Search results for ""author craig"

“Bond, James Bond.” Since Sean Connery uttered those immortal words in 1962, the most dashing secret agent in the history of cinema has been charming and thrilling audiences worldwide. This impeccably British character created by author Ian Fleming has starred in 25 EON-produced films, played by six different actors over five decades. EON Productions opened their archives of photos, designs, storyboards, and production materials to editor Paul Duncan, who spent two years researching over one million images and 100 filing cabinets of documentation. The result is the most complete account of the making of the series, covering every James Bond film ever made, beginning with Dr. No (1962) and ending with No Time To Die (2021), including the spoof Casino Royale (1967) and Never Say Never Again (1983). The wealth of previously unpublished photography, set designs, storyboards, and production memos is supplemented by an oral history recounted by over 150 cast and crew. From producers to stuntmen, directors to production designers, these personal narratives relate the true inside story from the Bond sets, offering outstanding insight into the personalities and processes behind the most successful and longest-running film franchise in cinema history. This book is a comprehensive tribute to the legend of James Bond. The updated edition includes exclusive photography and new interviews with Daniel Craig, director Cary Fukunaga, producers Michael G. Wilson and Barbara Broccoli, and many others, revealing the full story behind the making of the emotionally charged No Time To Die. Made with unrestricted access to the Bond archives, this book recounts the history of James Bond in words and pictures Among the 1,100 images are many previously unseen stills, on-set photos, memos, documents, storyboards, posters, and designs, plus unused concepts, and alternative designs Behind-the-scenes stories from the people who were there: producers, directors, actors, screenwriters, production designers, special effects technicians, stuntmen, and other crew members Includes every Bond film from Dr. No (1962) to No Time To Die (2021)

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Five days in the history of a small rural town, visited and infected by darkness, are recounted by Evil itself. A stunning high-concept thriller from the bestselling author of Good Samaritans and Nothing Important Happened Today. ‘Cements Carver as one of the most exciting authors in Britain. After this, he’ll have his own cult following’ Daily Express 'Will Carver is an exhilarating and audacious new voice in literary crime fiction' Sarah Pinborough ‘A new Will Carver novel is always something to look forward to, and this is no exception. Striking and unusual, and dark as ever’ S J Watson ________________ It’s a small story. A small town with small lives that you would never have heard about if none of this had happened. Hinton Hollow. Population 5,120. Little Henry Wallace was eight years old and one hundred miles from home before anyone talked to him. His mother placed him on a train with a label around his neck, asking for him to be kept safe for a week, kept away from Hinton Hollow. Because something was coming. Narrated by Evil itself, Hinton Hollow Death Trip recounts five days in the history of this small rural town, when darkness paid a visit and infected its residents. A visit that made them act in unnatural ways. Prodding at their insecurities. Nudging at their secrets and desires. Coaxing out the malevolence suppressed within them. Showing their true selves. Making them cheat. Making them steal. Making them kill. Detective Sergeant Pace had returned to his childhood home. To escape the things he had done in the city. To go back to something simple. But he was not alone. Evil had a plan. ________________ ‘Gobsmacking, beyond dark, and so much fun. I would join Will Carver’s cult. He’s the most original writer around…’ Helen FitzGerald ‘A novel so dark and creepy Stephen King will be jealous he didn’t think of it first’ Michael Wood ‘One of the most compelling and original voices in crime fiction … The whole thing feels like a shot of adrenaline’ Alex North ‘Twisty-turny and oh-so provocative, this is the type of book that will stick a sneaky foot out to trip you up’ Liz Robinson, LoveReading ‘Deliciously fresh and malevolent story-telling … a laminate-you-to-your-chair, page-whirring dive into a small British town that is turned on its head over the course of a few days. If you like something fresh and unusual, grab this book’ Craig Sisterson ‘It's going to take something special to top this as my book of 2020. Original, thought provoking and highly recommended’ Mark Tilbury Praise for Will Carver ***Nothing Important Happened Today was longlisted for the Theakston’s Old Peculier Crime Novel of the Year*** ‘Weirdly page-turning’ Sunday Times ‘Laying bare our 21st-century weaknesses and dilemmas, Carver has created a highly original state-of-the-nation novel’ Literary Review ‘Arguably the most original crime novel published this year’ Independent ‘At once fantastical and appallingly plausible … this mesmeric novel paints a thought-provoking if depressing picture of modern life’ Guardian ‘This book is most memorable for its unrepentant darkness…’ Telegraph ‘Unlike anything else you’ll read this year’ Heat ‘Utterly mesmerising…’ Crime Monthly

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A gripping mystery with a classic feel, for fans of Agatha Christie 'Haunting and exquisitely written. Part intricate mystery and part ghost story. This book will stay with me for a long time' Anna MazzolaThe drive leads past the gate house and through the trees towards the big house, visible through the winter-bared branches. Its windows stare down at Harkin and the sea beyond . . .January 1921. Though the Great War is over, in Ireland a new, civil war is raging. The once-grand Kilcolgan House, a crumbling bastion shrouded in sea-mist, lies half empty and filled with ghosts - both real and imagined - the Prendevilles, the noble family within, co-existing only as the balance of their secrets is kept.Then, when an IRA ambush goes terribly wrong, Maud Prendeville, eldest daughter of Lord Kilcolgan, is killed, leaving the family reeling. Yet the IRA column insist they left her alive, that someone else must have been responsible for her terrible fate. Captain Tom Harkin, an IRA intelligence officer and Maud's former fiancé, is sent to investigate, becoming an unwelcome guest in this strange, gloomy household.Working undercover, Harkin must delve into the house's secrets - and discover where, in this fractured, embattled town, each family member's allegiances truly lie. But Harkin too is haunted by the ghosts of the past and by his terrible experiences on the battlefields. Can he find out the truth about Maud's death before the past - and his strange, unnerving surroundings - overwhelm him?A haunting, atmospheric mystery set against the raw Irish landscape in a country divided, The Winter Guest is the perfect chilling read.Praise for THE WINTER GUEST and W.C. Ryan'A snowflake of a novel: intricate, exquisite, and unlike any other. If Sebastian Faulks and Laura Purcell were to join forces, they might produce a novel like this... yet I can't imagine anyone but WC Ryan shaping it with such imagination, or charging it with such intelligence, or gracing it with such heart' A.J. Finn, author of The Woman in the Window 'Haunting, gripping . . . hugely evocative' Elodie Harper'Works superbly on several levels. This is a most welcome winter guest indeed, to be greeted by the fire with drink in hand' Irish Times'Ryan evokes this moody, gothic atmosphere with convincing skill. Harkin is a sensitive, complex character and his quest to solve the mystery is deftly plotted. A treat' The Times'A perfectly crafted mystery. Vivid, compelling and deeply moving, it is a triumph both as a crime novel and a work of historical fiction' Jane Casey'A beautifully taut and evocative thriller' Sarah Hilary'Superb . . . I could not put it down' Elizabeth Buchan'Atmospheric and genuinely eerie, this is an ideal winter read' Sinead Crowley'A terrifically atmospheric, gripping novel' Amanda Craig, The Golden Rule'Haunting, beautifully crafted, and full of heart. Perfect reading for dark days' A.K. Benedict, author of The Christmas Murder Game'Beautifully written, haunting and unmissable' Cass Green'Excellent murder mystery/ghost story set during the Irish war of independence and as usual with W.C. Ryan, beautifully written' Liz Nugent'Intriguing, haunting, romantic and beautifully written, I cared as much about the fate of the characters as about the gripping mystery' Laura Marshall*longlisted for the CWA Gold Dagger award 2023: 22/04/23 (https://thecwa.co.uk/awards-and-competitions/the-daggers/gold-dagger)

