Search results for ""Author Walt"

The popularity of the musical, Hamilton, featuring the death of Alexander Hamilton in a duel with Aaron Burr, then Vice President of the United States, has revived interest in duelling, but also aroused incredulity that such events could ever have occurred. Where did the custom originate, and why did it spread so quickly all over Europe and the Americas? Duelling was once commonplace. Prime ministers and poets, artists and journalists, and even some ladies went out to the 'field of honour'. Casanova fought with a Polish nobleman in Warsaw, the Duke of Wellington duelled with an English earl in Hyde Park and the Russian poet Pushkin died in a duel in St Petersburg. There were many enigmas associated with the phenomenon. As well as displaying skills with the sword or the pistol, a duellist had to silence problems of conscience. Could duelling be squared with the commandment against killing one's neighbour? Did the fact that both parties were inspired by a gentlemanly code of Honour make the duel superior to a vulgar brawl? The moral justification of duelling intrigued thinkers and intellectuals. Dr Johnson returned to the issue several times, while Rousseau was baffled by the question. Duels added drama to mediocre novels or plays, but featured in the theatre of Shakespeare and later in the work of such masters as Walter Scott, Conrad, Chekhov and Pirandello. Duelling has been too long regarded as an embarrassing sideline in western culture, but for centuries it was an integral part of history. Joseph Farrell attempts to clarify what the duel actually was and why men ever behaved that way. Exploring the social and cultural forces that encouraged what now seems an extraordinary anachronism, he traces the international evolution of the duel - and its many representations in literature and art - from Renaissance Italy to the whole of Europe, including Britain, and onto the US.

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Eastern Illinois Panthers Football chronicles the legend and lore of this storied program, from the early days under coach and university-auditor-of-accounting Otis Caldwell, to today's perennial Ohio Valley Conference powerhouse. Sports historian Dan Verdun sets down amazing details about EIU's 15 FCS playoff appearances, 7 OVC championships, 3 NFL head coaches, 2 Walter Payton Award winners, and the 1978 NCAA Division II national championship. Panther fans will recognize the names of Mike Shanahan, Darrell Mudra, Jeff Gossett, Sean Payton, Bob Spoo and Tony Romo, and many others. Dan Verdun tells these men's stories from extensive research and personal interviews. Find out fascinating details about key players and coaches - how they arrived at EIU, what they accomplished in their time wearing the blue and gray, as well as the paths their lives took once they played their last game and graduation day arrived. The greatest moments in EIU Panther football glory are recounted with fresh new insight. Read about the legendary days of quarterback Bill Glenn, who found success in the NFL of the 1940s. Relive the dominance and get the inside stories of the greatest teams in EIU football history. They're all here: the 1978 NCAA Division-II national champions, the 1980 runner-ups, the quarterfinalist 1982, 1986, 1989, and 2013 teams along with the 1995 and 2001 conference champions and playoff qualifiers. With far-ranging appeal, Eastern Illinois Panthers Football will interest those who identify as Panthers as well as sports fans who want to discover the merits of this fine football program. Focused on team members and their coaches over the entire history of EIU football, this book will inform and entertain all age groups.

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Not Even Past highlights references to nineteenth-century U.S. slavery and anti-Black racism in literary and photographic projects begun during the late 1920s and early 1930s, including novels by William Faulkner and Nella Larsen, and portraits by Carl Van Vechten. These texts share a representational crisis, in which distinctions between present, quotidian racism and a massive, fully racialized historical trauma disappear. All identify persistent historical traumatization with intense subjective states (including madness, religious ecstasy, narcissism, and fetishistic enjoyment), and each explores the conservative, even coercive social character of such links between psyche and history. When the past of enslavement is "not even past," narration freezes, black and white women lose their capacity to question or resist social and domestic violence, and racial politics fail. Anticipating contemporary trauma studies by decades, these disparate modernists' works constitute not an expounded or avowed but an interstitial trauma theory, which finds its shape in the spaces left by conventional public discourse. Their works parallel important essays by psychoanalytic thinkers of the same era, including Joan Riviere, Sigmund Freud, Melanie Klein, and Walter Benjamin, and their joint explication of relationships among psyche, history, and race offers important resources for psychoanalytic approaches to racial difference today. Despite their analytic acuity, however, Faulkner, Larsen, and Van Vechten also themselves carry the traumatic past forward into the future. Indeed, the two novelists' tragic depictions of a triumphant color line and the photographer's insistence on an idiom of black primitivism lent support to white supremacy in the twentieth century. Yet even in their very failure, three U.S. modernists tell us that it is not enough simply to exercise critical acuity on the marks of past violence. Reading, however masterly, cannot interrupt a history in the midst of repeating itself; it can only itself reiterate the disaster.

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High treason - the breach of allegiance which a subject owes to his or her sovereign - has always been regarded as the most serious of all criminal offences. Even today it still carries the death penalty. In addition, all the property of a person convicted of treason was, until the eighteenth century, forfeited to the Crown. Wartime aside, there have been no prosecutions for treason for well over a century and the topic has almost, but not quite, disappeared from legal text books.In this revealing study, Alan Wharam relates the intriguing stories behind a dozen treason trials encompassing the Earl of Essex in 1601 to 'Lord Haw Haw' in 1946. The accounts are all based on the reports, believed in most cases to be the verbatim records of the evidence given, and of the speeches of Counsel and the directions of the judges, which appear in the State Trials and other similar works. Some of the cases are famous, some infamous: some, such as the trial in 1781 of de la Motte, the spy, have been forgotten; others, as with the case of Alice Lisle in 1685, have been misunderstood.Some of the men put on trial were among the most eminent of their times; others, less well known, were acting honourably according to their religious or political principles. As for the conduct of the legal profession, this ranges across the whole spectrum of professional standards: from Sir Edward Coke and Chief Justice Popham engineering the judicial murder of Sir Walter Raleigh in 1603, to Adolphus and Pollock defending men, whose objectives they abhorred, with the highest degree of skill and integrity.Supported by over forty black and white illustrations, Treason represents a much needed and well-researched account of treason trials in England. It also redresses the balance of a subject little-covered in legal text-books.

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In 1957 Horace Stoneham took his Giants of New York baseball team and headed west, starting a gold rush with bats and balls rather than pans and mines. But San Francisco already had a team, the Seals of the Pacific Coast League, and West Coast fans had to learn to embrace the newcomers. Starting with the franchise’s earliest days and following the team up to recent World Series glory, Home Team chronicles the story of the Giants and their often topsy-turvy relationship with the city of San Francisco. Robert F. Garratt shines light on those who worked behind the scenes in the story of West Coast baseball: the politicians, businessmen, and owners who were instrumental in the club’s history.Home Team presents Stoneham, often left in the shadow of Dodgers owner Walter O’Malley, as a true baseball pioneer in his willingness to sign black and Latino players and his recruitment of the first Japanese player in the Major Leagues, making the Giants one of the most integrated teams in baseball in the early 1960s. Garratt also records the turbulent times, poor results, declining attendance, two near-moves away from California, and the role of post-Stoneham owners Bob Lurie and Peter Magowan in the Giants’ eventual reemergence as a baseball powerhouse. Garratt’s superb history of this great ball club makes the Giants’ story one of the most compelling of all Major League franchises.

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The emergence of "male-centered serials" such as The Shield, Rescue Me, and Sons Of Anarchy and the challenges these characters face in negotiating modern masculinities. From the meth-dealing but devoted family man Walter White of AMC’s Breaking Bad, to the part-time basketball coach, part-time gigolo Ray Drecker of HBO’s Hung, depictions of male characters perplexed by societal expectations of men and anxious about changing American masculinity have become standard across the television landscape. Engaging with a wide variety of shows, including The League, Dexter, and Nip/Tuck, among many others, Amanda D. Lotz identifies the gradual incorporation of second-wave feminism into prevailing gender norms as the catalyst for the contested masculinities on display in contemporary cable dramas. Examining the emergence of “male-centered serials” such as The Shield, Rescue Me, and Sons of Anarchy and the challenges these characters face in negotiating modern masculinities, Lotz analyzes how these shows combine feminist approaches to fatherhood and marriage with more traditional constructions of masculine identity that emphasize men’s role as providers. She explores the dynamics of close male friendships both in groups, as in Entourage and Men of a Certain Age, wherein characters test the boundaries between the homosocial and homosexual in their relationships with each other, and in the dyadic intimacy depicted in Boston Legal and Scrubs. Cable Guys provides a much needed look into the under-considered subject of how constructions of masculinity continue to evolve on television.

