Search results for ""manchester university press""

Leonora Carrington (1917-2011) was an English surrealist artist and writer who emigrated to Mexico after the Second World War. This volume approaches Carrington as a major international figure in modern and contemporary art, literature and thought. It offers an interdisciplinary exploration of the intellectual, literary and artistic currents that animate her contribution to experimental art movements throughout the Western Hemisphere, including surrealism and magical realism.The book contains nine chapters from scholars of modern literature and art, each focusing on a major feature in Carrington's career. It also features a visual essay drawn from the 2015 Tate Liverpool exhibition Leonora Carrington: Transgressing Discipline, and two experimental essays by the novelist Chloe Aridjis and the scholar Gabriel Weisz, Carrington's son. This collection offers a resource for students, researchers and readers interested in Carrington's works.

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This book is a practical introduction to digital history. It offers advice on the scoping of a project, evaluation of existing digital history resources, a detailed introduction to how to work with large text resources, how to manage digital data and how to approach data visualisation.Doing digital history covers the entire life-cycle of a digital project, from conception to digital outputs. It assumes no prior knowledge of digital techniques and shows you how much you can do without writing any code. It will give you the skills to use common formats such as XML. A key message of the book is that data preparation is a central part of most digital history projects, but that work becomes much easier and faster with a few essential tools.

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This book examines the powerful influence of civil law on understandings and responses to madness in England and in New Jersey. The influence of civil law on the history of madness has not hitherto been of major academic investigation. This body of law, established and developed over a five hundred year period, greatly influenced how those from England’s propertied classes understood and responded to madness. Moreover, the civil law governing the response to madness in England was successfully exported into several of its colonies, including New Jersey. Drawing on a well-preserved and rare collection of trials in lunacy in New Jersey, this book reveals the important ties of civil law, local custom and perceptions of madness in transatlantic perspectives. This book will be highly relevant to scholars interested in law, medicine, psychiatry and madness studies, as well as contemporary issues in mental capacity and guardianship.

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This book traces the steady decline in Irish Catholicism from the visit of Pope John Paul II in 1979 up to the Cloyne report into clerical sex abuse in that diocese in 2011. The young people awaiting the Pope’s address in Galway were entertained by two of Ireland’s most charismatic clerics, Bishop Eamon Casey and Fr Michael Cleary, both of whom were subsequently revealed to have been engaged in romantic liaisons at the time.The decades that followed the Pope’s visit were characterised by the increasing secularisation of Irish society. Boasting an impressive array of contributors from various backgrounds and expertise, the essays in the book attempt to trace the exact reasons for the progressive dismantling of the cultural legacy of Catholicism and the consequences this has had on Irish society.

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This is the first comprehensive study of bodily images in Dada. Travelling between the international centres of the movement, from Zurich to Berlin, Paris to New York, it examines a diverse range of media, including art, literature, performance, photography and film. Its overall approach is to confront Dada’s bodily images not as organic unities but as fictions that reflect on the disjunctive, dehumanised society of war-torn Europe. These fictions occupy an ambivalent space between the battlefield (in their satirical exposure of ideology) and the fairground (in their playful manipulation and joyful renewal of the body). The book features analyses of works by Max Ernst, Francis Picabia, Hannah Höch, Marcel Duchamp and others, and will appeal to scholars and students of European history, cultural history, art and literature.

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This study is the first in-depth analysis of the Fulbright exchange program in a single country. Drawing on previously unexplored archives and oral history, the authors investigate the educational, political and diplomatic dimensions of a complex bi-national program as experienced by Australian and American scholars. The book begins with the postwar context of the scheme’s origins, moves through its difficult Australian establishment during the early Cold War, the challenges posed by the Vietnam War, and the impacts of civil rights and gender parity movements and late 20th century economic belt-tightening. How the program’s goal of ‘mutual understanding’ was understood and enacted across six decades lies at the heart of the book, which weaves institutional and individual experiences together with broader geopolitical issues. Bringing a complex and nuanced analysis to the Australia-US relationship, the authors offer fresh insights into the global significance of the Fulbright Program