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A gripping mystery with a classic feel, for fans of Agatha Christie 'Haunting and exquisitely written. Part intricate mystery and part ghost story. This book will stay with me for a long time' Anna Mazzola'A stunning book, beautifully written' Ann CleevesThe drive leads past the gate house and through the trees towards the big house, visible through the winter-bared branches. Its windows stare down at Harkin and the sea beyond . . .January 1921. Though the Great War is over, in Ireland a new, civil war is raging. The once-grand Kilcolgan House, a crumbling bastion shrouded in sea-mist, lies half empty and filled with ghosts - both real and imagined - the Prendevilles, the noble family within, co-existing only as the balance of their secrets is kept.Then, when an IRA ambush goes terribly wrong, Maud Prendeville, eldest daughter of Lord Kilcolgan, is killed, leaving the family reeling. Yet the IRA column insist they left her alive, that someone else must have been responsible for her terrible fate. Captain Tom Harkin, an IRA intelligence officer and Maud's former fiancé, is sent to investigate, becoming an unwelcome guest in this strange, gloomy household.Working undercover, Harkin must delve into the house's secrets - and discover where, in this fractured, embattled town, each family member's allegiances truly lie. But Harkin too is haunted by the ghosts of the past and by his terrible experiences on the battlefields. Can he find out the truth about Maud's death before the past - and his strange, unnerving surroundings - overwhelm him?A haunting, atmospheric mystery set against the raw Irish landscape in a country divided, The Winter Guest is the perfect chilling read.Praise for THE WINTER GUEST and W.C. Ryan'A snowflake of a novel: intricate, exquisite, and unlike any other. If Sebastian Faulks and Laura Purcell were to join forces, they might produce a novel like this... yet I can't imagine anyone but WC Ryan shaping it with such imagination, or charging it with such intelligence, or gracing it with such heart' A.J. Finn, author of The Woman in the Window'Haunting, gripping . . . hugely evocative' Elodie Harper'Works superbly on several levels. This is a most welcome winter guest indeed, to be greeted by the fire with drink in hand' Irish Times'Ryan evokes this moody, gothic atmosphere with convincing skill. Harkin is a sensitive, complex character and his quest to solve the mystery is deftly plotted. A treat' The Times'A perfectly crafted mystery. Vivid, compelling and deeply moving, it is a triumph both as a crime novel and a work of historical fiction' Jane Casey'A beautifully taut and evocative thriller' Sarah Hilary'Superb . . . I could not put it down' Elizabeth Buchan'Atmospheric and genuinely eerie, this is an ideal winter read' Sinead Crowley'A terrifically atmospheric, gripping novel' Amanda Craig, The Golden Rule'Haunting, beautifully crafted, and full of heart. Perfect reading for dark days' A.K. Benedict, author of The Christmas Murder Game'Beautifully written, haunting and unmissable' Cass Green'Excellent murder mystery/ghost story set during the Irish war of independence and as usual with W.C. Ryan, beautifully written' Liz Nugent'Intriguing, haunting, romantic and beautifully written, I cared as much about the fate of the characters as about the gripping mystery' Laura Marshall*longlisted for the CWA Gold Dagger award 2023: 22/04/23 (https://thecwa.co.uk/awards-and-competitions/the-daggers/gold-dagger)

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The Berlin crisis, the Suez intervention, the Cyprus problem, and other differences among the NATO powers have tended to weaken the alliance in the face of constant Soviet pressure. Emphasizing the 1960's, a group of experts here examines the future of NATO and American security: military strategy for limited and large scale war, the problem of deterrence, nuclear sharing, surprise attack and disarmament, the special positions of England and Germany, and alternatives to NATO. The contributors are: Klaus Knorr, Roger Hilsman, C. E. Black, F. J. Yeager, G. W. Rathjens Jr., Malcolm Hoag, M. A. Kaplan, A. L. Burns, T. C. Schelling-, Denis Healey, G. A. Craig, and P. H. Nitze. Originally published in 1959. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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California has historically provided a fertile breeding ground for radical modes of architectural thinking, practice and building, which from the 1920s onwards was sparked by the presence of eminent émigré architects. It was also central to the birth of ‘cool’ mid-century Modernism – all in parallel with the intense concentration of design and experimentation in the film, aerospace and tech industries. This AD issue explores the influential formal tropes generated in the nexus between Los Angeles and the Bay Area, as well as the thriving theoretical preoccupations that have brought California's architects global attention. Between Hollywood and the Silicon Valley, this unique context has nurtured and become the platform for those who not only build buildings around the world, but have also founded and directed schools and educated emergent generations of architects. Contributors: Frances Anderton, Jasmine Benyamin, Blaine Brownell, Courtney Coffman, Heather Flood and Aaron Gensler, David Freeland and Brennan Buck, Craig Hodgetts, Max Kuo, Eva Menuhin, Nicole Meyer, Jill Stoner, and Grace Mitchell Tada. Featured architects: Atelier Manferdini, Ball-Nogues Studio, Faulders Studio, FreelandBuck, Hood Design Studio, Oyler Wu Collaborative, Preliminary Research Office, Stereobot, and Synthesis Design + Architecture.

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Little Feat may not be a household name, but they are well-known to a good number of musicians who are: Keith Richards rounded up the Rolling Stones to see them perform in Amsterdam in 1975, Robert Plant publicly lamented their lack of success (as Led Zeppelin's soared into the stratosphere), and Bob Dylan and Elton John saw them in concert whenever possible. Legends like Linda Ronstadt, Emmylou Harris, Bonnie Raitt, and Bob Seger helped out on their many record albums, and they backed up Robert Palmer, John Cale, and Chico Hamilton. Yet they never had a hit single, and the closest they came to success was with their 1978 live album, Waiting for Columbus (later performed live in its entirety by jam band Phish) - but not even the death of their leader, Lowell George, could stop the Feats' shoes from sailin': the band reformed in 1988 and has continued since, with Craig Fuller and Shaun Murphy helping out along the way. Little Feat on track dives into the ups and downs of their 50-year career and discusses every album and song, from their idiosyncratic 1971 debut to the post-pandemic optimism of 2021's When All Boats Rise.

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The editors and contributors to Wildlife Crime examine topical issues from extinction to trafficking in order to understand the ecological, economic, political, and social costs and consequences of these crimes. Drawing from diverse theoretical perspectives, empirical and methodological developments, and on-the-ground experiences of practitioners, this comprehensive volume looks at how conservationists and law enforcement grapple with and combat environmental crimes and the profitable market for illegal trade. Chapters cover criminological perspectives on species poaching, unregulated fishing, the trading of ivory and rhino horns, the adoption of conservation technologies, and ranger workplaces and conditions. The book includes firsthand experiences and research from China, Indonesia, Kenya, Madagascar, Morocco, Peru, Russia, South Africa, Tanzania, and the United States. The result is a significant book about the causes of and response to wildlife crime. Contributors include: Johan Bergenas, Avi Brisman, Craig Forsyth, Meredith Gore, Georg Jaster, Alex Killion, Kasey Kinnard, Antony C. Leberatto, Barney Long, Nerea Marteache, Gohar Petrossian, Jonah Ratsimbazafy, Gary Roloff, Viviane Seyranian, Louise Shelley, Rohit Singh, Nicole Sintov, Nigel South, Milind Tambe, Daan van Uhm, Greg Warchol, Rodger Watson, Rob White, Madelon Willemsen, and the editor.

