case of whether Muhammad is a prophet in Christian terms. Muhammad Reconsidered examines the work of several Christian theologians, including W. Montgomery Watt, Hans Küng, Kenneth Cragg, David Kerr, and Jacques Jomier, O.P., and then draws upon the practice of analogical reasoning in the theology of religious pluralism to show that a term in one religion—in this case “prophecy”—can have purchase in another religious tradition. Muhammad Reconsidered not only is a constructive contribution to Catholic theology but also has enormous potential to help scholars reframe and comprehend Christian-Muslim relations.

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Michael Fried's often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for "Three American Painters," the text of his book "Morris Louis," and "Art and Objecthood." Originally published between 1962 and 1977, the essays continue to generate debate today. These are uncompromising writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theatre, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he also wrote.

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Kenneth Rexroth called Denise Levertov (1923–1997) "the most subtly skillful poet of her generation, the most profound, . . . and the most moving." Author of twenty-four volumes of poetry, four books of essays, and several translations, Levertov became a lauded and honored poet. Born in England, she published her first book of poems at age twenty-three, but it was not until she married and came to the United States in 1948 that she found her poetic voice, helped by the likes of William Carlos Williams, Robert Duncan, and Robert Creeley. Shortly before her death in 1997, the woman who claimed no country as home was nominated to be America's poet laureate. Levertov was the quintessential romantic. She wanted to live vividly, intensely, passionately, and on a grand scale. She wanted the persistence of Cézanne and the depth and generosity of Rilke. Once she acclimated herself to America, the dreamy lyric poetry of her early years gave way to the joy and wonder of ordinary life. By the late 1960s and early 1970s, however, her poems began to engage the issues of her times. Vehement and strident, her poetry of protest was both acclaimed and criticized. The end of both the Vietnam War and her marriage left her mentally fatigued and emotionally fragile, but gradually, over the span of a decade, she emerged with new energy. The crystalline and luminous poetry of her last years stands as final witness to a lifetime of searching for the mystery embedded in life itself. Through all the vagaries of life and art, her response was that of a "primary wonder." In this illuminating biography, Dana Greene examines Levertov's interviews, essays, and self-revelatory poetry to discern the conflict and torment she both endured and created in her attempts to deal with her own psyche, her relationships with family, friends, lovers, colleagues, and the times in which she lived. Denise Levertov: A Poet's Life is the first complete biography of Levertov, a woman who claimed she did not want a biography, insisting that it was her work that she hoped would endure. And yet she confessed that her poetry in its various forms--lyric, political, natural, and religious--derived from her life experience. Although a substantial body of criticism has established Levertov as a major poet of the later twentieth century, this volume represents the first attempt to set her poetry within the framework of her often tumultuous life.