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The emergence of "male-centered serials" such as The Shield, Rescue Me, and Sons Of Anarchy and the challenges these characters face in negotiating modern masculinities. From the meth-dealing but devoted family man Walter White of AMC’s Breaking Bad, to the part-time basketball coach, part-time gigolo Ray Drecker of HBO’s Hung, depictions of male characters perplexed by societal expectations of men and anxious about changing American masculinity have become standard across the television landscape. Engaging with a wide variety of shows, including The League, Dexter, and Nip/Tuck, among many others, Amanda D. Lotz identifies the gradual incorporation of second-wave feminism into prevailing gender norms as the catalyst for the contested masculinities on display in contemporary cable dramas. Examining the emergence of “male-centered serials” such as The Shield, Rescue Me, and Sons of Anarchy and the challenges these characters face in negotiating modern masculinities, Lotz analyzes how these shows combine feminist approaches to fatherhood and marriage with more traditional constructions of masculine identity that emphasize men’s role as providers. She explores the dynamics of close male friendships both in groups, as in Entourage and Men of a Certain Age, wherein characters test the boundaries between the homosocial and homosexual in their relationships with each other, and in the dyadic intimacy depicted in Boston Legal and Scrubs. Cable Guys provides a much needed look into the under-considered subject of how constructions of masculinity continue to evolve on television.

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In Benjamin’s Library, Jane O. Newman offers, for the first time in any language, a reading of Walter Benjamin’s notoriously opaque work, Origin of the German Tragic Drama that systematically attends to its place in discussions of the Baroque in Benjamin’s day. Taking into account the literary and cultural contexts of Benjamin’s work, Newman recovers Benjamin’s relationship to the ideologically loaded readings of the literature and political theory of the seventeenth-century Baroque that abounded in Germany during the political and economic crises of the Weimar years. To date, the significance of the Baroque for Origin of the German Tragic Drama has been glossed over by students of Benjamin, most of whom have neither read it in this context nor engaged with the often incongruous debates about the period that filled both academic and popular texts in the years leading up to and following World War I. Armed with extraordinary historical, bibliographical, philological, and orthographic research, Newman shows the extent to which Benjamin participated in these debates by reconstructing the literal and figurative history of sixteenth- and seventeenth-century books that Benjamin analyzes and the literary, art historical and art theoretical, and political theological discussions of the Baroque with which he was familiar. In so doing, she challenges the exceptionalist, even hagiographic, approaches that have become common in Benjamin studies. The result is a deeply learned book that will infuse much-needed life into the study of one of the most influential thinkers of the twentieth century.

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"Hickman['s] . . . style of pragmatism provides us with flexible, philosophical 'tools' which can be used to analyze and penetrate various technology and technological cultural problems of the present. He, himself, uses this toolkit to make his analyses and succeeds very well indeed." —Don IhdeA practical and comprehensive appraisal of the value of philosophy in today's technological culture.Philosophical Tools for Technological Culture contends that technology—a defining mark of contemporary culture—should be a legitimate concern of philosophers. Larry A. Hickman contests the perception that philosophy is little more than a narrow academic discipline and that philosophical discourse is merely redescription of the ancient past. Drawing inspiration from John Dewey, one of America's greatest public philosophers, Hickman validates the role of philosophers as cultural critics and reformers in the broadest sense. Hickman situates Dewey's critique of technological culture within the debates of 20th-century Western philosophy by engaging the work of Richard Rorty, Albert Borgmann, Jacques Ellul, Walter Benjamin, Jürgen Habermas, and Martin Heidegger, among others. Pushing beyond their philosophical concerns, Hickman designs and assembles a set of philosophical tools to cope with technological culture in a new century. His pragmatic treatment of current themes—such as technology and its relationship to the arts, technosciences and technocrats, the role of the media in education, and the meaning of democracy and community life in an age dominated by technology—reveals that philosophy possesses powerful tools for cultural renewal. This original, timely, and accessible work will be of interest to readers seeking a deeper understanding of the meanings and consequences of technology in today's world.

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Portfolio: Beginning Pen & Ink will teach you everything you need to know about the fundamentals of drawing with pen and ink. From the beloved and best-selling Portfolio art series by Walter Foster Publishing comes Portfolio: Beginning Pen & Ink, a book that invites you to explore this classic art medium in new and refreshing ways. This comprehensive guide is packed with valuable resources for artists of all skill levels, starting with the basics and ending with intricate, original step-by-step projects that are sure to impress—and inspire. Portfolio: Beginning Pen & Ink introduces drawing basics, including stippling, hatching, and crosshatching; how to master the fundamentals of mark-making and line work; and helpful exercises for contour drawing, gesture drawing, perspective, and more. Chapters on value, tone, mood, light and shadow, and texture follow, ensuring that artists gain the drawing knowledge they need before working on the step-by-step projects featured in the book. Artists can even learn to add color to their black-and-white art using watercolor for a fresh, modern take on an age-old art form. Whether you're a new artist looking to try a celebrated art technique, a pen-and-ink enthusiast, a mixed-media master, or a graphite-pencil fan looking to branch out to new mediums, Portfolio: Beginning Pen & Ink will teach you everything you need to know. The Portfolio series covers essential art techniques, core concepts, and media with an approach and format that’s perfect for aspiring, beginning, and intermediate artists.Also available from the series: Beginning Acrylic, Beginning Drawing, Beginning Watercolor, Beginning Pastel, Beginning Colored Pencil, Beginning Color Mixing, Expressive Painting, Beginning Color Mixing, and Beginning Composition.

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There are many Stevensons behind the initials RLS, but the one that has endeared him to readers for so long is surely the fighter, battling to stay alive. Jorge Luis Borges described his brief life as courageous and heroic. In Philip Callow’s absorbing new biography, one can see why. Doctors, called repeatedly to what should have been his deathbed, would find a scarecrow, twitching and alive. A sickly child, Louis became in turn a bohemian dandy, a literary gypsy traipsing through the mountains of France with a donkey, and at twenty-eight the lover of an American woman ten years his senior, the fabulous Fanny. He escaped his Scottish town, his family, his friends who had mapped out a literary career for him in London, and instead went chaotically across the Atlantic and overland to California in poverty and despair to reach his beloved, whereupon he escaped into marriage and committed himself to being a nomad. He sailed the Pacific and dreamed of being an explorer; his restlessness was Victorian. With the power of a novelist and the grace of a poet (of which he is both), Philip Callow captures this great writer and his many contradictions. He was a born exile longing for home; a northerner who thrived on tropic sunshine; a near atheist who organized Sunday services for his Samoan workers. He has been called Scotland's finest writer of English prose, a more economical Walter Scott. As an essayist he equaled Hazlitt. In emotional crises he wept openly, to the embarrassment of his wife. “His feelings are always his reasons,” said Henry James, and caught in a sentence the secret of Stevenson’s popularity as one of the last of the classic storytellers. Louis brings him alive. With 8 pages of black-and-white photographs.

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Following World War I, political commentator Walter Lippmann worried that citizens increasingly held inaccurate and misinformed beliefs because of the way information was produced, circulated, and received in a mass-mediated society. Lippmann dubbed this manipulative opinion-making process "the manufacture of consent." A more familiar term for such large-scale persuasion would be propaganda. In Weapons of Democracy, Jonathan Auerbach explores how Lippmann's stark critique gave voice to a set of misgivings that had troubled American social reformers since the late nineteenth century. Progressives, social scientists, and muckrakers initially drew on mass persuasion as part of the effort to mobilize sentiment for their own cherished reforms, including regulating monopolies, protecting consumers, and promoting disinterested, efficient government. "Propaganda" was associated with public education and consciousness raising for the good of the whole. By the second decade of the twentieth century, the need to muster support for American involvement in the Great War produced the Committee on Public Information, which zealously spread the gospel of American democracy abroad and worked to stifle dissent at home. After the war, public relations firms-which treated publicity as an end in itself-proliferated. Weapons of Democracy traces the fate of American public opinion in theory and practice from 1884 to 1934 and explains how propaganda continues to shape today's public sphere. The book closely analyzes the work of prominent political leaders, journalists, intellectuals, novelists, and corporate publicists, including Woodrow Wilson, Theodore Roosevelt, Mark Twain, George Creel, John Dewey, Julia Lathrop, Ivy Lee, and Edward Bernays. Truly interdisciplinary in both scope and method, this book will appeal to students and scholars in American studies, history, political theory, media and communications, and rhetoric and literary studies.

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One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905–69) made eighty-nine films between 1930 and 1967. Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse’s contributions to Japanese and world cinema, Russell’s in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s.Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were “women’s films.” They had female protagonists, and they depicted women’s passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as “feminist,” his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse’s cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse’s movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.