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'A great guide to the many things you can do to reduce your plastic footprint.' - Craig Reucassel, ABC TV's War on Waste Where do you start if you want to reduce the plastic in your life? Especially when most of us are wearing it, eating and drinking from it, sitting on it, walking on it, and probably even ingesting it. Anywhere you go, plastic is within easy reach - even in Antarctica and the North Pole. We didn't quit plastic overnight. In fact, it's still a work in progress. But along the way, we have learnt a lot by researching the issue from the grass roots up, speaking to people, and finding out what works and what doesn't. We answer the tricky questions, like 'How will I wash my hair?', 'Do I have to give up crackers?', 'What about my bin liner?' and 'Is this going to be expensive?' As we continue to remove throw-away plastics from our daily lives, we've discovered we're friendlier with our local communities, we're eating healthier food, and de-cluttering happens by itself. It feels great!'The simple, practical tips in this inspiring guide will help you reduce plastic in your daily life and help the planet too - every little bit counts!' - Rebecca Prince-Ruiz, Plastic Free July Foundation

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John Sulston was director of the Sanger Centre in Cambridge from 1993 to 2000. There he led the British arm of the international team selected to map the entire human DNA sequence, a feat that was pulled off in record time by an extraordinary collaboration of scientists. Despite innumerable setbacks and challenges from outside competitors the ultimate success of the project can be attributed in large part to John Sulston's own determination, passion and scientific excellence.In this personal account he takes us behind the scenes of one of the largest international scientific operations ever undertaken. He is frank about the competition with Craig Venter and Celera Genomics, which threatened to undermine the international community's attempts to make the sequence freely available to everyone. He shares with us his excitement as the project unfolded. And as a pragmatist he reveals his hopes and concerns as to how the information unlocked by the Human Genome Project will affect people's lives in the future.The Common Thread is at once a compelling history of this most exciting of scientific breakthroughs and also an impassioned call for ethical responsibility in scientific research. As the boundaries between science and big business increasingly blur, and researchers race to patent medical discoveries, the international community needs to find a common protocol for the protection of the wider human interest. The Common Thread tells a story of our shared human heritage, offering hope for future research and a fresh outlook on our scientific understanding of ourselves.

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Departing from conventional narratives of the United States and the Americas as fundamentally continental spaces, the contributors to Archipelagic American Studies theorize America as constituted by and accountable to an assemblage of interconnected islands, archipelagoes, shorelines, continents, seas, and oceans. They trace these planet-spanning archipelagic connections in essays on topics ranging from Indigenous sovereignty to the work of Édouard Glissant, from Philippine call centers to US militarization in the Caribbean, and from the great Pacific garbage patch to enduring overlaps between US imperialism and a colonial Mexican archipelago. Shaking loose the straitjacket of continental exceptionalism that hinders and permeates Americanist scholarship, Archipelagic American Studies asserts a more relevant and dynamic approach for thinking about the geographic, cultural, and political claims of the United States within broader notions of America. Contributors Birte Blascheck, J. Michael Dash, Paul Giles, Susan Gillman, Matthew Pratt Guterl, Hsinya Huang, Allan Punzalan Isaac, Joseph Keith, Yolanda Martínez-San Miguel, Brandy Nālani McDougall, Ifeoma Kiddoe Nwankwo, Craig Santos Perez, Brian Russell Roberts, John Carlos Rowe, Cherene Sherrard-Johnson, Ramón E. Soto-Crespo, Michelle Ann Stephens, Elaine Stratford, Etsuko Taketani, Alice Te Punga Somerville, Teresia Teaiwa, Lanny Thompson, Nicole A. Waligora-Davis

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This is the inspiring story of The Flaherty, one of the oldest continuously running nonprofit media arts institutions in the world, which has shaped the development of independent film, video, and emerging forms in the United States over the past 60 years. Combining the words of legendary independent filmmakers with a detailed history of The Flaherty, Patricia R. Zimmermann and Scott MacDonald showcase its history and legacy, amply demonstrating how the relationships created at the annual Flaherty seminar have been instrumental in transforming American media history. Moving through the decades, each chapter opens with a detailed history of the organization by Zimmermann, who traces the evolution of The Flaherty from a private gathering of filmmakers to a small annual convening, to today's ever-growing nexus of filmmakers, scholars, librarians, producers, funders, distributors, and others associated with international independent cinema. MacDonald expands each chapter by giving voice to the major figures in the evolution of independent media through transcriptions of key discussions galvanized by films shown at The Flaherty. The discussions feature Frances Flaherty, Robert Gardner, Fred Wiseman, Willard Van Dyke, Jim McBride, Michael Snow, Hollis Frampton, Erik Barnouw, Barbara Kopple, Ed Pincus, Trinh T. Minh-ha, Bruce Conner, Peter Watkins, Su Friedrich, Marlon Riggs, William Greaves, Ken Jacobs, Kazuo Hara, Mani Kaul, Craig Baldwin, Bahman Ghobadi, Eyal Sivan, and many others.

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With a focus on providing concrete teaching strategies for scholars, the Handbook on Teaching and Learning in Political Science and International Relations blends both theory and practice in an accessible and clear manner.In an effort to help faculty excel as classroom teachers, the expert contributors offer representation from various types of institutions located throughout the world. Split into three distinct parts, this book discusses:- curriculum and course design- teaching subject areas- in class teaching techniquesThis important Handbook is an essential guide for anyone looking to teach political science and international relations at the university level. Contributors: V. Asal, E.A. Bennion, E. Berndtson, J.L. Bernstein, A. Blair, M.A. Boyer, A. Broscheid, M. Brown, F. Buckley, J. Craig, B. Gentry, R. Glazier, K. Hamann, J. Hamner, C. Harris, J. Ishiyama, K. Kas, B. Kauffman, K. King, C. Leston-Bandeira, S. Lightfoot, J.K. Lobasz, D. Malet, M.P. Marks, H. Maurer, E.F.Mcclellan, W.J. Miller, M.J. Moore, E.A. Oldmixon, A. Paczynska, G. Pleschova, C. Raymond, E. Richards, B.E. Ricks, R.G. Rodriguez, J.S. Rofe, J.M. Scott, E. Sheppard, E.Simon, B. Smentkowski, E.T. Smith, J.C. Strachan, P.E. Sum, S. Thornton, S. Usherwood, B. Valeriano, W.L. Watson

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This collection seeks to define the emerging field of "ubiquitous learning," an educational paradigm made possible in part by the omnipresence of digital media, supporting new modes of knowledge creation, communication, and access. As new media empower practically anyone to produce and disseminate knowledge, learning can now occur at any time and any place. The essays in this volume present key concepts, contextual factors, and current practices in this new field.Contributors are Simon J. Appleford, Patrick Berry, Jack Brighton, Bertram C. Bruce, Amber Buck, Nicholas C. Burbules, Orville Vernon Burton, Timothy Cash, Bill Cope, Alan Craig, Lisa Bouillion Diaz, Elizabeth M. Delacruz, Steve Downey, Guy Garnett, Steven E. Gump, Gail E. Hawisher, Caroline Haythornthwaite, Cory Holding, Wenhao David Huang, Eric Jakobsson, Tristan E. Johnson, Mary Kalantzis, Samuel Kamin, Karrie G. Karahalios, Joycelyn Landrum-Brown, Hannah Lee, Faye L. Lesht, Maria Lovett, Cheryl McFadden, Robert E. McGrath, James D. Myers, Christa Olson, James Onderdonk, Michael A. Peters, Evangeline S. Pianfetti, Paul Prior, Fazal Rizvi, Mei-Li Shih, Janine Solberg, Joseph Squier, Kona Taylor, Sharon Tettegah, Michael Twidale, Edee Norman Wiziecki, and Hanna Zhong.

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"A little gem of a book chronicling that most gullible of all species, the human being" - Craig Brown, Books of the Year 2019, Mail on Sunday "Dafydd Jones has focused on one of the most dominant elements of the social life of our times - how the smartphone has taken us all over. It is a timely and rather sobering look at this phenomenon, done with his usual eloquence as a photographer." - Martin Parr. Almost everyone uses a smartphone, and most of us are addicted. In this book, photographer Dafydd Jones shows us just how pervasive our screen addiction has become. In almost every social situation, he shows how the smartphone has killed conversation and changed the way we look at the world. 'In the eighties and nineties', says Jones, 'when I photographed young people at parties or balls, I'd find them chatting each other up, or smooching in corners. Now I see them sneaking looks on their iPhones, checking on their Instagram feeds, or whatever it is they're hooked on. They hardly talk to each other, or make eye contact at all. And it's not just a generational thing - it afflicts the oldies too. Who knows what impact it's having in the bedroom. It's probably a race to see what will wipe out humanity first - global climate change or screen-induced sexual indifference.'