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This book examines the afterlife of the lollard movement, demonstrating how it was shaped and used by evangelicals and seventeenth-century Protestants. It focuses on the work of John Foxe, whose influential Acts and Monuments (1563) reoriented the lollards from heretics and traitors to martyrs and model subjects, portraying them as Protestants’ ideological forebears. It is a scholarly mainstay that Foxe edited radical lollard views to bring them in line with a mainstream monarchical church. But this book offers a strong corrective to the argument, revealing that the subversive material present in Foxe’s text allowed seventeenth-century religious radicals to appropriate the lollards as historical validation of their own theological and political positions. The book argues that the same lollards who were used to strengthen the English church in the sixteenth century would play a role in its fragmentation in the seventeenth.

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A new addition to the Pocket Politics series, Transatlantic traumas takes a timely, compelling look at connections between external and internal threats that challenge the concept and coherence of the West and its leading institutions, NATO and the European Union. Frank and direct, in a style that’s accessible for all readers, the book pulls no punches about the Western crisis of confidence.After discussing the meaning of “the West” and examining Russian and Islamist terrorist threats, Transatlantic traumas assesses the main internal threats: the rise of radical right populist parties, Turkey’s drift away from Western values, the Brexit shock, and the Trump Tsunami in the United States.Transatlantic traumas concludes by suggesting that the West can be reinvigorated if the political centers in Europe and the United States will reassert themselves in an approach the author calls “radical centrist populism.”

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This book explores the representation of queer migrant Muslims in international literature and film from the 1980s to the present day. Bringing together a variety of contemporary writers and filmmakers of Muslim heritage engaged in vindicating same-sex desire, the book approaches queer Muslims in the diaspora as figures forced to negotiate their identities according to the expectations of the West and of their migrant Muslim communities. The book examines 3 main themes: the depiction of queer desire across racial and national borders, the negotiation of Islamic femininities and masculinities, and the positioning of the queer Muslim self in time and place. This study will be of interest to scholars, as well as to advanced general readers and postgraduate students, interested in Muslims, queerness, diaspora and postcolonialism. It brings nuance and complexity to an often simplified and controversial topic.

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Originally published in 1986 this book has become a classic of international law literature. It was a penetrating critique of the methodology of international law as it had come to be understood and accepted by the generality of international lawyers. It called for a realisation of the crucial role which international lawyers should play in reflecting in the nature and implications of the principles and arguments used by governments and other actors in the international stage. It called for a positive legal analysis of international issues. This edition comes with a new 10,000 word introduction that will put the original work it in its proper historical context. New generations of international legal scholars who did not read Carty in the 1980s and who have had little chance to do so since then because of the book's unavailability will show a great deal of interest in delving into the thoughts of one of the most influential critical legal thinkers.

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This book investigates the troubled relationship between medieval studies and medievalism. Acknowledging that the medieval and medievalism are mutually constitutive, and that their texts can be read using similar strategies, it argues that medieval writers offer powerful models for the ways in which contemporary desire determines the constitution of the past. This desire can not only connect us with the past but can reconnect readers in the present with the lost history of what may be called the ‘medievalism of the medievals’. In other words, to come to terms with the history of the medieval is to understand that it already offers us a model of how to relate to the past.

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This man and music asks two central questions: what can literature contribute to the art of composition, and how can music influence the writer? Anthony Burgess, famed novelist, journalist, and composer, answers these questions and many more. As a person uniquely qualified to look at the interconnectivity of music and literature from both sides, Burgess provides fascinating insights, drawing on his deep knowledge of both disciplines. The book contains eleven interconnected essays that touch on philosophical conundrums of art and adaptation, questions of meaning, and the author’s own personal experience. It is a must-read for fans of Burgess who want to understand how music influenced the author’s craft of writing. Part autobiography and part literary and musical analysis, This man and music is a unique artefact in the stunning output of a prolific artist.