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". . . shining clarity and enviable originality" --Peter L. Bernstein, author of Against the Gods "Mark Kritzman presents the reader with an entertaining way of learning some serious finance." --Harry Markowitz, Nobel Prize Recipient, 1990, Economic Sciences President, Harry Markowitz Company Six challenging questions . . . six entertaining solutions, profound yet straightforward, and relevant to the everyday challenge of investing and investment management. Puzzles of Finance takes on today's most persistently challenging financial questions and, through clever examples and just plain logic, helps you move beyond those questions to arrive at a deeper understanding of finance and the daily management of money. From Siegel's Paradox ("Is it possible to profit from asymmetry of exchange rate changes?") to questions of option value ("Why is the value of an option unaffected by the underlying asset's expected return?"), Puzzles of Finance goes beyond vague theoretical suppositions to supply practical, concrete solutions that investors and money managers can benefit from every day. While the intellectually curious will be drawn to Puzzles of Finance, it is the day-to-day finance professional who will derive the most benefit from this remarkable book. In clear, concise language-with more than a touch of humor-renowned author and financial professional Mark Kritzman simplifies six of today's most perplexing financial riddles. Along the way, he presents a finance primer as practical as it is profound, as illuminating as it is entertaining. Kritzman artfully explores the relationship of such seemingly disparate fields as botany and thermodynamics to options. These proofs propel Puzzles of Finance forward with the pace of a novel. An easy-to-understand primer on financial concepts and quantitative methods combined with a technical glossary ensures that no concept is misunderstood. The result is an unprecedented book that will change the way you view finance and investing. When you invest your time in reading Puzzles of Finance, you will uncover some of the most probing and insightful lessons in financial literature today. For updates on new and bestselling Wiley Finance books: wiley.com/wbns Critical Praise for Puzzles of Finance ". . . an extraordinary combination of the elements of finance, commonsense wisdom, sparkling humor, shining clarity, and enviable originality. This is a potent blend by any standard of measurement. Long time Kritzman watchers, however, would anticipate nothing less." --Peter L. Bernstein, Author, Against the Gods "A modest, lively, clever, little book. Kritzman's puzzles range from party tidbits to the profound, and each is presented with a bit of history, a lot of insight, and just the right measure of wit. While he may not have intended it to be more than a collection of interesting conundrums, Kritzman has actually created a wonderful introduction to finance for the uninitiated with challenges for even the most sophisticated." --Stephen A. Ross, Franco Modigliani Professor of Finance and Economics, Sloan School, MIT; Co-Chairman, Roll and Ross Asset Management Corp. "Some people do crosswords. Mark Kritzman does financial puzzles and his explications amuse and instruct. Financial theory has never been this much fun."-Jack R. Meyer, President, Harvard Management Company "Puzzles of Finance should be a joy to finance mavens and even their friends! Perhaps all students of the field should be required to solve these six puzzles; they go to the heart of the intuitions for essential contributions, such as the pricing of options, the meaning of efficient diversification, and the definition of risk." --Kenneth A. Froot, Andre R. Jakurski Professor of Business Administration and Director of Research, Harvard Business School

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A seminal figure in American literature and philosophy, Ralph Waldo Emerson is considered the apostle of self-reliance, fully alive within his ideas and disarmingly confident about his innermost thoughts. Yet the circumstances around "The American Scholar" oration--his first great public address and the most celebrated talk in American academic history--suggest a different Emerson. In Understanding Emerson, Kenneth Sacks draws on a wealth of contemporary correspondence and diaries, much of it previously unexamined, to reveal a young intellectual struggling to define himself and his principles. Caught up in the fierce dispute between his Transcendentalist colleagues and Harvard, the secular bastion of Boston Unitarianism and the very institution he was invited to honor with the annual Phi Beta Kappa address, Emerson agonized over compromising his sense of self-reliance while simultaneously desiring to meet the expectations of his friends. Putting aside self-doubts and a resistance to controversy, in the end he produced an oration of extraordinary power and authentic vision that propelled him to greater awareness of social justice, set the standard for the role of the intellectual in America, and continues to point the way toward educational reform. In placing this singular event within its social and philosophical context, Sacks opens a window into America's nineteenth-century intellectual landscape as well as documenting the evolution of Emerson's idealism. Engagingly written, this book, which includes the complete text of "The American Scholar," allows us to appreciate fully Emerson's brilliant rebuke of the academy and his insistence that the most important truths derive not from books and observation but from intuition within each of us. Rising defiantly before friend and foe, Emerson triumphed over his hesitations, redirecting American thought and pedagogy and creating a personal tale of quiet heroism.

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Includes contributions from Graham Norton, Sue Perkins, Jenny Eclair and Gyles Brandreth. As its nine hundredth episode approaches, Just a Minute has consistently entertained BBC Radio 4 listeners since its first broadcast in December 1967. Inspired by a punishment handed out at school, the show's creator Ian Messiter devised a deceptively simple and versatile set of rules that has allowed the game to adapt and thrive as each new era of comedy entertainers emerges. Over forty-seven consecutive years, fans have laughed along with Kenneth Williams' outrageously funny 'battles' with Sheila Hancock, Paul Merton's imaginative flights of fancy, Clement Freud's acerbic wit, Julian Clary's flagrant innuendos, Graham Norton's celebrity 'gossip', Jenny Eclair's brutal honesty, Gyles Brandreth's extravagant monologues and Sue Perkins' infectious enthusiasm to name only a handful of the more than two hundred star entertainers who have braved the Just a Minute panel. In this official celebration, chairman Nicholas Parsons, the only person to have appeared in every programme, recalls the very best, occasionally awkward and often hilarious, moments from the last six decades. Magical minutes, verbal dexterity, sharp one-liners and witty challenges can all be marvelled at once again as Nicholas tells the Just a Minute story from its inauspicious pilot episode, through television and stage versions, and on to the present day, without hesitation, repetition or deviation...