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From artworks and chairs to architecture, landscaping and interior design, Michael Boyd’s devotion to the principles of modernism is comprehensive. An artist and musician, he acquired his expertise as a collector, surrounding himself with rare and beautiful finds. His immersion in the philosophy and creativity of the masters inspired him to restore a succession of classic modern houses, curate exhibitions, create a versatile range of furniture and rugs, and design sculptural gardens. Millennium Modern: Living in Design details his work across the first two decades of the new millennium and reflects his belief that the tenets of modernism – honesty and simplicity - developed more than a century ago, are equally relevant to our pluralistic age. In contrast to the pioneers who wanted to do away with the past, his creations are deeply rooted in the history of design. Essays by Boyd and architectural writer Michael Webb, along with comments from collaborators and critics, explore each facet of his residential design. This beautifully illustrated volume reveals Boyd’s holistic design practice from his discovery of design classics in flea markets, to his own furniture designs, which feature in residential interiors, hotels and museums, through to his sensitive restoration of the houses by Paul Rudolph and Oscar Niemeyer, Richard Neutra and Craig Ellwood, and the sculptural landscapes he designed to enhance these residences, as well as masterpieces by John Lautner.

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In 2000, with the success of the Human Genome Project, scientists declared the death of race in biology and medicine. But within five years, many of these same scientists had reversed course and embarked upon a new hunt for the biological meaning of race. Drawing on personal interviews and life stories, Race Decoded takes us into the world of elite genome scientists—including Francis Collins, director of the NIH; Craig Venter, the first person to create a synthetic genome; and Spencer Wells, National Geographic Society explorer-in-residence, among others—to show how and why they are formulating new ways of thinking about race. In this original exploration, Catherine Bliss reveals a paradigm shift, both at the level of science and society, from colorblindness to racial consciousness. Scientists have been fighting older understandings of race in biology while simultaneously promoting a new grand-scale program of minority inclusion. In selecting research topics or considering research design, scientists routinely draw upon personal experience of race to push the public to think about race as a biosocial entity, and even those of the most privileged racial and social backgrounds incorporate identity politics in the scientific process. Though individual scientists may view their positions differently—whether as a black civil rights activist or a white bench scientist—all stakeholders in the scientific debates are drawing on memories of racial discrimination to fashion a science-based activism to fight for social justice.

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‘Focused content, layout and price - Routledge competes and wins in relation to all of these factors’ - Craig Lind, University of Sussex, UK ‘The best value and best format books on the market.’ - Ed Bates, Southampton University, UK Routledge Student Statutes present all the legislation students need in one easy-to-use volume. Developed in response to feedback from lecturers and students, this book offer a fully up-to-date, comprehensive, and clearly presented collection of legislation - ideal for LLB and GDL course and exam use. Routledge Student Statutes are: • Exam Friendly: un-annotated and conforming to exam regulations • Tailored to fit your course: 80% of lecturers we surveyed agree that Routledge Student Statutes match their course and cover the relevant legislation • Trustworthy: Routledge Student Statutes are compiled by subject experts, updated annually and have been developed to meet student needs through extensive market research • Easy to use: a clear text design, comprehensive table of contents, multiple indexes and highlighted amendments to the law make these books the most student-friendly Statutes on the market Competitively Priced: Routledge Student Statutes offer content and usability rated as good or better than our major competitor, but at a more competitive price • Supported by a Companion Website: presenting scenario questions for interpreting Statutes, annotated web links, and multiple-choice questions, these resources are designed to help students to be confident and prepared.

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“Sirs” begins the missive from our imaginary correspondent. “It’s not that I don’t love your original Big Penis Book, but that, perhaps, I love it too much. I now become anxious leaving the house without it, and long business trips are simply torture. Couldn’t you make a smaller, less obtrusive edition, still packed with men whose generative members measure over 8 inches, that doesn’t form a suspiciously large bulge in my carry-on luggage? And while you’re at it, could you make it highly affordable, since my pockets are as shallow as this premise?” Done! The Little Big Penis Book features over 150 massively endowed models from the 1940s through the ’90s, including photos by Bob Mizer of AMG, David Hurles of Old Reliable, Rip Colt of Colt Studio, Craig Calvin Anderson of Sierra Domino, Hal Roth of Filmco, Jim Jaeger of Third World Studios, Falcon Studios, Mike Arlen, Fred Bisonnes, Carlos Quiroz, and Charles Hovland in a compact and inexpensive format. Photos come not just from the original overstuffed 384-page edition, but from subsequent Big Penis Calendars, meaning that 30% of the content is unique to this edition. Add a reduced text to make more room for the stunning black-and-white and color photos and how could anyone—big, small, or just right—ask for a better deal?

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This Handbook examines the area of consumer behavior from the perspective of current developments and developing areas for the discipline, to new opportunities that comprehend the nature of consumer choice and its relationship to marketing. Consumer research incorporates perspectives from a spectrum of long-established sciences: psychology, economics and sociology. This Handbook strives to include this multitude of sources of thought, adding geography, neuroscience, ethics and behavioral ecology to this list. Encompassing scholars with a passion for researching consumers, this Handbook highlights important developments in consumer behavior research, including consumer culture, impulsivity and compulsiveness, ethics and behavioral ecology. It examines evolutionary and neuroscience perspectives as well as consumer choice. Undergraduate and postgraduate students and researchers in marketing with interests in consumer behavior will find this enriching resource invaluable. Contributors: P.J. Albanese, R. Belk, C.S. Craig, S.P. Douglas, G.R. Foxall, R.E. Goldsmith, L. Green, C.S. Gulas, D.A. Hantula, M. Hubert, U. Javed, P. Kenning, M. Linzmajer, L.L. Oliveira, K. Peattie, D. Ross, H. Timmermans, R.H. Tsiotsou, M.G. Weinberger, M.F. Weinberger, V.K. Wells, J. Wirtz, M. Yani-de-Soriano, S.Y. Yousafzai, J.L. Zaichkowsky

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An authoritative survey of music and its context in the Renaissance. The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of "Renaissance" and "Baroque"). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS,DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK

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In light of current developments in modelling, and with the aim of reinvigorating debates around the potentiality of the architectural model – its philosophies, technologies and futures – this issue of AD examines how the model has developed to become an immersive worldbuilding machine. Worldbuilding is the creation of imaginary worlds through forms of cultural production. Although this discourse began with an analysis of imaginary places constructed in works of literature, it has evolved to encompass worlds from fields such as cinema, games, design, landscape, urbanism and architecture. Worldbuilding differs from the notion of worldmaking, which deals with how speculative thinking can influence the construction of the phenomenal world. As architects postulate ever-increasingly complex world models from which to draw inspiration and inform their practice, questions of scale, representation and collaboration emerge. Discussed through a range of articles from acclaimed international contributors in the fields of both architecture and media studies, this issue explores how the architectural model is situated between concepts of worldbuilding and worldmaking – in the creative space of worldmodelling. Contributors: Kathy Battista, Thea Brejzek and Lawrence Wallen, Pascal Bronner and Thomas Hillier, Mark Cousins, James A Craig and Matt Ozga-Lawn, Kate Davies, Ryan Dillon, Christian Hubert, Chad Randl, Theodore Spyropoulos, and Mark JP Wolf. Featured architects: Phil Ayres, FleaFolly Architects, Minimaforms, and Stasus.