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For decades the high walls of Manchester's Strangeways Prison have contained some of England's most infamous criminals. Until hanging was abolished in the 1960s it was also the main centre of execution for convicted murderers from all parts of the north west. The history of execution at Manchester began with the hanging of a young Salford man, convicted of murdering a barman on Boxing Day 1868: he was the first of 100 murderers to pay the ultimate penalty here.Over the next ninety-five years many infamous criminals took the short walk to the gallows. They included Dr Buck Ruxton, who butchered his wife and maid; John Jackson, who escaped from Strangeways after murdering a prison warder; Walter Rowland, hanged for the murder of a prostitute and the only man to occupy the condemned cell at Strangeways twice; Chung Yi Miao, who strangled his wife on their honeymoon; and Oldham teenager Ernie Kelly, whose execution almost caused a riot outside the prison. Also included are the stories behind scores of lesser-known criminals: poisoners, spurned lovers, cut-throat killers, and many more.Steve Fielding has fully researched all these cases, and they are collected together here in one volume for the first time. Infamous executioners also played their part in the gaol's history: Calcraft, Marwood, Binns and Berry all officiated here, as did many local men: Bolton hangman James Billington and his sons, Rochdale barber John Ellis, and Manchester publicans Albert Pierrepoint and Harry Allen. Fully illustrated with rare photographs, documents and news-cuttings, Hanged at Manchester is bound to appeal to anyone interested in the darker side of the north west of England's history.

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Candace Slater takes us on a journey into the Amazon that will forever change our ideas about one of the most written-about, filmed, and fought-over areas in the world. In this book she deftly traces a rich and marvelous legacy of stories and images of the Amazon that reflects the influence of widely different groups of people--conquistadors, corporate executives, subsistence farmers --over the centuries. A careful, passionate consideration of one of the most powerful environmental icons of our time, Entangled Edens makes clear that we cannot defend the Amazon's dazzling array of plants and animals without comprehending its equally astonishing human and cultural diversity. Early explorers describe encounters with fearsome warrior women and tell of golden cities complete with twenty-four-carat kings. Contemporary miners talk about a living, breathing gold. TV documentaries decry deforestation and mercury poisoning. How do these disparate visions of the Amazon relate to one another? As she fits the pieces of the puzzle together, Slater shows how today's widespread portrayal of the region as a fragile rain forest on the brink of annihilation is every bit as likely as earlier depictions to obscure important aspects of this immense and complicated region. In this book, Slater draws on her fifteen years of experience collecting stories and oral histories among many different groups of people in the Amazon. Throughout Entangled Edens, the voices of contemporary Amazonians mingle with the analyses of such writers as Claude Levi-Strauss, Theodore Roosevelt, and nineteenth-century naturalist Henry Walter Bates. Slater convinces us that these stories and ideas, together with an understanding of their origins and ongoing impact, are as critical as scientific analyses in the fight to preserve the rain forest.

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As WWI drew to a close, change reverberated through the halls of England's country homes. As the sun set slowly on the British Empire, the shadows lengthened on the lawns of a thousand stately homes. In The Long Weekend, historian Adrian Tinniswood introduces us to the tumultuous, scandalous and glamourous history of English country houses during the years between World Wars. As estate taxes and other challenges forced many of these venerable houses onto the market, new sectors of British and American society were seduced by the dream of owning a home in the English countryside. Drawing on thousands of memoirs, letters, and diaries, as well as the eye-witness testimonies of belted earls and bibulous butlers, Tinniswood brings the stately homes of England to life as never before, opening the door to a world by turns opulent and ordinary, noble and vicious, and forever wrapped in myth. We are drawn into the intrigues of legendary families such as the Astors, the Churchills and the Devonshires as they hosted hunting parties and balls that attracted the likes of Charlie Chaplin, T.E. Lawrence, and royals such as Edward VIII and Wallis Simpson. We waltz through aristocratic soirees, and watch as the upper crust struggle to fend off rising taxes and underbred outsiders, property speculators and poultry farmers. We gain insight into the guilt and the gingerbread, and see how the image of the country house was carefully protected by its occupants above and below stairs. Through the glitz of estate parties, the social tensions between old money and new, the hunting parties, illicit trysts, and grand feasts, Tinniswood offers a glimpse behind the veil of these great estates--and reveals a reality much more riveting than the dream.

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Conceptions of evil have changed dramatically over time, and though humans continue to commit acts of cruelty against one another, today we possess a clearer, more moral way of analyzing them. In Narrating Evil, Maria Pia Lara explores what has changed in our understanding of evil, why the transformation matters, and how we can learn from this specific historical development. Drawing on Immanuel Kant's and Hannah Arendt's ideas about reflective judgment, Lara argues that narrative plays a key role in helping societies acknowledge their pasts. Particular stories haunt our consciousness and lead to a kind of examination and dialogue that shape notions of morality. A powerful description of a crime can act as a filter, helping us to draw conclusions about what constitutes a moral wrong, and public debates over these narratives allow us to construct a more accurate picture of historical truth, leading to a better understanding of why such actions are possible. In building her argument, Lara considers Greek tragedies, Shakespeare's depictions of evil, Joseph Conrad's literary metaphors, and movies that portray human cruelty. Turning to such philosophers and writers as Jurgen Habermas, Walter Benjamin, Primo Levi, Giorgio Agamben, and Ariel Dorfman, Lara defines a reflexive relationship between an event, the narrative of the event, and the public reception of the narrative, and she proves that the stories of perpetrators and sufferers are always intertwined. The process of disclosure, debate, and the public fashioning of collective judgment are vital methods through which we make sense not only of new forms of cruelty but of past crimes as well. Narrating Evil describes the steps of this process and why they are a crucial part of our attempt to build a different, more just world.

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WINNER OF THE 2023 COMPTON CROOK AWARDSHORTLISTED FOR THE 2023 WORLD FANTASY AWARD FOR BEST NOVELSHORTLISTED FOR THE LOCUS AWARD FOR BEST FIRST NOVEL'Wild, witty, and profound. . . a cosmic storm of talent' Victor LaVallePut on your dancing shoes and step into New Orleans as you've never seen it before in this vibrant and imaginative debut.Nola is a city of wonders. An alternate New Orleans made of music and magic, where spirits dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To failed magician Perilous Graves, it's simply home. Then the rhythm of the city stutters. Nine songs of power have escaped from the magical piano that maintains the city's beat, and without them, Nola will fail. Unwilling to watch his home be destroyed, Perry will sacrifice everything to save it. But a storm is brewing and even if they capture the songs, Nola's time might be coming to an end. Praise for The Ballad of Perilous Graves: 'A hallucinatory wonder of a debut' Walter Mosley'Gripping and inventive fantasy' Guardian'An enchanting, energetic, wild ride of a story set to a staccato melody. The electric prose leaps off the page in a riot of colours and sounds' Leslye Penelope'A wild, dark and joyful love song to New Orleans, the power of stories, and hope in the face of destruction' H. G. Parry 'I ached to live in their world. A stunning debut that is sure to become a classic' Elizabeth Hand 'Alex Jennings writes with an energy and a profusion of imagination and vividness that carries you off. Brilliant!' Katherine Addison 'A beautiful song full of magic and rhythm, darkness and delight. A profoundly gorgeous debut' Christina Henry

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*** FOR FANS OF RICHARD OSMAN AND JANICE HALLETT, WE INVITE YOU TO MEET A NEW LITERARY SLEUTH – JANE AUSTEN . . . ***'Richly imagined and wonderfully plotted - a great read' S.J. BENNETT'Sharp and energetic whilst simultaneously warm and heartfelt. This is a delicious treat for fans of Austen's novels and delightfully compelling mysteries' B. P . WALTER'Exceptional - the Austen whodunnit I feel like I've been waiting my whole life for! I loved it' SOPHIE IRWINIt is a truth universally acknowledged, that every good mystery is in need of a brilliant sleuth . . .Welcome to Hampshire, 1795, where a young Jane Austen has her sights set on securing a marriage proposal from the dashing Tom Lefroy at a local ball.But when a shocking discovery is made - a milliner's lifeless body tucked away in a linen closet - Jane finds herself embroiled in an unexpected murder mystery.As she races against the clock to clear her beloved brother Georgy's name, Jane uses her sharp wits to navigate the treacherous waters of society, unmasking secrets and unearthing hidden motives along the way. With every twist and turn, Jane's determination to solve the case deepens. And if she fails, her brother will face the ultimate punishment - the hangman's noose . . .Join Jane on her quest for justice as she faces down danger, deceit, and scandal amidst her own friends and neighbours. Will she uncover the truth in time, or will the real killer go free? One thing's for certain - in Hampshire, nothing is as it seems . . .*** BETWEEN THE MATCH-MAKING AND MATRIMONY LIES MURDER . . . . ***Why readers LOVE Miss Austen Investigates!'Delightful and entertaining' 5***** reader review'Jane Austen makes a perfect detective!' 5***** reader review 'This book is such a joy!' 5***** reader review'A very clever whodunnit!' 5***** reader review'Kept me entertained throughout' 5***** reader review