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Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898–1948) and Juliana (1948–80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands’ modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history, reveals the entanglement of Dutch and Indonesian histories in the twentieth century, and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.

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The political materialities of borders aims to bring questions of materiality to bear specifically on the study of borders. In doing this, the contributors have chosen an approach that does not presume the material aspect of borders but rather explores the ways in which any such materiality comes into being. Through ethnographic and philosophical explorations of the ontology of borders from the perspective of materiality, this volume seeks to throw light on the interaction between the materiality of state borders and the non-material aspects of state-making. This enables, it is shown, a new understanding of borders as productive of the politics of materiality, on which both the state project rests, including in its multifarious forms in the post-nation-state era.

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This is an edition of Christopher Marlowe’s play Dr Faustus as it was printed in its revised and augmented form in 1616. It follows the publication of the Malone Society edition of the 1604 text in 2018. This is one of the most celebrated of all Elizabethan plays, famous for its treatment of the damnation of Faustus and his struggles with his divided conscience. It combines spectacular visual effects with sophisticated theological discussion.The edition reproduces in facsimile the only surviving copy of the play, which is held in the British Library. The differences from the 1604 text, including revisions and additional passages, are fully described and analysed, and placed in the context of changing theatre practices at the time. A major feature of the edition is that it identifies the printer of the 1616 text, whose name has been hitherto unknown.

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Since its emergence at the end of the seventeenth century, industrial capitalism as a specific form of social organisation has set recurrent challenges to its own persistence, and until today, it has proved to be successful to develop new ways of accumulation based on its capacity of adaptation. Is this process of transition now accelerating or reaching an end point? This book is a critical exploration of capitalism in transition, bringing together cutting edge, world renowned scholars who reflect from different disciplinary points of view. This collection engages with the primarily Western themes of welfare capitalism and social fragmentation. Structured over three parts, the book analyses; the transformations of welfare societies and capitalism with a focus on South European welfare states and their (in)capacity to tackle poverty; the transformation of work and migration with a special attention to informality and the question of social rights; and the transformation of cities.This book is relevant to United Nations Sustainable Development Goal 1, No poverty.

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Maps take place in time as well as representing space. The Google map on your smartphone appears to fix the world, serving as a practical spatial tool, but in practice is deployed in ways that draw attention to memories, rhythm, synchronicity, sequence and duration. This interdisciplinary collection focuses on how these temporal aspects of mapping might be understood, at a time when mapping technologies have been profoundly changed by digital developments. It contrasts different aspects of this temporality, bringing together experts from critical cartography, media studies and science and technology studies. Together the chapters offer a unique interdisciplinary focus revealing the complex and social ways in which time in wrapped up with digital technologies and revealed in everyday mapping tasks: from navigating across cities, to serving as scientific groundings for news stories; from managing smart cities, to visual art practice. It brings time back into the map!

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The book traces the history of international humanitarianism from the anti-slavery movement to the end of the cold war. It is based on an extensive survey of the international literature and is retold in an original narrative that relies on a close examination of the sources. The reconstruction of humanitarianism’s long history unfolds around some crucial moments and events: the colonial expansion of European countries, the two world wars and their aftermaths, the emergence of a new postcolonial order. In terms of its contents, narrative style, interpretative approach the book is aimed at a large and diverse public including: scholars who are studying and teaching humanitarianism; students who need to learn about humanitarianism as part of their training or research; operators and volunteers who are engaged in the field; non-specialist readers who are interested in the topic because of its relevance to current events.

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Shakespeare’s London 1613 offers for the first time a comprehensive ‘biography’ of this crucial year in English history. The book examines political and cultural life in London, including the Jacobean court and the city, which together witnessed an exceptional outpouring of cultural experiences and transformative political events. The royal family had to confront the sudden death of Prince Henry, heir apparent to the throne, which provoked unparalleled grief. Meanwhile, an unprecedented number of plays performed at court helped move the country away from sadness to the happy occasion of Princess Elizabeth’s marriage to a German prince. Shakespeare’s productions dominated London’s cultural landscape, while other playwrights, writers and printers produced an extraordinary number of books. Readers interested in literature, cultural history, and the royal family will find in this book a rich and accessible account of this monumental year.