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The contributors to Re-Understanding Media advance a feminist version of Marshall McLuhan’s key text, Understanding Media: The Extensions of Man, repurposing his insight that “the medium is the message” for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experiences of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. Among other topics, the contributors extend McLuhan’s discussion of transportation technology to the attics and cargo boxes that moved Black women through the Underground Railroad, apply McLuhan’s concept of media as extensions of humans to analyze Tupperware as media of containment, and take up 3D printing as a feminist and decolonial practice. The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes. Contributors. Nasma Ahmed, Morehshin Allahyari, Sarah Banet-Weiser, Wendy Hui Kyong Chun, Brooke Erin Duffy, Ganaele Langlois, Sara Martel, Shannon Mattern, Cait McKinney, Jeremy Packer, Craig Robertson, Sarah Sharma, Ladan Siad, Rianka Singh, Nicholas Taylor, Armond R. Towns, and Jennifer Wemigwans

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"Fatal Influence" challenges and revises many widely held assumptions about a pivotal moment in both British and Irish history and persuasively demonstrates that Ireland's impact on British politics lasted far longer and was far greater than has been realized. Kevin Matthews places the settlement of the Irish Question in the 1920s within the broader context of a revolution then taking place in British politics and shows how each affected the other. In a detailed investigation, he explores the Irish partition and the often conflicting motives that led to this momentous decision. Far from solving the Irish Question, dividing the country into two parts merely created what one politician at the time called its "elements of dynamite". These explosive elements were thrown into an already unstable political situation in Britain, with three political parties - Liberals, Conservatives, and Labour - all vying for a place in that nation's traditional two-party system. The book brings together some of the most colourful characters of 20th-century British and Irish history, from Winston Churchill and Michael Collins to David Lloyd George and Eamon de Valera. Looming behind is Sir James Craig, the rock-like embodiment of Ulster Unionism. But this story of "high politics" also involves men whose careers are not normally associated with the Irish conflict, figures such as Stanley Baldwin, Ramsay MacDonald, Neville Chamberlain and, even, Oswald Mosley and Anthony Eden.

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'It took me four days to read this book and I really enjoyed it' GUARDIAN 'One of my all-time favourite books. It's a very lively, funny story' JACQUELINE WILSON 'Katy speaks with a charm and directness that remains as fresh as when it was written' AMANDA CRAIG Katy Carr has grand plans to be beautiful, graceful and ladylike . . . one day! But for now she has hair that is always tangled, bootlaces undone, a torn dress and she doesn't care about being well-behaved. With a wild imagination and high spirits, she is always up to mischief, but there never has been a heroine as lovable as Katy. Then a terrible accident happens and it takes all her courage and hard-learned patience to keep her dreams alive.This collection of the best in children's literature, curated by Virago, will be coveted by children and adults alike. These are timeless tales with beautiful covers, that will be treasured and shared across the generations. Some titles you will already know; some will be new to you, but there are stories for everyone to love, whatever your age. Our list includes Nina Bawden (Carrie's War, The Peppermint Pig), Rumer Godden (The Dark Horse, An Episode of Sparrows), Joan Aiken (The Serial Garden, The Gift Giving) E. Nesbit (The Psammead Trilogy, The Bastable Trilogy, The Railway Children), Frances Hodgson Burnett (The Little Princess,The Secret Garden) and Susan Coolidge (The What Katy Did Trilogy). Discover Virago Children's Classics.

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The first history of Spanish-language television in the United StatesIn the most comprehensive history of Spanish-language television in the United States to date, Craig Allen traces the development of two prominent yet little-studied powerhouses, Univision and Telemundo. Allen tells the inside story of how these networks fought enormous odds to rise as giants of mass communication within an English-dominated society.The book begins in San Antonio, Texas, in 1961 with the launch of the first Spanish-language station in the country. From it rose the Spanish International Network (SIN), which would later become Univision. Conceived by Mexican broadcasting mogul Emilio Azcárraga Vidaurreta and created by unsung American television pioneers, Unvision grew to provide a vast amount of international programming, including popular telenovelas, and was the first U.S. network delivered by satellite. After Telemundo was founded in the 1980s by Saul Steinberg and Harry Silverman, the two networks battled over audiences and saw dramatic changes in leadership. Today, Univision and Telemundo are multibillion-dollar television providers that equal ABC, CBS, NBC, and Fox in scale and stature. While Univision remains a beacon of U.S. television’s internationalization, Telemundo—owned by NBC—is a worldwide leader in producing Spanish-language programs.Using archival sources and original interviews to reconstruct power struggles and behind-the-scenes intrigue, Allen uses this exciting narrative to question monolingual and Anglo-centered versions of U.S. television history. He demonstrates the endurance, innovation, and popularity of Spanish-language television, arguing that its story is essential to understanding the Latinx history of contemporary America.A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez

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Every ten years, the Texas legislature redistricts itself and the state’s congressional districts in an attempt to ensure equality in representation. With a richly textured cultural fabric, Texas often experiences redistricting battles that are heated enough to gain national attention. Collecting a variety of voices, including legislators themselves, in addition to lawyers, community organizers, political historians, and political scientists, Rotten Boroughs, Political Thickets, and Legislative Donnybrooks delivers a multidimensional picture of how redistricting works in Texas today, and how the process evolved.In addition to editor Gary Keith’s historical narrative, which emphasizes the aftermath of the Warren Court’s redistricting decisions, longtime litigators David Richards and J. D. Pauerstein describe the contentious lines drawn from the 1970s into the 2000s. Former state legislator and congressman Craig Washington provides an insider’s view, while redistricting attorney and grassroots organizer Jose Garza describes the repercussions for Mexican Americans in Texas. Balancing these essays with a quantitative perspective, political scientists Seth McKee and Mark McKenzie analyze the voting data for the 2000 decade to describe the outcomes of redistricting. The result is a timely tour that provides up-to-date context, particularly on the role of the Voting Rights Act in the twenty-first century. From local community engagement to the halls of the Capitol, this is the definitive portrait of redistricting and its repercussions for all Texans.

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The Peace of the Gods takes a new approach to the study of Roman elites' religious practices and beliefs, using current theories in psychology, sociology, and anthropology, as well as cultural and literary studies. Craige Champion focuses on what the elites of the Middle Republic (ca. 250-ca. 100 BCE) actually did in the religious sphere, rather than what they merely said or wrote about it, in order to provide a more nuanced and satisfying historical reconstruction of what their religion may have meant to those who commanded the Roman world and its imperial subjects. The book examines the nature and structure of the major priesthoods in Rome itself, Roman military commanders' religious behaviors in dangerous field conditions, and the state religion's acceptance or rejection of new cults and rituals in response to external events that benefited or threatened the Republic. According to a once-dominant but now-outmoded interpretation of Roman religion that goes back to the ancient Greek historian Polybius, the elites didn't believe in their gods but merely used religion to control the masses. Using that interpretation as a counterfactual lens, Champion argues instead that Roman elites sincerely tried to maintain Rome's good fortune through a pax deorum or "peace of the gods." The result offers rich new insights into the role of religion in elite Roman life.

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In Ninety Percent Mental, Bob Tewksbury shows readers a side of the game only he can provide, given his singular background as both a longtime MLB pitcher and a mental skills coach for two of the sport's most fabled franchises, the Boston Red Sox and San Francisco Giants. Fans watching the game on television or even at the stadium don't have access to the mind games a pitcher must play in order to get through an at-bat, an inning, a game. Tewksbury explores the fascinating psychology behind baseball, such as how players use techniques of imagery, self-awareness, and strategic thinking to maximize performance, and how a pitcher's strategy changes throughout a game. He also offers an in-depth look into some of baseball's most monumental moments and intimate anecdotes from a "who's who" of the game, including legendary players who Tewksbury played with and against (such as Mark McGwire, Craig Biggio, and Greg Maddux), game-changing managers and executives (Joe Torre, Bruce Bochy, Brian Sabean) and current star players (Jon Lester, Anthony Rizzo, Andrew Miller, Rich Hill).With Tewksbury's esoteric knowledge as a thinking-fan's player and his expertise as a "baseball whisperer", this entertaining book is perfect for any fan who wants to see the game in a way he or she has never seen it before. Ninety Percent Mental will deliver an unprecedented look at the mound games and mind games of Major League Baseball.

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Finally, a business book for makers, not managers. Are you ready to “make a dent in the universe”? As a creative, you no longer have to take a backseat. In fact, stepping up and embracing entrepreneurship is the fastest route to impact. But where do you start? And what sets the businesses that succeed apart? To find out, we asked the bright minds behind companies like Google X, Warby Parker, Facebook, O’Reilly Media, and more to share their startup wisdom. Featuring hard-won wisdom from twenty leading entrepreneurs and designers, 99U’s Make Your Mark will arm you with practical insights for launching a purpose-driven business, refining your product, delighting your customers, inspiring your team—and ultimately—making something that matters. Make Your Mark features contributions from: William Allen, Rich Armstrong, Warren Berger, Sean Blanda, Neil Blumenthal, Craig Dalton, Jane ni Dhulchaointigh, Aaron Dignan, Andy Dunn, Joel Gascoigne, Seth Godin, Chris Guillebeau, Emily Heyward, John Maeda, David Marquet, Tim O’Reilly, Shane Snow, Sebastian Thrun, Keith Yamashita, and Julie Zhuo. Plus, a foreword from Behance founder Scott Belsky.