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All three BBC radio dramatisations of the bestselling fantasy trilogy – plus bonus materialA breathtaking epic spanning multiple worlds, His Dark Materials follows the adventures of Lyra Belacqua and Will Parry, two children catapulted into a life-or-death struggle to save the future of the Cosmos.In Northern Lights, 11-year-old Lyra discovers dark forces at work involving kidnapped children and a mysterious substance called ‘Dust’. With her shape-shifting daemon, Pantalaimon, she leaves her Oxford college home and embarks on a dangerous journey to the frozen North, aided by armoured bears, Gyptians and a witch-queen…The Subtle Knife sees 12-year-old Will finding an opening into the haunted world of Cittàgazze, where daemon-destroying Spectres roam. There he meets Lyra, and together they acquire the most powerful weapon in all the universes – an object many would kill to possess.In The Amber Spyglass, a colossal war is brewing in Heaven, and Lyra and Will have been separated. They must find each other and journey onward – even into the World of the Dead…These thrilling dramatisations feature an all-star cast, including Lulu Popplewell, Terence Stamp, Bill Paterson, Kenneth Cranham and Adrian Scarborough.Also included is a bonus documentary, World Book Club, in which Philip Pullman answers readers’ questions about Northern Lights.

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Praise for Investment Management "A compelling analysis of the challenges of investment management, and why investment management firms require innovation to succeed." —Blake Grossman, CEO, Barclays Global Investors "Great investment managers understand that positioning portfolios for clients should not be an act of conformity, but rather a constant journey of shifting fundamentals and opinion. Wayne and Ralph bring this fact to life by addressing some of the key challenges to serious investment thinking, using top-level researchers in their respective fields. For those investment managers and clients who want to go beyond the ordinary." —Jeff Diermeier, former CEO of CFA Institute and retired CIO of UBS Global Asset Management "The essays in this book provide an invaluable reference point of serious readings for money managers. The works provide the analyst with the most recent scholarship in a single book, presenting ideas and philosophy that will lead me back to its various sections time and time again." —Kenneth S. Hackel, CFA, President, CT Capital LLC "The crash of 2007–2009 brought a harsh conclusion to a quarter of a century of unprecedented growth and prosperity for the investment management industry, which faces no less a task than reinventing itself. Rieves' and Wagner's contribution to the way forward couldn't be timelier." —Richard Ennis, Principal, Ennis Knupp + Associates "This book uniformly focuses on the best practices to which investment management professionals should commit. I highly recommend this book to investment managers, sales people, and trustees of pensions, endowments, trusts, and mutual funds." —Jack Clark Francis, PhD, Professor of Economics and Finance, Bernard Baruch College

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Of the 121,000 people on donor lists in the U.S., over 100,000 need kidney transplants and thousands die each year while waiting. Bioprinting aspires to build healthy kidney tissue from a patient's own cells and transplant this to boost failing kidneys without fear of rejection... As the 21st century dawned, a handful of inspired scientists tried to use 3D printing to create living human tissue. Their vision was to restore the health of people with intractable injuries, such as worn out cartilage, severed nerves, ailing kidneys, failing hearts—the gamut of human frailties. Their modest success energized others to join the quest. Now, after two decades of ingenious effort and hard work, they have carved out a vibrant new discipline: bioprinting. In Bioprinting: To Make Ourselves Anew, physicist Kenneth Douglas casts an eye over the achievements and future of bioprinting. He explains the science with rigor but with a minimum of technical baggage. This is the first book on the subject written expressly for the lay audience: accessible and even entertaining. Douglas interviewed two dozen bioprinting researchers from around the world, and he enriches the narrative by sharing stories from the scientists behind the science. These contemporary vignettes are complemented by historical accounts of the women and men whose prescient contributions were foundational to the development of bioprinting. The book describes the challenges and accomplishments in the bioprinting of blood vessels, cartilage, skin, bone, skeletal muscle, neuromuscular junctions, liver, heart, lung, kidney, and so-called organs-on-a-chip, as well as the challenges of providing a blood supply and nerves to bioprinted tissues. This is a compelling tale of a work in progress: to imitate nature and help heal people with debilitating afflictions.