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This book is a richly detailed exploration of the complex and cosmopolitan urban culture inhabited by the Presbyterian elite of late-Georgian Belfast, which will prove to be of interest to a wide range of scholars working on the political, cultural and intellectual histories of both Ireland and Britain during the age of reform. Employing both biographical and thematic approaches, the book begins by examining the story of the Tennents, one of the most prominent Presbyterian families in early-nineteenth-century Belfast, before turning to reconstruct their milieu. Challenging existing narratives, the study provides a major re-assessment of the political life of late-Georgian Belfast, highlighting the activities of a close-knit group of advanced reformer – the ‘natural leaders’ of the books title – who sought to promote the cause of reform and engage with British and European political events. In addition, the book contains the first serious scholarly examination of the cultural and intellectual life of the town in the early-nineteenth century, and the first major treatment of the middle classes’ philanthropic activities. The interplay of politics and culture is discussed, as is the accuracy of Belfast’s reputation as the ‘Athens of the North’ and the religious underpinnings of the town’s charitable societies. In examining these areas, attention is paid to the influence of trends such as romanticism and evangelicalism and of writers such as Lord Byron, Walter Scott, Robert Owen and Thomas Chalmers, and it is argued that, both culturally and politically, the Presbyterian middle classes of Belfast inhabited a British world.

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The HIV epidemic has spawned a scientific effort unprecedented in the history of infectious disease research. This effort has merged aspects of clinical research, basic molecular biology, immunology, cell biology, epidemiology, and mathematical biology in ways that have not been seen before. In The Evolution of HIV Keith A. Crandall brings together researchers from these disciplines to present perspectives on both the molecular biology and molecular evolution of HIV. The book is organized into three sections: "Introduction to HIV" explores the fundamentals of the virus's molecular biology and its global diversity. "Molecular Methods for Studying HIV Diversity" looks at such topics as HIV phylogenetics, modeling the molecular evolution of HIV sequences, the use of phylogenetic inference to test an HIV transmission hypothesis, and coalescent approaches to HIV population genetics. The third section,"Case Studies of HIV Evolution" examines the levels of diversity within and among host individuals, the phylogenetics of known transmission histories, and HIV evolution and disease progression via longitudinal studies. The book will be of interest to researchers and clinicians working on HIV, as well as scientists studying molecular evolution, population genetics, and evolutionary biology. Contributors are John M. Coffin, Keith A. Crandall, Joseph Felsenstein, Walter M. Fitch, Brian Foley, Esther Guzman, Paul H. Harvey, David M. Hillis, Edward C. Holmes, Marcia L. Kalish, Bette T. M. Korber, Julia Krushkal, Carla L. Kuiken, Gerald H. Learn, Thomas Leitner, Wen-Hsiung Li, Francine E. McCutchan, Spencer V. Muse, Oliver G. Pylons, Allen G. Rodrigo, Raj Shankarappa, Richard W. Steketee, Alan R. Templeton, Donald M. Thea, Raphael P. Viscidi, Steven M. Wolinsky.

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Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work. Enthusiasts and experts have long relished Schubert's quotations of his own music. This study centers on a previously unidentified pairing: "Ave Maria," one of his most beloved songs, and the Piano Trio no. 2, a masterpiece that holds a unique position in his career. Messing's Self-Quotation in Schubert interrogates the concept of self-quotation from the standpoints of terminology and authorial intent, and it demonstrates, for the first time, how Schubert's practice of self-quotation relates to prevailing practices in the late eighteenth and early nineteenth centuries. Messing goes on to analyze in detail the musical relationships between the two works and to investigate thecircumstances that led Schubert to compose each of them. "Ave Maria" is one of the few Schubert songs for which we have documentation of some early private performances, and the trio stood at the heart of Schubert's only public concert devoted to his works. Messing establishes that Schubert sought to convey an associative meaning with this self-quotation, trusting in his contemporaries' familiarity with the original melody and with Walter Scott's poem, a text that carried profound resonances in Catholic Vienna. Scrutinizing this evidence yields the symbolic purpose behind Schubert's allusion to "Ave Maria" in the piano trio: honoring the recently deceased Beethoven andvalidating Schubert as his legatee. SCOTT MESSING is Charles A. Dana Professor of Music Emeritus at Alma College.

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Scarred by the Second World War, divided during the Cold War, and turned into a massive construction site in the early postwall years, Berlin has dramatically reinvented itself in the new millennium. Film has served a neglected but important function in this transformation.In Berlin Replayed, Brigitta B. Wagner shows how old and new films set in Berlin created a collective urban nostalgia for the city’s best, most inclusive, and most conciliatory pasts in the face of its renewed purpose as the all-German capital. Exploring films such as Walter Ruttmann’s Berlin: Symphony of a Great City, Wim Wenders’s Wings of Desire, Tom Tykwer’s Run Lola Run, and Wolfgang Becker’s Good Bye, Lenin!, the book establishes that these films don’t merely feature the city but actively construct how viewers come to know different Berlins of the past and present. To illustrate how film has repeatedly remade the image of the city, Berlin Replayed focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two ideologically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century.By showing how films have helped revive memories of the “good” Berlin and, by extension, the “good” Germany, Berlin Replayed reveals the underappreciated but powerful role film has played in the process of unifying Germany’s historical experience and bridging its physical and political divisions.

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WINNER OF THE 2014 SEYMOUR MEDAL sponsored by the Society for American Baseball Research and finalist for 2014 SABR Larry Ritter AwardThough his pitching career lasted only a few seasons, Howard Ellsworth “Smoky Joe” Wood was one of the most dominating figures in baseball history—a man many consider the best baseball player who is not in the Hall of Fame. About his fastball, Hall of Fame pitcher Walter Johnson once said: “Listen, mister, no man alive can throw harder than Smoky Joe Wood.” Smoky Joe Wood chronicles the singular life befitting such a baseball legend. Wood got his start impersonating a female on the National Bloomer Girls team. A natural athlete, he pitched for the Boston Red Sox at eighteen, won twenty-one games and threw a no-hitter at twenty-one, and had a 34-5 record plus three wins in the 1912 World Series, for a 1.91 ERA, when he was just twenty-two. Then in 1913 Wood suffered devastating injuries to his right hand and shoulder that forced him to pitch in pain for two more years. After sitting out the 1916 season, he came back as a converted outfielder and played another five years for the Cleveland Indians before retiring to coach the Yale University baseball team. With details culled from interviews and family archives, this biography, the first of this rugged player of the Deadball Era, brings to life one of the genuine characters of baseball history.

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During his sojourn in England during the 1870s, a young Cavafy found himself enthralled by the aesthetic movement of cosmopolitan London. It was during these years that he encountered the canvases and personalities of Pre-Raphaelite painters, including Burne-Jones and Whistler, as well as works of aesthetic writers who were effecting a revolution in British literary culture and channeling influences from France that would gradually coalesce into an international decadent movement. In Reframing Decadence, Peter Jeffreys returns us to this critical period of Cavafy’s life, showing the poet’s creative indebtedness to British and French avant-garde aesthetes whose collective impact on his poetry proved to be profound. In the process, Jeffreys offers a critical reappraisal of Cavafy’s relation to Victorian aestheticism and French literary decadence. Foremost among the tropes of decadence that captivated Cavafy were the decline of imperial Rome, the rise of Christianity, and the lingering twilight of Byzantium. The influence of Walter Pater on Cavafy’s view of classical and late-antique history was immense, inflected as it was with an unapologetic homoerotic aesthetic that Cavafy would adopt as his own, making Pater’s imaginary portraits an important touchstone for his own historicizing poetry. Cavafy would move beyond Pater to explore a more openly homoerotic sensuality but he never quite abandoned this rich Victorian legacy, one that contributed greatly to his emergence as a global poet. Jeffreys concludes by considering Cavafy’s current popularity as a gay poet and his curious relation to kitsch as manifest in his ongoing popularity via translation and visual media.