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For a Kentucky rifleman who spent his tour trudging through Vietnam's Central Highlands, it was Nancy Sinatra's ""These Boots Are Made for Walkin'."" For a ""tunnel rat"" who blew smoke into the Viet Cong's underground tunnels, it was Jimi Hendrix's ""Purple Haze."" For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin's ""Chain of Fools."" And for countless other Vietnam vets, it was ""I Feel Like I'm Fixin' to Die,"" ""Who'll Stop the Rain,"" or the song that gives this book its title.In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans -- black and white, Latino and Native American, men and women, officers and ""grunts"" -- whose personal reflections drive the book's narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also ""solo"" pieces by veterans whose writings have shaped our understanding of the war -- Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers -- as well as songwriters and performers whose music influenced soldiers' lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories -- individual and cultural -- that capture a central if often overlooked component of the American war in Vietnam.

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First English translation of the chivalric biography of one of France's leading figures of the middle ages. Jean le Meingre, Maréchal Boucicaut (1364-1421), was the very flower of chivalry. From his earliest years at the royal court in Paris, he distinguished himself in knightly pursuits: sorties against seditious French nobles, ceremonial jousts against the English enemy, crusading in Tunisia and Prussia, the composition of courtly verses, and the establishment of a chivalric order for the defence of ladies, the Order of the Enterprise of the White Lady of theGreen Shield. He was named Marshal of France at the age of only 27. His chivalric biography, finished in 1409, is one of the most important accounts of the life of a knight from the Middle Ages. Whilst full of praise, it isalso highly partisan and carefully selective; it glosses over the darker, much less successful, side of his career - in particular his participation in the catastrophic Nicopolis crusade (1396) and his governorship of Genoa, whichcame to an end shortly after the completion of the biography, when a rebellion forced him to leave the city, five years before his capture at the battle of Agincourt in 1415 and death in England in 1421. This first English translation makes available to a wider audience a text that sheds light on the history of France, on crusading in Prussia and the Mediterranean, and on the complicated politics of Italy and the papacy during the Great Schism. It isa highly important contribution to our understanding of chivalric mentalities and attitudes in late-medieval France. It is presented with an introduction and notes. Dr CRAIG TAYLOR is Reader in Medieval History at theUniversity of York; JANE H.M. TAYLOR is Emeritus Professor of French at Durham University.

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The Successful Law Student: An Insider's Guide to Studying Law is the ultimate companion for all prospective and current law students. Packed full of insights, advice and perspectives from current and past law students it is the only student guide to offer you the inside track on how to make the most of your law degree and your time at university. The Successful Law Student: An Insider's Guide to Studying Law is perfect for you whether you're taking a one-, two-, three- or four-year degree course or planning to take a year abroad, whether you're a full-time, part-time, or mature student, or whether you'll be balancing your studies with work or other commitments. The focus is on the things that will make a big difference to your student experience, including making a smooth transition to university level study, getting the most out of lectures and feedback from tutors, advice on how to approach law exams, and finding a rewarding career. Complemented by a variety of insider voices from students and alumni, which add valuable context and real-life insight, Imogen Moore and Craig Newbery-Jones use their extensive experience as law teachers to explore the learning process and look beyond it to consider the wider definition of success, and help you manage the pressures of legal study. Digital formats This edition is available for students and institutions to purchase in a variety of formats. The e-book offers a mobile experience and convenient access along with functionality tools and navigation features. www.oxfordtextbooks.co.uk/ebooks

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A raw and powerful memoir of Jaycee Lee Dugard's own story of being kidnapped as an 11-year-old and held captive for over 18 years On 10 June 1991, eleven-year-old Jaycee Dugard was abducted from a school bus stop within sight of her home in Tahoe, California.It was the last her family and friends saw of her for over eighteen years. On 26 August 2009, Dugard, her daughters, and Phillip Craig Garrido appeared in the office of her kidnapper's parole officer in California. Their unusual behaviour sparked an investigation that led to the positive identification of Jaycee Lee Dugard, living in a tent behind Garrido's home. During her time in captivity, at the age of fourteen and seventeen, she gave birth to two daughters, both fathered by Garrido. Dugard's memoir is written by the 30-year-old herself and covers the period from the time of her abduction in 1991 up until the present. In her stark, utterly honest and unflinching narrative, Jaycee opens up about what she experienced, including how she feels now, a year after being found. Garrido and his wife Nancy have since pleaded guilty to their crimes.

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Written by Neil Gaiman Art by Various Cover by Dave McKean The third volume collecting Neil Gaiman’s seminal, award-winning series starring the Dream King in deluxe format. ABSOLUTE SANDMAN VOL. 3 presents several key SANDMAN tales in a slipcased hardcover edition, including “Brief Lives,” in which the Sandman’s sister Delirium prevails upon her older brother to help her find their missing sibling, Destruction. But their journey through the Waking World has dramatic repercussions for their family and also for the relationship between the Sandman and his wayward son, Orpheus. Also included is the spectacular short story “Ramadan,” a tale of a young king of ancient Baghdad and the deal he strikes with The Sandman to grant his city immortality, with spectacular illustrations by P. Craig Russell (Fairy Tales of Oscar Wilde, The Jungle Book). Never-before-collected bonus features include pin-up pages from galleries in THE SANDMAN #50 and SANDMAN SPECIAL #1, the Desire story from VERTIGO: WINTER’S EDGE #3, THE ENDLESS GALLERY #1, script and thumbnails from THE SANDMAN #50, and a section on the Endless retail products (poster, statues, t-shirts, Little Endless and more)! Plus, an introduction by artist Jill Thompson. Advance-solicited; on sale May 28 • 8.25” x 12.5” • 616 pages, FC

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A disenchanted man struggles to get beyond the first chapter of the books he’s writing, and to separate fact from fiction in his own life. His friend’s suicide changes everything … The mind-blowing, heart-rending new thriller from cult bestselling author Will Carver. ‘Ambitious, dark and funny … a compelling and thought-provoking book from a highly talented writer. Bravo!’ Mike Gayle ‘One of the most exciting authors in Britain’ Daily Express 'Unflinching, blunt and brutal, Carver's originality knows no bounds. Simply brilliant' Sam Holland _________________________________________ Eli Hagin can’t finish anything. He hates his job, but can’t seem to quit. He doesn’t want to be with his girlfriend, but doesn’t know how end things with her, either. Eli wants to write a novel, but he’s never taken a story beyond the first chapter. Eli also has trouble separating reality from fiction. When his best friend kills himself, Eli is motivated, for the first time in his life, to finally end something himself, just as Mike did… Except sessions with his therapist suggest that Eli’s most recent ‘first chapters’ are not as fictitious as he had intended … and a series of text messages that Mike received before his death point to something much, much darker… _________________________________________ ‘Gave me nightmares … I loved it’ S J Watson ‘Brutal and brilliant' Lisa Hall 'Challenging, perceptive and unexpectedly enlightening' Sarah Sultoon 'Will Carver is a unique writer. I loved Suicide Thursday' Greg Mosse ‘A smart, stylish writer’ Daily Mail 'Carver's trademarked cynicism and contemptuousness run rampant here … [a] dark, dangerous novel' Jack Heath ‘One of the most compelling and original voices in crime fiction’ Alex North Praise for Will Carver ‘Deliciously fresh and malevolent story-telling’ Craig Sisterson ‘Weirdly page-turning’ Sunday Times ‘Laying bare our 21st-century weaknesses and dilemmas, Carver has created a highly original state-of-the-nation novel’ Literary Review ‘Arguably the most original crime novel published this year’ Independent ‘This mesmeric novel paints a thought-provoking if depressing picture of modern life’ Guardian ‘Most memorable for its unrepentant darkness…’ Telegraph ‘Unlike anything else you’ll read this year’ Heat ‘Incredibly dark and very funny’ Harriet Tyce ‘Wickedly fun’ Crime Monthly ‘Will Carver’s most exciting, original, hilarious and freaky outing yet’ Helen FitzGerald ‘Vivid and engaging and completely unexpected’ Lia Middleton ‘Dark in the way only Will Carver can be … oozes malevolence from every page’ Victoria Selman ‘Move the hell over Brett Easton Ellis and Chuck Palahniuk … Will Carver is the new lit prince of 21st-century disenfranchised, pop darkness’ Stephen J. Golds ‘Carver truly at his best’ Sarah Pinborough