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This book explores the transformation of the Japanese state in response to the challenges of governance by focusing on two case studies: ICT regulation and antimonopoly regulation after the 1980s, which experienced a disjuncture and significant transformation within the period with approaches embracing competition. In so doing, it reveals the transformation of the state and governance in a Japanese context and presents itself as an example of the new governance school addressing the state, its transformation, and the governance of the political arena in Japanese politics and beyond, setting out a challenge to the established body of pluralist and rational choice literature in Japanese politics. With its comprehensive review and analysis of the theory and development of Japan’s contemporary politics, this book is suitable as a textbook for undergraduate and postgraduate courses as well as a guidebook for practitioners engaging in policies and businesses relating to Japan.

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This collection explores the creative responses of artists to the legacies of war, colonialism, genocide and oppression. Based on a major project of international collaboration supported by the European Science Foundation, it brings together professional art practices, art history and visual culture studies, social anthropology, literary studies, history, museology and cultural policy studies. Case studies are drawn from diverse contexts, including South Africa, Germany, Namibia, the United Kingdom, Nigeria, Indonesia, the Netherlands, Poland, Norway, the Israeli-Palestinian conflict and Australia. The results reveal a courageous and carefully examined global picture, with a variety of new approaches to confronting dominant historical narratives and shaping alternative interpretations.

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The Rushdie affair, September 11 2001 and 7/7 pushed British Muslims into the forefront of increasingly fraught debate about multiculturalism. Stereotyping images have proliferated, reducing a heterogeneous minority group to a series of media soundbites. This book examines contemporary literary representations of Muslims by British writers of South Asian Muslim descent – including Salman Rushdie, Hanif Kureishi, Monica Ali and Nadeem Aslam – to explore the contribution they make to urgent questions about multicultural politics and the place of Muslims within Britain. By focusing on class, and its intersection with faith, ‘race’ and gender in identity- and community-formation, it challenges the dichotomy of secular freedom versus religious oppression that constrains thinking about British Muslims, and offers a more nuanced perspective on multicultural debates and controversies.

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This volume brings together a range of writers from different academic disciplines and different locations to provide an engaging and accessible critical exploration of one of the most revered and reviled bands in the history of popular music. The essays collated here locate The Clash in their own explosive cultural moment of punk's year zero and examine how the group speaks from beyond the grave to the uncanny parallels of other moments of social and political crisis. In addition, the collection considers the impact of the band in a range of different geopolitical contexts, with various contributors exploring what the band meant in settings as diverse as Italy, England, Northern Ireland, Australia and the United States. The diverse essays gathered in Working for the clampdown cast a critical light on both the cultural legacy and contemporary resonance of one of the most influential bands ever to have graced a stage.

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This is the first history of the Hippie Trail. It records the joys and pains of budget travel to Kathmandu, India, Afghanistan and other ‘points east’ in the 1960s and 1970s. Written in a clear, simple style, it provides detailed analysis of the motivations and the experiences of hundreds of thousands of hippies who travelled eastwards. The book is structured around four key debates: were the travellers simply motivated by a search for drugs? Did they encounter love or sexual freedom on the road? Were they basically just tourists? Did they resemble pilgrims? It also considers how the travellers have been represented in films, novels and autobiographical accounts, and will appeal to those interested in the Trail or the 1960s counterculture, as well as students taking courses relating to the 1960s.

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Thomas May's The Tragedy of Antigone (1631), edited by Matteo Pangallo, is the first English treatment of the story made famous by Sophocles. This edition contains a facsimile of the copy held at the Beinecke Library of Yale University, making the play commercially available for the first time since its original publication. The extensive introduction discusses, among other things, the ownership history of existing copies and their marginal annotations, and of the play's topical political implications in the light of May's wavering between royalist and republican sympathies. Writing during the contentious early years of Charles I's reign, May used Sophocles' Antigone to explore the problems of just rule and justified rebellion. He also went beyond the scope of the original, adding content from a wide range of other classical and contemporary plays, poems and other sources, including Shakespeare's Romeo and Juliet and Macbeth. This volume will be essential reading for advanced students, researchers and teachers of early English drama and seventeenth-century political history.