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We live in a time when we are overwhelmed with talk and images of violence. Whether on television, the internet, films or the video screen, we can’t escape representations of actual or fictional violence - another murder, another killing spree in a high school or movie theatre, another action movie filled with images of violence. Our age could well be called “The Age of Violence” because representations of real or imagined violence, sometimes fused together, are pervasive. But what do we mean by violence? What can violence achieve? Are there limits to violence and, if so, what are they? In this new book Richard Bernstein seeks to answer these questions by examining the work of five figures who have thought deeply about violence - Carl Schmitt, Walter Benjamin, Hannah Arendt, Frantz Fanon, and Jan Assmann. He shows that we have much to learn from their work about the meaning of violence in our times. Through the critical examination of their writings he also brings out the limits of violence. There are compelling reasons to commit ourselves to non-violence, and yet at the same time we have to acknowledge that there are exceptional circumstances in which violence can be justified. Bernstein argues that there can be no general criteria for determining when violence is justified. The only plausible way of dealing with this issue is to cultivate publics in which there is free and open discussion and in which individuals are committed to listen to one other: when public debate withers, there is nothing to prevent the triumph of murderous violence.

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A single-volume edition of William J. Bennett's bestselling series, thoroughly revised and updated."The role of history is to inform, inspire, and sometimes provoke us, which is why Bill Bennett's wonderfully readable book is so important." --Walter IsaacsonA decade ago, William J. Bennett published a magisterial three-volume account of our nation's history. Now, Bennett returns to that bestselling trilogy, revising and condensing his epic tale into one volume, a page-turning narrative of our exceptional nation. In Bennett's signature gripping prose, Washington, Franklin, Lincoln, Roosevelt, Reagan, and others reemerge not as marble icons or dust-dry names in a textbook, but as full-blooded, heroic pioneers whose far-reaching vision forged a nation that attracted and still attracts millions yearning to breathe free.In this riveting volume, Bennett covers America’s greatest moments in breath-taking detail: from the heroism of the Revolution to the dire hours of the Civil War, from the progressive reforms of the early 1900s to the civil rights reforms of the 1960s, from the high drama of the Space Race to the gut-wrenching tension of the Cold War, from the fall of the Berlin Wall and the collapse of global Communism to the attacks of 9-11 and the war on terror. William J. Bennett captures the players, personalities, and pivotal moments of American history with piercing insight and unrelenting optimism. In this gripping tale of a nation, the story of what Lincoln referred to as "the last best hope of earth" comes alive in all its drama and personality.

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Let Marco Polo Vienna guide you around this beautiful city. Explore Vienna with this handy, pocket-sized, authoritative guide, packed with Insider Tips. Discover boutique hotels, authentic restaurants, the city’s trendiest places, and get tips on shopping and what to do on a limited budget. There are plenty of ideas for travel with kids, and a summary of all the festivals and events that take place. Let Marco Polo show you all that the Vienna has to offer. Head back to the glorious past of a time-honoured Habsburg city and marvel at the imperial splendour all along the Ringstrasse. See places steeped in tradition and coffee houses around St Stephen's Cathedral. Or be catapulted forward into the multicultural, trendsetting world city of today. Be inspired by the mix of the beauty of the waltz and belief in the future, the mix of the Baroque and post-modern attitude to life. Marco Polo Vienna Guide includes: Insider Tips – we show you the hidden gems and little-known secrets that offer a real insight into the city of Vienna Best of – find the best things to do if you’re travelling on a budget, the best things to do with the kids, the best things to do if it rains and the best things to do if you’re looking for an authentic Vienna experience Sightseeing – all the top sights are organised by area, so you can easily plan your trip Discovery Tours - specially tailored tours that will take you to the heart of Vienna. Experience Vienna’s unique charm, hand-picked restaurants and the best local activities with these personal tours. Vienna in full-colour – Marco Polo Pocket Guide Vienna includes full-colour photos throughout the guide bringing the city to life offering you a real taste of what you can see and enjoy on your trip Get in the holiday mood – before even leaving home, get in to the holiday mood with Marco Polo’s spotify playlist featuring songs related to the travel destination along with the best apps, blogs, film and book recommendations Useful German phrases - the essential words and phrases are included to help you get by Pull-out map – we’ve included a handy, pull-out map so you can pop the guide in your bag for a full-on sightseeing day or head out with just the map to enjoy your Discovery Tour.  Trust Marco Polo Pocket Guide Vienna to show you around this fabulous city. The comprehensive coverage and unique insights will ensure you experience everything Vienna has to offer and more. The special tips, personal insights and unusual experiences will help you make the most of your trip - just arrive and enjoy.

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THE SUNDAY TIMES BESTSELLER 'A veritable treat' Daily MailThe first novel in Julia Quinn's worldwide bestselling Bridgerton novels, now a series created by Shondaland for Netflix. This is the story of Daphne Bridgerton and the Duke: welcome to the ballrooms of Regency London . . . ________________________________________Can there be any greater challenge to London's Ambitious Mamas than an unmarried duke? Lady Whistledown's Society Papers, April 1813By all accounts, Simon Basset is on the verge of proposing to his best friend's sister, the lovely - and almost-on-the-shelf - Daphne Bridgerton. But the two of them know the truth - it's all an elaborate plan to keep Simon free from marriage-minded society mothers. And as for Daphne, surely she will attract some worthy suitors now that it seems a duke has declared her desirable . . .Their ruse works like a charm - at first. But as Daphne waltzes across ballroom after ballroom with Simon, it's hard to remember that their courtship is a complete sham. Maybe it's his devilish smile, certainly it's the way his eyes seem to burn every time he looks at her. It wasn't the plan, but it seems she's falling for the duke, for real. And amidst the glittering, gossipy, cut-throat world of London's elite, there is only one certainty: love ignores every rule . . .Find out why readers love Julia Quinn . . .'Light, pacy and full of feisty heroines' Guardian on the Bridgerton series'Julia Quinn's Bridgerton books take all of the classic tropes we know and love . . . and gives them a thoroughly modern twist. I can't focus on anything else' Stylist'Quinn is a master of historical romance' Entertainment Weekly'A smart, funny touch' Time Magazine'Like an episode of Downton Abbey mixed with a great rom-com' iBooks Best Books of March'Powered by a surfeit of dazzling wit and graced with a cast of unforgettable characters' Booklist'A romance readers will not want to put down . . . Hooray Julia!' Romance Reviews Today'Quinn writes delightfully fast-paced, funny, sparkling and bright romance' Romantic Times'The next best thing to Georgette Heyer' Gloss'Julia Quinn is one of the best historical romance novelists of our time' Heroes and Heartbreakers'Quinn excels in writing stories full of joy and delight, where laughter trembles on the edges' Happy Ever After'Full of wit, charm and smouldering attraction . . . an unputdownable story that I think romance fans will treasure' Harlequin Junkie'Quinn is incomparable! The latest addition to her beloved Bridgerton series is funny, charming, witty and wildly romantic' RT Book Reviews

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Catastrophic Historicism unsettles the historicist constitution of Julia de Burgos (1914–53), Puerto Rico’s most iconic writer—a critical task that necessitates redefining the concept of historicism. Through readings of Aristotle, Walter Benjamin, Jacques Derrida, Werner Hamacher, and Frank Ankersmit, Mendoza-de Jesús shows that historicism grounds historical objectivity in the historian’s capacity to compose totalizing narratives that domesticate the contingency of the past. While critiques of historicism as a realism leave untouched the sovereignty of the historian, the book insists that reading the text of history requires an attunement to danger—a modality that interrupts historicism by infusing the past with a contingency that evades total appropriation. After desedimenting the monumental tradition that has reduced de Burgos to a totemic figure, Catastrophic Historicism reads the poet’s first collection, Poema en 20 surcos (1938). Mendoza-de Jesús argues that the historicity of Poema crystallizes in the lyrical speaker’s self-institution as an embodied ipseity, which requires producing racialized/gendered allegorical figures—the bearers of an abject flesh—that lack any ontological resistance to modern alienation. Rather than treating de Burgos’s poetics of selfhood as the ideal image of Puerto Rican sovereignty, Mendoza-de Jesús endangers this idealization by drawing attention to the abjection that sustains our attachments to ipseity as the form of a truly sovereign life. In this way, Catastrophic Historicism not only resets the terms of ongoing critiques of historicism in the humanities—it also intervenes in Puerto Rican historicity for the sake of its transformation.