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‘Focused content, layout and price - Routledge competes and wins in relation to all of these factors’ - Craig Lind, University of Sussex, UK ‘The best value and best format books on the market.’ - Ed Bates, Southampton University, UK Routledge Student Statutes present all the legislation students need in one easy-to-use volume. Developed in response to feedback from lecturers and students, this book offer a fully up-to-date, comprehensive, and clearly presented collection of legislation - ideal for LLB and GDL course and exam use. Routledge Student Statutes are: • Exam Friendly: un-annotated and conforming to exam regulations • Tailored to fit your course: 80% of lecturers we surveyed agree that Routledge Student Statutes match their course and cover the relevant legislation • Trustworthy: Routledge Student Statutes are compiled by subject experts, updated annually and have been developed to meet student needs through extensive market research • Easy to use: a clear text design, comprehensive table of contents, multiple indexes and highlighted amendments to the law make these books the most student-friendly Statutes on the market Competitively Priced: Routledge Student Statutes offer content and usability rated as good or better than our major competitor, but at a more competitive price • Supported by a Companion Website: presenting scenario questions for interpreting Statutes, annotated web links, and multiple-choice questions, these resources are designed to help students to be confident and prepared.

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Praised in recent years as a "calculating, improvisatory, essential poet" by Daisy Fried in the New York Times, and as "the foremost poet-critic of our time" by Craig Dworkin, Charles Bernstein is a leading voice in American poetry. Near/Miss, Bernstein's first poetry collection in five years, is the apotheosis of his late style, thick with off-center rhythms, hilarious riffs, and verbal extravagance. This collection's title highlights poetry's ability to graze reality without killing it, and at the same time implies that the poems themselves are wounded by the grief of loss. The book opens with a rollicking satire of difficult poetry-proudly declaring itself "a totally inaccessible poem"-and moves on to the stuff of contrarian pop culture and political cynicism-full of malaprops, mondegreens, nonsequiturs, translations of translations, sardonically vandalized signs, and a hilarious yet sinister feed of blog comments. At the same time, political protest also rubs up against epic collage, through poems exploring the unexpected intimacies and continuities of "our united fates." These poems engage with works by contemporary painters-including Amy Sillman, Rackstraw Downes, and Etel Adnan-and echo translations of poets ranging from Catullus and Virgil to Goethe, Cruz e Souza, and Kandinsky. Grounded in a politics of multiplicity and dissent, and replete with both sharp edges and subtle intimacies, Near/Miss is full of close encounters of every kind.

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Over the last few decades, as the United States has become embroiled in foreign war after foreign war, some of the most vocal activists for peace have been veterans. These veterans for peace come from all different races, classes, regions, and generations. What common motivations unite them and fuel their activism? Guys Like Me introduces us to five ordinary men who have done extraordinary work as peace activists: World War II veteran Ernie Sanchez, Korean War veteran Woody Powell, Vietnam veteran Gregory Ross, Gulf War veteran Daniel Craig, and Operation Iraqi Freedom veteran Jonathan Hutto. Acclaimed sociologist Michael Messner offers rich profiles of each man, recounting what led him to join the armed forces, what he experienced when fighting overseas, and the guilt and trauma he experienced upon returning home. He reveals how the pain and horror of the battlefront motivated these onetime warriors to reconcile with former enemies, get involved as political activists, and help younger generations of soldiers. Guys Like Me is an inspiring multigenerational saga of men who were physically or psychically wounded by war, but are committed to healing themselves and others, forging a path to justice, and replacing endless war with lasting peace

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A 50th-anniversary tribute to one of America’s first racially integrated exhibitions In August 1971 Peter Bradley mounted the landmark exhibition The De Luxe Show at the legendary DeLUXE theater in Houston's Fifth Ward. The De Luxe Show was a milestone in civil rights history, as one of the first racially integrated shows in the United States. Curated by Bradley with the backing of collector and philanthropist John de Menil, the exhibition featured emerging and established abstract modern painters and sculptors of the time, including Darby Bannard, Peter Bradley, Anthony Caro, Dan Christensen, Ed Clark, Frank Davis, Sam Gilliam, Robert Gordon, Richard Hunt, Virginia Jaramillo, Daniel Johnson, Craig Kauffman, Alvin Loving, Kenneth Noland, Jules Olitski, Larry Poons, Michael Steiner, William T. Williams and James Wolfe. In August 2021, for its 50th anniversary, Karma and Parker Gallery staged a contemporary bicoastal tribute to The De Luxe Show. The tribute honors the long, pioneering legacies of the artists of The De Luxe Show, and continues the dialogue between these innovators in the field of abstraction that began 50 years ago. This fully illustrated catalog includes texts and installation images from the original 1971 catalog, as well as a newly commissioned text by Amber Jamilla Musser and a text by Bridget R. Cooks that expands upon her 2013 essay in Gulf Coast.

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Fashioning James Bond is the first book to study the costumes and fashions of the James Bond movie franchise, from Sean Connery in 1962's Dr No to Daniel Craig in Spectre (2015). Llewella Chapman draws on original archival research, close analysis of the costumes and fashion brands featured in the Bond films, interviews with families of tailors and shirt-makers who assisted in creating the ‘look’ of James Bond, and considers marketing strategies for the films and tie-in merchandise that promoted the idea of an aspirational ‘James Bond lifestyle’. Addressing each Bond film in turn, Chapman questions why costumes are an important tool for analysing and evaluating film, both in terms of the development of gender and identity in the James Bond film franchise in relation to character, and how it evokes the desire in audiences to become part of a specific lifestyle construct through the wearing of fashions as seen on screen. She researches the agency of the costume department, director, producer and actor in creating the look and characterisation of James Bond, the villains, the Bond girls and the henchmen who inhibit the world of 007. Alongside this, she analyses trends and their impact on the Bond films, how the different costume designers have individually and creatively approached costuming them, and how the costumes were designed and developed from novel to script and screen. In doing so, this book contributes to the emerging critical literature surrounding the combined areas of film, fashion, gender and James Bond.

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Fashioning James Bond is the first book to study the costumes and fashions of the James Bond movie franchise, from Sean Connery in 1962's Dr No to Daniel Craig in Spectre (2015). Llewella Chapman draws on original archival research, close analysis of the costumes and fashion brands featured in the Bond films, interviews with families of tailors and shirt-makers who assisted in creating the ‘look’ of James Bond, and considers marketing strategies for the films and tie-in merchandise that promoted the idea of an aspirational ‘James Bond lifestyle’. Addressing each Bond film in turn, Chapman questions why costumes are an important tool for analysing and evaluating film, both in terms of the development of gender and identity in the James Bond film franchise in relation to character, and how it evokes the desire in audiences to become part of a specific lifestyle construct through the wearing of fashions as seen on screen. She researches the agency of the costume department, director, producer and actor in creating the look and characterisation of James Bond, the villains, the Bond girls and the henchmen who inhibit the world of 007. Alongside this, she analyses trends and their impact on the Bond films, how the different costume designers have individually and creatively approached costuming them, and how the costumes were designed and developed from novel to script and screen. In doing so, this book contributes to the emerging critical literature surrounding the combined areas of film, fashion, gender and James Bond.