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A close examination of an iconic small town that gives boundless insights into architecture, landscape, preservation, and philanthropyAvant-Garde in the Cornfields is an in-depth study of New Harmony, Indiana, a unique town in the American Midwest renowned as the site of two successive Utopian settlements during the nineteenth century: the Harmonists and the Owenites. During the Cold War years of the twentieth century, New Harmony became a spiritual “living community” and attracted a wide variety of creative artists and architects who left behind landmarks that are now world famous. This engrossing and well-documented book explores the architecture, topography, and preservation of New Harmony during both periods and addresses troubling questions about the origin, production, and meaning of the town’s modern structures, landscapes, and gardens. It analyzes how these were preserved, recognizing the funding that has made New Harmony so vital, and details the elaborate ways in which the town remains an ongoing experiment in defining the role of patronage in historic preservation.An important reappraisal of postwar American architecture from a rural perspective, Avant-Garde in the Cornfields presents provocative ideas about how history is interpreted through design and historic preservation—and about how the extraordinary past and present of New Harmony continue to thrive today. Contributors: William R. Crout, Harvard U; Stephen Fox, Rice U; Christine Gorby, Pennsylvania State U; Cammie McAtee, Harvard U; Nancy Mangum McCaslin; Kenneth A. Schuette Jr., Purdue U; Ralph Schwarz; Paul Tillich.

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“Home is an idea,” Meghan Daum writes in her foreword, “a story we tell ourselves about who we are and who and what we want closest in our midst.” In The American Idea of Home, documentary filmmaker Bernard Friedman interviews more than thirty leaders in the field of architecture about a constellation of ideas relating to housing and home. The interviewees include Pritzker Prize winners Thom Mayne, Richard Meier, and Robert Venturi; Pulitzer Prize winners Paul Goldberger and Tracy Kidder; American Institute of Architects head Robert Ivy; and legendary architects such as Denise Scott Brown, Charles Gwathmey, Kenneth Frampton, and Robert A. M. Stern.The American idea of home and the many types of housing that embody it launch lively, wide-ranging conversations about some of the most vital and important issues in architecture today. The topics that Friedman and his interviewees discuss illuminate five overarching themes: the functions and meanings of home; history, tradition, and change in residential architecture; activism, sustainability, and the environment; cities, suburbs, and regions; and technology, innovation, and materials. Friedman frames the interviews with an extended introduction that highlights these themes and helps readers appreciate the common concerns that underlie projects as disparate as Katrina cottages and Frank Lloyd Wright Usonian houses. Readers will come away from these thought-provoking interviews with an enhanced awareness of the “under the hood” kinds of design decisions that fundamentally shape our ideas of home and the dwellings in which we live.

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The twentieth century was one of profound transformation in rural America. Demographic shifts and economic restructuring have conspired to alter dramatically the lives of rural people and their communities. Challenges for Rural America in the Twenty-First Century defines these changes and interprets their implications for the future of rural America. The volume follows in the tradition of "decennial volumes" co-edited by presidents of the Rural Sociological Society and published in the Society's Rural Studies Series. Essays have been specially commissioned to examine key aspects of public policy relevant to rural America in the new century. Contributors include:Lionel Beaulieu, Alessandro Bonnano, David Brown, Ralph Brown, Frederick Buttel, Ted Bradshaw, Douglas Constance, Steve Daniels, Lynn England, William Falk, Cornelia Flora, Jan Flora, Glenn Fuguitt, Nina Glasgow, Leland Glenna, Angela Gonzales, Gary Green, Rosalind Harris, Tom Hirschl, Douglas Jackson-Smith, Leif Jensen, Ken Johnson, Richard Krannich, Daniel Lichter, Linda Lobao, Al Luloff, Tom Lyson, Kate MacTavish, David McGranahan, Diane McLaughlin, Philip McMichael, Lois Wright Morton, Domenico Parisi, Peggy Petrzelka, Kenneth Pigg, Rogelio Saenz, Sonya Salamon, Jeff Sharp, Curtis Stofferahn, Louis Swanson, Ann Tickameyer, Leanne Tigges, Cruz Torres, Mildred Warner, Ronald Wimberley, Dreamal Worthen, and Julie Zimmerman.