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Manhattan, 1935. It was love at first sight the night J. Paul Getty walked into the exclusive club The New Yorker and saw Teddy onstage, a beautiful blue-blooded debutante, singing torch songs. In Alone Together, Teddy-now nearly 100 - tells the large-than-life true story of their three-decade long love affair and its aftermath, a sweeping saga of passion, adventure, danger, betrayal and tragedy. Moving from the glittering nightclubs of 1930s New York to Mussolini's Italy and California in the golden post-war years, Alone Together brings to life the dazzling time when the Algonquin and "Elmers" (EL Morocco) where the epicenters of New York's most fashionable and famous circles. Gaston recalls stories of hobnobbing with such legendary figures as Gypsy Rose Lee, Walter Winchell, and Dorothy Lamour. She recreates the drama of living in a fascist regime in the dark years of war in Mussolin's Italy where she was studying to become an opera singer - including her yearlong imprisonment with foreign journalists She shares the joy of new motherhood and the heartbreaking pain of loss-both the death of her twelve-year-old son, Timothy, and her husband's eventual abandonment - while living in sunny 1950s Malibu next to Marion Davies. With lively wit and tremendous compassion, Gaston offers a nuanced portrait of a difficult man - a skinflint who was richer than anyone in his time; a terrifically charismatic but neglectful companion; a driven businessman who refused to put his family first. Yet despite these vicissitudes, Teddy remained Getty's steadfast friend until his death in 1976. Fascinating and extraordinary, Alone Together is a remarkable look at the twentieth century through the lives of one of the century's most intriguing couples.

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How the classic mirror test served as a portal for scientists to explore questions of self-awarenessSince the late eighteenth century, scientists have placed subjects—humans, infants, animals, and robots—in front of mirrors in order to look for signs of self-recognition. Mirrors served as the possible means for answering the question: What makes us human? In The Mirror and the Mind, Katja Guenther traces the history of the mirror self-recognition test, exploring how researchers from a range of disciplines—psychoanalysis, psychiatry, developmental and animal psychology, cybernetics, anthropology, and neuroscience—came to read the peculiar behaviors elicited by mirrors. Investigating the ways mirrors could lead to both identification and misidentification, Guenther looks at how such experiments ultimately failed to determine human specificity.The mirror test was thrust into the limelight when Charles Darwin challenged the idea that language sets humans apart. Thereafter the mirror, previously a recurrent if marginal scientific tool, became dominant in attempts to demarcate humans from other animals. But because researchers could not rely on language to determine what their nonspeaking subjects were experiencing, they had to come up with significant innovations, including notation strategies, testing protocols, and the linking of scientific theories across disciplines. From the robotic tortoises of Grey Walter and the mark test of Beulah Amsterdam and Gordon Gallup, to anorexia research and mirror neurons, the mirror test offers a window into the emergence of such fields as biology, psychology, psychiatry, animal studies, cognitive science, and neuroscience.The Mirror and the Mind offers an intriguing history of experiments in self-awareness and the advancements of the human sciences across more than a century.

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A biography of Washington's most famous apartment complex -- the buildings with a thousand stories of the notables who have lived there From the day The Watergate officially opened in October 1965, living there meant being at the epicenter of politics and international intrigue. Virtually every major Washington figure in the 1960’s and 1970’s -- from J. Edgar Hoover to John and Martha Mitchell to Carl Bernstein and Bob Woodward-had a connection to the the building. In The Watergate, writer and political consultant Joseph Rodota skillfully weaves the stories of such insiders into a riveting narrative history of a building that was a central hub of Washington for more than a decade. Along the way, Rodota introduces us to the Watergate’s secret movers and shakers who made the Beltway tick. There’s Anna Chenault, who dated Tommy Corcoran, Washington’s first “super lobbyist,” and was known as Washington’s “Tiger Hostess” for the lavish dinners and cocktail parties she hosted in her Watergate penthouse. Walter Pforzheimer, one of the “founding fathers” of the CIA, kept two apartments at the Watergate, one for his collection of literature on spying, and the other to sleep in. He chose the building because its cement-and-steel construction meant the floor was strong enough to hold his safe, and was a ubiquitous, if enigmatic, presence at the complex. And during the Nixon-Watergate scandal, the irrepressible Martha Mitchell was actually living there! During the Clinton years, it was almost known as "little Little Rock." Through the stories of both Washington royalty, and these lesser-known yet fascinating residents, Rodota achieves a history of Washington through the chronicle of its best-known residential building.

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Robin Hood is England's greatest folk hero. Everyone knows the story of the outlaw who robbed from the rich and gave to the poor. Nick Rennison's highly entertaining book begins with the search for the historical Robin. Was there ever a real Robin Hood? Rennison looks at the candidates who have been proposed over the years, from petty thieves to Knights Templar, before moving on to examine the many ways in which Robin Hood has been portrayed in literature and on the screen. He began as the hero of dozens and dozens of late medieval ballads. He appeared in plays by contemporaries of Shakespeare. In the Romantic era Robin was reinvented by Walter Scott as a Saxon champion in the struggle against the Normans. During the nineteenth century, he emerged as a hero in children's literature. More recently he has been portrayed as everything from proto-socialist man of the people to anarchist thug. In the cinema he put in an appearance as early as 1908 and Douglas Fairbanks and then Errol Flynn turned him into the typical hero of Hollywood swashbucklers. In the last twenty years, Kevin Costner and Russell Crowe have provided their own very different interpretations of the character. On the small screen, Robin has been the hero of half-a-dozen TV shows from the 1950s series starring Richard Greene, which used many writers blacklisted by Hollywood, via the well-remembered Robin of Sherwood in the 1980s to the recent BBC series. As the twenty-first century marches through its second decade, Robin Hood is still very much with us. He is the subject of graphic novels and computer games. New films are in the offing. Robin is an archetypal hero who, it seems, can never die. This engaging book charts his life so far.

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Disco Cube Cocktails is a '70s-inspired cocktail book based on the magical properties of ice. With 100+ recipes for artful ice and the drinks that go with them, home bartenders can learn new icy creations to elevate any classic drink, infuse new flavor into a sipper as the ice melts, or impress friends at a party with a frosty punch bowl. While traveling as a DJ, Leslie Kirchhoff fell in love with the art of craft cocktails, but noticed one thing was missing: inventive ice. Taking it upon herself to create something truly unique, she started Disco Cubes as a passion project to explore the art of ice. Now you can do the same at home with recipes that offer more than just a classic cube. In this not-so-classic cocktail book, there are one-ingredient cubes to elevate any drink, infused ice to add flavor to simple cocktails, and perfect pairings where ice and drink come together to make a concoction that you (and your guests) won't forget. Plus, you'll find playlists at the beginning of each chapter, to set the mood for any occasion. Recipes include innovative sips such as: • Rose Cubes in a White Negroni • Jalapeño ice for an evolving margarita • A Golden Bloody Mary that shifts from sweet to savory as the ice melts • The Walter Gibbons with a Red Onion Raft • White peach spheres for a cool take on a classic Bellini A great gift for cocktail and bartending enthusiasts, home cocktail makers and entertainers, drink-nerds who love cocktail history, and anyone who enjoys experimentation. The perfect companion for those who loved Shake: A New Perspective on Cocktails by Eric Prum, The Ultimate Bar Book by Mittie Hellmich, and Death & Co: Modern Classic Cocktails by David Kaplan

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Hook up with the fly-fishing guide that’s a keeper Some say successful fly fishing requires supreme athleticism, a surgeon’s delicate touch, and the serene spirit of a Zen master. But forget the hype: The updated edition of Fly Fishing for Dummies shows that all you need to get the hang of this enjoyable sport are the right tools, a disciplined technique, and a positive attitude. Whether you’re an old salt or dipping your toes in for the first time, you’ll find everything you need to learn, improve, and keep your casting sharp and fresh! Longtime fishing writer Peter Kaminsky wades right in, taking you from choosing a rod and tying flies all the way through to staying dry with the right wardrobe and cooking up a delicious catch. You’ll also find out how you can get by with just 20 flies, a half dozen casts, and three knots. And, if you want to plunge deeper into the sport, he suggests some bucket-list destination rivers and streams to keep you agreeably hooked and learning for life—proving that the father of fishing writers Izaak Walton was right when, three centuries ago, he said: “No life is so pleasant and happy as that of a well-governed angler.” Study your quarry—from rainbow trout to fashionable “glamour” fish Get the best rod, reel, and gear for success—including the smartest tech Know where to fish (land or sea) and how to read the water Follow visual examples to sharpen your casting Whatever your fly-fishing aims or skill level, the proven advice and 150+ illustrations in this friendly guide are your path to a lifetime of happy and productive trips: Don’t let it be the one that got away!