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Following the socialist revolution, a colossal shift in everyday realities began in the 1920s and ’30s in the former Russian empire. Faced with the Siberian North, a vast territory considered culturally and technologically backward by the revolutionary government, the Soviets confidently undertook the project of reshaping the ordinary lives of the indigenous peoples in order to fold them into the Soviet state. In Agitating Images, Craig Campbell draws a rich and unsettling cultural portrait of the encounter between indigenous Siberians and Russian communists and reveals how photographs from this period complicate our understanding of this history. Agitating Images provides a glimpse into the first moments of cultural engineering in remote areas of Soviet Siberia. The territories were perceived by outsiders to be on the margins of civilization, replete with shamanic rituals and inhabited by exiles, criminals, and “primitive” indigenous peoples. The Soviets hoped to permanently transform the mythologized landscape by establishing socialist utopian developments designed to incorporate minority cultures into the communist state. This book delves deep into photographic archives from these Soviet programs, but rather than using the photographs to complement an official history, Campbell presents them as anti-illustrations, or intrusions, that confound simple narratives of Soviet bureaucracy and power. Meant to agitate, these images offer critiques that cannot be explained in text alone and, in turn, put into question the nature of photographs as historical artifacts. An innovative approach to challenging historical interpretation, Agitating Images demonstrates how photographs go against accepted premises of Soviet Siberia. All photographs, Campbell argues, communicate in unique ways that present new and even contrary possibilities to the text they illustrate. Ultimately, Agitating Images dissects our very understanding of the production of historical knowledge.

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With a focus on providing concrete teaching strategies for scholars, the Handbook on Teaching and Learning in Political Science and International Relations blends both theory and practice in an accessible and clear manner.In an effort to help faculty excel as classroom teachers, the expert contributors offer representation from various types of institutions located throughout the world. Split into three distinct parts, this book discusses:- curriculum and course design- teaching subject areas- in class teaching techniquesThis important Handbook is an essential guide for anyone looking to teach political science and international relations at the university level. Contributors: V. Asal, E.A. Bennion, E. Berndtson, J.L. Bernstein, A. Blair, M.A. Boyer, A. Broscheid, M. Brown, F. Buckley, J. Craig, B. Gentry, R. Glazier, K. Hamann, J. Hamner, C. Harris, J. Ishiyama, K. Kas, B. Kauffman, K. King, C. Leston-Bandeira, S. Lightfoot, J.K. Lobasz, D. Malet, M.P. Marks, H. Maurer, E.F.Mcclellan, W.J. Miller, M.J. Moore, E.A. Oldmixon, A. Paczynska, G. Pleschova, C. Raymond, E. Richards, B.E. Ricks, R.G. Rodriguez, J.S. Rofe, J.M. Scott, E. Sheppard, E.Simon, B. Smentkowski, E.T. Smith, J.C. Strachan, P.E. Sum, S. Thornton, S. Usherwood, B. Valeriano, W.L. Watson

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Planet Without Apes demands that we consider whether we can live with the consequences of wiping our closest relatives off the face of the Earth. Leading primatologist Craig Stanford warns that extinction of the great apes—chimpanzees, bonobos, gorillas, and orangutans—threatens to become a reality within just a few human generations. We are on the verge of losing the last links to our evolutionary past, and to all the biological knowledge about ourselves that would die along with them. The crisis we face is tantamount to standing aside while our last extended family members vanish from the planet.Stanford sees great apes as not only intelligent but also possessed of a culture: both toolmakers and social beings capable of passing cultural knowledge down through generations. Compelled by his field research to take up the cause of conservation, he is unequivocal about where responsibility for extinction of these species lies. Our extermination campaign against the great apes has been as brutal as the genocide we have long practiced on one another. Stanford shows how complicity is shared by people far removed from apes’ shrinking habitats. We learn about extinction’s complex links with cell phones, European meat eaters, and ecotourism, along with the effects of Ebola virus, poverty, and political instability.Even the most environmentally concerned observers are unaware of many specific threats faced by great apes. Stanford fills us in, and then tells us how we can redirect the course of an otherwise bleak future.

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A comprehensive, two-volume reassessment of the quests for the historical Jesus that details their origins and underlying presuppositions as well as their ongoing influence on today's biblical and theological scholarship.Jesus' life and teaching is important to every question we ask about what we believe and why we believe it. And yet there has never been common agreement about his identity, intentions, or teachings—even among first-century historians and scholars. Throughout history, different religious and philosophical traditions have attempted to claim Jesus and paint him in the cultural narratives of their heritage, creating a labyrinth of conflicting ideas.From the evolution of orthodoxy and quests before Albert Schweitzer's famous "Old Quest," to today's ongoing questions about criteria, methods, and sources, A History of the Quests for the Historical Jesus not only chronicles the developments but lays the groundwork for the way forward.The late Colin Brown brings his scholarly prowess in both theology and biblical studies to bear on the subject, assessing not only the historical and exegetical nuts and bolts of the debate about Jesus of Nazareth but also its philosophical, sociological, and theological underpinnings. Instead of seeking a bedrock of "facts," Brown stresses the role of hermeneutics in formulating questions and seeking answers.Colin Brown was almost finished with the manuscript at the time of his passing in 2019. Brought to its final form by Craig A. Evans, this book promises to become the definitive history and assessment of the quests for the historical Jesus. Volume One (sold separately) covers the period from the beginnings of Christianity to the end of World War II. Volume Two covers the period from the post-War era through contemporary debates.

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"In the beginning, woman was truly the sun. An authentic person. Now she is the moon, a wan and sickly moon, dependent on another, reflecting another's brilliance."-Hiratsuku Raicho Raicho Hiratsuka (1886-1971) was the most influential figure in the early women's movement in Japan. In 1911, she founded Bluestocking (Seito), Japan's first literary journal run by women. In 1920, she founded the New Women's Association, Japan's first nationwide women's organization to campaign for female suffrage, and soon after World War II, the Japan Federation of Women's Organizations. Available for the first time in English, In the Beginning, Woman Was the Sun is Raicho Hiratsuka's autobiography of her childhood, early youth, and subsequent rebellion against the strict social codes of the time. Hiratsuka came from an upper-middle class Tokyo family, and her restless quest for truth led her to read widely in philosophy and undertake Zen training at Japan Woman's College. After graduation, she gained brief notoriety for her affair with a married writer, but quickly established herself as a brilliant and articulate leader of feminist causes with the launch of the journal Seito. Her richly detailed account presents a woman who was at once idealistic and elitist, fearless and vain, and a perceptive observer of society. Teruko Craig's translation captures Hiratsuka's strong personality and distinct voice. At a time when interest in Japanese feminism is growing in the West, there is no finer introduction to Japanese women's history than this intimate, candid, and compelling memoir.

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A detailed look at how to apply clinical theories to social work practice Thinking through real-life cases to make connections between theory and practice is a crucial element of social work education. Now in its Second Edition, Case Studies in Child, Adolescent, and Family Treatment contains a wide range of cases described in rich detail by practitioners, scholars, and researchers. Chapters represent contexts and approaches across the social work spectrum, so students will get to glimpse into the clinical experience of a full range of professionals. With chapter overviews, case sketches, study questions, and references for further study, this book makes an invaluable reference for social work students. Learning by example is the best way to develop the skill of clinical reasoning. Editors Craig W. LeCroy and Elizabeth K. Anthony—two distinguished scholars in the field of social work—have brought together an impressive roster of contributors who add their unique voices and clinical perspectives into their insightful case descriptions. Organized into five thematic sections, Case Studies in Child, Adolescent, and Family Treatment, Second Edition covers the most important areas in social work practice, including: Child welfare and adoption Individual and group treatment School and community settings Family treatment and parent training With the updates in the Second Edition, students will learn the most current lessons in social work practice from a diverse range of scholars, researchers, and practitioners in the field. In contexts ranging from child welfare to homelessness, this book provides the critical thinking skills students need to understand how social work theory applies in clinical environments.

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