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In a world defined by the flow of people, goods and cultures, many contemporary French films explore the multicultural nature of today’s France through language. From rival lingua francas such as English to socio-politically marginalised languages such as Arabic or Kurdish, multilingual characters in these films exploit their knowledge of multiple languages, and offer counter-perspectives to dominant ideologies of the role of linguistic diversity in society. Decentring France is the first substantial study of multilingual film in France. Unpacking the power dynamics at play in the dialogue of eight emblematic films, this book argues that many contemporary French films take a new approach to language and power, showing how even the most historically-maligned languages can empower their speakers. This book offers a unique insight to academics and students alike, into the place of language and power in French cinema today.

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This book provides a vivid and accessible history of first-generation immigrants to England in the later Middle Ages. Accounting for upwards of two percent of the population and coming from all parts of Europe and beyond, immigrants spread out over the kingdom, settling in the countryside as well as in towns, taking work as agricultural labourers, skilled craftspeople and professionals. Often encouraged and welcomed, sometimes vilified and victimised, immigrants were always on the social and political agenda.Immigrant England is the first book to address a phenomenon and issue of vital concern to English people at the time, to their descendants living in the United Kingdom today and to all those interested in the historical dimensions of immigration policy, attitudes to ethnicity and race and concepts of Englishness and Britishness.

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Universities have a key role to play in contributing to environmental development and combating climate change. The chapters within this volume detail the challenges faced by higher education institutions in considering environmental sustainability, and provide both a broad view of university engagement and a detailed examination of various projects. As part of this series in association with the Place and Social Capital and Learning (PASCAL) International Observatory, the three key PASCAL themes of place management, lifelong learning and the development of social capital are considered throughout the book.While universities have historically generated knowledge outside of specific local contexts, this book argues that it is particularly important for them to engage with the local community and to consider diverse perspectives and assets when looking at issues within an ecological context. The chapters in this volume provide new perspectives and frames of reference for transforming universities by engaging in the development of resilient communities.

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Photographic realism: Late twentieth-century aesthetics provides an accessible and useful introduction to uses of photography in art practice, and relates them to wider cultural ideas. Focusing on conceptual and political projects between 1970 and the turn of the century, it draws parallels between issues discussed in theory and those displayed visually in practice. Tormey discusses a dynamic era in photography’s history, which follows the influences of conceptual art and shifts in thinking about representation and subjectivity. The author moves away from the preoccupations of modernist photography to outline a photographic aesthetic that signals a direction for development in the twenty-first century, exampled here by the complex practices of Chinese photography. This book emphasises how photographs construct ideas, make comments and promote thought – philosophically, culturally and politically. It will be particularly useful in post-graduate courses on fine art and photography, but it will also appeal to students and lecturers of art history, visual culture and media studies.

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Citizen now offers a comprehensive description of the composition and behavior of young adults, an explanation and critique of the study of youth engagement, and a unique approach and methodology for appreciating how and why “citizen now” engages in politics and democracy. Citizen now considers youth political participation from the perspective of young adults themselves – specifically, young adults who’ve organized around an issue of great concern to Millennials, their economic well-being. The perfect text for undergraduates exploring the fundamentals of government, political behavior, and citizenship, this text’s fresh take on the important subject of youth engagement offers both a path for future research and practical guidance on how to engage “citizen now” in politics and democracy.