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One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905–69) made eighty-nine films between 1930 and 1967. Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse’s contributions to Japanese and world cinema, Russell’s in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s.Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were “women’s films.” They had female protagonists, and they depicted women’s passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as “feminist,” his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse’s cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse’s movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.

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The Italian philosopher Giorgio Agamben is having an increasingly significant impact on Anglo-American political theory. His most prominent intervention to date is the powerful reassessment of sovereignty and the politics of life and death laid out in his multivolume Homo Sacer project. Agamben argues that in both the modern world and the ancient, politics inevitably involves a sovereign decision that bans some individuals from the political and human communities. For Agamben, the Nazi concentration camps—in which some inmates are reduced to a form of living death—are not a political aberration but instead the place where this essential political decision about life most clearly reveals itself. Engaging specifically with Homo Sacer, the essays in this collection draw out and contend with the wide-ranging implications of Agamben’s radical and controversial interpretation of modern political life.The contributors analyze Agamben’s thought from the perspectives of political theory, philosophy, jurisprudence, and the history of law. They consider his work not only in relation to that of his major interlocutors—Hannah Arendt, Michel Foucault, Carl Schmitt, Walter Benjamin, and Martin Heidegger—but also in relation to the thought of Plato, Pindar, Heraclitus, Descartes, Kafka, Bataille, and Derrida. The essayists’ approaches are varied, as are their ultimate evaluations of the cogency and accuracy of Agamben’s arguments. This volume also includes an original essay by Agamben in which he considers the relation of Benjamin’s “Critique of Violence” to Schmitt’s Political Theology. Politics, Metaphysics, and Death is a necessary, multifaceted exposition and evaluation of the thought of one of today’s most important political theorists.Contributors: Giorgio Agamben, Andrew Benjamin, Peter Fitzpatrick, Anselm Haverkamp, Paul Hegarty, Andreas Kalyvas, Rainer Maria Kiesow , Catherine Mills, Andrew Norris, Adam Thurschwell, Erik Vogt, Thomas Carl Wall

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The 3rd SS Panzer Regiment was part of the Totenkopf Division—one of the 38 Waffen-SS divisions active during World War II. Notorious for its brutality, most notably a mass execution of British prisoners in the battle of France, “Totenkopf” had a fearsome reputation. The 3rd SS Panzer Regiment was formed in France in late 1942, and transferred to the Eastern Front in early 1943 where it fought for the rest of the war.The regiment participated in a number of battles, and would be reduced and rebuilt a number of times. The panzers of 3rd SS Panzer Regiment fought at Kharkov, took part in Operation Citadel, fought in the battle of Krivoi Rog, and the relief of the Korsun Pocket. The regiment then retreated over the Dniester. They fought in Poland against the Russian advance, before being moved to Hungary where they participated in the attempt to relieve Budapest. They eventually surrendered in Czechoslovakia to the 11th US Armored Division.This Casemate Illustrated tells the story of the 3rd SS Panzer Regiment through the words of the veterans themselves, illustrated with a wealth of contemporary photographs, original documents and artifacts. Among the veterans whose accounts are included are Walter Weber, a member of a tank crew in 5. Kompanie who recounts their optimism and high spirits at the start of Operation Citadel as the Germans made initial advances, followed by retreat as winter set in and the Russians began to push them back. Unterscharführer Stettner recalls the fierce tank battles and the difficulties advancing across minefields and evading an often well-concealed foe. Corporal Fritz Edelmann records the attempts to relieve Budapest in 1945 that Totenkopf took part in, which ended in encirclement, defeat and surrender to the Americans on May 9, 1945.

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In EVERY DAY IS A GIFT, Tammy Duckworth takes readers through the amazing -- and amazingly true -- stories from her incomparable life. In November of 2004, an Iraqi RPG blew through the cockpit of Tammy Duckworth's U.S. Army Black Hawk helicopter. The explosion, which destroyed her legs and mangled her right arm, was a turning point in her life. But as Duckworth shows in EVERY DAY IS A GIFT, that moment was just one in a lifetime of extraordinary turns. The biracial daughter of an American father and a Thai-Chinese mother, Duckworth faced discrimination, poverty, and the horrors of war -- all before the age of 16. As a child, she dodged bullets as her family fled war-torn Phnom Penh. As a teenager, she sold roses by the side of the road to save her family from hunger and homelessness in Hawaii. Through these experiences, she developed a fierce resilience that would prove invaluable in the years to come. Duckworth joined the Army, becoming one of a handful of female helicopter pilots at the start of Operation Iraqi Freedom. She served eight months in Iraq before the attack that took her legs, and nearly her life. She spent thirteen months recovering at Walter Reed, learning to walk again on prosthetic legs and planning her return to the cockpit. But she found a new mission after meeting her state's senators, Barack Obama and Dick Durbin. After winning two terms as a U.S. Representative, she won election to the U.S. Senate in 2016. And she and her husband Bryan fulfilled another dream when Duckworth gave birth to two daughters, becoming the first sitting senator to give birth. From childhood to motherhood and beyond, EVERY DAY IS A GIFT is the remarkable story of one of America's most dedicated public servants.

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The long-awaited memoir by movie and theatre legend, Brian Cox.A Guardian, Times, Sunday Times and Independent Book of the Year*Featuring a foreword by the executive producer of Succession, Frank Rich*From Titus Andronicus with the RSC to media magnate Logan Roy in HBO's Succession, Brian Cox has made his name as an actor of unparalleled distinction and versatility. We know him on screen, but few know of his extraordinary life story.Growing up in Dundee, Scotland, Cox lost his father when he was just eight years old and was brought up by his three elder sisters in the aftermath of his mother's nervous breakdowns and ultimate hospitalization. After joining the Dundee Repertory Theatre at the age of fifteen, you could say the rest is history - but that is to overlook the enormous graft that has gone into the making of the legend we know today. This is a rags-to-riches life story like no other - a seminal autobiography that both captures Cox's distinctive voice and his very soul.'One of the best showbiz memoirs ever written... it's as funny as it is furious... Brian Cox has done everything and with this book he leaves everyone else standing' Mail on Sunday'Absolute heaven' Sunday Times'A hugely readable memoir from a giant of stage and screen' Mark Kermode'A life well lived and a story well told. From first page to last Brian Cox the great actor is Brian Cox the great storyteller, and nobody is spared his sharp eye and his caustic wit, himself and some big Hollywood names included' Alastair Campbell'Laced with his characteristic generosity, self-deprecation and cut-the-crap wisdom' Harriet Walter'Mesmerizing' Peter Biskind'Blisteringly brilliant' Bryony Gordon'Funny and irreverent' The Times

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I've been a cheerleader. A corporate executive. A Barbie Doll. A sports caster. A soap opera vixen. A side-line reporter. A Playboy cover model. A Diamond Diva. A red-carpet correspondent. An investigative journalist. A disrupter. I made Dennis Rodman cry. I've interviewed three presidents and hundreds of athletes. I co-starred in a viral video that has one billion views. I sued the New England Patriots-and won. I tracked down a murderer. I was hit by a car. I butted heads with Barbara Walters. I even played myself in a movie starring Brad Pitt. During her career in sports broadcasting, Guerrero covered Super Bowls, Worlds Series, NBA Finals, and interviewed sports superstars. From the outside it seemed glamourous, but often she was miserable, told to smile more, argue less, and show a lot of leg and cleavage. Colleagues would joke-sometimes on national TV-that she clinched big interviews because of sexual acts rather than talent. She made a mistake on air during the opening game on Monday Night Football that cost her her sportscasting career... and almost her life.Fast forward a few years, and Guerrero has achieved phenomenal success as Inside Edition's Chief Investigative Correspondent. Her stories have led to arrests, changed federal legislation and policies at Fortune 500 companies, and helped shine a light on crime, scams, child abuse, and even cold case murders. And in the last decade alone, she has won over thirty-five national journalism honours and awards.Today, Guerrero is bombarded with emails and direct messages from people of every generation who all want to know the same thing: "How are you so brave? How can I be brave too?" Women dealing with husbands, friends, in-laws, co-workers, and bosses ask for the courage to request raises, be taken seriously at meetings, and stand up to abusive spouses. Teens and pre-teens ask for advice on dealing with bullies, teachers, and parents. Warrior-filled with the incisive stories of failure, struggles, challenges, perseverance, and finally, success-is her answer.