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Text in English & German. The way we sit simultaneously defines privileges, social status, power, and taboos. Parallel to the presentation of China as the guest of honour at the Frankfurt Book Fair 2009, the Museum für Angewandte Kunst in Frankfurt presents a panorama of Chinese sitting culture through a period of five centuries. Exclusive, noble Ming chairs stand side by side with chairs of the 18th and 19th century used by the middle class of that time. Limited sitting sculptures by renowned artist designers such as Shao Fan, Freeman Lau, Kenneth Cobonpue, XYZ-Design and Ji Liwei, who is also in charge of the interior design of the Chinese pavilion at the book fair, are confronted with the bourgeois sofas and sitting of the Chinese middle class of today. The "Bastard Chairs" of migrant workers and the homeless, day-to-day seats improvised out of pure need and made of trash and leftover materials, are commented in the sitting contexts of celebrities: emperors and courtesans, politicians and pop stars, athletes and students of product design show how sitting was done formerly and is done today. It ranges from a man of letters from the Ming era to the Qianglong emperor on the throne to Mao and Nixon in characteristic armchairs in Mao's best room. The most famous contemporary Chinese artist, Ai Weiwei, will also be represented with an excerpt of his grandiose chair performance at the Dokumenta XII. Of course, product piracy, which -- as the typical Chinese dipping figure "Shanzhai" -- has mean-while adopted characteristics that define society, is also dealt with.

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The foremost Proust scholar of our time offers a brilliantly revised and annotated edition of the first volume of the twentieth century’s most acclaimed novel“Carter’s revised edition . . . renews one’s appreciation of Proust. . . . [His] slight but decisive emendations bring the reader closer than ever to the tenor of Proust’s style and diction. . . . A magnificent and enduring achievement.”—Choice One hundred years have passed since Marcel Proust published the first volume of what was to become a seven-volume masterpiece, In Search of Lost Time. In the intervening century his famously compelling novel has never been out of print and has been translated into dozens of languages. English-language readers were fortunate to have an early and extraordinarily fine translation of the novel from Charles Kenneth Scott Moncrieff. With the passage of time, however, the need for corrections, revisions, and annotations to the Scott Montcrieff translation has become apparent.Esteemed Proust scholar William C. Carter celebrates the publication centennial of Swann’s Way with a new, more accurate and illuminating edition of the first volume of In Search of Lost Time. Carter corrects previous translating missteps to bring readers closer to Proust’s intentions while also providing enlightening notes to clarify biographical, historical, and social contexts. Presented in a reader-friendly format alongside the text, these annotations will enrich and deepen the experience of Proust’s novel, immersing readers in the world of an unsurpassed literary genius.

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Desde que en 1501 los Reyes Católicos autorizaron la entrada en América de esclavos africanos, más de doce millones de seres humanos fueron transportados a través del Atlántico y vendidos como trabajadores forzados. Se calcula que dos millones de africanos murieron en esta travesía. Por qué la esclavitud fue consentida por líderes religiosos, políticos y filosóficos durante tanto tiempo? Cómo es posible que las clases educadas del mundo occidental aprobaran y promocionaran una actividad que, años más tarde, ha sido considerada como una barbarie?El profesor Kenneth Morgan, nos ofrece una visión de conjunto del comercio esclavista, el drama de la travesía trasatlántica en los buques negreros, las formas de vida del esclavo en tierra americana: sus diversas formas de ocupación, desde la servidumbre doméstica al trabajo en las plantaciones, su demografía, su vida familiar, sus costumbres y creencias, las resistencias, las fugas y los intentos de los cimarrones por subsistir en libertad

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