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Why did the Russian take-over of Crimea come as a surprise to so many observers in the academic, practitioner and global-citizen arenas? The answer presented in this textbook is a complex one, rooted in late-Cold War dualities but also in the variegated policy patterns of the two powers after 1991. The 2014 crisis was provoked by conflicting perspectives over the Balkan Wars of the 1990s, the expansion of NATO to include former communist allies of Russia as well as three of its former republics, the American decision to invade Iraq in 2003, and the Russian move to invade Georgia in 2008. This book uses a number of key theories in political science to create a framework for analysis and to outline policy options for the future. It is vital that the attentive public confront the questions raised in these pages in order to control the reflexive and knee-jerk reactions to all points of conflict that emerge on a regular basis between America and Russia.

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Debating civilisations offers an up-to-date evaluation of the re-emerging field of civilisational analysis, tracing its main currents and comparing it to rival paradigms such as Marxism, globalisation theory and postcolonial sociology. The book suggests that civilisational analysis offers an alternative approach to understanding globalisation, one that focuses on the dense engagement of societies, cultures, empires and civilisations in human history. Building on Castoriadis’s theory of social imaginaries, it argues that civilisations are best understood as the products of routine contacts and connections carried out by anonymous actors over the course of long periods of time. It illustrates this argument through case studies of modern Japan, the Pacific and post-Conquest Latin America (including the revival of indigenous civilisations), exploring discourses of civilisation outside the West within the context of growing Western imperial power.

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Recent scholarship in political thought has closely examined the relationship between European political ideas and colonialism, particularly the ways in which canonical thinkers supported or opposed colonial practices. But little attention has been given to the engagement of colonized political and intellectual actors with European ideas. The essays in this volume demonstrate that a full reckoning of colonialism’s effects requires attention to the ways in which colonized intellectuals reacted to, adopted, and transformed these ideas, and to the political projects that their reactions helped to shape. Across nine chapters, a mix of political theorists and intellectual historians grapple with specific thinkers and contexts to show in detail the unpredictable, complex and sometimes paradoxical impact of European ideas in an array of colonial settings.

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Debating civilisations offers an up-to-date evaluation of the re-emerging field of civilisational analysis, tracing its main currents and comparing it to rival paradigms such as Marxism, globalisation theory and postcolonial sociology. The book suggests that civilisational analysis offers an alternative approach to understanding globalisation, one that focuses on the dense engagement of societies, cultures, empires and civilisations in human history. Building on Castoriadis’s theory of social imaginaries, it argues that civilisations are best understood as the products of routine contacts and connections carried out by anonymous actors over the course of long periods of time. It illustrates this argument through case studies of modern Japan, the Pacific and post-Conquest Latin America (including the revival of indigenous civilisations), exploring discourses of civilisation outside the West within the context of growing Western imperial power.

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This book traces the steady decline in Irish Catholicism from the visit of Pope John Paul II in 1979 up to the Cloyne report into clerical sex abuse in that diocese in 2011. The young people awaiting the Pope’s address in Galway were entertained by two of Ireland’s most charismatic clerics, Bishop Eamon Casey and Fr Michael Cleary, both of whom were subsequently revealed to have been engaged in romantic liaisons at the time.The decades that followed the Pope’s visit were characterised by the increasing secularisation of Irish society. Boasting an impressive array of contributors from various backgrounds and expertise, the essays in the book attempt to trace the exact reasons for the progressive dismantling of the cultural legacy of Catholicism and the consequences this has had on Irish society.

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The immense power the Catholic Church once wielded in Ireland has considerably diminished over the last fifty years. During the same period the Irish state has pursued new economic and social development goals by wooing foreign investors and throwing the state's lot in with an ever-widening European integration project. How a less powerful church and a more assertive state related to one another during the key third quarter of the twentieth century is the subject of this book. Drawing on newly available material, it looks at how social science, which had been a church monopoly, was taken over and bent to new purposes by politicians and civil servants. This case study casts new light on wider processes of change, and the story features a strong and somewhat surprising cast of characters ranging from Sean Lemass and T.K. Whitaker to Archbishop John Charles McQuaid and Father Denis Fahey.