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Loren Ghiglione recounts the fascinating life and tragic suicide of Don Hollenbeck, the controversial newscaster who became a primary target of McCarthyism's smear tactics. Drawing on unsealed FBI records, private family correspondence, and interviews with Walter Cronkite, Mike Wallace, Charles Collingwood, Douglas Edwards, and more than one hundred other journalists, Ghiglione writes a balanced biography that cuts close to the bone of this complicated newsman and chronicles the stark consequences of the anti-Communist frenzy that seized America in the late 1940s and 1950s. Hollenbeck began his career at the Lincoln, Nebraska Journal (marrying the boss's daughter) before becoming an editor at William Randolph Hearst's rip-roaring Omaha Bee-News. He participated in the emerging field of photojournalism at the Associated Press; assisted in creating the innovative, ad-free PM newspaper in New York City; reported from the European theater for NBC radio during World War II; and anchored television newscasts at CBS during the era of Edward R. Murrow. Hollenbeck's pioneering, prize-winning radio program, CBS Views the Press (1947-1950), was a declaration of independence from a print medium that had dominated American newsmaking for close to 250 years. The program candidly criticized the prestigious New York Times, the Daily News (then the paper with the largest circulation in America), and Hearst's flagship Journal-American and popular morning tabloid Daily Mirror. For this honest work, Hollenbeck was attacked by conservative anti-Communists, especially Hearst columnist Jack O'Brian, and in 1954, plagued by depression, alcoholism, three failed marriages, and two network firings (and worried about a third), Hollenbeck took his own life. In his investigation of this amazing American character, Ghiglione reveals the workings of an industry that continues to fall victim to censorship and political manipulation. Separating myth from fact, CBS's Don Hollenbeck is the definitive portrait of a polarizing figure who became a symbol of America's tortured conscience.

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As early as the ancient Greeks, goddesses served as Muses for artistic creation. In essence, a creatively charged energy inspired the artist, leaving a unique and recognizable mark on the artwork. Picassos relationships with the women in his life was deeply formative, and he often represented them as Muses. He was particularly unabashed in the declaration of his feelings to one of them, Marie-Therese Walter, his youthful mistress of 1927. But at that point Picasso was still married to Olga Khokhlova, thus forced to practice the utmost discretion. His marriage to Olga made him increasingly frustrated with her imposed bourgeois expectations. As a release from this marital burden, Marie-Therese was ever present in his work, often portrayed as Aphrodite with a wreath in her hair, a basket of flowers and fruits by her side. Marie-Therese was the Dream the Muse. This fertile period coincided with the strong influence of surrealism which helped liberate Picassos psyche from the straitjacket that Olgas lifestyle imposed on him. By 1935, however, the model and mistress became a mother to Maya, radically changing the role she previously had. The following year Picasso was introduced to a new woman, Dora Maar, an encounter that signalled the beginning of the end of Marie-Thereses exclusive claim on Picassos affections and the closing of an artistic period clearly marked by fertility. The Aphrodite Period (19241936) provides new insights and analysis of Picassos life as recently uncovered through the research of the Online Picasso Project. This time-span is one of the most illustrative periods of Picassos career in that it clearly demonstrates the close interdependence between sexuality and artistic creativity that characterize Picasso's entire output.

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Choice's Outstanding Academic Title list for 2013 "There is no comparable book on this tunnel. Highly recommended."—Choice Reviews Every year, more than thirty-three million vehicles traverse the Holland Tunnel, making their way to and from Jersey City and Lower Manhattan. From tourists to commuters, many cross the tunnel's 1.6-mile corridor on a daily basis, and yet few know much about this amazing feat of early 20th-century engineering. How was it built, by whom, and at what cost? These and many other questions are answered in Highway Under the Hudson: A History of the Holland Tunnel, Robert W. Jackson's fascinating story about this seminal structure in the history of urban transportation. Jackson explains the economic forces which led to the need for the tunnel, and details the extraordinary political and social politicking that took place on both sides of the Hudson River to finally enable its construction. He also introduces us to important figures in the tunnel's history, such as New Jersey Governor Walter E. Edge, who, more than anyone else, made the dream of a tunnel a reality and George Washington Goethals (builder of the Panama Canal and namesake of the Goethals Bridge), the first chief engineer of the project. Fully illustrated with more than 50 beautiful archival photographs and drawings, Jackson's story of the Holland Tunnel is one of great human drama, with heroes and villains, that illustrates how great things are accomplished, and at what price. Highway Under the Hudson featured in the New York Times Listen to Robert Jackson talk about the book on WAMC Radio

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Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience. Using a range of familiar and lesser-known print and manuscript plays, as well as literary accounts and documentary evidence, Playwriting Playgoers in Shakespeare's Theater shows how these playgoers wrote and revised to address what they assumed to be the needs of actors, readers, and the Master of the Revels; how they understood playhouse materials and practices; and how they crafted poetry for theatrical effects. The book also situates them in the context of the period's concepts of, and attitudes toward, playgoers' participation in the activity of playmaking. Plays by playgoers such as the rogue East India Company clerk Walter Mountfort or the highwayman John Clavell invite us into the creative imaginations of spectators, revealing what certain audience members wanted to see and how they thought actors might stage it. By reading Shakespeare's theater through these playgoers' works, Matteo Pangallo contributes a new category of evidence to our understanding of the relationships between the early modern stage, its plays, and its audiences. More broadly, he shows how the rise of England's first commercialized culture industry also gave rise to the first generation of participatory consumers and their attempts to engage with mainstream culture by writing early modern "fan fiction."

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A celebration of Britain's diverse housing styles throughout the twentieth century and beyond. This illuminating book is a fascinating insight into Britain’s built heritage and the diverse housing styles of the twentieth century. Redesigned and updated in a brand-new edition, it showcases 100 houses, from throughout the 20th century and stretching into the 21st, that represent the range of architectural styles throughout the years and show how housing has adapted to suit urban life. Each house is accompanied by stunning photography and texts written by leading architectural critics and design historians, including Gavin Stamp, Elain Harwood, Barnabas Calder, Alan Powers and Gillian Darley. From specially commissioned architect-designed houses for private individuals to housing built for increased workforces, each of the 100 houses brings a different design style or historical story. There are houses built as part of garden cities, semi-detached suburban dwellings, housing estates, eco-houses, almshouses, converted factories and affordable post-war homes. Architectural styles encompass mock Tudor, modernist, Arts and Crafts and brutalism, and featured architects include Giles Gilbert Scott, Walter Gropius, Edwin Lutyens, Powell and Moya and David Chipperfield. The book also contains essays that explore the social and political aspects of housing design in Britain over the last 100 years, looking at the impact the world wars had on housing, exploring domestic technology and building materials and discovering how the modern house came about. This compelling book gives a glimpse into the wonderful housing Britain has to offer and is a must-have for all fans of design history and architecture.

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Text in English & German. If laziness is the mother of all inventions, then the car is its masterpiece. The earliest means of locomotion was walking, followed by riding on horses or camels; finally, with the invention of the wheel, came the ability to use carriages, which not only made locomotion far more comfortable but also brought the transportation of goods to a whole new level. However, it then took millennia for carriages to go from being propelled by horses or oxen to engines, initially steam-driven, then propelled by internal combustion engines and early experiments with electric propulsion. Cars were initially the result of pure craftsmanship, and as passenger cars were based on the concept of the carriage. The assembly line had not entirely abandoned the carriage look, but already showed a typical automobile profile: equal-sized wheels, engine bonnet, passenger compartment. The predominant body colour of cars manufactured between 1910 and 1930 was black, while all makes of car had an almost uniform appearance. As manufacturers moved away from metal-panelled wooden frames to an all-steel design, they hesitantly ventured to adopt new forms. Improved undercarriages and higher engine performance were initially limited by air resistance, which above a speed of 60 kilometres per hour is the strongest of all driving resistances. This led to the development of new body shapes that offer less resistance to the airstream. Engineers still determined the form of the car, sometimes even achieving formal elegance. It was only rarely that members of other professions, such as the architects Le Corbusier or Walter Gropius, were commissioned to design a car. Between the two World Wars North America had the worlds largest fleet of cars; this also meant that their design became an increasingly important sales factor. Professsional automobile design was established. As they continued to develop technically, cars in the 1950s moved further and further away from the physically logical form of a moving body. One of the last and most outstanding examples of a form with optimum resistance to the airstream is the Citroën ID/DS of 1955. Others, indeed almost all, opted for the pure symbolism of speed and power, whose most important ingredients were tail fins and chrome. Today, with a global annual production of close to 100 million passenger cars, automotive style has come to be represented by a wide range of almost every imaginable form. Architect Hans-Ulrich von Mende has worked with partners in an independent practice since 1990. For 50 years his writings and drawings on automotive design have appeared in books, trade journals (mot, autobild) and the daily press (Frankfurter Allgemeine Zeitung, Süddeutsche Zeitung).

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