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Architecture and ekphrasis examines how eighteenth-century prints and drawings of antique architecture operated as representations of thought. Using original archival material, it considers the idea of the past in the period, specifically how it was discovered and described, and investigates how space and time inform visual ekphrasis or descriptions of architecture. The idea of embodiment is used to explore the various methods of describing architecture – including graphic techniques, measurement and perspective – all of which demonstrate choices about different modes of ekphrasis. This well-illustrated, accessibly written study will be of interest to academics and students working in a broad range of subject areas. It will also be an essential teaching tool for increasingly popular cross-disciplinary courses.

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Cities have been missing from analyses of the global economic crisis and debates about how to generate a sustainable recovery. Cities and crisis provides a fresh assessment of what has changed since 1990 and what has not, of policy assumptions about urban economies, and of lessons of experience. A city-centred strategy to lift urban productivity must reduce deficits of urban innovation and of infrastructure investment: the new limits to growth. The outlook of more frequent and more costly crises to come – environmental, health, and even economic – makes these deficits more alarming. Yet governments seem incapable of setting out a vision for the future of cities. Things may get worse before they get better.We may need radical reforms to get practical solutions to improve urban economic performance and to reduce the impact of urban disasters and crises: our major challenges. Putting cities at the centre of policy will challenge how governments, structured by sectors and levels, work. Paradigm shifts in economic governance have been undertaken successfully in the past; we are just out of practice. Drawing on dozens of reports from the OECD to illuminate recent trends, emerging risks and initiatives to improve decision-making, Cities and crisis is about the future, starting where we are. This book is essential for anyone interested in the lessons of the 2008 crisis for the future of cities in the twenty-first century, and is suitable for classroom use in politics, urban studies, development and business.

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Popular cinema has mostly been discussed from a 'cult' perspective that celebrates uncritically its 'transgressive' qualities. Capital and popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and culturally-specific contexts and by exploring the interconnections between those contexts, the immediate industrial-financial interests sustaining the films, and the films' aesthetics. Through the examination of three different cycles in film production - the Italian giallo of Mario Bava, the Mexican films of Fernando Méndez, and the Hindi horror cinema of the Ramsay Brothers - Capital and popular cinema proposes a comparative approach that accounts for the whole of a national film industry's production ('popular' and 'canonic'), and is applicable to the study of film genres globally.Based on new research, Capital and popular cinema will be of interest to undergraduate and post-graduate students, researchers and scholars of cult and exploitation cinema, genre cinema, national cinema, film and media theory, and area studies.

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This book is the fruit of twenty years' reflection on Islamic charities, both practically and as a key to understand the crisis in contemporary Islam. On the one hand Islam is undervalued as a moral and political force whose admirable qualities are epitomised in its strong tradition of charitable giving. On the other hand, it suffers from a crisis of authority that cannot be blamed entirely on the history of colonialism and stigmatisation to which Muslims have undoubtedly been subjected - most recently, as a result of the "War on Terror".The book consists of seventeen previously published chapters, with a general introduction and new prefatory material for each chapter. Part one reviews the current situation of Islamic charities from many different viewpoints. Part two expands the coverage to explore the potential for a twenty-first century global "Islamic humanism" devised by Muslims. This means addressing contentious topics such as religious toleration.

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From the height of colonialism in the mid-nineteenth century, through to the aftermath of the Second World War, nurses have been at the heart of colonial projects. They were ideally placed to insinuate the ‘improving’ culture of their employers into the local communities they served, and travelled in droves to far-flung parts of the globe to serve their country. Issues of gender, class and race permeate this book, as the complex relationships between nurses, their medical colleagues, governments and the populations they nursed are examined in detail, using case studies which draw on exciting new sources. Many of the chapters are based on first-hand accounts of nurses and reveal that not all were motivated by patriotic vigour or altruism, but went out in search of adventure. The book will be an essential read for colonial historians, as well as historians of gender and ethnicity.

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Moving images of the British monarchy are almost as old as the moving image itself, dating back to an 1895 American drama, The Execution of Mary Queen of Scots. And from 1896, actual British monarchs appeared in the new 'animated photography', led by Queen Victoria. Half a century later the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century's end, Princess Diana's funeral was viewed by 2.5 billion worldwide. In the first book length examination of film and television representations of this enduring institution, distinguished scholars of media and political history analyze the screen representations of royalty from Henry VIII to 'William and Kate'. Seventeen essays by Ian Christie, Elisabeth Bronfen, Andrew Higson, Karen Lury, Glynn Davies, Jane Landman and other international commentators examine the portrayal of royalty in the 'actuality' picture, the early extended feature, amateur cinema, the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. A long overdue contribution to film and television studies, this book will be essential reading for scholars and students of British media and political history.

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This is a comprehensive study of one of the most influential literary groups in post-independence Ireland: the writers and editors of the literary magazine The Bell. Seán O'Faoláin and the generation of writers that matured in the shadows of W. B. Yeats and James Joyce dominated the literary landscape in Ireland in the build-up to, and during, the Second World War. This is their story, as told through the history of one journal: The Bell. Working with previously unpublished archival material, this study looks to illuminate the relationships, disputes and loves of the contributors to Ireland's most important 'little magazine' under the guiding influence of its founding editor, Seán O'Faoláin. In doing so, it sheds new light on O'Faoláin's early influences and his attitude towards the Church and the state in Ireland.

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An unprecedented compilation of critical and creative essays and visual texts from leading international scholars, Unfolding Irish landscapes presents cross-disciplinary studies of the prose, cartography, visual art and cultural legacy of the award-winning work of cartographer and writer Tim Robinson. This book explores the process in which Robinson has addressed the historical and geographical tensions that suffuse the landscapes of Ireland. Robinson’s distinctive methods of map-making and topographical writing capture the geographical and cultural consciousness of not only Ireland, but also of the entire North Atlantic archipelago. Through both topographic prose and cartography Robinson undertakes one of the greatest explorations of the Irish landscape by a single person in recent history, paralleling, if not surpassing, Robert Lloyd Praeger’s extensive catalogue of writings and natural histories of western Ireland.

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This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework.The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard’s work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students.

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Tristana is a novel where love, hate and power converge into a triangle of domination and frustration.Galdós', following the ideas of the Free Teaching Institution, intervened in the arena of the debate around the emancipation of women and their incorporation into the public sphere. Tristana, a young woman subjected to the rule of the tyrannical Don Lope, idealistically tries to find her purpose on life but she ends trapped by the rules of a world dominated by men who only see her as the object of their desire. Written in an experimental manner that defies the boundaries of theatre, epistolary and novel genres, Galdós' displays the purest nature of his characters by presenting their contradictions, weaknesses and virtues. He uses a deliberately ambiguous style that seeks to address fundamental questions regarding the unbalances of a Madrid in times of turbulence, but leaves the reader to draw their own meaning.

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This book explores Irish experiences of medicine and health during the First and Second World Wars, the War of Independence and the Civil War. It examines the physical, mental and emotional impact of conflict on Irish political and social life, as well as medical, scientific and official interventions in Irish health matters. The contributors put forward the case that warfare and political unrest profoundly shaped Irish experiences of medicine and health, and that Irish political, social and economic contexts added unique contours to those experiences not evident in other countries. In pursuing these themes, the book offers an original and focused intervention into a central, but so far unexplored, area of Irish medical history.

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This study examines the writing career of the respected and prolific novelist Doris Lessing, who was awarded the Nobel Prize for Literature in 2007.Whereas earlier assessments have focused on Lessing’s relationship with feminism and the impact of her 1962 novel, The Golden Notebook, this book argues that Lessing's writing was formed by her experiences of the colonial encounter; it makes use of postcolonial theory and criticism to examine Lessing's interest in ideas of nation, empire, gender and race and the connections between them.The book, now available in paperback, examines the entire range of her writing, including her most recent fiction and non-fiction, which have been comparatively neglected. The book is aimed at undergraduate and postgraduate students of Doris Lessing’s work as well as the general reader who enjoys her writing. This is the first significant book-length critical evaluation in ten years.

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